#Audio Research preamp.

[audio-luddite]

Another Album arrived.

I ordered a Dire Straits "Brothers in Arms" album. It was recorded about 40 years ago. This one is a MOFI repress, used, and seems in good shape.

The album was recorded in a Caribbean island on the side of a volcano. The tape deck was a 24 track Sony digital machine. It was originally released on CD and became Dire Straits' biggest hit.

The album won the Grammy for engineering in 1986. I have two other DS albums, but had never got around to this one.

MOFI works to get the best sound out of the best masters and they are pretty good at it. They did this one about 10 years ago for vinyl.

I streamed the album last week and liked the music. I wondered why I had not bought it before. The next step of course was to see what was available. If I can get gourmet issues I do. A local shop had this one. Apparently Mofi has some for sale on its site as of yesterday.

It cost about the same money, but with the exchange rate and no duty it was better.

I unwrapped the thing. It is a 2 x 180 @ 45 skate board trick LP. At least it is labeled as 45 rpm. So annoying when they don't do that.

Of course I wiped it down and played it. Gotta be sure its OK. It was. There are stories about the sessions which are kinda fun. Like the set up for the Guitar amplifier's speaker being accidental and really good for "money for nothing." People quitting and being brought in and some tracks getting lost. Usual Rock and Roll nonsense.

Occasionally something grabs my attention. I was getting familiar with the songs from the streams. I liked the sound. Sting's vocal on "money.." was kinda floating around. It was a bit less resolved than the stream, but not in a bad way.

But on side 4 (double album) the sound of the guitar on "The man's too strong" was really different than the stream. When the side finished I played it again. Then I fired up the stream of the same song. OK I suppose I may be exaggerating a bit, but the LP was far more complex and rich sounding.

This particular track had a ringer guitar player brought in and he used a "Synth Guitar". The sound is crazy, metallic, rich, and solid. In the stream the notes are there, but they do not hit you as hard. Over the whole album this was the most noticeable difference. I cannot tell if it is distortion from the guitar amp or something snythy. It just has very rich harmonics. Did the lossless people clean it up a bit?

This was a digital recording from the start. It was originally released on CD and followed with LPs and Cassettes (oh the 80s). This was the first album to sell more CDs than LPs.

Even though it sold very well the critics initially were rather negative. They wanted more edge or something. The Fans disagreed. So much for experts. Later reviews were better.

Digital aint bad by itself. It only sucks when abused by ham fisted engineers. This was an early DDD recording when that acronym meant as much as AAA does to vinylphiles today. Maybe Micheal Fremer can tell pure analog from digital. He has his preference. Oh and he produced a recent Jazz album on digital. Funny guy.

I am glad I spent the money. I will have another go tonight.

[audiovenue]

Such a musical combination. Audio Research with B&W Diamond speakers. . #music #sounds #bw #hifi #ref6se #audiophiles #stereophile #bowerswilkins #audiophiles #802d4 #800d4series #ar #audioresearch #audioresearchpre #preamp #audiolondondon #ultimateaudio #hifi #luxuryhifi #audio #audioealing #hifimaidenhead #ealing #hifilondon #maidenhead .#audiophilesuk #speakers #ultimatesound . @bowerswilkins . @audioresearch (at Audio Venue) https://www.instagram.com/p/CmtIB5zoPE4/?igshid=NGJjMDIxMWI=

[charlesmwa]

Budget-Friendly Audio Gear Options for Beginners

Are you ready to dive into the world of audio gear, but your wallet is holding you back? Don’t sweat it. Starting your audio journey doesn’t have to cost a fortune. There are plenty of budget-friendly options out there that deliver great performance without breaking the bank. Also many professional shops offers best prices on audio gears giving you the best deal. Here’s a guide to help you get started on your musical adventure with some affordable audio gear.

Headphones

A solid pair of headphones is crucial for any budding audio enthusiast. Look for ones that offer a good balance of sound quality, comfort, and durability. You don’t need to splurge on high-end models right away. Many affordable headphones provide clear sound and decent bass, making them perfect for practicing and casual listening.

Microphones

Whether you’re into podcasting, singing, or recording instruments, a good microphone is a must. Entry-level mics have come a long way, and many affordable options now offer impressive clarity and sensitivity. Look for condenser microphones if you want to capture vocals and acoustic instruments with precision, and dynamic microphones if you're more into live performance or recording in less controlled environments.

Audio Interfaces

An audio interface is essential for recording and producing music. It acts as a bridge between your microphone/instruments and your computer. Entry-level interfaces are quite affordable and provide all the necessary features, like multiple input/output options and high-quality preamps, to get you started on recording and mixing your tracks.

Studio Monitors

While headphones are great, nothing beats the experience of listening to your mix on studio monitors. They offer a more accurate representation of your sound. There are many budget-friendly monitors that provide a flat frequency response, allowing you to hear your music in its most natural form. They are perfect for small home studios and bedroom producers.

MIDI Controllers

If you’re into beat-making or electronic music, a MIDI controller is a must-have. Affordable MIDI keyboards or pad controllers are available with features like velocity-sensitive keys, pads, and various control knobs and faders. These controllers can help you compose and produce music more intuitively.

Cables and Accessories

Don’t forget the little things! Quality cables, stands, and pop filters can make a big difference in your recording and practicing experience. These accessories are generally inexpensive but crucial for maintaining good sound quality and extending the life of your gear. With a little research, you can find budget-friendly audio gear that meets your needs and helps you grow as a musician or audio enthusiast. Whether you’re setting up a home studio or just need something to practice with, there are plenty of options that offer great value for your money. Visit your local audio shop which offers the lowest price like VIP PRO AUDIO shop in Brooklyn or browse online to explore these affordable gems and kickstart your musical journey today!

