#Antonio Urzi

[chloesunit4]

Body beautiful Research:

Georgina Ripley, the museum's senior curator of modern and contemporary fashion, designed the display. Earlier this autumn, she sat down and discussed "Body Beautiful," which is commendable not only for its subject matter but also for its ambition—Ripley and her colleagues' attempt to connect fashion to a far broader and more meaningful dialogue with contemporary life and, by extension, those visiting the museum's monumental Chambers Street home. The conversation was defined by ambition for the fashion department, from the future plans for the institution's impressive and important Jean Muir archive, bequeathed to it after the late British designer's company ceased operations, to the new guard of London talents she'd like to add to the permanent collection.

It's not really a fashion show; it's about something far broader. It has to do with culture and social history. In terms of attracting an audience, it should have a wider range of appeal to entice people to come watch it. There are five themes: race, age, handicap, gender and sexuality, and size, with four or five designers each topic. There are two approaches we've taken. There are designers who have explored diversity within the clothes itself, such as Rick Owens, Walter Van Beirendonck, Jean Paul Gaultier, and Charles Jeffrey, as well as others who have approached diversity in their casting, showing their collections on varied sizes and races. They're already playing with norms with their outfits, so the pieces express something on their own, when in other circumstances, we might need to have the catwalk photograph next to the garment to demonstrate who wore it. There's Vivienne Westwood, whose outfit will be included in the disability area; they have a piece that she demonstrated on actor RJ Mitte [who has cerebral palsy]. We also have Teatum Jones in that part; they're wearing items from their Spring 2018 collection, which was inspired by Natasha Baker [the British Paralympian], and they're delving into Natasha's narrative. Antonio Urzi, for example, has worked with wheelchair-bound models. Ashish Gupta has sent us designs from his Spring 2015 collection, which was presented entirely on models of colour, and from his Spring 2017 collection, which was a celebration of Indian culture as well as how it is an intrinsic part of British society. They examined how designers portrayed the hijab.

If we're going to talk about the need for more diversity in the business, the production of truly varied design and fashion images… we want to talk to a variety of casting directors, photographers, the British design Council, model advocates, and activists. Hopefully, we will be able to capture their various points of view and experiences. And, uniquely for a museum, we want people to write the interpretations of the various objects rather than the curators; we want their voices to be the labels. If you're looking at anything, you should be able to tell not only what inspired the designer, but also why inclusion is important to them or the model who wore it. There has been a revolution in how museums think about fashion in the last ten years, and we can credit the Costume Institute and the Victoria and Albert Museum for that. This notion that fashion might have a home in a museum is gaining traction. It's generally popular with visitors, and it's an area where we know we need to increase our audience because it's new to us. However, the exhibits have been quite well received.

It was fascinating to learn how to organise an exhibition with a live designer, and the back-and-forth that can occur between designer and institution; how they attempted to interpret fashion and believed interpretation should be kept to a minimal. That was all really intriguing, and it raised the bar for fashion; it wasn't simply a showcase for Rei Kawakubo's work, but a lot more cerebral dissection of what she'd done, as well as the process of curating fashion shows. I believe such techniques are quite helpful in terms of legitimising enormous blockbuster exhibitions for folks who feel they don't belong in a museum.

Havard referencing:

MARK HOLGATE. (2018). “Body Beautiful” Will Celebrate Diversity at the National Museum of Scotland in 2019. [Online]. Vogue. Last Updated: 16 November 2018. Available at: https://www.vogue.com/article/body-beautiful-2019-national-museum-of-scotland [Accessed 29 August 2023].

[misslacito]

Editorial Elle Serbia Agosto 2019

Editorial Elle Serbia Agosto 2019

La modelo Gizele Oliveira protagoniza el editorial con el que arrancamos la semana en el blog. Pertenece al número de agosto de Elle Serbia y grita verano mires donde mires. El editorial está lleno de brillo, bañadores y looks con un toque deportivo glamuroso. Las fotos son de Elio Nogueria y son impresionantes, incluyendo el pelazo de la modelo. Los estilismos son obra de Ilaria Niccolini. La…

[ommosims]

Antonio Urzi - Heavily Studded Leather Harness Bodysuit

New Mesh

1 Swatch

Specular Map

High polycounts

Compatible with HQ Mod

Custom Catalog Thumbnail

Mesh Tights

1 Swatch

Custom Catalog Thumbnail

in Game Play Mode

Please do not re-upload, convert to another game or claim as yours

DOWNLOAD: Linkvertise(MediaFire)

