#Arothes
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ID: a set of 4 images in 2 pairs. each has one image of the my hero academia character with a white outline in front of their corresponding flags, and a second image which is a blank flag splice. END ID
Izuku Midoriya from Boku no Hero Academia is a transmascxenic, transneumasc, transxenic, aporagender, AGIN, agender boy, manwoman, mascthing, neuthing, autigender, hyperfixian, autithing, arothing, arofucked, T4T, transmasc4transneu, chevron queer, cinthean and has AsPD, OCPD, SzPD, schizospec, autism, ADHD and C-PTSD! He uses he/that thing/fxr/spark/one/hero pronouns! Fxir dating Tsuyu!
Tsuyu Asui is a froggender, snakegender, reptilegender, catcute, bigender, ambonec intersex, narcfem, narcmasc, transneufem, transneu, gxrl, xip, mascfem, transneu4transmasc, T4T, arofucked, fluidflux, ply gay, bi gay, and has NPD, AvPD, DPD, PTSD and is plural and uses she/he/frog/ribbit/snake/fae/chirp pronouns! He is dating Izuku!
For anon!
#many flags#transmascxenic#transxenic#aporagender#mascthing#neuthing#autigender#hyperfixian#autithing#arothing#arofucked#froggender#snakegender#reptilegender#catcute#narcfem#narcmasc#ply gay#bi gay#mogai#mogai headcanon
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The colorwheel challenge is perfect for my universe where most of my characters are designed close to the monochrome area! You can find in this drawing all the current Overlord along with the main character and one tertiary character since I didn't have an important yellow character at the creation of this drawing. Red: Aroth, Wrath's Overlord Orange: Solstar, Greed's Overlord Yellow: Abigail, an acquaintance of Solstar Greed: Loda, Gluttony's Overlord Light Blue: Neru, Pride's Overlord Blue: Basil, main character Purple: Echo, Sloth's Overlord Pink: Aelaris, Lust's Overlord Grey: Jasper, Envy's Overlord. Fun fact, I almost forgot him, again
✨Patreon 💙Discord
#Aroth#Solstar#Abigail#Loda#Neru#Basil#Echo#Aelaris#Jasper#challenge#art challenge#color wheel challenge#rainbow#overlord#oc#seven deadly sins#digital art#digital drawing#monsters#demon#bird#dragon#slime#furry#anthro art#sins
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arothing - a gender related to being aromantic and a thing!
please credit me if you use!
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[PT: Acething + Arothing.
A gender connected to when you're ace / ace-spec & a thing; An Acething.
A gender connected to when you're aro / aro-spec & a thing; An Arothing. /end PT]
˚ · ACETHiNG + AROTHiNG。︵︵
くコ:�� ・A gender connected to when you ' re ace / ace-spec && a thing ; An Acething. A gender connected to when you ' re aro / aro-spec && a thing ; An Arothing .
Coined by me
#acething#arothing#gender#thinggender#orientationgender#ace#acespec#aro#arospec#squidthing (coiner)#deleted#no id
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Low effort expression sheet I did to test out a design for Tyshin's dirtbag ex boyfriend Arothe aka "Rot"
#swtor#swtor art#swtor oc#sw:tor#the old republic#star wars oc#star wars art#artists on tumblr#digital art#sw ocs#my art#sith warrior#jedi knight#oc: tyshin#wolf chatter
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Of Fate and Balance, Season 2 Episode 1
As a recap, the party has just destroyed the orb and is now relaxing outside the cathedral room, Acera having brought life back to portions of the garden.
Eventually, they look up at the sky and realise that they can no longer see the sun or moon or stars, and they begin to panic a little before deciding to take the boat and leave.
On their way out, Allura is encouraged to stay behind, and a voice (suggested to by Nyssa) promises Acera that Allura will be safe, granting her a mirror that Allura can communicate through.
The rest get on the boat and start to sail towards the mainland with Arawn's guidance and Acera's magical House of Aroth homing beacon. After leaving some border of the island, the sun, moon, and stars become visible again.
On the boat, Pool knocked out asleep, everyone else does a little exploring, finding rations in the storage room, maps to Thrallia in the captain's quarters, and shrines to Rua in the sleeping quarters. Everyone takes a break for lunch but Acera asks Ruthie to leave for a second before arguing with Arawn and Carlin over telling her about the brand. Finally, they both leave and Acera is left in the galley with Gorvi and a soon returning Ruthie, Carlin secretly hiding somewhere nearby.
