#April Hickman

[geekcavepodcast]

DC Comics Announces Publication Date for "The Strange Case of Harleen and Harley and "Bad Dream: A Dreamer Story"

DC Comic's young adult original graphic novels The Strange Case of Harleen and Harley and Bad Dream: A Dreamer Story will publish in 2024.

The Strange Case of Harleen and Harley from author Melissa Marr, artist Jenn St-Onge, colorist Jeremy Lawson, and letterer Lucas Gattoni will go in sale on September 3, 2024.

Harleen and her girlfriend Pamelia sign up to participate in a clinical research trial. For Harleen it sounds like a good way to make some extra cash and maybe help control her anxiety. Instead, Harleen end s up with "increasingly larger gaps in her memory and stolen mementos from some guy named Jack. Soon Harleen discovers she’s sharing her life with Harley—a take-no-prisoners, who-cares-about-attendance, maybe-we-oughta-save-the-bunnies kind of girl. She is the opposite of Harleen in every way. And although she’s throwing Harleen’s life completely off track, maybe she ain’t so bad either…" (DC Comics)

Bad Dream: A Dreamer Story from author Nicole Maines, artist Rye Hickman, colorist Bex Glendining, and letterer Hassan Otsmane-Elhaou, goes on sale on April 2, 2024.

"Nia’s spent her whole life taking a back seat to her older sister, Maeve, who was expected to inherit their mother’s Seer powers: the ability to see the future through dreams, passed down to one woman in each generation. But when Nia, a trans girl, starts having visions of the future, she must suppress her powers to protect her relationship with her sister.

Soon Nia’s dreams become impossible to ignore, and she has no choice but to distance herself as she navigates her new reality. Taking off for Metropolis, Nia is quickly swept up in the bustling city and, guided by her dreams, connects with a group of queer girls who feel more like sisters than her own. As Nia starts to discover her powers may be more than just a burden, she’s given a choice: accept her new responsibility as a Seer or give it all up for a chance at normalcy." (DC Comics)

(Images via DC Comics - Jenn St-Onge's Cover of The Strange Case of Harleen and Harley and Rye Hickman and Bex Glendining's Cover of Bad Dream: A Dreamer Story)

[godzilla-reads]

2024 Year of the Wood Dragon Reading Challenge

Since 2024 is the Year of the Wood Dragon, I thought I'd put together a reading challenge based around one of my greatest loves-DRAGONS! Here are some prompts for each month, along with a couple suggestions for reading. Feel free to read whatever fits the category, though!

January- A Dragon Book With a POC MC

Where the Mountain Meets the Moon by Grace Lin

Dragons in a Bag by Zetta Elliott

The Tea Dragon Society by Kay O'Neill

February- A Dragon Romantasy OR A Talking Dragon

The Dragon's Bride by Katee Robert

Consort of Fire by Kit Rocha

Dealing with Dragons by Patricia C. Wrede

His Majesty's Dragon by Noami Novik

March- A Dragon Training Book

To Shape a Dragon's Breath by Moniquill Blackgoose

How to Train Your Dragon by Cressida Cowell

Silver Batal and the Water Dragon Races by K.D. Halbrook

April- A Middle-Grade Dragon Book

Dragon Rider by Cornelia Funke

No Such Thing as Dragons by Philip Reeve

Jeremy Thatcher, Dragon Hatcher by Bruce Coville

May- An LGBTQA+ Dragon Book

The Dragon Festival by Kay O'Neill

The Dragon of Ynys by Minerva Cerridwen

Shatter the Sky by Rebecca Kim Wells

June- A "Classic" Dragon Book

Dragonflight by Anne McCaffrey

Dragon Keeper by Robin Hobb

Dragon's Blood by Jane Yolen

July- A Children's Dragon Book

My Father's Dragon by Ruth Stiles Gannett

The Reluctant Dragon by Kenneth Grahame

The Book of Dragons by Edith Nesbit

August- D&D Dragons or RPG Dragons

Red Dragon Codex by R.D. Henham

Dragons of Autumn Twilight by Tracy Hickman and Margaret Weiss

A Practical Guide to Dragons by Lisa Trumbauer

September- Searching for Dragons

A Natural History of Dragons by Marie Brennan

Hatching Magic by Ann Downer

The Dragon Ark by Emma Roberts and Tomislav Tomic

October- Dragons as Villains

The Hobbit by J.R.R. Tolkien

A Town Called Dragon by Judd Winick

Guards! Guards! by Terry Pratchett

November- Graphic Novels Featuring Dragons

Tidesong by Wendy Xu

Wings of Fire: The Dragonet Prophecy- The Graphic Novel by Tui T. Sutherland and Mike Holmes

The Last Dragon by Jane Yolen and Rebecca Guay

December- Ice Dragons

The Ice Dragon by George R.R. Martin

Ember and the Ice Dragons by Heather Fawcett

Ice Dragon by Edith Nesbit

Happy Reading!

[smashpages]

Bad Dream: A Dreamer Story (DC, April 2024) preview pages by Nicole Maines, Rye Hickman, Bex Glendining and Hassan Otsmane-Elhaou. 

[battyaboutbooksreviews]

🌈 Queer Books Coming Out in April 2024 🌈

🌈 Good morning, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!

[ Release dates may have changed. ]

❤️ Spring on the Peninsula - Ery Shin 🧡 When I Arrived at the Castle - Emily Carroll 💛 Bloodline - Jenn Alexander 💚 Grey Dog - Elliott Gish 💙 Every Time You Hear That Song - Jenna Voris 💜 I'm in Love with the Villainess v. 2 - Inori and Hanagata ❤️ The Caravaggio Syndrome - Alessandro Giardino 🧡 Leather, Lace, and Locs - Anne Shade 💛 Firebugs - Nico Bulling 💙 I Married My Female Friend v.2 - Shio Usui 💜 The Final Curse of Ophelia Cray - Christine Calella 🌈 A Sweet Sting of Salt - Rose Sutherland ❤️ The Selected Shepherd: Poems - Reginald Shepherd 🧡 Rough Trade - Katrina Carrasco 💛 Aubrey McFadden is Never Getting Married - Georgia Beers 💚 Taming of a Rebel - Eada Friesian 💙 Dayspring - Anthony Oliveira 💜 The Titanic Survivors Book Club - Timothy Schaffert ❤️ Orphia And Eurydicius - Elyse John 🧡 The Fellowship of Puzzlemakers - Samuel Burr 💛 A Good Happy Girl - Marissa Higgins 💙 Winnie Nash Is Not Your Sunshine - Nicole Melleby 💜 Here We Go Again - Alison Cochrun 🌈 Women! In! Peril! - Jessie Ren Marshall

❤️ Blood City Rollers - V. P. Anderson and Tatiana Hill 🧡 The Prospects - KT Hoffman 💛 Crazy Like a Fox: Adventures in Schizophrenia - Christi Furnas 💚 WATCHNIGHT - Cyree Jarelle Johnson 💙 Love From The Sidelines - Tuesday Harper 💜 The Pleasure in Pain - Roxie Voorhees ❤️ Mal - Perla Zul 🧡 The Black Girl Survives in This One - Desiree S. Evans and Saraciea J. Fennell 💛 Darker by Four - June C.L. Tan 💙 Otherworldly - F.T. Lukens 💜 Hearts Still Beating - Brooke Archer 🌈 Tryst Six Venom - Penelope Douglas

