#Astra and Andrew Challenge

[spotofmummery]

Spell Your URL

Spell out your URL (or name) using song titles that can describe your muse, then tag as many people as there are letters in your URL!

Tagged by: @humblemooncat

Oh dear... this is quite challenging (and I lost my draft halfway through - thanks Tumblr). I had to go with Amon's name because "Spot of Mummery" had way too many repeated letters, some which I don't have songs for on his playlist.

A- All the Works of Nature Which Adorn the World - Ad Astra - Nightwish

M- Monody - The Fat Rat

O- EchO - Jason Walker (Don't have any "O" tracks, hope this works instead)

N- Navigate the Seas of the Sun - Bruce Dickinson

D- Down - Jason Walker S- Saturn - Sleeping At Last Y- You Are The Reason - Calum Scott

R- Runnin' - Adam Lambert

C- Comfortably Numb - Pink Floyd

U- Undone - FFH

S- Something Wild - Lindsey Stirling, Andrew McMahon

Not sure who's been tagged on this yet, so feel free to pass, or do another word/character name if you have done it already!

@mimble-sparklepudding @lady-lissette @aerialknight @placesyoucallhome @piccadilly-bard @jasleh @sand-seeks-sun @craftramsay @kepesktribe @koijikido @ffxivtribehydrae

[adastrafanfic]

Archive ◊ Discord ◊ Forums ◊ Tumblr ◊ Dreamwidth ◊ Twitter ◊ Pillowfort Ad Astra News - 7/23 - 7/29 State of the Archive Generally, still moving. We're still getting to the bottom of the issue that has a background process shutting down unexpectedly, but that's relatively minor and more annoyance than anything else. Especially for an archive our size. Things have been going great on Discord, with interesting discussions about future sociology, whether we do or don't like musicals and it's been great seeing new people come in, too! We're very welcoming, so stop on by!

July Review Hunt Winners and August Review Hunt! Our winner for the July Review Hunt was BeatriceOtter, who scored over 20,000 points, an absolutely astronomical effort! Following right up, though, was hoodwinked with over 17,000. Both of them did a stellar job. Now, with August's Review Hunt underway, let's see how we do! Right now, things are slow to start, so if you want to join in, drop me a line just about anywhere and I'll add you to the list!

Weekly Challenge #15: What's Left Behind What do we leave behind? Either as we move to another stage in life, or as we leave it all for whatever comes after. A feeling or an object or a letter. Or anything. Write a story between 100 and 700 words -- I mean it this time, Gibraltar! XD -- talking about just that. Interpret it as strictly or as loosely as you like. Add it to the Weekly Challenges collection on the archive and tag it Weekly Challenge: What's Left Behind.

Challenge closes on 8/11 at 11:59PM Eastern!

Stories Archived

★ denotes Weekly Challenge Entry

Star Trek: Discovery

by lah_mrh Don't Hold Back - E - Ash Tyler | Voq/Christopher Pike A Safe Place to Fall - T - Ash Tyler| Voq/Christopher Pike ★ And a Star to Steer Her By - G - Ash Tyler The Devil You Know - T - Ash Tyler| Voq, Philippa Georgiou (Mirror), OCs Guiding Light - G - Philippa Georgiou, Saru Proximity - T - Ash Tyler| Voq/Christopher Pike No Way Out But Through - M - Ash Tyler| Voq/Christopher Pike

Star Trek: Strange New Worlds

by lah_mrh The Little Captain - T - Christopher Pike, Una Chin-Riley, Ensemble

Star Trek: The Original Series

by intothisshadow Star Trek TOS Wallpapers - T - Ensemble

by lah_mrh A Life Less Ordinary - T - Montgomery "Scotty" Scott/Nyota Uhura

by sixbeforelunch ★ In the Vernacular - G - James T. Kirk, Nyota Uhura - 🔒

by SLWalker Blue Jean Serenade - T - Leonard "Bones" McCoy/Montgomery "Scotty" Scott

Star Trek: Alternate Original Series

by daraoakwise The Sweetest Comforts Borrow - T - Andrew "Corry" Corrigan (AOS)/Montgomery "Scotty" Scott (AOS) ★ Beyond the Consideration of Whales - G - Montgomery "Scotty" Scott (AOS)

Star Trek: The Next Generation

by jamaharon Eyes - T - Deanna Troi/William Riker Fault - G - Deanna Troi/William Riker Blue - T - Deanna Troi/William Riker Blue - G - Deanna Troi/William Riker Ocean - G - Deanna Troi/William Riker Hunger - G - Deanna Troi/William Riker Tears - G - Deanna Troi/William Riker Ice - E - Deanna Troi/William Riker

Star Trek: Deep Space Nine

by Sharpest_Asp Forced Restart - G - Faysha Ry'Tor

Star Trek: Picard

by jamaharon ★ Dolphinworld - G - Deanna Troi/William Riker

Star Trek: Lower Decks

by jamaharon Close Quarters - G - Ensemble Integration - G - D'Vana Tendi/Sam Rutherford

Alternate Universes

by SLWalker Across the Styx - T - Arnold J. Rimmer, xover

Expanded Universes

by DavidFalkayn Into the Unknown - M - Ensemble The Next Step - M - Ensemble

by Gibraltar ★ Shore Love - NR - Nandi Trujillo, Glal Embers of the Fire - T - Donald Sandhurst, Liana Ramirez, Pava Lar'ragos

by Hawku Aimless Abandon - G - Oroku Seifer, Aeris

[twnenglish]

Top Tech Leaders Featured in Time 100  AI List

The rapid evolution of  artificial intelligence (AI) is driven by a select group of visionary leaders who are reshaping the future of technology. These trailblazers are not only advancing AI research and development but also influencing the broader tech landscape through strategic decisions, groundbreaking innovations, and a commitment to ethical considerations. In this blog, we spotlight some of the most influential figures recognized for their contributions to AI, as featured in the Time 100 AI list.

Among these prominent leaders is Sundar Pichai, CEO of Alphabet Inc., who is steering Google through a transformative period in AI, maintaining its leadership in search technology while integrating advanced AI into its services. Sam Altman, CEO of OpenAI, has become a pivotal figure with his role in the success of ChatGPT and ambitious plans for AI chip development. Satya Nadella, CEO of Microsoft, has championed the company's foray into artificial general intelligence (AGI), fostering a strategic partnership with OpenAI.

Mark Zuckerberg, CEO of Meta, has made significant strides in AI with the development of Llama AI, despite facing challenges related to the 'metaverse' project. Demis Hassabis, co-founder and CEO of DeepMind, continues to drive forward the quest for AGI with innovative projects like Project Astra. Dario Amodei, CEO of Anthropic, is focused on exploring the dual nature of AI, addressing its risks while advocating for safe development.

Andrew Feldman, CEO of Cerebras Systems, is revolutionizing AI computing with specialized chip designs, while Jensen Huang, CEO of Nvidia, has propelled the company into the forefront of AI technology with strategic partnerships and innovations. Mustafa Suleyman, CEO of Microsoft AI, brings a focus on ethical AI development to his new role, building on his legacy of responsible AI practices.

In the following sections, we delve into the achievements and contributions of these leaders, highlighting their impact on the AI landscape and their vision for the future of technology.

 Top AI Visionaries Recognized in Time 100 AI List 

Sundar Pichai, CEO of Alphabet Inc

Leadership in AI at Google 

As the CEO of Alphabet Inc., Sundar Pichai is guiding Google through a transformative period in artificial intelligence (AI). Under his leadership, Google has remained a leader in search technology, maintaining its edge despite strong competition from Microsoft’s ChatGPT. Pichai's strategic direction has been crucial in keeping Google at the forefront of search and other key services, such as maps, email, and browsers.

Google’s Approach to AI Integration 

Pichai attributes Google’s success to its commitment to delivering superior products and services, even if the company isn't always the first to market. He emphasizes the significant potential of AI, particularly with its integration into Google Search, which is expected to enhance user experience and functionality. Pichai is focused on leveraging AI advancements to further elevate Google's offerings.

Navigating Challenges and Innovations 

Despite facing legal challenges, Pichai has been a steadfast defender of Google’s practices. His leadership extends beyond managing legal issues; he is also at the helm of innovation in AI. Pichai acknowledges the responsibility that comes with  AI development and deployment, ensuring that Google’s advancements are ethical and beneficial.

Read More

[hushedhands]

Challenge 83

@cecilia02 @everbeenminee Astra watching Andrew's coronation.

Astra Orders set an alarm for three o’clock in the morning, but she didn't need it. She didn't sleep at all.

Her mom had invited her to watch the once-in-a-generation event with her little cousins in Illéa Palace, but Astra had refused. Kile had offered to stay the night and keep her company, but that hadn't felt right either. Her dad had suggested not watching at all, which was cute but not really a solution. It would be weeks before footage of this faded from the news, and even then there would be anniversary specials forever. Astra might as well bite the bullet and watch the coronation that had almost been hers.

She wished her parents and her boyfriend weren’t making such a fuss about this. History was full of women who'd almost married princes and then gone home to watch them become kings. Her Uncle Maxon had left dozens of such women in his wake when he’d chosen to marry Aunt Ames, though Astra didn't have the telephone numbers of any of them. She wished Andrew had enough ex-girlfriends to make a proper club like the former Selected. It might have been nice to have someone who could understand this indescribable feeling without the need for words to name it.

It wasn't that she wanted to be married to Andy. She had no doubt at all that she'd made the right decision in calling off their relationship, and that was totally separate from the fact that she was now wildly in love with Kile.

But there was something aching in her chest as she watched the aerial shots of the city of London on the little television in her apartment in Angeles, curled up in her warmest fuzzy pajamas, hair in a messy version of her ballet bun, hands clinging to her mug of tea for dear life. Today was the day that standing by Andrew's side for his coronation went from something she wouldn’t do to something she couldn't do. She'd chosen to walk away, but this was the day that the door locked behind her.

Never was a hard word to give to Andrew, even if Kile had her Always.

The camera above the crowd panned past the palace Astra had stayed in that summer, and her chest squeezed hard. Whatever else had happened there, it had been a refuge for her at a time in her life when she’d needed it most.

It all started when she had been offered an incredible opportunity to dance for the Waverly ballet company in the summer, and an opportunity to attend an elite seminar with London’s royal ballet company in the spring, and Kile, realizing that he and Astra wouldn’t see each other for over six months, had broken up with her very suddenly.

Well, technically it had been a mutual decision. She hadn’t seen him much during his first year at school, and now she was off on her own adventures, and it seemed like a terrible time to try to make a relationship work. What if he met someone amazing at university? What if she met someone in Waverly or London? Was it fair to deny themselves new relationships and experiences just because they’d always been together? Weren’t they technically together by default, anyway?

It was a reasonable question. If you married someone you’d had playdates with for as long as you could remember, and you never even tried to date someone else, it was probably a relationship by default… right?

As she got on the plane for London, it had hit her hard that she wouldn’t have a hope of seeing Kile again, maybe for an entire year. The earliest she’d be back in Angeles was the next fall, and that’s exactly when he’d be leaving to go back to school again. And this time they wouldn’t talk to each other on the telephone almost every single day, and she wouldn’t slip secret notes in the care packages his parents sent him from home, and he wouldn’t surprise her by sitting in the audience during a matinee performance after sneaking back into town without telling her...

And maybe he never would again.

It was possible she’d cried the whole flight overseas, it was hard to remember. She must have rehydrated somehow, or she’d have shriveled up and died of the heartbreak. That time was all a blur now.

But what Astra remembered clearly, sitting on her sofa four years later, was the way she’d felt walking into that little old palace on the north side of the city and realizing that it was essentially hers for the season. It really paid to have a paranoid king for an uncle sometimes, because Maxon had pulled a dozen favors with the English royal family to get Astra somewhere safe and comfortable to live for a few months. She was technically an Illéan princess by title, so he wouldn’t hear of letting her rent a crumby apartment somewhere in the city, and besides, wherever she stayed needed to have enough room for a security detail. Still, even for a small palace, it was a palace and it was hers.

The old place had plenty of full-time staff that kept it in good shape as an estate of historical significance to the English monarchy, but Astra herself didn’t have maids or butlers, or a chef to keep her fed. At night, everyone who worked to keep the palace maintained went home, so it was only her and the security detail.

But she was allowed to order takeout from restaurants around town, so on her very first night alone she ordered enough food to live off of for a while, until she could get to a grocery store. She sprawled on a sofa in the downstairs sitting room, doodling in the notebook her Aunt May had given her for her last birthday, until there was a surprise knock on the archway in the entrance of the sitting room.

“Hello.” Andrew stood there, still in his business suit from the day, though with no tie, and with the top button undone. He looked ruffled, and in his hands he carried a large bottle of red wine. “Sorry to barge in… there isn’t exactly a doorbell in this place, and without staff to handle arrivals and departures… well, I did knock.” he awkwardly concluded.

Astra, still in her tank top and stretchy pants from the plane, would have felt severely underdressed to received a prince at a palace, except this was one of her oldest and best friends, and some of the ache in her heart from leaving Kile on the other side of the world eased away just from looking at him. She hugged him, “You don’t need to knock. It’s good to see you.”

“And you.” he hugged her back. “Ah, and here. A housewarming gift.” he offered her the wine.

“You’re just in time for dinner.”

“Am I?”

“It should be here soon. The finest spicy noodles and sautéed vegetables in the land. Although, if there’s no doorbell…”

“The guard at the gate will take it from the delivery driver and have someone bring it in.” he grinned.

“Then what are we waiting for? Let’s go hunt down something to open that bottle.” she said.

A new city, a change of scenery, some delicious New Asian food, a bottle of old wine, a dear old friend… this was the recipe to get over a breakup. Astra knew it, because she already felt worlds better, just struggling to find a way into the wine bottle. There wasn’t a corkscrew in the kitchens that they could find, and this palace didn’t have its own wine cellar, which was the only other place they could think to find wine accessories. In the end, Andrew took an impressive, ancient sword off of a display rack on a wall at the top of the grand staircase and carefully poked the sharp end down until it was lodged into the cork.

Astra laughed so hard her sides hurt as she twisted the bottle out in front of her and Andrew slowly stepped backward. After a couple of tries, the cork loosened up enough that he could use brute force to pull the rest of it out.

When the food arrived, they carried it up to the top floor, to a balcony that overlooked the city, and they had a picnic of sorts.

“Where’s Lucas? You two are usually a package set.” Astra asked between bites of spicy noodles.

“Still finishing up his first year at university.”

“Oh, of course! Kile— “ She stopped abruptly, her chest squeezed tightly, her tongue fell heavy in her mouth, and she drowned the bitter taste of his name on her lips with expensive wine.

“Oh dear. That won’t do.” Andrew leant over and brushed away an errant tear from her cheek. “You mean to tell me… well, he’s safe isn’t he? He’s not unwell?”

“No, no he’s fine. He’s at school… and I’m here.”

Andrew studied her face carefully. He’d met Kile and Astra on the same day, at the same moment, so they’d been friends for exactly the same amount of time. He knew that they’d been together romantically for almost seven years now, the teenage equivalent of a sixty-year marriage. “So you’re… taking time apart?”

“We’ve decided to go our separate ways.” Astra said, the words soft and wispy in her throat. “We’re not… we’re not headed in the same direction anymore. We might never head in the same direction again. After university, he wants to see the world. And I… I might travel around for a while as a dancer, but I can’t imagine not being there for Addy once she becomes Queen… Even if that wasn’t true, we won’t have a good chance to be in the same city for at least a year… and a lot can happen in a year.”

Andrew took a large sip from his glass and then refilled hers.

“That’s really difficult, Astra… I’m so sorry. I know how much you love each other. It must be hell, knowing that you’re growing apart from the person you’re closest to in the world.”

Astra choked a sob in her wineglass and Andrew’s eyes widened, “God, I’m sorry! What a terrible thing to say—“ he sat both of their glasses safely aside and wrapped her in a warm hug.

Astra got his suit all wet from her tears, but she felt comfortable in his arms. “I’m not crying because of you, stupid.” She explained when she had the breath to do so. “It’s definitely because of him. I just… I didn’t think anyone would understand. But you do.”

“I don’t.” Andy rushed to correct her. “Not really. I’ve never experienced anything like that. The closest I can imagine is if… if I lost touch with someone in the Palace kid gang. You’re my best friends, apart from Luke, and I’ve known you forever. If I had to say goodbye to one of you, to lose you forever… it’s not even close to what you’re feeling, but just the thought hurts enough for me to know that you’re going through hell.”

Astra sniffled and collected her wineglass again, ready for more sips, content to allow herself to be comforted by her friend. “Hell has better wine than I expected, I’ll give it that much.”

“Not a bad view, either.” Andrew agreed with a small chuckle, looking out at the city.

“Didn’t expect one of my very best friends to come with me to hell.” Astra timidly admitted.

“And I’m not leaving until I get you out of it.” he’d promised.

Andrew always did have words as sweet as honey.

They drank the whole bottle that night, between the two of them. They had as good an excuse as two teenagers needed: they couldn’t find a wine stopper. Andrew offered to stay the night with her so that she wouldn’t be alone, but now that the world was blurry and warm from the wine, Astra felt delightfully sleepy. She was going to get her first good night’s sleep since losing Kile. So Andrew left, promising to bring breakfast the next morning to check on her.

He checked on her a lot.

He brought her breakfast and dinner every day, and he’d probably have brought her lunch too, except that she was always at her dance seminar during the daytime. Astra ended every night with her body pleasantly tired from dancing, a new half a bottle of wine in her stomach, and her mind full of whatever nice, easy conversation she’d had with Andrew just before bed. Her first week in England flew by.

That Friday night, Andrew appeared in the doorway to the sitting room right on schedule, two bottles of wine in hand.

“You’re mad.” Astra giggled.

“It’s the weekend.” he argued. “You don’t have to dance tomorrow, and I don’t have any public appearances to make until next Tuesday.”

“You’re off work until Tuesday? You English royals really know how to take it easy.” she laughed. She didn’t think her cousins had taken a three day weekend in their lives.

“We’ll keep the second bottle on standby, just in case we decide we want to try it.”

But of course, they were young and it was a Friday night, they definitely wanted to try it. Somewhere after the first glass of the second bottle, refilling glasses got too risky and they started drinking straight from the bottle, passing it back and forth. There was a television show on, showing a concert happening on the other side of the city in a stadium Astra could just see if she stood tall enough on the balcony.

Andrew watched her going almost en pointe to try to spy the stadium, mesmerized by her strength and balance and grace. “Can we dance?”

Astra smiled brightly. Dancing was her favorite in the world, of course they could dance! They danced in their socks to the music on the television until Andrew collapsed, out of breath, on the sofa. Astra joined him, blood pumping pleasantly fast through her veins.

“I’m out of shape!” he bemoaned.

“I’m a professional athlete, don’t compare yourself to me. You did just fine.”

“I did? Do you think I could join the ballet?” He laughed giddily.

She’d never seen him giddy like this.

Andy carried the weight of his country on his shoulders, he always had. Addy hadn’t really started bearing Illéa on her back until she was eleven or twelve, old enough to understand what was coming for her, but Andrew had always been a future king, even when he was tiny. Seeing him now, not a care in the world, laughing about joining the ballet… Astra’s heart twisted in her chest and for the first time since breaking up with Kile, it had absolutely nothing to do with him.

He had no part of this.

Astra leant forward and kissed Andrew on the warm, red cheek.

He looked at her, stunned, smile falling off his face. “What was that for?”

“I don’t know… just because. Just for you.”

“Just for me…” he’d mused.

“For being good to me. For taking care of me while I’m here. For… for being you. Yeah… just for you.” Astra nodded, this time more certain that the words made sense outside of her wine-fogged mind.

“I should be me more often.” he chuckled.

Astra blinked.

Should he?

***

There was a version of Astra’s stay in London where she pined away for her ex-boyfriend every moment she got, and maybe poured that pain into her dancing because it was overflowing from her heart and needed somewhere to go. That’s what she’d been expecting deep down. But what really happened was, she found a favorite market to buy groceries from, she found a bakery between her palace and the dance studio that kept her in much-needed carbs, she found a park with a pond where lots of locals liked to walk their dogs, which meant she got to pet a lot of dogs, and she started falling in love with the city.

And then there was Andrew.

He knew her so well, and they’d loved each other as friends for so long, and spending those mornings and nights with him felt so easy, so smooth.

And he was handsome and kind and… ugh, handsome. Astra didn’t regret kissing him on the cheek. Not even when he stood with her on the balcony a week later, watching the sunset, and she laced her hand with his.

