#Anupriya Goenka in Padmavati

[love-indian-actress]

Padmaavat (2018)

[sonamhelps]

Anupriya Goenka RP Icons

Under the cut are 152, 100x100 rp icons of ANUPRIYA GOENKA as Rani Nagmati in Padmaavat. Her ethnicity is Indian (Uttar Pradesh). screencaps by moescommissions. These were all cropped and coloured by me. They are free to use for roleplaying purposes. If you edit them in anyway credit the original icons in this post and do not whitewash her. Like/ reblog this if you use them!   [ DOWNLOAD ]

[toomanyfandomsshreya]

👏🏻LOUDER👏🏻FOR👏🏻THE👏🏻 PEOPLE 👏🏻IN👏🏻THE👏🏻BACK👏🏻

  #rani padmavati shutting down victim-blaming assholes

[darlinggod]

Bajirao Mastani (2015) // Padmavati (2017)

[like2in]

Forget Kat, meet another tigress Anupriya Goenka from TZH

Forget Kat, meet another tigress Anupriya Goenka from TZH – The unconventional dusky beauty Anupriya Goenka was a corporate rat until she realized her passion for acting.

Mumbai:Born in Kanpur city, Uttar Pradesh, the unconventional dusky beauty Anupriya Goenka was a corporate rat until she realized her passion for acting. Apart from giving a tough competition to actress like Lisa Haydon with her…

[salmankhanholics]

★ Tiger Zinda Hai actor Anupriya Goenka: Salman Khan has a divine personality !

Salman Khan-Katrina Kaif starrer Tiger Zinda Hai which has been directed by Ali Abbas Zafar had Anupriya Goenka playing the main nurse. Anupriya will also be seen in Sanjay Leela Bhansali's Padmavati.

Mimansa Shekhar | December 29, 2017 

Anupriya Goenka is one face we all have seen, just that we never knew who she was or where she came from. Despite being part of innumerable advertisements and many films (Bobby Jasoos, Dishoom and Daddy), it took Anupriya some time to grab that one role – Poorna in Tiger Zinda Hai. She was the brave-heart nurse who gave a strong support to Tiger aka Salman Khan and his team during their fight against Abu Usman. Now that the film is roaring at the box office, Anupriya has come out as a tigress too. So, can we say Anupriya has finally arrived? “(laughs) That might sound very narcissist. You can definitely say Anupriya’s hardwork has paid off so far, it is looking good. That’s it!” the actor said during an exclusive chat with indianexpress.com.

Tiger Zinda Hai had the highest opening weekend of all time in Bollywood. The Christmas release was definitely a festive gift for the audience. But despite the film hard-selling on Salman Khan and Katrina Kaif’s reuniting, Anupriya managed to find her way and make a mark. Ask her about all the praise coming her way and she tells us, “It is obviously very overwhelming, it’s a lot to take but at the same time it’s really exciting. I had gone to Chandan theater (in Mumbai) for its screening on second day and I wasn’t expecting anyone to notice me, but it was beautiful how people surrounded me, asked for pictures and acknowledged and appreciated my work.”

Anupriya plays the main nurse among the group of 40 girls who are held hostages by a terrorist organisation in Tiger Zinda Hai. Her character of Poorna helps Indian spy agent Tiger nab the main villain and rescue all the nurses. “Those two months of shooting in Abu Dhabi were very tough. It was such an intense character, I was always in that zone, thinking about terror. There were times when it gets into you, you start imagining death. I remember for my bomb scene where there is a bomb strapped on me, I was preparing for it for two days and by the end of it I started getting these nightmares that I am dying and I won’t be able to see my family tomorrow. It does get difficult at times,” she recalled her on-shoot memories.

Anupriya was a corporate girl until she began doing theatre. This dusky beauty soon left her job to take up acting full time. She was first noticed when she did a bold ad for a clothing line themed around same sex love. Her unconventional rustic looks got her into several TVCs, a TV show and even some Telugu films. She shot for the Bharat Nirman campaign with Pradeep Sarkar and later did Nagesh Kukunoor’s yet-to-release film Maya. After doing small roles in handful Hindi movies, she auditioned for the main lead in director Ali Abbas Zafar’s previous film Sultan too. However, that didn’t work out, but it helped her bag Tiger Zinda Hai.