Acera reveals the brand and the nature of the previous conversation and Ruthie does, indeed, freak out about it a bit. She storms into the captain's quarters where she sees Elemin looking for something, and then kicks them out and starts to read the updated copies of the Zenith Scrolls stored there.
Acera and Gorvi decide to sleep on the deck rather than the sleeping quarters around the shrines, and Arawn joins them. Elemin offers to make dinner, and that's that as most people bed down for a rest.
Until Pool wakes up, and Ruthie leaves the captain's quarters, having just trashed it, and attacks him. She punches him multiple times before flying up above the ship, among the clouds.
Everyone has dinner, and after, Ruthie and Acera have a talk until they realise Carlin is and has been missing. Ruthie tracks Carlin's cape with Acera and Pool not far behind, and finds him hiding in the storage room.
Ruthie and Carlin almost get into a fistfight, in part because Carlin references Ruthie's "girlfriend," but Acera stops them before it can happen. Ruthie and Acera leave back to the main deck, and Pool talks to Carlin for a bit ("what's your favorite animal?" "I can't answer that question right now") before heading back up.
Pool and Ruthie talk, and finally, they all rest.
The rest of travel is largely uneventful. Pool and Elemin practice magic stuff together (turns out Elemin was looking for a replacement spell book for theirs that got destroyed in the water), Ruthie is tense but not necessarily aggressive, Acera is tired, Arawn leaves notes for Acera and Ruthie, Gorvi is seasick and nervous, Carlin is nowhere to be found as long as he can help it.
And then, there's land on the horizon, and they must prepare.
#original post#ofab s2e1#ofab#of fate and balance#ofab recaps#pool ofab#acera ofab#ruthie ofab#arawn ofab#gorvi ofab#carlin ofab#elemin ofab#allura ofab#thrallia#thrallia ofab#nyssa ofab#THEY'RE BACK IN REZA BABYYYY#reza#reza ofab
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I'd actually argue the opposite! Mesava is an extremely theocratic society, no debate there, but I think that's exactly why they can get away with so much, like short of the Divine of Rua themself house aeroth is arguably the most significant and powerful religious institution on the continent.
I'd wager most of the Mirailo arc this season is spent revealing exactly how much the house of Aeroth can get away with and has been getting away with since the crusades.
What’s ur current theory for the situation with Ruthie’s girlfriend??? And what do you think abt the aeroth family???
I think it's hard to say anything definitive this early into season 2 and based on only the brief mention in this first episode, but I definitely have some theories.
Ruthie's girlfriend has to be some sort of divine entity, She just hasn't interacted with the material plane directly enough, even before she fell, So of course the obvious answer is Rua, but Wiley and Glow have shown that Rua and Ruthie have never had that sort of relationship, so that means it's another god.
Of the rest of the Mesavan pantheon, I think the most likely answer is Nyssa, It sounds kinda random but think about it, why would Ruthie land in Thrallia in s1e1? Rua wouldn't send them there, Rua would send them to the mainland where they could become the devil Lazaruth. But Nyssa had a shelter, a place where she could send her girlfriend to make sure she had the chance to recover.
I think that's also probably why the cult of Rua attacked Thrallia first, Rua wanted to punish Nyssa for helping her girlfriend and also then use the destruction and blame it on Lazaruth.
As for the House of Aeroth, I'll be able to do more than just speculate later in s2 when the party reaches Mirailo, but for now I think it's safe to say that the single oldest and most powerful noble house we know of, a house so powerful they shielded an entire city from being touched by the crusades, and whose members are all massively influential figures in the church and state of Mesava, are probably not quite as sunshine and rainbows as they'd like everyone to believe.
#again I don't necessarily think acera is involved#she could be though#i wouldn't put it past spades#ofab#of fate and balance#ofab Acera#acera aroth#ofab s2
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Kanade Yoisaki from Project SEKAI is an autistic casualic aroace lesbian delphinian bigender agender gender apathetic hologramcatgender oldcomputerbuzzsoundic hackergender genderloading catgender sleepdayial emoique arothing absentiagender autigender mistgender musigender animecoric auticatgender nullthing lesbithing with PTSD, OCD, and depressio who uses it/its, they/them, he/him, she/her, tech/techs, holo/holos, hack/hacks, load/loads, cat/cats, music/musics, sleepy/sleepies, dream/dreams, mist/mists, th3y/th3m, and h3/h1m pronouns!