“Are you quite alright?” he’d asked, not because she’d grabbed his hand, but just because he was still so worried about her.

“When I got here, I thought the answer to that question would be no forever.” Astra confessed. “And listen… I don’t really know who I am without Kile, he’s been a part of me for my whole life… but these past two weeks I’ve started to find out… and I like it. I like getting to know me.”

Andrew smiled down at her and squeezed her hand.

“And I like you too, Andrew.”

His smile became pained, “Astra—“

“It’s okay. You’re the next king and blah blah blah.” he laughed, because there were so few people in the world who could blah blah blah being an heir to a throne, but Astra was certainly one of them.

“It isn’t that.” he corrected her with a shake of his head. “It’s… you’re getting out of a serious relationship. You can’t like anyone yet—“

“Yes I can.” Astra scoffed, a challenging glint in her eyes, “Watch me.”

“But we’ve been friends our whole lives, too. Wouldn’t you like to like someone different? A stranger, maybe?”

“Where would I find one of those?” Astra lamented, only half-joking. Having a king for an uncle really limited one’s opportunities to meet strangers.

Andrew peered at her closely, then seemingly made up his mind all at once, saying, “Put on a dress.”

“What?”

“Put on a dress, I’ve got a surprise for you!”

Just like that, Andrew was downstairs talking to his security team and Astra was upstairs trying to figure out what dress to wear. There was a sweet springtime yellow thing… and then there was the red thing.

Astra made up her mind quickly. She chose the red thing. She chose everything that the red thing implied.

She appeared at the bottom of the stairs and Andrew’s eyes widened.

“Is this alright? I have other dresses—“

“S’perfect—“ he muttered and then cleared his throat, “Ahem, that is perfect Astra. Let us be off.”

He formally offered her his arm and she accepted with a proud smirk at the flush in his cheeks, then they ducked into his car and his driver whisked them off across town.

“What are we doing?” Astra asked after they took a turn to a part of town she’d never been to before.

“Did I not say it is a surprise?”

“Yes, but—“

“We’ve got guards, and I’ve gone to this place before. There’s no need to worry.”

“Andrew—“

“It’s where I go when I need to meet strangers.”

Astra blinked, dumbfounded.“You? Meet strangers?”

“How else am I supposed to find a queen? ” he muttered mutinously.

Astra stared over at him for a long moment, never having given it a second thought. Addy would be free to date whomever she chose, but if all else failed she could always have a Selection to find her husband. Andrew had nothing like that to choose from.

Astra was surprised when the car pulled to a stop at the backdoor to a nightclub. Could princes of England really go clubbing? But this place looked like it had tight security, and there were signs posted prominently that there were no cameras allowed on the premises. Andrew’s and Astra’s bodyguards stayed close by as they entered the club and Astra’s ears were assaulted by music so loud she could no longer hear it. All she could hear was the beat.

Andrew took her to the bar and bought her whatever drink she wanted, and then leant in close to her ear so that she could hear him say, “What do you think?”

“It’s a little loud!”

He chuckled, “About the strangers.”

“Oh!” Astra looked around as she spun the little umbrella from her pink drink between her fingers. There were all kinds of men here. Some older than her, some younger, some looked athletic and some looked bookish, and they were all having fun, losing themselves to the same beat. “What do you think?!” she yelled at him.

He looked around at the women in the room, sizing them up, and then shrugged, “Hard to say.”

“How do we meet them?!” Astra was yelling, while somehow he was able to keep his voice low and still be heard when he leaned close to her ear.

“Honestly? They usually just come up to me…” he confessed.

Astra rolled her eyes. Royals.

Sure enough, several women came up to Andrew and threw themselves at him while he and Astra waited for even one man to make a pass at her.

“Maybe you’re intimidating them away!” Astra suggested.

“Maybe so. Do you want me to go dance?”

Did she want him to go dance with one of the strange women in the club so that a strange man might come up to her and hit on her?

Not really, no. She wanted to dance with him. She liked dancing with him. More than that, she didn’t want to dance with anyone else. And she didn’t want him to dance with anyone else. She took his hand and dragged him out to the dance floor, their bodyguards hilariously close by, and they started moving.

It wasn’t dancing the way Astra was trained to think of it. There was no choreography, no gentle swell of melody to carry her movements, this was something far more basic than that. The best part was how quickly she was able to stop thinking about anything but her own breath, the sweat on her brow, and the man in front of her.

There was nothing else in the world. For as long as they could stay with the beat, there was only the beat. Endorphins that she associated with a long hard workout flooded her body, and Astra felt good. And beyond feeling good, she did not feel sad. She did not miss anybody. Not her family on the other side of the world, and not Kile. She was complete right here. All she had to do was make this last forever.

“I am not a professional dancer.” Andrew reminded her, breath coming far too fast to get that whole sentence out without gasping for air several times in the middle.

Astra giggled at him, then hugged him close, “This place is magical!” she yelled in his ear.

“Magical?”

And just to prove the point, and to express her gratitude, she pecked his lips with a kiss.

That was it, right? A kiss of gratitude?

As first kisses went, it was silly. They were both too out of breath to do more than mash their lips together for a second and then go back to gasping for air. Andrew led them away for water and after a few minutes to recover, he was ready to try again.

Astra helped him find a way to move to every other beat instead of every beat, essentially cutting the speed of his dancing in half for him. That helped tremendously. But to help him do this, she had to wrap her arms around his neck to guide him, and once he had the beat it was all much less frantic and much more sensual. This time when they kissed, it was not a silly peck on the lips.

Astra had only ever kissed Kile before, but since that was never happening again, she didn’t allow herself to think about that. She didn’t think about how Andrew was taller than Kile, and his cheeks were softer because he shaved every single morning without fail. She didn’t think about anything except how nice it was not to feel pain. When she was with Andrew, especially when she was kissing Andrew, she felt nothing but joy.

Was she using him to feel better?

If someone made you feel better and wanted to be around you, was that even using them?

They stayed at the club until Andrew was too tired to go on (and even Astra was ready to admit she was tired), and then they climbed back into Andrew’s car and rode off into the night.

Astra’s ears were ringing with the sudden silence, and they were both flushed and dripping with sweat. Astra was ready to bet her face matched the red of her dress and her hair, and was ready to feel embarrassed about that somewhere beneath her exhaustion, when Andrew slid his hand over to hers and squeezed.

She looked over at him and smiled.

It was past 2 in the morning when they got back to Astra’s palace, and Astra couldn’t believe they’d spent so many hours getting swept away like that.

“I’d do that every night if I thought my hearing could survive it.” Astra admitted as they struggled to get up the stairs, feeling distinctly like they had overcooked pasta for legs.

Astra took an ice-cold bath and then rolled her legs out to try to avert any soreness the next morning, and then she found Andrew in one of the guest bedrooms. “Thanks for the dancing… sorry we didn’t meet any strangers.” she grinned.

“I’m not.” he admitted, with complete candor.

“Well then, no future queen for you and no non-childhood friend to date for me.”

“Perhaps you could find a childhood enemy?” he suggested, and she laughed at the dryness of voice as he made the joke.

“Yes, I’ll have to make do.” she agreed.

***

The kisses felt stolen for the first week, like they were getting away with something they weren’t supposed to, but then one day Andrew showed up with Astra’s favorite breakfast, and two paper travel cups of tea, and he pecked her on the lips in greeting and it didn’t feel stolen at all. It felt as comfortable as an old sweater, and made her feel just as warm inside.

To celebrate the end of her first month in London, Astra ordered dinner for them from the same restaurant they’d eaten at on her very first night in town. He showed up looking frazzled after a long day of talking with members of parliament, but all the more pleased to see her because that stress was over now. And, of course, he brought her the same kind of wine they’d shared that first night.

Astra had bought a corkscrew weeks ago now, so they didn’t need to resort to using ancient swords to open their alcohol, which made it slightly less interesting. Astra curled up against him on the balcony overlooking the city and kissed him every chance she got.

“You’re certainly in a mood.” he noted with a smile down at her, after their fourth surprise kiss.

“I’m just glad to be here.”

“Are you?” he seemed surprised. She didn’t blame him. It was quite a turn from her first weepy night a month ago.

“Yes. I think London’s been good for me.”

And maybe she meant the city, with her new favorite local spots and the friends she was making at the seminar, but maybe she meant Andrew. Maybe she couldn’t really tell the difference, and it was all just good for her.

“I am very glad to hear that.”

“I wish I didn’t have to go to Waverly in two months.” Astra admitted. “It’s an amazing opportunity for my career, not to mention I’ll get to visit my grandparents in Carolina all the time, but… I like London.”

This time she was blatantly talking about him.

“Well… London’s not going anywhere anytime soon, I suppose.” he pointed out, fully onto her game.

She hmm-ed into her wineglass, “I suppose not.”

“And you’re always welcome in London, you know.”

Astra giggled and shook her head, surprising him with another kiss as a reward for playing along with her silly euphemism.

Later that night, when the food was stashed away in the kitchen and the wine was mostly empty, Andrew joined Astra again on the balcony as she stood there with the springtime breeze blowing through her loose, curly hair. He wrapped his arms around her waist from behind and pressed a kiss to her shoulder.

“I meant it, you know.” he said. “You could stay as long as you like. There’s a tremendous ballet company in London, perhaps you’ve heard of it.”

Astra laughed, pressing a hand to his over her stomach and turning to look up at him. “Maybe someday.”

“You’re dead-set on going to Waverly, then?”

“Well, I’ve signed a contract.” she explained.

“Ah. They shall imprison you if you break it. I understand.”

His voice was always so serious when he joked, never giving away the game. She laughed at the thought and said, “Yes, there’s a special prison for ballet dancers who break their contracts, it’s especially brutal. I hear they make you dance to jazz all day.”

This time his lips brushed the placed where her shoulders met her neck, and her breath hitched at the sensation. “I shan’t extradite you.” he concluded, his warm lips brushing her skin. “I shall keep you here, safe and sound, far away from the ballet constables.”

Astra laced her fingers with his over her stomach and said, “They’re relentless, the ballet constables. You don’t know what you’re getting yourself into.”

His lips trailed up her neck and stopped at her ear where he said softly, “I think I can manage.”

Astra’s entire body erupted in chills, and suddenly she didn’t want to continue their elaborate, jokey banter about the consequences of her actions. She turned in his arms and pressed her lips roughly to his, knowing beyond the shadow of a doubt that all she really wanted was to lose herself in the taste and the feel and the smell of him. Andrew was the only person in the world who made her not care about the future, and when his lips were on her skin that was doubly true.

It wasn’t exactly real happiness she felt when she was lying in bed with him, his sandy brown hair all ruffled, his arm slung across her like he was afraid she’d disappear in the night. True, meaningful, lasting happiness was something that required a lot of factors: feeling good about the present and hopeful about the future, and at peace with the past. Astra wasn’t at peace with her past, and she didn’t even want to think about the future, but the present… the present was so good. It was one out of three. One out of three wasn’t bad.

***

If Andrew’s parents noticed that he was essentially living with Astra that spring, they didn’t say anything about it. Maybe they just assumed that, since they were close friends, he was keeping her company and enjoying a nice, extended visit. And that was perfectly true, except that they were sharing a bed and occasionally a shower, and they shared a cup of coffee in the morning and a bottle of wine at night.

They didn’t go back to that club, but they found other ways to go out together without being photographed. There were secret tables in the kitchens of restaurants, special royal boxes in theaters, private trains to private estates, and one time there was a royal yacht. Astra was surprised that Andy had so much freedom, as the heir to the throne. Addy couldn’t have dreamed of roaming around Illéa the way that Andrew was gallivanting across his future kingdom. Sure, part of it was Andrew making sure Astra was having the time of her life— he probably didn’t usually venture away from home so much— but even so.

“Will you be able to keep this up once you’re king?” she’d asked him as they sat curled up together on a train ride returning from the south. “All this rambling.” she explained at his questioning look.

“Ah. No, there will certainly be less. But my job will be nothing nearly so intense as King Maxon’s, if that is what you’re thinking. For one thing, I’ve got parliament.”

Astra wasn't exactly sure how England’s parliament worked. She knew King Eoan set the legislative agenda, but he couldn’t pass any kind of law on his own. “I can’t believe they let you have a whole train to yourself, and you barely have to work.” she teased.

His arm was wrapped around her shoulders, and his thumb began tracing her upper arm as he said, “If you think my future job’s a scandal, you should see what our queen has to do. Host parties, go shopping, appear at events…” his voice sounded as if it was a strain to remain light and carefree. As if his words were more important than he wanted them to be.

Astra leaned her head on his shoulder. Those were all things she already did for Illéa. Well, she didn’t host many parties, but she sometimes helped her Aunt Ames out when things were especially overwhelming. It was strange to think that she had experience doing the same job as the Queen of England.

“All that, and she gets to retire young?”

“Assuming that whole heir business is sorted out sufficiently early.” he admitted.

“Oh, that.” Astra giggled.

“On the whole, it’s not a terrible job.” he said.

“No, not when you factor in the jewelry.” Astra agreed, still joking.

“Precisely.” Andrew nodded with a small smile against the top of her head.

Astra wasn’t sure why he didn’t return her joke with one of his own.

***

Though Astra very much enjoyed being swept off her feet by the prince, it was the quiet nights at the palace that meant the most to her. Sometimes, after dinner and a long, hot bath, her joints would feel well enough to practice some choreography in one of the drawing rooms. Andrew would play the piano for her, putting years of lessons to use for the first time. Sometimes her joints would not feel well enough for more dancing after a long day at the seminar, and he’d rub her battered feet and ankles until she melted into a puddle at the other end of the sofa or bed, or wherever they happened to be.

She’d ask him about his work, but he wouldn’t tell her much. Maybe he was worried about protecting state secrets, or maybe he didn’t want to worry her. Maybe he didn’t want her to see him in less than a good mood, because he was only there to make her happy. And how could she not be happy?

One night, in the middle of her second month in England, as she laid awake in their bed and brushed her fingers through his unruly hair (a sight so few had ever seen: the Heir to England with unruly hair), she pressed a kiss to the shell of his ear and said softly, “What are we going to do when I have to leave for Waverly?”

Sleepily, he’d pried his eyes open, his eyelashes fluttering against her skin. “What would you like to do?”

“Freeze this moment in amber. Live in it forever.”

“Be young, in love, and carefree forever?” he’d smirked.

“In love?” she’d hesitated, surprised. They’d only been attached at the lips for six weeks now, as impossible as it seemed. Hadn’t they enjoyed half a lifetime together already?

“Oh dear.” He’d lifted his head up so that he could look in her eyes, “I shouldn’t have said that.”

Astra shook her head, “It’s okay. I do love you Andrew.”

“Do you?” he sounded amazed.

And she did. She’d always loved him, just as he’d always loved her. They’d grown up together, perfect friends, how could she not love him?

“I’m sorry you didn’t know that already.” she let her hand fall from his hair down his spine, coming to rest on his bare lower back. She traced the shape of a heart there with her finger and he shuddered. “You’re one of the best friends I’ll ever have, and I love you.”

He smiled and returned his cheek to her chest, listening for her heartbeat. “Yes. This moment would do just fine.”

“We could freeze this moment and allow archaeologists to discover it in a few thousand years.”

“And if we don’t like the future, we could simply freeze this moment again.” he agreed.

“You don’t think you’d be bored after a few thousand years?”

He grinned, one hand tracing her ribcage lazily, “I could find a few ways to keep myself occupied.”

***

Astra didn’t notice the first time there was a photographer waiting outside of the dance studio after her rehearsals. And then, a couple of days later, when a rumor sourced to a local food delivery driver was printed in a Sunday paper saying that he delivered Prince Andrew’s favorite kind of curry to the Palace where Astra was staying a couple of times per week. She didn’t mind when Andrew suggested they stop sneaking out to exclusive clubs or restaurants around the city, because staying in was extremely entertaining.

But it was hard to miss when Andrew nervously appeared in her doorway one evening and said, instead of ‘hello’ or ‘how was your day’, “Grandmother has asked to meet you.”

Astra gaped. Queen Cerridwen, King Eoan’s mother, had never met any of the Illéan royals in-person. Maybe she’d met Uncle Maxon back before he was King, when she was still the active queen, but maybe not even then. “Me? Wh…why?”

Andrew ran a hand through his hair and ruffled it in a way that would have been funny if he hadn’t look so stressed. He sank to his knees to sit next to Astra, who’d been sitting on the floor, using the coffee table to hold her nail polish bottles as she painted her toes. “The rumors got to her.”

“Rumors… about us?”

Andrew nodded, “I’ve had the press department squashing everything the second they hear about it, and it’s bought us some time, but the rumors have been consistent for long enough now—“

“The rumors that we’re spending time together?” Astra asked.

“Yes.” Andrew looked faintly nauseous.

Astra smiled and traced his cheekbone with her thumb soothingly, “We are spending time together. We’re not being falsely accused.”

“No, I know… I think, just… I think we need to talk.”

Those were heavy words.

Kile had been the last one to say those words to her, and the outcome had been really unpleasant.

“You didn’t bring wine?” Astra noticed for the first time.

“I wanted us to keep our heads clear.”

“Are you ending this?” Astra asked, eyebrows furrowed.

“No.” Andrew promised. “But we’ve never talked about what this is before. I’ve been able to buy us a little slice of time to ourselves, but I’ve reached the end of my tricks.”

Astra looked into his eyes carefully, noticing the strain there for the first time, “You never said you had to use tricks…”

“I didn’t want you to have to worry about it. I wanted to be… uncomplicated. Simple. After everything you’ve been through, I thought that you needed simplicity.”

“I did.” she admitted, chest suddenly aching at the thought that the simple times might be gone.

He brushed an errant curl behind her ear and smiled bracingly, “I am not here to tell you that the world is ending. Merely that people have found us out. They’re asking questions that I do not have the answers to, and in lieu of my answers, they are coming to their own conclusions. Grandmother amongst the rest.”

“She wants to meet me because she knows we’ve been dating?”

Andrew huffed a breath, “It’s her way of forcing the matter at hand. When it comes to me, to dating the English Heir, there is dating and there is Dating. Courting. Something official, not just between you and I, but between us and all of England.”

Astra looked a little creeped out at the thought, “They… want in on our dates?”

Andrew rubbed his brow, “In a manner of speaking… there comes a point when I’m meant to introduce anyone I am seeing to the people of England as a potential future queen.”

“Why? It’s not like they get to vote on who stays in your bed, or in our case, my bed.”

“No, but it’s…” he seemed so uncomfortable at having to explain this to her. Probably any English girl he dated would have seen this coming a mile away and known what to expect. Astra blushed a little, feeling inadequate for the first time all spring. “It’s a bit like a small Selection, perhaps. They get to know the person their prince is dating and they get to watch me court their future queen.”

“Oh, and your gramma wants you to do that with me?” What a relief to know she was just a confused old woman who’d misunderstood.

“Precisely. Meeting Grandmother at her estate in Scotland would signal the official start to our official courtship.”

Astra felt all the tension leave her body and she smirked at him, “Your gramma is proposing marriage to me on your behalf.”

“Basically.”

“What’s she in such a hurry for? We’re teenagers.”

Andrew let out an exasperated sigh, relieved now that he could see Astra wasn’t panicking and throwing everything she owned into a bag to haul back to Illéa on the first flight out the next morning. “I don’t know. You’re a good match, obviously. My father is close with your uncle, but it would be smart to solidify that alliance with some kind of marriage.”

“Very sexy and romantic.” Astra giggled.

“Isn’t it just?” he agreed wryly. He pinched the bridge of his nose and took a deep breath, “I suppose she’s worried because I’ll be king in a few more years. She doesn’t want me to have to go through that enormous transition of responsibility by myself. I suppose finding a queen would be much harder as king than as prince, too. Father’s even asked me if I want to take a few months next year and devote myself to dating full time before he begins handing off responsibilities to me in earnest. As part of a formal ascension plan.”

“What a conversation.”

“You can’t begin to imagine.”

Astra collapsed into giggles, doing her best to imagine it anyway. King Eoan asking his son if he wanted to be a full-time, 40-hours-per-week dater as part of his obligations to the crown.

“It’s good you think this is funny.” he sulked, but he only partially meant it. He was genuinely glad she was laughing instead of crying.

Fairly certain her toes were dry now, Astra stood and screwed the caps on her polish, stashing the bottles in a drawer next to her vanity. She stretched, fingers reached for the ceiling, going up on her toes, and as she came down she whisked her loose t-shirt over her head.

“Astra.” Andrew cleared his throat, forcing his eyes away from her lacy, pale blue and white bra, “Clear heads, remember?”

