#Anna Goldcrest

[gryfon-spanish-werewolf]

Frozen(elsanna)x Prey au Snippet 2

Because I’m insatiable here’s another

(And here’s Part 1, for those who missed it)

Context: This is before containment break, before the events that take place during Prey canon. Anna gets downtime every once in a while between bouts of testing, and this would be an example of time off. Restful and relaxing.... not ;-; This is the early days of Anna’s memory loss, and Elsa’s burgeoning guilt

Similar characters to last time, but three new ones (also in Prey canon): Dr. Igwe, chief neuroscientist assigned to Psychotronics, Head Nurse Goldcrest, and Dr. DeVries, Chief Surgeon, who both work in the Trauma Center

Slight content warning for blood and injury, specifically regarding the eye. No graphic description, but it’s in there

——————— 

There is something here with her.

Anna presses her bare fingers against tempered glass. The translucent substance ripples under her touch, vibrating slightly in purples and reds and yellows before accommodating, and slipping back to it’s sleek, clear form. This glass, this… barrier, has been tested against wrench swings and shotgun blasts and bunker busters - engineered to self-heal and withstand the vacuum of space for decades if necessary. It’s all over Talos I, beautiful and secure. It keeps everyone safe and sound.

But the shape in the dark is already inside.

Or it… wants to be.

Anna strains her eyes, trying to see beyond the billions of stars that pinprick the black, endless cosmos. She ducks her head and puts a hand over her brow, trying to block out the outline of her reflection. She tries not to blink, lest she miss something, some wisp or shift in that massive vastness. There’s a presence. It lurks and hums in her mind, roiling like ink dark waves.

It’s hungry. It’s so hungry.

The effort of looking too hard for too long catches up to Anna. Her eyes hurt. She’s only human.

She blinks.

She blinks and all the stars are teeth and all the teeth are stars and they bare down on her with the weight of the universe.

—

Anna gasps as she bolts upright in bed. It’s dark here too, but warm instead of cold. Not stars but stained wood paneling and soft carpet. Not endless space but walls, a dimmed desk light, and a tangible sense of scale. Anna swallows, breathing harshly in the night, half under the covers of the bed in her sister’s personal quarters. Sweat covers her skin and gooseflesh shivers across her body from head to toe in waves. Anna’s body shakes, trembles, her arms on the verge of collapsing her backwards.

Back to the dark. To the dream.

There is… movement, beside her.

Adrenaline crashes into Anna’s system again as the bed dips. Something moves closer.

It’s… Elsa. Rolling over in her sleep.

Her sister’s arm falls across the space Anna should be. Her fingers splay out, and in the dim light, Anna sees Elsa’s brow furrow slightly, even asleep. She murmurs, and after a moment her eyes open, hazy with fatigue.

“Anna?” She asks into the room, quiet and small. Anna takes a breath and puts a hand out towards Elsa, letting herself be found. Her sister takes it immediately, grip tightening when Anna can’t stop the shaking. “Was it that nightmare again?”

“...Again?”

Elsa tilts her head, slow in her stupor. Anna hears her shift and her free hand comes into view. Her thumb brushes the pads of her fingers and a blue glow emerges, floating gently between them. Elsa’s snow glitters in it’s own aura, illuminating their faces like an incandescent bulb under water. In this wavering light, Elsa searches Anna’s face. “The one about the stars.”

Anna bites her lip. The dream still wraps it’s tendrils around her, brushing against the back of her brain. Surely she would remember a nightmare like that, yet she can’t recall having it before, much less telling Elsa. When Anna was little it was the endless hallways that narrowed and choked her young mind until she burst into tears and ran to their parents’ room - but as she’d gotten older, and moved away, those nightmares had faded into more mundane things, if she dreamed at all.

But the terror of that open night sky in her mind. The one that looks back at her.

No. That is horrifyingly new.

Maybe her mind is playing tricks on her, still mired in the black. She would remember telling Elsa about this later, when she was calm. For now, she simply nods.

Elsa hugs Anna’s arm to her, pulling her down, back into bed. “You never used to have nightmares,” she says softly. “You used to sleep so soundly, here with me.” She combs sweat soaked bangs back, her hands warm against Anna’s chilled skin. “And you used to love the stars.”

Anna exhales, grounding herself with Elsa’s touch. “They’re unsettling.”

“You always thought they watched over us.”

“Now they just watch us.”

Elsa’s hand stops. “They’re just balls of gas, Anna,” she states, though her tone is patient. “Burning millions or billions of miles away. As fascinating as they are, there’s nothing more intelligent about them.”

Anna remembers the universe of  teeth and doesn't answer.

“These tests are taking their toll on you,” Elsa says finally. “Maybe you should stop.”

