#Annette Lemieux
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ANNETTE LEMIEUX
AREA OF REFUGE
2017
Pigment inkjet on cotton
84 1/8 by 52 in. 213.7 by 132.1 cm.
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‘Potential Snowman’ - Annette Lemieux, 2001, hydrocal with pigment (constructed spheres and cast forms), Formica on wood platform
#Annette Lemieux#potential snowman#snowman#snow#sculpture#sculptural#casting#cast#art#fine art#contemporary art#conceptual art#modern art#art history#gallery#gallery art#exhibition#art posts
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Black Mass (1991). Annette Lemieux.
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Annette Lemieux, Black Mass, 1991
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Artists’ Book Display for the week of January 20th, 2020
Goose around London by Mike Horl, Richard Wise- London, 1985
Legal tender by Image Bank- Vancouver : Image Bank, 1971
Panache. - (1971) by Richard Kostelanetz- New York : Panache Magazine, 1971.
Memoirs of a survivor by Annette Lemieux- San Francisco, ZG Publications : Brooke Alexander, Inc., 1989
Contemporary art appreciation 101 : how to understand what's contemporary art and what's snot by Earl Bronsteen- Boca Raton, Fla : Art Publishers Inc.2006.
#Artists' Book Display#Artists' Books#Art Books#Books#Art#Library#Art book#Books and Art#Mike Horl#Image Bank#Richard Kostelanetz#Annette Lemieux#Earl Bronsteen#Banff#Alberta#Banff Centre#The Banff Centre#Paul D Fleck Library and Archives
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Annette Lemieux, “Hellos and Goodbyes”
#art#design#hello#goodbye#annette lemieux#funny#animated gif#funny gif#hands#animation#minimal#minimal gif#fun#funny pics
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Annette Lemieux /American b. 1957
Black Mass, 1991
...Annette Lemieux’s work has resisted a so-called signature style and has been able to cover a variety of issues, including unfairly paid workers.
www.theguardian.com/history-of-protest
#protest#political art#protesters#cultural revolution#annette lemieux#photography#contemporary american art#chinese cultural revolution#mu photo#mu
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Annette Lemieux Untitled (Pacing), 1988 Acrylic on canvas
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Annette Lemieux
- Black Mass
(1991)
#annette lemieux#black mass#chinese cultural revolution#cultural revolution#1991#political art#protest
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OPEN TODAY: Through the lens of the Whitney’s collection, An Incomplete History of Protest looks at how artists from the 1940s to the present have confronted the political and social issues of their day.
[Annette Lemieux (b. 1957), Black Mass, 1991. Latex, rhoplex, gesso, and oil on canvas, 95 13/16 × 105 × 1 13/16 in. (243.4 × 266.7 × 4.6 cm). Whitney Museum of American Art, New York; Promised gift of Emily Fisher Landau © Annette Lemieux]
#An Incomplete History of Protest#Protest#Protest Art#Activism#Whitney Collection#Annette Lemieux#Politics#History#U.S. History#American Art#Whitney Museum#Whitney Museum of American Art
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ANNETTE LEMIEUX SPIN 2017 Pigment inkjet on cotton, bleach on velvet In four parts, overall: 64 by 128 in. 162.6 by 325.1 cm.
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Annette Lemieux - Sleep Interrupted (1991)
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Journal Project #2, Annette Lemieux, 1992, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Margaret Fisher Fund © Annette Lemieux Size: sheet: 30.5 x 22 cm (12 x 8 11/16 in.) Medium: Handmade paper made from the artist's macerated notebooks
https://www.harvardartmuseums.org/collections/object/174899
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