#Animation Professionals India

[meluip]

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Professional 3D Animation India

[vestaignis]

В Индии фестиваль верблюдов – одно из самых красивых и запоминающихся событий в стране. Проходит фестиваль в индийском городе Биканер в штате Раджастан. Биканер находится в пустыне Тар и знаменит тем, что именно в нем расположена единственная в Индии ферма верблюдов.

Изюминка этого праздника - оригинальный верблюжий карвинг. Карвинг по шерсти (так называется художественная стрижка верблюдов) - это искусство, которое требует не только высокого уровня профессионализма и определенных навыков, но и нескончаемого терпения. Верблюдов стригут особым образом, создавая на теле изысканные узоры. На создание такой оригинальной прически хозяину животного нужно около трех лет. Первые два года, пока шерсть верблюда отрастает, ее только подравнивают и подготавливают. А на третий год, когда шерсть вырастает нужной длины, перед началом фестиваля ее аккуратно выстригают в виде различных орнаментов на спине, боках и шее верблюда. Причем делается все это только вручную, с помощью обыкновенных ножниц.

Некоторые счастливые владельцы не останавливаются и на этом – они подкрашивают выборочно кончики волос в более темный цвет, чтобы рисунок выглядел эффектнее и рельефнее. Так получается настоящее произведение искусства, живой ковер с узорами удивительной красоты. Для конкурса красоты верблюдов также украшают различными красочными аксессуарами.

In India, the camel festival is one of the most beautiful and memorable events in the country. The festival is taking place in the Indian city of Bikaner in the state of Rajasthan. Bikaner is located in the Thar desert and is famous for the fact that it is the only camel farm in India.

The highlight of this holiday is the original camel carving. Wool carving (the so-called artistic camel shearing) is an art that requires not only a high level of professionalism and certain skills, but also endless patience. Camels are sheared in a special way, creating exquisite patterns on the body. It takes about three years for the owner of the animal to create such an original hairstyle. For the first two years, while the camel's hair grows, it is only trimmed and prepared. And in the third year, when the wool grows to the desired length, before the start of the festival it is carefully cut in the form of various ornaments on the camel's back, sides and neck. Moreover, all this is done only manually, using ordinary scissors.

Some happy owners do not stop there either – they selectively tint the ends of their hair in a darker color so that the pattern looks more spectacular and more relief. So it turns out to be a real work of art, a living carpet with patterns of amazing beauty. Camels are also decorated with various colorful accessories for the beauty contest.

Источник:/ekabu.ru/160021-verblyuzhiy-bodi-art-18-foto.html, /astv.ru/club/blog/utro/6jXTE7Xkd02AQEOfZY-8Fg, /multiurok.ru / blog/nieobychnyi-vid-iskusstva-vierbliuzhii-bodiart.html, //dzen.ru /a /YndBAXlNcTNWFXvW.

[fatehbaz]

In February 2024, creature enthusiasts and popular media outlets celebrated what has been described as the 200-year anniversary of the formal naming of the "first" dinosaur, Megalosaurus.

There are political implications of Megalosaurus and the creature's presentation to the public.

In 1824, the creature was named (Megalosaurus bucklandii, for Buckland, whose work had also helped popularize knowledge of the "Ice Ages"). In 1842, the creature was used as a reference when Owen first formally coined the term "Dinosauria". And in 1854, models of Megalosaurus and Iguanodon were famously displayed in exhibition at the Crystal Palace in London. (The Crystal Palace was regarded as a sort of central focal point to celebrate the power of the Empire by displaying industrial technology and environmental and cultural "riches" acquired from the colonies. It was built to house the spectacle of the "Great Exhibition" in 1851, attended by millions.)

The fame of Megalosaurus and the popularization of dinosaurs coincided at a time when Europe was contemplating new revelations and understandings of geological "deep time" and the vast scale of the distant past, learning that both humans and the planet were much older than previously known, which influenced narrativizing and historicity. (Is time linear, progressing until the Empire is at this current pinnacle, implying justified dominance over other more "primitive" people? Will Britain fall like Rome? What are the limits of the Empire in the face of vast time scales and environmental forces?) The formal disciplines of geology, paleontology, anthropology, and other sciences were being professionalized and institutionalized at this time (as Britain cemented global power, surveyed and catalogued ecosystems for administration, and interacted with perceived "primitive" peoples of India, Africa, and Australia; the mutiny against British rule in India would happen in 1857). Simultaneously, media periodicals and printed texts were becoming widely available to popular audiences. For Victorian-era Britain, stories and press reflected this anxiety about extinction, the intimidating scale of time, interaction with people of the colonies, and encounters with "beasts" and "monsters" at both the spatial and temporal edges of Empire.

---

Some stuff:

"Shaping the beast: the nineteenth-century poetics of palaeontology" (Laurence Talairach-Vielmas in European Journal of English Studies, 2013).

Fairy Tales, Natural History and Victorian Culture (Laurence Talairach-Vielmas, 2014).

"Literary Megatheriums and Loose Baggy Monsters: Paleontology and the Victorian Novel" (Gowan Dawson in Victorian Studies, 2011).

Bursting the Limits of Time: The Reconstruction of Geohistory in the Age of Revolution (Martin J.S. Rudwick, 2010).

Assembling the Dinosaur: Fossil Hunters, Tycoons, and the Making of a Spectacle (Lukas Rieppel, 2019).

Inscriptions of Nature: Geology and the Naturalization of Antiquity (Pratik Chakrabarti, 2020).

"Making Historicity: Paleontology and the Proximity of the Past in Germany, 1775-1825" (Patrick Anthony in Journal of the History of Ideas, 2021).

'"A Dim World, Where Monsters Dwell": The Spatial Time of the Sydenham Crystal Palace Dinosaur Park' (Nancy Rose Marshall in Victorian Studies, 2007).

Articulating Dinosaurs: A Political Anthropology (Brian Noble, 2016).

The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856 (Ralph O'Connor, 2007).

"Victorian Saurians: The Linguistic Prehistory of the Modern Dinosaur" (O'Connor in Journal of Victorian Culture, 2012).

"Hyena-Hunting and Byron-Bashing in the Old North: William Buckland, Geological Verse and the Radical Threat" (O'Connor in Uncommon Contexts: Encounters between Science and Literature, 1800-1914, 2013).

And some excerpts:

---

When the Crystal Palace at Sydenham opened in 1854, the extinct animal models and geological strata exhibited in its park grounds offered Victorians access to a reconstructed past - modelled there for the first time - and drastically transformed how they understood and engaged with the history of the Earth. The geological section, developed by British naturalists and modelled after and with local resources was, like the rest of the Crystal Palace, governed by a historical perspective meant to communicate the glory of Victorian Britain. The guidebook authored by Richard Owen, Geology and Inhabitants of the Ancient World, illustrates how Victorian naturalists placed nature in the service of the nation - even if those elements of nature, like the Iguanodon or the Megalosaurus, lived and died long before such human categories were established. The geological section of the Crystal Palace at Sydenham, which educated the public about the past while celebrating the scale and might of modernity, was a discursive site of exchange between past and present, but one that favoured the human present by intimating that deep time had been domesticated, corralled and commoditised by the nation’s naturalists.

Text by: Alison Laurence. "A discourse with deep time: the extinct animals of Crystal Palace Park as heritage artefacts". Science Museum Group Journal (Spring 2019). Published 1 May 2019. [All text from the article's abstract.]

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[There was a] fundamental European 'time revolution' of the nineteenth century [...]. In the late 1850s and 1860s, Europeans are said to have experienced ‘the bottom falling out of history’, when geologists confirmed that humanity had existed for far, far longer than the approximately 6,000 years previously believed to represent the entire history [...]. ‘[S]ecular time’ became for many ‘just time, period’: the ‘empty time’ of Walter Benjamin. […] The European discovery of ‘deep time’ hastened this shift. [....] Historicism views the past as developments, trends, eras and epochs. [...] Victorians were intensely aware of ‘historical time’, experiencing themselves as inhabiting a new age of civilization. They were obsessed with history and its apparent power to explain the present […].

Text by: Laura Rademaker. “60,000 Years is not forever: ‘time revolutions’ and Indigenous pasts.” Postcolonial Studies. September 2021.