[provisionavl]

The Ultimate Guide to Buying Studio Outboard Equipment: Provision AVL, Dubai

Dubai, a city renowned for its opulence and cutting-edge technology, is also a hub for audio enthusiasts and professionals. The demand for high-quality studio outboard equipment is steadily rising, and one of the top places to acquire such equipment is Provision AVL. In this blog, we’ll delve into why Provision AVL is a premier choice for studio outboard equipment and what you should consider when making a purchase.

Why Choose Provision AVL for Studio Outboard Equipment?

Provision AVL is a leading provider of professional audio, video, and lighting equipment in Dubai. The company has garnered a stellar reputation for its commitment to quality, extensive product range, and excellent customer service. Here’s why Provision AVL should be your go-to place:

1. Comprehensive Product Range

Provision AVL offers an extensive range of outboard equipment, from compressors and equalizers to effects processors and preamps. Whether you’re setting up a home studio or enhancing a professional one, Provision AVL has you covered.

2. Quality Assurance

Quality is paramount when it comes to studio equipment, and Provision AVL ensures that all their products meet stringent standards. The company stocks renowned brands, ensuring that you receive top-notch equipment​.

3. Expert Guidance

Navigating the world of outboard equipment can be daunting, especially for beginners. Provision AVL’s experienced team provides expert advice, helping you choose the right gear based on your needs and budget.

4. Competitive Pricing

Provision AVL offers competitive pricing on all their products, making it possible to get high-quality equipment without breaking the bank. They often run promotions and discounts, which can further enhance your savings.

Key Considerations When Buying Studio Outboard Equipment

When buying outboard equipment, there are several key factors to consider to ensure you make an informed decision:

1. Understand Your Needs

Before making a purchase, it’s crucial to understand what you need. Are you looking for a compressor to add warmth to your vocals, or an equalizer to fine-tune your mix? Identifying your requirements will help narrow down your options.

2. Budget

Outboard equipment can vary greatly in price. Setting a budget beforehand will help you stay focused and prevent overspending. Remember, it’s often better to invest in high-quality equipment that will last longer.

3. Research Brands and Models

Different brands and models offer varying features and sound qualities. Researching the available options will help you find equipment that aligns with your preferences and needs.

4. Test Before Buying

Whenever possible, test the equipment before making a purchase. This allows you to assess its sound quality and functionality, ensuring it meets your expectations.

5. Future-Proofing

Consider equipment that can grow with you as your studio expands or your needs evolve. Investing in versatile, high-quality gear now can save you money in the long run.

Conclusion

Buying studio outboard equipment is an exciting but challenging task, and Provision AVL in Dubai provides a one-stop solution for all your needs. With their extensive product range, quality assurance, expert guidance, and competitive pricing, you can be assured of a satisfying purchase experience​

[musicinsurancecompany]

The Dos and Don’ts of Owning a Recording Studio

Owning a recording studio is a dream for many music enthusiasts. It offers the chance to be immersed in the creative process, collaborate with talented artists, and contribute to the birth of new music. However, the reality goes beyond just having a fancy microphone and some recording software. Isn't it?

It is a business venture that requires careful planning, hard work, and a deep understanding of the industry.

This guide explores the key considerations for aspiring studio owners, navigating them through the "dos" and "don'ts" of establishing a successful recording haven. Read on to learn the ifs and buts!

DO: Plan Your Niche

Identify Your Strengths: Are you passionate about capturing live bands, crafting electronic soundscapes, or specializing in voice-overs? Knowing your expertise helps attract the right clientele and equip your studio appropriately.

Market Research: Who are your ideal clients? Local musicians, podcasters, or established artists? Research existing studios in your area, identify gaps in their offerings, and position yourself to fill those needs.

Don't: Be across the genre. Trying to cater to every genre can spread you thin. Focus on what you excel at and build a reputation in that space.

DO: Invest in Quality Gear

Core Equipment: Start with the essentials like microphones, preamps, an audio interface, and a Digital Audio Workstation (DAW). Research reputable brands and prioritize sound quality over flashy features.

Consider Future Needs: Budget for additional gear based on your niche. For instance, a live recording studio might need drum mics and a multi-channel interface, while a vocal booth might prioritize a high-quality condenser microphone.

Don't: Skimp on Gear. Cheap equipment can hinder your ability to capture good recordings, leading to frustrated clients and a damaged reputation.

DO: Create a Welcoming Space

Ambiance Matters: Design a comfortable and inspiring space for artists to focus on their creativity. Invest in soundproofing and consider features like comfortable seating and good lighting.

Technical Accessibility: Ensure your equipment is user-friendly or offer basic training for clients who aren't recording veterans.

Don't: Neglect Your Studio's Vibe. A cluttered, uncomfortable space can stifle creativity.

DO: Hone Your Business Skills

Business Structure: Consult an accountant to choose the best structure for your goals and tax implications.

Develop a Pricing Strategy: Research industry standards and competitors. Offer flexible options like hourly rates, package deals, or project-based pricing.

Don't: Undercharge for Your Services. You need your income to cover costs, reinvest in equipment, and sustain your business.

DO: Build Your Network

Connect with Musicians: Network with local musicians, bands, and music schools. Offer introductory discounts or advertise in relevant publications.

Collaborate with Other Studios: Build relationships with studios that cater to different needs. You can provide referrals and expand your reach.

Don't: Isolate Yourself. Building relationships within the music scene will bring in new clients and establish your studio as a trusted resource.

DO: Embrace Marketing

Develop an Online Presence: Create a professional website showcasing your studio, equipment, and services. Utilize social media platforms like Instagram and Facebook to connect with potential clients.

Word-of-mouth marketing: Encourage satisfied clients to leave reviews and recommend your services.

Don't: Neglect Marketing and a Recording Studio Insurance plan. Just because you've built a studio doesn't mean people will find it.

DO: Hone Your Recording Skills

Continuous Learning: Invest in training and workshops to stay current with recording techniques, software updates, and industry trends.

Develop Your Ear: Practice your mixing and mastering skills to enhance the sound of your clients' recordings.

