#Andre Nightingale
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but-thats-idiocy · 1 year ago
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Wouldn't it be hilarious if we see him wandering around confused in S3.. Actor's name is Andre Nightingale (yes).
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wernevergrowingup · 1 year ago
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I'm sick of ever character in Miraculous being reduced to a love square shipper. Alya, Kagami, Luka, Marinette's ENTIRE class, the news lady EVEN THE FUCKEN ICE CREAM MAN! They all only exist to further the love square. Can anyone have a personality and storyline that doesn't involve forcing Marinette and Adrien together??
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fabseg-creator · 2 years ago
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Second part sketch of Miraculous: Inversed Personas (Opposite AU).
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List of Opposite characters:
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Bob Roth, music producer. Married to Anarka.
Anarka Couffaine-Roth, Bob's "wife". She has issues with her husband (Not good relationship).
Xavier-Yves Roth (X.Y.), essayist. He abandoned his musician's career for becoming novelist/writer. He rejects his father.
Jagged Stone, classic music player/pianist (instead of rock'n'roll). He's afraid of alligators.
Alim Kubdel, director of the Musée du Louvre.
Tom & Sabine, bakers and Marinette's parents. They died in the arson of the Bakery when (Opposite) Marinette was 10-11.
Rolland Dupain, Marinette's grandfather. He's in good terms with young people ans kids.
André Bourgeois Anaximandre (spoiler from season 5), film director. He has never run for the mayoral election. He's hypocrite and arrogant (He fires Thomas You-Know-Who from the staff).
Clara Nightingale, pop singer. She's arrogant and annoying (similar persona to Canon Chloé).
Harry Clown, comedian and actor. He's known for playing dramatical movies, dramas and B-movies (like Captain Frite).
Wayhem, casual boy. He doesn't like celebrities (especially Adrien). He's an activist on Justice, Human rights and Climate. He's humanitarian.
Domino Brothers, Colt's twin bodyguards (based on bodyguards from Ladybug PV)
M.D.C., class representative from Fathom Academy (identity will be revealed soon).
Cash, Colt's intermediary/negociator in business. Mobster too.
Miss Secretary of Fathom Company (OC) (based on Sphinx's secretary from Ladybug PV).
Verdi (OC), Fathom Academy student.
Sheep (OC), Fathom Academy student.
"Rossi" girl (OC?), Fathom Academy student. Lovesick(?) for M.D.C..
Fei Wu, student transferred from Shanghai to Paris.
Opposite Marinette and Opposite Adrien will be introduced soon.
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miraculous-prompts · 6 days ago
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Write a fic written in the style of a video journal where Clara, Andre, Xavier and Mike are stalked and haunted by a cryptid monster
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maddascanbe-blog · 8 months ago
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Part 2 of the life-swap series! Oddly enough when I asked those close to me, none of them anticipated that I'd swap Chloe and Luka. Honestly it made more sense to me? Both have sisters, have at least one obscenely rich parent, and have crushed on the two leads?
Now onto the plot-
After finding out about the twins Jagged decided to battle for custody. He managed to get full custody of Luka, but not Juleka, and out of spit decided to cut the twins off from each other, causing Anarka to move to the the US. But despite having a young son now, this didn't stop Jagged from touring, often leaving Luka behind in Paris to be looked after by whoever was available. Even when he was in Paris he often avoided Luka, instead leaving Penny to watch him.
Luka grew up bitter at his fathers lack of care for him, and took it out on everyone around him. Mostly the staff of both Le Grande Pari, where he lives, as well as whatever caregiver his father/Penny had hired. When he went to school, he immediately began taking his anger out on everyone there too. Once Adrien's mom passed he took a special hatred to the blonde, in some ways seeing himself in Adrien. Both now children of single fathers, but Gabriel is in his sons life (whether that's good or bad doesn't matter to Luka).
And Luka, being an empath knows exactly how to get under ones skin. Because even if you don't show your emotions outwardly, he still can tell when he's struck gold. The only person he doesn't hate is Marinette, his childhood friend and the only person unaware of his attitude.
And yes, we are going for Cannon Chloe swap here, so no redemption for Luka. Sad. I'll draw Akuma-Viperion later.
Onto Chloe, once Andre found out about Audrey's infidelity he gave her two options. The first, he expose her and her career be permanently marred. Or she give him full custody of both Chloe and Zoe and the could divorce peacefully. Chloe hasn't seen her mom since she was 3 and quite frankly had no interest in her. Zoe only being a half sister to Chloe is a carefully guarded secret, one that Zoe thinks even Chloe doesn't know.
Chloe, not wanting to emulate her mother grew up with a very different mindset. Instead being taught that being both too aggressive and a pushover will lead to a mess. So she instead learns to govern her hive with a firm but steady hand. The staff of Le Grand Paris greatly respect her, and she is often the one sent to head off a Luka temper tantrum, as the only person unimpressed by both him and his father. She's more of an Clara Nightingale fan anyways.
She fast tracked her way through school, and decided to take Highschool online as to give herself more time to work both at the hotel and at her event planning company. As Queen Bee, she is fierce but kind. The favorite of the secondary heroes, since she is not only efficient at stopping the akuma, but will stick around to comfort and reassure both the victim and the civilians who were caught in the attack.
Due to her calm voice and good advice, Ladybug and Chat Noir have turned to her many times for comfort on both the chaos hero life and civilian troubles. She's always willing to listen when they need her. As such Hawkmoth sees her as the most beneficial to target. Only he seems scarred to akumatize her for some reason...
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bluegillfanboy23 · 1 year ago
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Fun Good Omens fact !
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This guy's actor is called Andre Nightingale !!
He is also reading a Neil Gaiman book :0
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shadowlorddemon · 2 months ago
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Miraculous Ladybug Animalverse AU
Where Everyone is an Anthropomorphic, including insects and fishes.
(Almost Like Zootopia & Beastars crossover that takes in MLB setting)
(If you have any questions about the AU, ask me and I would try to answer to my best)
The Cast & their animal species
Marinette = Asian Lady Beetle
Adrien = European Shorthair Cat
Alya = Red Fox
Nino = Red-eared Slider Turtle
Alix = European Hare
Rose = European Shorthair Cat
Juleka = Giant Otter
Mylene = Chinchillas
Ivan = Grizzly Bear
Nathaniel = Red Giant Flying Squirrel
Kim = Yellow-cheeked Gibbon
Max = Leopard Gecko
Chloe = Yellow Jacket
Zoe = Yellow Jacket
Sabrina = Cavalier King Charles Spaniel Dog
Lila = Swift Fox
Marc = Green Iguana
Aurore = European Badger
Mireille = Black-footed Ferret
Ondine = Sea Otter
Kagami = Komodo Dragon
Luka = Giant Otter
Caline Bustier = Capybara
Ms. Mendeleiev = Raccoon
Mr. Damocles = Northern White-Faced Owl
Sabine Cheng = Asian Lady Beetle
Tom Dupain = Spotted Lady Beetle
Andre = Yellow Jacket
Audrey = Yellow Jacket
Gabriel = European Shorthair Cat
Emilie = European Shorthair Cat
Amelie = European Shorthair Cat
Felix = European Shorthair Cat
Nathalie = Blue-tailed Skink
Otis Césaire = Red Fox
Marlena Césaire = Red Fox
Nora Césaire = Red Fox
Ella Césaire = Red Fox
Etta Césaire = Red Fox
Armand D’Argencourt = Friesian Horse
Alec Cataldi = European Mink
Bob Roth = Snaggletooth Shark
XY Roth = Snaggletooth Shark
Jagged Stone = Giant Otter
Penny Rolling = Saltwater Crocodile
Ali = Asiatic Lion
Clara Nightingale = Common Nightingale
Wang Fu = Chinese Pond Turtle
Nadia Chamack = Prairie dog
Manon Chamack = Prairie dog
Placide (Gorilla) = Mountain Gorilla
Socqueline Wang = Orange Ladybird
Su-Han = East Asian Bullfrog
Marianne Lenoir = Leopard Gecko
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millylotus · 2 years ago
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General Notes
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May I introduce to you my headcanons for Duke and Danny
Let’s start with Danny cause he changed the most [kinda]
The Fentons are a mixed Filipino-Cuban family [Maddie-Jack] b/c I wanted to [I am not Filipino or Cuban so if I mess up somewhere please tell me!] Jazz, Danny and Maddie all grew up learning and speaking Tagalog
Maddie and Alicia are Filipino-American & 3rd gen immigrants, their family name is Palad
Alicia’s farm was something their aunt had owned then later left to Alicia since her kids didn’t want it
Jack’s mom Olivia nee Castro was Cuban and his dad Rupert Fenton was white [that’s the Fenton-Nightingale side]
Danny is transmasc and has been presenting as such for awhile now
As like a general assumption, the Fentons aren't Horrible vivisect their child kind of parents in most of my AUs, they just aren't perfect half the time
Now onto Duke!