---

At the time when geology and paleontology emerged as new scientific disciplines, [...] [g]oing back to the 1802 exhibition of the first Mastodon exhibited in London’s Pall Mall, […] showmanship ruled geology and ensured its popularity and public appeal [...]. Throughout the Victorian period, [...] geology was as much - if not more - sensational than the popular romances and sensation novels of the time [...]. [T]he "rhetoric of spectacular display" (26) before the 1830s [was] developed by geological writers (James Parkinson, John Playfair, William Buckland, Gideon Mantell, Robert Blakewell), "borrowing techniques from [...] commercial exhibition" [...]. The discovery of Kirkdale Cave in December 1821 where fossils of [extinct] hyena bones were discovered along with other species (elephant, mouse, hippopotamus) led Buckland to posit that the exotic animals [...] had lived in England [...]. Thus, the year 1822 was significant as Buckland’s hyena den theory gave a glimpse of the world before the Flood. [...] [G]eology became a market in its own right, in particular with the explosion of cheaper forms of printed science [...] in cheap miscellanies and fictional miscellanies, with geological romances [...] [...] or [fantastical] tropes pervading [...], "leading to a considerable degree of conservatism in the imagery of the ancient earth" (196). By 1846 the geological romances were often reminiscent of the narrative strategies found in Arabian Nights [...].

Text by: Laurence Talairach-Vielmas. A book review published as: “Ralph O’Connor, The Earth on Show: Fossils and the Poetics of Popular Science, 1802 - 1856.” Review published by journal Miranda. Online since July 2010.

---

Dinosaurs, then, are malleable beasts. [...] [T]he constant reshaping of these popular animals has also been driven by cultural and political trends. [...] One of Britain’s first palaeontologists, Richard Owen, coined the term “Dinosauria” in 1842. The Victorians were relatively familiar with reptile fossils [...] [b]ut Owen's coinage brought a group of the most mysterious discoveries under one umbrella. [...] When attempting to rise to the top of British science, it helped to have the media on your side. Owen’s friendship with both Charles Dickens and William Makepeace Thackeray led to fond name-dropping by both novelists. Dickens’s Bleak House famously begins by imagining a Megalosaurus, one of Owen’s original dinosaurs. Both novelists even compared their own writing process to Owen’s palaeontological techniques. In the scientific community, Owen’s dinosaur research was first [criticized] by his [...] rival, Gideon Mantell, a surgeon and the describer of the Iguanodon. [...] Naming dinosaurs was a powerful way of claiming ownership [...]. Owen [...] knew the power of the press [...]. [M]useum exhibits [often] [...] flattered white patrons [...] by placing them at the apex of modernity. [...] Owen would not have been surprised to learn that the reconstruction of dinosaur bones is still an act that is entangled in politics.

Text by: Richard Fallon. "Our image of dinosaurs was shaped by Victorian popularity contests". The Conversation. 31 January 2020.

[elbiotipo]

Do you think there’s any hope to save the planet? Like, whatsoever? Or are things just totally fucked forever? I’ve seen a lot of professionals (citation needed) saying everything is irreversibly fucked forever and we’re doomed

Not only there is hope, but things have changed in positive directions lately.

If you're concerned about climate change, recall that the initial expectations for climate change, during the Paris Agreement, with no intervention at all, were an increse of 4°C by 2100. This would have been virtually a collapse event for human civilization, as this would have meant catastrophic crop failures, violent changes in climate, deadly heatwaves, and more.

That is not the scenario we're heading towards to, however, because that is the scenario without any interventions at all, that is, the "business as usual, we keep burning coal" scenario. We no longer live in that sccenario at all. Coal plants have closed at a fast pace, while renewables are cheaper than ever in history. Virtually all of India's new electricity production, to give one example, are renewables, while China is thoughening, if inconsistently, its carbon zero targets, but renewable energy is so cheap that it does not make sense to invest in fossil fuels anymore. Current actions point to 2.7°C increase, but this means CURRENT actions. Further pledges reduce that to 2.1°C. Future technologies such as carbon sequestration, as well as the ol' reliable "planting trees" might even reverse climate change in the future. These are things that are happening right now.

If you're concerned about ecosystem degradation, ecosystems can recover VERY quickly when just left alone to recover. True, ecological succession is slow to recover biodiversity rich areas, but without human pressure, habitats recover surprisingly quickly. Animals are quicker to reproduce than humans in general, and while you do need to give a push, reintroducing species and rebuilding original vegetation cover, once that's done, the biomes that were there originally spread again. The key factor is how to do that while having a good relationship with the people who live in those areas. Coordination with native peoples and rural communities is key here.

If you're asking about the more political side of things, I subscribe to a historical materialist view of things. For me, the fall of capitalism is inevitable once states serve the working class. This will happen, eventually, because of the contradictions of capitalism and organized popular struggle (by many ways, not just one). I don't believe in the end of history. Capitalism will be only a phase in human history, and perhaps not even a long-lived one.

[ravenbloodshot]

Enhypen members view of countries 🇧🇷🇮🇳🇵🇭.....Kpop Reading

Brazil 🇧🇷

They view this country as a country full of passion and energy. Like a very lively scenery in which something is always happening and a party is always around the corner. A place where you wouldn't want to be inside all day looking at a TV or scrolling through your phone, you'll actually want to go exploring

Enhypen seems to see this country as, yes a beautiful country where a lot of parties occur but they do seem to think that the place is kind of like a beautiful illusion. It's as if they know as a tourist you may getting a glamorized version of Brazil but if they were to live there, reality could hit that its a country with problems like any other country

Enhypen thinks Braizilians are very animated and expressive when they speak. the members may like how they can make ppl feel like family when they're really just strangers. I do see enhypen thinking Brazilians can be a bit overconfident and too aggressive like the type of ppl to stake claim to a person they find attractive and actively go after them (even if rejected still being persistent)

India 🇮🇳

Enhypen thinks it's a religious country with pretty buildings representing their religions. They like the land features of this country (I'm seeing some kind of rainforest). They also like the films this country produces

They may know of some of the political issues India faces (I'm not sure if acid attacks are still common there bc I got a card named "acid" so the members may think/know these attacks happen, maybe they've seen something on the news).

I'm definitely seeing these guys knowing about this countries artistic achievements. Especially when it comes to movies, music and artworks. I wouldn't be surprised if some of the members want to film a movie/music video there.

They don't think the Indian people may have a good sense of fashion/style. They may think Indians live their daily life as they please and isn't seeking to appear "put together", they just do them.

Philippines 🇵🇭

The members think Filipinos are also quite religious and that they're quite compassionate/kind ppl. Enhypen may like the restaurants and the way the people serviced them (professionally but treated them like family).

The members think the country either runs on a lot of charity (the members may have donated to a cause in the Philippines) or that the people are quite charitable (its likely both).

They may think the Philippines/Filipinos don't really solve their issues head on but kind of sweeps it under the rug in hopes it goes away. Like a country that could face a natural disaster and have the country damn near demolished but don't really rebuild the nation and they continue life as if nothing happened.

The members may view Filipinos as ppl who are happy with what they have and appreciative of life. Like ppl who may not be rich financially but their rich mindset wise.

[fruity-legos]

what animal do you associate with Nova? but additional what type of bird do you think she’d be?

Hmm...this is kinda hard...

JK I ALREADY THOUGHT ABOUT THIS

She lowkey gives me squirrel vibes lmao

But erm if we think in a more deep way like a Nova professional (aka me) she would be an alpine swift cuz those birds can go a long time without sleeping and those birds live in india (other places too but also india) and Nova is Indian ☝🤓

So yeah for the bird thing she'd be an alpine swift but she also gives me Indian eagle owl mostly cuz I like owls lmao

[sixminutestoriesblog]

ides of march

well, its tumblr's favorite holiday and who can blame us? The assassination of Julius Caesar is probably one of the only group projects that ever went down the way it was supposed to with, well, not complete group participation (there were said to be upward of 60 people involved but only 23 stab wounds - obviously someone was not carrying their weight) but at least a good effort was made at it. But lets take a moment, between our jokes about salad and Animal Crossing butterfly nets to look at what else has happened in history on the Ides of March. For instance, did you know, on March 15th:

1493 - Columbus returned to Spain after 'discovering' the new world.

1580 - Phillip II of Spain put a bounty on the head of Prince William I of Orange for 25,000 gold coins for leading the Dutch revolt against the Spanish Hamburgs

1744 - King Louis XV of France declares war on Britain

1767 - Andrew Jackson, who would go on to be the seventh president of the US, was born.