Ask Anupriya of working with Salman, and she happily shares, “I have learned so much. When you see him in person, you realise why he is called ‘Bhai’, why there is so much of love and affection for him. He has this presence, this aura, this sort of a divine personality and he is very giving as a human being, extremely supportive to newcomers specially. He would guide us, he would tell us what to do and he would make us comfortable. Sometimes when people give you suggestions they are kind of making you nervous, you wonder whether you are doing something wrong. But when Salman gives you suggestions, it just ups your energy level, your enthusiasm and encourages you. And he has this whole body language that you can just go to him for anything and if there is anything going wrong, he will take care of it.”

The starlet will also be seen playing Shahid Kapoor aka Ratan Singh’s first wife Nagmati in Sanjay Leela Bhansali’s controversy laden film Padmavati. We saw a glimpse of her character in the song “Ghoomar” which has Deepika Padukone in the title role. Anupriya tells us that she shot for Padmavati before TZH. However, the hatred around the film does trouble her. “It is very hurtful because it is not just your hard work, it is the entire team’s hard work, it is Sanjay sir’s hard work. We all hope and I’m sure once the movie comes out, it’ll be worth it. The same people who are having problems, will enjoy it and will be proud of it, I’m very sure of that. Sometimes, things just happen for a reason. Once it is out, it’ll do the whole country proud,” she said.

Now that Anupriya has become a face to reckon with, is she getting meatier roles? “People always appreciated my integrity towards work. But, now when they see it on such a big scale, there is a different kind of vision that they give you which is amazing. There have been some beautiful scripts that have come my way. One or two amazing opportunities are coming up. And I hope they materialise and something beautiful comes out of it, and in 2018 we’ll be talking again about another beautiful story,” she signs off hinting at some bigger projects in her kitty!

Here’s wishing Anupriya Goenka, all the best!

Indian Express

[kerception]

From Padmavati to Padmaavat

     Disclaimer: I grew up watching Bhansali’s  Khamoshi, Black and Hum Dil De Chuke Sanam and obviously I love him for his opulence, his grandeur and the visual treat that he offers his audience. There is an excess that should be nauseating, yet it is decadent, that’s what I love about Bhansali.

      Over the years my politics has taken me further away from his interpretations, however my senses still thrive being fed his imagery. I don’t want to get into a whole lot of what has already been said about his new film (or the politics of meaningless protest by the Karni Sena). As a critique of the film, I’d like to offer something that sticks to the merits of the film. I want to focus on Padmaavat (the erstwhile queen Padmavati) as a piece of cinema.

     Bhansali does justice to the two major plot lines of the film, as he sets up the Khilji rule, led by the majestic Raza Murad (playing Jalaluddin Khilji) and Ranveer Singh as Alauddin Khilji). Alauddin is flamboyant, perhaps spoilt and unabashedly ambitious. He stands firm in Jalaluddin’s aura.

     On the other side is the Rajput kingdom of Rawal Ratan Singh (actor Shahid Kapoor), who discovers Padmavati (Deepika Padukone) while hunting in the forest. The early romance is sweet, tender and a bit reminiscent of a 1950s period piece. And Bhansali does it purposely, for he will juxtapose the sweet tender romance of Rawal Ratan and Padmavati to the jealous cravings of Alauddin Khilji.This is all for dramatic effect, as he will reveal over the next 150 minutes.

     The Khiljis engage in expansion, intrigue, power at the cost of all else. While the Rajputs do that too, to a certain extent, but Bhansali chooses not to explore that. He will only go as far and give us a taste of the palace intrigue on the Rajput side, when Rawal Ratan’s Rajguru (political mentor) is introduced to Padmavati. The short discourse between them was the best set of dialogues in the close to three-hour long saga.  But with the Rajguru’s banishment, all intrigue, political frolic and the story comes to a complete halt. It becomes a predictable dramatic one twist to the other from here on. We know that the Rajguru will go and form an alliance with Khilji, who in turn will train his eyes on Rawal Ratan’s kingdom and Padmavati. This will eventually end in the Rajputs and the Khiljis coming face to face. The end.

