#And the translation I had was machine translated so I won't speak too much more on that

[revenantghost]

Legitimately cannot wait for Livio to get jacked and Elendira to have her glow-up in Tristamp

[nhaaauyen]

⋆ ˚｡ ⋆୨ The Ghost of You ୧⋆ ˚｡ ⋆

"This thou perceiv'st, which makes thy love more strong // To love that well which thou must leave ere long." -William Shakespeare (Sonnet 73)

PART IV: TONIGHT, I WALK AWAY

zombie apocalypse sevika x reader au!: sevika was the super soldier; a killing machine driven solely by survival. you were nomadic, constantly searching for something in whatever was left of the world—till you met her.

series masterpost: part I // part II // part III // part V

wc: 7.8k cw: violence, angst, major character death author's note: Honestly I'm starting to get why TWD writers do what they do after writing this chapter... I also apologize for taking so long for this chapter, my classes are starting now so updates will be a bit a slower </3 **also some eastereggs but the sonnet 73 quote I have is mentioned in the scene where Grayson talks about love. It's pretty much the translated modern English definition of the quote! The make a wish dialogue is also from the movie Dangerously Yours (1937), that scene always gets me so I had to include it haha

You drift in and out of consciousness, the world around you a hazy blur of pain and disjointed voices. Through the fog, you catch glimpses of three figures engaged in intense discussion.

Sevika's there, her face etched with worry. Beside her stands a tall, bald gaunt man and a mask covering the lower half of his face. His eyes are sunken, giving him an almost skeletal appearance. The third figure is shorter, with slicked-back dark hair and a prominent scar running down one side of his face, his right eye a striking shade of green.

Their voices filter through your muddled thoughts:

"...low on medical supplies for a procedure like this," the masked man says, his voice muffled and clinical. "There's no sure chance she can make it."

"I'll go to the hospital."

"It’s too dangerous." The scarred man's voice is sharp and skeptical.

"We've been low on supplies for too long," Sevika argues. "It's time we do it now. We cannot lose any more people."

Their words fade as you slip back into darkness, only to resurface again as you're being moved. You have no idea how much time has passed, but you're on some kind of gurney, the ceiling passing by overhead. You try to move, but your limbs feel heavy and unresponsive. Glancing down, you see your wrists are handcuffed to the sides of the bed.

Panic surges through you as you realize you're being rolled into what looks like a makeshift operating room. The masked man and the scarred one are there, now wearing blood-stained surgical gowns. You try to fight, to call out, but your body won't cooperate.

The scarred man leans over you, his mismatched eyes boring into yours. "It will be over soon," he says, his voice oddly soothing despite the circumstances. Then he's lowering a gas mask over your face, and the world fades to black.

When you wake again, your mind is clearer, though your body feels like it's been run over by a truck. The scarred man is sitting in a chair beside your bed, watching you with an unreadable expression.

"Ah, you're awake," he says, leaning forward. "Good. I was beginning to wonder if we'd miscalculated."

You try to speak, but your throat is dry, raw. He holds up a hand, silencing you.  

"No need to strain yourself. I just wanted to... observe you.” He pauses. "It's been a long time since I've had to perform a procedure like that. It’s quite a reminder of what still lurks beyond these walls. How we’ve grown complacent."

Your eyes drift to his face, lingering on the scar that runs down the right side, bisecting his eye. The eye itself is a startling shade of green, almost luminescent against his pale skin. You must have been staring, because the man chuckles, a dry, humorless sound.

"Curious, aren’t you?" A sardonic smile twists his features. "It’s only natural - people always wonder. But few ever ask. It’s a souvenir from when Zaun was still crawling out of the muck. When men I called brothers tried to drag me back down for a piece of land." 

His finger traces the scar slowly, almost lovingly. "This... this was their parting gift." He trails off, then continues in a near-whisper. "Have you ever felt pain so exquisite it becomes transcendent? For days, I danced on the knife's edge between genius and madness."

His gaze refocuses on you, sharp and penetrating. "But pain, you see, can be transformative. It stripped away my naivety, my weakness. It forged me into something stronger, something capable of truly leading Zaun."

“I think I understand why Sevika is so fond of you." His lips curl into something that might be a smile but doesn't reach his eyes. "There's something in you, just like her. That part that's willing to sacrifice."

You furrow your brow, confusion, and wariness warring inside you.

"Some sacrifices are necessary to be made. But they're also weaknesses," He stands, smoothing down his shirt. "Something to consider."

With those cryptic words, he turns and leaves, the door clicking shut behind him. You're left alone, your mind racing with questions. Who were those men? What exactly happened to you? And how much time had gone by?

The weight of uncertainty presses down on you, and exhaustion soon follows. Despite your churning thoughts, your eyelids grow heavy, and you drift into an uneasy sleep.

When you wake again, its by the sound of shuffling feet and the creak of a door opening. The haze of sleep still clings to your mind as you slowly become aware of your surroundings.

Sevika enters, holding a plate of food. Her eyes meet yours, and for a moment, neither of you speaks.

"Hey," she says finally, her voice softer than you've ever heard it.

"Hey yourself," you reply, unable to keep a slight tremor from your voice.

Sevika sets the plate on your bedside table, then stands awkwardly, as if unsure what to do with her hands. "Thought you might be hungry," she mumbles.

You nod, a thousand questions bubbling up inside you. Where has she been? Why didn't she visit sooner? What happened after the surgery? But looking at her now, seeing the dark circles under her eyes and the way she holds herself - tense, guarded - you decide those questions can wait.

Instead, you pat the bed beside you. "Sit with me?"

Sevika hesitates for a moment, then complies. As she settles beside you, you feel the warmth of her presence, so familiar yet somehow changed.

"I missed you," you say simply.

Sevika's eyes widen slightly, a flicker of emotion crossing her face before she schools it back to neutrality. "I... I'm glad you're okay," she replies, her voice gruff but sincere.

As you and Sevika sit together, you try to maintain a casual conversation, but there's an undercurrent of tension you can't ignore. Sevika's responses are clipped, her gaze never quite meeting yours. It's like she's looking through you, not at you.

"Hey," you say softly, reaching out to touch her arm. "What's going on?"

She turns slowly, her eyes finally meeting yours. But there’s something different in them, something that makes your heart clench. It’s infuriating, this distance she’s putting between you, this wall she’s building brick by brick.

“Sevika,” you say, trying to break through that wall. “Talk to me.”

She crosses her arms over her chest. “Nothing can happen between us again,” she says, the words falling heavy between you like a death sentence.

You stare at her, disbelief mingling with hurt. “What?”

Her gaze flickers, something like pain flashing in her eyes before she steels herself again. “We can’t do this,” she says, her voice low and strained. “We can’t keep pretending this… whatever this is… can last.”

You feel the ground shift beneath you like the world is falling away, leaving you teetering on the edge of a precipice. “You’re really going to say that after everything?” Your voice cracks, the hurt seeping through despite your best efforts to keep it at bay. “How do you kiss someone, make them believe there’s something real, and then just—throw it away?”