“I can’t.” Elsa knows this. Anna can’t give up. Won’t. The technology they're bringing into the world, the discoveries made - all of this is for something greater. These neuromods are going to change people’s lives, they just need some fine tuning.

And if more people could do the extraordinary things Elsa could, what more might humanity be capable of?

Anna --powerless, human-- has to try.

Elsa sighs before she replies, cupping Anna’s jaw with both hands and looking into her eyes in the darkness of their room. “I’ll ask Bellamy and Dr. Igwe to slow down, then. Just a little,” she adds before Anna can protest. “You’ll burn out, Anna, and then who will you be helping?”

Anna huffs;  Elsa has a point. But before she can speak a stinging pain lances through her right eye and she flinches. She rubs the spot as Elsa makes a concerned noise. “And I think I’ll email nurse Goldcrest about that. The redness is getting worse.”

Her eye.

It’s been bothering Anna for a while now. At first they thought she was developing an allergy. “An allergy,” she’d laughed with Elsa over coffee in the Lobby, overlooking the incredible, blue and green sphere that was Earth. Close enough to fill any person with awe, but far enough away to cover with one hand. “An allergy, in space!” It was funny.

Then it got worse.

Itchy, irritated, dry, but above all, sore. Painful. It throbbed during her tests and in her sleep, keeping her awake, sometimes for hours. Sweeping past Anna’s stubbornness, Elsa had scheduled a consultation with none other than Dr. DeVries, the head surgeon, but even he had come back with inconclusive results. “Stress might be a factor,” he’d said, “but we’ll need to monitor her to be sure. For now, we’ll put in a request for medicated eye-drops to help with the more common symptoms.”

Those had worked. For a week.

It was strange though. Sometimes Anna would forget the redness was there at all - in fact, sometimes it wasn’t. She’d look in the mirror and her eye would be perfectly fine, and she’d think maybe it was just a passing illness or bad reaction. But other times the pain would spread from her eye to her temple to the base of her skull and just press, like her head was in a vice. Worse than a migraine or a hangover because it squeezed, and left Anna short of attention and breath.

And then one morning she woke up alone, a note from Elsa on the bedside table, wishing her good morning and good luck on a new slew of tests…

...and on the paper fell a single, red blot.

Bellamy barred Anna at the door to Psychotronics and sent her home. Elsa was back from the labs within the hour.

Anna had spent the rest of the day in a blur of check ups and people talking over her, her head buzzing with heat and white noise, her vision speckled with black dots. Goldcrest had prescribed medicine and recommended two weeks off work. Despite the circumstances, and Anna’s state, Elsa had been relieved by that decision.

Now, a few months later, Elsa draws Anna close, pressing a kiss to her temple. She wraps her arms around Anna’s head, pulling her love to her chest, feeling as well as hearing the deep rhythmic breaths of slumber washing over Anna. She’d fallen back asleep fitfully, though it seemed true rest had stolen over her at last. Her hands clutch loosely to Elsa’s nightgown, and her exhales ghost over her sister’s collarbone.

Elsa’s eyes remain open, gaze on the far wall as the clock hands tick the night away.

This time, it was she who cannot sleep.

Trepidation churns in her stomach. She knows Anna would move the Earth, moon, and stars for her if she asked. That Anna has a heart of gold and hope, and a determination to put all of that to use.

Elsa just worries that someone.... or something… is taking advantage of that goodwill.

Not that Elsa suspects any of her co-workers in particular. While they may work in many different fields, everyone aboard Talos I’s goals are the same: the betterment of humanity through their research. These neuromods, with their ability to teach any skill provided they can find someone to model and copy, could change everything. They could give people abilities that they’d only dreamed of before. Elsa looks up at her glowing snow sphere, twinkling as it spins.

Neuromods could even make more people like her.

The thought puts a crease in her brow and she waves her hand, dispelling the magic and drenching the room in darkness once more.

Because the truth is: Elsa hadn’t asked Anna to do this. Anna had volunteered, knowing TranStar wanted what Elsa had, but that the risk of researching on the only person they knew of to have such a gift was too great. Anna, already a talented and intelligent scientist in her own right, had sacrificed her own job for Elsa’s sake, without hesitation.

And it is hurting her.

Elsa’s heart pangs with remorse. She buries her fingers in Anna’s hair and cradles her close. “It’s for the greater good,” she whispers to herself. “It’s for the greater good.”

When Anna had returned from Psychotronics that fateful day, Elsa had found her curled on her side, clutching her head and sweating bullets. Blood in her hand and blood on the sheets.

After the medical review, Anna had slept.

And slept.

And slept.

For two days Elsa could barely rouse Anna long enough to eat or drink, and when she finally recovered it was as though a pall had been cast over her. Grey and listing, muted as though through a screen.