❤️ Teenage Dirtbags - James Acker 🧡 The Heart Wants What It Wants - D.M. Batten 💛 Something Kindred by Ciera Burch 💚 Sheine Lende - Dr. Darcie Little Badger & Rovina Cai 💙 Rainbow Overalls - Maggie Fortuna 💜 Flowers for Dead Girls - Abigail Collins ❤️ Canto Contigo - Jonny Garza Villa

❤️ Court of Wanderers - Rin Chupeco 🧡 Molten Death - Leslie Karst 💛 Triad Magic - ‘Nathan Burgoine 💚 You, Me and Bad Movies - Twoony 💙 The Faithful Dark - Cate Baumer 💜 A Case for Discretion - Ashley Moore ❤️ Party of Fools - Cedar McCloud 🧡 The Last Love Song - Kalie Holford 💛 This is Me Trying - Racquel Marie 💙 Dear Wendy - Ann Zhao 💜 Sun Eater - Dre Levant 🌈 The Breakup Lists - Adib Khorram

❤️ Bad Dream - Nicole Maines & Rye Hickman 🧡 If We Were Stars - Eule Grey 💛 The Broken Lines of Us - Shia Woods 💚 Eye of the Ouroboros - Megan Bontrager 💙 Henry Henry - Allen Bratton 💜 Dear Bi Men - JR Yussuf ❤️ Paige Not Found - Jen Wilde 🧡 Mechanic Shop Femme’s Guide to Car Ownership - Chaya Milchtein 💛 Wide Awake Now - David Levithan 💙 Merciless Saviors - H.E. Edgmon 💜 Smile and Be a Villain - Yves Donlon 🌈 Crash Landing - Charmaine Anne Li

❤️ Call Forth a Fox - Markelle Grabo 🧡 Central Avenue Poetry Prize 2024 - Beau Adler 💛 Good Bones - Aurora Rey 💚 Curiosities - Anne Fleming 💙 Someone You Can Build a Nest in - John Wiswell 💜 Revisiting Summer Nights - Ashley Bartlett ❤️ Bright Spring - Emmaline Strange

❤️ Girls Night - I.S. Belle 🧡 Late Bloomer - Mazey Eddings 💛 Withered - A.G.A. Wilmot 💚 A Wolf Steps in Blood - Tamara Jerée 💙 It Always Finds Me - Anthology 💜 Dulhaniyaa - Talia Bhatt ❤️ Moon Dust in My Hairnet - JR Creaden 🧡 Blood Justice - Terry J. Benton-Walker 💛 Relinquishing Control - J.J. Arias

❤️ Selamlik - Khaled Alesmael 🧡 Houseswap 101 - Jaime Clevenger 💛 Earthflown by Frances Wren & Litarnes 💚 Covenant v.1 - LySandra Vuong 💙 Honey - Victor Lodato 💜 The Dragonfly Gambit - A.D. Sui ❤️ Double Dyno - Sharon K Angelici & Taylor Rose

[redgoldsparks]

April Reading and Reviews by Maia Kobabe

I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.

Mammoths at the Gates by Nghi Vo, read by Cindy Kay

Cleric Chih returns home to the Singing Hills Abbey after years of wandering and collecting stories. They are shocked to see two war mammoths and a squad of soldiers at the gates, camped out and demanding something. But the Abbey is nearly empty- almost all clerics left on a mission to preserve the history of a nearby destroyed town. And the title of Acting Divine has fallen on unlikely shoulders- one of Chih's childhood friends. Now a difficult decision will be left in under-prepared hands. This might be my favorite installment of the series yet!

Bad Dream by Nicole Maines and Rye Hickman

Nia is a trans teen living on earth, but her mother is from another world. Nia may or may not be able to tell the future, a power her sister desperately craves. But the real magic she finds in this story is trans community and friendship! The dream sequences and the queer ballroom scene in this book particularly shine; the story would probably have hit me harder if I'd seen the TV show Nia debuted in, but I haven't. Do check this out if you are familiar with Dreamer on the Supergirl TV show.

Spear by and read by Nicola Griffith (re-listen)

I loved Nicola Griffith Hild, and was highly anticipating this one; it did not disappoint! I listened to the audiobook was completely drawn into the lyrical language and the magic of this Arthurian legend retelling. The story opens with a girl born and raised in a wild valley by a mother who is sometimes loving, wise, and overflowing with stories and other times depressed, fearful, and vacant. The girl knows that something terrible happened to her mother in the past; it has something to do with her birth and the beautiful enamel bowl that sits over the fire in the cave they shelter in. But the girl is too delighted by the world, and too curious about the plants, animals, and humans who live in the valley to dwell on it. She grows in strength and skill; visions and gut feelings draw her to collect armor and repair weapons, and eventually set out south towards King Arthur's court. There she stumbles into a story that was started long before she was born, but in which she will play a vital part. I absolutely loved this, it's deeply queer, and I highly recommend it! Re-listened in 2024 and enjoyed it all over again.

The Empress of Salt and Fortune by Nghi Vo, read by Cindy Kay (re-listen)

Beautiful, mysterious, queer, and surprisingly moving for such a short story. I listened to the audiobook (which is only 2.5 hours) and I was riveted the whole time. Chih, a nonbinary traveling cleric-historian, is on the way to the capital city to record the beginning of the new Empress's reign. But with the coming of the new ruler, many historical sites which had previously been sealed are now re-opened. Chih can't resist a stop at Lake Scarlet, where the previous Empress lived for a brief time in exile. Chih finds one last living servant of the previous Empress still tending the house, and they begin learning more and more stories and secrets about the exile. I highly recommend this story, and the audiobook in particular. Re-listened in 2024, and this time was able to even more full appreciate the twists and turns of this story. It's quite subtle and rewards a second listen.

Homebody by Theo Parish

The warm, affirming, gentle, honest story of a nonbinary gender journey. Easy to read, beautifully illustrated, very accessible, this is truly a book for everyone. By the end of the story, Theo felt like a friend. From now on, whenever anyone asks me for an "all ages version of Gender Queer" I'll just be handing them this book instead. I got to read and blurb an advance copy of this; very excited for it to hit shelves on April 25 2024!

Blood of Dragons by Robin Hobb

I got through this book fairly quickly, even though it's about the same quality level as the previous book in the series. It has a fair amount of action and payoffs. I liked learning more of the secrets and history of Kelsingra, and I'm curious about the future of the new Elderling and dragon settlement. But I don't understand why this series has 4 books instead of the usual 3; there just isn't enough plot to sustain four books. I wish books 1 and 2 had been condensed into one and much of the angsty teen drama cut out. I just don't enjoy when Hobb writes from multiple POVs the same way I enjoy her single POV books; I don't love any of these characters the way I love Fitz and the people in his life.

Yotsuba vol 9 by Kiyohiko Azuma

Just as silly and charming as ever. The big adventure in this volume is a day watching hot air balloons.

Blue Flag vol 1 by Kaito 

The set up for this story is very standard: teens in high school dealing with crushes, friendship, and figuring out their sexuality. But the execution is so skillful that it elevates what could be a really generic or heavy handed tale into something that felts very deft and true. I'm not usually one to pick up a love triangle/quadrangle but I had a great time with this one and will likely read more. I just hope the closeted queer characters don't end up with tragic rejections!