Sevika’s jaw clenches, and she looks away, as if unable to bear the sight of your pain. “You can be mad at me, hate me if you want,” she says. “But it has to be this way.”

“I’m not mad,” you reply, your heart breaking with every word. “I’m hurt, Sevika. I’m hurt because I care about you, and you’re pushing me away like none of it matters.”

“I know,” she whispers, her voice so soft it’s almost lost in the hum of the machines. 

“Then why?” you demand, your voice wavering as you struggle to understand. “Why are you doing this?”

She finally looks at you, really looks at you, and the anguish in her eyes is like a punch to the gut. “Because if I let myself love you,” she says, her voice breaking on the word, “I know we’d never have enough time. ”

Her words hit you like a tidal wave, drowning you in the despair that’s been brewing in your chest. “But isn't some time better than none at all? I'd rather have a handful of precious moments with you than spend the rest of my life wondering 'what if.'” The tears you’ve been holding back now streaming down your face. 

“Even if it hurts, even if it's brief – at least it would be real.”

Sevika shakes her head, her expression a storm of anger and fear. Her words come out in a rush, like she can't hold them back any longer.

"You don't understand. I was okay before you. I was okay with the idea of dying, of existing day after day without purpose until my time ran out. But now?" Her voice hardens. "Now I'm terrified. I'm not okay with losing you. I'm not okay with the thought that you could walk out that door and never come back."

“I didn't need this. I didn't need you to come along and give me a reason to call this godforsaken place home. I didn't need you to make me want to survive instead of just exist.”  She’s practically pleading now.  “Don't you see what you've done to me? Needing you means I have something to lose."

The weight of her confession crushes you, the finality of it sinking in. She’s not just pushing you away—she’s tearing herself apart to do it, ripping out the very thing that might make her feel alive, all because she’s so afraid of the pain it could bring.

“I’d shatter every bone in my body again if it meant keeping you safe,” you say, your voice trembling. “I’d do anything for you, Sevika, and it hurts so bad that you won’t let me.”

She turns her head away. “You’re too stubborn,” she whispers, her voice resigned. “You won’t stop, and neither will I, and it’ll kill us both in the end.”

“You look at me like I’m already dead,” you say, your voice cracking with the weight of your grief. “Like I’m a ghost you’ve been carrying around, waiting for the right moment to bury me.”

She flinches, the words cutting deep. “Because that’s what it feels like,” she confesses. “I feel like I’ve already lost you, and it’s killing me. I’d rather lose you now when we still have a chance to walk away than lose you out there, where I can’t protect you.”

The following silence is deafening, the air thick with everything neither of you can bring yourselves to say. You reach out, your hand trembling as you gently caress her cheek, trying to offer comfort in the only way you know how. She leans into your touch for a moment, her eyes closing as if she’s trying to savor it, to hold onto it before it’s gone.

“Are you doing this to protect me, or are you protecting yourself?” you ask softly, the question hanging in the air like a lifeline, offering her one last chance to admit the truth.

She opens her eyes, and the pain you see there nearly undoes you. “Both,” she admits. “I’m protecting both of us. I’ll never survive the day I lose you. And I can’t—” Her voice breaks, and she swallows hard, her eyes pleading with you to understand. “I can’t live.”

Your heart shatters as the reality of her words sinks in. She’s already decided, already convinced herself that this is the only way to keep you both safe, even if it means tearing herself apart in the process.

“Can I be alone?” you ask, your voice small and broken, the words barely escaping your lips.

Sevika nods, her expression tightening as she takes a step back. “Yeah,” she says. “I’ll go.”

She turns to leave, but before she can take another step, you reach out. “Sevika, wait,” you say, your voice filled with desperation. “Can you hand me my bag?”

She hesitates, her gaze flickering to the bag and then back to you. After a moment, she nods and hands it to you, her fingers brushing yours for the briefest of moments, sending a jolt of longing through you. You rummage through the bag, your heart pounding as you pull out the familiar fabric of her shawl.

You hold it out to her. “This belongs to you.”

Sevika stares at the shawl, her eyes widening as she realizes what it means. For a moment, she just stands there, looking at it like it’s a lifeline she’s too afraid to grasp. Then, she takes it from you.

She looks at you, and in her eyes, you see all the things she wants to say, all the things she’s too scared to admit. And then, without another word, she turns and walks out of the room, the door closing quietly behind her, leaving you alone with nothing but the ghost of her touch and the scent of her shawl lingering in the air.

⁺˚⋆｡°✩

You didn’t accept any visitors for days, under the guise that you were too tired and needed the rest to recover. But as tempting as curling in bed and crying over a woman that you never even had a proper relationship with was, you knew you couldn’t hide away forever.

Blinking, you see a group of people piling into your room.

Vander's deep voice rumbles, "Easy now, let's not overwhelm her."

Caitlyn is standing over you. "How are you feeling? Any pain?"

Before you can answer, Powder chimes in, "Bet you feel like you've been hit by a truck. Am I right?"

"Something like that," you croak.

Your attention is drawn to the doorway where Grayson stands, little Ren in her arms. The child is clutching Grayson's yellow armband tightly.

Grayson sets Ren down gently. "Go on, little one," she says softly.

Ren doesn't need to be told twice. She rushes to your bedside, her small hands gripping the edge of the mattress. "Miss, are you okay?" she asks, her voice shakes slightly. "Will you be like Sevika?"

The innocence in her question tugs at your heart. You reach out, ignoring the twinge of pain from the movement and the mention of Sevika, to pat her hand. "No, darling," you reply softly. "Sevika is unique. I'll be just fine."

Grayson moves closer, her stern expression softening slightly. "That was brave," she says. "But also very idiotic of you."

You frown at the comment, the words too similar to Sevika’s at the prison.  

Vander's voice pulls you from your thoughts. "You gave us quite a scare," he says. "But you're tough. You'll pull through."

Caitlyn nods in agreement. "We've managed to replenish some of our medical supplies thanks to the hospital mission." she informs you. 

Vi adds with a smirk, "And don't even think about trying to get up and be a hero again anytime soon."

“Yeah… I wouldn’t dream of it,” you respond hoarsely.  

Over the next week, your family comes and goes, their visits being the highlight of your monotonous days.  Grayson usually stopped by with Ren, the two were closer than you expected but Marcus had flitted in and out of Ren’s life so often that Grayson stepped up as a parental figure.  You offered to take care of the kid while you were still bed-bound, and Grayson only reluctantly agreed when you assured her it wouldn’t obstruct your healing process.

You find yourself sitting up in bed, Ren cross-legged beside you. Math worksheets are spread out between you.

"If an apple cost three dollars and you needed to buy five apples, how much would that cost?"

Ren's brow furrows in concentration. "Um... fifteen dollars?"

You beam at her. "That's right! You're getting good at this."

A knock at the door interrupts your math lesson and Vi pokes her head in, her red hair slightly disheveled.

"Hey, time to get moving," she says with a grin.

You turn to Ren, giving her a warm smile. "Let's do this again tomorrow, sweetie?"

Ren nods enthusiastically, gathering her papers. "Alright! Bye-bye, miss! I hope you feel better!"