     Now let’s look at the rest of the film. Visually this is stunning and we wouldn’t expect anything but from Bhansali. Each and every frame is painstakingly crafted. From the palace of the Khiljis, the spaces that the characters inhabit, the fortress/city of Rawal Ratan and Padmavati and everywhere where the camera even glances at, is Mughal-E-Azam all over again. All credit to the cinematographer (Sudeep Chatterjee) and the art directors who help bring Bhansali’s vision to life.

image courtesy: india.com 

     The characters: For all the criticism that Bhansali has received for presenting Alauddin Khilji’s character as barbaric, lustful and treacherously ferocious, I found Khilji’s character the only one who really gets any attention from Bhansali’s pen. He is crafted with range, substance and yes he is vile. As an antagonist, in typical Bollywood/drama/fiction style, he has to be vile and eccentric. Does this make Bhansali anti-Muslim? Did I respond to Khilji and think all Muslims are like that? I equally enjoyed his exchanges with his court poet Khusru. And while I will call Bhansali out on his depiction of Malik Kafur (played by Jim Sarbh: the brilliant star of the film) for playing into the Bollywood stereotype of LGBTQ characters on screen, I do give him and Ranveer Singh credit for exploring ‘bisexuality’ in a mainstream Bollywood film. Malik Kafur’s character falters towards the end, but he comes to the audience in spurts and he is just wonderful. And for whatever it's worth, the Khilji-Kafur interaction was way more interesting than anything Padmavati and Rawal Ratan’s characters had to offer. It was rather hilarious and in a way Bhansali indulging in self-deprecation, when Khilji mocks Rawal Ratan for being oh so saintly and good.

     Padukone as Padmavati should have been the heart of the film, but she isn't. Bhansali played with the idea of turning Padmavati into the astute, politically savvy protagonist that she could have been. But instead he chose to leave her out completely in the first half, so that whole thing came to naught. And by the time she is back, you have been blinded and exhausted by the colors and cravings of Bhansali’s canvas.

     I want to be more generous to Kapoor for playing Rawal Ratan with some stoic restraint, but I can only compliment him for his chiseled torso, unfortunately. I kept hoping that his first wife Nagmati (played by Anupriya Goenka) would come out of the shadows, but again Bhansali decided character development didn’t matter in a magnum opus.

     The practise of Jauhar: Jauhar was a prevalent practise in the Rajput communities for centuries. I saw the depiction as merely a recreation of a practise that existed in medieval India. I asked people in my entourage and no one seemed inspired to commit Jauhar after watching the film, as was being suggested by commentators, social media folk. From where I sat, Bhansali’s depiction of Jauhur (unlike Sati) was similar to say Ridley Scott’s depiction of Maximus as a Gladiator. Archaic and dehumanizing, of course, but not glorified. It’s part of the poem (Padmavat, 1540) that Malik Muhammad Jayasi wrote and the film being inspired from it, saw it make its way as a dramatic, over the top climax.  

    My critique of the film is that Bhansali lost an opportunity to really tell an intriguing, layered, engaging story about a character who is part of contemporary folklore, something that is naturally expected of him. His journey from Padmavati to Padmaavat meant that we were given a visual treat, which besides Ghoomar (a song I absolutely love) was lacklustre musically and absent a whole narrative. I momentarily pondered over the alleged nexus between the Hindu-right and Bhansali for creating a propaganda piece furthering the Hindu-Rajput identity, but then I remembered that the chest thumping of Rajput pride is just part of how Bollywood films approach religion and the Rajput/Hindu confluence. So, I won’t blame Bhansali for being at the root of the problem, he is merely a symptom.

[pinkvilla]

Katrina Kaif’s Tiger Zinda Hai and Deepika Padukone’s Padmavati has THIS in common

Bollywood’s top actresses Katrina Kaif and Deepika Padukone both have their films coming up for release in the month of December. While Deepika stars in Sanjay Leela Bhansali’s magnum opus, Padmavati, Katrina will be seen reuniting with Salman Khan in Tiger Zinda Hai. 