Boots: Daniel Sims

[shanahazuki]

DESTAQUES PRIMER SEMANA DE MAYO 2022

DESTAQUES PRIMER SEMANA DE MAYO 2022

LA CONEXIÓN ITALIANAMEX: LUNES 02, 20:00 HRS Maussán investiga el fenómeno en Italia. Antonio Urzi el caza-ovnis más famoso de Europa, afirma sentir estos objetos en el cielo. Giorgio Bongiovanni, muestra sus estigmas, narra la primera que vez que esto le sucedió en el templo de Lourdes. Amicizia, un supuesto caso de contacto masivo, que causó enormes fenómenos en el mar de Italia y un tsunami…

[marcorpage]

Credere

CREDERE.

Il mio lavoro mi porta a conoscere tantissime persone e l’altra sera ho avuto la fortuna ed il piacere di intervistare Antonio Urzi.

A molte persone il suo nome può essere sconosciuto , a tanti può ricordare quello di un famoso stilista e ad altri il suo nome è associato ad una parola che fa scalpore EXTRATERRESTRI.

Un argomento che per tanti è tabù o semplicemente fantascienza che molte…

[giallofever2]

Il Capolavoro di Pietro Germi

Un Maledetto Imbroglio

Data di uscita: 24 ottobre 1959 (Italia)

Regista: Pietro Germi

Musiche Carlo Rustichelli

Paese di produzione: Italia 🇮🇹

Scritto da: Carlo Emilio Gadda

Curiosità

La trama è una rielaborazione del romanzo Quer pasticciaccio brutto de via Merulana di Carlo Emilio Gadda

Incasso accertato nelle sale sino a tutto il 31 maggio 1964 389.192.203 lire dell'epoca.

Interpreti e personaggi

Pietro Germi: commissario Ingravallo

Claudia Cardinale: Assuntina

Eleonora Rossi Drago: Liliana Banducci

Nino Castelnuovo: Diomede

Franco Fabrizi: Valdarena

Cristina Gaioni: Virginia

Claudio Gora: Remo Banducci

Saro Urzi: maresciallo Saro

Ildebrando Santafe: Anzaloni

Peppino De Martino: dottor Fumi

Silla Bettini: brigadiere Oreste

Rosolino Bua: parroco dei 4 santi

Loretta Capitoli: Camilla la beduina

Nanda De Santis: Zamira la sdentata

Attilio Martella: Marchetti

Gianni Musy: 1° ladro - Retalli

Toni Ucci: 2° ladro - Er Patata

Vincenzo Tocci: 3° ladro - Filone

Pietro Tordi: direttore cottage Verbania

Antonio Acqua: Generale Pomilia

Maria Saccenti: signora Pomilia

April Hennessy: ragazza americana

Rina Mascetti: cassiera che telefona a Banducci

Antonio Gradoli: maresciallo Mariano

[hekateslookbook]

ANTONIO URZI MILAN FASHION WEEK '15

[blogparanormalexpresso2stuff]

OVNI Anillo Antonio Urzi

[lamaisongaga]

     FASHION CREDITS: LIVE AT ROSELAND BALLROOM

“Lady Gaga Live at Roseland Ballroom” was the first residency show by Lady Gaga. Performed at the Roseland Ballroom in Manhattan, the residency began on March 28, 2014 and concluded on April 7, 2014 after completing seven shows. 

She was styled by Brandon Maxwell. The hair was done by Frederic Aspiras and make-up by Tara Savelo.

Gaga takes the stage singing ‘Born This Way’ and ‘Black Jesus | Amen Fashion’ dressed in a custom one-sleeved lycra bodysuit and crystal-embellished triangle metal bodice by LA-based designer Shokra.

Her Twenties fishnet tights throughout the show are by Wolford.

For the first show Gaga sported a custom black lace mask with roses by accessory designer Theresa Dapra. 

She also wore her favorite Penthouse Savannah patent knee-high corset boots.

The set changes into a red hue for ‘Monster’, ‘Bad Romance’ and 'Sexxx Dreams' so of course she had to match her outfit. 

Gaga sports a red fringed cape and embossed bodysuit with macrame lace bustier by Turkish designer Eren Fidanci.

She crowned her look with the Strawberry headpiece by Arturo Rios.