1820 - Maine became the 23rd state in the US

1864 - the Red River Campaign, called 'One damn blunder from beginning to end' started for the Union Forces in the American Civil War

1889 - a typhoon in Apia Harbor, Samoa sinks 6 US and German warships, killing 200

1917 - Czar Nicholas II abdicated the Russian throne, bringing an end to the Romanov dynasty

1955 - the first self-guided missile is introduced by the US Air Force

1965 - TGI Friday's opens its first restaurant in New York City

1991 - in LA, four police officers are brought up on charges for the beating of Rodney King

2018 - Toys R Us announces it will be closing all its stores

2019 - a terrorist attacks two mosques in Christchurch, New Zealand, killing 51, and wounding 50 others

Oof! Pretty bleak, isn't it? It would almost make you think that the day is just bad luck, start to finish and its probably just as well, we're all focusing on assassination instead of other horrors. But wait - its not all bad news! The Ides of March has some tricks up its sleeve yet (joke intended). I'd be telling you only half the story if I didn't add:

1854 - Emil von Behring is born and will eventually become the first to receive the Nobel Prize in medicine for his discovery of a diphtheria antitoxin, being called 'the children's savoir' for the lives it saves

1867 - Michigan is the first state to use property tax to support a university

1868 - the Cincinnati Red Stockings have ten salaried players, making them the first professional baseball team in the US

1887 - Michigan has the first salaried fish and game warden

1892 - the first automatic ballot voting machine is unveiled in New York City

1907 - Finland gives women the right to vote, becoming the first to do so in Europe

1933 - Ruth Bader Ginsberg is born and will go on to become a US Supreme Court justice

1934 - the 5$ a day wage was introduced by Henry Ford, forcing other companies to raise their wages as well or lose their workers

1937 - the first state sponsored contraceptive clinic in the US opens in Raleigh, North Carolina

1946 - the British Prime minister recognizes India's independence

1947 - the US Navy has its first black commissioned officer, John Lee

1949 - clothes rationing ends in Britain, four years after the end of WWII

1960 - ten nations meet in Geneva for disarmament talks

1968 - the Dioceses of Rome says it will not ban 'rock and roll' from being played during mass but that it deplores the practice - also in 1968, LIFE magazine titles Jimi Hendrix 'the most spectacular guitarist in the world'

1971 - ARPANET, the precursor of the modern day internet, sees its first forum

1984 - Tanzanian adopts a constitution

1985 - symbolics.com, the first internet domain name, is registered

The Ides of March turns out to just be a day, like any other day in history.

Unless you're us. In which case -

[brookstonalmanac]

Holidays 8.16

Holidays

Bennington Battle Day (Vermont)

Children’s Day (Paraguay)

Cotton Day (French Republic)

CPAN Day

Cyrene Asteroid Day

Debian Day

Direct Action Day (India)

816 Day

Ekka People’s Day

Elvis Presley Commemoration Day

Eyeglasses Day

Festival of the Minstrels (Tutbury Castle, UK)

Follow Your Nose Day

GERS Day (Scotland)

Gold Cup Parade (Prince Edward Island, Canada)

Gozan no Okuribi (a.k.a. Daimonji; Kyoto, Japan)

Harmonic Convergence Day

Hestia Asteroid Day

Indie Animation Day

INXS Day

Joe Miller’s Joke Day (UK)

Madonna Day

Madonna del Voto Day (Siena, Italy)

Monty Python Day

National Airborne Day

National Apprenticeship Day

National Authenticity Day

National Backflow Prevention Day

National Energy Day

National Energy Multiplier Day

National Fasting Day

National Independent Worker Day

National Love Your Loss Day

National Roller Coaster Day

National Tell A Joke Day

National Work From Home For Wellness

Palio di Siena (Siena, Italy horse race) [also 7.2]

Patton Takes Messina Anniversary Day

Pine Crest Boys Varsity Tennis Team Day (Florida)

Remember What Your Spouse Wore the First Time You Met Day

Salem Heritage Day (Massachusetts)

Surveillance Day (f.k.a. Wave at the Surveillance Cameras Day)

Tell-A-Joke Day

Thai Peace Day (Win Santiphap Thai; Thailand)

Tipperary Day (Ireland)

True Love Forever Day

Whitmer Fednapping Day

Yukon Discovery Day (Canada)

Food & Drink Celebrations

Baba Au Rhum Day

International Rum Day [also 6.23]

National Rum Day

World Bratwurst Day

Xicolatada (Hot Chocolate Festival; Palau-de-Cerdagne, France)

Independence & Related Days

Anniversary of the Restoration of the Republic (Dominican Republic; 1924)

Constitution Day (Equatorial Guinea)

Cyprus (from UK, 1960; but celebrated 10.1)

De Jure Transfer Day (Puducherry, India)

Fête de l'Indépendance (National Day; Gabon)

Independence Referendum Day (Bermuda; 1995)

New Year’s Days

Parsi New Year (Gujarat, Maharashtra; India)

3rd Friday in August

Carrot Fest begins (a.k.a. The World’s Greatest Carrot Fest; Canada) [3rd Friday & Saturday]

Flashback Friday [Every Friday]

Fry Day (Pastafarian; Fritism) [Every Friday]

GME Professionals Day [3rd Friday]

Hawaii Statehood Day (observed) [3rd Friday] (also 7.4)

Hug Your Boss Day [3rd Friday]

Kool-Aid Day [3rd Friday] (also 2nd Friday)

Men’s Grooming Day [3rd Friday]

National Day of Action Against Bullying & Violence (Australia) [3rd Friday]

National Hawaiian Shirt Day [3rd Friday]

National Men's Grooming Day [3rd Friday]

Weekly Holidays beginning August 16 (2nd Full Week of August)

Elvis Week (Week of 8.16)

National Balayage Week (Week of 8.16)

Festivals Beginning August 16, 2024

Alaska Greek Festival (Anchorage, Alaska) [thru 8.18]

Alaska State Fair (Palmer, Alaska) [thru 9.2]

BBQ & Fly-in on the River (Excelsior Springs, Missouri) [thru 8.17]

BBQ Music Fest (Huntington Beach, California) [thru 8.18]

Bear Creek Folk Festival (Grand Prairie, Alberta, Canada) [thru 8.18]

Beautiful Days (Ottery St Mary, United Kingdom) [thru 8.18]

Bite of Tacoma (Tacoma, Washington) [thru 8.19]

Canadian National Exhibition (Toronto, Canada) [thru 9.2]

Celebrate Erie (Erie, Pennsylvania) [thru 8.18]

Centralia Balloon Festival (Centralia, Illinois) [thru 8.18]

Copenhagen Cooking & Food Festival (Copenhagen, Denmark) [thru 8.25]

Cornfest (Ortonville, Minnesota) [thru 8.18]

Dead on the Creek (Laytonville, California) [thru 8.18]

Electric Picnic (Stradbally, Ireland) [thru 8.18]

Eurocon [European Science Fiction Convention] (Rotterdam, Netherlands) [thru 8.19]

Fan Expo Chicago [f.k.a. Wizard World Chicago] (Chicago, Illinois) [thru 8.18]

Florence Wine Fest (Florence, Alabama) [thru 8.17]

FolkEast (Little Glemham, England) [thru 8.18]

Franklin County Watermelon Festival (Russellville, Alabama) [thru 8.17]

Georgia Mountain Fair (Hiawassee, Georgia) [thru 8.24]

Kool-Aid Days (Hastings, Nebraska) [thru 8.18]

Machias Wild Blueberry Festival (Machias, Maine) [thru 8.18]

Macomb Balloon Rally (Macomb, Illinois) [thru 8.18]

Madison Ribberfest - BBQ & Blues (Madison, Indiana) [thru 8.17]

Nebraska Balloon & Wine Festival (Elkhorn, Nebraska) [thru 8.17]

New Orleans North Festival (Joliet, Illinois)

Northampton Balloon Festival (Northampton, United Kingdom) [thru 8.18]

Old Time Power Show (Cedar Falls, Iowa) [thru 8.18]

Palio di Siena (Siena, Spain)

Philadelphia Folk Festival (Schwenksville, Pennsylvania) [thru 8.18]

Sabin Harvest Days (Sabin, Minnesota) [thru 8.17]