“It’s for the greater good…” Sorrow wells in Elsa’s throat. Anna breathes deep against her and Elsa wishes that her powers were something else. Something to keep Anna here, safe and sound. To keep her... hers.

Anna’s spark had tempered those two days, and Elsa isn’t sure that it fully returned. She fears that it never will. Her sister is chipper and bright, but like a gas stove with a faltering igniter, Anna’s flame is struggling to catch.

“Greater good,” Elsa’s voice breaks, tears tracking down her face to fall on Anna’s head. “It’s for the greater… good…”

Sleep comes for Elsa too, jagged and broken and troubled. She dreams of a star in her sister’s chest.

She dreams of that star going out.

[goldenchocobo]

Kingdom Hearts Disney Character Daemons

I’ve finally done it, and made a list of all 59 human Disney character’s Daemons that appear in Kingdom Hearts.

I’ve listed them in Game Order and then World Order, with Worlds appearing in subsequent games only listed in the first game they debuted in including all characters, even if they themselves didn’t appear in that game (eg. Olympus is only listed in KH1, but includes Meg). I’ve added notes as well for a ‘quick analysis or things I’ve found out while researching the animals, names or characters.

Since it’s a monster of a list, I’ve saved everyone some Dash space and listed everything under the cut.

Kingdom Hearts

Wonderland

Alice: Unsettled, usually in the form of a cat. Jacob (Dinah)

Queen of Hearts: Anna’s Hummingbird. Basil

Notes: I wasn’t sure if I was going to include the Queen or not- but I decided to, since there isn’t anything that says she’s not human. I chose a hummingbird for her for her frequent mood swings due to the fact that (male) hummingbirds can get very aggressive.

Olympus Coliseum

Hercules: Pegasus (he’s half mortal so, they’d be extraordinary)

Megera: Ferret. Creon

Notes: I’ve found myself with a stereotype that if I can’t find a particular animal for a Daemon, I simply make them a mustalidae, but I think it works with Megera as she gives off a fem-fetale confidence.

Deep Jungle

Tarzan: African Fish Eagle. Juana

Jane: Jewel Beetle (Chrysochroa fulgidissima). Iain

Clayton: Sabor

Notes: These were some of the hardest Daemons I’ve had to place, since I could not think of what to give them (apart from Clayton). But looking closer at Tarzan and Jane’s personalities, I chose what I feel are fitting Daemons, with the Eagle being a symbol of bravery, and the Beetle being a symbol for intellect and quirkiness.

Agrabah

Aladin: Sadaf (Abu)

Jasmine: Arabian Mau. Dara

Jafar: Jacqueline (Iago)

Notes: I did almost give Jasmine Rajah for her Daemon, but wanted something smaller and less imposing, but equally as outgoing, so I decided to keep in the Feline family. Also, TIL; Iago is Welsh for Jack.

Monstro

Gepetto: Fidela (Figaro)

Notes: I do want to say that I think that once Pinocchio becomes human he would get a Daemon, and that Daemon would be Jimminy, granted by the Blue Fairy. But considering Jimminy’s role in the KH franchise, I thought it would be weird for him to be traveling with Sora + co.

Neverland

Wendy: Unsettled, Mostly takes the form of a Bluebird. Geoffrey

Peter: Unsettled, usually the form of a Cuckoo. Ceil

Slightly: Unsettled, usually in the form of a Vixen. Jackie

Cubby:  Unsettled, usually in the form of a Black bear cub. Thea

Hook: Slender Mongoose. Adelaide

Mr. Smee: Mallard duck. Deryn

Notes: Smee’s Daemon was going to be a Schipperke (a small black dog) until I looked up Smee’s name and found it was a common old name to call Waterfowl (mainly ducks and Smews), and his personality fit!

Kingdom Hearts II

Land of Dragons

Mulan: Cri-Kee

Le Shang: Pallas Cat. Ushas

Shan Yu: Hayabusa

Ling: Japanese Macaque. Binh

Yao: Hamadryas Baboon. Jie

Chien Po: White-Cheeked Macaque.Yu

The Emperor: Indochinese Tigress. Indrani

Notes: I based Ling, Yao and Chien Po on the three wise monkeys in terms of Daemon themes. The White-Cheeked Macaque isn’t the best choice, however, since it was only recently discovered..

Beast’s Castle

Belle: Eurasian Jay. Clarus

‘Beast’: Wild European Sow (Boar). Addison

Notes: I wasn’t going to give Beast a Daemon at first- she’d only appear in his human form at the end credits scene anyway, but I chose to give him one of his design inspirations, since the personality matched.