Witch Hat Atelier vol 11 by Kamome Shirahama

I liked that this volume focused more closely on Coco and Agott's friendship and creative practice! I like when this story is about the witch students! I don't love that it continues introducing 3-6 new characters in every volume. Also, this one felt like it was 1 chapter shorter than the normal size for this series.

I Heard Her Call My Name written and read by Lucy Sante 

I picked this autobiography up after hearing Lucy Sante's interview on the podcast Gender Reveal and really enjoyed it. Sante came out as trans at age 67 after a lifetime of repressing her gender feelings and knowledge of carrying a weighty secret. Sante came to New York City as an immigrant from Belgium as a young child, and grew up bilingual, bicultural, and poetically inclined. This book weaves together near daily updates of the year her egg cracked and her early transition with memories of her childhood, teen years, and young adulthood in a cheap, dirty, punk, bohemian NYC which no longer exists. This window into the past is gorgeously narrated but might read mildly infuriating, depending on how much rent you are currently paying or how much you've struggled to break into the publishing industry. I devoured the audiobook in nearly one sitting.

The Yakuza’s Bias vol 1 by Teki Yatsuda (re-read)

Yakuza member Ken Kanashiro's life is changed when the daughter of the clan leader he works for takes him along to a kpop concert. Ken is moved by the kpop idol group's commitment, hard work, passion, and loyalty to each other and their fans. His introduction to fandom, and new social media friends, bring a breath of fresh air into his violent and dangerous life... and like most fervent fans, he starts trying to convince the people around him to stan the group to greater or lesser success. This manga series is very much in the same tone as Way of the House Husband but I appreciated the slightly longer chapters and the growing ensemble cast. It's a silly concept but with moments of genuine feeling as it shows how loving something can connect you to a whole new community. Edit on a second read: I got more out of the jokes on a second pass!

The Yakuza’s Bias vol 2 by Teki Yatsuda 

The main joke of this series is the contrast between super-serious yakuza Ken Kanashiro's usual poker face and the way he passionately emotes when either watching or talking about his kpop idol bias. This is a fun series, full of in-jokes and a developing cast of quirky side characters. One of my favorites is Megumi, the mafia boss's daughter who initially introduced Ken to kpop and laments not being able to understand her favs, but claims she is "too busy stanning to study Korean."

[heckcareoxytwit]

A preview of Ultimate Spider-Man #4

ULTIMATE SPIDER-MAN #4

WHO IS THE GREEN GOBLIN? Peter Parker’s secret life starts fraying the edges of his personal life! J. Jonah Jameson and Ben Parker’s pursuit of truth — or, at least, the news — stirs unrest with the world at large… And now that Spider-Man may not have to operate alone, the real work of rebuilding this corrupt world can begin!

Written by: Jonathan Hickman Art by: David Messina, Matt Wilson Cover by: Marco Checchetto, Matt Wilson Page Count: 28 Pages Release Date: April 24, 2024

[bookaddict24-7]

NEW YOUNG ADULT RELEASES! (APRIL 16TH, 2024)

___

HAVE I MISSED ANY NEW YOUNG ADULT RELEASES? HAVE YOU ADDED ANY OF THESE BOOKS TO YOUR TBR? LET ME KNOW!

___

NEW STANDALONES/FIRST IN A SERIES:

Dear Wendy by Ann Zhao

We're Never Getting Home by Tracy Badua

This is Me Trying by Racquel Marie

This Night is Ours by Ronni Davis

The One That Got Away With Murder by Trish Lundy

Deep is the Fen by Lili Wilkinson

Pretty Furious by E.K. Johnston

The Harrowing by Kristen Kiesling , Rye Hickman (Illustrator)

King of Dead Things by Nevin Holness

To Gaze Upon Wicked Gods by Molly X. Chang

The Kill Factor by Ben Oliver

The End of Always by Rebecca Phillips

NEW SEQUELS:

Calling of Light (Shamanborn #3) by Lori M. Lee

The Lady of Rapture (The Bones of Ruin #3) by Sarah Raughley

Merciless Saviours (The Ouroboros #2) by H.E. Edgmon

Sheine Lende (Elatsoe #2) by Darcie Little Badger , Rovina Cai (Illustrator)

___

Happy reading!

[doomrichards]

DoomReed Roundup 2023

April 2023 Marvel Monthly Fan Q&A: Ryan North - Fantastic Four

Ryan North says Doom and Reed are "almost two halves of the same soul that have made wildly different choices." He gets into more detail in the interview!

May 2023 Fantastic Four (2022) #7

Doom confronts Reed about trapping his goddaughter Valeria in time, and Reed's failure as a father.

July 2023 Fantastic Four (2022) #9

Mister Fantastic and Doctor Doom appear in an in-universe comic.

August 2023 Ultimate Invasion (2023) #3

Reed Richards is revealed trapped in the mask of Doom.

Marvel Multiverse Role-Playing Game: Core Rulebook

Doctor Doom's bio names Reed as an intellectual rival and compatriot.

September 2023 The Super Hero's Journey

Reed confirms his romantic feelings for Doom in The Super-Hero's Journey.

Venom (2021) #25

An older Doctor Doom riles his younger self by invoking the name of Reed Richards.

Ultimate Invasion (2023) #4

Earth 6160's Doctor Doom is Reed Richards.

October 2023 G.O.D.S. (2023) #1

Doom and Reed appear as cameos in Jonathan Hickman's G.O.D.S.

Marvel Arms and Armor: The Mightiest Weapons and Technology in the Universe

Reed Richards and Doctor Doom share an article in Marvel Arms and Armor.

Fantastic Four (2022) #12

Reed Richards meets Dinosaur Doctor Doom.

November 2023 Fantastic Four (2022) #13

Doctor Doom meets Dinosaur Mister Fantastic.

[nianaltor]

Preview pages from BAD DREAM: A DREAMER STORY written by Nicole Maines art by Rye Hickman releasing April 2024

[farsight-the-char]

In this exciting new universe, Gwen never met a tragic fate. Instead, she married Harry Osborn and now co-runs Oscorp Industries. Learn more about this ambitious power couple when the Parkers and Osborns go on a double date! Amidst cocktails, small talk is quickly dispersed as this fearless foursome discuss exposing the dark corruption that shaped their world. Little do they all know that the two men at the table have already taken matters into their own hands by suiting up as the vigilantes Spider-Man and Green Goblin!

MADNESS CHARTMAN! YOU PLAY WITH FIRE!

[thefandomentals]

Gwen Stacy makes her Ultimate Universe debut this April!