Mafuyu Asahina is an autistic demigender agender transfeminine purplegender deprenoth hezegender vocaloidgender spacecoric genderbruised arospec demisexual sapphic who's questioning if she might be a lesbian, has depression, anxiety, bipolar disorder, and depersonalization disorder, and uses it/its, she/her, they/them, purple/purples, space/spaces, star/stars, 💜/💜s, ⭐️/⭐️s, and ☂️/☂️s pronouns!
Ena Shinonome is a lesbian asexual demigirl nonbinary caedgirl librafeminine faesari catgender azurgirl azurgirlthing copinic bordepiaglin dollcoric petalgender evarigirl fairycoric genderbruised person with depression, OCD, and BPD who uses she/her, kitty/kitties, fem/fems, love/loves, and doll/dolls pronouns!
Mizuki Akiyama is an autistic femme aroace lesbian lilaen nonbinary transfeminine canonically genderqueer faesari catstrawbgender lumirien pinkgender bungender catgender pinkfluzzic virtualcute cutegender shenbunine happyique arothing acething autigender vocaloidgender idolgender cutecollector genderfluff cutecoric petalgender catgirlgender lovecoric evarigirl idolthing angelidolic angelcoric lesbicute celesthereal animecoric auroracoric fairycoric auticatgender genderselkie person with BPD who uses they/them, bun/buns, idol/idols, cute/cutes, petal/petals, fluff/fluffs, pink/pinks, fuzz/fuzzes, cat/cats, 🌈/🌈s, 🌸/🌸s, 🌷/🌷s, 🍧/🍧s, and 🍰/🍰s pronouns! Their gender is unknown and officially listed as '?', and all other characters tend to avoid using pronouns for Mizuki and instead use buns name!
25ji Hatsune Miku is a romance-repulsed aromantic sex-repulsed asexual agender transneutral nonbinary abinary hologramcatgender lumirien distorglitchic genderloading cemeterygender indesnoneuric skirpagender voidique rienarian arothing acething sleepyneu mistgender vocaloidgender musisynthic spacecoric vocaloidthing nullthing who uses it/its, glitch/glitches, void/voids, and neu/neut pronouns!
They're all in a relationship together!
dni link
#long post#mogai headcanon#project sekai#kanade yoisaki#mafuyu asahina#ena shinonome#mizuki akiyama#25ji hatsune miku#hatsune miku#autistic#casualic#aroace#lesbian#delphinian#bigender#agender#gender apathetic#hologramcatgender#oldcomputerbuzzsoundic#hackergender#genderloading#catgender#sleepdayial#emoique#arothing#absentiagender#autigender#mistgender#musigender#animecoric
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>:)
ok this one is tricky, but that IS a very unique type of tree and the wispy clouds you can just barely make out in the skybox scream Gondor to me. my guess is North Ithilien, somewhere in the wood surrounding Bar Aroth
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no please because we have to stay strong, we're in it for the long haul, our devout follower and fallen angel have to realise at some point.
anyone else keep thinking acera and Ruthie are gonna kiss??????? No?????? Just me???????? Okay…..
S2 E1 (“Secrets on the Sea”)
#ofab ruthie#ofab acera#ofab rucera#i mean#we call them ^^ enough#they could be fallen follower? idk something like that#I'm not good at coming up with ship names lol#oo what about angel aroth or something#when first names don't work you have to go for the next closest things#rucera is fine though#idk#ofab s2e1#ofab secrets on the sea#(also though)#(GIRLFRIEND??)#(AND RUTHIE'S REACTION...)#(IDK I MIGHT BE CONVINCED ELSEWHERE)
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A moment ago, with @sildhra , we talked about worms on a string and I found it funny to imagine my characters as such. I'm tempted to make sticker sheets when all the story and characters will be settled
Which one do you prefer? 1/2: Basil, Aelaris, Solstar, Aroth, Loda, Jasper, Neru, Sayeth, Nox/Isao, Echo 2/2: Abigail, Luis, Emarine, Kaidra, Minerva, Lorelei, Uriel, Azrael, Aqen
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Aroth by Turbomiracle
I was taken aback on overjoyed to see that Turbomiracle went the extra mile and put together this little pieces to promote our recent collaboration. Haven’t read the comic yet? Get right on that.