Sarajevo Film Festival (Sarajevo, Bosnia and Herzegovina) [thru 8.23]

Seoul POPCON (Seoul, South Korea) [thru 8.18]

Summerfest (Sleepy Eye, Minnesota) [thru 8.18]

Summerfolk Music and Crafts Festival (Owen Sound, Canada) [thru 8.18]

Sutherlin Blackberry Festival (Sutherlin, Oregon) [thru 8.18]

Wallace Huckleberry Festival (Wallace, Idaho) [thru 8.18]

Western Idaho Fair (Boise, Idaho) [thru 8.25]

Wicomico County Fair (Salisbury, Maryland) [thru 8.18]

Wild Blueberry Festival (Paradise, Michigan) [thru 8.18]

Zoo Brew (Idaho Falls, Idaho)

Feast Days

Agostino Carracci (Artology)

Ana Petra Pérez Florido (Christian; Saint)

Armel (a.k.a. Armagillus; Christian; Saint)

Arsacius (Christian; Saint)

Benjamin Alire Sáenz (Writerism)

Carista (Day of Peace in the Family; Pagan)

Carle Vernet (Artology)

Charles Bukowski (Writerism)

Diana Wynne Jones (Writerism)

Diomedes of Tarsus (Christian; Saint)

The Ditzies (Muppetism)

Edrinios (Arbitration Time; Celtic Book of Days)

Hal Foster (Artology)

Harmonic Convergence Day (Everyday Wicca)

Herbed Butter Day (for Vesta’s Bread; Starza Pagan Book of Days)

Ivan Bilibin (Artology)

Joachim (Christian; Saint)

Napier (Positivist; Saint)

Otto Messmer (Artology)

Roch (Christian; Saint)

Shahenshahi (Parsi New Year; India)

Simplician (Christian; Saint)

Solarinite Day (Church of the SubGenius)

Stephen I of Hungary (Christian; Saint)

Translation of the Acheiropoietos icon from Edessa to Constantinople (Eastern Orthodox Church)

Wave at the Surveillance Cameras Day (Pastafarian)

Lucky & Unlucky Days

Sensho (先勝 Japan) [Good luck in the morning, bad luck in the afternoon.]

Premieres

American Flyers (Film; 1985)

Austenland (Film; 2013)

Blind Faith, by Blind Faith (Album; 1969)

Blue Crush (Film; 2002)

Charlie and the Chocolate Factory, by Roald Dahl (Novel; 1964)

The Commitments (Film; 1991)

Crow De Guerre (The Inspector Cartoon; 1967)

Dear God, by XTC (Song; 1986)

The Electric Kool-Aid Acid Test, by Tom Wolfe (Novel; 1968)

Fiddlesticks (Ub Iwerks MGM Cartoon; 1930) [1st Color Sound Cartoon]

Firemen’s Picnic (Oswald the Lucky Rabbit Cartoon; 1937)

Foreign Correspondent (Film; 1940)

He-Man and the Masters of the Universe (Animated TV Series; 2002)

If I Had a Hammer, by Peter, Paul & Mary (Song; 1962)

Last Train to Clarksville, by The Monkees (Song; 1966)

LazyTown (Children’s TV Series; 2004)

Lover, by Taylor Swift (Song; 2019)

Midnight in a Toy Shop (Silly Symphony Disney Cartoon; 1930)

Olympic Hymn, by Richard Strauss (Hymn; 1936)

Rodeo Romeo (Fleischer/Famous Popeye Cartoon; 1946)

The Roman Hat Mystery, by Ellery Queen (Novel; 1929)

Rules of the Ring, by Jack Broughton (Boxing Code; 1743) [1st Rules of Boxing]

The Scarlatti Inheritance, by Robert Ludlum (Novel; 1971)

Siegfried, by Richard Wagner (Opera; 1876) [Ring of the Nibelung #3]

The Tate Gallery (Museum; 1897)

Tom and Jerry Meet Sherlock Holmes (WB Animated Film; 2010)

Uncle Buck (Film; 1989)

The Usual Suspects (Film; 1995)

The Vanishing Prairie (Documentary Film; 1954)

Volunteers (Film; 1985)

What a Wonderful World, recorded by Louis Armstrong (Song; 1967)

Wimmin Hadn’t Oughta Drive (Fleischer Popeye Cartoon; 1940)

Winning the West (Mighty Mouse Cartoon; 1946)

Today’s Name Days

Alfred, Rochus, Stefan, Theodor (Austria)

Krunoslav, Roko, Stjepan (Croatia)

Jáchym (Czech Republic)

Rochus (Denmark)

Aulis, Aurel, Kuldar, Kullar, Kullo (Estonia)

Aulis (Finland)

Armel, Roch (France)

Alfred, Rochus, Stefan, Stephanie (Germany)

Alkiviadis, Apostolos, Diomedes , Diomidis, Gerasimos, Sarantis, Seraphim, Stamatia, Stamatis (Greece)

Ábrahám (Hungary)

Rocco, Serena, Stefano (Italy)

Aistars, Astra, Astrīda (Latvia)

Alvita, Butvydas, Jokimas, Rokas (Lithuania)

Brynhild, Brynjulf (Norway)

Alfons, Alfonsyna, Ambroży, Domarad, Domarat, Joachim, Joachima, Roch (Poland)

Leonard (Slovakia)

Esteban, Roque (Spain)

Brynolf (Sweden)

Yukhym (Ukraine)

Craig, Kraig, Roch, Rochelle, Rochester, Rock, Rocky, Serena, Serenity, Serina (USA)

Today is Also…

Day of Year: Day 229 of 2024; 137 days remaining in the year

ISO: Day 5 of Week 33 of 2024

Celtic Tree Calendar: Coll (Hazel) [Day 14 of 28]

Chinese: Month 7 (Ren-Shen), Day 13 (Red-Zi)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 12 Av 5784

Islamic: 10 Safar 1446

J Cal: 19 Purple; Fryday [19 of 30]

Julian: 3 August 2024

Moon: 87%: Waxing Gibbous

Positivist: 4 Gutenberg (9th Month) [Napier]

Runic Half Month: As (Gods) [Day 9 of 15]

Season: Summer (Day 58 of 94)

Week: 2nd Full Week of August

Zodiac: Leo (Day 26 of 31)

[webpinosoftwares]

Common Web Design Mistakes and How to Avoid Them

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3. Poor Navigation Structure

The Mistake: Complicated menus or lack of a clear navigation path frustrates users and increases bounce rates.

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4. Neglecting SEO Basics

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5. Slow Loading Speeds

The Mistake: Websites that take too long to load risk losing visitors before they even see the content.

How to Avoid It: Use tools to compress images, minimize CSS/JavaScript, and optimize your hosting. Regular performance checks by professional developers are essential.

6. Inconsistent Design Elements

The Mistake: Mismatched fonts, colors, and layouts create a lack of brand identity and professionalism.

How to Avoid It: Maintain a consistent design theme throughout your website. Utilize brand colors and typography to enhance recognition and trust.

7. Failing to Include a Call-to-Action (CTA)

The Mistake: A lack of clear CTAs results in missed opportunities to convert visitors into customers.

How to Avoid It: Add compelling CTAs on every key page, guiding users toward desired actions like signing up or making a purchase.

8. Ignoring Accessibility

The Mistake: Not designing for accessibility excludes a significant portion of users with disabilities.

How to Avoid It: Implement features like alt text for images, keyboard navigation, and proper contrast ratios.

Reach Out to the Best Website Development Company in Jaipur — Webpino Software

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[cvooz]

NOTE: NOT A PROFESSIONAL ASTROLOGER. STILL LEARNING AND I WRITE WHATEVER I OBSERVE IN MY DAY TO DAY LIFE. TAKE IT WITH A GRAIN OF 🧂🍚

My father has 7th Lord in 7th house and my mom and dad are not only from the same town, but they're from the same community.