[dispatchdcu]

Ultimate Spider-Man #4 Review

Ultimate Spider-Man #4 Review #ultimatespiderman #ultimateuniverse #ultimates #spiderman #ultimateinvasion #secretwars #hickman #MARVEL #marvelcomics #comics #comicbooks #news #mcu #art #info #NCBD #comicbooknews #previews #reviews

  Writer: Jonathan Hickman Art: Marco Checchetto, Matthew Wilson, and VC’s Corey Petit Publisher: Marvel Comics Price:$5.99 Reviewed by: Anonymous Release Date: April 24th, 2024 WHO IS THE GREEN GOBLIN? Peter Parker’s secret life starts fraying the edges of his personal life! J. Jonah Jameson and Ben Parker’s pursuit of truth – or, at least, the news – stirs unrest with the world at large… And…

[popculturebuffet]

Watchemen Retrospective Finale: Zack Snyder's Watchmen (Comission for WeirdKev27)

Hello all you happy capes.. and welcome to my final review of 2022 and my grand finale to my look at Watchmen. I've looked at all 12 issues with a brief April Fools detour to look at the unmade Sam Hamm version, but there's still one last piece of Watchmen media I want to look at as the Clock strikes 12. Yes folks we're talking about the divisive, loyal as it could possibly be, greatly soundtracked, 2009 film Watchmen.

Filming the Unfimable

As the fact I had a full script to review should show, attempts had been made to adapt the Watchmen for decades. The Hamm script was pitched with Terry Gilliam of all people who considered the project unfilmable as a movie, and better as a mini series.

The biggest attempt was made with David Hayter, voice actor and writer, aka Metal Gear's Solid Snake, Zangetsu in Blodostained, and Captain America in Spider-Man TAS. He also was a writer on the first two x-men films, the scorpian king, and an executive producer on of all the things i've reviewed, A Christmas Horror Story> I knew NONE of this when looking him up and i'm incredibly impressed. This is one hell of a career the man's gotten. His draft really impressed executives, but attempts at paramount, rogue pictures and others stalled until eventually Warner Bros scooped up the rights.

Hayter's script had a few diffrences from the final product as Alex Tse, who'd go on to make wu tang an american story, would do some touch ups. His was set in modern day, at one point Nite Owl straight up killed Adrian, and at one point Adrian's plan ivnolved a MASSIVE SOLAR DEATH RAY

Yeah I mean I get why Christ Almighty it's the goddman watchmen gets mentioned more, it's objectively funny.. but the fact Adrian used a solar death beam at one point still should come up more. Don't get me wrong, the idea of using the power of the sun is awesome: Jonathan Hickman's run had Iron Man build a dyson sphere to potentially smash planets. But there's a difference between taking a real world floated concept and making it high concept sci fi.. and having your morally complex if ultimately evil despite his claims villain have a fucking death ray powered by the sun. The other ideas.. are also not my forte. The 80s setting and the 50s start to mystery men are integral to things, as the films eventually director agreed, and having Dan kill adrian just feels a step too far. What the film goes with is still cathartic and we'll get to it, but Adrian should live not to reap the benefits of his actions.. but to live with both the guilt of what he's done and any consequences should the truth come out.

As for who would direct this, with the recent success of 300… Warner Bros tapped Zack Snyder to direct. We'll get into Zack Snyder himself in a second, but to his credit, he was a huge fan of the graphic novel and most tweaks to Hayter's script were out of reverence to it, though he did keep that ending which again we'll get to.

The resulting film was.. divisive. Some critics loved it, some hated it and fans were split on everything from the performacnes to.. that ending. It's part of why I wanted to dive into it. See when the Younger Me saw it over a decade ago.. he dug it. He liked it a lot and thought it was a great adaptation. So I wanted to see if it held up: if it was still good a decade, a through yearlong re-read of the source material, and Zack Snyders lesser adaptations after it later. So let's answer that question shall we as I watch the Watchmen one final time.. at least for this year.

Watchmenmaker So yeah.. before we can even get into the film we have to unpack it's director. And I'm not one to take the side door, I'll come right up front and knock: Zack Snyder is a kind generous man who uses his massive fanbase to help charities, seems to really love his fans and his work, and who generally seems to be an upright guy. He's hard to hate on his own. That said while as a person I have nothing but respect for the guy, his other superhero works i've seen Man of Steel and Batman V Superman are not great films, especially the latter. If you like them great, your allowed to disagree with me but their just not the best superhero films and I for the life of me can't understand why some people are so ride or die on them.

Man of Steel is.. fine. It's a flawed film with a palette that can best be described as "Hope you like grey!", and easily the worst Jonathan Kent in the characters history, a selfish dumbass who has the sheer gall to berate his son for saving lives and who stupidly throws himself into a tornado for reasons that make entirely no sense and who clearly fucked his son up to the point he's traveling the world and the seven seas instead of living a normal life because SOMEBODY felt he never could. It's not a film I really fondly remember, but it's one I felt okay about coming out of the theater. It's alright. It's not the best take on superman, but I can see why some may like it.

Batman V Superman on the other hand.. is giant mess. I liked it a bit out of the theater, but the more i've thought abotu it the less it's become. Part of it isn't entirely his fault: it's clear DC wanted to FastTrack the justice league and shoved as many heroes in as they could. Wonder Woman, while a great part of the film, feels just kinda there, and while Ben Affleck gives it his best, his version of batman just doesn't work. It's clear Zack Snyder has the same reverence for the Dark Knight Returns as Watchmen.. but fails to get that that's not necessarily how to approach batman, nor that even THAT batman does not kill and will not.

His lex luthor is also just baffling, with it being hard for me to figure out just what he was going for. The idea of a younger luthor whose a tech bro was brilliant.. but the resulting writing has a luthor who sounds and acts like he did a literal, not figurative, mountain of cocaine before every scene, whose plans are needlessly convoluted , and who thanks to said cocaine thinks a jar of piss is a good statement. Seriously I did not realize he pissed in a jar the first time around, probably because Lex Luthor pissing in a jar and leaving that jar wired with explosives is not the kind of thing that usually makes it past first draft. There's a reason we never got Superman fighting a giant spider-man while Braniac wrestled a polar bear after all. Trying to jam Death of Superman in there without having properly built up to it doesn't remotely hep and the film that results is just an overly long, overly dour mess that is more concerned about tlaking about superman being a god for 40 minutes than actually telling a good story. It's overly long, overly self indulgent and ultimately just.. just bad. It's bad.

And look I don't begrudge Snyder himself for wanting his cut of Justice League. He only left the film due to the worst tragedy that could befall a parent, and had it cut to shit behind his back. What I begrude is the cultlike beahvior that's formed out of it. While there are likely fans of Zack Snyder's dc work who are nice, kind, and don't mind if someone has a difference of opinion and if your reading this, I value your existence, there has been a foaming, loud, asshollish horde of fans that has not shut the fuck up since getting said cut. Wanting more of something you love is fine. Right now as an Owl House Fan we're hoping desperately Disney gives us more of the series in some form and actually listens. Sometimes you have to scream to be heard.

The problem is instead of accepting the snyder cut as the cool what could've bene it is and being happy with what they got.. they gnash their teeth at ANYTHING they percive outside it. They've taken the screws to Shazam for not being as edgelord as the films they like, and lately have been just outright insufferable. They have gotten RABID since James Gunn was made one of the heads of DC and made the decision to get rid of Henry Cavill… a decision I udnerstand as the snyder verison of superman has a LOT of baggage and while Cavill did his best, I can understand James wanting to start fresh and using a new actor as a way to do that. It's an understandable decision from a guy who was given the hard task of coming in and steering a ship that has no direction in a company that's on fire thanks to David Zaslav's escalating selfish, terrible and downright baffling decisions. He did not come in guns a-blazin to gut everything: Gal Godot and The Rock are still on board, with his black adam announcment merely being that their going to hold off on using him again at first, rather than "your fired get out" as many are intepreting. And while I get it's weird to fire cavill after the stinger to black adam, it was included more because Dwayne Johnson wants to fight superman than being a coherent plan for a sequel, and I say that with all the love I can to the rock whose an awesome dude. I just don't care about seeing Black Adam fight superman. That's not who he has a connection to.