Recommended Read:  WATCH: Deepika Padukone has a gala time dancing on ‘Ghoomar’ with fans

Did you know that there is an actress who plays a pivotal role in the two films? This actress is a part of both, Padmavati and Tiger Zinda Hai. Well, in Padmavati, the song Ghoomar, features Anupriya Goenka, who plays the role of Shahid Kapoor (Maha Rawal Ratan Singh)'s first wife Rani Nagmati. The Official FC Account of Bhansali Productions tweeted the information stating, "Presenting #AnupriyaGoenka as #RaniNagmati First wife of #MaharawalRatanSingh @shahidkapoor #Padmavati #SanjayLeelaBhansali @ShobhaIyerSant"

It has now come to light that Anupriya is also a part of Salman Khan-Katrina Kaif starrer Tiger Zinda Hai. She will reportedly be playing the role of a nurse who is kidnapped. Anupriya has previously been a part of Dishoom and Paathshala.

About the song, Ghoomar, Deepika had said in a recent interview, “The Ghoomar Song has been one of the most difficult song sequences that Sanjay Sir and I have shot for. His vision can be seen in the grandiose of the set and the immense hard work we’ve all put into making it. I had started preparing for this film and character for several months before we actually started filming. But it was for The Ghoomar Song that I walked onto the set as Padmavati for the very first time” 

[bollywoodlerinya]

Yönetmen: Sanjay Leela Bhansali

Senaryo: Prakash Kapadia, Sanjay Leela Bhansali

Tür: Dram, Tarihi, Romantik, Savaş

Vizyon Tarihi: 25 Ocak 2018

Müzik: Sanchit Balhara, Sanjay Leela Bhansali, Ankit Balhara

Oyuncular: Deepika Padukone , Ranveer Singh , Shahid Kapoor , Aditi Rao Hydari , Jim Sarbh , Anupriya Goenka , Raza Murad

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ÖZET

Mewar'ın Kralı Ratan Singh ile evli olan Kraliçe Padmavati’yi gören Delhi Sultanı Alauddin Khilji, Padmavati’nin güzelliğini duyup Chittor'a saldırı yapar. Alauddin Khilji, Kral Ratan’a Padmavati’yi bir kez görürse saldırı yapmayacağını söyler ve onu ikna eder. Padmavati, Khilji’nin karşısına çıkmaz ve aynadan yansımasını görmesini sağlar. O şekilde bile Padmavati’ye aşık Khilji, onu haremine almak için savaş açar.

[montrealrampage]

From Padmavati to Padmaavat

From Padmavati to Padmaavat

Disclaimer: I grew up watching Bhansali’s Khamoshi, Black and Hum Dil De Chuke Sanam, and I love him for his opulence, his grandeur, and the visual treat that he offers his audience. There is an excess that should be nauseating, yet it is decadent, and that’s what I love about Bhansali.

Over the years, my politics has taken me further away from his interpretations; however, my senses still…

[anujtikku1974]

Anupriya ka Piya - My Padmavati

Anupriya ka Piya – My Padmavati

Now that I could put a person to the face of the enchanters who had passed my mind and soul for months on end, a great desire in me occurred to see her nest all in flesh. I sat days on my bed just imagining that she was sitting beside me. We were so close and pop! She just vanished into thin air. My mind went numb, my body ached for her touch, my eye wanted to possess her, I was like a man…

[oceanusborealis]

Movie Review – Padmaavat (Padmavati, पद्मावती)

TL;DR – A fascinating but also a quite difficult film, great acting, but only one-dimensional characters, with a very mixed ending Score – 3 out of 5 stars Review – So back in 2017, I pushed myself to go see more non-western films and while it was a laudable goal, it didn’t pan out as much as I would have liked. Well, 2018 is a new year, and so let’s take another stab at this, and well there was…

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Padmaavat Movie Review: Ranveer Singh's Delicious Performance Is Its Biggest Strength

Padmaavat Movie Review: Ranveer Singh’s Delicious Performance Is Its Biggest Strength

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Cast: Deepika Padukone, Ranveer Singh, Shahid Kapoor, Jim Sarbh, Aditi Rao Hydari, Raza Murad, Anupriya Goenka

Director: Sanjay Leela Bhansali

Padmaavat, or the film formerly known as Padmavati, fits nicely within the impressive canon of filmmaker Sanjay Leela Bhansali. After all, the legend of Sultan Alauddin Khilji’s obsession for the unattainable Queen of Chittor, the wife of…

[lazyupdates]

2018 has been a rather eventful year for Bollywood so far. One thing that we learnt in this year is that Indian audiences are looking for good content in movies. Gone are the days when having an A-list star in your film was good enough to attract people in numbers. Times have changed and Bollywood is adapting to the change as well. Movies like Raazi and PadMan might not have performed at the box office the same way had they released a few years back. So, with first half of 2018 gone by, we list some of Bollywood’s best offerings so far.