“I’m just getting comfortable.” she said in a voice that clearly told him she was not just getting comfortable.

He stood and she came over and loosened his tie for him. He placed a hand over hers when she made for his shirt’s buttons and said, “Do you want this to last past April?”

Astra gulped, “I wish April was forever.”

He stared at her, the only flicker of doubt coming from the small twitch of his eyebrow. “That’s not the same thing.”

“… I know.”

“You don’t have to answer me tonight, but we should talk about it. If we keep going past April, I suspect it will make the most sense for you… for you to meet grandmother.”

This time, when Astra continued with his buttons, it was a genuine effort to help him get comfortable, and not a ploy to see his bare chest. Seeing his bare chest was an undeniable bonus, though. She linked her fingers with his and dragged him towards her bed, and then she flopped down on her back and stared up at the top of her four poster canopy. “So what would happen after I met your grandmother?”

“You’d get some secret service protection.” Andrew laid on his stomach and used his finger to draw doodles on the smooth, soft skin above her navel. His breath felt warm as it puffed against her ribs, but her skin erupted in goosebumps anyway, and he pressed a chaste kiss to them. He knew the effect he had on her, and it only made him want to cherish her more.

“I’d go back to Illéa, though. To Waverly.”

“Yes. We’d coordinate that. It would probably be a less hectic place for you than in England.”

“You think England will be hectic if you announce we’re officially dating?”

Andrew huffed one dry, humorless laugh. “When they find out I’m thinking of making you their princess… sweetheart, it’s going to be a nightmare of a circus.”

“Terrifying clowns?”

“The most terrifying.” he agreed.

Astra sighed, “Then what? How long would we get to date before they’d expect you to decide whether you want to marry me or not?”

“Given the time you’d be spending in Illéa, we could get a year.”

“A year.” Astra liked the sound of that. Sure, she’d dance until her contract was up in Waverly, but then she’d come back and get to do this with Andrew for months and months. His dad might even let him date her full-time. Morning, noon, and night cuddles.

“Yes, and then…”

“And then a fairytale proposal. Would it have to be public?”

“Gosh, no.” Andrew promised. “But it would need to have a good story behind it. Take you somewhere meaningful—“

“Like the club where we first kissed.” Astra teased, running her hands through his hair.

“No, not at all.” he chuckled.

“And would I get to wear one of the crown jewels or something?”

Andrew lifted his head to look at her. “Would you want one?”

Astra laughed. It was all so completely silly. She was an eighteen year old girl! A boy was offering her a crown jewel! She laughed some more.

“Our engagement would be six months, eight at most.” he said. “That’s going to be the hardest time for you. You won’t be royal yet, but you’ll have all the expectations. Of course, you’d have everything you’d need from us. Security, education, an allowance for your clothes.”

“Mmm, clothes.”

“And then—“

“A royal wedding?”

“Yes.”

“And a royal honeymoon?”

“Of course.” he pressed another kiss to her skin, this one not so chaste.

“And then I’m your princess?”

“Until we take our oaths to become king and queen.”

“You really think I could be queen?”

“You think you couldn’t?”

“I know how hard it is on my Aunt Ames. It’s not really the life I saw for myself.”

“It’s different in England, you know. We’re smaller than most Illéan provinces, and we’ve got parliament.”

She couldn’t continue to fantasize about marrying him without understanding what he meant when he said that. “Andy, how does parliament help you?”

“Eh… help is not the word.” Andrew admitted. “It’s more that they take certain responsibilities off the monarch’s plate. Whether they do so in a manner that helps is an entirely different question. But unlike Queen America, who assists on many matters of policy and diplomacy, my mother’s job is almost entirely ceremonial, supporting my father’s efforts.”

“So do you think I could dance if we were married?”

Andrew fell quiet, wracking his brain for a way. “Not once we were engaged… I just can’t imagine that you would have time. And you’d quickly become one of the most famous women in the world… not that you’re anonymous now, just that we’re talking about a whole different stratosphere of public interest… even if we found time for you to dance in the royal ballet, it might not be safe.”

Astra hated that answer, but it made perfect sense to her. Addy had never regularly commuted into the city for any reason. Keeping her safe during recurring, publicly open performances would have been a nightmare, and Astra supposed that would be true for her too.

Astra also knew she wasn’t going to dance forever. She probably had a good ten or twelve years before retirement, and that was only if she avoided any major injuries. In Astra’s experience, injuries and pregnancies were two of the most common reasons dancers retired younger than thirty and they were both to be avoided.

“How long do you think we could put all of this off? I don’t want to stop dancing.”

“I know. I want you to dance! You’re bloody magnificent when you dance.”

“Just when I dance?” she teased suggestively.

“Other times too.” he smirked up at her. He let his face fall gently on her stomach, breathing in the smell of her body wash and then lifting his head again, “I could tell Grandmother we’re not yet ready. You could go to Waverly and come back for visits now and again.”

“Sounds like I’d miss you.”

“I’d miss you too.”

“Sounds better to me, though.”

“I suppose it must. The people mightn’t be fooled, they’ll still expect something is happening between us.”

“They’d be right.”

“But Astra… No matter what, I’ll be King four years from now. There’s no delaying that. ”

“That’s a long time, Andy.”

“I can’t… you must understand, I’d need to know for certain by then.”

“Of course!”

“Ideally… Ideally I would be married by then so that we could share the coronation ceremony.”

“So we could have a wedding earlier that fall? You’d propose that spring? That gives us a few years. That gives me time to dance.”

“But would it be enough?”

“Three years is forever, Andy.” Astra grinned down at him.

“And you’d really consider being my queen?”

“I’d consider a lot of things for blue eyes like yours.”

“They are an important part of the benefits package.” he agreed, placing an arm on either side of her and bringing himself up so that they were eye to eye. “Along with lots of travel to exotic locations. The finest champagne money can buy. Famous designers tripping over themselves to clothe you. A handful of palaces. Lots of diamonds.” he punctuated each of these offers with a deep, heated kiss and by the end Astra was absolutely dizzy and in no state to negotiate her future job benefits.

***

By the end of the week it was not just one photographer waiting outside of the ballet studio anymore, there were dozens. They were aggressive and pushy, yelling her name and constantly demanding she tell them if she was seeing Andrew. Her Illéan security detail was not pleased. The theater that housed the ballet was difficult to secure against so many persistent intruders, and there was serious discussion about whether they could even let her finish the seminar. They also discussed calling King Maxon and asking him for reinforcements, which made Astra’s stomach feel sick. She didn’t want her uncle to have to pay money and spare resources to send across the world to her all because of her love life.

It was a tense day and a half before Andrew was able to come through with security of his own to supplement her detail. It had been a tough thing to organize, given she wasn’t officially his girlfriend, but he’d found a way for her.

If Astra knew anything in those days, it was that he would always find a way for her. That had never been the problem.

There were reporters outside of Astra’s palace now, night and day, and they marked each time Andrew came or went. Instead of lounging together on the balcony overlooking the city, Astra and Andrew had to draw the curtains closed for the sake of their privacy.

“We should just tell them we’re not really dating.” Astra said. “I can’t outright lie to them.” Andrew insisted. “I can’t break trust with my people. I don’t have to confirm we’re together, but I can’t just tell them we’re not.”

“There’s got to be a way… tell them we have no intention of courting right now. That’s not a lie, is it?”

“It’s a bit transparent.” Andrew pointed out.

“Well, I’d love to hear your better idea!”

Andrew sighed into her hair. They were dancing to the music on the television, its glow the only light in her bedroom. “Maybe we break up. And I tell them we broke up.”

“You’re breaking up with me?” Astra suddenly sounded so small and vulnerable, he squeezed her tighter, “No! Not really. Not in that way. It’s just a way we can… buy you some more time before we have to fess up to anything.”

Astra didn’t want to fake-break up with Andrew. She wanted the entire world to leave them to their peace and quiet in their little palace of domestic bliss forever. What was so complicated about that?

Andrew had the idea of staying away one night to try to relieve some of the heat, but all it did was leave Astra pacing the floor alone, listening to the rumble of dozens of people camped out on the street in front of her palace all night.

Astra and Andrew were summoned by Queen Waverly the next day and sat down together on the sofa in her office.

Everything about it was embarrassing. Andy’s mother needed to know how long they had been romantic, how far their romance had gone, how serious they were about their future together, and why Andrew had turned down his grandmother’s invitation.

“Lovey, she wasn’t trying to force your hand.” Waverly told Andrew sympathetically. “What’s happening now out there… it’s going to get worse, the longer we let the media spin itself up into a frenzy.”

Astra said, “I only have a week and a half left, your Majesty—“

“Astra.” Waverly reproached the use of her title. “We’re having this discussion as family. Call me Aunt Waverly… if you’re marrying my son, call me Mum.”

Astra gulped, looking at Andrew, lost.

“We’ve only been together a few months, we don’t know—“ Andrew spoke up, until Waverly nodded and held up her hand to silence him.

“I understand entirely.” She turned her head to the side to study a giant portrait of one of Andy’s female ancestors. “Listen you two, I know that this is a complicated situation. The only thing that will help is being forthright with the people.”

“If Astra meets grandmother, the people will be demanding a proposal by Christmas.”

“Perhaps so.”

“We’re not ready for that.” Andrew was keeping a lid on his princely composure, but Astra could tell he felt hopelessly trapped by his mother and the palace and his people beyond its walls. He was ready to rattle the cages.

Waverly nodded, “Your father and I will do everything we possibly can for you, you know that. We only want your happiness. But things are getting very intense, very fast out there. That’s happening because you’re choosing not to do things the conventional way. You must understand that.”

Very intense, very fast. That was Astra’s whole relationship with Andrew in a nutshell.

“It’s just a week and a half.” Astra reiterated. “Then I’ll be back in Illéa and the press can calm down for a while.”

“The speculation won’t stop until it is addressed by us, and it might even turn ugly.” Waverly warned. “When you stop giving them fresh photograph opportunities every day at your ballet house, when there aren’t rumors flying about sightings of the two of you all over London—“

“Not true, by the way.” Andrew said.

“Some of them could be.” Astra reminded him.

“Only the very old ones. We’ve not been out in a fortnight.”

Astra nodded.

“My point is, in a vacuum of real news, someone will invent rumors to splash on their tabloids. It will be anything and everything. Abuse, affairs, pregnancy out of wedlock, Astra will be a gold digger who broke Andy’s heart one week, the next week Andy will be a womanizing fiend who took advantage of a childhood friend. Relations between England and Illéa will be on the brink—“

“They won’t!” Astra objected.

“Only in the magazines.” Waverly replied. “But we wouldn't want any hostile nations thinking the rumors were true and attempting to take advantage of the supposed rift. You see how this could spiral?”

The room fell to silence for the first time. Astra shivered just a little, “I feel like I’ve been tossed into a tornado.”

“It gets better." Waverly promised. “Once you’re proactive about telling your own story, it gets harder for the media to frenzy over half-credible unattributed rumors.”

Astra buried her face in her hands. She’d thought she’d have years before she had to tell the media a story about her relationship with Andrew. It felt wrong that the people of England were forcing an eighteen year old girl to move so quickly.

“I just need time.” Astra said into her hands.

“Right.” Waverly made up her mind and stood, “In that case, Eoan and I are inviting you to stay here with us for the rest of your visit, Astra. We’ll tell the media that we’re very much looking forward to spending time with you before the end of your trip.”

“No, wait…” Astra looked up, heartbroken that she was losing her private little palace. Would she even get to go back and say goodbye to it?

“This isn’t a punishment, sweetheart.” Waverly sighed and then tugged Astra up to standing, pulling her into a tight hug. “You’re not in trouble. Not one little bit. You’ll have more privacy here, behind our gates and with all of our guards. You’ll have one of our cars to drive you to and from the ballet, and Andy won’t be caught coming and going at all hours of the night because he already lives here… or he did before you came to town.” she said the last part teasingly to her oldest son, who had the temerity to blush at his shamelessness.

Astra felt her eyes sting with tears, “I love that palace… it’s been a good home for me.”

Waverly smiled sweetly, “You’ll be welcome to stay there the next time you come back. If you and Andrew announce an engagement, we’ll fully staff the place for you so that it’s safer. Perhaps you and Andrew could use it as your home for the time between your marriage and his assumption of the crown.”

“Really?” Andrew looked enticed by the offer.

“You’ll need to live somewhere, dear. You couldn’t live with your parents as newlyweds, it would be unbearable.” Waverly teased. “England would never get an heir that way.”

Heirs.

Hearing the queen say that word in this palace, next to the crown prince made it feel very real and very scary. Did Astra want her kids to be heirs? She thought again of Addy and Jamesy… she loved them more than anything in the world, but she couldn’t imagine raising her children for such an incredible responsibility.

Waverly continued softly, “The main thing is, we need to be very delicate here, my loves. When Andrew becomes king, he will become the head of the church. Please understand, I do not mind what you the two of you do or don’t do, so long as you are safe and consenting.”

“Mother.” Andy squirmed.

“But it would put Andrew in a difficult position, becoming head of the church, if he was seen to have a… well a marriage-style relationship with a woman who was not his wife for too long.”

“Yes, heaven forbid I have a healthy, long-term girlfriend.” Andy scowled.

“It’s the vows to God that are the issue at hand, not heaven, and you know it.” Waverly scolded his sass quietly, but efficiently.

“So we break up.” Astra concluded. “We officially break up when I go back to Illéa, and then when it’s time, I come back to England and we publicly reunite… you don’t have any church issues, and I have time to dance.”

Waverly looked between them quietly. “It might be the only option, short of scheduling dinner with your grandmother.”

Andrew looked almost as sad as if the breakup was real. Maybe he was scared it would become real once Astra was out of the whirlwind. She laced her fingers with his and squeezed, “We’ll figure this out.”

He squeezed back twice, gently.

***

That night Astra slept in Andrew’s bedroom for the first time in their entire affair.

“The maids are gonna know.”

“Everyone knows.” he snorted into her hair. “That’s why we’re here and not across town in our own palace.”

“Your parents are in the building.” she complained when his hands began wandering her body.

“Not close enough to hear anything.”

“Still… what if they have to walk by for a glass of water or something?”

“You want me to keep my hands to myself tonight?”

“I didn’t say that.”

“Oh, so shall we see who can be quietest?” he brushed his fingers across her ribs and she quietly shrieked a giggle. “You are so bad at this, darling.”

“Oh yeah?” she got her revenge with vicious tickles, exploiting every sensitive spot she’d found on his body the last few months.

***

Living in the English palace was an easy adjustment for Astra. She'd grown up in Illéa Palace which, as the functioning capital building of one of the largest nations in the world, was larger and had a much bigger staff. The English palace was certainly ancient and stately, but Astra had grown up visiting the place, so at least she wasn’t too dazzled to see this for what it was.

There was no more delivery from local restaurants once those palace gates were closed, but the royal chef made sure that Andy and Astra had everything they wanted delivered to one of their rooms each night, so that wasn’t actually too much of a change. Not only that, but the maids were discrete and only came onto their floor when Andrew was at work and Astra was at the ballet for the day, so it was almost like their bedrooms magically tidied themselves up each day.

Really, the biggest change for Astra had been weeks before, when rumors had started flying and she and Andrew had stopped venturing out into London. Andrew still appeared in her doorway just in time for dinner, looking handsome and happy to see her. They still shared good meals and long baths, and a warm bed each night. But now the illusion that time didn't exist and that they could continue peacefully, blissfully existing in their little bubble forever was burst.

Since the royal palace hadn't released a statement about the gorgeous young foreign princess living in the same palace as their handsome young future king, salacious headlines were beginning to trickle from tabloids to increasingly reputable news sources. Astra and Andrew's private affair wasn’t so private anymore.

Some part of Astra had been hoping that the rumors would die down once she and Andrew had retreated into the palace, even though she knew better. But on her second-to-final rehearsal before her big seminar performance, photographers started camping out overnight at the stage door to the ballet, not just hounding Astra but harassing her fellow dancers, too. It was humiliating to think that these world-class performers, some of whom Astra had idolized for years, were getting manhandled on their way to and from work every day because of Astra’s love life. She wasn’t sure her reputation in the industry would ever recover from this. Who would want to work with her when her very presence could cause such a disruption?

She cried in the backseat of the car on her way back to the royal palace that day, but she had big sunglasses on, and at least no photographers caught her moment of weakness.

“I don’t want to be the girl who’s dating the future king. I want to be a damn good dancer.” Astra said that night, her cheek pressed to Andrew’s chest as he drew swirling designs on her bare back with his fingers.

“You are both.”

“You don’t understand… you literally can’t.”

“What?” Andrew wasn’t insulted, which was the great thing about him. He was always humble about his own limitations. “Why can I not understand?”

“Have you ever looked up to someone who was truly excellent at the very thing that you wanted to be truly excellent at?”

“Of course.”

“Who?”

“King Maxon.”

Astra rolled her eyes and lifted her head so he could see her at it. “You met him when you could still count your age on one hand.”

“So?”

“So most people never get to meet their idols, and if they do it’s because they’ve worked extremely hard to become very good at something. There are choreographers and dancers at this seminar that I’ve admired for a decade. And now my presence is turning their workplace, a place I consider to be sacred, into a hostile circus.”

Andrew frowned down at her and said softly, “Did I not promise you terrifying clowns?”

“I don’t want to bring chaos to every stage I cross.” Astra pouted.

Andrew nodded and said, “So we should announce our breakup immediately. I’ll release a statement tomorrow, and ask a friend of mine to appear in public with me tomorrow night… a woman. It won’t cure everything overnight, but it would surely alleviate some of the pressure.”

Astra stared into his eyes, then studied the line of his nose, the cut of his cheekbones, the curve of his jaw. “That’s a lot of trouble to go through just for me.”

“Astra, are you joking? You’re the one going through trouble for me.”

Astra nodded, but she dropped a kiss onto his lips anyway. “Okay, but the breakup is fake.” her lips danced over his.

His teeth gently teased her lower lip as he replied, “Yeah. I noticed.”

***

As warm and inviting as the arms holding her were, Astra had a difficult time staying asleep that night. She was nervous about returning to rehearsals the next morning, nervous about their final performance, now only a couple of days away, nervous about her new relationship with Andrew, and nervous about being nervous about her new relationship with Andrew.

At around four in the morning she slipped out of bed and tiptoed back to her suite, where she found a pitcher of water and a tray of snacks waiting for her. She spent so many hours of her day exercising that sometimes she woke up in the middle of the night ravenously, painfully hungry, so she’d requested that she be left some snacks just in case. She picked at a scone, lost in her anxieties, and her stress about not being able to sleep, until the telephone next to her bed rang so loudly and shrilly that it caused her to jump and splash some of her glass of water onto her night shirt.

“Hello?” Astra picked up the phone, hoping to hear an Illéan voice on the other end of the line. She hadn’t spoken to Addy in a few days, and it had been almost a week since her Aunt Ames or Uncle Maxon had phoned. She hadn’t spoken to her parents in longer than that, but they’d be arriving in London in less that twenty-four hours so that they could watch her final performance, so she wasn’t too desperate to speak to them.

And while the voice on the other line was Illéan, it definitely wasn’t one she had been expecting.

“Hey.”

Astra’s stomach clenched and her body flooded with adrenaline. She reminded herself to behave like a normal person and not like a lunatic when, as casually as she could, she replied, “Kile? Is that you?” like she didn’t know. Like she wouldn’t know his voice anywhere, anytime, under any circumstance. She knew his voice better than she knew her own.

“Sorry, I know it’s the middle of the night over there. …You don’t sound like you were sleeping, though.”

He would know.

Astra gulped hard, “I needed a snack.” It was a lie, but it was close enough to the truth.

“Hm. Is he there then?”

Astra felt defensive anger flare up in her chest, and only later realized that the anger was covering a sense of guilt. “So what if he is? You broke up with me—“

“Astra—“

“No, it’s okay. I’m not saying that in a mean way. I’m stating a fact. We are not together because you broke up with me, so why do you care if he’s here?”

There was a long pause and then a low groan on the other end of the phone. Astra heard a brush of fabric over his microphone, as if he’d been rubbing his face and his sleeve caught on the receiver.

“I want to know if he’s there, because I want to talk to you when you’re alone. It’s why I’m calling so late… or early, I guess.” Kile said.

Astra’s traitor heart beat faster. What did he want to talk to her about when she was alone? Was he going to apologize? Was he going to ask for her back?

It was too late, obviously. Astra had obviously moved on. Obviously. “He’s not here.”

