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siyzuii · 3 months ago

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⨳ 　 ʾ apps/sites 4 shifting 　 . 　 ♡

hi! this will be long but i made a list of apps/sites that might be helpful for your shifting journey. reminder that you don't need these to shift but they can be helpful with manifesting, keeping track of stuff, etc.

enjoy! divider cr

NOT SPONSORED BTW LMAO

﹒ 　 ⊹ 　 🝮 　 OO1: NOTION 　 ✩

description:

basically notion is an app for documents and stuff. i have to say this one's relatively known and it's such a huge life saver and i know that probably everyone knows about it already (as they should) but i'm gonna recommend it once again.

useful for:

scripting

dashboards you can add life goals & stuff here you can look up some templates/ideas and see what i mean LOL

cons:

i personally can not think of any major ones because this app is just that good

you do have to make new accounts for the text ai generating feature but i don't know if anyone would use that

additional notes:

i personally love how customizable it is! like you can make each page have a custom icon & header, add widgets, images, and so much more. it is so so so insanely helpful for scripting i'm telling you. or you can just be basic, that works too. there's also a bunch of script templates online including specific ones (like a better cr, fame dr, fantasy dr, fandom-specific drs, bla bla bla) and it's literally the only thing shifttok is good for imo. i'm a big fan of shifterium's templates but there's other people who make them as well and i'm sure you can find some recommendations!

★ 　 ₊ 　 ➲ 　OO2: CANVA

description:

a website + app where you can design stuff from headers down to presentations, posters, covers, etc..

useful for:

album covers for singer/idol drs

book covers for writer drs or something

fake social media posts but there's better apps out there and i'll list them here as well

and much more!

cons:

a lot of things (most of which i think are the good stuff) are paid but you can find similar replicas if you scroll long enough i guess..?? and there's a free trial but i don't know if that helps

additional notes:

definitely my favorite place to go when i need to design something tbh. there's a bunch of templates you can use and the layout is very easy to navigate through! and it's pretty easy to find free alternatives for the paid stuff you do have in there

₍ⁿ⑅..ⁿ₎ 　 ˇ 　 ⩩ 　 OO3: PARROT 　 ❀ 　

description:

parrot is an app where you can record yourself saying literally anything and play it on a continuous loop

useful for:

affirmations (manifesting??)

cons:

i'm pretty sure it's iOS only

additional notes:

personally i haven't used this app (i don't like my voice so i will not be recording myself saying affirmations thank yew) so i can't give it a rating but from the looks of it and based off of recommendations i've seen it's pretty useful. should be a white icon with a pink circle that has a white parrot in it!

≥≤ 　 ﹕ 　 ⤷ 　 OO4: BEHINDTHENAME 　 ◍

description:

a site where you can generate names & even life stories if you choose it (including height, weight, blood type, birthday, nationality and more i think?? at least it gives those for me). you can choose from different cultures and stuff like fantasy & mythology.

useful for:

finding a name & info for your dr self (which is literally you by the way don't forget that!) and potentially other people you'd like to script in

cons:

it really just helps to make a basic profile of a person so the things you can do with it can be a little limited

additional notes:

i prefer using this site for ocs instead but i think it can definitely help with shifting! oddly enough it also shows like a lifespan & cause of death so.. cool i guess!!!!

✦ 　 ﹕ 　 OO5: SOCIAL MAKER/dummy

description:

social maker & social dummy are both apps where you can replicate almost basically anything from the internet from twitter posts to facebook posts, youtube posts, and more!

useful for:

social media stuff especially useful for fame drs, streamer drs, idol/singer drs and so much more

cons:

both apps were deleted so you have to have had installed them before if you want to get them back

social maker is ios only i think?

additional notes:

yeah both apps are deleted but there's alternatives out there like twinote (for twitter) photonote (for instagram) canva (has fake social media templates as i said lol) and others that you can look for (because i personally only use twinote)

⋆ 　 ᶻᶻ 　　 OO6: HELLOFACE 　 ﹒ 　 ★

description:

basically an app for ai face swapping

useful for:

seeing what your face claim (if you have one) would look like on for example dances, fancams, interviews definitely useful for idol/singer/maybe fame drs

cons:

uses ai (i'm personally not a big fan of ai)

pretty underground so the chances that you might not like it are not low

✭ 　　 ❒︎ 　 OO7: ROOM PLANNER 　 . 　 ♡

description:

basically what the name says. it's a 3d home designer

useful for:

making your dr room/house

visualizing your dr room/house

cons:

has paid stuff

┊ 　 ‧ 　⬭ 　 OO8: COMBYNE

description:

an app where you can combine items you like from a wide selection of stuff to make outfits!

useful for:

making outfits for your dr

visualizing said outfits

additional notes:

there's other things you can do on the app like challenges where you can compete to make the best outfit i think?? looks pretty fun i might try it HAHAHA

yuh so i got a little lazy here at the end & i know this is prolly not very helpful because most of these apps/sites are pretty well known but maybe just maybe.. i helped someone out...

HAPPY SHIFTING!!!!!

#reality shifting #shiftblr #shifting #shifting realities #shifting community #shifters #shifting blog #shifting antis dni #shifting diary #siyzuii

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randomshyperson · 1 year ago

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Best (Girl)Friends - Wanda Maximoff x Rogers!Reader

Summary: Wanda sympathizes with your willpower. 70 years on ice is a long time to wait for an intimate touch. And being the good friend that she is, Wanda offers you some help.

Warnings: (+18), some vague plot, smut with virginity loss, Rogers!Reader following all Wanda’s wishes, power bottom!Wanda, kissing, friends to lovers, mutual pining, explicit consent but Wanda being a tease and a bit possessive. | Words: 4.893k

A/-N-> I’m pretty sure this was a request, but I couldn’t find it anywhere.

General Masterlist | AO3 | Wattpad |

-&-

Shield acted as if they won the lottery.

In a way, it felt like that. Two Rogers siblings found on the same day would probably yield some promotions within the teams responsible, and a nice image bonus with the US government.

But while Captain America was found in a negative temperature on the other side of the planet, his sister destroyed an entire building with her sudden appearance inside a blue explosion a few hours later.

In your defense, you had no idea what was about to happen.

One minute, you were inside a Howard Stark-designed marine suit at the bottom of the ocean. But in Shield's defense, you were disobeying the orders of your director, that is, Margaret Carter on the phone, who five minutes earlier insisted that she would not risk losing another Rogers and that reaching the cube was not worth the risk to your safety, but you still put on the prototype underwater suit and dived in search of the item, which, to you, was the key to finding your brother.

You were right, in a way. Touching the cube with the determined idea that you would like to see Steve again really worked. The problem was how it happened.

The explosion was all around you, and you saw nothing but the beam of blue light that forced you to close your eyes. One moment you were deep in the sea, and the next you were in the middle of one of the Shield Secret Bases, a thousand of bricks flying around with the force of the explosion.

Your presence in the secret room of Project PEGASUS caused Shield to be on high alert, and a dozen rifles to be pointed in your face.

But it was all cleared up in no time and ended with your figure handcuffed on the seat of a government Jet on its way to New York.

Unlike Steve, you were awake. And not the least bit in the mood to follow Nick Fury's theatrical demands.

"That's to avoid shock, Miss Rogers-"

"Absolutely not, Nicholas." You cut him off impatiently, your hands-free since Shield had clarified exactly who you were. "The first thing I'm saying to my brother won't be a lie."

Nick sighed. "I understand it's a delicate situation, Miss, but Captain Rogers has been frozen for too long. An innocent fantasy is meant to lessen the shock of the truth."

You skirted Nick without caring about the speech. "There's no way to lighten news like this one. We're both in the future, for Chris’s sake! That it's absurd enough. No more lies, and let me see my brother for once. You have no idea how long I've been waiting for that."

Fury didn't have the heart to insist, not only because he had another supersoldier getting him out of the way, but because of the emotion in your voice. He waved in dismissal to any soldier more curious about your determined walk, and no one interfered as you made your way to the room where they placed your brother.

Shield had begun to create a scenario around him that made you chuckle in irony. You dismissed the agent posing as a nurse with a look, and Nick allowed you to be alone in the room, and without wasting any time, you made your way to the bed.

Steve looked the same as he did the day he disappeared, and you felt a sob break in your throat. Maybe the sound woke him up.

He opened confused eyes at you, and unlike him, you had aged a lot since the last time he had seen you when you were still a child.

"Hey, Stevie." Your greeting came hoarsely, laden with emotion. Steve took a moment to recognize you.

"Y/N?" He asked, tense and startled. You could almost see the gears of his brain working, the way he tried to recognize his surroundings as well. "God, how long have I...?"

"Longer than you can imagine, big brother. Much longer." You replied before hugging him tightly.

This must have been the last entirely friendly interaction you had with your brother, a reunion bittersweet for its peculiarities that was unable to conciliate years of differences between the two of you. Nor did the ice erase your hurt over Steve sending you away from the war when your parents passed away, or make you forget the years of training and working for Shield in search of him once you were back in Brooklyn. Nor did it change Steve's view of how he wanted to protect and keep out of trouble - which included superhero work - his younger sister who he had vowed to take care of.

But it was indeed an undeniable amusement to the rest of the team that the personalities of the Rogers siblings were so blatantly different, and it caused some apprehension every time Steve had to witness you leaving the tower in some sports car borrowed from Tony Stark while dressed in leather jackets borrowed from Natasha Romanoff.

The apex that you were entirely corrupted for all that he expected from a proper 1950s girl came in the addition of a certain angry witch to the team a while later.

Of course, the close age - if one ignores the years between the time jump and your arrival - you and Wanda had made your friendship an inevitability. But this doesn't mean that witnessing your clear crush on the new Avenger wasn't giving your older brother a headache.

Natasha thinks he deserved some credit. Considering he was a white man from the 1950s who was frozen before appearing in a new century, Steve was pretty open-minded. She was pretty sure this was due to the closet years of keeping a secret crush on his best friend, but she wouldn't be mean enough to torment Steve with that.

And besides this, you were also getting used to the new century. And with the possibility of being able to have feelings for Wanda in an open and free way, so different from the world you lived in before.

The witch, on the other hand, had the greatest of fun tormenting you as much as she could while she waited for you to be ready.

And these teases came at every opportunity Wanda could take, from summer days at the tower pool where she had an excuse to wear bikinis around you and make a complete mess of you with the "friendly cuddling" which is how she came to justify the fact that your room was hers now and that there was nothing more platonical than sleeping cuddled up to your best friend.

With each passing moment, you grew comfortable and certain in your own feelings, parallel to which you became more confident in your powers and Wanda began to feel that the tables were turning on her every time a tickle war ended with you using your super-strength to pin her to the bed or you could effortlessly carry her away from a training session or conflict.

It didn't take long for the situation to become unbearable - Wanda was sure she would combust in the next cuddling session if she felt your body against hers again without that leading to what she really wanted, so now she had to take drastic action.

Communication was always the key to everything.

"Have you ever had sex?"

Your cell phone fell hard on your face. Wanda giggled at the mirror reflection: she was on her back brushing her hair and stealing glances at your figure lying on the bed, still learning to use the current technology but definitely loving the whole thing.

Snorting in embarrassment, you pushed the electronic device down onto the mattress and massaged your sore face. "I'm beginning to think you enjoy seeing me like this."

"What do you mean?" She asks innocently, turning her attention to the ring drawer.

"Disconcerted."

Wanda chuckles mischievously, running her fingers through the options and trying to decide between the items as you stare at the ceiling. "I know you're like 100 years old, but won’t you tell me that it never happened? Not even when you became a hottie super soldier?"

You grunted in shame, covering your face with your arm. Wanda giggled again, this time putting on one of the silver rings. You were too far away to notice how her fingers were slightly trembling, giving away how she was equally affected by the conversation. But unlike you, Wanda knew how to keep it cool very well.