It's just been so draining. I get liking a film but I doubt Snyder wants .. any of this. He's fine. He's moved on from his superhero work. You are NEVER going to get what you wanted back> Let someone genuinely talented who will likely pull out some weird, wonderful cuts do what he wants and give him some room to do it. Zack Snyder is not a bad filmmaker but like superman. .he's not a fucking god. He doesn't want a fucking cult in his name. He just wants you to enjoy his films and support them. Just.. do that. Love his dceu work if you like but accept it's over, move on and for god's sake stop harassing people for it. I shouldn't' have to say this but it's gotten bad, and I felt it couldn't' be ignored. When Snyder fans are, no joke, going up to a tweet Gunn made trying to get support for charities and saying "DON'T CARE WANT CAVILL", I have to say.. SOMETHING, when I have the chance to speak to said fanbase. To those of you not doing this shit.. thank you. Thank you for being good people like Zack likely actually wants. Your awesome.

Now you may be asking yourself "Well how did I get here?"… or more likely "Okay nice speech and all Jake but what does this have to do with the film your actually reviewing" or

If your a tad deranged. My reason is that while I can see bit sof the DCEU in here, particularly Zack Snyder preferring to deconstruct superheroes than actually play it straight, Watchmen.. zigs a lot of places he'd later Zag. It's shockingly colorful while still being grounded, still having the gaudy outfits, but keeping them because he knows their important. The only change he made to them was to make them more like something you'd see in a superhero film of the past, to help evoke these costumes come from the past: Nite Owl and Ozymandis in particular have outfits that come out of a Burton Batman and Schumacher Batman film respectively. Laurie's is more shiny latex, and the Comedian thankfully keeps his domino mask during his full career and either wears your standard Sterling Archer spy turtleneck on missions or his costume rather than bringing out the gimp. I do think it clashes a LITTLE with the 60's and 70's these costumes are supposed to come from but I get that putting them in say, a 60's batman style outfit would be a bridge too far given the tone of the work, and that the original outfits, while neat, were also intentionally goofy in a way that just dosen't work on flim. It's why you only saw The Scarlet Witch, Vision and Quicksilvers full silver age costumes as halloween costume easter eggs in wandavision or Steve Roger's classic cap outfit as his uso outfit. These are iconic looks.. but they just don't work on screen. You can still hav ecolor and flair as the MCU has shown us, but you have to rework it to fit the present.

This way Snyder gets to both have pops of color.. while also having the costumes still get the slightly dated look in a way people who haven't read the comic will get. It's honestly a stroke of brillance and while his works aren't my forte and he slapped a palette of grey over them, his later works do have neat costumes.

His watchmen shows a respect for these characters and world his DCEU work dosen't quite have. He replicates panels, only didn't replicate the costumes beyond rorshachs for the reasons mentioned, and really tries to get as much of the story in as he can. Which brings us to

The Times they Are A Changing

The film is for the most part a fairly straight adaptation of the Graphic Novel. There's a big change to the ending I keep ominously hinting at and we're almost there just hold on, but there are changes either stylistically or just for compressions sake. It's why I tilt my head at reviews that said he was overly reverent to the graphic novel. I agree he could've used a touch more of his own take.. but Snyder still put his own spin on it and his own style. There's some bits of his trademark slowmo and some quick pans and he does brilliantly find ways to incorporate scenes into motion. The opening scene of the comic is a great example of this, as he somehow manage to pan up in the exact same way David Gibbons does while accounting for having to show EVERY frame going from the street to the Comedian's penthouse.

There are some goofy touches, for some reason he thought adding whipcrack sound effects to some fight scenes was neat, likely to parody it being used in 80's and 90's superhero films, which Watchmen takes some style cues from, but it jus tdosen't mesh when said scenes are played dead serious. This is a deconstruction, not a parody and there's a fine line between the two.

Out of his personal style touches my faviorite is easily his use of music. While there are only a handful of sequences, Snyder picked his soundtrack masterfully. It's nothing but the hits but often used in ways that help play off the scene beautifully or create just the right dissonance.

The first and best example of this is the Times They are a Changin scene. Even people who don't like the film admit this scene slaps and for good reason. It's easily one of the best openings in any superhero film ever if not THE best. In just a few minutes of montage, nicely set to one of the iconic songs of the 60's (not a huge Dylan fan myself but I can't deny this song rocks), it takes you through both ages of superheroes easily, gives you all the exposition the film couldn't thanks to Under the Hood being something they couldn't fit in easily (Maybe a tv movie or something but it would've come off obvious to me), and just looks gorgeous: it breaks down the triumphant rise and tragic fall of the minutemen, the hope of the new era of supermen and it's sad fall beautifully. The imagery just does not leave your brain and it's easily a beautiful little mini movie in it's own right. While the film is still good after this, it's easily the best part of it, kind of like how Up's intro is easily it's best part too for similar reasons but the rest is still fantastic.

That said, the next sequence with this.. is no slouch. The Vietnam flashback with ride of the valyrkyes, as Dr. Manhattan looms over the Vietcong and explodes anyone in his path, is masterful, taking an already great one panel image from the comic and IMPROVING on it. Seeing him in motion really sets in the dread of this giant, looming all powerful godlike figure coming towards you and you can do nothing to stop him and really helps set in the scope of manhattan. I also noticed when writing this section that Manhattan has a nice motif of classical music, to establish a timeless feel, using Phillip Glass' music to really set things in motion.

Dan's sequence is no slouch though, as it amazingly uses the funk classic "i'm your boogie man", and is part of why I love that song so much. It both nicely contrasts with the protest going on.. and nicely matches to Comedian horribly responding to it by violently beating up the protestors. Granted said protestors are pro police, which is especially odd given some are POC.. but I write this off as Snyder, like many of us white dumbasses, not fully grasping the history of police violence on people of color at the time. It's not great in hindsight but I can't say many knew much better and he still shows off that someone with undue power and no checks and balances, i.e. the Comedian, going into a crowd and wailing on them is as horrible as it should be seen.

Then we get a long break, just one sequence with Manhattan i'll talk a bit more about later, before we get the next one.. which stuck out in my mind for the wrong reasons and I was ready to give Zack Snyder all the shit for.. till I learned out why he did it. If you've seen the film you know and if not.. the film takes Dan and Laurie's sex scene.. and make sit into… an over the top, in tense and gratuitous as fuck sex scene.