Kile sounded relieved when he said, “Good.” and that annoyed Astra. He had no right to be relieved that she wasn’t in bed with another man. He’d hurt her in a way she’d never known she could hurt before.

She lashed out, “I didn’t want to wake him up with my snacking. But he’ll probably notice I’m gone soon, so you should hurry up and say what you want to say.”

The pained sound that snuck out of his throat with his next exhale was not as satisfying as Astra had hoped it would be. She regretted her words already. Maybe now he wouldn’t ask for her back… not that she wanted him to.

Kile said, “Let me ask you something…”

This was it. He was going to ask for forgiveness. He was going to ask her to come back to Illéa and be with him.

“What do you want more than anything in the world?” Kile said.

What was he expecting her to say? That she wanted him? She was dating the Crown Prince of England!

“Astra?”

“What do you mean, Kile?”

“What do you mean, what do I mean? For our whole lives you’ve always wanted one thing more than anything in the world. What is it?”

Oh. Astra replied almost mechanically, her voice barely above a mumble, “I want to be the Prima Ballerina for the Angeles Ballet for at least a season, maybe two.”

“And you wanted that enough that you didn’t even think about moving closer to my university, because it would have taken you away from the Angeles ballet. And not for a good reason, like that invitation you got to dance in Waverly. For no reason. For me.”

“You’re not no reason—“

“No, I’m just not a good enough reason.”

“Kile—“

“You can’t argue with that.”

“You said you wouldn’t promise to look for apprenticeships and internships in the cities where I was dancing. You said you don’t want to live in Angeles when you grow up!”

“I don’t. I’m going to go where I can do my best work.” he said plainly. “I still think you and I made a good choice to split up.”

Hearing him say that was hard. She wanted him to regret it. She wanted him to miss her like she had missed him before Andrew had swept her off her feet. Losing him had changed her and she would never be the same as she was before, and he wasn’t even sorry.

Kile continued, “I’m just saying… what was the point of drawing a line in the sand about you and me if you were just going to walk all over it for Andy?”

“What?”

“We both know that you’ll never be prima anything if you marry Andy. You told me yourself, every waking hour of a prima’s life is devoted to dancing or preparing to dance. There are no hobbies, no vacations, no date nights. There definitely isn't time to be somebody’s princess.”

“I’m already an Illéan Prin—“

“Cut the shit, Astra, you know what I mean.” Kile sounded exasperated, and she knew why. She was trying to miss his point, but he wasn’t exactly being subtle about it so dodging it was proving impossible.

“Maybe I want something else now. Maybe I want to marry Andrew.”

“Look… Andy’s not a bad guy—“ Kile admitted through gritted teeth, “But there will be plenty of not bad guys waiting for you after you retire. So if you pick him, do it because you want the life he’ll give you more than the life you can earn for yourself. And be ready to bury your dreams of being a prima ballerina forever, if you do. I know you, and I know you’re getting swept up in this—“

“Don’t talk about me like I’m some helpless little… little damsel, Kile.” Astra snapped.

“Think about it logistically. Do you want to move to the other side of the world from your parents and your little brothers? They’ll visit you as often as they can, but your visits to Illéa will always be to the Palace, to King Maxon and Addy. You won’t be able to go home again. Do you want to have to keep a royal schedule, planned months and years in advance? And you can forget being around from Addy once she becomes queen, you’ll be trapped on the far side of an ocean.”

“Kile—“ Astra tried to interrupt him because she wanted him to stop making sense.

“What about the little things? What about the weather? You’re an Angeles girl, are you going to miss the sun? You know they use different numbers for temperature over there, right? How’s it going to feel to wake up in the morning and have some maid tell you that it’s twenty-five degrees outside, so you’d better stay in the shade to keep cool?”

“Kile.” Astra laughed.

“I’m serious. You’re not just choosing a career here, Astra, you’re choosing a life: from the moment you wake up to the moment you fall asleep.” Kile paused and let out a tired sigh. “I just don’t want you to make a big mistake that you can’t undo. I know how badly you want to dance. You’re not ready for this, and even if you were, this wouldn’t be the right choice for you.”

“I’ve changed, Kile.” she wanted to add that he’d changed her. That losing him had made her someone new, someone she didn’t even know yet, but she kept that part to herself. Listening to his voice for so long that night… suddenly she found that she didn’t want to hurt him anymore.

“It’s barely been three months, Astra. You haven’t changed that much.” he promised.

Astra wasn’t sure. Sometimes change was gradual, sure, but sometimes change was all at once. Traumatic change was a sudden shattering of what came before, such that one could never go back again. That was what losing Kile had been like.

But did that mean she wanted to give up dancing and become Andrew’s princess? His queen? His wife and the mother of his heirs? Did she want to leave Illéa forever and eventually move into this palace?

She wanted all of that when she was wrapped up in Andrew’s arms.

But here, alone in the middle of the night when she had her wits about her…

She climbed back into bed and woke Andrew up with steady, gentle kisses. Everything about the love they made that morning was slow and desperate, and even though she hadn’t meant it to, in the end it felt like goodbye.

***

Astra was gone to her final rehearsals before dawn, but later that morning Andrew was true to his word and made a big announcement that he and Astra had both been secretly dating, and were now publicly broken up. He made a good show of wandering around London looking sad that day, and that night he went out to dinner with a fashion model friend, who did not mind the publicity one little bit.

There were still plenty of photographers salivating at the chance to photograph Astra looking dismal at having lost the chance to become an English princess, but at least they were leaving the rest of the dancers, and everyone else associated with the ballet, in peace.

Astra’s parents arrived at the royal palace in time for dinner that night, and Astra had a lot of explaining to do to them. King Eoan and Queen Waverly seemed to find Astra’s discomfort at explaining her affair with Andrew to her parents over roasted asparagus incredibly amusing, and possibly reminiscent of the beginning of their own relationship. It wasn’t fair, though. Andrew missed all the “fun”, making sure it looked like he was rebounding with that gorgeous model.

That night, Astra was too nervous about her impending final performance to wait up for Andrew to get back to the Palace. She could go to bed early or never at all. She drank some tea laced with a little bit of melatonin and fell asleep soon after dinner.

She woke up in Andrew’s arms, her cheek pressed to the side of his bare chest. She listened to him breathe deeply and evenly for a little while and tried one last time.

She could quit dancing.

She could leave Illéa forever.

She could raise her children to be heirs.

Her children could raise their children to be heirs.

When she died, her bones could be interred in a big old church.

Her whole life could be that easy.

God, it would be so easy.

“Andy?” she whispered.

He didn’t stir.

“Andrew?” she tried again, this time pulling away from him and sitting up in bed.

He didn’t hear her, but he reacted to the loss of her warmth, and eventually his heavy eyelids fluttered open. “Astra?”

“What time did you get in last night?”

“This morning.” He admitted, yawning widely. “I expect the tabloids will be plastered with headlines about their debaucherous future king today.”

“Was it any fun?”

“Yeah. Ellie’s great; she’s always happy to be photographed on my arm. Missed you, though.” he added, as if suddenly awake enough to worry that she was jealous.

She wasn’t the slightest bit jealous. Well, the slightest bit, but not for the reasons he would assume. Astra was jealous because Ellie could keep being photographed on Andrew’s arm for as long as she pleased, with no consequences.

“Maybe you should marry Ellie.” Astra suggested.

Andrew laughed, and it turned into a yawn. Then he explained, “Ellie’s too focused on her career right now. And anyway, she’d be far more interested in you.”

“Now that would be a tabloid headline.” Astra joked weakly.

“What’s the matter? Are you nervous for your performance? Is it because you’re leaving England this time tomorrow? Is it because you told your parents what’s been happening between us—“

“I’m not nervous.” Astra said, even though her stomach was in knots. Those weren’t nerves. That was grief. “Andy… I want to be a ballet dancer.”

Andrew sat up in bed now and rubbed the sleep from his eyes so he could focus on her. The words were familiar, but her tone was alarming. “Of course you do. You are a ballet dancer, and you’re bloody brilliant.”

“I want to be a prima ballerina.”

“Okay.”

“That sort of excellence takes years to achieve.”

“Good job you’ve been dancing since you were four years old, then.”

“Shh.” she pressed a finger to his lips so that he would stop talking back and listen to her. He complied. “I won’t be ready to be a prima for seven or eight years. I have a lot to learn. And when I’m ready, I want to be a Prima Ballerina for at least one season, maybe two. That’s every waking hour devoted to dance for two years straight. Then I want to live in Angeles and stay close to Addy in the first few years of her reign. I want to be there when she gets married and has babies, because she is great at putting on a brave face and absolutely terrible at processing the emotions that are scaring her into needing to be brave. She’s going to need me, and I’m excited to be there for her. I can’t live on a different continent than my dad. There can’t such a huge time difference between me and my mom. I can’t be a foreign queen. I don’t want to be foreign at all. Andrew… I can’t marry you.” Her cheeks were wet and her voice cracked, but she didn’t know when, in that little breathless tirade, she’d started crying.

Andrew stared blankly ahead, hugging his knees to his chest around their blanket. He didn’t look surprised. He’d known she was too good to be true all along. Finding his queen could never have been so easy, so perfect. He shouldn’t have gotten his hopes up.

“Andy, none of those reasons I gave have anything to do with you. I love you. You’re a good man, and a great partner, and you have no business being such a talented kisser when you’re so handsome. It’s overkill.” she waited for him to smile. She waited for him to do anything. “You didn’t do anything wrong, Andrew. I just can’t marry you. I’m eighteen years old, I just got control of my life. I’m not ready to sign it over to a monarchy. I would love to be your wife, Andy, but I would hate to be your queen.”

Andrew blinked hard, then looked over at her. His voice was too casual, his words were too easy when he said, “I understand entirely. I can wait.”

Astra furrowed her brow, trying to hold his far off gaze. “Wait? What do you mean, wait?”

“You want to be a prima ballerina, and you said it would take you nine or ten years to accomplish your goal. Fine. I will wait, and when you’re ready I’ll ask to marry you.”

“No, Andy—“

“I don’t mind ruling on my own for a while.”

“That’s more than a while! You’ll be king in four years—“

“It isn’t a problem.” he insisted.

“Did you hear the part about what I want to do after I retire? About living in Illéa, about staying close to my family?”

“Astra, once we’re married, you can do whatever you like.”

“But queens have responsibilities.”

“We can redefine the role to mean whatever you’d like it to mean. I don’t care. I love you, Astra, and you’re the best future queen I could ever hope for.”

Astra paused, blinking hard against the tears in her eyes. It hurt to hear him say that. It hurt to realize that he didn’t believe he deserved any better. “Andy, that’s not true. You deserve a wife who will stay by your side. You deserve a wife who adores you and would be willing to sacrifice her own ambitions to serve England. I’m not good enough to be your queen.”

“Then no one ever will be.”

“Andrew—“

“Let me wait for you, Astra, please.” His voice broke on that last work, his eyes finally meeting hers and betraying his anguish. “Let me hope. It’s all that I have left.”

Astra couldn’t figure out what would be crueler, to let him hope when she’d made up her mind, or to take that hopeless hope away from him.

So she wrapped him up in her arms and they laid down. She combed her fingers through his hair and he brushed his thumb against her ribs until her alarm clock rang and her last day in London began.

***

In retrospect, Astra should have chosen a happy, upbeat, peppy song for her exhibition. She could have flounced all over the stage and spun a ridiculous number of times on her toes, and allowed her partner to toss her all over the place with an enormous smile on her face.

Instead, she’d chosen an exhibition from a ballet about a woman mourning her dead lover, dancing with his ghost. She’d been thinking of Kile when she’d chosen it, hoping it would help her work out her feelings about their doomed childhood romance. Now she was about to take the stage of the royal ballet, with Andrew and his parents in the royal box, watching her close enough that she could see the pained look on Andrew’s face as clear as anything.

Astra and her dance partner, Geoffrey, took their place while the stage was lit in nothing but the darkest of blue lights. He laid down across on their only set piece, an enormous fake rock, and Astra settled over him in a dramatic pose of despair, arm flung over her forehead.

The first part of the dance was hers alone. Her grief, her agony, her desperation. None of it was fake. When Geoffrey arose, as a ghost, and began dancing with her, the bittersweet mixture of joy and sorrow was easy to tap into. Nothing brought her more joy than dancing, and nothing brought her more sorrow in that moment than Andrew watching her live the life she’d chosen over him.

When Geoffrey faded back into the fog upstage and left Astra alone again in the center of the stage, all the passion and desperation fled with him. The rest of the dance was small and slow, painfully precise movements timed with the orchestra just so that if she made the slightest misstep, it would be immediately, embarrassingly obvious.

But Astra did not have to fake the exhaustion and resignation her character was feeling. If she allowed herself to second guess her decision to break away from Andrew now, she’d second guess it forever. The roar of the audience as the last tremulous notes from the string section died away seemed to make a deafening contrast.

Astra was surprised to find tears had started pouring down her cheeks somewhere during that performance. Geoffrey returned and took her hand, and they bowed. As was customary for this exhibition, several members of the audience threw flowers onto the stage. From the third row, Astra’s dad threw a whole bouquet, and a little teddy bear. Astra laughed as she wiped the tears from her cheeks. Then she turned to the royal box to curtsey, perfectly observing royal protocol, and was startled to find that Andrew had been crying, too.

He tossed her a single white rose with a beautiful red satin ribbon tied around the stem, but the look on his face was resignation. He could love her with all of his heart for all of his life and still never be able to give her the kind of affirmation she got from a packed theater full of an adoring audience. He’d seen her dance dozens of times in her room at her little palace, and hell, he’d even danced with her himself. But seeing her like this in front of them…

He could wait until the oceans ran dry and the mountains fell flat, and every single star in the sky flickered into darkness… Astra was never coming back to him.

Astra spent that night with her parents, letting them gush over her and spoil her with presents, and help her pack up the life she’d made in London for the last few months. She hoped Andrew would come and say goodbye once her parents went back to the suite they were staying in, but he never appeared, and Astra didn’t chase him down because she thought he deserved to set the terms. That dance had been her goodbye to him. It was up to him whether he wanted to say goodbye in return.

The next morning, Queen Waverly was the only one in the entrance hall waiting to see the Orders family off as they left. The English Royal jet would take them as far as Carolina, where they would visit James’ family for a little while.

Astra imagined Andrew’s private car speeding out onto the tarmac to stop them. She imagined him dashing from the backseat and waving his arms to alert the pilots that they couldn’t leave until he’d said his farewells.

He didn’t come. It was easier this way.

Kenna and James stayed with Astra’s grandparents for a few days, but James had to go back to work and Kenna needed to get back to the Palace. Aunt Ames had five children, two of them under the age of six, and though they had plenty of help in that Palace, Kenna was their primary nanny, their aunt, and she missed them like crazy.

Astra stayed with her grandparents for a couple of weeks, until her contract at the Waverly Ballet began. The media frenzy around her got much better in that time, though it was impossible not to notice that things were staying hectic around Andrew as the English tabloids seemed to catch on to how severely he’d had his heart broken.

Astra wished she could take some of that public shame away.

She wished she could take some of his pain away, even as she was mending her own broken heart. Her weeks in Carolina were good for that purpose. Her grandparents spoiled her rotten, and she gave her body a much-needed break from dancing. Instead, she spent her days learning needlepoint from her grandmother, and her nights stargazing out by the pond where her parents used to sneak off on dates before Gramma Magda gave up trying to convince Kenna to marry someone from a higher caste.

When Astra packed her bags to take the short flight up to Waverly to begin yet another new life with another new ballet company, she was still wearing the beautiful red ribbon that Andrew gave her as a parting gift on that rose, tied around her wrist.

And when, years later, she sat on her sofa and watched him become King of England in front of the entire world, her fingers traced that now slightly frayed red ribbon, Andy’s last gift to her, in a familiar, much-practiced gesture.

It would have been so easy to say yes, to give in to the pressure and let herself get swept away by the English people, the royal traditions, the prince’s staggering blue eyes. It would have been a good life, too. A perfectly fine marriage.

But Astra didn’t want to be queen, and now she wouldn’t have to be, and the freedom she felt watching Andrew bear the weight of that crown was all the reminder she needed: she made the right decision. And now, despite the dull ache of longing in her chest for he boy she’d loved and left behind, she was happy. Truly happy. She was at peace with her past, content in her present, and excited for her future.

When the coronation coverage ended, Astra got ready to return to bed. She was surprised when her phone rang, but she knew exactly who it would be.

“Mom?” she said, before the person on the other line could say a word. Her little cousins would have had just enough time to be tucked back into bed by now, if Aunt May was helping. Kenna would have rushed to the phone as soon as she got the chance.

“Sweetie? How are you, little bug?”

“I’m fine, Mom, I don’t need the pet names.” Astra grinned, rolling her eyes.

“Are you sure?” Kenna double-checked.

“Yeah. I wish Andrew wasn’t alone up there. I still love him, I don’t want him to suffer. But I was nothing but relieved when they put that crown on his head and I didn’t have to put one on mine. I made the right choice.”

“I know you did, honey, but just because you did the right thing doesn’t mean you have to feel perfectly fine about it. Especially not on a night like this.”

“Honestly, Mom… my time in London feels like another life. One I’m nothing but grateful for, but not one I want to relive.”

At first, Astra’s spring with Andrew felt like it had never really happened, or like it had happened to someone else, or like it was all a fever dream: too hot, too heady, a surreal hallucination more than a fairytale fantasy. But now, with some time and space, Astra could see it for what it really was: a romantic affair with someone she could have chosen to marry, but who ultimately was not the right fit for her. On the one hand, Astra and Andrew loved each other, and their marriage would have been fine: they’d known each other forever and they each fully understood the challenges of the royal life they would have been embarking on together.

On the other hand, Astra had known what she wanted out of life since she was a very small girl. It was a hard thing to ask an eighteen year old to walk away from a guaranteed royal wedding for a chance to work very hard to one day, possibly, make her dream come true. If Astra hadn’t grown up in Illéa Palace, she might not have made the same choice. But everything she got out of her life from now on was truly hers, she was the captain of her own fate, and even if she failed and never became a prima ballerina, at least this way she’d have had the chance.

“But Mom?”

“Hm?”

“Don’t ever tell Gramma Magda that Andrew proposed to me and I turned him down. I think she would disown me.”

[csichick-2]

I'm semi-plotting a Lashton Mpreg AU in my head that may never end up on paper because I get nervous about sharing RPF.

So in this potential story, shortly after Ashton joins the band, he passes out after a gig and at the hospital they find out that Ash has been physically and sexually abused and also that he's pregnant, which Ashton himself didn't even know yet.  He's also malnourished cuz he was trying to lose the weight he was gaining from his pregnancy because he just thought he was getting fat.  Liz conveniently has a sister that's a social worker who conveniently also happened to be at the gig.  She works her social worker magic and Liz and Andrew get emergency custody of Ashton and his siblings.  Lauren and Harry weren’t abused - Ash took it all and never said anything to keep them safe. Ashton almost has a miscarriage because of the abuse and malnutrition, but the baby's a fighter and pulls through. He considers having an abortion because the pregnancy resulted from rape, but ends up deciding to have the baby. He's nervous that Liz and Andrew will throw him out when he turns 18, but Liz reassures him that they'll never force him to leave, but that if he chooses to, they'll help him find a place of his own and help him out financially until he's able to support himself on his own.

 Ashton's first night home from the hospital, he has a nightmare and Luke - who's room is right across the hall - ends up crawling into bed with Ash and comforting him.  This happens several nights in a row and eventually Luke just stops starting out in his own bed and is all "yeah Ashton and I share a bed now, deal with it."  Andrew thinks it's a bad idea cuz Luke and Ash are 15 and 17, but Liz is all yeah Ashton's already pregnant and Luke can't get pregnant, so let's just roll with it.

 Luke and Ash and Cal and Mikey keep doing their thing with the band and they start getting comments on YouTube asking if Lashton is having a baby cuz Ash has started showing and Luke is always fussing over him.  Luke, Cal, and Mikey do a video without Ash so he’s not forced to talk about it and address the abuse situation as tactfully as they can and leave a link to an article about the trial related to the abuse.

 Ash finds out he’s having a girl and the first time Luke feels her kick, he refers to her as “our baby” and Ashton falls in love with him right then and there.  Luke’s also been reading pregnancy books and has pretty much decided that he’s helping Ashton co-parent this baby whether his parents like it or not.  Liz and Andrew aren’t thrilled cuz Luke’s still only 15, but there’s not a whole lot they can do about at this point.