As Ren scampers out, Vi approaches, offering her arm for support. You wince as you stand, your body still protesting the movement.

“Easy,” she murmurs, her tone softening as she watches your struggle. “Take it slow.”

You grit your teeth, focusing on her voice, on the feel of her arm supporting you. Slowly, you manage a few steps, each one a little less painful than the last. 

“How’s it feel?” Vi asks, keeping pace with you, her gaze never leaving your face.

“Like hell,” you admit with a shaky laugh, though there’s a small sense of victory in the simple act of standing on your own two feet again. “But better than yesterday.”

Vi nods, a small smile tugging at the corners of her lips. “Progress,” she says. “You’re getting stronger.”

As you slowly make your way down the hallway, Vi starts chatting about her day. "You wouldn't believe the shit from yesterday. We were chasing some survivors that tried to steal our shit through an alley, and then Sevika shows up out of nowhere and--" 

The moment the words are out, Vi winces, realizing her mistake too late.  You feel a sharp pang in your chest at the mention of Sevika's name. 

"Uh, anyway, we got the guy in the end.” she says.

“She… was?” you ask, trying to keep your voice steady.

Vi looks away, guilt flashing in her eyes. “Yeah,” she says softly. “Didn’t mean to bring it up.”

“It’s good,” you say, though the words feel like a lie even as they leave your lips. “It’s good that she caught them.”

Vi nods. “I’m sorry.” 

You shake your head, forcing a small smile. “It’s okay. It’s just… I miss her.  It’s stupid, we weren’t anything.”

“I know,” she says. “But it’s not stupid.”

There’s a long silence, the kind that’s filled with all the words neither of you know how to say. “If you didn’t have Caitlyn, would you be okay with all of this? Would you be able to live with everything we do?”

She’s quiet for a moment as she considers your words. “Do I have a choice?” she finally says, her voice tinged with a sadness you’ve rarely heard from her. “I have Powder. I have you, Vander… my family. I’d feel incomplete, sure, but I don’t have a choice. I have to keep going.”

“We’ll keep going, together.” She adds.

“Thanks, Vi.” Despite your gratefulness, her words feel like they’re coming from a distance, muffled by the grief you’re still trying to process. 

Your family helps you through it all, they talk to you about everything and nothing, filling the silence with stories. The days pass, and slowly, you begin to reclaim small pieces of yourself. You walk more, the physical therapy sessions become less of a struggle and more of a routine.

And each night, when the room is quiet and you’re alone with your thoughts, you think of Sevika. It’s not easy. Some days, the weight of it all feels unbearable, like you’re drowning in a sea of what-ifs and lost chances. But you keep going, step by step, knowing that it’s all you can do.

One evening, after a particularly exhausting session, you lie in bed, staring up at the ceiling as your thoughts drift. You think about Sevika, about the last time you saw her, the pain in her eyes as she walked away. And you wonder if she feels the same weight, if she’s struggling just as much to move on.

You close your eyes, and for a moment, you imagine her here, standing by your side. And as you drift off to sleep, you could swear you hear her voice, soft and broken, whispering in the dark.

“I failed you.”

⁺˚⋆｡°✩

The pantry is filled with the scent of canned goods and the faint rustle of paper bags. You’re focused on stacking cans of beans when your grip falters, and one slips from your fingers.

Before it can hit the ground, a hand darts out and catches it. You look up to see a man with a cocky grin. He’s tall and lean, with slicked-back hair and piercing teal eyes.  You don’t know why, but he looked oddly familiar.

“Well, well,” he drawls. “What’s a pretty girl like you doing down here? Are we that understaffed that we’re making the injured work now?”

You snatch the can back from him. “Not that it’s any of your business,” you reply curtly, setting the can back on the shelf, “but I wanted to do this.”

He chuckles, leaning against the shelf with a casual arrogance. “Looks like supplies are running a bit thin,” he comments slyly, his eyes flicking to the half-empty shelves. “Maybe you should take it easy before you use up what little energy we have left.”

You narrow your eyes at him, your patience wearing thin. “I’m not interested in your opinion.”

Before he can retort, the door to the pantry swings open with a loud creak, and Sevika steps inside. The air changes instantly when her gaze zeroes in on the man. 

“Finn,” she growls. “What are you doing here?”

Finn straightens up and raises his hands in mock surrender. “Just making sure our friend here isn’t overworking herself,” he says innocently.

“Get lost,” Sevika snaps. “Now.”

With a lazy shrug, Finn backs off, giving you a final, lingering look before sauntering out of the pantry. The door closes behind him, leaving you alone with Sevika. 

Sevika turns to you. “I was told you’re working here again,” she says, her voice sharp with disapproval. “Are you stupid? You’re barely healed.”

You bristle at her tone. "I needed to do something."

"Yeah, like babysitting Ren," she snaps. “Not this.”

"Why does it matter what I do?" you challenge, your voice rising.

For a moment, Sevika doesn’t answer, but then her eyes widen.

“You’re bleeding.” 

You blink, confused. “What?”

You look down and see a trickle of blood seeping through the bandages on your side. The pain hits you a second later, sharp and burning, but you grit your teeth, refusing to show weakness in front of her.

“It’s nothing,” you say quickly, trying to downplay it. “I can bandage it myself.”

But Sevika is already moving toward you, her expression darkening with worry. “You’re not going back to your place like this,” she mutters. “Come on. My place is closer.”

Before you can protest, she’s already scooping you up into her arms. The world blurs around you as she carries you through the streets and you’re too shocked to resist.

When you reach her place, she sets you down on the edge of her bed, her touch lingering for just a moment longer than necessary before she pulls away.

“Just sit,” she instructs as she moves to grab a first aid kit from a nearby drawer.

“I can do it.” 

Sevika shakes her head, her expression set in a way that leaves no room for argument. “I have experience with this,” she says quietly. “Let me.”

You watch in silence as she works. Her hands, usually so strong and rough, are gentle as they press a fresh bandage against your skin. There’s a tenderness in the way she handles you, in the way she refuses to meet your gaze as she focuses on the wound, that makes your chest ache.

Finally, Sevika finishes. She stands, the distance between you growing once more as she busies herself with putting away the first aid kit, her movements stiff and mechanical.

“Thanks.” You want to leave, not to be any more inconvenient than you already were but Sevika replies before you can say anything.

“You should rest,” she says, her voice flat, devoid of the warmth that was there just moments ago. “Don’t push yourself like that again.”

You reluctantly agree to stay and the tension in Sevika's shoulders eases slightly. She mumbles something about bringing dinner later and leaves you to rest.

Left alone, you take in your surroundings. The room is sparse, almost impersonal. Unlike the chaos in the other rooms, this space feels hollow. There are no personal belongings, no knick-knacks, nothing to suggest that she even uses this bed. It's as if the room itself is holding its breath, existing in a state of perpetual temporariness.

Exhaustion soon overtakes you, and you drift off to sleep. But you soon wake again at the sound of muffled voices.  Through the haze of half-consciousness, you hear one of Sevika's people inviting her to a party, but she declines. 