Duke is Nigerian, with both Elaine and Gnomon being centuries old for the most part [depends on AU but before Europeans started their bullshit]
Duke speaks an old dialect of Hausa that Elaine and Gnomon had grown up with and one he grew speaking it along with English
His adopted Dad Doug Thomas is Black, and he has an Aunt and Uncle Tracy & Alvin Jackson who live and in Bludhaven
Duke’s cousin [who’s cannon] Jay Jackson is a decade or so older than Duke and his legal guardian after his parents couldn’t do so
Duke still lives with the Wayne’s sometimes [they were his foster family until Jay could get custody] just jumping between each
The We Are Robin gang are still together but no longer as a group of vigilantes but as friends
I call them The Flock and they each have their own bird nicknames, Izzy|Fieldfare, Riki|-Galerinda, Dax|Alaemon, Andre|Blackbird, Dracy-Joanna “DJ”|Sparrow
They had another member Troy|Warbler he died during the Robin Wars when he was trying to defuse a bomb, it was rigged to blow anyway
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Danny does this thing where he just stares at Duke for prolonged periods of time
Duke thought he’d be bothered by it but he actually likes it alot, for Danny to just look at him like he’s his only light
Danny’s always had dysphoria around his body, especially after he started to become more ghostly
Duke always thought he was beautiful and would tell him as such, he loved to watch Danny blush like a fool at his words
I’ve always thought of Danny as a romantic, he’s the type of person to do anything for his partner
He thrives off of physical affection and word of affirmation
Duke is also kinda romantic but he finds it difficult to do physical things, when he truly loves a person he holds them alot, taking their hand, hugging them, things like that
He loves to get things from people he loves, and acts of service
These two are made for each other I swear
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DEADLIGHTS MASTERPOST, AO3
Pt.2 [Claim Sheets]
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grigori77 · 10 months ago
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2023 in Movies - My Top 30 Fave Movies (Part 2)
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20.  THE LAST VOYAGE OF THE DEMETER – Norwegian director Andre Øvredal EXPLODED onto the scene back in 2010 with one of the very best found footage horror movies ever made, Troll Hunter, and immediately declared himself as one to watch in the future.  It’s been frustrating, then, that he’s largely failed to truly deliver on that promise since – subsequent offerings such as The Autopsy of Jane Doe and Scary Stories to Tell In the Dark are noteworthy but ultimately underwhelmed me, while Mortal had some really great ideas but turned out to be a clunky mess that left me cold … but he FINALLY made good with one of the best horror offerings of 2023, a film which Stephen King himself counted as one of the best horror movies he saw all year (seriously, look it up).  Screenwriters Bragi Schut Jr. and Zak Oikewicz have taken an interesting tack here, delivering a brand new take on Dracula by not adapting the whole novel YET AGAIN but instead basing their jumping off-point on what’s usually little more than a footnote in most screen takes (if not just ignored altogether), the dark chapters detailing the fateful final voyage of the good ship Demeter, which transported the undead Count’s earth-filled coffins from Transylvania to England before finally running aground on the coast at Whitby with all hands lost.  The result is a deliciously harrowing, thumbscrew-tightening masterclass in slowburn suspense and ratcheting tension which follows the ill-fated crew who discover far too late that their cargo contains a monster that feeds exclusively on the blood of the living, Øvredal expertly overseeing an oppressively atmospheric gothic thrill-ride which offered up some of the year’s biggest and best scares while milking every drop of pure terror out of the simple conceit that once they’re on the open water there is NO VIABLE ESCAPE from their dread predicament.  It certainly helps that the crew themselves are a well-rounded collection of characters we come to really sympathize with and root for – Corey Hawkins (Kong: Skull Island, In the Heights, The Tragedy of Macbeth) is a strong hero as new ship’s doctor Clemens, slowly bonding with the likes of Liam Cunningham’s grizzled but kind captain Eliot, The Suicide Squad’s David Dastmalchian as the Demeter’s gruff, cynical quartermaster Wojchek and Eliot’s grandson, the ship’s cabin boy, Toby (The White princess’ Woody Norman), as well as Aisling Franciosi (The Nightingale), who delivers a turn of intense wounded poise and troubled vulnerability as Anna, a Transylvanian peasant girl unwillingly smuggled onboard in the cargo for Dracula (portrayed, through some impressively effective mocapped digital effects, by REC, Mama and Slender Man’s Javier Botet) to feed on during the voyage, whose rescue when she’s discovered sets the overarching horrors loose upon the crew.  Ultimately it’s easy enough to see what Stephen King saw in this – this is a genuine BLINDER of a horror movie, scary as hell, emotionally darker than the blackest night and shot-through with an edge of genuine exquisite NASTINESS that leaves a deep, lasting impression on you LONG after the credits have rolled.  As an intriguing and surprisingly original piece of standalone horror cinema this really is something special, but if it WERE to be the start of a larger cinematic story I certainly wouldn’t say no, not if Øvredal and this talented writing duo remain on board …
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19.  THEY CLONED TYRONE – while cinemas may finally be properly getting back into the full swing of things now, with many of the big budget offerings that were long delayed by COVID finally emerging to fill up the year’s international moviegoing calendar, streaming services don’t seem to be letting that slow their own steam (granted, it’ll be interesting to see how things look by THIS year’s end, when the fallout from the Writers Guild and SAG-AFTRA strikes REALLY starts to hit, but I’m not about to get into THAT debate here), and Netflix is no exception, still leading the pack with their Original filmmaking offerings.  BY FAR the most interesting, original and downright FIENDISHLY INGENIOUS offering they dropped in the past year HAS TO BE this thoroughly unique sci-fi satire from up-and-coming screenwriter Juel Taylor (Creed II, Space Jam: A New Legacy), who makes his feature directing debut in truly BLINDING fashion.  The concept itself is an absolute belter, although while the title may sound DECIDEDLY spoiler-heavy already, it’s actually just the very TIP of the iceberg, and giving much of anything about the plot away would reveal some pretty key twists to anybody who didn’t already see the trailer.  So if you DON’T wanna get spoiled, just rest assured this is a PHENOMENAL FILM and it really MUST BE SEEN, and just check it out good and cold … still here?  Okay then … John Boyega continues to stretch his legs away from Star Wars as Fontaine, a mid-level drug dealer in a suburban American ghetto simply known as The Glen who’s gunned down in a turf dispute, only to wake up unharmed the next day with no recollection of said events.  As he investigates this uncanny twist, he ropes in the dubious help of two acquaintances – pimp Slick Charles (Jamie Foxx) and hooker Yo-Yo (If Beale Street Could Talk and The Marvels’ Teyonah Parris) – only to discover a dark and twisted labyrinthine