"Wandaaa." You grumbled, and she almost dropped the subject when you added. "No."

"No, what?"

With a sigh, you removed your arm from in front of your face but didn't risk looking at her. "Back then...I just, I didn't have the courage I guess. You know, girls were supposed to be virgins to marry, in theory. And well, I wasn't going to marry anyone because I was too busy working. And when I got into the army, the vast majority of the guys I knew started looking at me with contempt and indignation, and then came the serum I just...didn't know how to handle the attention."

Wanda spun the stool she was sitting on toward you, listening closely to your words.

You sighed shyly. "I mean I had opportunities, but I just didn't feel comfortable following them. I wanted... to be with someone who liked me. Not the super serum, you know? Most people were only talking to me because of it. They hoped to gain some kind of benefit from meeting the American Soldier. I don't know, maybe it's just me trying not to sound so... cowardly."

Wanda stood up with a sigh, and you swallowed dryly, keeping your gaze on the ceiling until her face appear in your field of vision.

"Detka, you are literally the bravest person I know." Reminded the witch, bringing a small smile to you. "And there's nothing wrong with not being ready, or waiting for the right person. Sex is intimate, it makes sense that you want it to happen with someone you like and who likes you back."

"Thank you for being understanding." You muttered, swallowing dryly when instead of returning to her previous activities, Wanda sat down on the bed next to you. With a sigh and shifting your gaze to the ceiling again, you ventured, "Have you?"

Wanda's teasing giggle brought a deep color to your face. "Have I what?"

Snorting, you retorted, "Come on, you're the one who brought this up."

Wanda pinched you gently on the belly, smiling at your complaint. “A few times, actually.'"

It made no sense at all to feel jealous of a time you didn't even know her, and that you were somehow in the past, but still, a bitter burn filled your stomach. Wanda, the telepath that she was, seemed to know exactly what you were thinking, and without caring whether it would make your heart stop or not, approached you to use your torso as her personal pillow. With two legs on which side of your hips, she stared down at you.

"But it was nothing outstanding." She began, using her fingertips to wander all the exposed skin of your neck and shoulders through your pajamas and having the best time in the world in watching every single hair of you shiver. "I kept making the same mistake in settling down for mediocre sex. No real feelings, no passion, much less love. Always end up frustrated and having to finish the job alone."

You frowned in confusion. "Alone...?" But it only took one look from Wanda for you to understand what she meant and choke, your face pink again. The younger girl giggled, leaning her elbow on you to rest her chin on her own hand and take a closer look.

"Eyes on me, baby." She asked, hoping you would overcome your own shyness to do so. When you follow her request, Wanda was ready to risk everything. "You know I love you, don't you?"

You sighed, nodding. "I love you too, Wanda." Your confession was huskier than hers, and she had to ignore the sincerity of what that really meant in order to stay focused on that afternoon's goal. "Kind of the essential thing on the best friend package, isn't it?"

Wanda chuckled, rolling her eyes.

Of course, you would make a joke to lessen the intensity of the moment, if she was nervous in all her confident glory, she could have sympathy for you, who was literally having to deal with your long-time crush practicing lying over you.

"Friends help each other, don't they? Especially best friends." She retorted, and you frowned in confusion.

"Yeah, I guess… why, did something happen?" Before your confusion could turn to worry entirely and you could finish the movement of getting up, Wanda pressed her hands on your shoulders and pushed you back on the mattress. "Hey." You chuckled puzzledly, but the laughter died into an affected sigh when Wanda simply shifted in your lap completely, in a very non-platonic way. "Right, whatever makes you comfortable." You mutter, very aware of the heat radiating from the girl's body on top of you, who just chuckled mischievously at your shyness.

"Relax, dorogoya." Wanda reasserted in a low, dangerously seductive voice. Her hands were on your shoulders still, rubbing your loose pajamas and somehow pushing them down to the limits, exposing as much skin as Wanda could manage. "We don't have to do anything you don't want to...but I also need you to tell me exactly what you wanna do and how ready for me you are."

Your throat went dry, and Wanda's dilated pupils were not helping the words to form. She bit her lip, seeming to have the best time with your clumsiness.

"I-I... god, Wanda..." You gasped and she leaned in completely until her breath was hitting your cheek.

"How about a kiss? Don't tell me you never got one?" She mocked and you had to chuckle dryly.

"You can be quite an ass, Maximoff." You murmured with your eyes closed, risking moving your hands to her thighs around your hips, the action making you both hold your breaths for a second. "I've kissed before."

"Hmm, I see." She hits back, deviating from the original path and letting her mouth tease your jaw, feeling your hands squeeze her thighs gently with every kiss across your skin. What Wanda wouldn't do to see you lose control...

"I like kissing." You confess hoarsely, mostly because she’s making you so nervous that the words are simply spilling. You kept your eyes closed and your neck stretched to give her more room to don’t stop. Aware of your words, Wanda hums again as she keeps depositing chaste kisses on your collarbone. "I like...kissing girls."

It should be a heartfelt confession, one that Wanda theoretically knew about but that you've never put into words before. But suddenly, Wanda bit down on you, hard enough for you to grunt in pain, opening your eyes. She grabs your cheeks with one hand, a hot fury in her eyes that makes you shudder.

"Rule number one, don't talk about other girls when you have one on top of you."

You open your mouth like a fish, babbling nonsense for enough time for Wanda to make a motion of leaving. But that makes you react. "I didn't mean to upset you!" You try quickly, hands moving on an instinct to hold her by the waist on top of you. Wanda has to bite her lips hard to keep from letting out a much more submissive sound than she would like when you just squeeze her firmly to keep her there. "Wanda, please forgive me! I-you caught me off guard, alright? I’m nervous… We’re friends and suddenly… you’re so close and I’m talking nonsense! Please, just… tell me what you want to hear.”

She huffs impatiently, crossing her arms and turning her face away as you sigh in defeat. Wanda wants to be annoyed, but you're so lovely when you lean your face into her, trying to ease her anger with chaste kisses on her cheeks and neck until you manage to get from her a stubborn smile. She has no choice but to uncross her arms to slide her hands up your shoulders, wrapping herself around your body again.

She feels you smile and relax completely, the kisses getting firmer on her neck until they tickle and elicit a husky giggle from her. Still, Wanda settles a hand in your hair, and the slight tug to bring your faces close together again draws a deep sigh from you.

"I don't want to hear about other girls, detka. This is your last warning." She says seriously with eyes glowing red for a moment. Wanda had hoped to have a direct effect, but to her surprise, a teasing smirk began to form on your lips.

"Wow, you're totally jealous." You accused and she grimaced, trying to pull away once more. But that only made you burst out into a teasing giggle, while your strong arms wrapped around her torso, bringing her back to you effortlessly while keeping her locked into you. Wanda was clearly aware of how shaky her legs were with the motion, and trying to walk away again would only result in her falling to the ground. "Wanda, darling, the girls I kissed must be a hundred years old by now."

Reluctantly and with a rosy tinge in her cheeks, she mutters, "Honestly, I was hoping to be your first." Her confession makes you rise your eyebrows in surprise, only to smile fondly next. Your hands moved again, caressing her back in an attempt to relax her as well.

"Hey, look at me." You call out gently, waiting for the girl's stubbornness to subside with the help of your caresses. Wanda has a stronger color on her face when she finally raises her eyes to you again. "I didn't imagine this was anything of relevance to you. But I haven't lied before, I've never been with someone intimately. If you still want to, you can be my first... everything else."

She twitches her nose softly. "You’re making it sound like it’s a favor for me. I only want to... if you do too." She retorts with a certain determination in her gaze, and though you feel your cheeks burn with the ultimatum, you nod foolishly before breaking the distance.

It catches Wanda by surprise, the sudden kiss, and you're despairing when she doesn't respond immediately, pulling away at the same speed you approached. "Sorry." You say mortified and breathless, your lips tingling. "I like you, Wan. I really do. I just thought you should know before..."

She places a finger over yours, shushing your nervous anticipation. Her free hand goes to your cheek and Wanda pulls you close again, her eyes darkening in a way that makes you shiver entirely.

"Like I said before, just relax, baby. Stop overthinking." She whispers before she firms her mouth over yours. It's a sensual, intense kiss unlike any you've ever received. Wanda seems determined to drive you to complete insanity. She kisses you unhurried, waiting for permission to slide her tongue into yours, and giving you no room to breathe properly, head spinning with those new yet so familiar needy feelings. She kisses and kisses you until you're restless beneath her, your body burning and your hands curious testing limits that she doesn’t impose, only encourages you to break. Her taste and smell intoxicate your every sense, the feel of her body molded to yours, teasing your reactions and almost making you lose control of your strength. The tight squeeze you give her when she sucks your tongue earns a whimper from her that sticks and echoes in your mind, making you dizzy with lust. When she finally breaks the kiss to breathe, her lips are swollen like yours, and her pupils are so dilated that there is no green left in them. Your face burns for the matching fire you find in her gaze.

You are unable to find any words to describe this moment, so you only stare at her, blushing over the smirk that starts to form on her lips once she catches the adoring look you’re giving her.

Licking your lips to try to gain some focus, you dare to ask: “Was it…good?” You would have added “Did you like” or “Was I enough” if Wanda didn't break into a giggle that shut you entirely, your cheeks burning. Before the shame could surface, she grabbed your cheeks again. “You’re too cute, darling.” She says, kissing you again more quickly than before. Her hands move to yours then, intertwining your fingers together to drag them on her thighs, down, and then back up, this time under her skirt. Your heart stopped, and Wanda turned her dark eyes back to yours, her voice so low you wouldn't have heard it if you weren't so close. “Don’t be shy, see for yourself how much I like kissing you.” She whispers darkly.

When she kisses you again, her hands guide you under her skirt until you're in her front. The mere contact of your fingers with the wet spot on her panties makes you groan and break the kiss, needing a moment to just take a breath and calm your nerves. Wanda doesn't wait long, releasing your hands to move hers to your shoulders, needing firm support now that you're so close to where she needs it so badly. She gasps in surprise when your hand gives a quick tug that rips her panties off at once, a wave of new wetness running down her thighs in the same second.

You don't say anything about it, just turns your face to kiss her again, the same way she did before, and somehow even dirtier and more sexual, drawing gasps with every flick of your tongue against hers.

Because Wanda's your best friend, she wants to taunt you - tease you about being better at this than you let on, but all the words fall away at once when your fingers fill her in one go. All Wanda can do is moan, choking on the kiss as she feels you slide into her with such ease.

"Fuck, detka." She moans with her eyes tightly closed, just as she pulls away to breathe. Your response is to just continue your movements, in and out of her without haste, feeling every mention of her warm walls squeezing your fingers. Wanda is burning on top of you and the sound of her drenched pleasure echoes low. You hum contentedly, nipping at her neck as she can no longer match the kiss, so close to her own climax. Your hand adjusts, increasing its reach, and when your thumb gives her clit the attention it needs, Wanda lets out an affected squeal. "W-wanna cum, baby. Please!"

You bite back a smile, surprised and impressed by the question hidden in the statement. You adjust to face her and wait for Wanda to feel the change to look at you too. The dark, lust-filled pupils leave you breathless.

"You can cum, sweetheart, you don't even have to ask." You assure her softly, never stopping your movements inside her. "I'm here to please you." You whisper, and it's enough for Wanda to break into an affected moan, hips thrusting helplessly against your hand until she arches her back and lets out the longest, dirtiest moan you've ever heard.

Her eyes flutter shut as she rides her high on your soaked hand, until she finally opens scarlet pupils for you, a long groan leaving her lips as the last sensations of the best orgasm she ever had fade away.

Wanda turns her full attention to you in the next second, stealing quick but intense kisses until a husky giggle leaves her lips and tickles yours.

"You're too good at this for your own good." She prompts, and the compliment takes a heartfelt giggle from you. You try to relax under her gaze but Wanda's dilated eyes have a different twinkle as she holds your cheeks more firmly. "I think I want to keep you all to myself. Without sharing with anybody else. What do you say, baby?"