"Nah, I'm staying in today," you hear her say.

The voices fade, and you slowly wake up, disoriented. You stumble to the doorway of the living room, blinking sleep from your eyes. Sevika is there, dressed in casual clothes – a grey tank top and worn jeans with her hair down, falling in messy waves around her face.  She's cleaning up, a pile of bottles in her arms when she notices you.

"You're awake," she says, startled. "Shit, did I wake you up?"

You shake your head, your voice still rough with sleep. "No, you're good... Do you need help with that?"

"No. Fuck, sit down. What are you doing walking around?"

Still groggy, you comply without argument, sinking into the couch. Sevika dumps the bottles in a bag and turns back to you.

"I'm making dinner," she says, washing her hands at the sink. "You're okay with instant noodles and spam?"

The domesticity of the moment catches you off guard. "Sounds delicious," you manage to say.

Sevika nods and turns to the small kitchenette. You watch her move around the space. It's surreal, seeing her like this – relaxed, casual, making dinner for you both. For a moment, you can almost pretend things are different between you.

Sevika settles on the far arm of the couch next to you, the small distance between you both feeling more like a chasm. 

"Chopsticks or fork?" she asks, holding out both options.

"Chopsticks," you reply, and a ghost of a smile flickers across her face.

"Good choice," she murmurs, handing them to you.

You eat in comfortable silence, stealing glances at her when you think she's not looking. When you finish, Sevika collects the empty bowls.

"Want dessert?"

"Sure," you nod, watching as she retrieves an apple from the kitchen.

She settles back on the arm of the couch, peeling the apple with a small knife. "How's the physical therapy going?" Sevika asks, breaking the silence.

You shrug. "It's... going. Slow progress, but progress nonetheless."

She nods, placing slices onto a plate. "That's good. Don't push yourself too hard."

"Says the woman who never knows when to quit," you tease gently.

A wry smile tugs at her lips. "Do as I say, not as I do."

As you reach for the last slice, Sevika’s hand brushes your cheek. You freeze, the touch unexpected, and you look up at her, your heart suddenly pounding in your chest.

“There’s an eyelash,” she says softly, her voice gentle as she carefully removes it from your face. She holds it up for you to see, the tiny, delicate lash resting on her fingertip. “Make a wish.”

You stare at the eyelash, your mind racing with all the things you could wish for, should wish for. But the words stick in your throat, and you find yourself frozen, unable to think of anything that could possibly fix what’s been broken.

“Did you wish?”

You shake your head slightly, the corners of your mouth turning up in a sad smile. “I... I didn't get the chance.”

She raises an eyebrow, her gaze piercing as she studies you. “And there’s something you wish for?”

“Yes,” You hesitate, the words coming slowly, painfully, like pulling them from some deep, hidden place inside you. “I was wishing… that we were two other people. Two people who didn’t have to say goodbye.”

The silence that follows is thick, charged with the tension of emotions neither of you can afford to express. Sevika’s expression tightens, her jaw clenching as she absorbs your words.

“You know, if you say it out loud, it doesn’t come true,” she says, her voice rough, like she’s fighting against the vulnerability of the moment.

“Do you believe that?” 

She looks down at the eyelash, still resting on her finger, before blowing it away into the air. Her gaze follows it for a moment before she looks back at you. “I don’t know what I believe anymore.”

The words hang in the air, heavy and unmovable, like a finality neither of you can escape. 

“We should sleep,” Sevika says finally. “It’s late.”

You nod, knowing she’s right. There’s nothing more to be said, nothing that can change the way things are. 

“Thank you,” you say softly.

Sevika looks at you for a long moment, her expression unreadable. Then she nods, just once, and steps back, letting you go. “Goodnight.”

“Goodnight,” you echo, your heart heavy as you turn and walk away.

As you reach the end of the hallway, you glance back, just once. Sevika is still standing in the doorway, watching you, her figure framed by the dim light. There’s something in her posture, something in the way she’s holding herself that makes you think she might be wishing too—wishing for something that neither of you can have.

But then she steps back, closing the door behind her, and you’re left standing in the cold, empty hallway, the echoes of what could have been ringing in your ears.

⁺˚⋆｡°✩

The sun hangs low on the horizon, casting long shadows across the makeshift shooting range. You and Grayson stand side by side, both of you facing a row of targets at the far end of the field. You’ve been practicing your aim for a while now, but your focus has been off, your shots missing the mark more often than not.

“You haven’t said anything about my shit shot,” you mutter, glancing sideways at Grayson, expecting some form of criticism.

She shrugs, her eyes on the distant targets. "You're injured. Why would I?"

You snort. "Liar. Weeks ago, you'd have torn me apart. What's different now?"

Grayson doesn't answer, instead gesturing to a nearby bench overlooking the community below. You follow her, settling onto the worn wood with a sigh.The elevated view makes the world seem vast and small all at once.

Grayson passes you a canteen, and you take a long drink before speaking again. "You snitched to Sevika about me working."

Grayson raises an eyebrow. "Snitching? Are we ten?"

"She didn't need to know," you mutter, avoiding her gaze.

"You were going hurt yourself," Grayson says softly. "And you needed to see her. For closure, at least."

You fall silent, not wanting to delve into the complicated mess of emotions surrounding Sevika. Instead, you change the subject. "How's Ren?"

“Ren’s sleeping in today. She’s been up late these past few nights, working on that puzzle I gave her.”  Grayson’s face immediately brightens at the mention of Ren.

“She’s got that stubborn streak. Wonder where she gets it.” 

“Must be the company she keeps,” Grayson replies, her voice laced with affection. “Marcus is at the walls today, keeping an eye on things. It’s been quiet, for the most part.”

You nod, your gaze drifting back to the field. “It’s strange, isn’t it?” you muse. “Every day is the same. We do the same things, see the same faces… What makes it worth living?”

Grayson leans back on the bench, her eyes scanning the horizon as she considers her answer. “You make your own reasons,” she says finally, her tone thoughtful. “For me, it’s taking care of Ren. Making sure she has something to hold onto, something good in this world.”

There’s a pause, and you can tell Grayson is choosing her words carefully. “I never thought of myself as the maternal type,” she continues, sounding almost wistful. “But with Ren… It’s different. She’s taught me more about love than I ever knew.  In whatever time I got left here, I want to continue it with her, to see her grow up and prove there’s still something more for us here.”

You feel a pang in your chest, suddenly remembering Sevika and her belief that there would never be enough time for the two of you. But where Grayson found strength in loving deeply despite that, Sevika chose to close herself off, to protect herself from the inevitable pain.

Grayson looks at you, her eyes filled with a quiet understanding. “Sometimes, the hardest thing is to keep loving, even when you know it won’t last. But that’s what makes it worth it. Knowing that you made the most of the time you had, that you loved fully, even if it hurts in the end.”

Her words hit you like a punch to the gut, the truth of them resonating with a painful clarity. 

“It’s hard,” you admit, your voice barely audible. “When you know it’s not going to last.”