I know I'm gonna figure it out, I gotta cry first is very pushya nak coded considering its ruled by both Jupiter and Saturn with moon as rashi lord

Nodes, specially ketu (South node) with moon can sometimes cause bipolar issues and also ketu is very dry and these people have the ability to suck all the emotions inside and ve bitter cold. And the next moment yk they're the sweetest

I didn't really understand the heat with sidereal cancers until I got on vedic Twitter. Damn

1st house moons can be pretty self centred and I don't mean it in a negative way. Tbh everyone needs that energy to survive in today's world

Remember astrology shouldn't bring any privilege it's just a science to get to know yourself and the world better

2023 when summed up equals 7, according to vedic astrology 7 is ruled by ketu(SN) who also represents animals mainly dogs. Now guess what... The most trended memes in 2023 were all dogs and cats 😹🫡

In Southern India it is believed that you should not get married to a person whose moon sign is 6/8 signs away from yours. Ex: if you're an Aries moon then don't marry a virgo moon or a Scorpio moon (rashi)

Thank you for reading <3

[hezuart]

Why did you switch from animation to reviews? Also, do you still plan on doing CGI like you mentioned multiple times?

oH BOY..... you may need to sit down for this one

So it all started back in 2012. I was around 14 years old and just saw Rise of the Guardians and Wreck it Ralph. The stories, the characters, the world-building, the animation... now I never really went to movie theaters as a kid, but as a teen I started going and I instantly fell in love.

I went to community college for a few years and made some amazing friends. Loved some of my teachers and we participated in fun events like the 24-hour challenge and Campus Movie Fest. I had gotten in the top picks for Campus Movie Fest at some point and was supposed to go to the Cannes Film Festival in France to showcase my short film, but then the pandemic hit and it got canceled indefinitely.

So get this, for community college, I got a certification in 3D Animation and Video Game development. It's basically an AA degree but without general ed. (Why do you need general ed to get a degree in something? Math and PE have nothing to do with Animation. College is ridiculous. People have to pay you more simply because you were forced to spend more money in college. Wild.) Out of the 20 classes I had taken to get this certification, only 3 of those courses were hands-on 3D animation. And only one of those courses was hands-on video game development and I dropped out of that class because it was PC only and I only had a Mac at the time. I applied to the class without realizing it was accommodating only to PCs. So even my certification is barely reaching the basics for the title of it, but I did take another online course or two for 3D animation which I have a different certification for.

Now even with my 3D animation, I was never taught the physics engine. I was never taught hair or cloth simulation, but I do have modeling, rigging, animating, and texturing experience. For gaming, I have very little experience. I've only modeled things and found my way around Unity, but otherwise, I suck at coding. I hate coding with a passion. Making a video game without coding isn't really possible.

Now, when the pandemic hit, a lot of things were shutting down. I had no idea where I wanted to go next. People kept asking me where I was going for my higher education, but I kept getting warned not to waste money on college if you're trying to become an artist, especially at University. It's a money pit, and competition is so high, you're not guaranteed a job, you're just gonna be in debt. Even colleges like Cal Arts, who charge over $1K per class, I've been told are a "Pay to get in" kind of place. Where the money is used to nab professionals from their work to teach students or talk about their company or programs, and through that, you get a bigger chance to get your foot in the door because you know someone. I've unfortunately been told that's the more realistic way to get into animation: networking. If you're a shy introvert who doesn't know any famous people, you need to be extremely talented and unique to stand out to get the chance of being noticed. I don't really want to suck up to people nor do I want to waste thousands of dollars and 5 more years on college that I may not even need (let alone be able to afford) especially if there are online classes that may be even more valuable.

Now after I got out of college and started applying a few places, I discovered a LOT of unfortunate information.

Most animation these days is done overseas. South Korea, India, Japan, and Canada are the big ones.

Invader Zim, Steven Universe, Miraculous Ladybug, The Simpsons, OK KO, Star vs the Forces of Evil, Kipo and the Age of the Wonder Beasts, Adventure Time, Twelve Forever, and the Powerpuff Girls Reboot were animated in South Korea. The Ghost and Molly Mcgee is animated in Canada.

(The first four seasons of the Simpsons were animated in America until it switched to South Korea and India.)

2D traditional animation is no longer viable. Puppetry is the industry standard because it's the cheapest. Luckily, Toon Boom Harmony has allowed us to push the boundaries of 2D puppetry. Puppetry these days, if done well, can look really great, like Tangled the Series, but if you don't have Toon Boom Harmony, you're probably not gonna be hired.

Not even all 3D is made in the USA. If it's Disney, Dreamworks, or Pixar, then it's usually USA. But streaming service movies, like Sea Beast, Kid Cosmic, The Willoughbys, and Klaus, while they claim to be a "Netflix Original" that "Netflix Animation" animated, that's a lie. Klaus was animated by Yowza! Animation in Canada. The Willoughbys: Bron Animation, Canada. Kid Cosmic: Mercury Filmworks, Canada. Sea Beast: Sony Pictures Image Works, Canada. (X)

Go Go Cory Carson is written and storyboarded in America, but the animation is shipped out to be done in France. Sonic Boom is also French Animated.

Even Sony Pictures? Open Season, Surf's Up, Spiderman: Into the Spiderverse, Cloudy with a Chance of Meatballs, SMurfs, Hotel Transylvania, Over the Moon, The Angry Birds Movie, Sea Beast? Sony Pictures Imageworks is based in Canada. They're doing all the animation for them. It's not animated in America, it's merely funded by them.

I should also clarify: I only want to participate in stylized animated media. I don't want to do CGI for hyper-realistic films, which eliminates most of the animation jobs out there these days. It's just not my thing. The insane amount of details and uncanny valley are just so unappealing, I can't do it.

The closest animation studios are still far away. Most companies are located in LA. I'm over 7+ hours away from there. LA also has a high poverty rate, terrible air quality, is overcrowded, and is just generally not a good place to live, especially if you're low middle class. You're not gonna survive there.

Pixar is located in Emeryville, a few minutes north of San Fransisco city. Emeryville is the most crime-ridden city in that area. They tell you not to walk home alone at night. You're more likely to get robbed there than anywhere else according to the population ratio there. There are a lot of gangs that hide up there, and there's a lot of poverty there, even outside of San Fransisco. It's basically a trash pit. Not an ideal place to live, and commuting through 3-hour SF city traffic is also not gonna work. (X)

I have also been informed some people who work at Pixar are petty that the interns use their facility. Pixar has a heated pool, soccer field, gymnasium, and a few other nice things on their property. I was informed there was a person or two who got mad that an intern was using their basketball court.... when the intern was on break. As though they weren't part of Pixar, as though they had no right to touch the property. Apparently, they also used to make the interns push around little tea carts to serve refreshments as a way to "talk to the fellow animators" to probably get them interacting, but hearing that the interns were basically chored with butler duty to bother the animators hard at work seems like such a forced thing. That makes me uncomfortable. Of course, the person who told me these stories has been working with Pixar for over a decade or two now, so things could be very different as the years went on. Pixar itself on the inside of the animator building is gorgeous. They all decorate their office spaces in crazy ways, it looks like a movie set. But they have a bar and "whiskey club". They're apparently allowed to drink at work and have often had parties that got a little out of hand. There's also an old chain smoker room where the founders used to play poker and spy on people outside of their room with hidden cameras; I've even been inside. I don't think they use it anymore, though I'm not totally sure. Some of this info was fascinating, but the drinking made me uncomfortable. I kinda want to work with sober people here.

The sex ratio in the animation industry is also interesting and unfavorable. 70% of the animation and art school ratio is women, but only 34% of the actual animation workforce is women. 34% female to 66% male. More women study animation than men, but more men get hired and hold positions than women. Animation, ironically, has always been a male-dominated workplace. This unfortunately contributes to the "you have to know someone" or "be rich" to get-in situation. Men know a lot more men and not as many women. So the 30 to 40-year-old guys hire the other guys they know rather than a young poor girl with a passion. This makes it even more difficult for me to get in. (X)

20th Century, Netflix Animation, Nickelodeon, Cartoon Network, Bento Box, Vanguard Animation, Universal Studios, Titmouse, 6 Point Harness, ShadowMachine- all LA / South California.

There are a few places I could apply to, but what they do, I just don't care for. Niantic(Pokemon Go), Lucasfilm(Effects), Whiteboard Animation(Marketing), Sharpeyeanimation (Marketing), EA games (Mass Effect, Battlefield, Dragon Age 2, all those hyper-realistic war, sports, or fantasy games.)

So whether it's outside of the USA or within the USA, I need to move. I don't have the money for that yet.