It's just so ludicrious, so unecessary, so out of nowhere it's parody.. and that… was ex-zactly the point. Yeah turns out Zack Snyder did not ask for this scene, the crew did not ask for this scene and i'm pretty sure Dan Steven and Malin Akerman did not ask for this scene. No one wanted to do this except the executives, who demanded

So Zack pulled a Sean Micheals and decided to give it to them in the goofiest, dumbest, most over the top way possible. It's likely why EVERY movement dan makes seems to make laurie orgasm. Akerman was likely in on the joke, and I salute her for it. Like if your forced to do a gross fanservice sex scene, you might as well make it hilarious and honestly the sequence is: you've got Hallujeah blaring over it, Malin going 80 times over the top, dan stevens just .. rolling with it and the gloriously stupid finish when Laurie climaxes as she hits the flamethrower button. The Silk Spectre has a FLAMING orgasm that is seen by ongoers in the night sky. I.. I can't even add to that. I didn't know Zack Snyder could make a funny but here we are. Good on him.

The last music sequence is a classic and a pretty obvious drop… like while all the songs are pretty well known in a song called the watchmen that pulls heavily from the 70's and 60's to evoke a sense of nostalgia a lot of the characters clearly have… All Along The Watchtower was a perfect pick. It's how I first heard the song and it is fucking dynamite and setting it to Dan and Rorschach's descent into the artic.. fucking perfect.

We get two more songs in the credits. The first is an awesome cover of Desolation Row by My Chemical Romance. I loved them since hearing Danger Day and love Gerard Way's awesome comics work after MCR, so I do like the song.. but it's also a touch too modern to really fit with the film. It was clearly made because the studio wanted a soundtrack tie in.. but it's also very hard to hate because it's so awesome and the first issue's title directly references this song.

The other is We'll Take Manhattan, which I feel was likely Snyder's first choice and is a nice cheeky nod to the horrors that just happened.

Okay so now we've cued the music , let's talk about another change.. one i've been omniously hinting at all film and one where I can't help quoting a certain critic I admire's theme song

They Made Watchmen Without the Slimy Squid

Yeah out of all the changes, one bit of casting, and other various things… this is the single most divisive part of the film. See most of the plot and even the ending is the same: Nite Owl and Rorshach find out Adrian was behind it, confront him at his arctic fortress, and while him kicking their asses is mostly omitted, it's for a good reason we'll get to, and while they plan to not let him do it but..

And thus his plan goes off and while Dr. Manhattan also confronts him, ultimately our heroes are forced to back down for the sake of the world. The big diffrence is WHAT the plan was. See when the Hayter script was made .. it was intended for 2003, complete with a screen test. This was two years after 9/11 so showing what was likely minutes of bloody bodies lying in the streets of new york after an attack.. was something they really coudln't do. They coudln't drop NYC either as it's grimy 80's exterior is as much a character as our heroes. So he came up with something else that made it all the way here.

So instead of Dr. Manhattan having harnessed his power to change the world, he's just getting to it as the film is in progress and is working with Adrian, who goes from a psychic alien attack.. the much simpler plan of using his energy to simulate Dr. Manhattan attacking the world, still giving humanity a common enemy.

Now while I like the squid sequence.. I get why a change had to happen. Even in 2009 9/11 was still fresh in minds. It was likely hard enough getting just dr. manhattan exploding people through. And besides just being sensitive to a reall life tragedy by making things more fantastical… the Squid thing is convoluted as fuck. Like Adrian does lay it out… but it requires a psychic's brain, kidnapping scientists and artists, and genetically cloning it into a squid. It's a BRILLIANT scheme, as it was made to be as believable as possible, and I love it dearly.. but when your trying to streamline an already beefy narrative to fit three hours, it's a LOT to unpack and something not everyone might get and understandably so. I even missed the whole psychic part till adrian brought it up. It has that many moving pieces.

You also have to remember this was pre-guardians of the galaxy. Studios were very gunshy about weird shit and they'd already let the naked blue man hanging dong pass inspection. Zack and Hayter likely didn't want to push it too far. So changing it from the slimy squid while sad.. was necessary.

That said the replacement.. just dosen't work for me. I get using Dr. Manhattan.. but how he pulled it off just raises a LOT of questions and leaves a hell of a lot more holes that could be traced back to him than in the original verison. For one thing the project wasn't some secret project on a remote island and then the arctic but a HIGHLY public clean energy project. I'm not sure they knew manhattan was powering it, but a bunch of scinetests going mising from that suddenly.. isn't going to go away forever. I mean sure Adrian can probbaly bury it with his money, but iwth the journal, there's every chance someone might look into it. Now i'm sure Nixon and later Regan after him would likely gladly shoot anyone who questioned this for world peace.. but i'm also sure someone could leak it eventually.

In the comic.. part of why Adrian won besides assuring world peace.. is he covered his tracks emacuatley: Everyone went missing long before he killed them, he could always fake bodies if needed given his genetic engineering and the squid was so convincingly alien, no one would really THINK to investigate something else. I do get Dr. Manhattan is so throughly. .not human it's supposed to be the same principal, but i'm also not convinced someone wouldn't buy the continence of it.

Not only that is trips away the ambigiutiy of Adrian getting caught as if he does.. Jon could just show up, go ooga booga and confirm the plan. It wipes away any chance of him blowing this away. Unless Jon intentionally lets Vedit hang out to dry, which dosen't seem likely, he gets away completely. It just.. dosen't work for me. I get what they were trying to do but it just dosen't add up.

There's one other adjustment to the ending, but this one I like: LIke the comic everyone but Rorshach agrees to keep quiet but for one thing it's even clearer Dan and Laurie aren't on board with this. We also get a nice adjustment to Rorshach's death as Dan follows.. and sees it happen… crying for his death. Even if Rorshach wasn't a great perosn.. he was still his friend and didn't deserve to die like this. While I like dhis lonely death in the comics.. this still works.

The part I like the most though.. is Dan storming in afterword's and beating the shit out of Adrian. Adrian dosen't fight back and it's left ambiguous: Does he feel guilty or is he just patronizing him like a father whose child is having a tantrum. It's what Dan says though that I really love

"You haven't idealized mankind, but you've deformed it, mutilated it.. that's your legacy.. that's the real practical joke".

Just Dan, tears down his face, knowing he can't get the justice that's required.. but not being content to just.. let Adrian smugly step away. He's given humanity utopia but before marred it with it's cost and will forever carry that burden as he damn well should. It's not QUITE as satisfying as "nothing ever ends".. but it still works with Vedit left just as stunned wondering if he really won. Which nicely brings us to

Under the Hood:

While snyder brought the core of the story well enough to screen, his character work was a bit more.. mixed. Some actors soared, others fell, and some were just let down by the script

We'll start with the character both most prominently used in marketing and whose often see as the franchises mascot, Rorshach. Jackie Earle Haley's performance.. is stunning, it's absolutely perfect to screen, having a nice gruff batman-esque tone that still sounds coarser more tired, and perfectly growly. It fits his uncomoromising mindset, blunt nature and perfectly captures that Rorshach needs help more than he needs to be murdering people. Haley PERFECTLY captures the character, and while he spends most of the film under a mask, he emotes greatly. He also BEAUTIFULLY excutes one of the best scenes of a comic, Rorshach's death. His response is growly.. but when taking off the mask.. he looks utterly destroyed at first, nicely replicating the crying and the fact that despite being so resolute.. even rorshach is sad not only is he passing.. but that a horrible man has gotten away with everything and his scream of "Do it!" is just.. perfect.