conspiracy that stretches far beyond the urban confines of their beleaguered neighbourhood.  The results are one of the slickest and most brain-bakingly twisted chunks of speculative science fiction I’ve come across in a good long while, constantly throwing the viewer narrative curve balls while posing a dizzying series of moral and socially critical thematic quandaries, all the while presenting a brilliantly off-beat reimagining of classic “blaxploitation” tropes (indeed, this is among the very best examples of this quirky little sub-genre I’ve EVER come across).  It’s also got a LETHALLY devious sense of humour to it, beautifully subverting expectations to bring a delightfully skewed inner-city slice-of-life POV to proceedings which it then mines for the purest nuggets of comedy gold it can find.  That being said, there are times it gets pretty dark too – while it’s never particularly violent or harrowing (despite some of the obvious elements of its subject matter), the way the conspiracy itself unfolds as its monstrous nature is revealed gets truly existentially terrifying at times, and in the current political climate feels a little TOO possible … and then there’s the cast, who tie everything together PERFECTLY, the three leads in particular taking what could have been a joke set-up trio of the genre’s classic trope archetypes and invest them with genuine heart, soul and complex nuance – Boyega is endearingly vulnerable and effortlessly likeable as our sort-of hero, while Foxx brings both requisite quirky charisma and surprising deeply-hidden sympathy to what’s usually one of the most classically despicable character tropes out there, but the real STAR here is Parris, who effortlessly steals the film out from under her peers as a smart, plucky and brilliantly resourceful amateur sleuth who’s frequently miles ahead of everybody else as the mystery unfolds around them; meanwhile Kieffer Sutherland brings delightfully sleazy “cracker” energy as Nixon, the brutally amoral bureaucrat nominally in charge of this nefarious far-reaching plot.  Taylor handles proceedings with admirable skill and an impressively artful visual flair while crafting one of the year’s most intriguing and thought-provoking films so far, and immediately marks himself as a clear rising star with a hell of a lot of one-to-watch potential for the future.  I look forward to whatever it is he does next …
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18.  BLUE BEETLE – as for moving the big screen DCU moving forward, here’s a project that, apparently, is actually making the leap from old to new very much in one piece.  Despite being long developed as a flagship film for the original DCEU, Gunn seems to be folding this cinematic origin story for the second generation of one of the DC Universe’s lesser known (but still iconic and beloved) superheroes into his new vision.  Which basically means that THIS, right here, is our first real taste of what’s to come in the NEW vision … and, if I’m honest, if this IS a good indicator, then I’m actually all for it.  Marking the big break of up-and-coming Puerto Rican filmmaker Angel Manuel Soto (who made a small but potent impact with his feature debut Charm City Kings), this is also EXTREMELY notable for being the first major studio movie about a Latino superhero, namely Jaime Reyes (Cobra Kai’s Xolo Mariduena), an impoverished young pre-law graduate from the fictional metropolis of Palmera City’s Edge Keys who finds himself essentially FORCED into taking up the long-vacated mantle of the Blue Beetle after accidentally symbiotically bonding with a mysterious alien superweapon system simply known as the Scarab.  Unfortunately, this device is being zealously sought by psychopathic weapons corporation CEO Victoria Kord (Susan Sarandon), who wants to use its unique programming as the basis for her world-changing OMAC weapon system, and she’ll do ANYTHING to get hold of it … that’s really all you need to know about the story, the film proving to be a welcomely lean and impressively streamlined classic archetypal hero’s journey original story which also EFFORTLESSLY sets up the story moving forward into what are, I’m sure, gonna be some EVEN MORE impressive adventures once the new DCU proper gets off the ground, and the end result makes for one of the year’s most genuinely ENJOYABLE superhero movies.  Mariduena makes for an endearing young hero here, investing Jaime with wide-eyed innocence and precociously earnest charm that belie some pure steel when he has to learn to man up and get in the fight for real, and the rest of the Reyes clan are similarly well established here too, particularly wildly popular stand-up comedian George Lopez (who here shows he has ONE HELL of a high pitched scream) as conspiracy nut Uncle Rudy and Hocus Pocus 2’sBelissa Escobedo as Jaime’s sweet, acerbic and FANTASTICALLY sassy little sister Milagro, while almost IMPOSSIBLY beautiful Brazilian actress Bruna Marquezine thoroughly impresses as Victoria’s estranged granddaughter Jenny, the tough and resourceful daughter of original Blue Beetle Ted Kord.  And then there’s the villains, and OH MY GODS does this film pay off
BIG TIME by genuinely OUTPERFORMING when it comes to the all-important job of giving the hero suitably heavyweight antagonists by providing us with a pair of genuine STARS here – Sarandon is frequently downright CHILLING as a stony PSYCHOPATH who doesn’t care about ANYTHING but making her own twisted, perverse technological dream a reality, while Apocalypto’s very memorable Big Bad Raoul Max Trujillo handles the muscular side of things with consummate professionalism and brooding feral intensity as her pet special forces killer Ignacio Carapax, the recipient of the OMAC prototype and therefore, essentially, Jaime’s first nemesis.  There’s some INCREDIBLE action on offer here, the visual effects delivering magnificently to bring the Scarab AND OMAC’s versatile capabilities out in fine style, but for the most part this is a film which rides high on a glorious mixture of good old fashioned light-hearted humour and a massive dollop of emotional heft and pure HEART, delivering some genuinely POWERFUL heartbreaking character beats once things get REAL before finally paying off in a wonderfully cathartic old fashioned Hollywood happy ending.  In many ways this film feels almost like a THROWBACK to simpler times, but it also paves the way impressively well for the future of the franchise if Gunn and co are INDEED intent on following this kind of formula moving forward.  Certainly this is a prime example of how to do a bright and cheerful primary coloured superhero movie WELL, and I look forward to plenty more of the Blue Beetle when they finally get their shit together again …
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17.  EVIL DEAD RISE – sometimes you just can’t keep a good franchise down, and that’s ALWAYS been the case with the Evil Dead movies.  That being said, each movie has always happily been its own thing too, so even when Sam Raimi was making his original trilogy they were all movies you could easily pick up and watch as a standalone without needing to see the others too.  Better, though, is the fact that every offering so far has been consistently GREAT, even 2013’s sort-of reboot from Don’t Breathe and The Girl In the Spider’s Web writer-director Fede Alvarez, which did a genuinely spectacular job of bringing the franchise kicking and screaming into the new Millennium while also delivering something which was unapologetically old school in the very best way.  Thankfully this is definitely the way that the latest writer-director, relative newcomer Lee Cronin (The Hole In the Ground), has decided to do things, although he’s also taking this newly-rebooted story in a fresh new direction with a MAJOR setting change as the Deadites are, for the first time (at least on the BIG screen) unleashed in the big inner city.  It’s a bold move, but certainly has the instant charm of doing something we’ve never seen before, bringing the claustrophobic madness of the originals into a very different but equally close-quarters environment as we’re now seeing the demonically possessed monsters terrorising their victims in tiny apartment rooms, cramped corridors and malfunctioning elevators which make for a whole host of new opportunities to change up the scares, the action and the direction of the thoroughly skewed plot.  