Grayson nods, her expression gentle. “It is. But that doesn’t mean it wasn’t worth it. You have to find your own reason to keep going, to keep loving, even when it seems like everything is falling apart.”

The conversation settles into a quiet lull, the words lingering between you as the sun dips lower in the sky. You take another sip from the flask, the burn of the alcohol doing little to numb the ache in your chest.

“You’re always looking out for us, making sure we’re okay.” you say after a moment, your voice tinged with admiration. 

“I’m satisfied  – knowing that I’ve done what I can to make this place a little better, to take care of the people who matter.”

“Thank you,” you say softly, the words carrying more weight than you intended. “For everything.”

“You don’t have to thank me,” she replies gently. “We’re all in this together. And besides,” she adds with a small, teasing smile, “someone has to keep you in line.”

You chuckle, the sound lightening the heavy atmosphere just a bit.

But the peaceful moment on the hill was brief, the tranquility shattered by the sound of rapid footsteps and panicked crying. You and Grayson turn to see Ren running towards you, her face streaked with tears and her small body shaking with sobs.

Grayson immediately drops to her knees, catching Ren in her arms. "What happened, sweetheart?" she asks, her voice calm but laced with urgency.

Ren tries to speak through her tears, her words coming out in broken gasps. "Daddy said... we were going on a trip... but the monsters... they blocked us and he couldn’t close the gate... now they're coming to get us!"

As if on cue, screams erupt from the direction of the community. You and Grayson exchange a quick glance, both reaching for your weapons without hesitation.

Ren clings to Grayson's yellow armband, her eyes wide with terror. "I want to go with you!" she cries.

Grayson cups Ren's face gently, her voice soft but firm. "Darling, listen to me. I will come back, I promise. But right now, you need to get to safety. Can you be brave for me?"

Ren nods, her lower lip trembling. You know without words what needs to be done - get everyone to safety.

You both sprint down the hill, Grayson carrying Ren. As you near the community, the chaos becomes more apparent. Gunshots ring out, mixing with screams of panic and pain. People are running in all directions, fear etched on their faces.

Vi appears beside you, her red hair wild and her eyes blazing. "We're seriously underarmed right now!" she shouts over the noise. "Sevika's crew is out!"

"We have to make do," you yell back, scanning the area. You spot Caitlyn and a few others on the walls, their snipers picking off threats in the distance.

You, Vi, and the handful of armed residents form a protective line, herding panicked civilians towards their homes. "Get inside! Lock your doors!" you shout, your voice hoarse from the effort.

Children cry for their parents, the elderly struggle to move quickly enough. You see a young mother stumble, her baby wailing in her arms. You rush to her side, helping her to her feet and guiding her to safety.

Everywhere you look, there's movement – people running, fighting, falling. 

The air is thick with the stench of death and the deafening cacophony of gunfire. You're shoulder to shoulder with VI, both of you firing relentlessly at the endless wave of walkers. Sweat stings your eyes as you shout, "Vi! On your left!"

She pivots, taking down three walkers in quick succession. But for every one you drop, two more seem to take its place. The situation is rapidly spiraling out of control, and a sinking feeling in your gut tells you you're fighting a losing battle.

But suddenly, powerful headlights cut through the darkness as a convoy of trucks roars onto the scene. Your heart leaps – you'd recognize that cavalry anywhere.

As if materializing from thin air, more trucks appear, effortlessly mowing down walkers and clearing streets. One screeches to a halt in front of you, and then there she is.

A familiar figure vaults from the truck bed – Sevika, her red shawl billowing behind her. She swiftly unslings a shotgun from her back and starts blasting walkers left and right. Her face is composed, every feature carefully controlled, but when her eyes find yours, a fleeting shadow passes over them—a trace of fear and concern.

"You okay?" she shouts over the din, closing the distance between you.

You nod, breathless. "A lot are injured. I don't know, there's too many – I think they're coming from the west gate. Ren said something about Marcus not being able to close it."

Sevika's jaw tightens. She yanks out a radio, barking orders to dispatch teams to the west gate. In seconds, she's handing out weapons, her voice ringing with authority. "Split up! I want a team grabbing as many injured as possible. Anyone bitten, take them out."

As you move to join the fray, Sevika's hand clamps on your arm. "No," she growls. "What the hell are you doing? Get to safety with the others. You're still injured."

"Fine," you concede. "But I'm finding Grayson first."

Sevika gives a curt nod before sprinting back into action. You catch a glimpse of Vi, her red hair unmistakable as she leaps into a truck bed. 

You weave through the chaos, dodging walkers and searching for Grayson. Gunfire echoes off buildings, punctuated by the revving of engines and the sounds of walkers being dispatched. 

A scream to your left – you spin, firing instinctively. A walker drops, inches from a couple. You quickly wave to them to follow and you sprint to the safe house together. Your leg protests, but adrenaline keeps you moving.

Your heart pounds as you finally spot Grayson, but she's going the opposite direction. 

"Grayson!" you shout. "Sevika and her team are here. We need to get everyone to safety!"

She doesn't slow down. "There's someone stuck in a car!"

That's when you see it - a vehicle surrounded by a writhing mass of walkers, their decaying hands clawing at the windows. Inside, you catch a glimpse of a terrified face.

Without hesitation, you sprint after Grayson. The two of you work in tandem, picking off walkers. When you reach the car, Grayson covers you as you wrench the door open. A young boy, no older than seven, practically leaps into her arms.

"We've got to move!" Grayson shouts.

You guys run, the child clinging to her as you lead the way.  You’re clearing the path, and you’re halfway to the safehouse when you hear the dreaded click of an empty chamber.

"I'm out!" you yell.

Grayson turns, her eyes flashing with a decision you can see forming before she even speaks. "Take the kid. Go!"

"Wait, we can make it together!"

She shakes her head, placing the boy into your arms. "Sevika's crew is here, remember? I'll be okay. Get everyone to safety!"

Before you can protest, she's shoving you toward safety, using her body as a shield for the child. You run, every step feeling like a betrayal, but knowing you have to trust her.

You make it to a house, handing off the child to waiting arms. Your lungs burn as you gasp for air, eyes scanning the chaos for any sign of Grayson.

Suddenly, Sevika's there, her face smeared with grime and blood but her eyes alight with fierce triumph. "We closed the gate. Got them all."

Relief floods you for a moment, but then reality crashes back. "Wait, where's Grayson?"

Confusion flickers across Sevika's face, but before she can respond, a heart-wrenching wail cuts through the air. You both rush outside, joining a growing crowd.

The scene that greets you turns your blood to ice. Caitlyn is on the ground, her body wracked with sobs. Vi kneels beside her, arms wrapped around her shaking form. "I couldn't save her," Caitlyn chokes out between gasps. "I couldn't shoot them fast enough."

Her sniper lies discarded in the dirt, and that's when you see her. Grayson.

The world seems to tilt on its axis. You stumble forward, unable to process what you're seeing. Grayson, who was just beside you moments ago. Grayson, who sacrificed herself to save a child. Grayson, whose quiet strength held your community together.