Port Royal

Capt. Jack Sparrow: Sparrow Hawk. Wyleye

William Turner Jr: Arctic Tern. Vilma

Elizabeth Swann: Barnacle Goose. Aaron

Capt. Hector Barbosa: Great Skua. Rossa

Notes: Yes, they’re all birds because all of their names (apart from Barbossa) were names of birds. I changed Jack’s from just ‘Sparrow’ to ‘Sparrowhawk’ since I think that suited him more. Also, Skuas may look like a drab seagull, but they are mean little things that rob other birds for food and eat chicks!

Kingdom Hearts Birth By Sleep

Enchanted Dominion

Aurora: Boreal Owl. Garrik

Maleficent: Diablo

Flora: European Robin. Zephyr

Fauna: Dunnock. Silvius

Merryweather: Great tit. Onofrio

Notes: I’ve already talked about the Fairies before and haven’t changed their Daemons. Aurora is an owl because owls are stereotyped into two things: being knowledgeable, and being tired all the time. Disney themselves play to this trope a lot too.

Castle of Dreams

Cinderella: Jaq

Lady Tremaine: Lucifer

Anastasia Tremaine: Lion Tamarin. Bion

Drizella Tremaine: Peacock Pheasant. Felix

Notes: I chose the sister’s Daemons for specific reasons. They’re both prideful in their looks, singing voice and being ‘better than’ Cinderella. the two most common animals that symbolize pride is the lion and the peacock. giving these animals as Daemons to the sisters gives them a falseness about them. They may see themselves as all these good things, but in reality- they’re nothing but a sham.

Dwarf Woodland

The Queen/Witch Hag: Panther(leopard)/Rook. Gunnar

Snowwhite: Bluetit. Vardan

Notes: When matching Daemons to characters, I like to do research on those characters, and as it turns out- the Queen was going to be given a black panther as an animal companion in early drafts of Snow White. This was changed to a crow that lives in her potions’ lair later on. I gave her two forms, because I could foresee her using magic on her Daemon to make the disguise more complete.

Dream Drop Distance

La Citè des Cloches

Quasimodo: White Dove. Natalie

Judge Claude Frolo: Silver Fox. Agrippina

Esmerelda: Djai

Captain Phoebus: Goldcrest. Petra

Notes: I don’t have much to say here other than Pheobus’ Daemon was chosen based on his name alone, since they are small birds with a very bright crest that looks like sunshine when it catches the light.

The Grid

Kevin: Tarsier. Doireann

Sam: Marva (Marvin)

Notes: I did this very late on and very quickly due to me forgetting that Sam and Kevin are humans in this world! even at a quick look, I think I got them right.

Kingdom Hearts III

Kingdom of Corona

Rapunzel: Pascal

Flynn: Eurasian Magpie. Owena

Mother Gothel: Orchid Mantis. Chrysanthos

Notes: I only really had trouble with Flynn’s Daemon, but landed on a magpie because they both like shiny things- like enormous piles of money.

Arendelle

Elsa: Ermine. Vetle

Anna: Mountain Hare. Kai

Kristoff: Svalbard Reindeer. Bae

Hans: European Wolf. Gerda

Notes: I based Elsa’s Daemon from the early concept of Frozen, where she was going to be an evil queen with a coat of living Ermine. Other than hers, all other Daemons are based on the original Book’s characters, with Hans’ Daemon being named after the main character, which further amplifies the end twist.

San Fransokyo

Hiro: Japanese Beetle. Kei

Gogo: Hedgehog. Hwan

Honey Lemon: Bumble-Bee. Benigno

Fred: Iguana. Pamela

Wasabi: Mediterranean Mantis. Ginger

Notes: I originally had them all as Insects, but I have forgotten what other insects I had for Go-go and Fred, but I still feel I gave them the right choice.

END If you’ve made it this far, congratulations! my days of hard work was not wasted!

[spamzineglasgow]

(REVIEW) some notes on Anna Cathenka’s ‘they are really molluscs’

In this review, Fred Spoliar makes kin with a new favourite poetry beastie, the mollusc. Or, more specifically, the nudibranch (which btw means NAKED GILLS, just sayin, no spoiler). Even more specifically, with Anna Cathenka’s excellent pamphlet, they are really molluscs (Salò Press, 2018).

                                                          🐛

I passed Tuesday afternoon down at the Creekside Discovery Centre by Crossfields estate in Deptford, making a sea slug out of plastic rubbish fished out of the creek by big acrylic robots. Inside, kids applied glitter to milk-bottle whales, and fashioned tentacles out of straws and coloured tape. A wall display of salvaged bones, Bakelite telephones. I was startled by a stuffed fox. A framed photograph showed a kingfisher perched on a squished lager can. Nudibranch, I said, though my garish yellow assemblage had nothing on the delicate pizzazz of the real things. Nu-di-branch.