Writing wise however.. it's a mixed bag. Hayley does a lot of the heavy lifting.. but a lot of Rorshach's character and backstory was cut. We see flecks of it in his psychological examination but the darkness of mere being itself.. is largely cut out of the film. Malcom Long gets nothing of an arc, a huge shame given he was the only POC character of note in the piece (something Snyder could've rectified and didn't), while the context for Rorshach's fall is mostly gone. The change to what he does to the villain works, having been switched from the saw like handcuffs for understandable reasons ot him savagely meat cleaving the guy, but the slow slide from a man with a tragic past being a vigilante to a man who badly needs a therapist but is so far gone he can't accept the help he needs. .is gone and it takes weight for the character. A lot of what makes Rorshach so neat is gone.

Also gone.. are his right wing leanings. While his opening monologue his kept his homophobia, sexism and general other unpleasantness. This is a double edge sword.. on one hand it makes him more likeable.. but on the other hand it robs the ending of some of it's punch as even if Rorschach sucks.. the fact he's throughly RIGHT hit hit harder coming from someone so often wrong and his right wing fanaticism makes it less obvious if his words will carry weight givfen his various prejudices. The character only still works so well.. because Haley does such a phenomenal job in the roll that the various sanded off edges don't come off as bad as they should. He's just so good and so perfectly cast it helps. It's still not the strongest version of Rorschach, but damn if it isn't memorable.

Less well translated is Dr. Manhattan, who I feel gets the shaft despite his sticking out. I mean at least he probablyg ot some nice resduals form his condoms

Yeah while I feel bad people often overly focus on the character hanging dong, as the whole poitn of that is that he is so far beyond human concerns he dosen't evne care he's hanging dong anymore, I can't knock dc for having a perfect tie in with that.

Look dick jokes aside Dr. Manhattan's representation is really spotty. Some moments are translated perfectly: the aforementioned ride of the valyrkye scene, his spotlight with Watchmaker which shockingly shows off his sense of time despite being portrayed in a fraction of it, and his ending return as a giant blue man.

But a good chunk of his scenes are muted. Part of this is on Billy Crudup. He tries his best.. but ultimately just HOW good he is at portraying a detached godlike being.. varies on the scene. Sometimes he sounds perfectly alien and emotionless.. and other times he sounds like he's just.. bored. The latter just dosen't really work.. I mean sure he's lived through all of this but part of the characters mistique is he's often very hard to read. He also stumbles on the time he is, still coming off emotionless during his ephinany about Laurie or , most damingly when shouting for everyone to leave. Crudup just coudln't figure out the righ totne to match the scnee sand the character dosen't come off well.

Writing wise he's mostly fine.. but the Mars bit is completely botched. Like out of all the stuff the film adapts it's easily the issue that is done the absolute worst. See in the comics it looks like this

Nice crystaline but still pink and otherworldly. Easy enough toa dapt for some reason…. Zack Snyder went with..t his

yeah not only does mars look crappier as while ti's more realistic it's also all brown and muted, taking away a lot of the planets haunting majesty from the comic, but the palace for some reason is entirely made of glass, and cgi.. and as a result it looks REALLY bad. LIke I get using CG, I do, and Manhattan himself is an amazing effect. They got him to screen beauituflly, hanging dong and all. But this is just.. I can't tell if it was just the tightly stretched budget or terrible design choices but it just looks ugly and the scene is so cut down in the theatrical cut it just drains the whole phislocpiacal argument between Manhattan and Laurie. It's just..awful and when you cut a characters best scene down to ribbons he's bound to not come off great. Manhattan looks great but just.. feels souless

So speaking of laurie, stop me if you've heard this one: They cut out most of her backstory. Yeah that's a problem with the film as a whole: I get having to streamline things but not finding some way to intergrate the backstories as well damaged most of the cast. With Laurie it's especially bad as the pressure form her mother, the strained relationship and her painful history are all either underplayed or in the latter case gone entirely. Most of what character she did have is gone.

There is a TINY bit of good as she no longer breaks out into hysterics over most thing, an unfortunate trait I noticed that I don't think Moore or Gibbons thought through for you know, one of only two major female characters in the piece, and the other.. is defined ENTIRELY by nearly being raped then having sex with her rapist so not too good on either account.

That said they replace it with

Malin Ackerman tries her best, but even she admitted that she regretted taking the role, citing it was out of her comfort zone and being the only none shakesphere experinced one in the group and the work's importance, got a bad case of imposter syndrome. I just feel bad for her and her feeling out of her depth shows in her performace. it feels stilted like she dosen't know what to do.. and it's one of the times I blame the acting on Snyder himself. Sometimes acting can be bad direction but not helping an actor whose clearly struggling and not having the good sense to give her way more to work with and an actual character.. that's on him. He had no probelm adjusting the script when needed, so laurie coming out this underbaked is inexcusable. The fact she comes off more as a sex object thanks to her outfit and sex scene without having any AGENCY in said sexuality does not help.

WE then have Dan.. and he may be the only one tha'ts a full on improvement. Patcik Wilson is perfect in the part, not only looking exactly like dan but playing him well: he comes off just a touch more confident.. but not so much he isn't still the insecure, withdrawn nerd the story needs him to be. HE's still a painfully shy man, but he not only has a closer friendship with adrian that helps give him more to do in the plot, and more reason why he's more doubtful he's behind it at first, it also makes Adrian's actions hit harder. IN the comic it wasnt' clear if Adrian was all that close to any of his collegeues. Here the betryal feels personal. He also has great chemistry with ackerman. Wilson is the mvp of the film. And like I said he dosen't just sorta.. collapse and go along with the plan at the end, but is actively spiteful about having to and leaves Adrian devistated. This is easily the better version of dan, and it's likely because unlike the others we didn't get a ton of his backstory, so we only gain more of him instead of loosing a lot.

We then have our mastermind Ozymandis and he's done.. fine. Goode dosen't look the most like him, but did put a lot of effort into the roll. Granted he also infamously told people against his casting "Suck my dick because I don't give a fuck"

But he still did his best and I support his casting: he dosen't look like the superman of the books but more gaunt.. yet he does in the past, giving the feeling the weight of his actions and what has happened has worn on him. While he puts on the cold vener of detachment he dosen't have the smug ego. It makes the character diffrent.. but not in ab ad way, coming off as someone who is doing the grim work necesary to save the world instead of a smug egotist who thinks he's the only one who can. Neither is a good person, but both versions ar eintresting. Admitely Goode slips in an out of an accent but it came from the good idea of having Adrian be german and hide his accent in public to blend in more, as well as distance himself from his nazi parents. I wish this was more texual than just something he thought of but poitns for effort

Finally for the main cast we have our boogie man himself, The COmedian. Along with Stevens and Haley, Dean Morgan not only perfectly matches the role in apperance.. but just ooze sinto it. And since we get his full backstory bit, he's one of the few not as badly marred. The only issue I have is changing his attempted rape to have him be older: him being young and still trying to do something his awful signified that he'd ALWAYS been this cynical, selfish asshat and age only made him worse. The roll was a departure for Morgan who was best known for Grey's Anatomy at the time, but nicely blended into the roll and I wouldn't be shocked if, while not having seen him in wlaking dead, this roll landed him negan as I have read the comic version and the two characters are just similar enough for it to be perfect casting. Ther'es not a lot to say about the comedian I havne't in the comics reviews, Morgan is just perfec tin the roll and desreves more love as an actor.