You swallow dry, suddenly quite vulnerable "H-hm, like... dating?" You retort in a weak tone of voice because you need to confirm and well the idea that someone as unbelievably awesome as Wanda Maximoff is actually asking for exclusivity with you seems too freaking surreal not to confirm. As many times as necessary.

Wanda giggles mischievously, settling herself on top of your fingers that never left her and sighing as she feels you even deeper than before. "Yeah, just like that." She moans, and you're not sure if she's answering your question or guiding you through the motions, but you get the impression that the answer goes both ways.

It's not like you will contradict your new girlfriend any further.

Before Wanda could indulge in the sensation again, however, she stopped you with a gentle grip on your wrist. Raising curious eyes to the breathless flushed girl on top of you, your first reaction was to check if you had done something wrong, and by god, hurt her. But Wanda bit back a smile, her other hand going down to your belt.

"We're overdressed, honey." She whispered against your lips, red sparkles playing with the edge of your shirts, teasing them upward. " Strip."

Moaning low against her mouth, Wanda almost didn't let you pull away. In record time, your clothes were off and so were hers, between stolen panting kisses you fell to the mattress again, curious hands urging together.

Wanda pinned you beneath her with no effort despite your super strength, and feeling her naked against your skin drove you to the brink of insanity. She swallowed each moan with her mouth, appreciating the increasingly needy sounds as she fit against your hips, and began to move hers.

Soon, the friction became unbearably arousing and you had to clutch at the sheet, and the headboard. A hot, tight knot at the tip of your stomach left you breathless, every movement of Wanda's hips into yours, the perfect fit between your cunts was enough to make you choke.

You practically meowed when she got the rhythm right. "O-oh god Wanda! T-there's something... fuck, I can't-"

"I know baby, just let go for me." She panted, her hands clenching the sheet on either side of your head, her hips frantic against yours. "Fuck, you feel amazing" She moans a confession, smiling satisfied at your expression of pure bliss beneath her.

Suddenly the knot bursts, and you're blinded by the pleasure of your first orgasm for a full moment. The headboard snaps in your left hand and Wanda cums in a loud, animalistic moan, spilling herself down on you before collapsing heavily onto your torso, your panting breaths mingling like your juices.

You try to recover together from the intensity of the climax, your hand finding her back on instinct to stroke her as Wanda nestles closer against you, an exhausted, satisfied smile on her lips.

She barely had a chance to lift her face to kiss you when the bedroom door suddenly opened.

"Kid, is everything all right in here I heard something breaking-'"

You nearly knocked Wanda off the bed in an attempt to cover the two of you with the comforter - and the mattress lost a few springs in the process.

The two Avengers who'd entered the room covered their faces with their hands, but unlike your brother, Natasha was holding back her laughter.

"I'm sorry. We... I... you-"

"Come on Captain, we're leaving." Natasha cut Steve off with a pat on the shoulder, leading the way backward. "Sorry girls, lock the door next time. And well, use protection!" She burst out laughing, ignoring the embarrassed grumbles from you and Wanda, and closing the door.

With the safety of a locked door, you hid your face in your pillow.

"Great, the best day of my life might be ruined because my brother is going to have a stroke." You grumbled, getting a hearty laugh from the other.

Wanda adjusted herself, stroking your hair until you looked at her again. "Best day of your life, huh? I'm flattered." She teases, smiling at the red that appears on your cheeks.

"As if you weren't cocky enough." You retort in the same tone, adjusting to hold her by the waist and pull her to you, getting on top now. Wanda sighs softly, even warmer with the addition of the blanket now, she finds it kind of hard to concentrate, much more talk. "Thank you, Wands."

Your line surprises her. "For what?"

"For being my first time." You clarify with a shrug, though your gaze was intense. "I've always wanted it to be with someone special, someone I like and trust. And there's no one I love more than you."

Wanda kisses you because she doesn't want to be the type to cry during sex, and she's pretty sure she would. You don't mind, she transmits the feeling through action and well, there are other things you're dying to do other than talk.

There will be time for confessions later.

#wanda maximoff x reader #wanda x reader #wanda maximoff oneshots #marvel oneshots #elizabeth olsen x reader

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vashtijoy · 8 months ago

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have you seen the commentary from the p5r artbook going around? the shuake part of my dash is losing it a bit at the implication that their wishes were mutual!!! that seems to be what some people are getting from the commentary at least… amy insights?

Hi! I have been through the artbook. It's great, isn't it? :D

The image above is called "One Ending", and the creator caption (by illustrator Akane Kabayashi) reads:

When I think about how Akechi's wish was to play chess after school with the protagonist, I almost want to call him out with "You liked him after all, didn't you!"

Look at that. We're told about Akechi's wish, and what it included. We're as good as told outright that he likes Joker—and this isn't the only time, there's also this:

—There are a whole lot of things we can imagine, based on how the protagonist was depicted as someone special to Akechi. Those are more or less the exact emotions represented during Akechi's confidant. (Mumon Usuda, chief designer)

"someone special" here is 特別な存在 tokubetsuna sonzai—literally "a special presence". It means a special person, and more than that; it describes someone you find compelling, someone you can't look away from, someone who becomes one of your most important people, the centre of your world. It's another term that is often romantic, but isn't necessarily romantic.

(In the same way, I think Kabayashi's suki jan! is more tongue-in-cheek than it is a cast-iron confirmation that Akechi was canonly in love with Joker. The language there is teasing, it's ambiguous, it's baity; Kabayashi is joking. This is a rank 6—as they say, if you know, you know. But it is of course ultimately up to all of you.)

There's another mention of this image, down in the creator interview:

Out of all the Maruki ending illustrations, it was Akechi's that stuck with me the most. It made such an impression to see them opening up as friends, having a fun, peaceful time together like high school students should. (Mumon Usuda, chief designer)

What really strikes me in all of this is the emphasis the creators put on the fact that this is Akechi's illustration, Akechi's wish. Because I've thought for a while that we know Akechi has a wish. You can see him struggling with his refusals to Maruki in the first week of January. And you can hear his wish spoken—when Maruki repeats it back to him, during the boss fight, on 2/3:

Maruki {F1 81}君たちとなら、君も過ちのない道を歩めるかも知れないじゃないか！ {F1 81}-kun-tachi to nara, kimi mo ayamachi no nai michi o ayumeru kamoshirenai ja nai ka! If you're with {F1 81}―kun and his friends, you could begin to atone for what you've done! Think about it! With [Amamiya]-kun and his friends beside you, you could choose a path with no mistakes as well!

So this wish has several parts. First, there's that kimi mo, "you also"; it's tempting to read this as Maruki also wanting his new world to erase his past mistakes. Second, there's the first part, "if you're with [Amamiya]-kun and his friends". Where to even start here?

Being with Joker and the others is a prerequisite for the second half of Akechi's wish. It doesn't just coexist, it enables the rest of it. Just like his words in the engine room, "I wonder why we couldn't have met a few years earlier, [Ren]..."

Remember, Akechi's whole arc is about his rejection of trust and friendship, and his insistence on doing everything himself. This is precisely what Futaba calls him out on—"you trusted no one", or "you played life in single-player mode". This is what he unlearns at the climax of the engine room, when he realises he isn't prepared to let the others die—and follows through to save them.

Akechi is nothing without others, and he knows it. Without their support, which he believes he has no right to, he has no hope of living a better life, even were he to be given the chance—and he knows that, too. He has learned, and he has grown—and yet he knows the things he needs and wants so badly are forever inaccessible.

And his wish is about all the Phantom Thieves, not just Joker. There are many tiny references to this end—not least the original Japanese rank 10 line for his confidant, where he sacrifices himself for all of you. Joker is his compelling presence, his someone special, but he's formed small bonds with the others too, God help him.

and then there's the crime thing

The localisation frames Akechi's wish in terms of atonement, but that's not what's on offer. You cannot, after all, atone for things you never did. We see Akechi's wish put into practice, in the Maruki ending, where he appears with his friends beside him, wholly innocent and with unstained hands. And we see it in the first week of January, after he has finally met Maruki and spoken to him:

Akechi: Ah, that reminds me—there was one more thing I wanted to tell you. Akechi: About the reality Maruki's put us in... Akechi: It seems that Okumura and Wakaba are both considered alive by all accounts. [Ren: They're not dead anymore? / What do you mean?] Akechi: They aren't mere illusions, or cognitive beings—they truly are alive and existing in this world. Akechi: In fact, their deaths seem to have never taken place at all in this reality. [Ren: What happened to Shido?] Akechi: Shido was the only one arrested on the crime of attempting to overthrow the government... Akechi: It seems the Phantom Thieves were causing a stir in this society as well, but there's no record of your arrest now. Akechi: Basically, in this reality, you and I haven't committed any crimes.

While Akechi still remembers his crimes, they never took place. They have been undone, and only his lingering memory—and Joker's, at this point—speaks to them. He objects to this on countless levels, he summons all the strength he has to refuse it, but don't make the mistake of thinking that means he doesn't want it. This is Akechi's wish in action.

People are often very certain that Akechi's resolve in the third semester is like iron—that he rejects Maruki's offers right away, is never tempted, never wavers. But that can't be true. We know he's afraid to die. We know about the bad end where you don't complete the Palace, where Akechi says nothing and stares at the floor, seemingly blaming himself internally while all the others blame themselves aloud, for being unable to say no to Maruki's temptations. We know how he responds to this assertion of Maruki's—Maruki, who has perfectly summed up what we know all the other PTs wanted, and who (even if Word of God hadn't just confirmed Akechi's wish) we have, honestly, no reason to doubt.

Because Akechi never refutes this wish that Maruki describes. He never says he doesn't want it. He just rejects it—like all the others, who so desperately want what Maruki could give them. Futaba's mother, Haru's father. Akechi's life, and his innocence. And the people who might have been his friends, if he could dare, one day, to ask.

Akechi is tested just like the others, and the price he pays for his defiance is perhaps the highest of all.

and finally

[The Maruki ending illustrations are] of Maruki's world, where everyone's wishes are granted and they seem happy. The scene shows their actualised wishes, which were never granted in the real world. (Mumon Usuda, chief designer)

We shouldn't forget the price Akechi pays for his impossible wish. Sure, the vision of himself being altered like Sumire clearly haunts him, and I'm sure it made the choice easier—but I don't think it made it that easy. Instead of taking the dream Maruki offered him, Akechi chose to face up to what he'd done, and who he'd become; at the very end, in the third semester and in the engine room, he always makes the right choice.

And that choice was taken away from him. Agency over his life and death, his own acts, and who he would even be—Joker and Maruki take it all away from him and make him a puppet, just like Shido.

Maruki's ending isn't pretty.

revision history

Click here for the latest version.

v1.0 (2024/03/29)—first published.

#asks #persona 5 #p5 meta #things i translate #japanese language #word of god #shuake #goro akechi #takuto maruki

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room-surprise · 10 months ago

Text

How Old Is Thistle?

(EDIT: I've made a follow-up post to this one that goes deeper into the math and additional evidence that the 5:1 ratio is correct. You can read it here!)

I've seen people debating this and a lot of folks insisting that Thistle is a child, and since Thistle just debuted in the anime, I wanted to do a full write-up to help myself and others figure this out.

We don't know how old any of the Merini family members are exactly, so the best we can do is guess based on the information we have, but after carefully studying the manga, I think Thistle is at least a teenager, but much more likely a young adult, and definitely not a prepubescent child.

Here's what we know:

EDIT: Depending on what translation you read of some of the extra materials, Freinag implies that Thistle is the same age as some of his advisors.

Here's a detailed translation of this panel from my friend Fumi:

Elves age 5 times slower than tall-men.

16 year old tall-men in Dungeon Meshi's medieval time period are adults, they commonly join the military, get married, have children, etc.