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[ad_1] Image: Jemimah Rodrigues Twitter/X The Indian women’s team has long been seen as a rising force in the world of cricket. But their failure to make the semi-finals of the 2024 T20 World Cup – the first time that has happened since 2016 – has triggered alarm bells. With a home ODI World Cup looming in 2025 and the next T20 World Cup just two years away, India’s recent struggles call for urgent introspection and action. To avoid stagnation, the team must undergo significant changes – particularly in the leadership, coaching setup, and approach to developing talent. Here’s a roadmap for how Indian women’s cricket can bounce back stronger and smarter. A Head Coach Who Understands Women’s Cricket Failure to reach the semi-finals of the T20 World Cup marks one of the lowest points in recent years. With an ODI World Cup in 2025 and another T20 World Cup in just two years, such results demand a serious overhaul – starting with the coaching staff. It’s time for a head coach who truly understands women’s cricket and knows where the team is lacking. The trend of hiring men’s coaches hasn’t worked since Tushar Arothe’s tenure, the only male coach who led the team to notable success. The coaches that followed, despite their credentials, haven’t been able to address the team’s specific needs. One major reason is their lack of experience working with women cricketers at the grassroots level. A coach can’t come into the system and make sweeping changes without understanding the unique demands of women’s cricket. What India need now is someone like Nooshin Al Khadeer. Having played at the highest level herself, she has gone on to coach teams like Chhattisgarh, Railways, and India’s age-group and senior sides. As the head coach of Railways, she has her finger on the pulse of domestic cricket and knows the players well. Familiarity with the team and system would allow her to hit the ground running, minimising the adjustment period. The example of Bangladesh’s women’s cricket team under Anju Jain also highlights why the BCCI should consider someone like Nooshin. Bangladesh enjoyed their most successful period under Anju, but after her departure, their performance has significantly dipped. The success of coaches with a background in women’s cricket speaks volumes. Smriti Mandhana as red-ball captain and Jemimah Rodrigues for the white-ball formats could well be the way forward for India’s women’s team.#SmritiMandhana #JemimahRodrigues @BoriaMajumdar https://t.co/3sKJwxRssa — RevSportz Global (@RevSportzGlobal) October 17, 2024 Passing the Captaincy Torch With the ODI World Cup at home just a year away, the time is ripe for a change in leadership. Captaincy has not been Harmanpreet Kaur’s strongest suit, and we’ve seen her falter during crucial matches. If she’s not expected to play the next T20 World Cup, the team need a new leader to step in, giving them ample time to grow into the role. Smriti Mandhana, the current vice-captain, is the natural choice. However, looking ahead, someone younger like Jemimah Rodrigues could offer a fresh perspective and lead the team for a longer span. Jemimah is already emerging as a leader within the squad and for her WPL franchise, Delhi Capitals, making her a promising option to take the team forward. More Than Just Power Hitters: The Need for Fit and Strategic Hitters In modern cricket, there is a tendency to focus too much on power-hitting, aiming for 160-170 scores, and neglecting the basics. India’s two key power-hitters, Shafali Verma and Richa Ghosh, have immense talent, but their performances have been inconsistent. Fitness is a major concern—both are slow between the wickets and have shown lapses in concentration during crucial moments. Yes, they play high-risk cricket, but there must be method to the madness. It’s not enough to rely on their occasional match-winning performances. A structured approach is needed, focusing on improving their fitness and mindset. A frank conversation is overdue – set fitness and performance goals, and push them to reach those benchmarks.
They have the potential to elevate Indian cricket, but potential without consistency is meaningless. Consistency in Backing New Players The Indian selectors have been quick to hand out debut caps, especially after a successful Women’s Premier League (WPL) season. But giving a player an India cap is only the first step. There must be a commitment to properly invest in that player’s development. Take Saika Ishaque, for example. After a stellar WPL debut, she was fast-tracked into the national team. But after just one ODI and three T20Is, where she struggled, she was sidelined. Such a short leash doesn’t allow players to adjust to the international level. Players need time to grow – one or two matches aren’t enough to gauge their potential. The abrupt changes have dented confidence rather than building it. If the selectors are sure about a player’s ability, they need to give them a proper run in the team, allowing them two to three series to prove themselves before making any final decisions. We’re not building cricketers; we’re prematurely ending promising careers. The Road Ahead For India to reclaim their standing and make a serious statement at the upcoming World Cups, these changes are crucial. Whether the BCCI and team management will take bold steps remains to be seen, but one thing is certain: change is no longer an option, it’s a necessity. The post New leadership, better fitness and faith: What Indian women’s cricket needs to be ready for 2025 World Cup appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link
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Every year during Artfight, I have the pleasure to receive an epic watercolor drawing from a friend <3
Artfight attack for @askafterlife ( @field-of-hopes-and-nightmares ) this time! I wanted to draw Aroth for her this year!