Don't: Consider Yourself a Finished Product. The industry is constantly evolving. Keep learning to ensure you offer high-quality services.

DO: Be Patient and Persistent

Building a Clientele Takes Time: Don't expect instant success. Be patient, and consistent in your efforts, and deliver exceptional service to build a loyal client base.

Don't: Get Discouraged. Running a studio can be challenging. Maintain your passion for music and learn from your experiences.

Owning a recording studio offers immense creativity and the chance to be part of the musical journey. By following these "dos" and "don'ts," you can navigate the path to success and create a space that fosters musical magic. One of the most important things you should not forget is to buy a comprehensive Recording Studio Insurance plan.

[real-world-studio]

Studio Master Mixer 12 Channel Price: A Comprehensive Guide

Studio Master Mixer 12 Channel Price: A Comprehensive Guide

In the world of audio production, having the right tools is essential to create high-quality and professional-sounding music. A studio master mixer plays a crucial role in achieving the perfect sound balance and control during recording and live performances. Among the various options available, the Studio Master Mixer 12 Channel stands out as a versatile and reliable choice. This article aims to provide a comprehensive guide on the Studio Master Mixer 12 Channel price, features, and benefits.

Table of Contents

Overview of the Studio Master Mixer 12 Channel

Key Features and Specifications

Importance of a Studio Master Mixer

Factors Affecting the Price

Comparison with Other Mixers in the Market

Tips for Choosing the Right Studio Master Mixer

Understanding the Price Range

Advantages of Investing in the Studio Master Mixer 12 Channel

Customer Reviews and Testimonials

Maintenance and Longevity

Frequently Asked Questions (FAQs)

Conclusion

Get Access Now: www.mymusicadda.in

1. Overview of the Studio Master Mixer 12 Channel

The Studio Master Mixer 12 Channel is a state-of-the-art audio mixing console designed for professional sound engineers, music producers, and live performers. It provides exceptional control and versatility, allowing users to create the desired soundscapes for various applications, including studio recordings, live performances, and sound reinforcement.

2. Key Features and Specifications

The Studio Master Mixer 12 Channel offers a wide range of features and specifications that make it a preferred choice among audio enthusiasts. Some notable features include:

12 input channels with individual gain control

High-quality microphone preamps

Built-in digital effects processor

Balanced XLR and 1/4" TRS inputs

3-band EQ with sweepable mids

Phantom power for condenser microphones

USB connectivity for digital audio recording

Aux sends and returns for external effects and monitoring

Intuitive and ergonomic layout for easy operation

3. Importance of a Studio Master Mixer

A studio master mixer serves as the central hub for audio signals, allowing users to adjust the volume, EQ, and effects of each individual channel. It enables precise control over the audio mix, ensuring clarity, balance, and coherence in the final output. Whether in a recording studio or a live performance venue, a studio master mixer is crucial for achieving professional sound quality.

4. Factors Affecting the Price

The price of a Studio Master Mixer 12 Channel can vary based on several factors, including:

Brand reputation and market demand

Number of input channels and additional features

Build quality and durability

Availability of advanced functionalities

Warranty and after-sales support

Considering these factors will help you make an informed decision while selecting a studio master mixer within your budget.

5. Comparison with Other Mixers in the Market

When comparing the Studio Master Mixer 12 Channel with other mixers in the market, it is important to assess their features, price, and overall performance. While there are several options available, the Studio Master Mixer 12 Channel stands out due to its exceptional build quality, versatility, and value for money.

6. Tips for Choosing the Right Studio Master Mixer

To ensure you select the perfect studio master mixer for your needs, consider the following tips:

Identify your requirements and desired features

Research different brands and models

Read customer reviews and expert opinions

Visit local music stores for hands-on experience

Compare prices and warranty terms

Seek advice from experienced audio professionals

By following these tips, you can make an informed decision and find the ideal studio master mixer that fits your budget and requirements.

7. Understanding the Price Range

The price range for the Studio Master Mixer 12 Channel can vary depending on the specific model and additional features. Typically, prices can range from $500 to $1000, making it an affordable option for both professionals and enthusiasts seeking high-quality audio mixing capabilities.

8. Advantages of Investing in the Studio Master Mixer 12 Channel

Investing in the Studio Master Mixer 12 Channel offers several advantages, including:

Versatile audio mixing capabilities for various applications

High-quality sound reproduction and clarity

Durability and reliability for long-term use

User-friendly interface for ease of operation

Expandability options for future upgrades

Value for money compared to other premium mixers in the market

9. Customer Reviews and Testimonials

Customers who have purchased and used the Studio Master Mixer 12 Channel often praise its superior sound quality, intuitive controls, and durable construction. Positive reviews highlight its versatility and ability to handle complex audio setups, making it an excellent choice for professionals in the music industry.

10. Maintenance and Longevity

To ensure the longevity and optimal performance of your Studio Master Mixer 12 Channel, it is important to follow proper maintenance practices. Regular cleaning, protection from dust and moisture, and handling with care will help prolong its lifespan. Additionally, referring to the user manual for specific maintenance instructions is highly recommended.

11. Frequently Asked Questions (FAQs)

Q1: Can the Studio Master Mixer 12 Channel be used for live performances? Yes, the Studio Master Mixer 12 Channel is designed to handle live performances with ease, providing excellent sound quality and control.

Q2: Does the Studio Master Mixer 12 Channel come with a warranty? Yes, most reputable brands offer a warranty on the Studio Master Mixer 12 Channel, ensuring peace of mind and support in case of any technical issues.

Q3: Can I connect the Studio Master Mixer 12 Channel to my computer for recording purposes? Absolutely! The Studio Master Mixer 12 Channel comes with USB connectivity, allowing seamless integration with digital audio workstations for recording and production purposes.

Q4: Are there any additional accessories required to operate the Studio Master Mixer 12 Channel? While the Studio Master Mixer 12 Channel comes with essential features, additional accessories such as cables, microphones, and monitors may be required based on your specific setup.