Just find a company that does remote work, right? It should be easy, especially in pandemic times! Wrong. Most animation companies don't permit remote work. It's probably a security issue. But I've done research on this. The only big animation company I've found (so far) that allows remote work (or is HIRING for remote work) is Mainframe Studios in Canada. They have a 3D animation job list, and I guess they focus on animating Barbie movies(???). (X) But that's about it. And even if you're a remote worker, there's a high likely hood you still need a Visa to be allowed to work for a company belonging to another country. So that's a whole other legal process to deal with.

Disney is becoming a huge corporate monopoly over American animation. They bought Blue Sky only to kill them off. (Disney also just recently laid off 7,000 people due to their stock price drop and failed movies they released the past year with deliberately bad marketing for political reasons. (X) Disney also bought Pixar and is pushing for sequels because weird or bad, sequels and terrible live actions make them a LOT of money. Did you know Disney's terrible Lion King CGI remake is amongst the top 10 highest-grossing movies ever made? It's criminal. (X)

Because Disney is such a big name in the USA, there's a huge association of animation = children's media, which is not true. Animation at the Oscars also has its own category, when it's not a genre, is a medium. Disney often wins at the Oscars too because no one sees the other animations. Granted, Disney has an insane marketing budget in comparison, but it's clear no one cares to seek out animation outside of heavy CGI live-action these days. No small-time studios, no limited releases, no anime. The fact that Disney also now OWNS the Oscars is SUS as hell. (The fact that Disney-owned ABC threatened the Oscars, forcing them to cut 8 categories or else there wouldn't be a show that year is wild. There isn't even an oscar for stuntmen. What the fuck, Hollywood?) (X)

Dreamworks nearly went bankrupt and sold itself to Comcast back in 2013. Comcast also owns Illumination. Dreamworks has been focusing on making bad tv show adaptions of their IPs. So yes people, Jack would sooner meet the Minions than meet Elsa. Disney is the biggest corporate monopoly, but it's definitely not the only one. The animation industry in America is snuffing out its competition by buying it out for itself. It's insane the kind of power they have.

Competition is HIGH. Because of this, the only ways to get in? If you're rich or you know someone. Pixar gets over 3,000 intern applications every summer. Less than 100 are seen by actual hiring managers. The most interns Pixar has ever taken in a single year were 12. The least they ever took in a single year was two. A 12 to 3,000 ratio is not favorable. That's a 3% chance to get into a big-shot animation company.

And again, because remote work isn't permissible to new hires, you need to live in the area to commute to the campuses. This is one of the reasons why LA is so crowded.

If you get into an animation company purely remote and maybe even for a different country? You are the luckiest person alive.

Programs are expensive. The animation industry is very strict on what programs they use. The industry standard for 2D puppetry is Toon Boom Harmony; the industry standard for 3D animation is Maya, and the industry standard for video game development isn't as clear but Unity is one of them.

Some of these programs are free, as long as you are a student. If you are attending college or a certain online program, you can use your school-issued email through them to apply to get the program for free for about a year. Otherwise, if you're using it to make your own animations solo?

Autodesk Maya: $225 a month or $1,785 a year (X)

and guess what? Maya removed its free render service. Arnold is now built in by default, however, if you want to BATCH render (Meaning render a full scene or several slides) it will slap it's ugly watermark over it.

Fun fact, this very rendered watermark can be seen accidentally in a single frame for the Kingdom Hearts Frozen cutscene

Well, you need to batch render if you're trying to animate so let's see what Arnold costs- $50 monthly to $380 annually.... are you kidding me?! The rendering PLUG-IN BUNDLED TO MAYA COSTS MORE TO USE THAN THE OWN PROGRAM?! (X)

Now, there are other rendering plug-ins you can probably use with Maya. But they all have their ups and downs and their own costs as well. (X) Pixar's Renderman is $595 per license. I can't seem to get info on Octane. V-ray solo is $39 monthly while premium is around $60 monthly.

Now there IS Blender, an alternative to Maya. It is free and I have it. That is ideal to work in for people like me. I tried it a while back, but I hated the interface windows. It was hard to work on it when you can't close them properly. It's possible they've fixed this in an update, but I haven't touched the program in over three years so I wouldn't know. It's different from Maya a little, so it has ups and downs in comparison too. But Blender is a savior to 3D artists everywhere.

Toon Boom Harmony isn't as bad but still high: Lowest price is $27 monthly / $220 annual and the highest is $124 monthly / $1,100 annual (X)

Unity has a basic version that is free, but Unity Plus is $399 yearly while Unity Pro is $2,040 (X)

So some programs are clearly more viable than others. But imagine you're trying to model, texture, rig, animate, simulate, and render a short film all by yourself in Maya. That's gonna take you over a year or two, and you'll have several thousand dollars out of your pocket by the time your free trial ends. And might I say, for an industry-standard program, Maya sucks. It's almost unusable without those plug-ins for not only rendering but also for the models to even be able to SELECT their BONE rigs.

Do you want to practice on your own when school is out of session? Fuck you! Fuck subscription services! Welcome to capitalist hell, baby!

Again, using Blender is more viable, but you're still going to be basically doing everything yourself. That's gonna take years. Do you have the patience for that? Do I?

Because of the pandemic, movies aren't even hitting theaters anymore. They're going straight to streaming services. Streaming services of which, gain sole rights to and can take media off their platforms at any time without warning. Thanks, Discovery+ ! Does everyone remember the HBO Max Animation & DC purge? It could happen to other streaming services too. Piracy will save the future of animation at this point. (X)

And again, Streaming services like Netflix will purchase films and claim they made them by slapping their logo over it; but no, they either bought the distribution rights or produced them through funding and maybe storyboarding. Often times from a Canadian film studio. (Link again X)

Even stop motion companies like LAIKA are losing money and may have to shut down or be bought out in the future, especially considering how much work and money they put into their films vs. how much money they actually make. (X)

All of this? Naturally made me fall into a depression. My god, the layers of hopelessness. My animation and modeling is pretty average too. I'm decent. I can maybe make a good shot. But I can't blow people away like James Baxter can. I mean, I shouldn't compare myself to people. If I worked really hard, maybe I could get into a good company. But again, I have to move! A part of me gave up. I don't really do 3D animation anymore, though part of me misses it.

I still 2D animate. I'm trying to make a short film and though my college friends who were working on it with me have given up, I have done my best to keep going. Even if it has been produced at a snail's pace for the past three years, I still intend to finish this animation. It's gonna be beautiful when it comes out, and it will be a wonderful portfolio piece regardless.

So with nothing else to do and no other kind of job experience really under my belt(plus my family is prone to covid so getting a job in the pandemic was just kind of out of the question) I decided to go to youtube. I heard some people can make a little money on there, but the truth is I had actually wanted to become a youtuber for a few years prior. I've always looked up to animators and reviewers on youtube, I've loved the stories they tell and their incredibly detailed analysis essays on movies, tv series, books, etc. I wanted to be one of them. I wasn't sure exactly what I'd do, so I just followed the Youtube Partnership program set up which took a few months, and then jumped in! I found I only had the time to upload once every month or two. I had a ton of audio issues and I'm not outputting at the proper 1920 x 1080 quality that I should be doing either. It's a huge learning process that I still haven't perfected, but I'm taking notes to try and get better.

Even though Youtube is fun, I only make $300 a month, and that isn't even consistent. With patreon, I make maybe another $80 or $100 on top of that, so overall $400 a month average. That's really nice and pretty cool! But it's not enough to survive.

Now I work part-time at a coffee shop. My mental health is a lot better and I love my coworkers. I make roughly $400 a week in comparison to the $400 a month. It's still not enough to live off of (the cheapest rent around is over $1,000 a month, not ) and it's still a temporary job in the long run. I intend to work here for maybe another two years to save up money.

But what do I do now?

Am I welcome in animation spaces anymore?

As a critic of popular media, it could be likely that they could fire me or deny my application because of my critique of their past films or tv series. They could see my youtube persona and assume I'm a raging untrustworthy nitpick instead of a passionate, kind person.

Vivziepop's Spindlehorse company? What Viv was doing was a dream. I was so inspired by her. She made her own company, made a super successful pilot, and was even creating more jobs for traditional, high-quality animation. However, for Hazbin Hotel, she required more funding, which is why she sold it off to A24, who now has corporate say in the show. A24 is known for letting creators be more lenient, but otherwise, Viv won't have full control over it anymore unless she managed to get them to sign something over to her; but with the rumors of her being kicked off season 1? I don't know anymore.