Padmaavat Director: Sanjay Leela Bhansali Release Date: 25 January, 2018

Padmaavat was directed by Sanjay Leela Bhansali. The film is loosely based on the poem Padmaavat which was written by Malik Muhammad Jayasi. The movie stars Deepika Padukone, Ranveer Singh and Shahid Kapoor in leading roles. Aditi Rao Hydari, Jim Sarbh, Raza Murad, and Anupriya Goenka featured in supporting roles. With a budget of approximately INR 190 crore, Padmaavat is regarded as one of the most expensive films to be made in India. Initially, Padmaavat was scheduled for a release on 1 December 2017. However, due to Karni Sena protests the release got delayed and the makers had to face an uphill battle for its release. The Karni Sena requested the government for a nation-wide ban on the film and even went far as putting a bounty on Deepika Padukone. Eventually, when the film did release there was no stopping it from setting the box-office on fire. Padmaavat was a story about Rani Padmavati, who felt sacrificing her life was better than surrendering to the enemy. In the movie, Sultan Allauddin Khilji (Ranveer Singh) tries everything he can to get Rani Padmavati who was married to Maharawal Ratan Singh (Shahid Kapoor) at the time. Khilji was an extremely powerful ruler who would stop at nothing to get what he wanted. Bhansali made use of technology to recreate the era. Real-life sets were used as well and the result was a never-seen-before opulence. The film made clever use of IMAX technology and 3D, which gave it depth and added to its grandness. Ranveer’s portrayal of Allauddin Khilji was something Bollywood had never witnessed before. The character of Khilji was so dark and intense that even playing the character on screen took a toll on Ranveer Singh. When asked about the same Ranveer said.”It was a huge risk. I was very apprehensive about taking the risk but Bhansali was very persistent in his pursuit of me and he is the one who convinced me that I would be able to pull it off. I went with his conviction. I can never say no to Bhansali, given the amount he has contributed to my career and to me as an artiste.”

Padmaavat broke many box-office records and made it to the 300 crepe club too.

Pad Man Release Date: 9 February, 2018 Director: R Balki

Through PadMan, Akshay was trying to convey the story of Arunachalam Muruganantham, who invented a low-cost sanitary pad making machine and helped spread awareness about menstrual hygiene in rural India. Akshay Kumar’s main purpose in doing the movie is to break the taboo around this biological fact, more so in the rural areas of India. The makers of Pad Man made it with a vision of spreading awareness not the commercial aspect. In India, it is not a surprise that movies are watched by everyone and everywhere. So, Akshay tried to utilise this median to give out the message he wanted. Apart from this, the makers felt that this will even give an impetus to politicians to take matters like these more seriously. Akshay also stated in an interview with a leading daily, that his biggest victory of Pad Man was the fact that people are able to talk about sanitary pads openly. The film release date was scheduled for 13 April 2018, however it was later changed to 26 January 2018. But, on 19 January it was announced that Pad Man has postponed its release to 9 February 2018 to avoid a clash with Sanjay Leela Bhansali’s Padmaavat. The main reason for the delay in the release of Pad Man was known when Akshay Kumar revealed that Sanjay Leela Bhansali had requested him to postpone the release of his film in order to avoid a clash. In an interaction with the media, AKshay Kumar said, “He (Sanjay Leela Bhansali) has gone through a lot. It is essential for them to release the film at this time, their stakes are higher than mine,”. The film received an amazing response from the audience and went on to do business worth INR 120 crores globally.