Q5: Is the Studio Master Mixer 12 Channel suitable for beginners? Yes, the Studio Master Mixer 12 Channel is suitable for both beginners and professionals. Its user-friendly interface and comprehensive features make it easy to operate and learn.

12. Conclusion

The Studio Master Mixer 12 Channel is a top choice for individuals seeking a versatile and reliable audio mixing solution. With its exceptional features, durability, and reasonable price range, it has become a popular option in the music industry. Whether you are a sound engineer, music producer, or live performer, investing in the Studio Master Mixer 12 Channel will undoubtedly enhance your audio production capabilities.

13. Get Access Now: www.mymusicadda.in

Get exclusive access to the Studio Master Mixer 12 Channel and unlock a world of possibilities in audio production. Visit www.mymusicadda.in to explore more and make your purchase today!

FAQs

Q1: Can I connect the Studio Master Mixer 12 Channel to my computer for recording purposes? Absolutely! The Studio Master Mixer 12 Channel comes with USB connectivity, allowing seamless integration with digital audio workstations for recording and production purposes.

Q2: Is the Studio Master Mixer 12 Channel suitable for live performances? Yes, the Studio Master Mixer 12 Channel is designed to handle live performances with ease, providing excellent sound quality and control.

Q3: Does the Studio Master Mixer 12 Channel come with a warranty? Yes, most reputable brands offer a warranty on the Studio Master Mixer 12 Channel, ensuring peace of mind and support in case of any technical issues.

Q4: Are there any additional accessories required to operate the Studio Master Mixer 12 Channel? While the Studio Master Mixer 12 Channel comes with essential features, additional accessories such as cables, microphones, and monitors may be required based on your specific setup.

Q5: Is the Studio Master Mixer 12 Channel suitable for beginners? Yes, the Studio Master Mixer 12 Channel is suitable for both beginners and professionals. Its user-friendly interface and comprehensive features make it easy to operate and learn.

[caraccessorie]

Choosing the Right Android Music System for Your Car

With technological improvements, driving has become more fun than ever, especially when it comes to listening to music while driving. Android music systems for vehicles come with a plethora of options that allow you to create a personalised and immersive audio experience. However, with so many alternatives on the market, it might be difficult to pick the best one. This guide will help you choose the best Android music system for your vehicle.

Compatibility: Compatibility is the most important factor to consider. Check that the Android music system you select is compatible with the make and model of your vehicle. To guarantee a smooth installation, double-check the needed dimensions, electrical connections, and mounting choices.

Audio Quality: Take note of the system's audio quality. To improve your music experience, look for features such as high-quality preamps, equalisers, and amplifiers. If you want a more powerful sound system, consider the power output and the possibility to attach other speakers or subwoofers.

Controls and User Interface: An intuitive user interface is critical for ease of use while driving. Look for Android music players with big touchscreen displays, snappy controls, and easy-to-use interfaces. Consider systems that have voice control for increased convenience and safety.

App Compatibility: One of the primary benefits of Android music systems is their app compatibility. Check to see if the system supports popular music streaming applications such as Spotify or Pandora, as well as navigation apps like as Google Maps or Waze. This allows you to instantly access your favorite programmes from the system's UI.

Finally, selecting the best Android music system for your car will significantly improve your driving experience. When making your selection, consider compatibility, audio quality, user interface, connectivity options, and app compatibility. To make an informed decision, research several products and read user reviews. You can enjoy your favorite tracks with superb sound quality and ease while on the road by investing in the correct Android music system.

[kettnercreative]

https://www.youtube.com/watch?v=BcjHta... https://kettnercreative.com/audio-interface/m-audio-m-track-solo-shure-sm7b-setup-demo/

[matchnsave]

The Top 7 Best turntable amplifiers in 2023 ( Affordable)

Even though you are completely in love with turntable records, you are still unable to get the most out of them since something may be missing. Well, that item is undoubtedly an amplifier, which is the major reason you are reading this page. Any hi-fi systems racing heart is its audio amplifier, which serves as the required intermediary between a source (such as a turn table) and a set of passive loudspeakers. You wont hear any sound if its missing. Youve come to the correct place if youve decided to go with an integrated amplifier rather than a pre/power pairing, which houses the pre and power amp functions in separate boxes. Integrated amplifiers are easier, more convenient, and take up less space.

Sony STRDH190 2-ch Home Stereo Receiver

The Sony STRDH190 2-ch is best known for its ability to connect with four speakers. It comes with built-in Bluetooth. Its A/B switching quality enables you to connect with four speakers at a time. It offers the excellent sound quality, even better than High-Resolution CD audio. Check on Amazon Research Our team tested and found out that the Sony STRDH190 2-ch is one of the best devices to give you an extra level of sound experience. Its power transformer quality offers a clearer and better sound quality Features - Comes with a capacity of 8 ohms, 1 Kilo Hertz (100 watts x 2). - Has the Speaker impedance ranging from 6–16 ohms - 4 stereo RCA audio inputs, Phono input, and 3.5-millimeter input - Offers FM antenna, batteries, and Remote Pros- comes in Low profile design having the capacity to easily fit into an AV cabinet - offers a great wireless audio quality experience - Offers headphone jack (full-sized) - Brags FM Radio with 30 station - Volume feature Does not work with KRK Rokit 6 speakers

Denon PMA-600NE Stereo Integrated Amplifier

Denon PMA-600NE is best known for its super level of Bluetooth Connectivity, Built-in Phono Pre-Amp, and DAC. It is featured with Analog Mode and offers Ultra High and advanced current power. This amplifier offers a great and multi-dimensional sound experience Check on Amazon Research Our team after conducting interviews with the people who use Denon PMA-600NE and found that it is highly suitable and robust for a higher level of audio experience. Its Bluetooth feature offers a great wireless audio experience Features - Denon PMA-600NE comes in Divided circuitry offering a great analog experience - Offers integrated amp offering multi-dimensional and utmost accuracy in sound experience - Offers unlimited source choice to connect with Pros- It comes with blue ray sound quality feature - Its impeccable sound experience is always amazing - It offers a superior level of digital connectivity - Offers high-level audio components - Not suitable for low-sensitivity bookshelf speakers