Best of all, this is BY FAR the most female-centric film in the franchise to date, making for a much more interesting and far less testosterone-heavy atmosphere this time around as the women get to take the lead far more than they did in the previous movies.  The gods know that’s VERY MUCH my shit right there … Vikings’ Alyssa Sutherland is a veritable FORCE OF (UN)NATURE as Ellie, the downtrodden single mother trying to keep her three kids and her whole life from going off the rails until she’s taken over by the Evil when her calamitously foolish young wannabe DJ son Danny (Storm Boy and The End’s Morgan Davies) finds and reads from the Book of the Dead, while Picnic At Hanging Rock’s Lily Sullivan is endearingly vulnerable and fallible but ultimately steely as her Ellie’s estranged kid sister Beth, who comes home in a bad spot just in time to get thrown into the middle of the ensuing chaos; Gabrielle Echols (Reminiscence) and Nell Fisher (Northspur), meanwhile, are both similarly exceptional and thoroughly memorable as Ellie’s teen and pre-teen daughters Bridget and Kassie.  The majority of the action plays out in the impressively squalid confines of the newly-condemned apartment building, turning uncomfortably familiar surroundings into downright TERRIFYING nightmarish hellscapes as the horrors unfold within, Cronin pulling out every trick in the book to deliver a knuckle-whitening scare-fest that skilfully works its way under your skin and grips your heart tight enough to make it explode with sheer anxiety, and, like every one of its predecessors, he has managed to pull it all off with the absolute BARE MINIMUM of digital assistance, this film representing another resounding triumph for spectacularly NASTY physical effects.  This was definitely the NASTIEST thing I saw in a genuinely GREAT YEAR for horror cinema, but more than that it’s ENTIRELY lived up to its legacy, earning its place in one of the greatest horror franchises of ALL TIME with pride.  I look forward to seeing what Cronin does next, and I can’t wait to see what the series is gonna throw at us next, either …
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16.  BALLERINA – nope, NOT the Ana de Armas-starring John Wick spinoff, we still got ‘til the summer to wait on THAT ONE.  That being said, seems that one now has an ADDITIONAL benchmark to live up to given what we got with THIS sneaky little South Korean surprise gem that snuck in under the radar on Netflix in the autumn ... now I LOVE Korean cinema, there’s SO MUCH great stuff that’s come out from this market over the years, not just from the greats like Park Chan-wook and Bong Joon-ho, but lesser known hits and overlooked hidden gems that run the gamut of genres.  So I was already intrigued when I heard that Netflix’ latest under-the-radar release was getting RAVE REVIEWS across the board, and then when I heard the premise, never mind the title, I was even MORE interested.  I mean a 100% on Rotten Tomatoes is NEVER to be sneezed at, and this one DEFINITELY deserves the hype – it’s a tight, taut little suspense thriller with a simple premise which up-and-coming writer-director Lee Chung-hyun (The Call) nonetheless turns into an intriguingly twisty piece of work indeed.  Jeon Jong-soo (Burning, The Call) stars as Jang Ok-ju, a reclusive loner who comes a bit unstuck when her one real friend, the titular ballerina Choi Min-hee (Drive My Car’s Park Yu-rim), commits suicide, leaving her a parting note begging her to avenge her death by killing a brutal local sex trafficker named Choi Pro (My Cute Guys and Natalie’s Kim Ji-hoon), whose monstrous drug-induced rape of her and subsequent blackmail using a cruelly acquired sex-tape of the crime led Min-hee to take her life in shame.  It just so happens that Ok-ju is perfectly equipped for this, being a retired executive bodyguard with some seriously LETHAL combat training giving her that most coveted “certain set of skills” … this is SUCH a great stripped back, slowburn action flick, taking its time to establish just how deep the bad guys have fucked up without even realising before finally unleashing one hell of a badass new screen heroine on them.  Jeon Jong-see genuinely is a star in the making, surely destined for great things given what we see from her in this, understated but deeply nuanced as a withdrawn introvert fully capable of turning, without warning, into a cold blooded KILLING MACHINE if provoked, and she is a PERFECT driving force for this film; Kim, meanwhile, is a genuinely NASTY piece of work here as Choi Pro, a nihilistic sexual sadist who relies on his classic K-pop boy band good looks to put his victims at ease before destroying their lives, and Park Yu-rim is just the right balance of sweet and sassy in her flashback appearances to make the loss of her character hurt all the more, thoroughly justifying her bereaved friend’s roaring rampage of revenge.  Lee Chung-hyun also proves he's going to be a filmmaker worth watching in the future here, weaving an entrancing spell as he draws us in with the atmospheric first half before finally unleashing the fury in the second when it comes time to deliver a series of blistering, bloody and beautifully put together action sequences.  Like I said, that OTHER Ballerina movie’s gonna have to work hard to beat THIS one …
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15.  EXTRACTION 2 – back in 2020, when the Pandemic was really ramping up and not only the Summer but the whole year’s cinematic calendar looked like it was going in the toilet, the streaming services stepped up and took up the slack in fine style, and none carried more of the weight than Netflix with their Original Films.  One of the year’s most impressive offerings was their fascinating team-up with MCU filmmaking heavyweights the Russo Brothers, who produced and co-wrote the first Extraction, an unadulterated two-hour adrenaline shot of an action movie that blew all our socks off and announced to the world that debuting stuntman-turned-director Sam Hargrave was going to be a proper future star in his own right in the most demanding of cinematic genres.  Needless to say Netflix was IMMEDIATELY clamouring for more, just like the rest of us, so Hargrave and co returning with this equally blistering non-stop thrill-ride of a follow-up was a genuine no-brainer.  Thor himself Chris Hemsworth returns as former Australian special forces soldier-turned mercenary hostage extraction expert Tyler Rake, battling to recover from his near-death experience at the end of the first film in order to rescue Ketevan Radiani (Abigail’s Tinatin Dalakishvili), the sister of his ex-wife Mia (Olga Kurylenko), and her children from the brutal Georgian prison they’re trapped in alongside Ketevan’s monstrous husband, Davit (Tornike Bziava), who’s facing a ten year stretch for his crimes as a bigshot in the Georgian mafia.  Except that during the breakout Tyler’s forced to kill Davit, which sets the whole mob, led by his furious brother Zurab (Tornike Gogrichiani), hot on their heels … like its predecessor, this is a film that, after taking a little time to set things up, hits the ground running with one INSANE action sequence on top of another and keeps going full-throttle for pretty much the entirety of its remaining runtime, Hargrave and his RIDICULOUSLY hard-working and committed stunt team delivering some of the year’s most spectacular set-pieces as they constantly up the ante on EVERYTHING they did in the first film.  Once again the absolute highlight is a genuinely INSANE unbroken single-shot sequence that takes at least twenty minutes all told to tell its mesmerising story, and this set piece alone really is the equal to anything we got in the John Wock movies.  Hemsworth again proves that he really IS the God of Thunder even when he ISN’T playing Thor, kicking arse and taking names like few other action heroes are capable of doing, but this time it's an absolute JOY to actually get to see returning co-stars Golshifteh Farahani (Body of Lies, Paterson, Invasion) and, in particular, Adam Bessa (The Blessed, Mosul, Harka) both get a MUCH bigger slice of the action themselves as brother and sister Nik and Yaz Khan, Tyler’s trusted mercenary partners, both proving as viciously lethal in action as our main protagonist; Gogrichiani, meanwhile, makes for an agreeably FERAL villain as a grieving butcher determined to get blood for blood no matter the cost, while Dalakshvili tugs hard on our heartstrings as a desperate mother willing to go to extraordinary lengths to keep her children safe.  Altogether this is another undeniable POWERHOUSE action thriller, relentlessly effective and blissfully engaging from start to finish, and in many ways it’s EASILY an improvement on its predecessor.  Needless to say a third film is ALREADY in development, and after this I’m SUPREMELY confident it should be just as much worth the wait …
