#Annette Lemieux

[the-curated-artist]

‘Potential Snowman’ - Annette Lemieux, 2001, hydrocal with pigment (constructed spheres and cast forms), Formica on wood platform

[jesush8r]

Annette Lemieux, keeper 1987

[taf-art]

Black Mass (1991). Annette Lemieux.

[grupaok]

Annette Lemieux, Black Mass, 1991

[lolaempire]

[banffcentrelibraryandarchives]

Artists’ Book Display for the week of January 20th, 2020

Goose around London by Mike Horl, Richard Wise- London, 1985

Legal tender  by Image Bank- Vancouver : Image Bank, 1971

Panache. - (1971) by Richard Kostelanetz- New York : Panache Magazine, 1971.

Memoirs of a survivor by Annette Lemieux- San Francisco, ZG Publications : Brooke Alexander, Inc., 1989

Contemporary art appreciation 101 : how to understand what's contemporary art and what's snot by Earl Bronsteen- Boca Raton, Fla : Art Publishers Inc.2006.

[moodboardmix]

Annette Lemieux, “Hellos and Goodbyes”

[4eternal-life]

Annette Lemieux /American b. 1957

Black Mass, 1991

...Annette Lemieux’s work has resisted a so-called signature style and has been able to cover a variety of issues, including unfairly paid workers.

www.theguardian.com/history-of-protest

[berndwuersching]

Annette Lemieux Untitled (Pacing), 1988 Acrylic on canvas

[shihlun]

Annette Lemieux

- Black Mass

(1991)

[whitneymuseum]

OPEN TODAY: Through the lens of the Whitney’s collection, An Incomplete History of Protest looks at how artists from the 1940s to the present have confronted the political and social issues of their day.

[Annette Lemieux (b. 1957), Black Mass, 1991. Latex, rhoplex, gesso, and oil on canvas, 95 13/16 × 105 × 1 13/16 in. (243.4 × 266.7 × 4.6 cm). Whitney Museum of American Art, New York; Promised gift of Emily Fisher Landau © Annette Lemieux]

[femalepentimento]

Annette Lemieux - Sleep Interrupted (1991)

[9091kwan]

[harvard-art-museums-prints]

Journal Project #2, Annette Lemieux, 1992, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Margaret Fisher Fund © Annette Lemieux Size: sheet: 30.5 x 22 cm (12 x 8 11/16 in.) Medium: Handmade paper made from the artist's macerated notebooks

https://www.harvardartmuseums.org/collections/object/174899

[stumblingoverchaos]

For the Get Messy Season of Truth. Photocopies of "Truth" by Annette Lemieux, acrylic paint, StazOn refill ink (varying ratios of black and pink), gel plate printing, collage. # "'Truth' is an image about sound - or, rather, the lack of it. The photograph, derived from a book on the history of radio, is a visual counterpart to the saying, 'Hear no evil, speak no evil, see no evil.' Transferred to canvas, it acquires a very different meaning in its new context. Stenciled in bold letters is the Russian proverb, 'Eat bread and salt but speak the truth,' which means roughly 'Be frank when accepting someone's hospitality.' The lettering transforms the image from an amusing publicity photograph into an ominous-looking propaganda poster. Contrary to initial impressions, the issue is neither Russia nor Communism - the photograph features famous American entertainer Jack Benny - but the role of media in modern life. They enter our homes as guests without being candid: here the performer covers his mouth in order to speak no evil. Shielded by the medium itself, he distorts truth by selectively concealing information, not by telling a deliberate falsehood. Truth emerges as a matter of relative perspective, determined both by who controls it and who hears it." -from "History of Architecture and Sculpture" — view on Instagram https://ift.tt/2TS32cL

[thecapturedcollection]

Annette Lemieux (Norfolk 1957-)

Left Right Left Right, 1995

Thirty photolithographs and thirty pine poles, dimensions variable 

Whitney Museum of American Art, New York

Photo : H.A. 06.16