Kinter K2020A+ Limited Edition Original Tripath TA2020-020 Class-T Hi-Fi Audio Mini Amplifier with 12V 5A Power Supply Black

Unlike other amplifiers, Kinter K2020A+ comes with an ORIGINAL Tripath TA2020-020 amplifier chip. It offers powerful sound and efficient sound. It offers a compact and slim size having high suitability for DIY audio applications Check on Amazon Research Our team surveyed the people who used Kinter K2020A+ Limited Edition Original Tripath and found that its users found it offers a smooth and pro level of sound experience even having a superior level of digital connectivity Features - Comes with 12V 5A Power Supply - Owns 3.5mm Input for better signal quality - Brags Speaker and Gold Plated RCA Connectors - Has Easy fitting electrical plugs Pros- It is usable with a limited supply - Amazing and superior signal connectivity - Offers 12 Volt 5 Amp power supply (additional) - Charges are applied on replacement

Pro-Ject Audio - Phono Box DC - MM/MC Phono preamp with line Output – Blk

Known for its MM/MC Compatibility, Pro-Ject Audio comes in Miniature Size and works only with a limited supply. It enhances your turntable yield to CD/Aux level. It also offers electric plugs for superior-level use. Check on Amazon Research Our research team found that Pro-Ject Audio is a perfect choice for the ones who want to attain a higher level of sound experience on a limited budget. It comes with a preamp having line output. Features - It features Compact phono-pre-amplifier - Switch-adjust for MC or MM - Enabled installation to record player Pros- It comes in an amazingly small size - Its impedance output stage level is Ultra-low - It offers a great Phono Box DC - In rare cases it produces an extra humming

Cambridge Audio AXA35 35 Watt 2-Channel Integrated Stereo Amplifier

Cambridge Audio AXA35 is famous for its amazing design and sound (Cambridge Audio). It is featured with Built-in Phono-Stage and Integrated Stereo Amplifier. It can be easily connected to almost all of your devices and also offers a USB port for advanced connectivity Check on Amazon Research Our team found that Cambridge Audio AXA35 is designed with quality engineering making it more suitable to easily connect to almost all your devices ultimately resulting in a superior level of sound quality Features - Comes with 35 watts capacity AXA35 over per channel - Offers ¼ inch-sized Headphone socket - Comes with a capacity for 4 analogue inputs - Brags bass/treble controls Shelving Pros- Efficiently engineered for a better audio experience • - Offers 47k ohms input impedances - Features damped power supply, high spec heat sink, and short signal paths. - USB port enables you to connect with smart audio streaming devices - In rare cases sound breaks, so check before buying one

YAMAHA A-S501BL Natural Sound Integrated Stereo Amplifier (Black)

Best known for its wide range of features along with better sound quality, YAMAHA A-S501BL is amazingly dandy in appearance. It comes with an integrated amplifier featuring digital inputs advantages Check on Amazon Research Our team after testing YAMAHA A-S501BL Natural found it to be highly updated and up to the demands of music lovers. It offers automated standby and offers a pro level of sound experience Features - Comes with digital coax input (gold plated) - Brags phono and comes with analog inputs (gold plated) - Works with 20 Hz - 20 kHz (85 W plus 85 W) Pros- Offers Speakers A, B and AplusB - Offers 8 hours of standby (auto) - Less standby power consumption up to only 0.5 W - In rare cases it may get junk

Cambridge Audio CXA81 Stereo Two-Channel Amplifier with Bluetooth and Built-in DAC - 80 Watts Per Channel (Lunar Grey)

Best known for its matchless sonic ability and real HI-FI STEREO EXPERIENCE, Cambridge Audio CXA81 comes with a built-in DAC and Per Channel needs 80 Watts. It ensures a superior level of authentic sound Check on Amazon Research Our research team conducted a survey with the people who use Cambridge Audio CXA81. They found that it offers a truly emotional delivery of all kinds of music syncopated jazz rhythms, basslines, distinctive vocals, etc. Features - Comes in unmatched CXA81 design - Transformer having Oversized toroidal avoids disruptions in the sound - Offers both wireless and wired options Pros- Offers to stream from any device i.e. computer, tabs, laptop, smartphones - Claims to be a DSD 256 streaming enabled - Flexible Digital source - Comes with the better aptX HD encoding - Does not support multi-channeled CD Conclusion:Best turntable amplifier The above given amplifiers are the top rated and the best fit amplifiers for your turntable they have been recommended after well conducted surveys, interview and research with the users and verified by our research team. They are more suitable to easily connect to almost all your devices ultimately resulting in a superior level of sound quality Read the full article

[stardeals]

The Triangle Borea BR03 bookshelf speakers set a new standard for affordable hifi solutions. These speakers produce a detailed sound with excellent bass. If you have any queries to visit our officially website https://stardeals.ca/ or feel free to call at 416 251-1111.

[audio-luddite]

Back to Normal

I sat down and did a listen for 2 hours after the system warmed up. The EH tube is in the preamp. The AT7V body with the AT440 stylus is on the turntable.

It was a bit different. The problem with the right channel is gone. As I said yesterday tubes can fail slowly which lets you get used to that changing sound. I was happy with the voice of my system until it got really bad. Fool me once.....

It now sounds more solid, and more clear.

The albums I played were a broad selection. There was noticeably more clarity but not harshness in the treble. The 440 Stylus is what they call a microline which is a bit sharper than an elliptical. It can trace fine detail better than an elliptical shape and even a Shibata tip. It is supposed to find areas of the groove that are not as worn from playing. More treble is to be expected.