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14.  PUSS IN BOOTS: THE LAST WISH – my first candidate for top animated feature of 2023 was an interesting one because, while I am a MASSIVE fan of Dreamworks Animation Studios’ output in general and the Shrek films in particular, I have to admit that the FIRST standalone spinoff featuring Antonio Banderas’ awesome fairy-tale character left me somewhat underwhelmed … yes, I know, it’s a travesty, STONE ME!!!  I know I deserve it … but really, even with Salma Hayek on board it just didn’t reach the same levels of sheer unadulterated COOL that the Shrek movies did for me.  So I approached the EXTREMELY belated follow-up with a definite sense of trepidation, despite the intriguing new animation style makeover that’s clearly HEAVILY inspired by the recent success of the first Spider-Verse movie and the massive anticipation for its incoming sequel.  It looks GORGEOUS, but as we’ve learned to our cost over the years with this kind of filmmaking, looks DO NOT always automatically mean it’s gonna be a belter.  Thank the gods, then, that I was proven wrong THIS TIME … yup, for his sophomore spinoff movie, Puss FINALLY got a vehicle he could truly be PROUD OF.  It’s got a BRILLIANT premise which PERFECTLY fits with the amount of time that’s passed since the first one, and definitely means that the older fans among us (like myself) can definitely find A LOT to resonate with in terms of the themes here – Puss discovers that he’s only got ONE of his nine lives left and it sends him into a DEEP existential crisis as he realises that he’s pretty much WASTED much of the time he had, and technically that means he’s only got ONE CHANCE left to truly be alive.  So he abandons his riotous adventurer lifestyle and “retires” as a lap-cat for one SERIOUSLY weird cat-lady, Mama Luna (High Fidelity’s Da’Vine Joy Randolph) … only for his past to catch up to him in the form of a quartet of bounty hunters, Goldilocks (Florence Pugh) and the Three Bears (Ray Winstone, Olivia Colman and beloved up-and-coming British comic Samson Kayo). 
This prompts Puss to escape onto the road for one final adventure reuniting with his long-lost love Kitty Softpaws (Salma Hayek), who’s none too happy to have him back in her life after he abandoned her at the Altar, as well as a deeply odd new companion, Perrito (What We Do In the Shadows’ Harvey Guillen), a diminutive therapy dog who was masquerading as one of Luna’s cats, as they set out in search of the Wishing Star, a fallen star that can grant whoever finds it their heart’s desire, which means Puss could get his other Eight Lives back.  Except that they’ve still got the bounty hunters on their trail, along with (now decidedly) BIG Jack Horner (John Mulaney), a magic-item collecting entrepreneur who has a score to settle with Puss which definitely coincides with his fervent desire to claim the Star for himself, and a mysterious Wolf (the irresistibly silky tones of Narcos’ Wagner Moura) who may actually be Death Himself, who has his own, much darker reasons for finding Puss.  Y’know how they say you judge a hero by the strength of the villains he faces?  Well with antagonists of THIS calibre, Puss just might have finally met his match … and even better, EVERYTHING ELSE about this movie is as strong as the Big Bads – it’s one of the most well-written, well-directed and deeply, affectingly resonant movies that Dreamworks have EVER DONE, EASILY on a par with the rest of the Shrek canon and even matching up impressively well with true Gold Standards like Kung Fu Panda and the How To Train Your Dragon movies, everyone involved in this project clearly giving it their all in a total labour of pure, unadulterated LOVE that pays VAST dividends on the screen.  The cast, of course, are among the greatest key ingredients in this, and as we’ve come to expect from these movies they’re all pulling their weight MAGNIFICENTLY – Guillen and Mulaney in particularly deliver SPECTACULARLY in their respective roles, while Pugh and
her cohorts are at once hilariously good fun but also elevate their characters FAR ABOVE their one-note bad guy potential thanks in no small part to some VERY intelligent, well-rounded and deeply complex character development from the writers, but in the end the main weight of the film OF COURSE rests on the shoulders of Banderas and Hayek, and once again they’ve both proven they are MUCH MORE than capable of bearing it with grace, professionalism and a glorious evergreen twinkle in their eyes.  As for the animation and design, this is a BEAUTIFUL piece of work, definitely one of the year’s most visually arresting films as well as, quite simply, one of the most gorgeous films that Dreamworks have EVER put together, the studio effortlessly adapting to this sexy new style that made Spider-Man: Into the Spider-Verse and Netflix’ Arcane such glorious feasts for the eyes, and the animation team deserve JUST AS MUCH praise as director Joel Crawford, a storyboard veteran who previous proved his helming pedigree in fine style with 2020’s wonderfully oddball The Croods: A New Age.  Ultimately, given the storyline, themes and the way the film ties things off so neatly, I suspect this really will be the last we see of Puss In Boots on the big screen, but if that really is the case then I gotta admit it’s ONE HELL of a swansong …
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13.  THE KILLER – a new David Fincher flick is ALWAYS cause for my celebration, since he’s steadily become one of my ABSOLUTE FAVOURITE filmmakers.  Ever since his singularly SPECTACULAR breakthrough with Seven in 1995, I’ve been following his career with RABID interest, and he’s NEVER let me down, impressing me EVEN with his rare misfires (see The Curious Case of Benjamin Button), so I was REALLY looking forward to seeing what would happen when he FINALLY reteamed with screenwriter Andrew Kevin Walker (Seven, 8mm, Sleepy Hollow) for a fresh new thriller for Netflix following his lucrative new production deal that started with 2020’s brilliant biopic Mank.  Adapted from a cult French indie graphic novel series from Alexis “Matz” Nolent and Luc Jacamon, it doesn’t so much tell the story of a ruthlessly efficient professional hitman as provide a fascinating procedural peek into the meticulous modus operandi of an obsessive compulsive serial killer-for hire.  You’re not SUPPOSED to root for the hero in this – Michael Fassbender’s nameless assassin is a cold-blooded, emotionless cypher who maintains a painstakingly precise lifestyle regimen powered by a stringent personal mantra to make sure he never makes ANY mistakes and makes himself as impossible to trace as possible during the execution of each of his kills, Fincher intentionally making him seem almost CARTOONISHLY bland in order to make it clear this is a man who can just fade into the background even in the most heightened and harrowing of events.  