 I haven’t worked out the details, but Luke manages to convince Ash, Liz, and Andrew that his name should be on the baby’s birth certificate as her second father.  Liz is also in the delivery room when Ash goes into labor - like a week after a gig cuz the band isn’t letting Ash’s pregnancy stop them - but Luke is the one holding Ash’s hand and supporting him through giving birth to Baby Hemmings-Irwin. Ashton names her Lucie after Luke and her middle name is Elizabeth after Liz.  The night they bring Lucie home from the hospital, Luke says that since he and Lucie share a first initial, their next kid’s name has to begin with an A and Ash is all “I literally just gave birth so we’ll talk about that much later.”  A few week’s later, Ash turns 18 and Luke proposes to him and Ash is all WTF because Luke still is only 15, but he says yes cuz they’re stupid in love, but he figures it will be a long engagement until Luke’s 18.  Except in New South Wales, you can get married at 16 with the consent of your parents and the court and Luke’s a persistent bastard and pulls it off, so when the boys - with baby Lucie - head to London for songwriting, Luke & Ashton Hemmings-Irwin are married.  

 Around when it’s announced they’ll be be opening for 1D on the Take Me Home Tour, Luke starts talking to Ash about having a second baby and has already figured out the timing to make sure the baby’s not born until after the tour.  Ashton doesn’t know how to say no to Luke, but says they can only start trying if Cal and Mikey are okay with it in case another pregnancy ends up ruining the band. Mikey's all "wait you mean you're not already pregnant?" cuz he figured they started trying their wedding night.  He and Cal give their blessing and by the end of 2013, their son Avery is born cuz Luke won the A name argument.  Their management throws a hissy when they find out Ash is pregnant and threaten to kick him out of the band and replace them, but Luke, Cal, and Mikey all say they’ll quit if that happens, so management begrudgingly puts up with it. There’s some backlash from fan parents thinking two irresponsible teenagers having a kid is a bad example for their children and Luke is all “Excuse me, my husband and I planned the timing of this out very well thank you very much” on twitter and the internet explodes cuz Lashton are married.  But generally the reaction is positive and the boys have fun with it letting fans guess when the Lashton baby will arrive and the gender.

 Early 2015, they have twin boys who's names begin with C and M cuz they're nerds like that and then have another boy a year later, which is how they have five children before Luke's 20th birthday.  Ashton pops out three more boys in 2017, 2018, and 2019 with no plans of stopping with the babies because Luke desperately wants another girl and Ashton at one point foolishly told Luke that he can get his pregnant as many times as possible up until Ash's 30th birthday and Luke ofc was all "challenge accepted."  Luke's also become an expert at planning pregnancies around their tours so while a few times a show has started late because of Ash’s morning sickness, they've never had to cancel one.

 Ash gets pregnant again right before the World War Joy tour starts, but because I'm evil, he miscarries, which they find out at the first ultrasound when there’s no heartbeat.  And Luke blames himself.  Because if he hadn’t insisted on using every available baby-making opportunity - the largest age gap between kids is the 17 months between Lucie and Avery - and given Ash’s body more time to recover between pregnancies, then maybe they wouldn’t have lost the baby.  And also wonders if maybe it was God’s sign that they’re only meant to have 8 kids. Ashton tries to give Luke some space, but he’s hurt that Luke is withdrawing from him.  Luke confides in Mikey a lot and Ash goes to Cal and both of them are all “dude, I love you, but I’m not your therapist.”

 When the window that would have a kid be born during the gap between the North America and Australia legs of No Shame passes by with Luke making zero effort to actually make a baby, Ashton decides to take matters into his own hands.  So the whole shirtlessness at Fire Fight is totally baiting Luke into wanting to have sex again cuz they haven’t since the miscarriage not even with Ash topping, cuz Luke only tops when they’re trying to conceive.  They’re also asked in an interview if there are any plans for more kids and Ash is a cheeky bastard and says that he fully expects to be pregnant by the end of the year because Luke loves how he looks pregnant.  And Luke is giving him “WTF did you really just say that?” looks.  And then finally have an adult conversation and Ashton tells Luke that the miscarriage wasn’t his fault and that sometimes that shit just happens and dammit they’re going to keep trying until Luke finally gets his second girl.  They start the baby-making process once they know the due date will be past the Australia shows, and Ash knows he’s pregnant with multiples even before the ultrasound because the only previous pregnancy where he had really bad morning sickness was with the twins.  That still doesn’t prepare Luke & Ash for the doctor telling them that heartbeats 1, 2, AND 3 are all nice and strong and Ash immediately turns to Luke and tells him he’s a dead man.  Cal and Mikey were baby-sitting while they were at the doc’s and are all nervous because Cal, Mikey, and Liz are the only ones that know about Ash’s miscarriage.  But all is good and they find out that all three babies are girls and two of them are identical.  Ash does go into labor early after the last Australia show, but they’re able to stop it, but he’s on bed rest for the rest of the pregnancy which makes him really crabby. They’d been planning to stay in Australia until the babies were born anyway, their families are able to help out with the rest of the kiddos.  Liz & Andrew Take them for Christmas because Ash doesn’t need that chaos and he ends up going into labor in the middle of the night on Christmas morning. They realize they won’t get to the hospital in time so Luke ends up delivering the first baby in their bedroom but the paramedics get there in time to deliver babies two and three.  During the delivery, Ash informs Luke that he’s going to be getting a vasectomy, but Luke’s not sure if he actually means it given that 20 minutes later he also threatens to castrate Luke with a rusty spoon. They name the babies Soleil, Luna, and Astra - as in sun, moon, and stars.  Mikey’s all wtf you guys are weird and Cal’s all “you’re only just figuring that out now?”

 I haven’t decided yet if they’re done after the triplets or if Ash sticks to his original promise to let Luke knock him up until he’s 30 because they’re already at 11 kids and that’s a lot.  If they do have more they’re going to wait a whole year before even thinking about trying because they’re gonna be more short on sleep than usual because three infants.  Lucie is a mini Ashton in girl form, but the rest of the kids all have Luke’s hair and Ash’s eyes or Ash’s hair and Luke’s eyes.  While the kiddos all know what their daddies do cuz they drag the kids on tour with them and hire tutors instead of sending them to school like normal people, they never push the kids towards learning any instruments.  But Lucie starts banging about on Ash’s drums when she’s five and he starts teaching her and his heart grows about 50 sizes that she’s taking after him and it’s the cutest thing ever.  Haven’t decided what level of musical talent any of the rest of the kiddos have but Luke does make the mistake of leaving one of his guitars out while Avery’s teething and it ends up with tiny tooth marks. He also ends up taking the lip ring out because baby number 5 is a grabber and pulls on it and Luke decides it should go before the kiddo is strong enough to rip it out and cause a lot of damage and pain.  I haven’t done the research on hair dye and pregnancy, but might be losing out on Ash’s hair color evolution.  And his earring because again tiny grabby hands, though it can always appear later once they’re done having babies.

 I might do Malum as a side pairing - I haven’t decided yet. And since Ash is pregnant both times they open for 1D, that might facilitate Larry and/or Ziam coming out but that wouldn’t be a major plot point.

 I did make a Sims save with teenage!5SOS last night to play this out.  I was too lazy to make their families so it’s just Cal, Mikey, Luke, and Ash sharing an apartment and then I used mods to immediately make Ash preggers.  The guy in the next apartment was having loud sex when they were trying to go bed so I sent Ash over to go yell at him since he can blame pregnancy hormones.  This same neighbor also tried to invite himself over to eat their food after Ash made dinner so this guy is going to be one of those neighbors.  I’m trying to avoid using the money cheat as much as I can, but they’ll need a bigger space by the time Avery’s ready to age up to toddler.  I might move them into the swanky penthouse apartment with an indoor basketball court because it’s the only lot where I’ve found a place to put a rock climbing wall where it doesn’t get rained on and break every timer the weather’s wonky. Eventually Cal & Mikey will have to stop living with them but I’ll worry about that when there’s no more room for them.  My mods let me do household sizes up to 25, so that part’s not an issue, it will just be a no more beds problem.  Mods will also help me make sure that the right number and gender of kiddos are born each time.  I’ll just have to force myself to not age up the babies the second they’re born because Sim babies are the world’s biggest pain in the ass.

[johnreddy123-blog]

Hand Puppets l Puppet Pals

Choosing Educational Toys For Babies

How do you ensure that the educational toy you buy will be right for your child? As with everything there are no guarantees with children. There are a couple of things to consider when selecting children's educational toys that can improve the chances that your choice will be well received. First, evaluate the developmental stage that your child is at. Select educational toys that target skills and abilities for that stage. An educational toy that is too advanced may cause frustration, and one that is too simple will not be challenging enough to warrant attention. Below is a general guideline for what types of children's educational toys are better suited for developmental stages from newborn through 3 years old. This is only meant to be a guide to start you thinking in the right direction. Use these guidelines and your knowledge of your child's interests to you help make your educational toy purchases.

Puppet Pals produces high quality, educational hand puppets. We believe that playtime and learning go hand in hand.

Great for baby's first book, delightful self-play, social playing, role playing at its best, narrative thinking skills and so much more! A lovable puppet who travels through an enchanting ocean, sky, city and forest in the soft and colorful book, stimulating imagination all along the way. Puppet can be played with by itself or can integrate with the book.

Have a look at various products like educational baby toys available for your kids.

About Us

Puppet Pals was founded in 2019 with the mission to bring the joy of puppetry to children and adults in a fun, educational, engaging way. We strive to satisfy our customers every want and desire.

Puppet Pals is a proud member of the American Specialty Toy Retail Association (ASTRA).

Andrew Olsen (Founder)

Andrew has been building puppets professionally for over 10 years. Prior to founding Puppet Pals, he owned and operated Top Hat Puppets, a custom puppet company that worked with entertainers, schools, theater companies and ad agencies. He founded Puppet Pals in 2019 with the mission of utilizing puppets to teach children good habits in a fun, engaging way. 

Andrew studied business at Southern Virginia University and has a certificate in business from the Harvard Business School.  

Wholesale

Do you own a boutique toy shop or online store? We'd love to partner with you! As a young, up and coming toy company, we thrive off of our partnerships with locally owned businesses.

We have several pricing options and modes of sale for our wholesale partners. For more information on our wholesale program, email hello@mypuppetpals.com.

 Privacy Policy

At Mypuppetpals, accessible at https://www.mypuppetpals.com/ one of our main priorities is the privacy of our visitors. This Privacy Policy document contains types of information that is collected and recorded by Mypuppetpals and how we use it.

 Log Files

Mypuppetpals follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services’ analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users’ movement on the website, and gathering demographic information.

 Cookies and Web Beacons

Like any other website, Mypuppetpals uses ‘cookies’. These cookies are used to store information including visitors’ preferences, and the pages on the website that the visitor accessed or visited. The information is used to optimize the users’ experience by customizing our web page content based on visitors’ browser type and/or other information.

 DoubleClick DART Cookie

Google is one of a third-party vendor on our site. It also uses cookies, known as DART cookies, to serve ads to our site visitors based upon their visit to  and other sites on the internet. However, visitors may choose to decline the use https://www.mypuppetpals.com/ of DART cookies by visiting the Google ad and content network Privacy Policy at the following

 Some of advertisers on our site may use cookies and web beacons. Our advertising partners are listed below. Each of our advertising partners has their own Privacy Policy for their policies on user data. For easier access, we hyperlinked to their Privacy Policies below.

 Privacy Policies

You may consult this list to find the Privacy Policy for each of the advertising partners of Mypuppetpals.

 Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on Mypuppetpals, which are sent directly to users’ browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.

 Note that Mypuppetpals has no access to or control over these cookies that are used by third-party advertisers.

 Third Part Privacy Policies

Mypuppetpals Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options.

 You can choose to disable cookies through your individual browser options. To know more detailed information about cookie management with specific web browsers, it can be found at the browsers’ respective websites.

 Children’s Information

Another part of our priority is adding protection for children while using the internet. We encourage parents and guardians to observe, participate in, and/or monitor and guide their online activity.

 Mypuppetpals does not knowingly collect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.

 Online Privacy Policy Only

This privacy policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in dry scalp. This policy is not applicable to any information collected offline or via channels other than this website.

 Consent

By using our website, you hereby consent to our Privacy Policy and agree to its Terms and Conditions.

Contact Us

If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us through

hello@mypuppetpals.com 

[ahouseoflies]

The Best Films of 2019, Part VI

Yes, I know that it’s almost March. Thanks for taking the ride. GREAT MOVIES

22. Apollo 11 (Todd Douglas Miller)- To disrespect this movie is to disrespect the moon landing itself so... I do like listening to the Walter Cronkite snippets about "the burdens and dreams of all mankind" and smirking at the idiots who talk about "back when people just read the news without editorializing." 21. Waves (Trey Edward Shults)- I could have done with five fewer shots of people holding each other, and the foreshadowing could be more subtle, but, man, Shults takes some huge swings here, for a more powerful effect than either of his previous films had. It isn't often that a colorist gets a single card in the opening credits, but it makes sense for a film that stands out as much as this loud, woozy piece does. I don't think there's anything as present-tense this year as a character drunk-driving to Kanye West's "I Am a God." 20. Jojo Rabbit (Taika Waititi)- The dissenters of Jojo Rabbit have been pretty uniform in their negativity, and I think their stance has to do with not wanting to be told what to think or feel. (Putting "an anti-hate satire" on the poster has to fire up those haters.) This movie is not subtle or ambiguous, but you know what? Casablanca is a pretty didactic movie too. Let me back up from the C-word. For me, the film's emotional scenes are better than its comedic scenes, but in either form, Waititi directly engages with a ten-year-old in a way that neither romanticizes him nor condescends to him. That's such an imperfect, transformative age in a boy, and not enough movies are willing to wrestle with how ugly it can be. Roman Griffin Davis is pretty good, but he's spotted by sincere, compassionate performances by Thomasin McKenzie and Scarlett Johansson. It's possible that Johansson has never been better. I totally understand why someone with her sex symbol baggage would resist playing mothers; if I've done my homework, this is the first time she has done it, even though she's a parent in real life. But her maternal scenes here are heartbreaking in their patience, particularly in a scene for which her character "plays" herself and her absent husband. Besides uncorking a more vulnerable part of herself, Johansson nails the performative aspect of being a parent, resisting the urge to make everything a lesson but wanting so desperately to be a positive example for a kid who needs one. 19. Honeyland (Ljubomir Stefanov and Tamara Kotevska)- I greatly prefer the term "non-professional actor" or "first-time actor" to "non-actor" because it's only human nature to act differently when being filmed. The second even a camera filming a birthday party captures you, you start to perform. But in handmade stone houses in rural Macedonia, the subjects are true non-actors. They have no affect because, in all likelihood, they have not seen a movie before. So the way that Hatidze lived over the course of the three years of this project--with purpose, focus, and wisdom--seemed new to me. Honeyland is the gift that I always hope for from documentary and (especially) foreign documentary: a slice of life that I never knew I needed. 18. Under the Silver Lake (David Robert Mitchell)- Andrew Garfield's Sam spends a lot of time on his balcony surveying his apartment complex, staring at a topless woman in a way that recalls Marlowe in The Long Goodbye, one reference point among hundreds. Sometimes he watches through binoculars, sometimes he watches through blinds--blind imagery that shows up over and over again in a movie about voyeurism. Anyway, this neighbor keeps parrots, who we're told as kids can "talk." Not that the animals have any conscious intention with their mimicking, but they replicate what they hear or are taught. The words are signified without any signifiers, so it's hard to even classify the noises as speech. Maybe those noises are everything--a tie to our species that reveals impressive intelligence--but maybe they're nothing--a silly hope of a world that seems less alone. And that subjective interpretation of code is the clearest metaphor in an otherwise elliptical, bizarre, sprawling, sui generis film. It's messy alright. Some of the threads lead nowhere, but in a movie about order and chaos, that's obviously the point. The scene with The Songwriter--barely any of the characters have names--is over ten minutes and might not have any narrative consequence. But in the moment it's earth-shattering and urgent. And maybe I'm the obvious audience, but I'm not going to complain about anyone taking a dance break for "What's the Frequency, Kenneth?" 17. 1917 (Sam Mendes)- Weirdly enough, a Lauryn Hill line kept bouncing around in my head as I was nervously tapping my foot: "It could all be so simple, / But you had to make it hard." This is a direct story told with impossible technical aptitude. 1917 isn't saying anything new, but have you ever seen a plane crash ten feet away from the camera forty-five minutes into an unbroken take? No offense, but do you remember when we were all impressed that Creed had a five-minute fight in one take? Blimey. 16. American Factory (Steven Bognar and Julia Reichert)- It's a rare documentary that makes its case so gracefully and so forcefully at the same time. The film ends so conclusively that it could be considered labor activism, but it's so fair that the union-busting schmucks are willing to joke around with the filmmakers without obfuscating at all. The obvious forebearer for this sort of boots-on-the-ground snapshot of American labor is Harlan County U.S.A., but American Factory is more staid and less concerned with setting because, you know, this could be anywhere.The Chairman is the best villain since Thanos, and as he looked back on his life while walking around his empty cabana, I had to squint a bit to make sure he wasn't purple.

15. Ad Astra (James Gray)- Ad Astra declares so that it can suggest. The opening crawl says that the near future is a "time of hope and conflict," but all we see is the conflict: the pirates on a borderless moon that we've ruined with Applebee'ses, the neglected wife leaving her ring on a table, the voiceover that declares, "I always wanted to be an astronaut...for all mankind and all." This film will take place in four parts--Earth, Moon, Mars, Neptune--and each part will offer unique obstacles to challenge our phlegmatic but confused hero. But all of that table-setting allows James Gray to explore. There's a scene in which the Roy character uses a belt to pull himself, one tug at a time, deeper into the unknown, and we see the action through the reflection in his helmet as we're watching his face. We're seeing through his eyes but at a remove, and in this moment we're watching him heave himself into emptiness, thinking that the more distant and lonely and absent he gets, the more of a man he becomes. We know that's not true, but we kind of think it is from the movies, and Ad Astra has a happy ending if only because it wants to disprove that notion. Lots of artistes talk about how they could, without compromise, make grand, big-budget entertainments if they only wanted to. James Gray did. 14. Ash Is Purest White (Jia Zhangke)- In a train on the way to her hometown, the protagonist Xiao casually tells a fellow passenger that she has seen a UFO. Although it comes up later in a sort of magic realism flourish, her statement seemed like a character moment for me. People who see UFOs are either guileless rubes or attention-seeking hucksters, and that's the dance of Tao Zhao's performance. Even after seeing the movie, I can't tell which one Xiao is. Often it changes in the course of a scene. The time when she shows the most agency, firing off her boyfriend's illegal gun to ward off his attackers, results in the time when she is the most helpless, being ordered around in jail. She might confess her ex-con status in a moment of vulnerability, then flake out at the next train stop in an attempt to seize her power back. (It's worth mentioning that there are lots of movies about flaky drifters who don't pay the tab, but few of them are about women.) Even the way that she holds her backpack--frontways--is street-smart and child-like at the same time. This is the second film that Jia has made with a triptych setting, (Mountains May Depart is slightly superior.) and he doesn't make the flash forwards obvious. He invites the performance's same sort of healthy confusion upon the viewer with the formal elements. I, for one, am willing to get probed by these foreign objects. 13. Toy Story 4 (Josh Cooley)- I questioned a late moment in the film, one of the plottier ones in which Woody goes back to save another toy one more laborious time. When I sighed, my wife reminded me, "He never leaves a toy behind." Toy Story 4 is a dazzling upgrade in the series from a visual standpoint, (I gasped again at Woody lying in a damp, sunny patch of concrete.) but it's more of a reminder of the consistent character development and weight that have been blanketing us for twenty-three years. Pixar isn't reinventing the wheel because it is the wheel. Sure, the characters are too numerous and separate now. I miss the OG's Rex and Hamm. But for one thing, that rogue's gallery makes it funnier when, say, Buttercup pops up with a joke out of nowhere. And the new characters, particularly Forky the Nihilist, are so lovable that I wouldn't know who to trade. Toy Story 4 is probably the worst of the franchise, but that franchise--especially when its subtext seems to be questioning people who want to stop intellectual property from evolving--might be the best we have. 12. Clemency (Chinonye Chukwu)- In discussing the aftermath of an execution, Alfre Woodard's warden character Bernadine mentions the mother who will claim a prisoner's body, who will follow through with plans for burial. And I realized, to be honest, that I had never thought about how executed bodies are claimed and laid to rest, though obviously those sad practicalities persist. This whole film is a reminder of the numerous costs that arise from a system that is out of time and out of reason. To that end, every character is fully drawn with empathy. For example, the assistant warden, which could have been a nothing part, has ambitions and fears that give him an arc that shades the protagonist. The Richard Schiff and Wendell Pierce characters make the film about the compromised promises of retirement, but the assistant warden is there to tug us back into law enforcement. Neon ended up putting this movie on the awards circuit back burner, but Aldis Hodge deserves the world. Although the film piles on one indignity too many for my taste, drifting into miserableism, Hodge's performance has a rare possessive quality. Catatonic in his most crestfallen moments and antic when he clings to hope, Hodge drags the audience along with him. The character is quiet, but every word counts. 11. The Farewell (Lulu Wang)- I was not been more thoroughly charmed all year, especially by Awkwafina, who is a revelation in a tricky role. There are a few scenes that get comedic effect through repetition, and it's telling that the subtitles stop by the third or fourth run-through of a line. The movie assumes you're smart, which goes even further than its piercing emotion. Shout-out to Mr. Li, who made me crack up every time I saw him. The elderly sort-of-boyfriend is such a common figure in real life, but I'm not sure I've ever seen that character type on screen. I'm not sure I've seen any of this on-screen, and that's the reason the film exists.