                                                            🐛      

And then I had to sit by the muddy water and read Anna Cathenka’s they are really molluscs again. Is there another pamphlet anywhere that acknowledges how funny the word “nudibranchs” is?

                                                           🐛          

A tiny green caterpillar landed on my arm in bed this morning and then they reared up like a cobra, swaying to get their tiny bearings. I’m thinking of it again just now, reading ‘THE FOOD OF MOTH LARVA’, chewing over ‘borage / ragwort’, roughage words. Most caterpillars have no sexual dimorphism, did you know that?

                                                             🐛         

Lisa Robertson has a poem where she calls pronouns ‘gratuitous expenditure as necessity’[1]. Part of poetry is wouldn’t it be sweet to dodge that violence by just being misty,

                            the between            thing that barely touches            land except on very dark days            when we’re nearly rain?

                       (‘SEAMIST’)

And isn’t it? Like water off a duck’s back! Take away the necessity, and you can have a glorious profligacy!

                                                             🐛         

Like Robertson, Anna Cathenka is out for something more than the restricted economy of bodies, like the “I” of ‘MOTHS’ who unfurls a moth-taxonomy of their ‘prevailing sexualities’:

           like how i love men with a sort of Kentish Glory

           want to be with women as a Red-Necked Footman            it is this that makes me masculine, my Light Crimson            Underwing

                                                           🐛          

There’s a sketchiness to what self/portraiture happens in they are really molluscs... Whether failure or refusal (a line the poems toy) I think this is generosity. I think generous characterisation never really wants to nail it. In my favourite Cathenka lyrics, beings are drawn with a labile sharpness - sharp blurs? - leaving space for the collaboration of becoming, the sympoietic if you’re a Donna Haraway fan. Speakers quip on their own failure to pin it down, and build cunning sand-castles out of what they are, a bit, almost, but not:

           they aren’t            sea-lilies because they only have four            arms to wave about in the water            so maybe a stunted star-fish?

                       (‘THEY ARE REALLY MOLLUSCS’)

“They”: the humans, the two lovers, the group, the species? I love the way play yields both a way of being more and a way of saying lack, the not-quite of language to the world. A speaker grasping for the evasive closeness of their addressee:

           is there such thing            as a sea-wolf?            i thought there might be            reference to some maned            urchin or pelagic dancer            that moves gracefully            through the water            that steals upon its prey

                       (‘SOLID ROCK’)

                                                             🐛         

What happens when living metaphors fade into the archive? Absent reference, you find yourself swimming in simulacra, the names and eating habits of moths wash over you, pleasant maybe like a dreamy postmodern seaside B&B, pretty, vacant. And what kind of god does it make me if I invent a creature that then turns out to really exist? The virtual Nature in my laptop (today I youtubed Britain’s smallest bird, the goldcrest) is not the naturalist’s killing jar, but is it more insidious. What to do with the language of a world that fails animals – dear Sir David Attenborough purring pronouns at mating hedgehogs – Beatrix Potter, Walt Disney, Satoshi Tajiri – as if by casting them as comic us-es or deforming them into willing virtual companions we were recovering - what?

                                                             🐛         

Inverse anthropomorphism in a world that’s wiped out 60% of its wild creatures since 1970[2] is tinged with social failure, disappearance; the thinning gap between beautiful reference, like Cathenka’s ‘nudibranches (misspelt)’, and beautiful invention – the ‘maned/ urchin’, the ‘pelagic dancer’. When the poem draws back with a prosaic allusion to The Observer’s Book of Sea and Seashore I can’t help but think about the politics of the observer, and John Berger’s haunting account of the phenomenology of zoos:

However you look at these animals, even if the animal is up against the bars, less than a foot from you, looking outwards in the public direction, you are looking at something that has been rendered absolutely marginal; and all the concentration you can muster will never be enough to centralise it. [3]

The Observer’s Book of Sea and Seashore, published 1962: a time of Cold War fear, nuclear proliferation, yes, but a time before any self-conscious Anthropocenes, when Nature was still thinkable. Its *m*z*n reviews are little snapshot poems in themselves (‘Good little book had when I was a child living by the sea could not resist it again’).

                                                           🐛          

And - something in that, still. Residues of the real, real magic – the ecsta-sea of poetry’s commonwealth, the floating radical of language in our lives, everyone’s. Brave speech, the coolest way to pronoun. Poetry does bear a special, fluid relationship to the thinginess of names, the naminess of nouns. It attends dangerously to the intensions of words, it endangers the comfy parochial enclosures of language, the “nature reserve”, “The Great Outdoors”. It’s so improper! - anyone can go there -

                                                             🐛         

(What if you stay with that nostalgic feel, before you recollect? What monsters might you find?)