That being said, there’s still something so bafflingly COMPELLING about following the Killer on his blood-soaked adventures as he goes about tracking down the person who’s trying to have him killed after inexplicably botching a hit in Paris, which I’m sure was also ENTIRELY intentional on both Fincher and Walker’s part.  Fassbender, meanwhile, is clearly enjoying himself with a MASTERCLASS in subtlety, effortlessly delivering swathes of emotional detail in the subtlest of ticks, blinks and double-takes while his toneless narration delivers ponderous insight on his surprisingly poetic inner-monologue.  Ultimately this is VERY MUCH his film, the narrative largely focusing on the Killer sliding anonymously through the world as he ruthlessly executes his plans, but some of the film’s most rewarding moments are watching just how alien this individual REALLY IS through his interactions with others, particularly ill-fated encounters with on-point talents like Charles Parnell (All My Children, The Last Ship) and a typically peerless Tilda Swinton.   Fincher has sometimes been labelled as one of Hollywood’s most cold and emotionally detached auteurs and I don’t doubt that this one will definitely be used as fuel for that continued critical fire, but I can’t help loving this one even so – this is thriller cinema at its most exquisitely cynical, an intense work of razor sharp ART from a filmmaker I cannot help bowing down to WORSHIP yet again, and I cannot WAIT to see what else he’s going to do as he continues with this already incredibly successful deal with Netflix …
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12.  THE MARVELS – oh boy, do I have A LOT to say about THIS ONE … those who follow my blog probably know how vocal I was about the truly SHAMEFUL treatment this received upon its release, or even just in the runup from its own studio … seriously, Marvel just GAVE UP on this one before it even came out, didn’t they?  And then the way they threw director/co-writer Nia DaCosta (Little Woods, 2021’s Candyman) under the bus after she DARED to speak out about her own treatment during production?  I mean the MCU’s been struggling for a while now, but to actually SELF-SABOTAGE themselves like this, it’s unfathomable.  Fuck … no, I’ve decided I’m NOT going to rant about that whole mess any more, I just want to get the word out on WHY I think all the naysayers and the haters and toxic fanboys who couldn’t even be bothered to TRY and give it a chance before it even arrived are just WRONG, how this is actually one of THE BEST MCU films we’ve had for a good while … certainly since Endgame dropped and we reached what was clearly the smart CLOSING POINT for the series before the bean-counters went NUTS over the profits and insisted on keeping the whole crazy train rolling … back in 2019, I was one of the first Captain Marvel movie’s strongest supporters, I LOVED that flick, but then I guess I WAS kind of biased since Carol Danver IS my absolute favourite Avenger, so I was SO PSYCHED when it was confirmed that we were gonna be getting a follow-up.  Especially once it was made clear that this one would also fold in Maria Rambeau’s sweet little girl Monica, now grown up into a superhero in her own right (while she never actually gets her monicker here, I always really liked Photon), as well as the star of one of the VERY BEST of the Disney+ Marvel shows, Ms Marvel herself, Kamala Khan.  I held onto that fervent hope even as the MCU started to go progressively more off the rails, with properties tanking left and right or stalling before even getting off the ground, I just dug my fingers in and HOPED that we could at least hang on for THIS ONE to save everything, because I KNEW it was gonna be good.  It HAD TO BE.  And oh my gods, it actually WAS …
it’s an absolute, unbridled JOY getting to spend more time with Brie Larson’s criminally underrated Carol Danvers, now wrestling with a newfound vulnerability after her own attempts to end the tyranny on the Kree homeworld of Hala just ended up making things SO MUCH WORSE, especially once events transpire to bring her into the orbit of Monica (the brilliant Teyonah Parris, returning to the grown-up role after her equally excellent introduction in Wandavision) and Kamala (the irrepressible and genuinely EFFERVESCENT Iman Vellani), and the trio must learn to fight as a unit when their powers become intrinsically entangled in such a way that they end up swapping places each time they’re used.  The central trio are clearly having an almost INDECENT amount of fun here, visibly bonding as their characters learn to appreciate each other for who they REALLY are and get over the various pieces of emotional baggage that they’ve brought into the relationship (particularly Kamala, a Captain Marvel MEGA-fan who comes to love Carol far more as a real person, fallible but ultimately with a good heart who’s TRYING HER BEST); meanwhile it’s always rewarding to get to see the lighter, more irreverent side of Samuel L. Jackson’s Nick Fury, especially after the frustratingly dour wasted opportunity that was Disney+’s Secret Invasion, as well as getting more of Zenobia Shroff (The Big Sick) and Mohan Kapur (Hostages) as Kamala’s parents and Saagar Sheik as her big brother Aamir.  And then there’s the villain … thank you Marvel for giving us another genuinely GREAT, surprisingly sympathetic screen villain like Namor in Black Panther – Zawe Ashton (Fresh Meat, Velvet Buzzsaw) is ON FIRE as embittered Kree warlord Dar’benn, who uses a galactic McGuffin to empower herself in order to take revenge on Carol through brutal, genocidal force for the woes that she believes the “Annihilator” (Captain Marvel’s new name among the Kree) has wrought upon Hala … this really is a step up from the somewhat muddy nemesis dynamic we got in the otherwise great first film.  The decision to deliver it all in such a significantly SHORT feature this time round actually also proved to be a real saving grace too – this is a tight, stripped back affair that wastes no time getting to the point and telling its story quick and efficiently, not seeming to carry ANY fat in its sleek run-time … although I will admit I had SO MUCH fun with this one I wouldn’t have MINDED an overstuffed two-and-a half hour movie if it could’ve meant getting more time with my girls.  It really is almost as much fun as the OTHER major MCU WINNER we got in 2023 (but more on THAT in a minute), delivering on the action stakes and bringing us suitably ROBUST feels but ultimately winning us over through its truly IRREPRESSIBLE sense of humour, frequently dropping genuine BELLY-LAUGHS on us (particularly in a truly inspired needle-drop montage that renders events wonderfully BIZARRE for a little while), as well as some exquisite little winks and nods for the pure fans among us.  The end result was a proper CLASSIC for the franchise and once again I have to ask WHAT THE FUCK, MARVEL?  Why the hell did this get such a rough go of it?  It’s genuinely unfair, I swear …