An 80 year old elf is an adult. Pattadol is 82 and she's a lieutenant in a military unit. It's her first job and she's obviously a rookie, but Captain Flamela tells Pattadol to accomplish her mission or die trying.

Many fully adult elves look like what we might consider children or young teens, because they're short, petite, and have androgynous features.

An average elven adult is around 150-155cm tall (5 ft), meaning some are shorter than that, and some are taller. Thistle is 130 cm, which is short, but not unheard of.

Fleki is 130 (26) years old and she's 140 cm tall (4'7")

Otta is 137 (27) years old and she's 130 cm (4'5") tall, the same height as Thistle!

They are both women, but there's probably plenty of elven men in their height range.

Just so we can compare Thistle to some adult elven men, Mithrun and his brother are probably adults (or close to it) in the panel on the left.

Mithrun (in this image) is somewhere between 75 and 144 (probably in his 80's), and his brother is older than him (so he could be in his late 80s or 90s). As you can see, they don't look that different from Thistle, Otta or Fleki.

So, how old is Thistle?

(Spoilers below the cut)

Thistle was brought to the royal court as a child (found on the street, stolen or purchased, we don't know how they got him). At the absolute youngest I'd guess Thistle is 25 years old here (so about 5 years old for a tall-man.) He can already play the flute, and possibly the lute, and most children that aren't prodigies can't handle playing an instrument (physically or mentally) until they're around 5.

EDIT: We now know that Thistle is the same age as Freinag, the king that takes him in! So Thistle must be at least 25 years old in this comic, though realistically he could be anywhere from 25 to 40 based on how Kui drew Freinag.

He lived in the court for an unknown amount of time, Freinag hasn't changed much but Thistle appears to have aged a little, so let's say it's been 5 years and Thistle is 30 (6) when Delgal is born. More than 5 years could have passed, but I'm trying to keep the numbers low.

Delgal gets married and has a child. Delgal should be at least 15 at this point, but since he has a full mustache before his wedding, I think he's in his 20's, since teenagers tend to not be the best at growing robust facial hair.

(He has a full beard by the time Eodio's a young child.)

Thistle puts the kingdom inside the dungeon around this point, however, people are still aging: Delgal's grandson Yaad is born, and Eodio is clearly a young adult here, probably in his 20's. Therefore, there is NO REASON to assume Thistle stopped aging. "The dungeon lords don't age" is a common fan headcanon I've seen people spreading, but it has no clear canon basis.

Yaad ages until he looks about 13-15 years old, and at this point all of the people of the kingdom and Thistle appear to stop aging, and 1,000 years pass.

So, the youngest Thistle could possibly be, if he was 30 (6) when Delgal was born, if Delgal was 15 when he had Eodio, and Eodio was 15 when he had Yaad, and Yaad is 13 years old...

Is 73 years old, which would make Thistle about 14.6 years old by tall-man standards.

HOWEVER, I think it's VERY unlikely that all the characters are that young.

I think it's clear from Kui's drawings that Delgal and Eodio are not 15 years old when they become fathers, and that Freinag is at least 25 when he takes in Thistle.

If we assume Thistle was 30 when Delgal was born, and Delgal and Eodio were both at least 20 when they had children, even if Yaad is only 13 years old, that makes Thistle at least 83 years old (16.6), and makes him older than Pattadol, who is an adult at 82.

However, I think it's entirely possible that Thistle was anywhere from 40-50 when Delgal was born, and Delgal could have been anywhere from 20 to 30 when he had Eodio, and Eodio could have been anywhere from 20-25 when he had Yaad. If you use the maximum ages, and assume Yaad is 15, then Thistle could be as old as 120 (24).

I think a reasonable middle ground is assuming Thistle was 30 (6) when Delgal was born, Delgal had Eodio at 25, Eodio had Yaad at 20, and Yaad is 15... Which would make Thistle 90 (18) years old.

This of course says nothing about Thistle's emotional maturity or sanity, he's obviously stunted in some ways, but the point I want to make here is:

Thistle's age could be anywhere from 14.6 to 24 at the most extreme, but more realistically he's somewhere between 16.6 and 18.

And that's not even counting the thousand years that he's lived since then!

And that's all I've got to say about that 🙏🙏🙏🙏

(EDIT: Follow-up post with additional evidence here.) EDIT 2: I've seen a lot of people talking about the page Kui drew talking about elven earmuffs. It's considered just barely okay for Pattadol to wear them, but it's ok for Thistle to wear them... In which case I'd say Thistle could be any age younger than 83. That's handy as it knocks out some of the older ages!

So in that case Thistle's age is between 73 years old and 82, which makes him developmentally between 14.6 and 16.4!

#dungeon meshi #delicious in dungeon #dunmeshi #dungeon meshi spoilers #Thistle #Thistle Merini #thistle dungeon meshi #thistle delicious in dungeon #sissel #spoilers #theories

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catskets · 10 months ago

Text

A more in-depth guide for creating visual novels, especially in the horror, horror-romance, etc circles

Some of you have seen my previous, smaller post on crafting visual novels, especially in this little space of Tumblr that a lot of us have found themselves in. Since that post took off, I've wanted to create a longer guide to help touch on some points I've thought about for the past few months.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel.

Please note that my advice does not fit everyone, and you may disagree with what I say. That's okay! It doesn't work for all. That's why there's thousands of resources out there.

FOR THOSE OF YOU WHO HAVE NEVER MADE A GAME

So, you have an idea for a huge visual novel. Horror, a shady and obsessive love interest, a little bit of woo-hooing. 100k words. Maybe a million. What is this, the 07th Expansion?

I notice a lot of people getting into visual novels are artists first. That's okay! I wanted to do art for games before I realized how much I enjoyed writing. And even less of you have probably touched Visual Studio. Again, perfectly okay. We all start somewhere.

My number one piece of advice? Make shitty games.

What does that mean?! My recommendation to those who have never done games is to make a bunch of shitty ones. Think of a theme, or hell, even join a game jam, where you make a game that fits a theme in a short amount of time. Spend about a week on your game. Focus on making something polished. Polish your mechanics. Polish your output.

I recommend, if you can, to make at least 4-6, if not more, kind of shitty games before hopping into longer projects. Making a game is a skill, just like art, just like writing. And game development is combining ALL of these together into one big soup being stirred by a skeleton hand puppet. You'll get into the rhythm and see what works for you.

It also helps you learn, perhaps, the second most important thing here: do you even like making games? There are cases out there where people have created video games (not saying visual novels) just for clout. That's no fun for you, that's no fun for your players. And you might go through this process and find that you don't like making games. That's completely okay! It's not for everyone.

Also, you can use these shittier games to gather an audience. I've built my audience because, for the past few years, I've been releasing games that slowly give me growing fields of eyes every day. A success story overnight is a rare one. It takes time. It's like building a brand, but you aren't a brand, you're an artist.

REV UP YOUR ENGINES!

Ren'py is the number one engine you will be recommended. It is very beginner-friendly, with lots of tutorials, assets on itch.io to use and download, and support. The engine comes with a few tutorials in the form of games, whose code you can freely browse. This is the engine I use most often. Most visual novels you see are made in this engine.

Twine is a text-based engine that most people use for interactive fiction. You can add images and audio, though, if you don't mind messing with HTML. I use Twine for text games and for outlining for my larger games. Ever played Degrees of Lewdity? Yeah, I know you have. Don't ask why. That game was made in Twine.

RPG Maker has multiple versions and has been used for exclusively VNs if you don't mind fucking around with plugins. It can definitely give your game a super unique feel. I recommend RPG Maker MV, since it has the most resources. This line of engines usually costs money, but it often goes on sale for under $5-$15.

People will recommend TyranoBuilder, but as a user and player, the lack of options and the format the games often come in is just...not fun to navigate. It advertises itself as little to no code, but it's often evident in the final results. Some good games have been made in it, though, so if you want to use it for prototyping/practice, you can. I'm not a fan, but that doesn't mean that fans don't exist! This engine costs money.

Not an engine, but check out Ink! Super useful scripting language that's used for more professional projects.

DEMOS, DEMOS, DEMOS

You've got an idea for a long-term project, and now you want to show it to the world! But wait, wait, don't do that yet!

When should I start advertising my game? This is a personal opinion, but I say that you should not start advertising your game until 50-60% of your demo is complete. Why? As I've discussed with some fans of indie VNs, they can name quite a few projects that have been in the "working on the demo" age for 1-2+ years. I've been in the Kickstarter MMO circles. If you, making a single-player experience with little mechanics to balance and polish (aka a visual novel), are taking that long on a demo, I am going to assume the game is not coming out. There are some games I have seen out here that have been in "working on the demo" phase where I haven't seen a single ounce of what the project will look like.

What should I put in my demo? The purpose of a demo is to showcase the mechanics and the vibes and the mechanics of your game. It's a demonstration. In my last post, I pointed to the Dead Space 2 demo that was showcased at E3 (RIP), that takes place about 2 hours into the story and shows how enemies are defeated, some animations, bits of the story, etc. Usually, because it's less about mechanics and more about vibes, visual novel demos showcase a certain percentage of the full thing (5-10%.) Can you showcase the vibe of the game here and what players should expect? If not, show off another portion.

How long should I work on my demo? Before, I said 3-4 months. That can be true, that can also not be true. Think about how long the demo takes you in proportion to how long the actual game should take you. Don't put too much effort. The demo is to showcase the vibe. It's to see how much the public and fans may enjoy the game.

My game is 18+, what should I do? Make a splash screen when the game is downloaded to let players know your game is 18+. If it's going to contain sexual content, you can hide it with itch.io's adult content filter. Write it on the page itself that your game is for adults only. Don't put your demo behind a paywall. This is genuinely ridiculous. The purpose of a demo is to showcase what a game is like before a player purchases it. That defeats the point of a demo. I've seen this happen, and it discourages players from approaching, especially because most demos never make it past the demo phase. So...I'm paying you $10 for 2-3k words of a game that may never come out?

Should I make a social media for my game? YES! Go for it. These anchors are how people will find your game. Make a Tumblr and open that ask box. Make a Twitter. Go to BluSky. Advertising is not bad. Some YouTubers even take e-mail suggestions from developers. Feel free to shoot your shot. The worst they can do is not respond.

HOW TO SET UP YOUR ITCH.IO PAGE:

Getting your itch.io to a presentable state can be very challenging! There's many ways to do it. I highly recommend using this page image guide for learning how to size your images to make your page pop!

Itch.io themselves has suggested to not publish a page until the game or demo is released. You can make the page and keep it as a draft, but do not publish it until you're ready!

Your cover image is the image that will appear in the search of the website, on any front pages, in collections, and on your profile. What have I seen that works? Key art of one of the characters up close and the title of the game! If you can make it a .GIF, do it! Bitches love .GIFs!

Itch.io recommends 3-5 screenshots on your page. I recommend 1 of these 5 be a .GIF that shows how gameplay feels. This is effective, even for visual novels!

Write a 3-5 sentence summary about your game for the description. What is your story about? What is the draw?

DO NOT BE ONE OF THOSE PEOPLE WHO IS GOING TO SAY "This is not like other visual novels. It doesn't have that cheesy this or that or-" No one cares. Genuinely. You're putting down other games in your genre and elevating yourself to the pompous level.

TAG YOUR GAME! itch.io gives you a list of tags to choose from when you go to tag. DON'T USE THIS! Try to go for more specific tags. Arimia has a very good guide on how to use itch.io's tagging system to your advantage.

GENERAL GAME MAKING ADVICE

SCOPE KNIFE IS SUPER USEFUL! Everyone makes games that are way over their workload. It's okay to cut out features and add them later. Prioritize making a finished game before hitting those stretch goals.

PLAN, PLAN, PLAN! Writing outlines is super helpful. I use Twine for my outlines, because you can connect your passages together and make really well-thought webs.