                                                             🐛         

The difference between the televised Wonders of Nature and Anna Cathenka’s sea-shore sights is that close attention, to language as to critters, as to : in the telling nostalgic like a rockpooling story but in the doing it breaks the fourth wall, it provokes.

                                                           🐛          

Last thing. The science of past extinction events is palaeontology; why are dinosaurs for kids? In the dinosaur poem (dinosaur poem!) ‘Terrible Lizard’, rather than anthropomorphise Cathenka has dinosaur-words lumber around the poem while the droll speaker (‘clever girl, just call it/ terrible lizard’) dares us to disagree that

           the thought is enough:

           line break

           line break

           stegosaurus

                                                           🐛          

A proper Nature Writer said at a Nature Writing panel last summer that they could never write about dinosaurs because, they said, ‘dinosaurs are for kids’ – so I’m specially tickled here by such “writerly” text plonked through with extinct giant lizards, like Maurice Blanchot barged in on by a toddler. It’s as if it takes something childish to hear that jurassic ‘BOOM!’ Then, closing –

           Hwæt –

           this is a poem

           about dinosaurs

           tiny brains

– the invocation hwæt, not quite at the end, does such sad sweet work. How can we write about extinction? With weight or wit? What even is it, the what of extinction? Slipped away unheard, a call of wait! we drive past?, we “adults” with our big brains… You have to laugh.

(do you?)

Image & text: Fred Spoliar

they are really molluscs is available for the itsy bitsy price of £5 here. 

[1] Lisa Robertson, ‘The Seam’

[2] see the WWF’s Living Planet Report 2018

[3] John Berger, ‘Why look at Animals?’

Published 18/4/19

[montysworld]

The Lumineers / Gloria from kevin phillips on Vimeo.

*

3 of 10

Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell

CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison

CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill

Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson

Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss

Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac

Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz

Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss

Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro

Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach

Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis

Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton

Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry

Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq.

Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel

Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor

Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong

Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only

Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch

Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis

Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley

Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley

*

[tonimining]

The Lumineers / Gloria from kevin phillips on Vimeo.

*

3 of 10

Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell

CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison

CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill

Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson

Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss

Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac

Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz

Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss

Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro

Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach

Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis

Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton

Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry

Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq.

Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel

Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor

Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong

Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only

Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch

Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis

Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley

Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley

*

[cineastua]

The Lumineers / Donna from kevin phillips on Vimeo.

*

1 of 10

Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell

CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn Donna Bell | Kathryn Brown Frank Bell | Jed Arkley

CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill

Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson

Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss

Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac

Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz

Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss

Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro

Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach

Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis

Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton

Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry

Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq.

Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel

Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor

Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong

Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only

Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch

Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis

Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley

Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley

*

[ozkamal]

* 1 of 10 Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn Donna Bell | Kathryn Brown Frank Bell | Jed Arkley CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq. Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley *

[muffins-are-ok-i-guess]