Sonu Ki Titu Ki Sweety Release Date: 23 February, 2018 DIrector: Luv Ranjan

Sonu Ki Titu Ki Sweety was a comedy drama which was directed by Luv Ranjan. The movie starred Kartik Aaryan, Nushrat Barucha and Sunny Singh in leading roles. The combination of Kartik and Luv has already delivered hits like Pyaar Ka Punchnama and Pyaar Ka Punchnama 2. Although the movie received mixed reviews from the critics, it was a hit with the audience. The movie revolves around two friends, Sonu (Kartik Aaryan) and Titu (Sunny Singh). The two are shown to be the best of friends, but things change when Sweety (Nushrat Barucha) comes into their lives. Sonu is fed up with dating girls and believes that getting married will solve his problems of dealing with heartbreak. His family arranges a meeting for him with Sweety and they instantly hit off. Sweety is shown to be the “perfect bride”. But, Sonu finds this too good to be true and starts getting doubts about her. Eventually, Sonu finds out from Sweety herself that she is a schemer and plans to do the same with Titu. Despite several attempts of breaking the marriage, Sonu couldn’t succeed. At the night of the wedding, Sonu gives Titu an ultimatum saying that “It is either her or me.” Titu valued his friendship more than anything else in the world so he sacrificed his love for Sonu as well. Eventually, he finds out that Sonu was not just speculating but there was actual truth in what he was saying. Sonu Ki Titu Ki Sweety became the sleeper hit of the year. The collaboration of Luv Ranjan and Kartik Aaryan has already worked wonders at the box office with the Pyar Ka Punchnama series but with Sonu Ki Titu Ki Sweety the took it a notch higher.

Raid Release Date: 16 March 2018 Director : Raj Kumar Gupta

Raid was a crime thriller directed by Rajkumar Gupta and written by Ritesh Shah. The movie featured Ajay Devgn, Illeana D’cruz and Saurabh Shukla. The film was inspired by real life IT raids that were conducted by officers of the Indian Revenue Service during the 1980s. The film was a story about IRS Officer Amey Patnaik (Ajay Devgn), who is the Deputy Commissioner of the Income Tax Department. He once receives an anonymous tip about black money being hoarded by MLA Rameshwar Singh. The movie is about Amey’s chase of the cash, while ensuring his officers and his family are safe. Ajay Devgn’s performance in the film received a lot of praise from the critics and the audience. Ajay played his character of the IRS officer with dedication which made it look very authentic. Saurabh Shukla’s performance as Rameshwar Singh too won hearts of many people. His quirky lines mad his character the most interesting part of the film. The film entered the 100 Crowe club too.

Raazi Date: 11 May 2018 Director : Meghna Gulzar

Alia Bhatt has perhaps mastered the art of balancing commercial cinema with socially relevant cinema. In fact, she started her career in this way as well. After making her debut with Student of The Year, which was a commercial film, she went ahead and did a film like Highway. We have seen her in films like 2 States and Badrinath Ki Dulhania but to offset these commercial entertainers she also is seen in films like Udta Punjab and Dear Zindagi. Alia Bhatt’s last release Raazi was a film based on the book Calling Sehmat by Harinder Sikka. A novel which was inspired by the almost-unbelievable real-life story of the woman who Sikka named Sehmat, to protect her identity. Harinder Sikka had gone to cover the Kargil war and write about the many intelligence failures of the Indian army. However, during his stint there, an army officer pointed out that there had been people who were risking everything to provide the army with top secret information. Turns out, Sehmat was that army officer’s mother, a Kashmiri Muslim, who married a Pakistani officer to spy and provide classified information to Indian intelligence during the 1971 Indo-Pak war. Harinder was so fascinated by the courage and patriotism of this woman that he tracked her down. He met her in Malerkotla in Punab, where she was living at the time and got her to open up about her life’s story. Credit must go to the director Meghna Gulzar for the way she portrayed Sehmat’s story. Raazi as a film didn’t take any sides. It didn’t portray Pakistan in a bad light nor India in a good one. It showed that humanity and ruthlessness exist on both sides. This is a significant departure from the patriotic films of yesteryear – we are habituated to seeing a good vs evil theme, and having Pakistanis depicted as soulless warmongers. However, it did give us a good glimpse of how many people are sacrificing their lives for our country, something for which they don’t ever get credit for. You’ll feel proud of such unsung heroes of your country after this one! Raazi also went on to be Alia Bhatt’s biggest hit as the litfitime collections of the film amounted to Rs 123.47 crores approx.