10. Avengers: End Game (Joe Russo and Anthony Russo)- For a guy who grew up in the '30s, Captain America is pretty cool with gay people. 9. Gloria (Sebastian Lelio)- I saw Lelio's original Gloria, the one that he's remaking here, and it didn't do much for me, even though it hit some of the same beats as this one. I wonder what the difference could be...do you think the total commitment of one of the greatest actresses in the world matters? Lelio documents who this woman is to her children, to her mother, to her ex-husband, to her lover, to her co-workers, and it's by tracking the tiny compromises of those relationships that the viewer gets to see the fully realized her. The cyclical editing of those pieces--sing a disco song to herself in the car, rinse, repeat--ends up lulling the viewer into his role of seeing the complete Gloria. It ends up being a fun, absorbing process. I yelled out loud at Turturro for disrespecting my girl. Moore, who is in every scene, sells us on these different versions of the character through complete control of her instrument. She lets headphones slump along her body at work. She kneels down toward a street performer in a more maternal way than she ever presents with her actual daughter. She sits cross-legged with her best friend, as if they're little girls. I won't spoil what she does at the end, when she is at her most empowered. 8. Midsommar (Ari Aster)- I love this movie, but, boy, is it a friendship killer if you recommend it to the wrong person. Whether you liked Hereditary or not is a good predictor for your taste, but I think Ari Aster's follow-up is much better: Whereas the unpredictability of Hereditary makes the mysticism of its final fourth seem like a leap that you either accept or don't, Midsommar is driving so hard in one direction that its dread is even more pronounced. (The prologue is so masterfully deliberate and gloomy that it takes a long time for the film to get back to those depths.) For comparison's sake again, Aster was painting in the colors of hysteria and fractured relationships before, but the new film seems much more biting and vital in the way it depicts modern men and women. I'm thinking of the way Dani excuses herself at the risk of compromising her safety or rationalizes her boyfriend's forgetting her birthday with "Well, I didn't remind him." All of the characters become victims of a misinformed, selfish brand of multicultural tolerance that makes them rationalize evil instead of speaking up, and that acceptance serves the plot way better than the average horror movie's running up the stairs instead of out the door. For his part, Christian, who seems sympathetic at first, takes ideas, drugs, and even women for himself with impunity. (It's important that he's an anthropology student, and it's more important that his name is Christian.) When he colonizes his Black friend's thesis topic, it might seem like a tipping point, but he was one step ahead in using rules and approval for his purposes. None of the Americans bother to stop him, but that doesn't mean that no one stops him. 7. A Hidden Life (Terrence Malick)- "The sun shines on good and evil the same." In the baggy second hour of what might be Terrence Malick's most direct and linear film, martyr Franz Jagerstatter tosses off that line with grace and aplomb, at a time when most of us would have neither to spare. His captors are confused when he denies that his conscientious objection will make any difference in the war or when he doubts that he is more morally evolved than his countrymen. His refusal to pledge an oath to Hitler is a state with no outcome in mind, which the results-obsessed Nazis cannot understand. In that way he is the perfect Malickian hero, which means he is the perfect Heideggerian hero: a man who sees all planes of existence as equal--or at least equally unknowable to him. As a farmer, Franz observes and acts upon cycles, but he is smaller than Nature and the communion he finds with God there. So when he's torn from his family and daily life to be stuck in a prison, he is separated from that concord further and further. The key, however, is that he is no more or less powerful than before, and that knowledge is what gives him transcendental perspective. He is indifferent in the way that only a saint can be. Of course, what I'm describing also makes for a passive protagonist, which is why the cross-cutting to his wife Fani is so effective. She is the one who has to shoulder the burden of his ideals, and Valerie Pachner's stolid performance sells that sacrifice. The overall balance comes from the jagged but precise editing, and the production is all the more impressive for retaining the Malick style despite the absence of most of his regular collaborators. (This is the first time since The Thin Red Line that he hasn't worked with Jack Fisk, but there the production design is, crafting a 1940 Austrian town out of nothing and building a network of water symbolism that I don't understand yet.) In fact, the whirling steadicam and the avoidance of artificial light have more of a thematic purpose than ever if "the sun shines on good and evil all the same." Perhaps the greatest achievement of this film about unjust war is that it made me pray for Donald Trump today. Because if I want to be like Franz Jagerstatter, then I have to believe the light of God shines on him too. 6. Knives Out (Rian Johnson)- A third of the way into this imaginative, absorbing whodunit, I started to talk myself into the surface pleasures of cinema. "So what if it doesn't have much to say; look at these stars going for it with this spicy dialogue and these gleeful twists." Then the subtext asserts itself through a radiant Ana de Armas, and the subtext becomes the text in the final shot. Knives Out is the best of all worlds. Rian Johnson might be the first filmmaker for whom a Star Wars movie ends up being a footnote. 5. Everybody Knows (Asghar Farhadi)- There's a photograph hanging in the library (yes, the stately library) of the patrician family of my childhood best friend, and I'm in that picture. There I am, dressed a bit sloppier than everyone else, near the edge of the frame. Because I was there, as usual, and because they are kind. Everybody Knows is about one of those family friend outsiders, perhaps in a way that no other movie has been. When it's at its best, it's about what those marginal figures can and can't say, can and can't do. The film dips into soap opera territory, but only to sell its message of how secrets beget other secrets. For me, it's another Farhadi hit of approachable, modest conflict that bakes itself into an experience. 4. Marriage Story (Noah Baumbach)- The best divorce movie ever made--by the guy who wrote and directed the former belt holder of the best divorce movie ever made. These luminous lead performances aren't just about saying cutting, hurtful things or reacting to their child's preference for the other parent (or at least the other parent's toys). They're about the internal devastation of realizing you can never take back something you've said. Driver and Johansson each get a chance to sink into one of those moments, and they're joined by a head-tilting, blustery Laura Dern, who gets a Virgin Mary speech that won her an Oscar. And there are jokes! Underrated aspect of the movie: The son is kind of a dipshit. I like that he just hates math and wants to eat candy, as opposed to the cute prodigies we've seen before in this type of movie. They're fighting over a kid only a parent could love. INSTANT CLASSICS

3. Uncut Gems (Josh Safdie and Benny Safdie)- Howard the jeweler lives somewhere in upstate New York, but he has an apartment in the city. It's an apartment that is close enough for him to cab over to his mistress who lives there, but it's far enough away that his family wouldn't bother popping in for a visit. That sort of gap is present throughout Uncut Gems: Family members act differently in the Diamond District than they do at seder, and we first see Howard from the literally vulnerable inside of a colonoscopy, not the animated brio of his tightrope-walking exterior. Of course, the gem of the title is the ultimate division: something pure that the characters are searching for, untouched by the process that Howard, by definition, does. And the film is about how little he can abide by purity. Until now, The Gambler (1974) was probably the best film of this type, a snapshot of a cursed man who seems to be gambling with forces way beyond the game in question. But Uncut Gems is more pathological, more authentic, more intense, and more decisively realized. By focusing more on character than the Safdie Brothers' other work, it offers a unique depiction of compulsive behavior and implicates the audience in rooting for Howard's (technically unrealistic) parlay. By doubling down on his bets or re-uniting with his girlfriend, Howard thinks that he can reinvent himself and start anew. But like the legacy of the Chosen People the film depicts, like the lines on all of these great New York faces, some things are permanent.

2. The Irishman (Martin Scorsese)- "It's what it is." You wouldn't blame someone if he saw the logline and lineup of The Irishman and expected GoodFellas. In fact, this one quotes Scorsese's signature film continually. Instead of slicing onions with a razorblade, old convicts pitch bocce balls. Instead of tracking sumptuously through the Copa, Scorsese's camera wanders through a nursing home. Instead of pistol-whipping Karen's neighbor for getting handsy, our protagonist curb-stomps a grocery owner for shoving his daughter. But there's a GoodFellas staple that is missing. The first fourth of that crime saga closes as Young Henry, played by Christopher Serrone, gets rewarded for staying mum in court. All of his partners in crime cheer him, and he is told that he learned a valuable lesson (in protecting the family and subverting the law). Then we cut to Adult Henry, played by Ray Liotta now, because Young Henry has learned everything he has to know. The Irishman has no such moment of elevation or revelation. Frank is, crucially, played by Robert De Niro over the course of decades because his fall from grace--if there ever was grace--is too imperceptible for any before-and-after divide. The lessons that he learns are just as corrupting as what Henry discovers: Power comes from insularity. Having power means you don't have to prove it. Organized crime, organized labor, and the political process are all the same thing. A code is all a man has, but all codes have limits. However, Frank's corruption, the selling of his soul, doesn't even bring an Asian-inspired chiffonier or a Janice Rossi sidepiece. Frank doesn't get rich; he jams his hands into a plastic ice bucket at the bar next to his couch. He doesn't get powerful; he has to kill because Russell is too prominent to be in the same town as a hit. He doesn't get glory; even a celebration held in his honor is just an excuse for more influential men to do business. Frank is a tool, and he is trapped in a fruitless silence, at best an accessory at meetings. (De Niro is doing quoting of his own. There's a lot of Jackie Brown's Louis in his shrugs and smirks.) As boisterous as Scorsese's films can be, he also knows how to use silence. Robbie Robertson's score is weak, but luckily the film goes without for long stretches, including a suspenseful car ride that begins with a treacherous hug and ends with a malignant secret. The best performance comes from Joe Pesci, probably because his stolid stillness matches the overall atmosphere. Of course, the quietest moments correlate to the loneliest moments: Frank touring a cemetery or sitting with a door half-cracked to a complicit viewer. It's the silence of deliberate toil. Like the mobster ripping up carpet in the lake house, Scorsese is on his hands and knees destroying his own myths.

1. Parasite (Bong Joon-ho)- Parasite is Bong Joon-Ho's masterpiece because it distills the worldview and passions that he previously flirted with into a condensed but elaborate statement. In the same way that Mean Streets is perfectly good but feels like a rehearsal for the slow boil of encircling gangster life in GoodFellas. In the same way that Hitchcock played with the impotent everyman voyeur in a confined setting but didn't perfect it until Rear Window. Like the examples above, Parasite, a true ensemble, is a case of the subtext becoming text. Back in his native country and language, working more or less with realism, Bong is free to take aim at class in a more direct but still wacky way. In all of its crowd provocation--there's so much pleasure in just a suspenseful winding down stairs--the film is destined to be a foreign film gateway drug. But really it just makes we want to take a half-star off my Snowpiercer review since I know Bong can do better now.

[sacramentonewsjournal]

Rating movers: Aussies set new career-highs | 10 October 2022 | All Information | Information and Options | Information and Occasions

Australian Thanasi Kokkinakis rises to a career-high world No.18 within the newest ATP Tour doubles rankings. Australia, 10 October 2022 | Leigh Rogers Males’s singles Nick Kyrgios has dropped exterior the world’s high 20 within the newest ATP Tour males’s singles rankings. Regardless of a quarterfinal look on the Japan Open final week, Kyrgios falls one place to world No.21. Rinky Hijikata units a brand new career-high, rising two spots to world No.192. Whereas Marc Polmans takes largest mover honours, leaping up 225 locations to world No.562 after reaching an ATP Challenger semifinal in Korea. It was the 25-year-old’s third event in his return from harm. Alex Bolt can also be impressing in his comeback from harm, profitable an ITF title in Cairns in his first aggressive look since March. Bernard Tomic continues to climb the rankings too, rising 82 locations to world No.577 after capturing his second ITF Futures title of the season in Mexico. AUSSIE TOP 10 Participant Rank Transfer Nick Kyrgios No.21 -1 Alex de Minaur No.23 0 Jordan Thompson No.85 -1 Thanasi Kokkinakis No.92 -1 Alexei Popyrin No.94 -1 Jason Kubler No.103 -4 Chris O’Connell No.109 -3 James Duckworth No.114 -5 John Millman No.127 -3 Aleksandar Vukic No.134 -5 Girls’s singles Storm Sanders is the largest mover within the newest WTA Tour ladies’s singles rankings. The 28-year-old strikes up 43 locations to world No.232 after profitable six matches to qualify and attain the semifinals at an ITF event in America final week. Priscilla Hon is about to rise in coming weeks after capturing her third ITF title of the season. The 24-year-old overcome Kimberly Birrell in a hard-fought all-Australian last at Cairns. AUSSIE TOP 10 Participant Rank Transfer Ajla Tomljanovic No.35 -1 Daria Saville No.54 0 Maddison Inglis No.168 -14 Priscilla Hon No.177 -4 Jaimee Fourlis No.179 -3 Astra Sharma No.202 -2 Arina Rodionova No.219 -3 Storm Sanders No.232 +43 Olivia Gadecki No.239 -3 Lizette Cabrera No.266 -3 Males’s doubles Thanasi Kokkinakis has achieved a brand new career-high within the newest ATP Tour doubles rankings. The 26-year-old rises 4 locations to world No.18 after reaching the Japan Open semifinals final week alongside Nick Kyrgios. Andrew Harris additionally units a brand new career-high, bettering 4 spots to world No.174. The 28-year-old progressed to an ATP Challenger quarterfinal in America final week with fellow Aussie Luke Saville. Brandon Walkin makes his top-250 debut, rising 12 locations to a career-high world No.246. The 28-year-old made an ATP Challenger quarterfinal in Italy final week. His companion, Jason Taylor, rises 16 locations to a career-high world No.272. AUSSIE TOP 10 Participant Rank Transfer Nick Kyrgios No.13 0 John Friends No.17 0 Thanasi Kokkinakis No.18 +4 Matt Ebden No.35 -2 Max Purcell No.39 -1 Luke Saville No.76 -5 John-Patrick Smith No.95 -2 Jason Kubler No.158 -6 Dane Sweeny No.171 -6 Andrew Harris No.174 +4 Girls’s doubles Ellen Perez stays the top-ranked Australian within the newest WTA doubles rankings. Elysia Bolton is that this week’s largest mover, leaping up 25 locations to a career-high world No.246. The 22-year-old rises after profitable her third profession ITF doubles title in America. AUSSIE TOP 10 Participant Rank Transfer Ellen Perez No.17 -1 Storm Sanders No.20 -2 Sam Stosur No.70 -4 Astra Sharma No.106 +1 Olivia Tjandramulia No.123 0 Ajla Tomljanovic No.135 0 Daria Saville No.153 0 Lizette Cabrera No.175 -2 Arina Rodionova No.190 -6 Elysia Bolton No.246 +25 E-book on-line, play as we speak: Go to play.tennis.com.au to get out on court docket and have some enjoyable!  Originally published at Sacramento News Journal

[armeniaitn]

Mesrobian High School Launches Distance Robotics Club

New Post has been published on https://armenia.in-the.news/society/mesrobian-high-school-launches-distance-robotics-club-24438-25-06-2020/

Mesrobian High School Launches Distance Robotics Club

Mesrobian High School launched an online Distance Robotics Club in early May, led by High School student Andrew Josephbek.

PICO RIVERA, Calif.— Armenian Mesrobian School is turning the challenges of distance learning into opportunities to advance its mission in new and innovative ways. True to Mesrobian’s commitment to a well-rounded education that includes “STEAM” subjects (science, technology, engineering, art, and mathematics), Mesrobian High School launched an online Distance Robotics Club in early May, led by High School student Andrew Josephbek.

Mesrobian Distance Robotics Club member Michael Krikorian, eighth grade, with his robot.

“Andrew has an insatiable intellectual curiosity and has had one from a very young age,” said Principal David Ghoogasian. “To prepare for launching the club, he completed an online robotics training certification program, created lesson plans, delivered the robotics kits to students, and set up a Google Classroom to guide students through their lessons.”

Andrew attended Mesrobian School from preschool through middle school, when he was invited to attend Elon Musk’s Ad Astra School located at SpaceX in Hawthrone. He has now returned to Mesrobian High School, and the school is working with Andrew and his family to further realize his potential. 

The Distance Robotics Club was born when Andrew, who has a love for engineering and building, expressed interest to the school about teaching robotics to other students. The school saw this as a unique learning opportunity for both Andrew and his peers. 

“Even with the challenges that distance learning presents, I feel that our club did very well. I’m excited for our club to meet in person so that the club can work as a team,” said Andrew. 

Especially in high school, Mesrobian School encourages students to pursue their interests and find opportunities for leadership in fields they want to study. This helps students develop authentic and robust resumes that stand out to future colleges and employers. 

Mesrobian Distance Robotics Club member Larry Barseghian, seventh grade, with his robot.

The school uses VEX Robotics kits that, under normal circumstances, would remain at school, as part of Mesrobian High School’s recently approved University of California Certified Robotics Curriculum. Now, Mesrobian is allowing a limited number of middle and high school students to borrow and take these kits home.

Students were chosen based on their level of interest, success the student has demonstrated in STEAM classes, anticipated college major, and other factors. 

For example, Mesrobian High School student Karnig Boyadjian, who will be a Senior in the coming school year, joined the program as a co-teacher. Karnig was a natural fit for the Distance Robotics Club because of his interest and experience in engineering as well as cybersecurity. Karnig won first place in the science fair when he built a two-wheeled self-balancing robot, which demonstrated a feedback control loop and applications of micro-controllers and software code.

In addition, last summer, Karnig represented Mesrobian High School in a Cybersecurity competition through the Armenian Youth Federation Juniors (AYF Jrs) Montebello Chapter. “As part of the AYF Juniors Cybersecurity team, I identified and improved vulnerabilities in three different operating systems within the competition time box using various approaches and techniques. This led to the gold tier placement in the state rounds of the  Air Force Association Cyberpariot Cybersecurity Competition. The team scored higher than Air Force and Navy teams in the gold tier and almost tied to JROTC teams, allowing the team to make it to semi-finals,” Karnig explained.

Principal Ghoogasian has done extensive work in the areas of gifted and highly gifted education. He is a member of the Gifted and Talented Education (GATE) and Professional Teaching certificate programs at UCI Division of Continuing Education. He has trained parents, students, educators, and administrators with backgrounds ranging from early childhood education through college and university instruction.

Last summer, Mesrobian High School student Karnig Boyadjian (R), who co-teaches the Robotics club, and his teammate Michael Antonyan (L) competed as part of the Montebello AYF Juniors team in the statewide semi-finals of the Air Force Association Cyberpatriot Cybersecurity Competition.

Before the Distance Robotics Club was formed, Andrew was featured as a semi-finalist on the Disney+ Original Series “Shop Class.” Andrew is also the great-grandson of one of Armenian Mesrobian School’s founders, Vagarshak Dilanian.

Armenian Mesrobian School, established in 1965, is fully accredited from Preschool through High School by the Western Association of Schools and Colleges and is the nation’s first Armenian Elementary School. The college preparatory High School curriculum is certified to the University of California. Mesrobian School includes Ron and Goharik Gabriel Preschool (which serves students 2-5 years old), Elementary, Middle School and a college preparatory High School on the same campus. 

Karnig won first place in the science fair when he built a two-wheeled self-balancing robot, which demonstrated a feedback control loop and applications of micro-controllers and software code.

A major convenience for parents who may have children at multiple ages, Mesrobian offers a unique perspective and opportunity for students, teachers, and parents to grow together, and for students to get the attention and nurturing they need to be successful in school and in life. The school offers transportation from the Pasadena/Greater San Gabriel Valley, Glendale and Orange County areas. 