All Named Talos 1 Crew in Prey

Aaron Ingram Abigail Foy Aime Schmidt Akande Benin Alan Bianchi Alejandra Mata Alex Yu Alfred Rose Alice Aiken Alika James Allison Brady Alton Weber Anders Kline Andrew Grey Anna Goldcrest Annalise Gallegos Anong Lao April McGuire Argentino Pero Ari Liudnarht Ash Lasair Augusto Vera Austin Cool Bernard Griffith Beth Ino Bill Nixon-Greene Blaine Cooly Brandi Pester Brenda Cabrera Brittany LaValley Bruce Cobb Caleb Hawthorne Carin Buckley Carlos Popinga Carol Sikes Carolyn Wheeler Chloe Burgess Chris Wade Clarke Rafferty Clive Lawrence Conrad Birchman Cory Richard Collette May Schult Crispin Boyer Cynthia Dringus Daisy White Dan Billingsly Daniel Landon Danielle Sho Darcy Maddox David Branch David Simmonds Dayo Igwe Demetri Bowser Demian Linn Diane Washington Divya Naaz Don Davis Donald Hall Drew Springer Duncan Krassikoff Eddie Vass Edna Burton Edward Douglas Ekaterina Mulsaev Elias Black Elizabeth Bay Emily Carter Emma Beatty Emanuella DeSilva Enoch Kouneva Eric Berger Erica Teague Evan Avery Evelyn McCarthy Frank Jones Franklin Goode Franz Klinger Frederick Steele Galel Seif Garfield Langly Gary Snow Gennady Mironov Gerald Wildman Gregory Kepner Grete Mikkelson Gordon Bitz Guy Croal Guy Jameson Hadley Dalton Halden Graves Hans Keltsrup Harley Grainger Harvey Clausen Heather Bentz Helen Baker Combs Hendrik DeVrie Hope Ellis Hunter Hale Ian Rolston Ike Stewart Ivy Song Iris Stein Izumi Minami Jada Marks Janos Jozsef Jason Chang Jean Faure Jenni Garbentzoff Jennifer Lee Jenny King Jia Kyung Ho Jias Long Heng Jillian Quigg Joel Weeks John Haskins Johnny Brungen Jorgen Thorstein José Costa Josh Dalton Joshua Vanstry Jovan Graviovic Julien Howard Junior Bookman Kade Mason Kane Rosito Karisma Chouhan Keira Whitman Kelly Randolf Kevin Hague Kimberly Bomo Kristine Lloyd Lan Nguyen Lane Carpenter Laura McAvoy Laurel Davis Lawrence Baxter Leon Woods Lia Macy Lily Morris Lisa Larson Lizzy Colton Lloyd Thompson Lorenzo Calvino Lucia Jimenez Luka Golubkin Luther Glass Lyn Cloyer Marc Sellers Mariana Arias Marietta Kyrkos Martin Giroud Mary Page Mary Malinaro Mary Stevens Marco Simmons Mathias Kohl Matt Cothran Max Weigel-Goetz Maxine Ford Mickey Pitt Mike Turner Mike Devlin Mia Bayer Mischa Lazarev Miguel Lopez Mikhaila Ilyushin Mitsuko Tokaji Miyu Okabe Morgan Yu Nash Underwood Natasha Nikova Neil Warnes Nickie Tannar Nicole Hague Nicholas Stillwater Nils Kjaergaard Octavia Figgs Oliver Benoit Omar Bolivar Otto Louda Pablo Meyers Patricia Varma Patricia Wang Perry Fullbright Peter Coleman Phong Vu Price Broadway Quinten Purvis Ramon Ridley Randall Wood Randolf Hutchinson Rani Chaudhary Raya Leiruat Regina Sellers Riley Butler Rich Ivers Richard Coveney Rodney Poole Rodrigo Diaz Roger Meir Rory Manion Ruby Stone Sadie Hall Salman Kapoor Sanjay Puri Sarah Elezar Scott Parker Sam Hertz Skye Braxton Steve Folson Steven Mueller Spencer Ogden Stone Blanchard Sylvain Bellamy Talia Brooks Tamiko Hayashi Thaddeus York Thomas Lutz Thomas Tucker Tobias Frost Todd Matsuyama Tom Cooper Tina Snow Titus Cromwell Trevor Young Umi Isaka Veer Singh Vincent Schubel "Volunteers" Walter Dahl William Mitchell Yuri Kimura Zachary West

[mercado-de-martes]

The Lumineers / Gloria from kevin phillips on Vimeo.

*

Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell

CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison

CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill

Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson

Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss

Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac

Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz

Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss

Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro

Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach

Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis

Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton

Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry

Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq.

Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel

Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor

Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong

Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only

Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch

Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis

Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley

Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley

*

[cursedhqs-blog]

( britt, 20, gmt, n/a ) / have you seen ELENA HUGHES wandering around the town? they don’t know it yet but they’re actually ANNA from FROZEN. i’ve heard she is pretty CURIOUS AND FOOLHARDY but it balances out because she is pretty CARING AND KIND-HEARTED too. i’d bet that if they knew about they curse, they WOULD want to get back home right away. ( cisfemale, bisexual, kat mcnamara ).

ACCEPTED ☆ we hope goldcrest is treating you well, anna--- we mean, elena hughes. please have your account to the main within the next 24 hours, and make sure you read the checklist while you’re doing so. kat mcnamara is now taken.

[hotfps]

* Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq. Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley *

[karoltabis]

* Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq. Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley *

[ozkamal]