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11.  GUARDIANS OF THE GALAXY, VOL. 3 – time for the obligatory top MCU entry, then … but for once, this doesn’t feel like I’m trying to dress up a pig, either – YET AGAIN writer-director James Gunn has proven that he is, quite simply, THE BEST, most consistently ON-FUCKING-FIRE filmmaker working in the franchise, which perhaps makes the fact that he’s now OFFICIALLY jumping ship to permanently defect to DC particularly bittersweet, I guess.  This is WITHOUT A DOUBT the best MCU movie since Captain America: Civil War, and it couldn’t have come along at a better time since the series has been in SUCH a tough spot of late … anyway, the worst, least reliable, most unrepentantly despicable bunch of space-faring A-HOLES for-hire in the entire galaxy are back, now set up full time in their base of operations in Knowhere and looking to get back to business now the Universe has finally gotten over all that unpleasant post-Thanos Snap fallout.  But the crew themselves are still suffering some lingering after-effects from that shake-up, particularly Peter Quill/Star Lord (Chris Pratt), who’s a pretty much permanently drunk, despondent, emotionally broken MESS since the Gamora (Zoe Saldana) that came back after Endgame ain’t HIS Gamora, which leaves Rocket (Bradley Cooper) and Nebula (Karen Gillen) propping things up in his essential absence as the current nominal leaders of the crew.  This shaky status quo is torn asunder when an explosively violent encounter with the Sovereign’s new superpowered agent of vengeance Adam Warlock (The Maze Runner’s Will Poulter) leaves Knowhere in chaos and Rocket critically injured and in need of urgent emergency care due to a previously undiscovered proprietary kill-switch built into his cybernetic implants making it impossible for them to heal him without killing him, leading them to enter into an uneasy alliance with Gamora in order to steal an override code from
Rocket’s creator, the High Evolutionary (Peacemaker’s Chukwudi Iwuji), a megalomaniacal evil genius obsessed with manufacturing a perfect race to populate his envisioned utopian civilisation.  Not only is this one of the very best films in the entire MCU canon to date, but it’s EASILY the best in Gunn’s trilogy, essentially a pitch perfect up reinvention of the classic overblown science fiction space opera archetype which also pays immense respect to the fascinating core group of characters it’s helped to introduce cinemagoing audiences to.  It’s also a film expressly about ROCKET himself, even though he doesn’t actually have all that much screentime here, spending much of the film fighting for his life in the sick bay, but we’re treated to extensive flashbacks to his origin story as he was created (or rather TORTURED), refined and essentially brought up by the High Evolutionary, and found his first makeshift found family among his fellow pieced-together cyber-augmented animals, sweet and gentle otter Lyla (Linda Cardellini), wheeled goofball walrus Teefs (Click & Collect’s Asim Chaudry) and spider-limbed bundle of hyperactive joy rabbit Floor (The Suicide Squad’s Mikaela Hoover), who are the cutest bunch of anthropomorphic cyber-critters you could possibly imagine and, as a result, responsible for some of the biggest feels (and BY FAR the most thoroughly devastating emotion sledgehammer moments) in the entire movie.  Needless to say Cooper is on top form throughout, as are the rest of the eclectic, irreverent and absolutely TOP DRAWER cast – while you may still be making unfair jokes about him being “the Worst Chris”, I think this is THE BEST performance Pratt has EVER put in, he’s an absolute REVELATION in this one, plumbing previously unfathomed depths of raw intensity and naked vulnerability as Quill’s forced to get over his shit in order to save his best friend, Saldana gets to bring a much darker and more edgy, unhinged take to Gamora, Gillen finally completes Nebula’s redemption arc to bring her fully into the realm of true HERO, and Dave Bautista and Pom Klementieff, as Drax and Mantis, continue to be THE ABSOLUTE FUNNIEST, most full-on unapologetically HILARIOUS agents of chaos in this entire trilogy, all while getting to further expand and develop their own characters too
… and, of course, Vin Diesel again brings a hell of a lot of range to just three words as lovable walking talking tree Groot; meanwhile it’s also nice to see other returning faces get plenty to do, such as Sean Gunn’s endearingly prickly former Ravager Kraglin, Elizabeth Debicki’s bitchy Sovereign despot Aisha, the GOTG Holiday Special’s fan favourite Cosmo the Space Dog (again adorably voiced by Bodies Bodies Bodies and Fairyland’s Maria Bakalova), and even Sylvester Stallone, returning from GOTG 2 as Gamora’s new adoptive “uncle”, mighty Ravager hero Stakar Ogord.  Then of course, there are the series newcomers, who bring their own brands of intriguing charm to proceedings, particularly Poulter, who does a fantastic job of taking a truly badass, virtually unstoppable supreme being like Adam Warlock and essentially making him a thoroughly clueless, emotionally immature man-baby who largely doesn’t have a clue what’s going on half the time, Gunn-regular Nathan Fillion, stealing every one of his scenes in another brilliantly arch comedic cameo, and, of course, Iwuji, who brings us what HAS TO BE the trilogy’s VERY BEST villain, investing the High Evolutionary with a supremely entitled sense of moral superiority and truly monstrous ego while also managing to make him a genuinely credible intellectual THREAT to our heroes.  Needless to say, this amazing cast are just part of the precisely concocted recipe that’s brought this franchise highlight to such exquisite life, Gunn and co creating a pitch perfect sci-fi adventure chock full of action, suspense, thrills, wonderfully weird new extra-terrestrial locales, yet another gold calibre eclectic soundtrack, a TRULY MASSIVE amount of winning humour and a genuinely humongous dollop of pure, unadulterated FEELS.  Congratulations James Gunn, you made me cry again.  TWICE, damn you.  And I love you for it …
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coq-courage · 1 year ago
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If you needed to be told, here it is, the following Miraculous Ladybug characters are queer:
Marc Anciel
Luka Couffaine
Juleka Couffaine
Anarka Couffaine
Jagged Stone
Penny Rolling
Lila Rossi
Kagami Tsurugi
Tomoe Tsurugi
Rose Lavillant
Nathaniel Kurtzberg
Chloe Bourgeois
Andre Bourgeois
Audrey Bourgeois
Zoe Lee
Butler Jean
Sabrina Raincomprix
Roger Raincomprix
Barbara Keynes
Olympia Hill
Jessica Keynes
Aeon
Harry Clown
Gabriel Agreste
Emilie Agreste nee Graham de Vanily
Nathalie Sancoeur
Amelie Graham de Vanily
Felix Fathom-Graham de Vanily
Adrien Agreste
Colt Fathom
The Gorilla
Fei Wu
Ivan Bruel
Mylene Haprele
Fred Haprele
Max Kante
Claudia Kante
Kim Le Chien-Ature
Nino Lahiffe
Theo Barbot
Aurore Beaureal
Mireille Caquet
Jean Duparc
Jessica Keynes
Alec Cataldi
Alim Kubdel
Alix Kubdel
Jalil Kubdel
Armand D'Argencourt
Anne-Jeanne Theoxanne du Bocquale (Dino lady)
Bob Roth
Xavier-Yves Roth (XY)
Caline Bustier
Camilla Hombee
Clara Contard (reporter)
Clara Nightingale (musician)
Denis Damocles
Didier Roustan
Wang Fu
Jean-Pierre Monlataing (art teacher)
Marianne Lenoir
Socqueline Wang
Alya Cesaire
Marlene Cesaire
Otis Cesaire
Alya Cesaire
Nora Cesaire
Penny Rolling
Sabine Cheng
Tom Dupain
Gina Dupain
Rolland Dupain
Shu Yin Cheng (sister to Sabine)
Yan Cheng
Mei Cheng
Marinette Dupain-Cheng
Uncle Wang Cheng
Simon Grimault (Simon Says)
Nadja Chamack
Thomas Astruc (the OC)
Xavier Ramier
Vincent Aza (stalker photographer)
Vincent (good photographer, mama's spaghetti)
Veronique (wax museum)
Andre Ice Cream Man
Jiao (Shanghai special)
Kang (shanghai)
Lian (shanghai)
Ms Mendeleiev
Ondine
Vivica (desperada)
Wayhem
Cash the guy that tricks Fei
Dean Gate (New York special)
Bustier’s Partner Seen Only In Season 5 Episode Collusion
Hot Dog Dan
Nora's Partner Seen Only In Season 5 Episode Transmission
Lila's Parents
Delmar (new York special)
Su-Han
Prince Ali
Mr. Banana
All unnamed characters
All characters with a name who I forgot
All named characters I straight up forgot to mention
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A note: I have purposefully excluded the children but not the characters based on IRL people.
The children are excluded because as in real life, they are constantly changing and are more prone to feeling judged by society if we try to bog them down with answering a question with a straight answer versus letting them vibe however they are.