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[ad_1] Image: Jemimah Rodrigues Twitter/X The Indian women’s team has long been seen as a rising force in the world of cricket. But their failure to make the semi-finals of the 2024 T20 World Cup – the first time that has happened since 2016 – has triggered alarm bells. With a home ODI World Cup looming in 2025 and the next T20 World Cup just two years away, India’s recent struggles call for urgent introspection and action. To avoid stagnation, the team must undergo significant changes – particularly in the leadership, coaching setup, and approach to developing talent. Here’s a roadmap for how Indian women’s cricket can bounce back stronger and smarter. A Head Coach Who Understands Women’s Cricket Failure to reach the semi-finals of the T20 World Cup marks one of the lowest points in recent years. With an ODI World Cup in 2025 and another T20 World Cup in just two years, such results demand a serious overhaul – starting with the coaching staff. It’s time for a head coach who truly understands women’s cricket and knows where the team is lacking. The trend of hiring men’s coaches hasn’t worked since Tushar Arothe’s tenure, the only male coach who led the team to notable success. The coaches that followed, despite their credentials, haven’t been able to address the team’s specific needs. One major reason is their lack of experience working with women cricketers at the grassroots level. A coach can’t come into the system and make sweeping changes without understanding the unique demands of women’s cricket. What India need now is someone like Nooshin Al Khadeer. Having played at the highest level herself, she has gone on to coach teams like Chhattisgarh, Railways, and India’s age-group and senior sides. As the head coach of Railways, she has her finger on the pulse of domestic cricket and knows the players well. Familiarity with the team and system would allow her to hit the ground running, minimising the adjustment period. The example of Bangladesh’s women’s cricket team under Anju Jain also highlights why the BCCI should consider someone like Nooshin. Bangladesh enjoyed their most successful period under Anju, but after her departure, their performance has significantly dipped. The success of coaches with a background in women’s cricket speaks volumes. Smriti Mandhana as red-ball captain and Jemimah Rodrigues for the white-ball formats could well be the way forward for India’s women’s team.#SmritiMandhana #JemimahRodrigues @BoriaMajumdar https://t.co/3sKJwxRssa — RevSportz Global (@RevSportzGlobal) October 17, 2024 Passing the Captaincy Torch With the ODI World Cup at home just a year away, the time is ripe for a change in leadership. Captaincy has not been Harmanpreet Kaur’s strongest suit, and we’ve seen her falter during crucial matches. If she’s not expected to play the next T20 World Cup, the team need a new leader to step in, giving them ample time to grow into the role. Smriti Mandhana, the current vice-captain, is the natural choice. However, looking ahead, someone younger like Jemimah Rodrigues could offer a fresh perspective and lead the team for a longer span. Jemimah is already emerging as a leader within the squad and for her WPL franchise, Delhi Capitals, making her a promising option to take the team forward. More Than Just Power Hitters: The Need for Fit and Strategic Hitters In modern cricket, there is a tendency to focus too much on power-hitting, aiming for 160-170 scores, and neglecting the basics. India’s two key power-hitters, Shafali Verma and Richa Ghosh, have immense talent, but their performances have been inconsistent. Fitness is a major concern—both are slow between the wickets and have shown lapses in concentration during crucial moments. Yes, they play high-risk cricket, but there must be method to the madness. It’s not enough to rely on their occasional match-winning performances. A structured approach is needed, focusing on improving their fitness and mindset. A frank conversation is overdue – set fitness and performance goals, and push them to reach those benchmarks.
They have the potential to elevate Indian cricket, but potential without consistency is meaningless. Consistency in Backing New Players The Indian selectors have been quick to hand out debut caps, especially after a successful Women’s Premier League (WPL) season. But giving a player an India cap is only the first step. There must be a commitment to properly invest in that player’s development. Take Saika Ishaque, for example. After a stellar WPL debut, she was fast-tracked into the national team. But after just one ODI and three T20Is, where she struggled, she was sidelined. Such a short leash doesn’t allow players to adjust to the international level. Players need time to grow – one or two matches aren’t enough to gauge their potential. The abrupt changes have dented confidence rather than building it. If the selectors are sure about a player’s ability, they need to give them a proper run in the team, allowing them two to three series to prove themselves before making any final decisions. We’re not building cricketers; we’re prematurely ending promising careers. The Road Ahead For India to reclaim their standing and make a serious statement at the upcoming World Cups, these changes are crucial. Whether the BCCI and team management will take bold steps remains to be seen, but one thing is certain: change is no longer an option, it’s a necessity. The post New leadership, better fitness and faith: What Indian women’s cricket needs to be ready for 2025 World Cup appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link
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