IT'S OKAY TO ASK FOR HELP! Whether it's from friends, professionals, or anything in-between. They can help with assets, editing, etc.

HONE YOUR SKILLS OUTSIDE OF GAMES! Write some poetry. Do some sketches everyday. Improve on your craft to improve your games

MUSIC IS HARD. THERE ARE RESOURCES. Most of us aren't musicians. That's okay. Make sure the music you get for your game is allowed to be used. You can use anything non-commercial if your game will not cost money or donations. I try to do songs in the public domain or free to use overall with credit if I don't have a musician. Consult the Creative Commons website if you're unsure how you're supposed to use a certain piece of music. If you don't use the right stuff, not only can it put you in legal trouble, but it can put streamers in hot water if they play your game and they can't upload the video because music is copyrighted.

PLEASE, DO SOMETHING ABOUT YOUR UI. Wanna know an easy way to get your game to look more professional? Edit the damn UI for your game. Make a new textbox, even if it's just a black box. Change the font. Eventually, players recognize the defaults and patterns of games made in certain engines and may attribute a lack of UI changes to a developer being lazy. It doesn't take very long to change the colors around and move text! Please do it to add a little pop to your game.

DEADLINES ARE AWESOME. Not everyone works well under pressure, but if you give yourself an infinite amount of time to make something, it'll never get done. Set goals for yourself for how much you can work on something.

IF YOU HAVE TO GIVE UP, GIVE UP. Making things is hard, especially long-term. Emergencies happen, jobs happen, life happens. Let your fans know that a project isn't happening anymore. Don't leave them in the dark. You don't need to tell strangers your medical history or anything, but transparency + honesty are really hot traits. You should use those in your creative work. This is one reason why I advocate for not publishing or advertising things until you know it's stable.

SHOWCASING YOUR CONTENT

People love to see WIPs for games! This is what the devlog is good for! A devlog is a post where a developer talks about and showcases some things happening in the game? What can you add to your dev log?

PERCENTAGES! How much of the artwork is done? How much of this character's route is done?

SNEAK PEEKS AT ARTWORK AND SPRITES!

GIFS! GIRLS LOVE GIFS!

Anything else to showcase your game's content! Posting consistent updates retains and even gains a fan's attention for your work.

RUNNING YOUR TUMBLR

You've joined us, and you've made a Tumblr for your blog! Link it on the itch.io page, so people can come find you after playing your awesome demo!

Do I have to respond to every ask? No. It's your blog. Delete whatever asks you want.

I got a hate comment! What do I do? Delete it and move on. I have a more detailed section on hate below.

I want to interact with [blog]! How do I do that? Reach out to the devs for silly little collabs. If you come onto a developer slightly headstrong, they might feel you are being abrasive or using them for content.

If people make fan content, interact with it! Encourage it! Reblog it. Show your love.

OTHER IMPORTANT THINGS

PROFESSIONALISM IS KEY. These may be pet projects, but you want to appear some level of professional on your actual itch.io page.

Being dismissive of player and fan complaints or criticisms will make you appear childish.

If your game is broken, fix it. I have been told by some amateur developers to ignore game-breaking bugs. It does not make me, a player, want to engage with your content. It seems messy and unfinished.

With the above point, it's 100% okay to have bugs and errors upon release. Every developer and their brood mother has. To decrease these issues, get playtesters. Friends can play your games, spot any errors, and help you point out things that can be improved upon. I recommend having playtesters at every stage of development.

Make sure your game runs before you publish it. Please.

You can still be silly and giddy! There's no reason to not be, especially when you get positive comments! The point of this is to not be outright rude to potential players and fans.

IGNORE HATE COMMENTS. In this case, a hate comment is a statement that contains no constructive criticism and are only here to be insulting or malicious. People are going to leave you with actual piles of dog shit in your ask box. They are trying to provoke you. Giving hate comments any attention, even if you're there to "clap back" proves that they got to you, even if you don't take the hate to heart. They will continue to pester you. Delete any hate comments and ignore them completely. Laugh about them with friends in a private setting, sure.

THINK BEFORE YOU REFERENCE! I know one big thing in this community is adding references to other games in yours, such as plushies of other characters or putting them on posters. The best thing you can do it ask the developer before adding this. How would you feel if some random person you've never met put your character in a video game? Most of us would feel weird and potentially violated. Open communication with devs is awesome. I am usually okay with it as long as someone asks for permission.

As a complete aside, I prefer more tasteful references to other games as opposed to 523482346 plushies and posters. These have been slightly overdone. Why not theme a candy after another game's character? Maybe your characters know each other.

OTHER RESOURCES I RECOMMEND

Devtalk is a server dedicated to independent visual novel creators. You can find jobs, resources, advice, talks, and, like, everything there! Devtalk is super useful. Everyone in there is so cool. They have a really great and comprehensive list of resources that I could not even begin to cover.

Visual Novel Design is a great YouTuber. No other words, check the guy out!

Ren'py and whatever other engine you're using has documentation that's super useful to follow.

Arimia not only has amazing VN resources, especially for marketing, but she also just has? Amazing games that you should check out?

And for a shameless self plug, I'm the lead of Sacred Veins, a collective of devs creating narrative games, whether it be horror, humor, romance, or everything in-between. Come hang out with us!

#visual novels #game development

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bamsara · 1 year ago

Note

Have you seen cannon Eclipse yet?? Will Ruin be effecting how you portray them in SL?

(Ruin spoilers) Long post!!! Sorry I rambled klsdhglksd plus I pulled out some of my older art so it's a bit of a ramble post about Eclipse and how I write/draw them / the duality of man (robot) / and SL's AU universe

Most likely not since a fully-booted-up Eclipse in SL wouldn't be too terribly different from what I could work with coming from Ruin. I've already made several art pieces and writing drafts about the 'scary looking but sweet' Eclipse type more than the murder murder murder scary kill kind having to do with the virus's invovlement, so I think this developement is actaully pretty steller for me

Not to say my Eclipse won't be a bit more intense than what was shown in the DLC, but I think it still works out

I mean Look at my doodles and writings of Post-Solar Lunacy Eclipse and how they act: you've got your spooky behavior that comes from Five Nights At Freddy's being a horror game + based off of the DCA's behavior + general alternate universe junk :

and then your silly goofy:

I've always adored the Duelity of Man (Robot)

So basically: Ruin DLC will probably not affect how I write Eclipse at all because from the short few lines we got from them kinda already alligns with how I see Eclipse behaving, at least Post - Solar Lunacy. Sweet boy.

Eclipse's dialect is a bit different in the ruin dlc then how I've had it planned but I think that's okay too, considering how I had their dialect/manner of speaking pretty down similar to how Sun & Moon were speaking in the DLC at least (the short sentences, phrases, occasionally long ones) although this is kinda just a writing flow choice / au character interpretation thing that's a personal preference, since I personally have Moon less verbal than Sun and Sun a lot more talkative in my fics than even the og Sun in Security breach.

Appearance wise? Nothing really changes! The hat and sunrays combo can switch inbetween having a hat or just having sunrays (like how arcade game Eclipse just has sunrays, but character model Eclipse has Moon's hat) and it really just depends on the scene and/or if the DCA was already wearing the nightcap as Eclipse makes an appearance.

I'm keeping the four-arms deal. Best thing the fandom came up with and love it when they do that for characters. Insert 'i just think its neat' image here.

Solar Lunacy has been and still is a AU universe so like said before, some aspects of canon are choosy to whatever I think makes a good entertainment story and all, so not too worried about sticking to canon all that much. Yippie for transformative and creative expression!

THAT BEING SAID, I absolutely fucking adore the glimpse of personality we got from the few scenes of canon Eclipse in the Ruin DLC and it fits an idea of character in my head for them, so I won't really need to divert from the original draft too much for Eclipse!

I'm really happy ahh!!!!

#Solar Lunacy #writings #<< for reference #doodles #ruin spoilers

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pikapeppa · 9 months ago

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Tiefling anatomy and headcanons

Someone else has probably done this already and in more detail, but ALAS, I could not find anything to fit my very specific smut-related needs. So I went ahead and labelled some diagrams.

Our handsome model for this post is Dammon! 🥰 SADLY, I don't know the source of the photos I used (they were sent to me by a friend and a Goog search did not help), so if anyone knows who I can credit the source images to, please let me know!

Terms and headcanons are mine. If they're well-established elsewhere/used by others, it's pure coincidence.

Within-image text will follow below, for those using screenreaders/if the font is too small (SORRY, I was in a rush). I also put a cut before the third image, since it's got Dammon's bum in it. 🥰

The first image depicts sternal ridges ("sternum" meaning "breastbone") and costal ridges ("costal" meaning "relating to the ribs"). I headcanon that the sharp-looking, pointed parts of these ridges are not actually sharp or hard, but rather, cartilage covered in skin (like ears!).

The second image depicts spinal ridges (prominences on the vertebrae) and wingtips, tiny little hooks of cartilage on the shoulder blades. I headcanon that some tieflings see larger wingtips as being good luck, or even a sign that you'll be able to fly in your next life.

The third image shows anatomy of the tail, which is grossly divided into the upper tail and the lower tail. The upper tail, also called the tail base or tail root, is where the tail attaches to the body, just above the bum. I headcanon that this area of the tail is a "private area", off-limits for being touched except by lovers or romantic partners. The lower tail, including the tip of the tail, is okay to be touched by friends and close family. Tieflings partners might link their lower tails together in an affectionate gesture, like holding hands. Siblings and friends might slap or pull each other's lower tails when they're playfighting (we're looking at you, Cal and Lia and Rolan). The tail tip might also be called a "tail-barb", depending on dialect differences.

Some other random tiefling-body headcanons, some of which are NSFW (be warned):

They have nails: not claws, not talons, but nails. 'Claws' and 'talons' are considered offensive terms, like equating tieflings to animals.

Touching a tiefling's horns is off-limits except for very close friends/family/partners. It's not necessarily romantic to touch or caress a tiefling's horns, but it often is, not unlike stroking someone's hair.

Tiefling tails are partially prehensile. Thus, they can use them during sex. 😏

Contrary to popular belief, tieflings are adept at giving and receiving finger penetration (i.e. finger-fucking SORRY TO BE CRUDE) with long nails, and don't need to cut them for sex reasons. They know their bodies, and they can easily learn how to finger-fuck without hurting anyone.

Tiefling tails can broadcast emotions, like cats' tails (though some tiefs may not like being compared to animals -- see above). I've seen at least two fantastic comics about this, here and here (MY FAVOURITE).

Thank you for reading if you came this far! And feel free to use these headcanons in fic writing, if you like, with a nod to yours truly if you're feeling kindly 🥰

If you'd like to read some tieflings fics where these headcanons come into play, you can check out my Karlach/Dammon fic here, and my Rolan/f!Tav fic here. Both are rated E for smut.

-- love from your friendly neighbourhood Pika! xoxo

#tieflings #tiefling #tiefling anatomy #bg3 #baldur's gate 3 #dungeons and dragons #dnd #dnd headcanon #tiefling headcanon #pikapeppa writes

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marzipanandminutiae · 8 days ago

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i just saw your post about modern vs historical hairstyles and hwo most historical women would've worn their hair up/covered - I was wondering if you have any favorite historical hairstyles you could share? I'm an artist and not very good at looking for historical style references XD anyway no worries if you're not feeling like it

Sure! I have some faves (whether I can actually do them myself is another matter- not very good at hairstyling, and my hair is too fine to do some of them without adding falls or something. so was a lot of their hair at the time, to be fair, but I don't have energy to fuss with false hair)

Note that these are images of white women/women with Euro-textured hair because that's what the fashion plates tended to depict, and those were most of the people with the money to have their portraits painted. Women of color with different hair textures living in the west (who had the wherewithal to keep up with trends) seem to have done their best to follow the same hair fashions as their white counterparts, until around the 1960s when you start to see the rise of distinct hairstyles based on one's own heritage

working-class women of any race also generally knew at least the basic shapes of popular hairstyles, unless they were VERY isolated. many adapted trendy styles to suit their needs- I've seen plenty of images of factory workers for example, that are perfectly easy to date based on bun placement, bangs vs. no bangs, where the hair volume is concentrated, etc.

but for peak This Was The Style Ideal...it's images of wealthy white women all the way down. unfortunately

1690s

1740s-50s

c. 1800, the "coiffure a la Titus" that was briefly fashionable alongside the more popular Long Hair Up With Ringlets Around The Face look

1867

Early 1870s. note that, while trailing styles were more common for women at this point than any other before or since in the 19th century, this is a bit more Down than most women's day looks would have been, for practicality reasons. Nevertheless, if someone wants an accurate style that's close-ish to the classic Half-Up Olde Timey Hair(TM), early 1870s could be a way to go!