Her own company Spindlehorse; they rely on youtube revenue and/or merch sales to fund Helluva Boss. That's a tricky business practice, but it's kept them afloat so far.

However, Spindlehorse is hiring a lot of people as of late. This could be a bad sign; that people might be leaving the company due to potential mistreatment or unhappiness. With the way the show is going, I don't really want to be part of that company regardless, but maybe before season 2 of Helluva Boss, I would have considered applying. Had I made any critique videos prior, there's no way they'd accept me. "Aren't you that one YouTuber that said my writing is bad for season 2 episode 2?" And you expect me to hire you?" Like yeah, that application process would go down well. Not. By critiquing artists' work, some of them are very sensitive. I'd be kicked out for a lot of things, when really, we artists should be critiquing each other all the time, trying to improve. That's how the writer's room always is, ahaha... hours of fighting goes down in those meetings. It's intense, but fun.

But yeah, it's such a shame. Even small companies need to sell out to corporate to survive. Either that or be HEAVILY crowd-funded, which again, can be a slippery slope.

I see a ton of small projects on Twitter looking to hire people, or looking to become a big studio to release a pilot or game. I've joined a few of them, but most are unpaid because of COURSE they are, and then these projects?? Just don't go anywhere. Because it's unpaid. Because we can't afford to work on a project for free. IRL comes first. Some of these projects seem so great but they don't go anywhere, and it's hard to have faith in start-up studios anymore. (Game creators might have a chance, but tv series or films? Good luck, folks.)

At that point, should I just make my own company? I don't have the money or knowledge for such a thing! It's insanely expensive to start a business and get licensing. So much paperwork, so much everything! And the USA Government is so behind in understanding technology. If you want to create a remote business and/or copyright something, you're still required to put an advertisement in a local newspaper about it, even if your business isn't selling to locals. 💀 The number of fees and ridiculous legal hoops you need to jump through... it's a ridiculous waste of time and money. But you need to do it. The question is, am I willing to do it? Am I willing to tackle such an insane thing by myself?

I want to keep my internet persona and IRL persona separate, but can I? I value having a private, quieter life away from the screen. I worry about getting doxxed one day because of the nature of the internet. I worry about people finding my IRL resumes or profiles for work I want to do outside of youtube for security's sake. My art style is unique and very recognizable. I don't have a lot of private art that is worthy of being in a portfolio. But for absolute safety, I'd need to password-protect my websites or portfolios so the public doesn't have free access to them; only companies I'm applying to. But at that point, does password-protecting my resume and portfolio make it less likely I'd be hired due to the inconvenience? Due to the private, hard-to-find nature of my work? Being a YouTuber with great story skills and art skills with a fanbase could be a big plus to getting hired somewhere, but it could also be a horrible disadvantage that would get me fired. It's a double-edged sword that I cannot work around and I don't know what to do.

I've considered the video game industry, but even that isn't ideal. A lot of the indie ones I adore aren't made in the USA. Gris and Monster Camp were made in Spain. Ori and the Blind Forest: Austria. Hollow Knight: Australia. Little Nightmares and Raft: Sweden. LIMBO & INSIDE: Denmark. Outlast, Don't Starve, Spirit Farer, Bendy and the Ink Machine: Canada.

SuperGiant Games did Hades, Transistor and Bastion and is located in SF, but they're not hiring. Janimation, a multi-media company located in Texas isn't hiring. Frederator in New York isn't hiring.

I don't want to work for a studio that does nothing but first-person shooters or sports games. If I want to get into the gaming industry, I probably need to crowdfund and make a company to make a game myself.

If I make my own game, which I've wanted to do for a long time now and still want to... I can't code. I guess I could try to hire someone that could? But a game to the extent I want... I'd need to start small. I'd need to practice. It's several years of work. Will it even be worth it? I don't think I can do it alone. I'd need crowdfunding and workers; which again, here comes the "make my own studio" issue...

Do I even want to animate anymore? I prefer traditional animation in comparison to puppetry. I prefer 2D animation to 3D animation simply because it is more accessible. But even then, I'm finding myself drawn more and more to writing, storyboarding, and character design. If I were a 3D animator, this is mostly what I'd be working with all day: Naked models in an empty room. I'd do none of the physics simulation or texturing or lighting.

Animating naked & bald people all day... I don't know... 3D Animation kind of lost its appeal. You only work on such a small portion of a film, you almost never have the bigger picture. You won't see the final result until the film is done. As an animator, you're almost kept in the dark. Maybe that's how they want it anyway, since leaks are a huge issue they keep quiet under strict NDA.

But yeah, anyway... I'm an artistic digital generalist. I can do almost anything. 3D animation, storyboarding, writing, photo editing, illustration, rendering, modeling and so much more. It's hard to choose what you really want to be in this industry. I feel like Barry Benson dfklgjdflkjg

I don't know what I'm gonna do anymore. There's gotta be a solution to this but I just can't figure it out. I don't want to give up my youtube channel so I can be an animator. I don't want to give up a safer, quiet countryside house to be able to survive financially. Am I even willing or able to move countries? Is my career more important than friends and family?

I think I'm thinking too much about everything. I should start small. Move less than an hour away first and move in with roommates to get a feel for independence instead of jumping into it immediately. Get a job at a small time company, maybe not for what I want at first, but it'll get me some experience and maybe I'll learn some things along the way to understand where I can go next. Take it slow and don't panic too much over trying to be a young big shot. Take things one day at a time? That's my current goal, I suppose.

So you know... to answer your question... why did I switch to youtube for a current career? Because of a classic existential & career crisis in my 20s. Will I ever go back to 3D animation? Maybe. Maybe one day.

[eatmangoesnekkid]

Most people are on drugs in some way, children and adults. Whether it's caffeine, mood stabilizers, sugar, pain meds, or other hard drugs, it is the nature of our world. Therefore it is never about moral judgement of if "drugs" and alcohol are right or wrong. They are a fundamental fabric of this current existence. And what's also true is that it's about realizing that there is no greater "high" and pure flow of creation and aliveness than the holistic path, where you unplug from the matrix world and reboot in your internal world instead of trying to continously reboot in the matrix world that has been handed to you. You can create art without booze or drugs. You can relax your spirit or elevate your consciousness without drugs. What worked in your 20s probably won't work the same way in your body in your 30s and 40s, therefore if you use drugs or alcohol and desire to self-regulate in a different way, begin to flood your body with real food and real nutrition like probiotics, enzymes, vitamins and minerals. You also may need professional support which is beautiful, mature awareness. And I get it too. It is not everyone's path to live a drug-or alcohol-free life and they function better with *what is* which also a beautiful awareness and you need not make yourself feel wrong for it. I also know the power and beauty of smoke integrated in chill time and lovemaking. But for those who are ready to go deeper into soul no matter what type of life you live, go to nature-the mountains, the water, the desert, the forest, the trees, the animals, etc. Ask nature or the divine to help you. Do not judge yourself as taught by this world or loop into negative thinking about the world. A lot of artists and people with mental/emotional needs feel that drugs and alcohol are the only solution, but you can get beyond self-medicating and allow life to elevate you naturally once you reinstate your energy and "inner peace" and stop avoiding the deeper thing. -India Ame'ye, Author

[fatehbaz]

A Dreamtime story from the Nuenonne First Nation of Bruny Island off the Southeast Coast of Tasmania (lutruwita) narrates how [...] a young pup [...] of the “Tasmanian tiger” (thylacine) [...] transformed [...] into corinna [...]. When lutruwita -- Tasmania, also known as Van Dieman’s Land -- was opened for British colonization in 1803, a medley of settlers -- from [...] fortune-seekers to species hunters -- made it to the island in the course of a few years. Travel guides and memoirs published at the time soon dubbed Tasmania the “sanatorium of India,” drawing many British colonists to the island who hoped to recuperate their health debilitated by prolonged stay in the tropics.

More significantly, it wasn’t only materials and bodies that circulated between the colonies [India and Tasmania]. But also ideas, impressions, and experiences gained in one colony made their way to the other. [...]