Mesrobian’s Alumni Network and Mentorship Program connects students with over five decades of alumni who have distinguished themselves in fields as diverse as education, science, media arts, business, medicine, music, law, dentistry, nursing, chiropractic, politics, marketing, engineering, veterinary medicine, psychology, culinary, graphic design, and more. 

Every day is an Open House at Mesrobian School! If you are interested in scheduling a campus visit or enrolling your child, please contact the school at (562) 699-2057 or (323) 723-3181, or email info@mesrobian.org. Follow the Armenian Mesrobian School Facebook Page for latest updates. 

Read original article here.

[sciencespies]

Diving and driving on icy moons: One strategy for exploring Enceladus and Europa

https://sciencespies.com/space/diving-and-driving-on-icy-moons-one-strategy-for-exploring-enceladus-and-europa/

Diving and driving on icy moons: One strategy for exploring Enceladus and Europa

Over the past 60 years, NASA has explored the solar system from the sun to the Kuiper belt. While many of these missions, especially those beyond Saturn, have been one-shot flybys (such as the Voyagers and recently New Horizons), others have charted many of the moons of Jupiter and Saturn extensively by repeated orbital passes. The sole landing on these icy worlds was the Huygens probe, which parachuted to the surface of Saturn’s moon Titan in early 2005 as part of NASA’s Cassini mission, and which operated for about 90 minutes after touchdown.

The data gathered from a few of these moons has provided compelling evidence of possible warm oceans beneath their frozen surfaces, Saturn’s Enceladus and Jupiter’s Europa in particular. NASA would like to explore these subsurface seas, as they appear to offer promise for the potential of life. Between their internal geological activity, spurred by the torturous gravitational complexities of Jupiter and Saturn’s many moons that heats these cold worlds, and the watery plumes spouting from both, they are very compelling to planetary scientists (especially exobiologists).

A prototype of a BRUIE underwater ice rover is shown above driving along the underside of an Alaskan ice sheet. Credit: NASA/JPL-CALTECH

There are a variety of missions under consideration for these moons, the most immediate of which is the Europa Clipper, currently slated for launch in 2025. But this mission, to be managed by NASA’s Jet Propulsion Laboratory (JPL) and Johns Hopkins University, is another orbiter, and will not be sporting a lander. However, actually getting down and searching the interior oceans of these moons directly is far trickier.

Most current plans call for one of two approaches to learn more about the water within the moon. The first is by either sampling the geyser-like plumes that erupt from fissures and cracks on these moons, as the Europa Clipper will do, while the second involves landing on their icy surfaces and taking small samples aboard the lander for analysis. The latter approach of landing there presents much greater challenges than an orbiter collecting water from a plume.

More challenging still, however, would be the direct exploration of the oceans themselves. JPL is working on a variety of approaches to accomplish this. All of them hold some promise, but require a way to get through the ice to the water below. A number of technologies are being considered for this role, including exotic nuclear-powered “melters,” but they have their work cut out for them. Europa’s ice shell is thought to be as much as 10 to 30 kilometers thick, and Enceladus’ between 30 and 40 kilometers thick, so reaching the ocean below will likely be difficult.

One alternate possibility is to let nature do most of the work, by using the fissures that already allow bits of the ocean to escape via plumes. A few designs are being investigated, but when one is sending a small probe down a hole tens of miles deep, simplicity and flexibility are important assets. Once you do reach that warm ocean, reliability and autonomy will be critical.

A prototype of a BRUIE underwater ice rover.

Andrew Klesh, who recently oversaw the MARCo cubesat program (the two tiny probes that flew to Mars with the InSight lander, providing a radio link during the landing process), has been working on a project that combines both simplicity and flexibility to design “buoyant rovers.” The rover is called BRUIE, for Bouyant Rover for Under-Ice Exploration, and is specifically designed to not only work while submerged, but also to do so with a high degree of autonomy. “To get under the surface of Europa or Enceladus, we need to find the quickest way in,” says Klesh. He’s currently looking for ways to use natural points-of-entry to sub-ice oceans.

BRUIE is a submersible that is being tested on Earth where it has been autonomously probing underwater ice caves in Alaska with scanning LIDAR and visual imagery to prepare for more complex exploration of the gas giant moons. These test runs have taken place in watery holes called moulins—labyrinthine melt paths that can extend thousands of feet through glaciers into sub-ice ocean water. Melted water at the surface of the glacier is warmer than the ice and melts into it, carving different formations. Some melts all the way through the glacier, creating a network of underwater passages.

This is one thing that makes BRUIE special. Rather than using a brute-force method to punch through a miles-thick ice shell, an evolution of this technology could navigate natural fissures that lead to the warm seas below. It might even use the channels marked by the plumes seen on Enceladus and Europa. As Klesh asks: “Can we map and navigate these subglacial lakes with robots? Are there accessible passageways hidden just beneath the surface?”

The BRUIE test robots are built with both commercially available components and custom 3D-printed parts, allowing for rapid-prototyping and quick revisions. Once the early prototypes were complete, Klesh and his colleagues took them to the Matanuska Glacier in Alaska for early tests. The robots were lowered into the frigid channels, allowing them to sink using controllable buoyancy while being maneuvered by small thrusters. While designed to operate autonomously when possible, they were tethered to a surface control unit from which they could be manually navigated, and recorded detailed measurements and data as they traversed the ice tunnels. This allowed Klesh and his colleagues to map these complex passageways with a compact LIDAR unit as they twisted and turned through the mass of the glacier.

JPL engineer Andy Klesh lowers a robotic submersible into a moulin, a tube-like channel in a glacier. Credit: NASA/JPL-CALTECH

A second robotic design has been developed by Klesh’s team to explore the bodies of water beyond the channel through the ice. It is a buoyant threewheeled rover designed to operate completely autonomously that looks like a small paddle-wheeled tricycle. When dropped through a hole in the ice (in this case, sawed by Klesh and his colleagues), it actually drives along the underside of the ice sheet, like an inverted Mars rover, recording visual and other data as it goes.

Some of these field tests were controlled using a tether, with Klesh and others operating joystick control units, while others were autonomous. Still others were controlled remotely from JPL in Pasadena, California. “This was the first time an under-ice vehicle had been operated via satellite,” Klesh said—the scientists were actually using a satellite to control the rover, adding more offplanet fidelity to the testing.

Current iterations of BRUIE can be operated at depths beyond 200 meters, and with ever-increasing autonomy. Work remains to improve autonomous operation and resistance to the extreme cold and high radiation found in the outer solar system. But early experiments such as BRUIE are critical to developing, testing and improving such technologies.

“A lot of what we do in deep space is applicable to the ocean,” Klesh said. “This is an early prototype for vehicles that could one day go to Europa and other planetary bodies with a liquid ocean covered by ice. It’s ideal for traveling under the ice shelf of an icy world.”

Rod Pyle is editor-in-chief of the National Space Society’s Ad Astra magazine. Article used with permission.

This article originally appeared in the Nov. 11, 2019 issue of SpaceNews magazine.

#Space

[adastrafanfic]

Archive   ♦   Chat   ♦   Forums   ♦   Tumblr   ♦   Dreamwidth   ♦   Twitter   ♦   Pillowfort

Ad Astra News - 6/18-6/24

State of the Archive

Busy week this week!  We had a bunch of new people coming over and posting, others archiving older stories and a decent amount of very excellent discussion over on Discord.  Folks also seem to be falling in more comfortably with our posting/tagging rules, which is a great thing for archive searchability.  We do still have a Review Hunt going on for the next week, so your chance to win art and/or cash is still on the table, too!  Literally any review you write is eligible, so paste their links into the form as you write them!  Next month I'll be able to somewhat automate that process, but for now, this is what it's gotta take.

Weekly Challenge #10

For this week, write a story between 100 and 700 words about a sensory event or even just a day in the sun or rain. Can be extra-sensory, can be just plain old atmospheric, can involve any of the senses (and then some!) Interpret the prompt as literally as you like or a figuratively as you like, then submit your response to the Weekly Challenge Collection on Ad Astra: https://beta.adastrafanfic.com/collections/weeklychallenges Use the additional (freeform) tag Weekly Challenge: Sensory Processing Challenge closes on June 30th at 11:59P, Eastern.

Stories Archived

Star Trek: Discovery

By LizBee a fountain of blood in the shape of a woman - Unrated - Gabriel Lorca/Katrina Cornwell, Philippa Georgiou

By TUNiU The Needs of the....oh you know how it goes - T - Hugh Culber/Paul Stamets - 🔒

Star Trek: The Original Series

By Beatrice_Otter Dimension Hopping - T - Buffy Summers/Spock, xover with BtVS Starship Mine - T - Una Chin-Riley, Nyota Uhura, Christine Chapel

By Merfilly Cultural Studies - G - Nyota Uhura, Spock Spanning the Years - G - Montgomery "Scotty" Scott, Spock

By sixbeforelunch The Surface is a Strange and Wonderful Place - G - James T. Kirk, Nyota Uhura, Spock, Original Characters - 🔒 A Brief Study of Vulcan Public Health Concerns - G - Leonard "Bones" McCoy & Spock - 🔒 Foundations of Affection - T - Spock/T'Pring - 🔒

By SLWalker Torn - G - Montgomery "Scotty" Scott Name and Nature - M - Montgomery "Scotty" Scott/Spock

Star Trek: Alternate Original Series

By Beatrice_Otter The Desert Between - T - Nyota Uhura (AOS)/Spock (AOS) Nyota's Choice - G - Nyota Uhura (AOS)/Spock (AOS) House-Building - G - Nyota Uhura (AOS)/Spock (AOS) Children of the Desert - G - Original Vulcan Characters

Star Trek: The Next Generation

By Beatrice_Otter Essential To Your Own - T - Data/Geordi LaForge Little Ship Lost - T - Ensemble Cast open your heart knowing - G - Data/Geordi La Forge Matters of Perspective - G - Guinan/Jean-Luc Picard

By sixbeforelunch All Our Broken Plans - T - Sam Lavelle & Taurik - 🔒 Laid Bare - T - Ensemble Cast - 🔒 The Fixed Point - G - Ian Andrew Troi I/Lwaxana Troi - 🔒 Change of Vector - T - Deanna Troi/William Riker - 🔒 The Leak - G - Ensemble Cast - 🔒

Star Trek: Deep Space Nine

By baktag Star Trek: Clonrichert - T - Ensemble Cast, xover with Father Ted

By Beatrice_Otter A Space for Faith - G - Original Characters

By TheQuietWings Who was she? - G - Kira Nerys

Star Trek: Voyager

By sixbeforelunch Cultural Nuances - G - Vorik - 🔒 Forward Momentum - T - Kathryn Janeway/Tuvok - 🔒

Expanded Universes

By CeJay Tempus Fugit - T - Ensemble Cast

By DavidFalkayn Shore Leave - M - Ensemble Cast Diplomatic Incidents - M - Ensemble Cast Meet the Press - M - Ensemble Cast Back into the Fray - M - Ensemble Cast Prelude to a Horror - M - Ensemble Cast Corruption in Paradise - M - Ensemble Cast Into the Breach - M - Ensemble Cast

By Gibraltar The Long Road - T - Pava Lar'ragos

By sixbeforelunch Kal'i'farr heh T'naehm - T - T'Lin/Veral - 🔒 Let'thieri - T - T'Lin/Veral - 🔒 Khaf-spol t'M'aih - T - T'Lin/Veral - 🔒 Tel-nel-dath - G - T'Lin/Veral - 🔒 Masu-kastra - T - T'Lin/Veral - 🔒

[kathleenkaiser]

“THE IRISHMAN” LEADS FILM NOMINATIONS FOR

THE 25TH ANNUAL CRITICS’ CHOICE AWARDS 

“WHEN THEY SEE US” LEADS TELEVISION RACE WITH SIX NODS,

“THIS IS US” AND “SCHITT’S CREEK” CLOSE BEHIND 

NETFLIX GARNERS 61 TOTAL NOMINATIONS, HBO EARNS 33 

GALA EVENT WILL AIR LIVE ON THE CW NETWORK SUNDAY, JANUARY 12, 2020

FROM THE BARKER HANGAR IN SANTA MONICA 

(Los Angeles, CA – December 8, 2019) – The Critics Choice Association (CCA) announced today the nominees for the 25th Annual Critics’ Choice Awards.  The winners will be revealed at the star-studded Critics’ Choice Awards gala, which will once again be hosted by film, television, and stage star Taye Diggs, and broadcast live on The CW Television Network on Sunday, January 12 from 7:00 – 10:00 pm ET (delayed PT).

“The Irishman” leads all films this year with 14 nominations including Best Picture, Robert De Niro for Best Actor, Al Pacino and Joe Pesci for Best Supporting Actor, Martin Scorsese for Best Director, Best Acting Ensemble, Best Adapted Screenplay, Best Cinematography, Best Production Design, Best Editing, Best Costume Design, Best Hair and Makeup, Best Visual Effects, and Best Score.

“Once Upon a Time… in Hollywood” impressed with 12 nominations, followed by “Little Women” with nine, “1917” and “Marriage Story” with eight, and “Jojo Rabbit,” “Joker,” and “Parasite” with seven each.

Several actors received multiple nominations across both the film and television fields.  Laura Dern could take home two trophies for her work in “Big Little Lies” and “Marriage Story,” while Scarlett Johansson received nominations for her roles in both “Jojo Rabbit” and “Marriage Story.”  Newcomer Asante Blackk also received two nominations for his roles in “This Is Us” and “When They See Us.” 

Many of this year’s director nominees pulled double duty, and are nominated for their screenplays as well, including Noah Baumbach for “Marriage Story,” Greta Gerwig for “Little Women,” Bong Joon Ho for “Parasite,” and Quentin Tarantino for “Once Upon a Time… in Hollywood.”

Netflix has earned 61 nominations across their series and films.  HBO received 33 nominations, followed by Amazon with 14, and NBC with 12.  Topping the list of nominated series is “When They See Us” (Netflix) with six, followed by “This Is Us” (NBC) and “Schitt’s Creek” (Pop) with five each.  Several programs received a total of 4 nominations including “Barry” (HBO), “Chernobyl” (HBO), “Fleabag” (Amazon), “Fosse/Verdon” (FX), “Game of Thrones” (HBO), “The Crown” (Netflix), “The Good Fight” (CBS All Access), “Unbelievable” (Netflix), and “Watchmen” (HBO). 

“This has been a truly great year for television and movies,” said CCA CEO Joey Berlin.  “In every genre, from every viewpoint and distribution platform, brilliant storytellers are challenging and delighting us.  We are so excited to have the opportunity to celebrate them, and their work, on January 12 on The CW!” 

“Critics’ Choice Awards” are bestowed annually to honor the finest in cinematic and television achievement.  Historically, the “Critics’ Choice Awards” are the most accurate predictor of the Academy Award nominations.

The 25th annual Critics’ Choice Awards show will be produced by Bob Bain Productions and Berlin Entertainment.  The CCA is represented by Dan Black of Greenberg Traurig. 

The Association of National Advertisers (ANA) and The CW Network will continue their partnership with the presentation of the fourth annual #SeeHer Award.  This award recognizes a woman who embodies the values set forth by the #SeeHer movement — to push boundaries on changing stereotypes and recognize the importance of accurately portraying women across the entertainment landscape.  The award will bear significant importance as 2020 marks the 100-year anniversary of the passing of the 19th Amendment, which gave women the right to vote.  Past recipients of the #SeeHer award include Claire Foy, Gal Gadot and Viola Davis.  The 2020 honoree will be announced soon.

Follow the 25th annual Critics’ Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards.

FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

Uncut Gems

  BEST ACTOR

Antonio Banderas – Pain and Glory

Robert De Niro – The Irishman Leonardo DiCaprio – Once Upon a Time… in Hollywood

Adam Driver – Marriage Story

Eddie Murphy – Dolemite Is My Name Joaquin Phoenix – Joker

Adam Sandler – Uncut Gems

  BEST ACTRESS

Awkwafina – The Farewell Cynthia Erivo – Harriet Scarlett Johansson – Marriage Story

Lupita Nyong’o – Us Saoirse Ronan – Little Women

Charlize Theron – Bombshell Renée Zellweger – Judy

  BEST SUPPORTING ACTOR

Willem Dafoe – The Lighthouse

Tom Hanks – A Beautiful Day in the Neighborhood Anthony Hopkins – The Two Popes Al Pacino – The Irishman Joe Pesci – The Irishman Brad Pitt – Once Upon a Time… in Hollywood