Finally we have the only two minute men of consequences. Stephen McHattie does a great job as hollis mason though sadly his best scene was cut out of the film, as his death was done BETTER in the extended cut, which I almost reviewed but decided for KEv's wallet and times skae not to. It shows Hollis going down swining, imagining the top knot's as his foes. IT's a great death and I wish it'd been kept in.

Carl Gugino does great as Sally and while she dosen't get many scenes, she is great and I like adding a line about Sally having not regretted her one night stand with Eddie because of wha tit gave her, making her reconcilation with her daughter feel way more plausable.

So with that we just have a few odds and end to

The Cutting Room Floor

As you can probably guess the film exercised a lot. in addition to the various backstories, under the hood and tons of other stuff, pretty much every subplot is excised; The Newspaper Man, the kid with him, Malcom Long, the Lesbians, everyone is gone. The newspaperman and malcom long are unfortunate and it's asd to see them go.. the lesbians not so much as their subplot came off untiotnally homophobic. They also removed mustache cop and you can just imagine my reactoin

Most cuts are understandable. And with that

The Clock Strikes one

So overall Watchmen is a decent film: It has visual flair, some decent aditions, and cast that mostly tries their best even when some aren't given a lot. Is it a GREAT superhero film? Honestly.. no. The cut portions mute the story a bit and Gilliam was likely right that a mini series was a better fit, not to mention there's some tarnish of the time with the executive mandated sex scene and general poor writing for laurie as well as that freaking mars cgi. It's far from a perfect film.. but I still maintain it's pretty good and I still enjoyed it. It's not the best adaptation of the work.. but it's the best it could be within the time, budget and paramenters given and it's a clear labor of love. It's clear Snyder loved watchmen and while he amde some changes, he did his best to get the spirit of it down on film. THe result is a real treat if your a fan of the graphic novel or just a superhero fan in general and if your a fan of snyders, you'll likely enjoy this even more than his justice league works. Doubly if your not a fan. So check it out, it's on HBO max and.. thanks for reading all this way. This has been a decent retrospective and one of th ebiggest and most ambitious project si've done.. But it's time to put away the doomsday clock, let it chime to one in storage.. and stop watching the watchmen. It's been a long road but now.. I rest. See you in the new year.

[battyaboutbooksreviews]

April 2024 Young Adult Book Releases

🦇 Good morning, my bookish bats. I hope you have a good book, delicious latte, and sweet snack within reach! No TBR is complete without a few young adult novels, and plenty were released in April! Here are a few YA releases to consider adding to your shelves.

[ List Under the Cut ]

🩷 April 2 🩷 ✨ Your Blood, My Bones - Kelly Andrew ✨ What If... Loki Was Worthy? - Madeleine Roux ✨ Fate Be Changed - Farrah Rochon ✨ No Going Back - Patrick Flores-Scott ✨ The Reappearance of Rachel Price - Holly Jackson ✨ Darker by Four - June C.L. Tan ✨ Draw Down the Moon - P.C. Cast & Kristin Cast ✨ The Black Girl Survives in This One ✨ Wrath of the Talon - Sophie Kim ✨ Every Time You Hear That Song - Jenna Voris ✨ Otherworldly - F.T. Lukens ✨ Misdirection of Fault Lines - Anna Gracia ✨ Something Kindred - Ciera Burch ✨ Hearts Still Beating - Brooke Archer ✨ Call Forth a Fox - Markelle Grabo

🩷 April 9 🩷 ✨ Teenage Dirtbags - James Acker ✨ Canto Contigo - Jonny Garza Villa ✨ Dragonfruit - Makiia Lucier ✨ The Final Curse of Ophelia Cray - Christine Calella ✨ Fog & Fireflies - T.H. Lehnen ✨ Against the Darkness - Kendare Blake ✨ The Darkness Rises - Stacy Stokes ✨ Right Here, Right Now - Shannon Dunlap ✨ The Last Love Song - Kalie Holford

🩷 April 16 🩷 ✨ To Gaze Upon Wicked Gods - Molly X. Chang ✨ Merciless Saviors - H.E. Edgmon ✨ Deep Is the Fen - Lili Wilkinson ✨ This Is Me Trying - Racquel Marie ✨ Calling of Light - Lori M. Lee ✨ Pretty Furious - E.K. Johnston ✨ Dear Wendy - Ann Zhao ✨ The Lady of Rapture - Sarah Raughley ✨ The End of Always - Rebecca Phillips ✨ The Kill Factor - Ben Oliver ✨ The Breakup Lists - Adib Khorram ✨ We're Never Getting Home - Tracy Badua ✨ The Harrowing - Kristen Kiesling & Rye Hickman ✨ King of Dead Things - Nevin Holness ✨ Sheine Lende - Darcie Little Badger & Rovina Cai ✨ The One That Got Away with Murder - Trish Lundy

🩷 April 23 🩷 ✨ Song of the Six Realms - Judy I. Lin ✨ Off With Their Heads - Zoe Hana Mikuta ✨ Blood Justice - Terry J. Benton-Walker ✨ Kill Her Twice - Stacey Lee ✨ Dark Parts of the Universe - Samuel Mille ✨ Finally Fitz - Marisa Kanter ✨ The Merciless King of Moore High - Lily Sparks ✨ Out of Blue Comes Green - M.E. Corey ✨ A Whisper in the Walls - Scott Reintgen ✨ Homebody - Theo Parish ✨ Punk Rock Karaoke - Bianca Xunise

🩷 April 30 🩷 ✨ To a Darker Shore - Leanne Schwartz ✨ The Vanishing Station - Ana Ellickson ✨ The Last Boyfriends Rules for Revenge - Matthew Hubbar ✨ What's Eating Jackie Oh? - Patricia Park ✨ Sound the Gong - Joan He ✨ Playing for Keeps - Jennifer Dugan ✨ Not Like Other Girls - Meredith Adamo ✨ The Notes - Catherine Con Morse ✨ I'll Be Waiting for You - Mariko Turk ✨ Pillow Talk - Stephanie Cooke & Mel Valentine ✨ Saint-Seducing Gold - Brittany N. Williams ✨ Where Was Goodbye? - Janice Lynn Mather ✨ The Lilies - Quinn Diacon-Furtado

[vonnie422]

[Video] I found this on NewsBreak: North Carolina high school student who went viral for hitting his teacher has been smacked with felony charges & is being charged as an adult.

This is how it’s done.

17-year-old Aquavis Hickman has been indicted on assault and kidnapping charges for two separate incidents.

Hickman assaulted one of his teachers in February and another in April.

[Video] I found this on NewsBreak: North Carolina high school student who went viral for hitting his teacher has been smacked with felony charges & is being charged as an adult.

This is how it’s done.

17-year-old Aquavis Hickman has been indicted on assault and kidnapping charges for two separate incidents.

Hickman assaulted one of his teachers in February and another in April.

[heckcareoxytwit]

A preview of G.O.D.S. #7

G.O.D.S. #7

Dimitri is an orphan who was born in the Cosmodrome. Out there somewhere is what he’s been looking for his whole life. The way in is the way through. All you have to do is listen for the signal.

Written by: Jonathan Hickman Art by: Valerio Schiti, Marte Gracia Cover by: Mateus Manhanini Page Count: 28 Pages Release Date: April 24, 2024