Parmanu Release Date : 25 May 2018 Director : Abhishek Sharma

Parmanu was a recreation of the events that occurred back in 1998 when India tricked the American intelligence while carrying out the successful nuclear testing in Pokhran. John’s character Ashwath is the architect of the plan. He initially formulated the plan in 1995 but was refused when he wanted to bring it in action by his superiors. The government approach him three years later in 1998 and how he executes it with the help of his chosen team forms the crux of the film. That very event changed the world’s perspective towards our nation and it was indeed a proud moment for us all. Parmanu is a tightly scripted film which will give you ample of thrills and drama to keep you on the edge of your seat throughout the film. There are no commercial compromises, and the director has mixed all the elements perfectly to give you a touching patriotic story which proves that unsung heroes can be remembered and honoured on any day. A special mention must go to John Abraham who risked producing a movie on a topic which many would consider tricly. Apart from being a courageous producer of this film, he carried it well on his shoulders as the main lead. He was ably supported by talented actors like Boman Irani, Vikas Kumar and Yogendra Tiku. Diana Penty and Anuja Sathe did justice to their limited characters. The film managed to collect a total of Rs. 65.36 crore during its run at the box office.

Veere Di Wedding Release Date: 1 June 2018 Director: Shashanka Gosh

Veere Di Wedding starred Kareena Kapoor Khan, Sonam Kapoor Ahuja, Swara Bhaskar and Shikha Talsania in leading roles. The movie is designed to push the idea that girls too have fun just like boys. And the performance by the four leads in the film sure do make you believe that. With Veere Di Wedding, Kareena Kapoor Khan made her return to Bollywood after almost two years with her last release being Ki and Ka in 2016 in which she was seen opposite Arjun Kapoor. Kareena plays the role of Kalindi Puri, a commitment phobic girl who is enjoying her relationship with Rishabh Malhotra (Sumeet Vyas) until he proposes. Despite hesitating earlier, Kalindi decides to take the plunge. What follows is a series of hilarious situations that we see in a typical Punjabi wedding. Director Shashanka Gosh ticks all the boxes and does a great job in developing great chemistry amongst the leading ladies which form the crux of the film. The film strongly gives out the message that each one of comes with their own set of flaws and that is okay to not be perfect. The film was more of a wake up call for the society to come on term with today’s times. Girls do drink, smoke and swear and that it is absolutely fine if they do so. Sonam spoke about the same in an interview with a leading daily. She said, “I don’t think this question would be posed to men that you are drinking, smoking and abusing or sexually active, does this make you less of a man? Just because people saw four girls who are in a certain urban setting being realistic to what young urban working women, what their lifestyle is… a lot of us who come from this background, we do curse, we do drink.. And we are sexually active. We are not sitting waiting till we get married. Just because we are showing that on screen why is that becoming an issue? When we allow our male characters to be as close to reality as possible, why can’t we let our women have that?” Veere Di Wedding proved that a film with female characters as leads too can mint money at the box office as the film went on to earn a total of INR 81.13 crores.

Sanju Director : Rajkumar Hirani Release Date : 29 June 2018

We have been watching him on the big screen since decades now, so watching Sanjay Dutt’s chequered story unfold on screen has naturally got all of us excited and how. Ranbir Kapoor has undergone an amazing body transformation which makes him look and feel like Sanjay Dutt. It’s just not the looks, Ranbir has also managed to imbibe all the mannerisms of Sanjay Dutt. The little things like the tone of his voice and his body language are replicated extremely well by Ranbir on-screen.

The film has a host of other talented actors like Sonam Kapoor, Anushka Sharma, Manisha Koirala, Dia Mirza, Paresh Rawal, Vicky Kaushal and Jim Sarbh in the sway as well. The performances by Paresh Rawal and Vicky Kaushal too have received a lot of praise along with Ranbir, since they are playing key characters in the movie as well.

It seems like director Rajkumar Hirani has cracked the formula of what works at the box office and his track record more than justifies that. Sanju has already broken several record’s in a very short time at the box office. The film got the biggest opening for a Bollywood movie in 2018, a title which was held by Salman Khan’s Race 3. The collections of Sanju on 1st July 2018 were the highest for any Hindi film until now. Sanju (INR 46.71 crores) beat the record set by Baahubali 2 (Hindi) (INR 46.50 crores). It has not even been a week since the release of Sanju and the collections already are inching towards the INR 150 crore mark as on the fourth day they stand at INR 145.41 crores.