She now lies on the ground, her body wracked with violent coughs, blood staining her lips. Her breaths had grown shallow, each one more of a struggle than the last, and when she reached for Sevika’s hand, you knew what she was asking for. Sevika’s fingers trembled as she grasped Grayson’s hand, and when Grayson whispered, “Do it,” you saw a flash of something break inside Sevika.

She obeyed.

The gunshot echoed in your ears, louder than the chaos around you, but it was the sight of Sevika gently closing Grayson’s eyes that broke you. Sevika had always been unbreakable, she seemed immune to the horrors of this world. But as she knelt beside Grayson, you saw the cracks forming.  She closed Grayson’s eyes, her hand trembling just for a second before she stood up, towering over the body like a stone sentinel. 

You could barely breathe, the grief suffocating you, making it impossible to think about anything other than how many bodies that needs burying tomorrow. How many families would be broken by the news? How many children would cry for family and friends who would never come home? 

“Grayson?” Ren’s voice was barely a whisper, filled with innocence and confusion. The kid was supposed to be inside the safe house but instead, she stood there, eyes wide and uncomprehending, staring at the lifeless form on the ground. “Why is Grayson sleeping? Tell her to wake up… We won, didn’t we?”

You wanted to tell her something—anything—but the words choked in your throat. Ren dropped to her knees beside Grayson, her tiny hands shaking as they touched the cold, lifeless body.

Sevika finally moved, her expression unreadable, her walls up higher than ever. Without a word, she reached into her pocket and pulled out Grayson’s yellow band. She knelt down, her massive frame suddenly so small beside Ren, and gently placed the band in the child’s trembling hands.

Ren looked up at Sevika, eyes full of questions. But before anything could be said, Silco emerged from the shadows, his eyes gleaming with a dangerous intensity. He was flanked by his men, their faces grim and cold, and at the center of it all was Marcus.

He was barely recognizable—his face a mangled mess of bruises and blood. He was dragged forward, forced to his knees in the dirt where Grayson had fallen. The sight of him brought Sevika to her feet, her fists clenched tight. You could see the battle raging inside her, the desire to end him right then and there, but she held back.

"Look at him," he began, his tone soft, almost conversational, as if he were discussing something trivial. "A man who betrayed the very community that kept him protected him fed and protected. Who left nothing but the ashes of his own cowardice."

He walked slowly around Marcus, like a predator circling its prey. "This is the price of betrayal, the cost of thinking you can stand in the way of what must be done. You all know him," Silco continued, addressing the crowd that had gathered, their eyes fixed on the broken man at his feet. "You know his face, his uniform, his lies. But you must also know this: in a world where there are no second chances, there are no second thoughts."

Silco’s voice grew harder, colder, as he leaned down close to Marcus’s ear. "Your cowardice, your betrayal, a mistake that cost how many lives today? And now, you will pay the price for that."

The words hung in the air, heavy and final, and Marcus’s body shuddered, knowing what was coming. Silco straightened, his eyes scanning the crowd. "Let this be a lesson to all who would think to cross us, to cross me. There is no forgiveness in this world, only retribution."

You don’t know what happened next, because you’re taking Ren into your arms and you’re moving – away from the crowd, away from the punishment that you know her father will face.

Ren clings to you, burying her face in your chest, and you hold her close, wishing you could shield her from all of this. "What’s happening to Daddy?" she asks, her voice muffled by your shirt. "And Grayson?"

You didn’t have an answer. The only thing you could do was hold her tighter, trying to block out the screams, the fire, the blood.

Time passes, the night dragging on in a blur of grief. Inside the house, the silence was deafening. You had scrubbed the blood from Ren’s skin, but it still lingered in the air, the scent of death refusing to leave. Grayson’s face kept flashing before your eyes, her last breath, her last words, the way her body crumpled in Sevika’s arms.

And now, as you stared out the window, you saw them—Silco’s men, forming a straight, omnious line as they marched out into the night. At the center of it all was a giant wooden cross, and tied to it was Marcus. His head hung low, his body limp, but he was still alive.

Your breath caught in your throat when Sevika looked up at the window. For a moment, your eyes locked, and you saw nothing in her gaze but a cold, empty challenge. The Sevika you knew wasn’t there, but replaced by someone who had buried whatever was left of her soul beneath layers of survival and duty. She turns away, breaking the gaze as she climbed into the backseat of a vehicle.  You watch as the trucks disappeared into the night until the only thing you could see was the small form of the cross.

The night presses in around you, heavy with loss, and you wonder if anything would ever feel whole again.

taglist:

@mirconreadzztuff22 @lils-1979 @veoomvroom @schmoni

@poxismind @kittykatz1227 @archangeldyke-all @abbyssgf @ivorydevil

@lez-zuha @iamastar @jellyfishrnice @anemoxlys @l0vel3tterl0ver

@lavendersgirl @h0pe-scotch @lia-winther @kittykatz1227 @dontknowwhenispawned

@sevikitty @sarahduke @raphaellearp @cewl-casper @crying-lighting443

@sodavrr @sweet-lover-girl @love-sevikalove @pinkyykisses @glass-apothecary

@mulan-but-gay @lesbnrock @hyuckiesoftie

[moonriver080]

【Funny Story Time】

I wrote an article for my 6 pictures

I tried to machine translate a paragraph and modify it.

But it's too long. I give up.

During Links meal breaks, the chains sometimes share anecdotes from the past to improve their understanding of each other ......

Well, sometimes it's not so much the anecdotes that are shared as it is the puzzles or the creepy pasts that are shared on reflection. (And some people seem to enjoy it.

It was a spring-flowery afternoon, and the sun was just right, and mixed with the sweet aroma of the chef's well-cooked courser milk soup, it had to be said that it was a very good soothing respite for Links, who had just finished a hard-fought battle, both physically and mentally.

Everything was just right, so Warriors let his guard down and picked a conversation that had left him a bit exhausted for the next week (Oh! Don't get me wrong, it was actually quite an interesting process and development /grin/)

Huh, how could he be blamed, after all the Warriors, who was more social than the other Links, was relatively adept at grasping the melodrama of the atmosphere, knowing when to be quiet and when it was better to have a chat.

They all understood that the team was, with the exception of certain ones, clamshells that had come to life one by one. (Or maybe some of the outgoing ones are actually clamshells.) (Aha! A new way of flirting with oneself is born.)

Anyway, this is why Warriors wave his spoon smugly (like a tiny flag): "...... When we triumphed, the streets were filled with petals and ribbons, and people clustered in the streets and upstairs and on the rooftops, and though, trampled by the war, both the roads and the .. were somewhat depressed ...... Well! That part doesn't matter now!"Warriors stirs the soup and takes a small sip (any more and we won't be able to start a conversation today, Wild, the

boy's food is gaggingly good), "...brave soldiers walk the streets of Castle Town, their footsteps without the thunder of applause that rises up at the first moment, and my beloved Epona kicks and stomps (and here it's being torn apart by sunlight) down the stone streets, edged in gold, and the streets are filled with the most beautiful and beautiful things in the world.My beloved Epona was kicking and stomping along the stone streets edged in gold by the sunlight (glared at by a certain few here), flowers were thrown from all over the place to send blessings to the soldiers, and the fallen flowers covered the whole road, Aaannnnnd!Of course~ I received the most bouquets of flowers~ No matter which way I looked, the screams were like the rising of the tides that rose up and down, and went on and on and on~"

Warriors grunts and laughs as he speaks, lifting his bangs and skimming the ends of his hair.