  BEST SUPPORTING ACTRESS

Laura Dern – Marriage Story

Scarlett Johansson – Jojo Rabbit

Jennifer Lopez – Hustlers Florence Pugh – Little Women

Margot Robbie – Bombshell Zhao Shuzhen  – The Farewell

  BEST YOUNG ACTOR/ACTRESS

Julia Butters – Once Upon a Time… in Hollywood

Roman Griffin Davis – Jojo Rabbit

Noah Jupe – Honey Boy

Thomasin McKenzie – Jojo Rabbit

Shahadi Wright Joseph – Us Archie Yates – Jojo Rabbit

  BEST ACTING ENSEMBLE

Bombshell

The Irishman

Knives Out

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

  BEST DIRECTOR

Noah Baumbach – Marriage Story

Greta Gerwig – Little Women

Bong Joon Ho – Parasite

Sam Mendes – 1917

Josh Safdie and Benny Safdie – Uncut Gems

Martin Scorsese – The Irishman

Quentin Tarantino – Once Upon a Time… in Hollywood

  BEST ORIGINAL SCREENPLAY

Noah Baumbach – Marriage Story

Rian Johnson – Knives Out

Bong Joon Ho and Han Jin Won – Parasite

Quentin Tarantino – Once Upon a Time… in Hollywood

Lulu Wang – The Farewell

  BEST ADAPTED SCREENPLAY

Greta Gerwig – Little Women

Noah Harpster and Micah Fitzerman-Blue – A Beautiful Day in the Neighborhood

Anthony McCarten – The Two Popes

Todd Phillips & Scott Silver – Joker

Taika Waititi – Jojo Rabbit

Steven Zaillian  – The Irishman

  BEST CINEMATOGRAPHY

Jarin Blaschke – The Lighthouse

Roger Deakins – 1917

Phedon Papamichael   – Ford v Ferrari

Rodrigo Prieto – The Irishman

Robert Richardson – Once Upon a Time… in Hollywood

Lawrence Sher – Joker

  BEST PRODUCTION DESIGN

Mark Friedberg, Kris Moran – Joker

Dennis Gassner, Lee Sandales  – 1917

Jess Gonchor, Claire Kaufman – Little Women

Lee Ha Jun – Parasite

Barbara Ling, Nancy Haigh – Once Upon a Time… in Hollywood

Bob Shaw, Regina Graves – The Irishman

Donal Woods, Gina Cromwell – Downton Abbey

  BEST EDITING

Ronald Bronstein, Benny Safdie – Uncut Gems

Andrew Buckland, Michael McCusker – Ford v Ferrari

Yang Jinmo  – Parasite

Fred Raskin – Once Upon a Time… in Hollywood

Thelma Schoonmaker – The Irishman

Lee Smith – 1917

  BEST COSTUME DESIGN

Ruth E. Carter – Dolemite Is My Name

Julian Day – Rocketman

Jacqueline Durran – Little Women

Arianne Phillips – Once Upon a Time… in Hollywood

Sandy Powell, Christopher Peterson – The Irishman

Anna Robbins – Downton Abbey

  BEST HAIR AND MAKEUP

Bombshell

Dolemite Is My Name

The Irishman

Joker

Judy

Once Upon a Time… in Hollywood

Rocketman

  BEST VISUAL EFFECTS

1917

Ad Astra

The Aeronauts

Avengers: Endgame

Ford v Ferrari

The Irishman

The Lion King 

  BEST ANIMATED FEATURE

Abominable

Frozen II

How to Train Your Dragon: The Hidden World

I Lost My Body

Missing Link

Toy Story 4

  BEST ACTION MOVIE

1917

Avengers: Endgame

Ford v Ferrari

John Wick: Chapter 3 – Parabellum

Spider-Man: Far From Home

  BEST COMEDY

Booksmart

Dolemite Is My Name

The Farewell

Jojo Rabbit

Knives Out

  BEST SCI-FI OR HORROR MOVIE

Ad Astra

Avengers: Endgame

Midsommar

Us

  BEST FOREIGN LANGUAGE FILM

Atlantics

Les Misérables 

Pain and Glory

Parasite

Portrait of a Lady on Fire

  BEST SONG

Glasgow (No Place Like Home) – Wild Rose

(I’m Gonna) Love Me Again – Rocketman

I’m Standing With You – Breakthrough

Into the Unknown – Frozen II

Speechless – Aladdin

Spirit – The Lion King 

Stand Up – Harriet

  BEST SCORE

Michael Abels – Us 

Alexandre Desplat   – Little Women

Hildur Guðnadóttir – Joker

Randy Newman – Marriage Story

Thomas Newman  – 1917

Robbie Robertson – The Irishman

    NOMINEES BY FILM FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

  1917 – 8

Best Picture

Best Director – Sam Mendes

Best Cinematography – Roger Deakins

Best Production Design – Dennis Gassner, Lee Sandales

Best Editing – Lee Smith

Best Visual Effects

Best Action Movie

Best Score – Thomas Newman

  A BEAUTIFUL DAY IN THE NEIGHBORHOOD – 2

Best Supporting Actor – Tom Hanks

Best Adapted Screenplay – Noah Harpster and Micah Fitzerman-Blue

  ABOMINABLE – 1

Best Animated Feature

  AD ASTRA – 2

Best Visual Effects

Best Sci-Fi or Horror Movie

  ALADDIN – 1

Best Song – Speechless

  ATLANTICS – 1

Best Foreign Language Film

AVENGERS: ENDGAME – 3

Best Visual Effects

Best Action Movie

Best Sci-Fi or Horror Movie

  BOMBSHELL – 4

Best Actress – Charlize Theron

Best Supporting Actress – Margot Robbie

Best Acting Ensemble

Best Hair and Makeup

  BOOKSMART – 1

Best Comedy

  BREAKTHROUGH – 1

Best Song – I’m Standing With You

  DOLEMITE IS MY NAME – 4

Best Actor – Eddie Murphy

Best Costume Design – Ruth E. Carter

Best Comedy

Best Hair and Makeup

  DOWNTON ABBEY – 2

Best Production Design – Donal Woods, Gina Cromwell

Best Costume Design – Anna Robbins

  FORD V FERRARI – 5

Best Picture

Best Cinematography – Phedon Papamichael 

Best Editing – Andrew Buckand, Michael McCusker

Best Visual Effects

Best Action Movie

  FROZEN II – 2

Best Animated Feature

Best Song – Into the Unknown

  HARRIET – 2

Best Actress – Cynthia Erivo

Best Song – Stand Up

  HONEY BOY – 1

Best Young Actor/Actress – Noah Jupe

  HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD – 1

Best Animated Feature

  HUSTLERS – 1

Best Supporting Actress – Jennifer Lopez

  I LOST MY BODY – 1

Best Animated Feature

  JOHN WICK: CHAPTER 3 – PARABELLUM – 1

Best Action Movie

  JOJO RABBIT – 7

Best Picture

Best Supporting Actress – Scarlett Johansson

Best Young Actor/Actress – Roman Griffin Davis

Best Young Actor/Actress – Thomasin McKenzie

Best Young Actor/Actress – Archie Yates

Best Adapted Screenplay – Taika Waititi

Best Comedy

  JOKER – 7

Best Picture

Best Actor – Joaquin Phoenix

Best Adapted Screenplay – Todd Phillips, Scott Silver

Best Cinematography – Lawrence Sher

Best Production Design – Mark Friedberg, Kris Moran

Best Hair and Makeup

Best Score – Hildur Guðnadóttir

  JUDY – 2

Best Actress – Renée Zellweger

Best Hair and Makeup

  KNIVES OUT – 3

Best Acting Ensemble

Best Original Screenplay – Rian Johnson

Best Comedy

  LES MISÉRABLES – 1

Best Foreign Language Film

  LITTLE WOMEN – 9

Best Picture

Best Actress – Saoirse Ronan

Best Supporting Actress – Florence Pugh

Best Acting Ensemble

Best Director – Greta Gerwig

Best Adapted Screenplay – Greta Gerwig

Best Production Design – Jess Gonchor, Claire Kaufman

Best Costume Design – Jacqueline Durran

Best Score – Alexandre Desplat

  MARRIAGE STORY – 8

Best Picture

Best Actor – Adam Driver

Best Actress – Scarlett Johansson

Best Supporting Actress – Laura Dern

Best Acting Ensemble

Best Director – Noah Baumbach

Best Original Screenplay – Noah Baumbach

Best Score – Randy Newman

  MIDSOMMER – 1

Best Sci-Fi or Horror Movie

  MISSING LINK – 1

Best Animated Feature

  ONCE UPON A TIME… IN HOLLYWOOD – 12

Best Picture

Best Actor – Leonardo DiCaprio

Best Supporting Actor – Brad Pitt

Best Young Actor/Actress – Julia Butters

Best Acting Ensemble

Best Director – Quentin Tarantino

Best Original Screenplay – Quentin Tarantino

Best Cinematography – Robert Richardson

Best Production Design – Barbara Ling, Nancy Haigh

Best Editing – Fred Raskin

Best Costume Design – Arianne Phillips

Best Hair and Makeup

  PAIN AND GLORY – 2

Best Actor – Antonio Banderas

Best Foreign Language Film

  PARASITE – 7

Best Picture

Best Acting Ensemble

Best Director – Bong Joon Ho

Best Original Screenplay – Bong Joon Ho, Han Jin Won

Best Production Design – Lee Ha Jun

Best Editing – Yang Jinmo

Best Foreign Language Film

  PORTRAIT OF A LADY ON FIRE – 1

Best Foreign Language Film

  ROCKETMAN – 3

Best Hair and Makeup

Best Song – (I’m Gonna) Love Me Again

Best Costume Design – Julian Day

  SPIDER-MAN: FAR FROM HOME – 1

Best Action Movie

  THE AERONAUTS – 1

Best Visual Effects

  THE FAREWELL – 4

Best Actress – Awkwafina

Best Supporting Actress – Zhao Shuzhen

Best Comedy

Best Original Screenplay – Lulu Wang

  THE IRISHMAN – 14

Best Picture

Best Actor – Robert De Niro

Best Supporting Actor – Al Pacino

Best Supporting Actor – Joe Pesci

Best Director – Martin Scorsese

Best Acting Ensemble

Best Adapted Screenplay – Steven Zaillian

Best Cinematography – Rodrigo Prieto

Best Production Design – Bob Shaw, Regina Graves

Best Editing – Thelma Schoonmaker

Best Costume Design – Sandy Powell, Christopher Peterson

Best Hair and Makeup

Best Visual Effects

Best Score – Robbie Robertson

  THE LIGHTHOUSE – 2

Best Supporting Actor – Willem Dafoe

Best Cinematography – Jarin Blaschke

  THE LION KING – 2

Best Visual Effects

Best Song – Spirit

  THE TWO POPES – 2

Best Supporting Actor – Anthony Hopkins

Best Adapted Screenplay – Anthony McCarten

  TOY STORY 4 – 1

Best Animated Feature

  UNCUT GEMS – 4

Best Picture

Best Actor – Adam Sandler

Best Director – Josh Safdie, Benny Safdie

Best Editing – Ronald Bronstein, Benny Safdie

  US – 4

Best Actress – Lupita Nyong’o

Best Young Actor/Actress – Shahadi Wright Joseph

Best Sci-Fi or Horror Movie

Best Score – Michael Abels

  WILD ROSE – 1

Best Song – Glasgow (No Place Like Home)

“THE IRISHMAN” LEADS FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS  “WHEN THEY SEE US” LEADS TELEVISION RACE WITH SIX NODS, “THIS IS US” AND “SCHITT’S CREEK” CLOSE BEHIND  NETFLIX GARNERS 61 TOTAL NOMINATIONS, HBO EARNS 33  GALA EVENT WILL AIR LIVE ON THE CW NETWORK SUNDAY, JANUARY 12, 2020 FROM THE BARKER HANGAR IN SANTA MONICA  “THE IRISHMAN” LEADS FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS  “WHEN THEY SEE US” LEADS TELEVISION RACE WITH SIX NODS,

[hushedhands]

He stood and she came over to loosen his tie for him. He placed a hand over hers when she made for his shirt’s buttons and said, “Do you want this to last past April?”

Astra gulped, “I wish April was forever.”

He stared at her, the only flicker of doubt coming from the small twitch of his eyebrow. “That’s not the same thing.”

“… I know.”

-- The Astra and Andrew challenge

[adastrafanfic]

Archive ◊ Discord ◊ Forums ◊ Tumblr ◊ Dreamwidth ◊ Twitter ◊ Pillowfort Ad Astra News - 7/23 - 7/29 State of the Archive The review hunt for July is wrapping up, which means that signups are now open for the August Review Hunt! Comment here, or DM me, or emoji a post on Discord or whatever. If you won July's, you're not eligible to win in August, but otherwise, the sky is the limit! Winners will get either a giftcard (or Paypal), or a portrait of a character of their choosing, color for first place and black-and-white for second!

Weekly Challenge #14: Wind and Water For this week's challenge, let's do something environmental; write between 100 and 700 words under the theme of wind and water! Stranded on an ocean world? Or just caught in the riptide of memory? Interpret as liberally or strictly as you like! When you post it to the archive, add the freeform tag Weekly Challenge: Wind and Water.

Challenge ends on 8/4 at 11:59PM Eastern!

Stories Archived ★ indicates Weekly Challenge Entries

Star Trek: Discovery

by lah_mrh Not So Typical Love Song - T - Christopher Pike/Una Chin-Riley, Ash Tyler | Voq/Christopher Pike Arachnophobia - M - Ash Tyler| Voq/Christopher Pike Our Farewell - G - Ash Tyler| Voq/Michael Burnham Interspecies Cooperation - T - Ash Tyler| Voq/Christopher Pike

by kalima The Bridge Between Verses - M - Spock, Original Characters

Star Trek: Strange New Worlds

by intothisshadow [Graphics] Star Trek SNW Wallpapers - G - La'an Noonien-Singh

Star Trek: The Original Series

by lah_mrh Heart - G - Montgomery "Scotty" Scott/Nyota Uhura

by SLWalker Uncommon Language - G - Montgomery "Scotty" Scott & Andrew "Corry" Corrigan On the Nature of Wind - T - Montgomery "Scotty" Scott Processing - G - Montgomery "Scotty" Scott ★ Improvisation - G - Andrew "Corry" Corrigan & Montgomery "Scotty" Scott

Star Trek: The Next Generation

by jamaharon Programmed for Pleasure - G - Data/William Riker Have you ever walked out of a mall ... ? - G - William Riker/Original Character Have you ever gone mountain biking? - G - Jean-Luc Picard/William Riker What do you want to be when you grow up? - G - William Riker What's the right tip? - G - Deanna Troi/William Riker You call a plumber to your home lately? - G - Kyle Riker & William Riker How superstitious are you? - G - William Riker & Thaddeus Troi-Riker How much money would it take ...? - G - Deanna Troi/William Riker Would you display this as a trophy? - G - William Riker/Worf ★ Altered States - G - Deanna Troi/William Riker, Amanda Rogers/William Riker Fathers and Sons - G - William Riker & Wesley Crusher Two Halves, One Soul - G - Deanna Troi/William Riker Lost and Found - G - Deanna Troi/Tasha Yar Changing Colors - T - William Riker/Soren Waiting Room - G - Data Klingon Snowcones - T - William Riker/Worf Equipment - T - Data/Q Misandry 😞 - M - Beata/William Riker Ridges - E - William Riker/Worf Culture Shock - T - Deanna Troi/William Riker Lean On Me - G - William Riker/Worf Scrapbooks - G - Deanna Troi/William Riker Incorrigible - M - Deanna Troi/William Riker Souvenirs - G - Deanna Troi/William Riker Split Ends - T - Deanna Troi/William Riker Misunderstandings - T - Beverly Crusher, William Riker Orcas Off the Coast of Valdez - G - Kyle Riker & William Riker A Helping Hand - T - Deanna Troi/William Riker Pretending Not to See - T - William Riker, Worf, Data Doc, the damnedest thing happened ... - T - William Riker, Beverly Crusher Mending the Cracks - G - Deanna Troi/Jean-Luc Picard/William Riker Have you ever had a pet? - G - William Riker, Geordi La Forge Do you have a sweet tooth? - T - Deanna Troi/William Riker Do you believe in the power of a curse? - G - William Riker & Thaddeus Troi-Riker Stay - M - Deanna Troi/William Riker Two Times Riker Accidentally Called Picard "Dad" - T - Jean-Luc Picard/William Riker Saying No - T - Jean-Luc Picard & William Riker The Rite of Brotherhood - G - William Riker/Worf Music - G - Deanna Troi/William Riker Kiss - G - Deanna Troi/William Riker Snow - G - Deanna Troi/William Riker Hands - G - Deanna Troi/William Riker Two - T - Deanna Troi/William Riker Find Your People - G - William Riker & Wesley Crusher Where the Dead Speak - T - Deanna Troi/William Riker, Thaddeus, Kestra

Star Trek: Deep Space Nine

by kimaracretak build me up on the rising tide - T - Jadzia Dax/Ezri Tigan

Multiple Series

by LordRobertBruceScott Scotty's Birthday Challenge - G - Ensemble Cast

Expanded Universes

by Hawku Joint Mission - G - Wyn Tressa, Menchez, Oroku Seifer I Ain't Callin' You a Truther - G - Ensemble Cast

Meta

by QuailFence Relationships in “Fascination” - G - Ensemble Cast

[adastrafanfic]

Ad Astra News - 8/13 - 8/19

State of the Archive Aside yours truly losing her mind due to work (and football season), all's going well!  Challenges are going good, review hunts are great and the archive is pretty stable.  Come on over and join us here or on our Discord!

Weekly Challenge #16: Heat The dog days of an Earth Summer. Vulcan's Forge. Or maybe something less weatherly: Maybe the heat of battle. Or maybe the heat of sex. Write between 100 and 700 words based on some kind of heat and post it to the archive!

Add it to the Weekly Challenge collection and tag it: Weekly Challenge: Heat.

Challenge ends on August 25th at 11:59P Eastern!

Stories Archived ★ denotes Weekly Challenge Entry

Star Trek: Enterprise

by LordRobertBruceScott Star Trek Enterprise: The Avatar - G - Porthos, T'Pol, Phlox, Jonathan Archer

Star Trek: Discovery

by lah_mrh Together - G - Hugh Culber/Paul Stamets Paint the Night Red - T - Ash Tyler| Voq/Christopher Pike Don't Move - E - Ash Tyler | Voq/Christopher Pike Christmas in Sickbay - G - Ash Tyler| Voq/Christopher Pike by squireofgeekdom Fungus Not-Amongus - G - Christopher Pike & Sylvia Tilly

Star Trek: Strange New Worlds

by LadyEmma ★ Outside the Box - G - Montgomery "Scotty" Scott/Nyota Uhura by squireofgeekdom Not Alone - G - Christopher Pike & Joseph M'Benga Being the Captain - G - Christopher Pike & Spock when you're gone we won't say a world ... - T - Christopher Pike & Spock, Christopher Pike & Tenavik You're Just a Little Boy - G - La'an Noonien-Singh reparative (write another story, we're fine) - T - Christopher Pike & Multiple

Star Trek: The Original Series

by LordRobertBruceScott The Transplant - G - James T. Kirk, Spock, Leonard "Bones" McCoy by SLWalker ★ Expected or Not - G - Andrew "Corry" Corrigan/Montgomery "Scotty" Scott Contrast - T - Andrew "Corry" Corrigan, Montgomery "Scotty" Scott

Star Trek: Alternate Original Series

by daraoakwise ★ Unexpected - M - Andrew "Corry" Corrigan (AOS)/Montgomery "Scotty" Scott (AOS) by lah_mrh Welcome Home - E - Gaila (AOS)/Nyota Uhura (AOS)

Star Trek: Deep Space Nine

by jamaharon Scar Tissue - E - Elim Garak/Julian Bashir Where the Orchids Bloom - G - Elim Garak/Julian Bashir by Sharpest_Asp ★ A Guest in the Night - G - Faysha Ry'Tor, Leonard "Bones" McCoy

Star Trek: Picard

by Kennel_Boy Human Experience - NR - Hugh | Third of Five & Seven of Nine

Alternate Universes

by LordRobertBruceScott Star Beagle Adventures Episode 2: Astral Traveler - T - Ensemble by SLWalker Nance's Fashion Review - G - Arnold J. Rimmer, Nan-Cy DeVant Smith, xover The Last ShadowKnight - T - Arnold J. Rimmer, xover

Expanded Universes

by Hawku The Hangover - M - Ensemble Cast

[adastrafanfic]

Archive   ♦   Chat   ♦   Forums   ♦   Tumblr   ♦   Dreamwidth   ♦   Twitter   ♦   Pillowfort

Ad Astra News - 7/9 - 7/14

State of the Archive

We're spending July well--posting stories, celebrating reviews, building community.

Weekly Challenge #12: Missing Moments

This week we're going to spend between 100 and 700 words exploring a missing scene, a moment, a character beat between the ones we see on screen or in between pages of a book! Interpret it as liberally or strictly as you like!

If you post it to the archive, add it to the Weekly Challenge collection with the freeform tag Weekly Challenge #12: Missing Moments

**Challenge closes at 11:59PM Eastern on 7/21/23.**

Stories Archived

Star Trek: Discovery

By Pixie The First Rule of Command - T - Gabriel Lorca/Katrina Cornwell, Philippa Georgiou/Commodore Paris I'm the star in this disaster movie - T - Katrina Cornwell, Multiple Pairings Snow - G - Gabriel Lorca/Katrina Cornwell Ondine - G - Gabriel Lorca/Katrina Cornwell Written in the Stardust - T - Katrina Cornwell, Sarek

Star Trek: Strange New Worlds

By Pixie Ready or Not - T - Christine Chapel/Spock

Star Trek: The Original Series

By ChrisQ The Breaking of the Bridge - T - Matt Decker, James T. Kirk, Ensemble Cast

By kalima Arrhythmia - M - Nyota Uhura/Spock Before We Were Brittle - T - Spock/T'Pring The Assumption of Risk - M - Spock, Christine Chapel, James T. Kirk, Leonard "Bones" McCoy

By SLWalker Fire and Shore - G - Andrew "Corry" Corrigan & Montgomery "Scotty" Scott, Peter Preston Processing - G - Montgomery "Scotty" Scott

Star Trek: Alternate Original Series

By daraoakwise Not Until We Are Lost - T - Nyota Uhura (AOS)/Spock (AOS), Montgomery “Scotty” Scotty (AOS) & Nyota Uhura (AOS) Again - G - Montgomery "Scotty" Scott, Montgomery "Scotty" Scott (AOS)

By Kennel_Boy Live Life As It Happens - G - Goodnight Robicheaux/Billy Rocks, Magnficent Seven fusion - 🔒

By lah_mrh Your Own Kobayashi Maru - T - Reader

By Pixie Language - G - Nyota Uhura (AOS), Amanda Grayson (AOS)

Star Trek: The Next Generation

By jamaharon Imzadi - G - Deanna Troi/William Riker When the Rain Goes - T - Deanna Troi/William Riker

Star Trek: Deep Space Nine

By nostalgia Vanilla - E - Julian Bashir/Ezri Dax Three Point Eight - T - Julian Bashir/Miles O'Brien, Keiko O'Brien The Common Thread - G - Jadzia Dax, Ezri Dax, Curzon Dax Five Things That Might Have Happened To Julian Bashir (If Anyone Had Asked) - M - Multiple Pairings Bring Something Back - T - Julian Bashir/Miles O'Brien, Keiko O'Brien/Miles O'Brien

Star Trek: Voyager

By CelticRomulan A Name Well Earned - G - Chakotay, Harry Kim, Tom Paris, Jal Karden

By nostalgia Four Times They Didn’t And One Time They Did - T - Kathryn Janeway/Chakotay Provocation - T - Ensemble Cast

By Pixie I am the soft stars that shine at night - T - Gabriel Lorca/Kathryn Janeway Written in the Stars - T - Kathryn Janeway/Kira Nerys

Multiple Series

By Pixie This Will Be Our Year - T - Multiple Relationships

Expanded Universe

By DavidFalkayn A Moment of Calm - M - Ensemble Cast Convergences: Clouds over Illium - M - Ensemble Cast Convergences 2: Lighting the Fuse - M - Ensemble Cast Convergences 3: The Explosions Commence - M - Ensemble Cast

By Gibraltar Oh No, She Didn't - Unrated - Rachel Garrett

By Hawku Hop, Skip and a Jump - G - Ensemble Cast

By Omicrex46 Star Trek: Fortitude - G - Ewan Llewellyn, Valerie Archie, Jason Armstrong