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Padmaavat Review: Ranveer Singh

Read Full Article http://www.nowiamdone.com/entertainment/reviews/padmaavat-review-ranveer-singh/

Cast: Deepika Padukone, Ranveer Singh, Shahid Kapoor, Jim Sarbh, Aditi Rao Hydari, Raza Murad, Anupriya Goenka Director: Sanjay Leela Bhansali Padmaavat, or the film formerly known as Padmavati, fits nicely within the impressive canon of filmmaker Sanjay Leela Bhansali. After all,...

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Biggest Bollywood Movies Come To Hit The Theatre In 2018

                                     Upcoming Bollywood Movies

Bollywood, formally known as Hindi silver screen, is the Indian Hindi vernacular film industry, arranged in the city of Mumbai, Maharashtra, India. Bollywood is a bit of the greater silver screen of India, which consolidates other age centers making films in other Indian tongues. Etymologically, Bollywood films have a tendency to use a conversational dialect of Hindi-Urdu, or Hindustani, ordinarily fathomable to both Hindi and Urdu speakers, while current Bollywood films also dynamically intertwine parts of Hinglish.

We have had a lot of Latest Bollywood Movies releases in 2017 and still foresee a part of the best of the year in the coming months. We saw the loftiness of films like Baahubali: The Conclusion and saw the fall of Tubelight, in any case, one year from now ensures altogether more prominent motion pictures than this. We aren't just examining the age money or the star cast or the total aggregations it will make, we are talking about these things together, overall.

Notwithstanding whether these best in class Hindi films can hand the tides over Bollywood is something reality will surface in the long run, yet that won't keep fans from expecting a part of the best costly motion pictures one year from now. Here we give you a synopsis of Upcoming Bollywood Movies in 2018 to expect and acknowledge with your film people.

Zero

Shah Rukh Khan plays Zero, a three-four foot physically tested man. Rai chose to make Zero since he needed to praise the inadequacy of individuals saying that there is magnificence in flaws and deficiency. The film will likewise have ritzy visitor appearances by Salman Khan, Deepika Padukone, Rani Mukherji, Kajol, Alia Bhatt, Sridevi, Karisma Kapoor and Juhi Chawla who will depict themselves. It will check the first run through in 19 years that Rani, Kajol, and Khan will have a similar screen together since Kuch Hota Hai (1998).

1921

A couple tries to secure their dull past and advantaged bits of knowledge remembering the ultimate objective to save themselves from future. 1921 is a 2018 best in class Indian Bollywood violence motion picture, conveyed by Vikram Bhatt, under his flag of Lone Ranger Productions. It is the fourth film in the 1920 (film series).The film will star Zarine Khan and Karan Kundra in lead parts. The film will be released on 12 January 2018.

Padman

The film will be established on Twinkle Khanna`s book, The Legend Of Lakshmi Prasad, which is spurred by the life of Arunachalam Muruganantham. Tamil Nadu-based social fanatic Arunachalam Muruganantham, changed the possibility of menstrual tidiness in nation India by endeavoring sterile napkins machine.

Baaghi 2

Baaghi 2 is a forthcoming Indian hand to hand fighting movie coordinated by Ahmed Khan and created by Sajid Nadiadwala under the flags Nadiadwala Grandson Entertainment and Fox Star Studios. A revamp of Telugu Mystery/Drama motion picture Kshanam. The film highlights Tiger Shroff and Disha Patani in lead parts. It is a spin-off of the 2016 film Baaghi.

Padmavat

Padmavat is a best in class Indian Hindi-lingo epic periodic demonstrate film facilitated by Sanjay Leela Bhansali. The film features Deepika Padukone in the title part as Rani Padmavati, close by Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Sultan Alauddin Khilji. Aditi Rao Hydari, Jim Sarbh, Raza Murad and Anupriya Goenka incorporate into supporting parts. In perspective of the epic anthem Padmavat (1540) by Malik Muhammad Jayasi, the film depicts the story of Padmavati, a mind-blowing Rajput ruler who gave Jauhar to shield herself from Khilji, a savage Muslim master.

These are summary of Top 5 Bollywood Movies Of 2018.