Early 1910s

Hope those give you a starting point!

#ask #history #fashion history #hairstyles #bitegore

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cassiusfen · 1 year ago

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This isn't my art, (it's made by @ TheHearthFox over on Twitter) but I wanted to make a long post about why this work in particular speaks to me so goddamn much. I think such a massive part of the queer experience -- and also the furry experience -- is about the abstract. This can be seen in so many different aspects of furry "culture," from the concept of fursonas to kink and and other fetish content. You and I will never know what it's like to be a werewolf and transform under the full moon into the form of a big hulking furry beast. However, us furries create art and other works about the idea of it anyway. We never will be able to be our fursonas -- our often idealized and "perfect" versions of ourselves -- and part of that really hurts. It hurts so bad honestly, to the point where I can't quite put it into words. In terms of queer culture, I will never know what it is like to be a cis woman, and that also messes with me a lot. Yet, I'm still trans, my identity can change, I can perceive myself as whatever I damn well please. Identity allows you to shape yourself and the world around you in your own image, even if not everyone can see its beauty.

We have ways to get at least somewhat close to how we feel in our abstraction. VRChat allows you to make an avatar of what ever you want, whether it's your fursona or just an ideal version of you. Hell, it doesn't even have to be you, it could be anyone or anything really. We have a whole industry based around creating big ass costumes that allow people to at least look something like their desired character. But it's not enough. It's never enough. I ain't religious, but sometimes I feel like I've bitten the apple, been kicked out of the garden, and now I'm left to fend for myself with an identity that my physicality will never match. When I made my fursona using an avatar base in vrchat and configured it to match my real world body scales and looked down, I honestly started crying. I take the headset off, and I'm still me. Everyone takes the headset or fursuit off and they're still the body they were given, not what they would choose. Our reality is objective, and there's no way to really change that. We can act like animal people online all day, but the moment that screen shuts off, the moment we walk away, that warm, fuzzy feeling (hehe) fades.

To think abstract is to think beyond what you can normally sense. You will never get to brush the knots out of your fur in the morning, or play with your antennae while anxious (I see you bug people). We can still have those ideas, however. I know I'm on the third goddamn paragraph and I'm just now talking about the artwork I linked but this is an important concept to me. Usually, when I think of the abstract, it feels unreal, "fuzzy" so to speak. However, in HearthFox's piece, the objective reality appears out of focus and pixelated. It feels like even if we are unable to fully embrace the abstract, we can still embrace what we can of it, and bring some sort of color to a world that doesn't feel like it is made for us. The colors being outside of the lines could suggest that our abstract perception is maybe just "painted on" to the world around us, but is that a bad thing? Is it bad to take things in from the world around you, but still look at it all in your own unique way? I think not. This also isn't only about therian identity, or furry identity, or even queer identity -- it's also about neurodivergence. You are never in the wrong for thinking about the world in a way that is viewed as "non-standard" by the rest of the world. If you see yourself as a wolf, bee, fox, bear, raccoon, a fucking plane, it's not a bad thing. We can still identify however we want, and this modern way of looking at identity is the best way for us to embrace the abstract.

Go wild, go fucking stupid. Love yourself, if you're a fox, be a fox, there are ways you can feel that way, even if it's not all of the time. We can fight, we can love, we can still find ways to elation, even if sometimes existence itself feels wrong to you. This work is but one side of abstract thinking. Look at the color the fox has compared to the objective. Look how the fur drapes, how it runs down the body, or how the snout expresses emotion. Sometimes it feels melancholic, but you cannot tell me that trying your absolute damnedest to live your identity doesn't at least bring some color to your otherwise dreary and unfocused world.

Stay safe, love yourself no matter what.

#furry #aptophilia #therian

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nekropsii · 3 months ago

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I was willing to believe it being some deeply off-base analysis on account of the whole "Chaser Jake" saga that happened... I wanna say a couple years back? But, nope! Just a meme that exists in response to maltreatment. Criticism rescinded. Sucks that those poor ladies got harassed so badly. Spraying the Tavros fans in question with vinegar.

The Homestuck fandom has always had a Transmisogyny problem. This is observable - it is not a new issue. You can see it clear as day in old fanworks of Eridan, and it's part of why I still will not touch march!Eridan with a 10 foot pole, rampant weird oversexualization of a 13 year old aside. It's just getting way more visible these days as something that is a problem, now that people who have never been affected by Transmisogyny are becoming more cognizant of the fact that Transmisogyny is an issue and not a cheap joke. It's also more visible now that the Transfems are making themselves more visible - or, at least, being more accepted into broader circles - and contributing more of their souls and ideas into the ecosystem - which is a beautiful thing, but people are so averse to it. Ironically, the most recent examples I've seen of this is the recent (Post)Canonization of Tavros being Transfeminine herself. Tavros fans especially are being, um... Not... Very normal about it, from my observation.

There's an even longer version of this ask that goes more in-depth, so I'll post that here, too. Putting it under the cut - It's worth the read, though it's still a bit long, mostly due to being Images. Thank you for sharing this info!

Original Sender has been left Anonymous explicitly by their request. Once again, thank you for the correction. I'll be editing the post that contains the spreading of it with a notice as soon as I can.

#homestuck #beta trolls #tavros nitram #cw transmisogyny #nekro.sms #nekro.txt

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harmonysanreads · 8 months ago

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HARMONYYY i just finished the penacony quest and OH MY GOD. the emotional damage wtf... and the murderer 😕 i honestly don’t think anyone could’ve foreseen that

on another note, sunday really does have huge yandere potential !!! (i was swooning the entire time he was on screen im sorry.) he literally isn’t beating the allegations at all. even the other characters comment on how weird it is for him to casually keep a model of the golden hour, because what in the control freak 😭

he seems like he’d play dollhouse with darling. after all, in a place like that, every single aspect of it is under his thumb — literally. having that much control over your circumstances is a reassurance. oh, are the placeholder models crashing? don’t worry dear, he can fix the malfunctions. he can even make them speak more realistically for you. he can give anything to you, even change the layout of the place entirely if you’re bored of it. you want to get back to normal size? well, he can’t quite do that just yet, please understand..

or if he pulls that weird interrogation magic thing on them. darling who just lies through the entire thing, and he uses this to scare them about the death countdown while not mentioning the part that he has the power to really just cancel it in the end. though, the same trick won’t work on them twice. at least the process gets darling to become part of the family in the end.

not to mention the spies he has everywhere. stupid birds watching you in every corner…

idk i just want to hold him and shake him aggressively. out of love, of course.

- 🕯️

When I tell you I've lost sleep over the thought of just how much more Sunday is probably capable of doing, nonnie.

If he has access to technology and power like this, which are all unrestricted for his personal use moreover, imagine the things he's hiding. And imagine farther the things he had to do to get to where he is today, another dash of spice to the mix. I went back to his scenes and did some thinking. The me-slandering-Sunday is obviously a joke but I really, really hope people just don't focus on the morally-gray and questionable aspects of him and completely disregard his other characteristics now.

If you think about things from his perspective, he really is just trying his best to keep the image of The Family. But the loss of probably the only person he trusted with his heart and the disregard to bring justice to that case from The Family's side, compelled him to put his agenda first (as he himself mentions that he allowed Aventurine to pull that stunt so that it'd lure Gallagher out). What we get from this is, while Sunday is an extremely dedicated member of their faction, he had to learn to be selfish in certain situations to save his and Robin's backs.

The desire to control usually comes from a feeling of helplessness. We can make some speculations based on the current information of why Sunday has these tendencies, I've also seen some people say he has OCD (Obsessive Compulsive Disorder) but, we can't be sure until his full lore drops. Another thing to note about Sunday is how lonely he probably is, especially at present. The Family is in chaos, the situation of Robin, external forces' traps, the Charmony festival's deadline and he doesn't even have one person he can sit down with and not question their motives. He really must want to rest just as much as the characters around him are suggesting.

So basically, Sunday is a multi-layered character, just like Aventurine. He's definitely a politician, is what I'll say. Even though he is a control freak whose motives are hard to guess, he's still that little boy fighting for his and Robin's shared dream inside.

#but he still deserves to be aggressively shaken for that move on aven #and then sent to a three month vacation #do you guys catch my drift my here like you can still manipulate him to do your bidding :)#opps... didn't mean to drop that #sunday brainrot #──⚝🕯️anon #yandere sunday #yandere sunday x reader #sunday x reader #yandere hsr #yandere hsr x reader

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fatphobiabusters · 4 months ago

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Pokemon Go added Body Type Customization in an update recently!! It's not just presets of Rail Thin - Moderate Thin - Fat either there are SLIDERS!! And separate face shapes!! It's been eight years sense launch but this is HUGE in terms of Pokemon Character Customization!

I'm surprised that Pokemon Go made that update (though also sad that it took them 8 years to include fat people). I think this makes the first Pokemon game that allows the player to play as a fat person. I hope that'll be an aspect they'll keep for future games, similar to how they gave customization options for generation 6 because the game was based on France, and then that feature was too popular for the game developers to not continue that for every game afterwards.

I don't have the game downloaded, but from the pictures and video footage I've seen, the body type options do seem to be better than the usual "We'll give you one fat body type and call it a day." These are two pictures I found on Google Images:

There's at least one fat body preset with different chest options, and then there's also a way to specifically change appearance aspects like weight, hips, chest, etc.

Fat people need to be represented in more video games, positive representation at that. The excuse I usually hear is "Well, if the game developers include fat people, then they'd have to update animations and clothing to fit the fat bodies! That's more work for the same budget!" And to that, I say: Stop trying to pretend this is just a matter of 'budget' when there's not a single game with player customization that only has fat bodies.

If it truly is so impossible to make video games with more than one body type and that's the sole reason why fat people don't exist in almost any video game universe, then why is the body type always chosen to be represented a thin body type? Game developers are perfectly capable of making a game with customization where the only body option is a fat body. So, why has that never been done? Why is it that every time a person makes a video game with only one body type available, it's Always. Thin.

You know why.

I could talk about this for hours and point out so much more BS rhetoric that fatphobes use to defend fatphobia in video games, but I don't want to spend my whole night writing an essay. Anyways, I'm glad that Pokemon Go has finally started to add some weight diversity to the game, even if this is 8 years late. Let's hope more game developers will do the same.

-Mod Worthy

#This is an older ask so that's why this message is about a game update from a few months ago.#fat representation #fatphobia #Pokemon #Pokemon Go #emile hides #ask #Mod Worthy

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runerapier · 6 months ago

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If you don't mind me asking, what makes you interpret Angeal as anything other than a straight man? He's the least gay character I've ever seen and he doesn't act gay either.