The characters based on IRL people were included because the people they were based on may be queer, we just don't know, we also wont assume. Also because once a character is created, they belong to the public and the public will assign any headcanons to them regardless of what was intended or what is true.
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Further note: if the point of this post flew past you, its that anyone can be queer, there are no signs, someone may be in closet.
You never know who around is queer, even if they seem to scream "I am not queer" there's always a chance they are, whether they know it or not
And if you as a person, decide to spout off your hatred of anything queer, because you think, "there's no way someone near me is queer", I want you to think again
Because there are many flavors of being queer
And all you're doing by being hateful, is ensuring that when you need help, no one will be around and no one will want to be around
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dragonbugsuperior · 1 year ago
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MLB Character Tier
Love: Marinette, Kagami, Luka, Fei Wu, 
Like: Alya (50%), Nino, Rose, Juleka, Nathaniel, Marc, Max, Ivan, Mylene, Trixx, Tikki, Nathalie, Jessica Keynes, Alix, Anarka, Aeon
Meh (Indifferent) : Alya (50%), Chloe, Lila( 50%), Felix (50%), Sabine, Tom, Theo, Jagged, Sabrina, Manon, Armand, Aurore, Amelie, Clara Nightingale, Fred, Xavier, Andre, the Cesaire family, 
No: Felix(50%), Kim, Plagg, Andre
Hell no (*throws up*) : Adrien, Gabriel, Audrey, Tomoe, Lila (50%)
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wonderwoman6199 · 1 year ago
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Sabrina:
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Round TWO!
Episode 48 Part 8 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47
Ko-fi | Patreon
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best-d20-character · 2 years ago
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Best D20 PC Updates for Round 1
Fantasy High
Fig Faeth v. Gorgug Thistlespring
Riz Gukgak v. Kristen Applebees
Fabian Seacaster v. Adaine Abernant
Hargis v. Ficus
Escape from the Bloodkeep
Efink Murderdeath v. Sokhbarr
Leiland v. Lilith
Maggie v. Markus St. Vincent
The Unsleeping City
Sofia Lee v. Pete Conlan
Kingston Brown v. Ricky Matsui
Kugrash v. Misty Moore
Cody Walsh v. Iga Lisowski
Tiny Heist
Rick Diggins v. Car-go Jones
Bean v. Boomer Coleoptera
Agnes v. TI-83
A Crown of Candy
Lapin Cadburry v. Cumulous Rocks
Amethar Rocks v. Ruby Rocks
Liam Wilhemina v. Theobald Gumbar
Sacharina of House Frostwhip v. Jet Rocks
Pirates of Leviathan
Myrtle v. Marcid the Typhoon
Barbarella Sasparilla Gainglynn v. Cheese
Jack Brakkow v. Sunny Biscotto
Mice and Murder
Daisy D'umpstaire v. Buckster $ Boyd
Gangie Green v. Ian Prescott
Lars Vanderchomp v. Sylvester Cross
Misfits and Magic
Evan Kelmp v. Sam Black
Whitney Jammer v. Dream
Premium Va-Casians v. Andre Henreek
Dangerwolf Darkhawk v. Chip n' Rip
The Seven
Sam Nightingale v. Katja Cleaver
Ostentatia Wallace v. Penny Luckstone
Antiope Jones v. Danielle Barkstock
Shriek Week
Terry Talbo v. Tuti IV
Seven v. Megan Mirror
A Starstruck Odyssey
Skip (brainslug) v. Norman Takamori (non-brainslugged)
Margaret Encino v. Big Barry Syx
Sundrey Sidney v. Gunthrie Miggles-Rashbax
Norman "Skip" Takamori v. Riva
Coffin Run
Squing v. Wetzel
Aleksandr Astrovsky v. May Wong
ACOFAF
Lady Chirp Featherfowl v. Lord Squak Airavis*
Captain K.P. Hob v. Prince Andhera
Delloso de la Rue v. Binx Choppley
Neverafter
Pinocchio v. Pib
Prince Gerard v. Princess Rosamund
Ylfa Snorgelsson v. Mother Timothy Goose
Note: Purple signifies a match where both contestants will be moving forward, normally because the votes are less than 1% off from 50%
*by popular vote, Chirp and Squak will be continuing as a joint pair
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wrestlefesthq · 1 month ago
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Hello! MW? For both Male & Female?
hello sweetpea !
males: juice robinson, swerve strickland, oraneg cassidy, sami zayn, kevin owens, danhausen, chuck taylor, trent beretta, mark davis, malakai black, brody king, cash wheeler, dax harwood, tony d'angelo, eff,y nathan frazer, trick williams,charlie dempsey,shawn spears, rj city, channing lorenzo, andre chase, riley osborne, wes lee, bryan danielson, ricky shane page, joe gacy, dexter lumis, bo dallas, max caster, pac, john cena, sheamus, kyle o'reilly, roderick strong, mike bennett, matt taven, solo sikoa, tama tonga, tonga loa, jacob fatu, el phantasmo, zack sabre jr, jeff cobb.
females: jade cargill, bianca belair, renee paquette, shotzi, arianna grace, lola vice, nikki cross,carlee bright, nikkita lyons, lash legend, jakara jackson, thea hail,willow nightingale,iyo sky, indi hartwell, candica lerae, allie ( the bunny ) , carmella, ruby soho, lash legend, kelani jordan, kamile, queen aminata, b3cca, allie katch, thunder rosa, alba fyre, riho, iyo sky, hikaru skida, kairi sane, lyra valkyria, tegan nox, maya world, shayna baszler, zoey stark, elektra lopez, zelina vega, kendal grey, wendy choo, wren sinclair, aj lee, maryse, kelly kelly, lita.
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miraculous-prompts · 29 days ago
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Space Pirate AU: Minor God!Clara and Professor!Andre must deliver a package on an elevator
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errandboyvergel · 4 months ago
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Heroes of Meydol Character Showcase: Jane D. Nightingale!
Hello, adventurers!
An adventuring party isn't complete without their support, be it someone to mend your wounds or to uplift you in times of hopelessness. And there hasn't been a support that Dan trusts on the most than his classmate (and also secret crush), Jeanne D. Nightingale! Though you may refer to her as Jane. Jane was actually teleported to Meydol earlier than Dan, after she narrowly avoided an incoming truck which led her to an alleyway containing a rift to Meydol. Her summoner, Archmage Virtuous, gave her a test to see if she is a worthy candidate in becoming the Chosen Dragoon. Jane, however, refused to even attack a single Azul Slime she encountered in the woods, and would rather deliver one of the creature to the nearest church to treat it from its poison. Her compassion towards the creature led her to become a cleric-in-training under the tutelage of Father Andre, eventually utilizing her magic to help the farmlands who were under attack by a goblin raid party. That's also where she reunited with Dan. The two would embark on various quests and adventures across Meydol, befriending new party members and fighting off villains in the hopes of eventually returning home. Jane is especially eager to go home as soon as possible, but she sticks around with Dan and company to ensure that everyone is not only fully healed, but also one step closer to their dreams and aspirations. She is especially eager to see Dan grow into a fully confident hero, far from the defenseless bully magnet that she witnessed when she first met him. "I may not be a fighter, nor am I some show-stopping magician full of tricks. I may not even know what I've signed up for. But if it means helping people, if it means seeing my friends happy, then I will continue playing along :)"
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