Gee, he's always showing off his hormones that have nowhere to go.Legend smacked his lips on his spoon, the delicious food immediately soothing his prickly nerves caused by the teasing, but ......

Putting aside some of his "preconceptions", Warriors was indeed a strong general with leadership qualities, and under the circumstances, it was only natural that he would be welcomed to protect the people, lead the soldiers, gather the divided world, defeat Ganon, and bring safety to the people.With this in mind, Legend picked out the fruit in the soup and took a bite.Looks like he's popular, that's really good. Well, yummy.

(Wild has fine-tuned for everyone's tastes, the golden apple chunks added late in his bowl are soft, crunchy and sweet after micro-cooking, rich in flavor, he had asked for some seeds long ago, but Wild said that this golden apples are produced by probability,. Hummm, Legend who is the hottest apple supplier in Hylia and Loria' smiles but does not say anything.)

But ......Legend chewed another bite of apple chunks, looking at him like this is really unpleasant ah.Legend was disgusted by the image that appeared in his mind of Warriors riding horses and throwing flying kisses to stir up a cheering crowd of cold shivers, ah, can not think about it, a little stomach.[I'm not sure if this paragraph is translated correctly (because I read it myself as if something was wrong, but I don't know what went wrong).]

The Chef of Peace, who had been listening to the story since a moment ago and had somehow become a bit dazed, came back to his senses and looked at Legend, who was blushing a bit darkly, in puzzlement.

【If you want to know the full text, let me know, and maybe I'll translate it intermittently.】

Eggs①: (Three photos taken by Wind) (Price:?)

Confused by the first delivery of the bouquet

Link)

(Link, who was surrounded by civilians, gave flowers and scattered petals to celebrate shyness and cover his face)

(Link who was frightened by the enthusiasm of the people and hid in the Zelda King)

Eggs②:

A week later, another tea break.

Wars looked at Time, who was being chased and intercepted, and drank a cup of sweet and sour fruit tea contentedly.

Offensive and defensive potential is also different, sapling, soldiers are not tired of cheating, plan and then move, is also for the trick. (Completely strung together.)

Wind? Wind curled his lips as he held a small part of the empty cookie bag. Wars really held a grudge.

[matt0044]

The Mythical "Arrogant Localizer."

Too often I find a perpetuation of this narrative, especially with A.I. set to wiz all over Anime subtitles, that translators or ADR Script Writers had it coming. That they dared to tamper with the original by "changing personalities" and "pushing agendas" so much that CR decided to axe them for the politically neutral A.I.

Here's the thing:

Whenever some weeb claims that a translator was arrogant or "couldn't listen to criticism," it's not that they're acting like they know better. It's because they do know better.

They know that Japanese words or sentences can't be translated one-to-one into English, owing to how each country that the originate from were world's apart before global travel grew in scale.

They know that context and setting matters, especially in the case of something like Fire Emblem where characters in a medivel-esque setting would likely speak not unlike Shakespeare characters.

They know that each character has a distinct voice. An honorable Samurai like Goemon is going to have a more refined sense of speaking compared to the wise-cracking Lupin or the sardonic Jigen.

They know, especially, that humor based on puns or cultural references won't always work from one language to another.

Know what they also know? That 4kids was actually not good. They grew up during the days of dubs being borderline overhauled because of a poor sense of marketing. They'd prefer to not go back to there because they actually love Anime.

Of course, a lot of them are beholdened to what their clientelle want for their title's international distribution. Thus those who's produced the Anime they're bringing over are entitled to step in and object if they so choose. There have been incidents like that but that they get rectified speaks to the level of quality control these days.

Like... Brendan Blaber's attempted changes with Love Complex were unilaterally shot down. He was an jerky freelancer who did ADR script writing and overstepped his boundaries.

And all of this are things that translators on Twitter will affirm. I get the allure of the conspiracy theory. Of trying to figure out what's really going on and that those in the industry wouldn't dare reveal their nefarious plans.

But if we're going to have any conversation about translation and what's too far for the localization process, we need to take off out tin hats to focus on what we currently have to work off of. Either that or apply for a job in translation and see things from the inside for yourself.

Furthermore, if any of these translators seem "testy" or "unable to take criticism," it's that they keep going on and on about their choices in translation and how the theory overall goes. Yet so many are too eager to paint them as the villains and won't listen to a damn word.

Frankly, they should be angry. Social Media has broken down the divide between fandom and those who work on their shows where you gotta kowtow to what the former wants or you're the bad guy. Even when you try to debunk misconceptions and misinformation, they still want their lightening rod for their ire.

So no wonder they seem like assholes. They're just done entertaining those who will never, ever, ever see them as anything other than the villain.

But even assuming that they’re everything outrage merchants have marketed them as, AI in Anime on any level isn’t a win in any sense. It’s starts with subtitles, then voice acting (and we all know how authentic those sound) and soon it’ll make its way over to Japan.

Animators dying or being hospitalized because they won’t be good little cogs for the corporate machine? A.I. ain’t asking for time off. Voice Actors complaining about salaries? AI ain’t asking for pay period.

But you know what? Let CrunchyRoll invest in this. Let them try to hoard more money… and crash n’ burn in the process. Because it’ll take a popular title being subtitled with very erroneous lines to make the webs wake up. Nothing like a few Titanics to scare the straight.

[veebs-hates-video-games]

Yay time for more random stuff.

I ended up liking Lies as a Starting Point more than I expected, which is kinda surprising considering how rough the translation is. Like some of the errors in it feel like a real person made them and not just machine translation, but this was not proofread by anyone who speaks English anywhere near fluently. What I was able to get out of the story through the mess of the translation was enjoyable enough, with three smaller stories about people lying to each other in their relationships and the effects ot that, but then the way they're all tied together by the framing story of the main central character is pretty satisfying, and it ends up being about a bit more than just what it seems on the surface at first. Not the best story I've ever read, or even a contender for the best so far this year, but I liked it enough that I feel like it deserves a proper translation.

And then for something completely different my preliminary thoughts on Super Mario Bros. Wonder. It's fine, I guess? I don't love it. I've finished the first two worlds and probably have enough momentum to finish the main game, but even if I do make it through that I can guarantee I won't be doing all the optional stuff like I have with some previous Mario games. I'm not really into the way with some of their more recent big games Nintendo has gone beyond their traditional high level of polish all the way into smoothing off so many edges from things that it starts making it feel less good and be less interesting to me. I kind of had the same problem with Kirby and the Forgotten Land too, although at least with that one I genuinely thought it was great until some point in the middle (and then by the end only pretty good).