My early experience with the AT440MLa was it was hot sounding to the point of unpleasant. I later attributed that to the capacitance of the lines to the preamplifier. It is particularly sensitive. With correct loading it was much better. It also means the stylus is almost new.

I played the "audiophile" Supertramp "breakfast.." album. It sounded good, but I am not that familiar with it as I have played it perhaps two other times.

Next was one side of Quarter moon in a ten cent town. It is a hot recording, but not harsh. Again all is well, and I was able to get out of the looking for issues mode.

I played three sides (yes 3) of my 2x180@45 rpm of Fleetwood Mac Rumours. Fleetwood is a drummer. Mac is a Bass player. They have always been big in the bottom end. I think they were a bit bigger now than I recall. More umph in the new tube? The tinkling bells and cymbals Mr Fleetwood likes were very clear. The vocal tracks were obvious where they overdubbed the background singing. The also did many overdub tracks of guitar by Mr. Buckingham. Overall it was more clear than before. Any trace of that goofy channel was gone.

One of my favourite songs is "Songbird". Just a solo singer and her piano in a real theater. Though there is a guitar quietly mixed in to accent some stuff. It is a pretty nice recording with less of the pop-song-rock processing on the rest of the album.

In the second side of Dire Straits Album I noticed that the character of the percussion was different. The drummer was hitting the cymbals and the tick of the stick was prominent at each hit. I had not ever noticed that. So yes different and more detail.

I will geek out on more later.

In other news I got notice that my compatible power tubes are on the way. $120 bucks extra. That makes me think I should have modified the bias circuit as the parts are far less than the premium for the tubes. That violates the purity of the ARC design though. W.Z. Johnson would be appalled. Oh well this only needs be done every few years. The set in the Cl60 are very old.

My Tube dealer is "the tube store".

I really appreciate the friendly service. They have been very helpful. They are in Canada, but ship worldwide.

When all done and running all the tubes in my system will be Russian Electro Harmonix. Just like the factory wanted. It is getting cooler around here, I can use the extra heat.

[audiovenue]

Our favourite Pre-amplifier’s. Audio Research REF6 SE & Luxman CL1000. #preamplifier #hifi #preamps #audioresearch #Ref6se #audioresearchref6se #ealinghifi #hifilondon #hifiberkshire #audioresearchpre #luxman #preamp #preamplifier #cl1000 #controlamps #music #ealing #maidenhead #ealinghifi #maidenheadhifi #audiosystems @luxman @audioresearch @absolute_sound s (at Audio Venue) https://www.instagram.com/p/CQSspA_l5nb/?utm_medium=tumblr

[brokenspheres]

Live Inspiriting Immersive Performances: Late into the darkest quarter of last year I was elated and somewhat bemused to have received a grant from the Arts Council UK to aide me in ‘developing my own creative practice’ further.  For some unknown reason my instincts grabbed me by the cranium and tossed me into a world of 360 immersive video and ambisonic audio.   After a good chunk of research (i.e scroll-skim-scroll-skim), deliberation and a few mishaps along the way, I finally found some kind of formulae and method to working in this way and began to feel like I was getting some creativity back into my life! A brilliant producer once reminded me that you cannot be a good recording engineer/producer/mixer without a great singer or performer to do the business.  You also cannot rely on the microphones or preamps to get you through, yes they sound amazing but it is the artist performing in a space that they feel inspired in that is the key to capturing a great performance, both sonically and acoustically.  In this case, however, the equipment has been crucial for me to be able to capture each of these - in my opinion - goose- pimply performances.  I really want the listener/viewer to be able to put aside any notion that there is anything else there in the space with the performer, it’s just you and them, them and you! I want YOU to be able to pop and peer into someone else creative bubble and at the same time - with hop - you will inflate in and float off somewhere in your own. The prevailing winds have been blowing words like ‘isolation’ into our consciousness at this timeframe, and now the debris and dust seems to be settling (for better or worse, who can tell). I believe that there is true power in words. This particular word, ‘isolation’ and those associated with it and relevant to recent ongoing events are, I believe impacting on our behaviour both mentally and physically. To quote a personal influence of mine, Hazrat Inayat Khan, ’Those who understand from a psychological point of view the value of autosuggestion and the value of repetition, and how this works upon their body and their mind, are beginning to understand aspect of it’.   Here he is discussing the power of the ’Sacred Word’, he goes on to say, ‘But before them is a large world of sound and mystery which is still closed, because they do not know that by repeating one word or one thing this may bring about a particular result - it may bring about harm…” Broken Spheres is a collection of stirring and inspiriting musical moments, translated for us into one-time-only live performances, recorded and rendered during this most challenging and extremely significant time for humanity. I really hope you all enjoy the 1st inspiring performance by rising star, Chloe Lorentzen.  We recorded this with the permission of a very kind and giving family who allowed us to invade their house for a day and make use of their amazing Steinway baby grand piano. Once a great Dictator wished to tame some fleas by trapping them in a jar, the fleas tried to jump out of the jar of course, so the man put a lid on the jar, thus the fleas learned in time that if they tried to jump out of the jar they would not be able to escape, so they stopped jumping.  We will continue to jump out of the jar and be the free creative souls that we are. Watch the Interview here - https://youtu.be/m1KkFKjpte8 Watch the 360 performance here - https://youtu.be/m1KkFKjpte8 Broken Spheres will be an ongoing thing, p six you or anyone you know would like to take part please get in touch! - www.drip-dry.co.uk/broken-spheres. You can either watch on your desktop/laptop and use your mouse  to navigate around the sphere, or you can watch in VR (if you have some goggles) on your phone. You can also watch it without VR goggles or cardboard with a phone or large oblong-like device and move the device around in your hands. I also recommend watching the 360 performance in at least 1444HD or above for a more realistic experience.   Oh and wear headphones if you can! Thanks for watching. #brokenspheres #artscounciluk #peterborough #360 #immersive #ambisonic #dripdryproductions See and hear more of Chloe: Social Media Website Youtube

[taww]

Review: Valvet Soulshine Tube Preamplifier by MGD

Marty DeWulf passed away about a month after submitting this review. His work was always an inspiration to me and it was a privilege to share his thoughts on this hobby he loved so much. RIP Marty - you are missed.