Settler farmers identified the thylacine as a “blood sucking vampire” [...]. [P]olitician John Lyne -- a representative of the Tasmanian rural lobby -- proclaimed, quite preposterously, that “30000 or 40000 sheep” were taken each year by the thylacine [...]. By 1830, the Van Diemen’s Land Company was already offering a reward for the killing of [...] the “hyena” i.e. the thylacine. Likewise, Mercury reported in 1882 in a piece headlined “Tiger Extermination” that landowners declared “a reward of £5 to be paid for each full-grown tiger [...] and £2 10s, for all cubs [...]." As a result, the animal [...] was extirpated by 1936. Comparison between the thylacine and the Indian tiger abounded in settler discourses [...]. This was in spite of the fact that the thylacine and the Indian tiger were two entirely different species, morphologically and ecologically. [...] Yet early settlers in Tasmania, many of whom had first landed on or had connections in British India carried the idea of the tiger as a ferocious predator [...]. [T]hese representations of the thylacine’s “nature” were based on faulty understanding of the animal perpetuated by myopic colonial science that privileged imperial economic interests above all. [...]

---

One of the major thylacine traders in Tasmania was James Harrison. Known as the “West Coast naturalist,” Harrison purchased and sold about twenty-five live animals and twenty dead specimens of thylacine. He was born in the Nowgong district of Assam in northeast India to a family of speculators en route from England. It is noteworthy that James Harrison spent his childhood in a region in India that was known for its [...] wildlife. Game hunting [...] was [...] [a] common pursuit among the Europeans in Assam [...]. Moreover, the period saw a spike in the visit of professional hunters and species collectors to the region as vast [habitat] was being stripped off to make way for tea plantations. [...]

---

William Thomas Dennison, who served as governors of Van Diemen’s Land (Tasmania) and Madras in India, described in Varieties of Vice Regal Life (1870) the tiger hunts he had organized in India. Dennison’s book reinforced the idea that the tiger is a pest, an impediment to human progress, which echoed his policies towards the thylacine during his stint as the governor of Tasmania (1847-1854). [...]

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Likewise, Sainthill Eardley Wilmot -- the grandson of Sir John Eardley Wilmot, the lieutenant-governor of Van Diemen’s Land from 1843 to 1846 -- served as a forestry officer in British India. Sainthill was born in Hobart in 1852 and spent his early life there. In My Home In Tasmania (1852), Louisa Ann Meredith mentions the presence of an “untamed” wild thylacine in Sainthill’s grandfather Sir John Eardley Wilmot’s private menagerie in Hobart. Later Sainthill Eardley Wilmot would take a particularly hostile attitude towards the tiger and other big cat species while working as the Inspector General of Forests in British India. [...] He also wrote an it-narrative about the Indian tiger, The Life of a Tiger (1911), that predicted the tiger’s impending extinction. On multiple occasions, he has alluded to the thylacine “wreaking havoc” on flocks of sheep in Tasmania. [...]

The material circulation of the living thylacine in India is little known apart from an exhibition of two live members of the species at Madras Zoo in 1886 [...]. The narrative circulation of the animal, however, has been relatively plentiful.

---

Text by: Bikash Kumar Bhattacharya. "Constellation Spirit, Vicious Vermin, and Icon of Environmental Guilt: Affective Entanglements of the Thylacine in Tasmania and India". The Otter, Network in Canadian History and Environment (NiCHE). Emotional Ecologies series (edited Jessica M. DeWitt and Sarah E. York-Bertram). 20 July 2023. Published at: niche-canada DOT org/2023/07/20/constellation-spirit-vicious-vermin-and-icon-of-environmental-guilt-affective-entanglements-of-the-thylacine-in-tasmania-and-india/ [Image and caption are shown unaltered as they originally appear included in Bhattacharya's article. Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]

[i-am-just-a-girll]

heyy, just another girl who loves lifel

alr well i am from india, turning 16 soon, i love dancing a lot, writing, cooking, reading a bit yea, a professional yapster fr😭, i adore animals so much

my biggest strength and my biggest weakness is that i feel too deeply and i would never change it for the world🫶🏻

[nazrigar]

Avatar 2: Electric Boogaloo, or “Why You Shouldn’t Take the Internet’s Opinion Too Seriously at Times”

Twas the year 2022, in the Month of May, when the first teaser for The Blue People Movie(tm) was released... everyone on this blasted device called the internet, from Tumblr, Twitter to Reddit though it was going to fail.

Now look where it is.  $2.243 billion dollars later. For all the talk of “Cultural Impact”, plain and simple, you don’t get people to keep coming back to the theaters for a movie with a gap of 13 years from the first if people didn’t care about it.

...Legit the only place that had faith in the movie was effing r/boxoffice. A subreddit. Another, much bigger subreddit in r/movies was basically betting on this film to fail, and when it didn’t it kept deleting posts about its box office success until recently with the exact same news as above.

And that  $2.243 billion? Mostly from international audiences. Heck even my country of Indonesia made it to the top 20 markets for this film, with Europe (France and Germany specifically), India, China and Korea being the other, bigger markets.

As a guy in the animation industry, whenever I see a lot of my own community and even overseas colleagues either bashing or in disbelief of the film’s success I kinda die inside, because it really feels as if though I’m being a traitor to my own professional community for enjoying the movie wholly and unironically.

It took a while, but I finally accepted the ability to say “that’s fine, so what?”.

What can I say? I like realism, and I like realistic animation! I like how its implemented in the movie.

I like exploring speculative worlds from a biological perspective as well as worldbuilding.

I love science fiction critters, and Avatar always delivers.

It’s a movie made for me, as some dude from Indonesia who helps storyboards projects.

So if you’re a fan of the Blue People Movie(tm), don’t feel ashamed. If you’re inspired by this, but also take the criticisms of certain communities to account to improve on your work? Go for it!

Even Jimmy Camera I think learned his lesson (which is hard for me to fathom because... it’s James Cameron. His ego is pretty (in)famous), as he asked for consultation from the Maori community for their opinions on how to write the Metkayina.

Remember, next time the internet (especially twitter) thinks something is going to flop(tm), but you think it might be good and/or successful! Go for it! What’s most important is what you think, and make your own conclusions about it.

[wyrmfedgrave]

Pics:

1 & 2. Modern renditions of 'realistic' griffins¹. Like dragons, they were supposed to guard loads of gold!

3. Simple diagram that places the Greek mythic 'world' at the extremes - away from the Mediterranean Sea.

4. Drawing of what a Hyperborean² supposedly looked like.

Reminds me of the much later Viking raiders...

5. The face of the 1-eyed Arimaspian³ 'people.'

They were mounted warriors who sought out & fought over griffin gold.

It looks like a Hindu god with its 3rd eye (of wisdom) open...

Hmm.

The idea of griffins did come from India...

6. John Milton⁴, extraordinary British poet - in the 1600s.

7. Collection of Milton's epic Biblical poems!

1914: Output.

Intro: "Gryphus in Asinum Mutatus⁵" is the last poem that Lovecraft wrote in 1914.

It takes Howard back to his early childhood, when he read Ovid's "Metamorphosis" & HPL thought that he was a 'real' pagan.

Lovecraft actually believed that he saw a satyr (man-goat) & a nymph (minor nature goddess) in the back lawn of his grandad's mansion!!

Howard was so inspired that he wrote several short poems.

One about the Roman's (Ovid) work, another on the ancient Greek Iliad & the last on the Odyssey.

But, this 1914 work claims to show how a griffin turned out to be a real ass...

It's an amusing satire based on Ovid's idea of eternal, magical 'changes' thru out time.

And, it does show off HPL's deep knowledge of classical mythology & English verse.

It's a little known effort, nowadays.

With little professional commentary.

The Work, Part 1: Lovecraft's intro!

(Howard introduces the idea of a griffin, where it came from & gives a quote from Milton's 2nd book of "Paradise Lost⁶.")

(HPL also mentions "the Blarney⁷ or North Carolinian species" - of the North American donkey⁸!)

A gryphon or griffin is a mythic animal with the body of a lion - plus, the head & wings of an eagle.

Such griffins dwelled in the Riphaean Mountains⁹, which were situated north of Scythia (Asian stepple area), between the blessed Hyperboreans & the 1-eyed Arimaspians.

These mounted cyclopes¹⁰ attempted to steal that gold, an action that resulted in the hostility between horses & griffins!

Milton, in his 2nd book of "Paradise Lost," refers to:

"A griffin thru the wilderness, winged... over hill & moor(-like) dale..."

"Pursues... (an) Arimaspian, who by stealth, Has from (the Griffin's) custody, purloined it's guarded gold."

Next: Part 2, Notes.