* Directed by | Kevin Phillips Produced by | Neighborhood Watch Producers | Traci Carlson & Richard Peete Executive Producers | Wesley Schultz, Jeremiah Fraites & Bernie Cahill Co-Producer | Natalie Turano Songs Written by | Wesley Schultz & Jeremiah Fraites Creative Director | Nicholas Sutton Bell CAST Gloria Sparks | Anna Cordell William Sparks | Josh Close Baby Jimmy | Atticus Carpenter, Monti Blackburn ER Doctor | Bobby Ghaheri Doctor | Curtis Anderson Nurse 1 | Cyndi Rhoades Nurse 2 | Christy Drogosch Paramedic | Jeremiah Fraites Paramedic | Wesley Schultz EMT | Walker Faison CREW Line Producer | Max Knies Director of Photography | Wyatt Garfield Editor | Ed Yonaitis Production Designer | David Storm Costume Designer | Elizabeth Warn Casting by | Eyde Belasco, Simon Max Hill Production Supervisor | Rachel Bradford Production Coordinator | Connor Jones 1st Assistant Director | Kevin Brown 2nd Assistant Director | Magdalene Serpa Script Supervisor | Janet Beeson Locations Manager | Dan Eason Locations Scout | Collin Crook Locations Scout | Kevin Findtner Locations Scout | Erika Sucheki Locations Scout | Shanna Vincent Locations Scout | Janet Weiss Steadicam Operator | Devon Catucci 1st Assistant Camera | Eric Macey 1st Assistant Camera | Hollie Metrick 1st Assistant Camera | Jared Rogers 2nd Assistant Camera | Mike Cook 2nd Assistant Camera | Danielle Eddington 2nd Assistant Camera | Jasmine Karcey 2nd Assistant Camera | Amanda Kulmac Camera PA | Keaton Rodgers Digital Imaging Technicians | Alison Hoffman / Jasmine Karcey Phantom Technician | Sean Rawls Phantom Technician | Guy Wagner Aerial Pilot | Alex Emberlin Technocrane Operator | Brian Fletchall Technocrane Technician | Adam Lutz Gaffer | Jake Lyon Best Boy Electric | Rizal Hosek Electric | Kale Heily Electric | Stevie Hubert Electric | Matthew May Electric | Mike Weiss Key Grip | Oliver Schaal Best Boy Grip | Joe Timko Dolly Grip | Bryan "Fro" Waters Dolly Grip | Matt Semchee Grip | Hailey Backenstos Grip | Andy Barden Grip | Jason Dinges Grip | Bruce Lawson Grip | Keegan Lawson Grip | Brian Shotzbarger Grip | Mark Thomlison Grip | Joe Vitellaro Set Decorator | Jenelle Giordano Leadman | Chandler Vinar Set Dresser | Antoinne Eckhardt Set Dresser | Adam Johnson Prop Master | Paul Curtin Prop Assistant | Dan Maughiman Prop Assistant | Dylan Morris Art PA | Molly Stark-Ragsdale Graphics | Gwen Hopman-Damon Picture Car Coordinator | Bart Heimburger Precision Driver | Mark Haleston Driver | Walter Kovach Costume Assistant | Courtney Goe Additional Costume | Mckayla Sheldrake Hair and Makeup | Jessica Needham HMU Assistant | Anne Sellery Additional HMU | Laura Loucks Additional HMU | Emie Otis Special FX & Car Crash Consultant | Kai Shelton Stunt Coordinator | Lex Damis Stunt Rigger | Bret Kiene Stunt Rigger | Kent Luttrell Stunt Rigger | Henry Shelton Animal Trainer | Keri Gorman Animal Trainer | Lauren Henry Production Legal | Gray Krauss Sandler Des Rochers LLP Kristina Chen, Esq. Bejidé Davis, Esq. Treatment Design/ Collaboration: Kevin Phillips, Ben Collins & Andrew Bruntel Vanities Moho Driver | Jose Carabes Talent Moho Driver | Brandon Wells Production Moho Driver | Paul O'Connor Craft Service | Emily Pomar Craft Service Assistant | Andrew Childers Set Medic | Mae Costello Set Medic | Jeanine Swan-Lewis Office PA | Susannah Cole Key Set PA | Rachel Brock Production Assistant | Brian Brose Production Assistant | Taylor Brubaker Production Assistant | Ariana Celestine Production Assistant | Miguel De La Rosa Production Assistant | Andre Jones Production Assistant | Brian Logan Production Assistant | Tomas Patlan Production Assistant | Dawson Redmond Production Assistant | Trask Schulte Production Assistant | Jared Wong Casting Assistant | Megan Lask Casting Assistant | Lexi Morsch Extras Casting | Extras Only Post Production Supervisor | Amy Feldman Post Production Supervisor | Kristie Lutz Editorial | Neighborhood Watch Visual Effects by Refuge VFX VFX Supervisor/Producer | Fred Ruff VFX Coordinator | Kavita Jhaveri Compositing Supervisor - Kyle Rottman VFX Supervisor | Tarn Fox VFX Artist | Anthony Barcelo VFX Artist | Kaden Cook VFX Artist | Kimberly Lashbrook VFX Artist | Stephen Lauser VFX Artist | Evan Phillips VFX Artist | Jay Twenge Titles by | Ed Yonaitis Picture Finishing Provided By GOLDCREST POST NY Colorist | Nat Jencks Head of Picture | Jay Tilin Finishing Artist | Jordan P.H. Stein DI Producer | Ethan Leight DI Assist | Gil Litver Data I/O Manager | Alex Hartley Neighborhood Watch Studio Manager | William Wondra Head of Development | Elliott Coley *