There was a time when two high-end audio companies dominated the conversation and the market regarding tube electronics. In the 1970s, Audio Research and conrad-johnson were the first, last and every word when it came to valves. There were other small tube manufacturers around, but they were basically garage-based start-ups, poorly financed with minimal budgets and little business savvy. It was a world populated by solid state and companies carrying the flag for “modern” transistor designs. It seems ironic that back in the 1970s when transistors were so predominant, they sounded their worst… the format was much less than mature.

Related Reading:

First Take Review: Valvet Soulshine Preamplifier & A4 Mk.II Amplifier

Thumbing through a current audiophile publication today, whether it be online or in the pages of a magazine, tube products abound. They come with names from companies I’ve never heard of before, and from faraway places. Go away for a few years and the scenery changes drastically… I feel so old. Fortunately, I’m still friends with @taww, who sends me stuff to listen to and write about. When I first talked to him years ago he wasn’t a fan of tube gear. If I recall, he thought valves to be totally inaccurate and euphonic sounding. [Okay, maybe that’s a little harsh, but yes I strongly preferred solid state accuracy.] I too, was a solid state guy. The dynamic range, frequency extension and clarity of modern solid state electronics have had me on their side for many years. But then, I heard the Monarchy M24 tube DAC and saw it as a true head turner with its tube section. [So did I! I bought my Monarchy NM24 review unit and it was my reference DAC for years, tubes and all.] 

The Monarchy wasn’t the first great tube product in my experience. I’d reviewed a tube preamp from Musical Designs that was a budget wonder, and over the years I’d heard a number of Audio Research products that seemed to bridge the gap between reality and sonic illusion in palpable ways. [Don’t forget Audible Illusions and Joule Electra, I remember you liked those too.] Some very fine tube products had served to weaken my wall of valve resistance and solid state preference, so much so, that I would eventually purchase an all tube preamp from SAS, as did fellow BFS writer Rich Weiner. Still, when it came down to absolutes; dynamic edges, front to back transparency, frequency extension and tonal trueness, my overall preferences always lead me down the road of the better solid state units, the Pass Labs XP10 for example.

When @miy-taww​ suggested that I audition the tube preamplifier from Valvet certain expectations immediately arose; it’s a tube preamp after all. In certain ways, valves are valves and they behave predictably, especially basic designs such as the Valvet. He gave me a rundown of the circuit employed and the choice of tubes. A picture of the unit’s performance was forming in my head even before my ears had heard it. The Soulshine preamplifier from Valvet (USD $5,890) was unique to me in several ways. Handmade in Germany, its parts selection was insanely high with premium resistors and exotic caps in abundance, all hand-wired with solid-core silver. It looked to be a new interpretation of an old theme. 

[Note: An upgraded version, the Soulshine IIz ($8,890), is now available. The original Soulshine reviewed here is still available on order for $5,890 through its US distributor, Alfred Kainz of highend-electronics.]

Design & Operation

A few words about the physical construction of the Soulshine. Like so many quality preamps before it, the Soulshine has a separate chassis for its power supply and control sections. Constructed of thicker than the usual aluminum billet, the appearance is low slung, clean and high tech. I like the way it looks. The front face, following the theme of clean futurism, has a chrome knob for the stepped-attenuator volume control and another for input selection (four line-level inputs, one of which is balanced XLR). To the right of the volume control is a window with numeric volume level displayed with blue LEDs; with one number for both channels, there is no way of setting left to right balance. The tradeoff is one less control in the signal path. 

The rear panel of the preamp allows for single ended as well as balanced operation, though @miy-taww​ informed me that the internal circuit is not truly balanced even when using the balanced connectors. [ On closer examination, it appeared that the inverting half of the balanced signal is referenced to signal ground internally. @miy-taww​ ] On an operational note, I consistently had to allow the preamp about 30 minutes warm-up time at the beginning of each listening session to obtain its best.

The Soulshine has a remote control for volume changes while its listener is firmly planted in a comfy listening chair. Unlike my last experience with a tube preamp employing remote volume control, the Valvet was quiet, responsive and easy to use. This is the way a remote should be configured – simple and easy to use. The lone problem I had with operating the Valvet came from trying to find the on/off switch…. which took me an embarrassingly long time to find (hint, it’s underneath the power supply).

Sonics

Having a pre-established vision of what the Valvet would sound like before it even arrived, I can now report that my expectations were only partially right. First off, let me mention the output impedance of the Valvet is 400 Ohms. Because of that, the input impedance of the power amp you are using is not going to impact the sonics of the preamp substantially. What I didn’t expect were the results obtained by using amps with high, medium and low input impedances; the preamp performed consistently regardless of the amplifier used. Frequency extremes stayed relatively consistent with each amp used. That was a big surprise. What did change was stage size as I went from one amp to another. With the Pass Labs XA30.5′s lowish input impedance (30 kOhms balanced, 15 kOhms unbalanced), the soundstage was somewhat smaller and a bit laid back. Going up in impedance resulted in a nominally larger stage and slightly deeper bass response, but little else.

Let me talk about the Valvet with the low input impedance Pass Labs amp. I didn’t expect these two products to work well at all, but the combo proved almost hypnotic sounding as my initial auditions with the two lasted far longer than anticipated. The performance with the Pass wasn’t so much like having the instruments and singers in the room, a phenomenon I’ve come to expect with my Pass amp and preamp combo. With the Pass and the Valvet it was slightly more distant, while still being super vivid, substantial and picturesque. It was almost like listening to an aural View-Master. Remember the toy from the 60s? It has two eye holes and a lever to press that advanced a round disc with photos that presented to each eye a slightly different version of a scene, usually outdoors, that resulted in the user seeing an almost unrealistically vivid, 3D, and real appearing vista. The sense of 3D depth was stunning using the Valvet and Pass with dense color tones and detailing that resulted in a reach out and touch it quality, a rare synergy between a solid state amp with a valve preamp. It was like being there, except on a smaller scale, a scale in which reality seemed to fit on a smaller stage. The Valvet preamp with the Pass amp was very much like the View-Master. It had a superbly grainless presentation with depth and dimension galore. I thought about how photos of Yosemite in my View-Master seemed like being there one frame at a time – just smaller. Listening to Red Norvo’s, Forward Look struck me as a less-than-forward look at the performance that was in every other way as alive and dimensionally solid as my old Yosemite View-Master images. 