I'm going to assume this isn't sent in bad faith but this is pretty on point with the definition of stereotyping. I mean if you’re defining being gay by how someone looks or acts that is your first problem. Angeal has very outwardly masculine actions and appearance, I’m not really a fan of the insinuation that masculine men don’t “look” gay enough. Angeal isn’t even a hyper masculine or toxic masculine character, he is almost always described in a way that is seen as nurturing or caring. His own fan club compared his hobby of cooking to that of a wife. Things like gardening are often seen as more a “feminine hobby.” This isn’t to say Angeal breaks insane boundaries but Angeal isn’t this rigid masculine character in the first place. Besides my personal headcanons, Angeal and Genesis' stories take quite a bit from The Fall of Mankind (and religious and mythological symbolism in general but I'm going to try to stay on track). They purposely made two male characters represent Adam and Eve, and this isn't the first time they have done something like this in a final fantasy game. For example: while they are more developed than Genesis and Angeal, characters like Fang and Vanille are based on the Nordic myth of Ragnarok. There is a lot of information that couldn't be included in the final game of Crisis Core but is still intended canon, I'm going to be using a lot of that as a reference point. The full explanation is pretty extensive and I'm also not an expert on The Book of Genesis. I tried my best to do research for this, but it is possible I am still missing things and that this can still be expanded upon.

I'm going to start off by giving a deeper explanation on how Angeal represents Adam and how Genesis represents Eve. Genesis already has a very strong connection to The Book of Genesis because of his name. Rhapsodos comes from rhapsody, his full name is literally "genesis reciter". Genesis and Angeal were the first two attempts at an artificial “cetra” created by Shina representative of Adam and Eve being the first humans created by god. (While there is some debate if the first woman is Lilith, she is often been seen as a demoness.) The kanji for Shinra already is a direct reference to god, and is symbolism for how they like to play god themselves. The image below has a great explanation that is much better than what I can do, but to keep it short 神 (shin) literally means god or divine and 羅 (ra) is derived from 網羅 (mōra) which means "encompassing".

The fruit of knowledge is typically portrayed as an apple, which connects with banora whites. It represents temptation, Genesis offers the apple to others when talking about truth and revelation. Instances like in Nibelheim, Genesis offers the fruit to Sephiroth after telling him the truth of his origins. Sephiroth rejecting the fruit is a sign of him rejecting the truth, and we see he continues to go along with a story he is happier with. Sephiroth decides to believe misinformation that is less painful, the rejection of knowledge is indication he is not Adam or Eve.

Banora is heavily connected to the flow of the lifestream, which is what makes Banora whites grow any time of year. The lifestream is said to contain knowledge of the planet and its people, that being what powers the fruit further reinforces the idea that they represent the fruit of knowledge. Banora being the source for what is essentially miracle fruits powered by the planet, it is clear Banora is meant to be Eden.

Minerva is said to be sleeping in the caves of Banora, she represents the will of the lifestream. Though Minerva is connected more to Roman Myth and Sophia from Gnostic belief, I would still say she emphasizes the holiness of Banora's land.

Angeal has a story about not stealing to reflect Adam trusting god and not taking from the garden. God's words to Adam were "You are free to eat from any tree in the garden; but you must not eat from the Tree of the Knowledge of Good and Evil, for when you eat from it, you will certainly die." (Genesis 2:17) Angeal stole from other trees besides the big one that had the most delicious fruit. While it can be argued Angeal didn't steal from Genesis in general, Angeal's story focuses solely on the biggest tree with the most tempting fruit, that tree represents the tree of good and evil. At the end of the game, Zack eats an apple under this same tree with Genesis, protagonist and antagonist sharing from the same tree. Shortly after eating the apple Zack learns the truth about how long it's been and leaves to meet his fate.

Hollander approached Genesis with the truth of his origins, convincing Genesis to help him with his plans in exchange for a cure that Hollander never had. Eve was afraid of eating the fruit and dying because of what God told her, but the serpent convinced her she would live. “You will not surely die. For God knows that when you eat of it your eyes will be opened, and you will be like God, knowing good and evil.” (Genesis 3:4-5). Both being deceived, they were convinced that they would live if they defied God, and become the catalysts for knowing the truth. Eve did not want to be alone in her defiance so she looked to Adam, much like how Genesis approaches Angeal to persuade him to take revenge against Shinra.

Besides Eve being referred to as Adam's wife, Adam also placed his trust in Eve above god. He decides to listen to her and trust her despite his creator telling him he will die. Angeal places his trust in Genesis above Shinra when he decides to defect, believing he can rationalize with him despite this being high treason.

This has happened before already, Angeal placed his trust in Genesis above Gillian and defies his mother to join Shinra. Gillian didn't want her family to be connected to Shinra and despite how highly Angeal respects his mother he still defied her wishes for the sake of following a dream with Genesis.

This leads into the next part, less about how they parallel The Book of Genesis and more about how they parallel other characters in the narrative. This makes me a little nervous to talk about so I’m going to put a small disclaimer that I am not arguing for any canonicity of ships because I think it is a waste of time. However, I think discussing characters' feelings that push their motivations is important.

In the narrative, Angeal also greatly parallels Cloud, I feel like this isn’t something that is talked about enough in general. They share a great deal of small parallels like both enjoying landscape photography, being associated with wolves, and elementally representing lightning. Besides surface level things, both Angeal and Cloud have a guilt complex and feel responsible for the people around them. The main parallel that’s important to this conversation is their childhood friend from the same countryside town.

Cloud was inspired by Sephiroth and his desire to protect people he loved like his childhood friend, Tifa, to join soldier. This is similar to Angeal joining to be with Genesis; their childhood friends are motivators for both of them.

This is something that’s pointed out in DFFOO as well, Angeal hears about Tifa and immediately draws the connection.

Both Cloud and Angeal feel responsible for protecting and looking after their loved ones, Angeal is seen as a caretaker type for this reason. Both Cloud and Angeal want to help fulfill the dream of their childhood friend, Tifa's was being saved by a hero and Genesis' being to share an apple with his hero Sephiroth. We see this when Cloud berates himself for not being the hero Tifa wanted and Genesis telling "Angeal" the dream has been fulfilled implying it has been something he knew about and wanted to help him achieve. Angeal's will in Lazard only fades away after Genesis said the dream came true, like there was a sense of fulfillment and that he could finally pass on after holding on for so long.

I find it interesting they intentionally draw parallels between Genesis & Angeal and Cloud & Tifa, people who have more explicit romantic feelings. I think Angeal and Genesis are supposed to represent a more “genuine” version of Cloud and Tifa’s relationship. Angeal represents the story cloud wanted to have throughout ffvii, having a childhood friend who never grew apart, who stayed together, and who followed a dream together. Angeal genuinely made soldier, and for a time he felt like he was in control of protecting others unlike Cloud. This contrast stays until the end, Cloud and Tifa learn to repair their relationship while Angeal and Genesis fall apart. Despite having everything Cloud wanted, it was not enough to sustain. This contrast is important in emphasizing that it is not about your background or your past, it is about what you do now and having people to fall back on. None of this is meant to be used as proof Genesis and Angeal are canon, but rather talk about Angeal's strong devotion and feelings for him since he was at least a teenager. They do not perfectly replicate the fall of mankind but it is interesting nonetheless. Here's to hoping we get to see more of how they interact in ever crisis.

#angeal hewley #genesis rhapsodos #final fantasy 7 #final fantasy vii #crisis core #ffvii crisis core #ff7 crisis core #sorry this took so long executive dysfunction smile #removed link because I forgot tumblr hates that whatever

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weirdmageddon · 5 months ago

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ok. let's finally talk about this thing i've been wanting to go public with for ages

so i am not a fan of needing THC to help me curb the embarrassment i have in being happy talking about my real realll special interests, because perceived rejection of my interests feels like rejection of myself since i put so much of myself (my time) into them. i anticipate rejection from others because the stuff i find myself occupied with is detached, abstract, highly technical, or niche, and i'm aware of the surrounding cultural assumptions. some of them, and the level at which i am in involved in understanding them, are really specialized or esoteric, so even opening up about them is like "fuuuck im gonna be made fun of or it’s gonna be too technical that they zone out and dont understand why this is so meaningful to me" ive even posted about that feeling before.

see if i start accumulating too much self-context made in my own mind without sharing it i start to feel more and more isolated from other people around me, that they’re not seeing the full extent of what im seeing myself. i don’t share it, because i fear rejection or superficial judgments in other people’s eyes (probably because it’s happened to me and i’ve seen it happen to others). but at the same time it has to be shared with more people around me or else i feel like i have an intestinal blockage in my mind. what happens is my mental colon explodes from all the shit accumulated over time and vou get a post like this. i’m sorry for that mental image btw. anyway back the point of this post

anything where i can systematize archetypes in real, everyday situations has always been my strong suit. so when people ask me my hobbies im like ... uhhh what am i supposed to say? i analyze stuff about the world and rotate it in my mind. when carl jung wrote there are “as many archetypes as there are typical situations in life” i know exactly what he was talking about.

i’ve been toeing the line to really talk about this thing for two years, so let me tell you about socionics. if you already know what im talking about i love you. if you don’t (or even if you do, keep reading there’s probably stuff you don’t know in here), it is part abstract cybernetic model, part jungian concepts, part philosophy of information exchange. it classifies how people communicate and exchange information. it was created in eastern europe in the late 70s, developed primarily in the 80s-90s by other authors and it’s been an endlessly fascinating, elegant, and reliable tool for me.

usually people dismiss personality typology systems because the mbti became so watered down and pop-culturally saturated that people seemed to collectively take a stance of not taking anyone that genuinely cares about it seriously, or at least that’s the impression i got.

(btw — i need to go on this brief rant — i will never forgive 16personalities for being the big five rebranded and people thinking it's mbti. 16personalities gives you your big five type. they explicitly state on their website that they don’t borrow any concepts from jung. -A and -T don’t exist in the mbti and correspond directly to low and high neuroticism respectively. i figured out myself they mapped each letter dichotomy to the other four measures on the big five: extraversion (I/E), conscientiousness (P/J), agreeableness (T/F), openness to experience (S/N). which is stupid and it’s false advertising. take 16p and a big five test see for yourself how they match up. your personal mbti type can be different from its correlated big five type. the actual mbti using jungian concepts as a base is alright though. oh, and the best neo-jungian mbti stuff is by far michael pierce’d takes on it. if you actually fw that heres a carrd i created a few years ago about the cognitive function axes.)

but i always end up going to the bottom of the iceberg in anything i get really into, and i basically integrate it into my own understanding of the world around me for a while. maybe it was because i had a bad experience genuinely talking about it a few years ago from some people who made superficial judgments about it that made me sort of quiet about my interest in typology systems. i assume it’s because myers and briggs used the tool towards racist ends; it acquired negative connotations, bullshit intuition supremacy, and left the study of psychological types tainted in the united states. even if the individual’s study of the system is neutral, unbiased, out of pure curiosity as a way to classify and relate different personality structures to each other, as was the case with me. in addition to 16personalities being an invalid “mbti” test that bought their way to the front page of google, and rampant superficial information at all levels of study, finding anyone who was into it like me was basically impossible. the reason i have a preferred interpretation of jungian + mbti concepts is because i’ve tried different ones on and sensed how well they conform to reality as a way of describing phenomenon, ditching old ones that werent as clear. michael pierce’s i’ve found are the closest to what i sense jung's intentions were. (actually quite likely this is something i would attribute to being because all three of us are types LIl (and also all infj too, how about that?) brain-to-brain communication LII (carl jung) to LII (michael pierce) to LII (me)). so i felt like michael pierce kept the things that worked in real life and ditched the things that didn’t, leaving behind his elegant integration of the concepts.

anyway, i was under the assumption that anything that could be mistaken for it—which socionics often is at a glance—would be dismissed out of hand, even though it’s entirely different. plus, there’s all the context i’d need to clarify about how “it’s different from the “fun” unserious pop-psych mbti and also absurdly more technical” and what's the point in doing that if they don't respect you enough to hear you out anyway? so it just made me closed off.

they share a common ancestor though. the concepts are still based on carl jung’s book ‘psychological types’ which is why there is some shallow overlap, but the scope, structure, and application of it is different. i feel like this system is a lot more “living” and relevant to real interactions and communication between people in our everyday lives. i am always seeing specific examples of these concepts in play in real life and in characters depicted in media. it’s also been more empirically studied and successfully implemented over in eastern europe, and has gone under constant development and contribution. while since the 50s, mbti had crystalized and become stagnant with diverging interpretations to the point where it’s become basically meaningless to try to talk about because nobody can agree on concepts or semantics; there are virtually no distinctions between “schools” or “models” to differentiate interpretations — (although i have my preference for what i think are the most meaningful and reasonable one; as i said, that goes to michael pierce.) eastern (not so much western) socionics is incredibly more well put-together than mbti or kiersey for squeezing the potential from jung’s original ideas, and goes much deeper. that said, i will ALWAYS advise self-studying typlogy concepts over taking a test. the algorithm of a test can never possibly know you and your individual biases in interpreting the meaning of the words better than the knowledge you just have about yourself. if you learn the theory underlying it you will actually learn about yourself and others and it will actually mean something to you instead of a being an empty decoration for your profile.

here is a comparison chart i translated into english so you can get some idea of where these systems actually differ.