During the first show Gaga performed ‘Yoü & I’ and ‘Dope’ on the piano. She wore a custom edition of the Diane von Fürstenberg monochrome Abigail silk robe with chain and floral print.

Classic Ray-Ban Wayfarer RB2140 901 shades in black were the perfect accessory.

Next, Gaga incoorporated some songs from her ‘The Fame’ debut album.

She sang ‘Just Dance’ and ‘Poker Face’ in a custom Atelier Versace yellow blazer and briefs with hook-eye fastening detail based on the Fall/Winter 2013 couture collection. The gold metal bustier is custom-made by Antonio Urzi.

My favourite look is the fully purple one she wore for ‘Applause’. Firstly, the singer sported a purple metallic leather moto jacket with matching crystal-embellished briefs custom made for her by DKNY. 

Her purple bra with crystal embellishments is custom Mia Gyzander.

Her mask is from emerging designer Isabell Yalda Hellysaz’ Fall/Winter 2012 collection titled “Antidote”. 

Originally in white, Gaga got it painted purple and embellished with purple Swarovski crystals by a-morir.

Custom purple suede Giuseppe Zanotti boots with Swarovski crystals completed the look (pictured in black).

Finally, the singer performed her then-current single “G.U.Y.” in a white full custom look by Perry Meek comprising a Swarovski-embellished white bodysuit and high-waisted fishnet tights with cut-out and crystal details. 

Her camouflage crystal Pleaser boots were custom embellished by a-morir.

[paulotrade]

Una "ASTRO NAVE" sobre ITALIA en DIRECTO Afirma Antonio Urzi

[transparentcandywinner]

(со страницы MILANO, una nuova Astronave Extraterrestre viene filmata da Antonio URZI!)

[emilioacunzoit]

Lettera aperta Ad A.R.I.A.

Lettera aperta Ad A.R.I.A.

Voglio anche io scrivere qualcosa riguardo gli incresciosi episodi che ha subito il presidente Angelo Maggioni:

I vari avvistamenti del Sig. Antonio Urzi hanno avuto la capacità di unire il mondo Ufologico con quello scettico, Circa il 99% ( poi convertito al 100%…Lasciamo stare che è meglio) ritiene gli avvistamenti dello stesso molto discutibili anzi vere e proprie Bufale, addirittura Striscia…

[hannahyurtsev-fcnu-blog]

THE FASHION INDUSTRY AND DISABLED MODELS

Fashion is a way of expressing yourself, it can give you confidence and it can act as protection, a forcefield against the world. The fashion industry is gradually becoming more diverse with image however the industry still has huge steps to go when it comes to inclusivity especially when it comes down to those with disabilities. There is come increase when it comes to having disabled models in the industry; Designer Carrie Hammer had actress Jamie Brewer who has down syndrome walk in one of her shows and Antonio Urzi (Armani collaborator) had his designs displayed by models with disabilities.

But there’s still no extensive push to create disabled empowerment in the fashion industry. What’s frustrating is they’ll be a couple of shows that include disabled models - which is great but when it comes to the post coverage of disabled models on the catwalk it’s often patronising rather than liberating. ‘The industry seems permanently on the cusp of change, but it never quite gets there.’ - Hannah Marriot, The guardian. I agree I feel the fashion industry needs to start celebrating those with disabilities.

[akiphotos]

Antonio Urzi ‘15

[giterdonegossip-blog-blog]

A noo artikle ha dunben wrote uhn www.giterdonegossip.com

thar's a noo artikle ha dunben wrote uhn www.giterdonegossip.com calt

Fashion Week 2015: Male Amputee Model Makes Runway History

Jack Eyers had his'n laig removet wen he wuz 16 yeers old, but it didn’t stop 'im frum struttyun' his'n stuff down t'catwalk durin New York Fashun Week. Kevin Mazur/WireImage T' 25-year-old male amputee model, frum t'Unitid Kingdom, walkt n' t'FTL Moda shoe un ...

[beyonce-feed-nonissue-blog]

Designer to the stars showcases diversity for disabled at Milan

http://beyoncemag.nonissue.com/2015/03/02/designer-to-the-stars-showcases-diversity-for-disabled-at-milan/ - #Beyonce

Designer to the stars showcases diversity for disabled at Milan

MILAN, March 2 — From outfits for Lady Gaga and Beyonce to disabled fashion: Antonio Urzi, a long-time collaborator with Armani, is trying to revolutionise Milan fashion week with creations designed for amputees.

Jennifer Lopez, Rihanna and