View-Master ad, c. 1955 (source: Santa Barbara Museum of Art)

Dynamics were proportional to image size with good edge and bite, though not to the extent I expect from the best solid state preamps. Interestingly, while large bass and kettle drums when struck with the Valvet didn’t have the visceral punch of my Pass preamp, the Valvet conveyed as much big drum volume as any preamp I’ve ever heard. Going to power amps with input impedances higher than that of the Pass, such as my rebuilt Dayton Wright 500 (75 kOhms), increased the size of the soundstage, brought it forward, while causing the same to be ever so slightly less dense.

Purity. Whereas solid state preamps seem to more easily engender the quality of transparency, sometimes to the extreme, the best tube preamps in my experience have a quality I prefer to call purity. It’s a feeling thing, a sensation that one preamp feels more like “transparency” and the other feels more like “purity.” Yes, that’s a cop out. Then again, I’m not sure I’m capable of defining the two in such a manner so as to come up with a better definition of the two terms. Presently, I use transparency and purity with the understanding that with time, the two might eventually define themselves with some clarity. I fear that the difference in the two terms is more of a gut feeling rather than something clearly tangible emanating from the Webster’s dictionary. Let’s work on this.

Listening to Judy Collins “Send in the Clowns” [Tidal, Qobuz], the Valvet swims in a feeling of humanity - a female life was in the room singing in a form and fashion that highlighted inflection and elemental emotion over power or presence. Not that power and presence were not there, they were, but those qualities were subservient to the sensation of un-hyped reality; a reality formed and fashioned around the sensation of the tangible. It’s a reality that the previous tube preamp covered by me missed in total. The midrange rightness of the Valvet makes all of the exciting details of the music come to the fore, while never seeming to observe the performance through a microscope. Extreme transparency, on the other hand, not only draws attention to itself, but forces the listener, on many occasions, to focus his/her attention on aspects of the performance that are sometimes less than musical. The performance takes on less importance than the sonic fireworks used to stimulate the senses of the listener. Take your pick; the Valvet, though transparent in the best sense of the word, is more pure in its intentions and performance than almost any other preamp I’ve auditioned.

Comparing the Valvet to my Pass Labs XP10 preamp ($5,250 before being replaced by the XP12) resulted in exactly the results one might expect. These two preamps are of unquestionable quality, each passing the signal sent to it as close to perfect as one could want. But they differ, and the careful listener has no difficulty telling the one from the other. I might describe them as saying that where they converge on a singular sound, neither sounds too much like the other; they maintain their individual characters while each seeks a somewhat different though idealized vision of reality. Yes, I’ll give the frequency extremes to the Pass, even the highest highs. Gross dynamics have a small advantage with the Pass also, though it is a minimal advantage. Where they differ, and where the Valvet will have an advantage to some ears is in the area of midrange coherence and that mystery word “purity.” And while the Pass also strikes me as having a high degree of purity in its reproduction, the Valvet goes there in spades, swooping up the listener in a tsunami of musical coherence. The lens of the Valvet is one of musicality, but also of great organic texture, heart and warmth. Now, these later qualities are also found with the Pass - it too delivers a wonderfully picturesque portrayal of the performance - but the Pass tends toward back-of-the-stage “air” and transparency, and the Valvet toward purity. A logical case can be made for either preamp, and I loved listening to both, but I feel the Pass appeals more to my mind as the Valvet harkens more to my heart. Combine the purity of the Valvet with its View-Master spatial qualities, and this preamp conjures up my first memories of auditioning the original SP-10 from Audio Research, so advanced it sounded and how it stood out from other tube preamps I had heard back then. 

Conclusion

If you tend toward tube preamps and yet are unwilling to live with some of their greater failings, the Valvet is a marvelous place to go. The price is not unsubstantial, but when compared to some of the more insanely priced products out there that don’t sound as good, this is a fine place to end up. Thanks to Valvet distributor Alfred Kainz of highend-electronics and @miy-taww​ for allowing me the opportunity to audition this marvelous device. 

[hifilounge]

New Audio Research Reference 6SE Preamp + 160S Power Amp Now on Demo!

Hi Everyone,

So I guess I’ve had worse days at work as I have just unboxed and setup the brand new Audio Research Reference 6SE Preamplifier and Reference 160S Stereo Power Amplifier and it is certainly sounding pretty sweet straight out of the box.

For me the Reference 6 is one of the best Pre’s in the world so that fact Audio Research have improved upon it couldn’t have been easy but I am certainly looking forward to hearing where the improvement are.

As for the 160s, this is the stereo version of the 160 Mono’s and it is certainly a big amp but then fitting the 2 x 160 Mono’s into one chassis was certainly never going to be easy but the end result is stunning in looks as well as sound, I have set it up with our demo Reference CD9SE and it really is singing on our Wilson Audio Sasha DAW’s, anyway I won’t go on for a change as I ma keen to go and have a listen once it has all warmed up so here are a few pictures but if you’d like to come in for a listen anytime please feel free, below is a link to Audio Research Reference products on our site.

https://hifilounge.co.uk/product-category/brands/audio-research/reference-series/

Reference 6SE Preamp!

  Reference 160S Power Amp!

  We Also have the Audio Research 160m Mono’s if you’d like to compare!

Cheers,

Paul.