Букалов, А. (2019). On the advantages of socionics over other post-Jungian typologies. Socionics, Mentology and Personality Psychology, (6), 5–7. Retrieved from https://publishing.socionic.info/index.php/socionics/article/view/2603

for me it’s been super insightful applied to real life. it is like a toolkit for interpreting why some people just rub me the wrong way and our communication feels disjointed. or why some people pass my vibe check to enter my personal inner circle and i feel like talking with them is easier and not an uphill battle. who i feel drawn to and want to get to know better. to deconstruct why i and other people interpret information in the world the way they do, and how that explains the kind of people i end up curating in my life. it has put into words the concepts i haven’t been able to find the words for beforehand, and thus enables me to retrospectively pinpoint exactly what unconsciously makes people feel more at ease or why communication is just easier with some and why it’s harder with others, regardless of any other factors. there are other factors of course, that are the result of unique circumstances—nurture, culture, and upbringing—and i of course account for those, it’s not as pertinent to me as the framework that provides the skeletal structure regardless of those individual variations that are simply already a given for me. that was actually the whole point of its creation.

the system gives me a common language to communicate these ideas with, at least to the few people i talk to who have learned it, but i can adapt the concepts in how they relate to specific circumstances and convey it to a lay audience. i’ve been doing just that to explain why, of the people who have been made aware of the hs rarepair john-aradia, i have seen no one object to it, and instead, everyone i saw found it intriguing the more they thought about it, even when they initally thought was “so random”. and i realized, “hey wait! i know how to explain that!”, but that's in another post i've been working on.

[i was actually originally writing this post in the middle of said aradia and john analysis but i felt like there was way too much i wanted to talk about as its own thing. i figured people are going to be reading that post for john-aradia explanation, not public updates about my mind. i just didn’t want to rewrite this to account for the context because the point i made was still relevant]:

but now i’m thinking okay… i’m talking to a bunch of homestucks. why am i prostrating myself here? why am i so defensive? they’re probably creaming their pants at the idea of another symmetrically divisible system of classification to get their hands on. homestuck itself is founded upon a bunch of ideas with symmetrical divisions and classifications (divisible products of 2). aspect dichotomies, quadrants, cards, black-white, yin/yang and literally countless other abstract systems. if there is a common word to refer to these sorts of things, please let me know.

but in socionics terms, all of this sort of stuff i’m refering to would be within the domain of extraverted/black intuition (Ne) information, and classifying or positioning someone within those frameworks would be introverted/white logic (Ti). you can read more about these “elements” here. homestuck has familiarized you with notionally irreducible aspects present in everything, dual yin/yang forces permeating everything, so if you understand all of the sorts of abstract classification systems in homestuck you’re basically already 75% the way to fundamentally grasping model A socionics. it is way more structured and stable than the typologies in homestuck though. but you will perceive there to be similarities in the need for archetypal/thematic sense skills.

if you want to learn socionics, for the love of god start here. there are many weak places out there to start out with that will set you up with a faulty and loose understanding, but school of classic socionics is the best foundation to start with. i saw it emerge from the beginning when it was founded, having been part of it since late 2022.

this is an introduction to SCS, what makes it special, and and how differs from other socionics schools. i find SCS to be the most comprehensive, and i’m active within a side discord to discuss theoretical constructs related to model A. i’ve helped find the links between some concepts in model A that weren’t fully substantiated in augusta’s original works, specifically the importance of the asking/declaring reinin dichotomy, how it fits with regard to the rest of model A’s structure, how it underpins the ring of social benefit (which was missing from her writing), and how it can be used as an information element charge just like positivist/negativist can (i.e. all process types have positive asking Ne (+Ne? and all result types have negative declaring Ne (-Ne!). i’m still working on transfering my essay on that to a document.)

i know the intricacies of this system like the back of my hand but yeah i never post much about it because it’s so niche and i dont know who would even want to hear it besides people who i already know would, like in that small specialist group, but they actually been quiet lately even though i’m still active in there sharing things i realized. and i even feel alienated in most casual socionics discussion groups, especially larger ones. i need people who can match my freak about it.

because i have nowhere else to talk about it i’m starting to feel guilty yapping my friends’ ears off about it when i deconstruct everything i come across in light of this system like i’m being annoying about it. but at the same time when im doing that i am constantly reinforcing the merit of the system in successfully finding some dynamic i see in the drama of real life in connection to some idea from the model. i can immediately lock on to the core principles that are at play in any situation, validating the patterns that have been observed by others. by what measure do these people / characters / groups relate to each other, how do we define the specific “feeling” of the energy between them together? i could do a socionical analysis for anything that captures my interest.

it’s also been incredible for self-insight. i can now accurately explain my thought process.

i can change my perspective of the scope of my thinking on different levels. depending on the urgency of a situation developing around me and my respect for other people’s time, i can expand my reasoning from splitting hairs at the smallest pedantic specifics—although i prefer not to, to the most holistic global hard binary 0/1 (no/yes) judgment.

it’s fractal-like; once i know how to classify and compare the features of something to another, everything else with overlapping logical relationships instantly rises up in the same way, which of course is what leads to me having insights that reinforce the potential inherent in the things around me, because my way of thinking is isomorphic. i also experience strong animated mental imagery accompanying my conscious thoughts about these systems, minimalist shapes or lines of the barebones motion happening. i feel like my mental activity and what i actually write down is trying to capture what im seeing in my head.

i prefer to be brief, but that requires sharing contexts with someone. once i've established similar ways of talking about the same thing with someone so that we’re on the same page, our messages basically become exchanging code words with each other. all of the potential densely packed into these efficient little terms.

the effect is that i am reducing the amount of time and energy i have to spend trying to explain things to someone. i just want to communicate easily and be understood by the people i talk to so that i can enjoy my time with them. this is why i felt like such a long, clarifying, in-depth post was necessary, which would rip the bandaid off and pull it all up at once, instead of on a private, individual-to-individual level. i had to have it engraved somewhere i could just point someone to instead of repeatedly having to explain the same thing over and over cause that’s a waste of time and energy.

in fact, that revelation i had about myself just now can be explained by model A too! my own type is LIl and this type’s id block houses the information elements +Te! → +Ni?, which aushra describes as “The quality of deeds and actions and the efficient expenditure of energy in work—only performing for what is truly necessary—leads to peace of mind in the future.”

or, for example, coming at it from another angle, here is an older post i made before i was even aware of socionics. i was already talking about my experiences, patterns of thinking and self-awareness in a way that was so on the nose for a socionics analysis.

is that not the clearest example of phase 2’s sensitivity (for me it is information about sensorics)? -Fi? → -Se! superego block, anyone? and did you see how much i gave attention to the time i spend working; +Te! -> +Ni? id block? [information element descriptions here]. you could also derive the progression of the information metabolism stages in my own psyche (phase 1: Ethics -> phase 2: Sensorics -> phase 3: Logic -> phase 4: Intuition).

(from The Characteristic of SLI)

so through socionics it’s like i can find an explanation for just about everything i observe in others and myself just because i’ve extrapolated the logical relationships from that system and can isomorphically apply them to anything.

and i don't say that lightly! i'm not saying anything in this post lightly. like i have a degree in biopsychology from an honors college (ncf; yes, the liberal arts college desantis got his soulless hands on because it was “too woke"). having taken courses in statistics, research methods in psychology, and others, i know all about proper research design (and designing them myself). and of course i ended my four years there with my undergrad thesis, examining temporoparietal synchrony in autistic individuals when working alone and together, where for months on end i was doing nothing but reading and interpreting the validity of research papers. i even deconstructed poorly designed psychological constructs commonly used in autistic research in mine.

i also took personality psychology as a course during my time there. i got a birds eye view of most of the popular paradigms and still felt like i was more knowledgeable in the discourse behind some of the topics we glossed over since the course material was more of a broad comprehensive thing than an in-depth one for anything specific. in totality, all of the models i read about in relation to each other seemed so fragmented into different cuts and perspectives in trying to understand and find the patterns in people’s mental life. and yet none of the models i read about hold as as great of an everyday explanatory power as socionics does for explaining ways of thinking, people's proneness to certain tendencies, and the energetic tension that happens between certain people.

people can say otherwise that it’s pseudoscience. even though there are numerous studies built on real-world observations, the large-scale statistical data like from victor talanov. there's school of system socionics who emphasize its practice. it would be impossible to add all the evidence i can to support my claims to this post but you can see for youself - there are still countless new articles being published from different authors. regardless of that, even if it isn't accepted within the rigors of “scientific canon” i really dont give a fuck since it absolutely does indeed have explanatory and predictive power, and that’s all i care about. i’m confident in this not only through firsthand experience, the ability to frame what i know to be true about the real world within it and have it successfully describe those things, as well as talking to other people about my observations.

additionally, i see people make conclusions about interpersonal dynamics where they unknowingly repeat information that can be derived from socionics concepts.

something i noticed a LOT and ive repeatedly thought about and come to the same conclusion multiple times is that i think i naturally might "embody" the most optimal ways of interacting with other people for myself. it gives me insight into the nature of the personal relationships that i already procure in my life, but it’s not really a self-fulfilling prophecy because i dont use socionics to prescribe who i "should" be friends with. that's silly. thats a silly thing to do because people do have idiosyncracies that don't perfectly align with a system if you rigidly adhere to it, so you're bound to be set up for failure if you try to force that and you will be disappointed. it's better to let these feelings happen naturally without pretense, because that's where the observations that fuel my insight comes from.

i have a subconscious sense for who i will be able to get along with in the long term almost instantly without the need for any kind of system, just based on their actual mannerisms and “vibes”, but that alone is not good enough for me, i want to know why. socionics just gives me tools to figure out why so that i know what im dealing with and its not just ineffable energies, but i can put a name to those energies to think and talk about it and compare and discover patterns in what ive curated in my inner circle over my life, what i feel drawn towards. and indeed i do find plentiful amounts of recurring patterns. the simplification and abstraction is not to destroy the soul and expression of individuals but to wrap my head around them and understand them deeper in relation to everything else, including myself.

i am aware it can be confusing for many people which turns them away. but if theres any questions you have or youre confused about any concepts i can answer them

but yeah um, i’ve really only scratched the surface of this cognitive cybernetic tool. if you are genuinely interested in what i have to say and want me to talk more about it please openly tell me since i’m not a mind reader! i assume disinterest by default.

anyway if you got to this point thanks for reading. i wanted to just put it out there for context about any posts i make in the future. just stating my honest thoughts and whats been occupying my mind for the past two years.

be on the lookout for the john and aradia analysis soon where i’ll use it in practice to deconstruct some things about those characters. and if you’re coming to this post from that analysis after ive posted it, i’m sorry this post is so long in the middle of an already long-ish post. i just thought the context was important.

#mine #socionics #model A

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