I feel like instead of splitting them into 2D and 3D you could divide the Mario games based on how they're structured into the ones that are like SMB3 and the ones that are like Mario 64. Even as someone who played SMB3 when it was new I always thought it was kinda overrated, and I've generally tended to like that style of games less, but my favorite of those is still Super Mario World. I don't think I've played a SMB3-style Mario game or 2D Mario game in general that I've liked more than that.

On the other hand the 3D Mario 64-style games are still doing things I love and continue to be lots of fun for me. Odyssey was excellent, and so was Bowser's Fury (but I absolutely couldn't stand 3D World on the same cartridge, which is a SMB3-style 3D game and probably the Mario game I've disliked the most out of all the ones I've tried over the years).

I dunno. Everyone keeps going on about how great Wonder is and how creative the levels are with how much weird stuff they experiment with, and I can kinda see it, but it's just not really doing it for me. I think maybe it feels too much like a tightly constrained theme park ride or something? Maybe I'm just not into this style of game anymore ¯\_(ツ)_/¯

probably doesn't help that I've never liked bowser jr. either

[maudiemoods]

Hello! I've been thinking about your Space Au lately and I have a couple of random questions! (No problem if you don't want to answer them)

1- Are there different "standard" models for the suits they wear? As well as different models of swimsuit

2- If one of them commits cannibalism, is it possible for them to remain sane?

3- Does the amount of "person" they eat indicate how many of their abilitied or characteristics they will acquire? Or is it indifferent?

4- Are there children in this species?

5- Do they have any particular celebration?

6- Do they express emotions like humans? (Cry = sad for example)

7- Do they find any human activity or habit particularly strange or frightening?

8- Can the transparent garments they wear have color? Or do they need to be 100% transparent?

9- Do they have pets?

10- Do they use any type of makeup or face/body paint?

11- What would a normal room look like for this species?

12- (I just don't remember) Does that species have a name?

13- Does the crew have any distinctive uniform?

14- Could they make use of a translator so that the human can speak with them?

15- Can they eat ice cream? (It would be funny if Eclipse developed a taste for ice cream)

16- Are they sensitive to temperature?

17- Is that civilization dependent on technology?

18- Is the concept of giving or receiving gifts something that they practice or would it be something totally unknown to them?

19- What kind of special machines does the ship have?

20- At some point the human will feel comfortable with them to the point of helping them in the ship?

21- How would the human react to knowing what Eclipse did?

22- What would have been the reaction of Eclipse to discover the new friend of Sun and Moon?

23- Do they have any common illness? (like the flu for humans)

I'm sorry there are so many questions, but I haven't stopped thinking about them all night. Also sorry if it's not well written, I'm using the translator... (. ❛ ᴗ ❛.)

Thanks for all the questions!! I had fun answering them :D!!! Underneath the read more is the answers typed out!

Since you said you were using a translator, I thought I'd be better if I typed it all out! Plus, my hand writing can be kinda sloppy jdkdkks

Answer 1: there are plenty of different models! For crew mates, they're usually pretty simple and most of the time, black! Also! Because they're super durable, they could be used as a swimsuit! (We don't really like swimming)

Of course there are also more extravagant outfits for captains! Those aren't used for anything except show! But they also tend to be black unless used for special occasions!

By the way! Water is uncomfortable to breathe in! They can "turn off" their ability to breathe in through their skin for a while but they have to breathe through their mouth a lot

Answer 2: yes of course! If one only cannibalizes only a couple! Too many will definitely alter one's state of mind! Most don't cannibalize too many, so most are sane. But, beings like eclipse, who have eaten many, will definitely have a few (a lot) screws loose!!

Answer 3: well, to gain abilities, one must eat the core! If the ability affects appearance, just eating the core will change appearance!

If one wants a physical change not connected to an ability, they would really only need to eat one bite of said trait!

Answer 4: even though I haven't figured out life stages and reproduction, I have decided that they will not have a child-like stage. Keep in mind I'm still figuring this out! This probably won't change but who knows!

Answer 5: oh yeah! We have tons! Our biggest one is the solstice festival! It's where we all celebrate our species' beginnings and achievements! There's tons of food and music! Also games and workshops! All kinds of beings get together and celebrate our differences! Also! Also! There's lots of parades and performances

(coming up with this on the spot! Sorry if it's poorly done!)

Answer 6: yep! Pretty much!! Facial expressions are very important in communication! Our kind can practically hold an entire conversation just using body language and facial expressions!

Answer 7: human sleep schedules are a bit strange compared to theirs!

Sun: "this is the third time they've fallen asleep in 78 hours! Is something wrong with them??

Moon: "I don't care"

They also find human lifestyles awful!

Y/n: "back on earth, I worked 60 hours a week and still hardly had enough money to pay rent and feed myself!!

Answer 8: yep! Usually we wear colors that compliment/match our skin!

Answer 9: yeah! There are tons of different creatures we keep as pets back home! Thing is, they're pretty high maintenance so it's unlikely anything brings them on board their ship!

Sugar mite!

Answer 10: we don't really use makeup daily like some humans do. We do however outline our patterns with paint (usually gold) during certain festivals!

Answer 11: idk but I'll share a few ideas aaa

Maybe some sort of reclining chair as a bed? Or maybe some kind of nest where they sleep with their close friends?? (Idk how to even draw that. I'll have to start looking some ideas up)

They definitely have some sort of work space! What that looks like changes from being to being! Honestly idk. I'll figure it out soon (maybe)

Answer 12: as of right now, no. I want to come up with something neat but I need to do some research first and I'm lazy so that might take a while.

Answer 13: maybe something like this? Eclipse will wear one of those fancy outfits and the crew will wear their teams symbol on their shirts. They only use these clothes when they're representing their ship in public. Most of the time they just wear the basic black uniform.

Answer 14: yes they can! They built one to help y/n understand most languages in case they get separated!

Y/n: "ok! Lets see if this works! Ok, say something.

Moon: "you're a waste of space and I hate you"

Y/n: "hm"

(The tablet shown in the doodle is just a prototype? They make a smaller, more travel sized version for y/n later. I was just too lazy to design an actual device at the moment)

Answer 15: ooo definitely! There's probably an equivalent of that somewhere in space!

Y/n can have it because it's toxic to humans

Random background character: "uh, caption? We need orders-"

Eclipse: "I'm busy"

Answer 16: no, not really! Our kind's internal temp doesn't change unless we get really sick! Most have an internal temp of 2,800°f! But others, like sun and moon, might have a high or lower temp.

Edit because I'm too lazy to erase and rewrite: there are different races of them! Cooler colored beings have cooler temps and the opposite for warmer colored beings! Temp is neutral for those who don't fall into those categories!

Moon temp: 38°f Sun temp: 3,600°f!

Again! This is only their internal temp! Surface temps are a lot milder.

Y/n: "dude. You're cold"

Moon: "get off of me"

Y/n: "warm.. and suffocating

Answer 17: yeah absolutely. We depend on technology for travel, healing, trading, building, and more

Answer 18: they do give gifts! It's seen as a very generous gesture!

Sun: "pretty box :))"

Y/n: ".. the gift is in the box sun."

Their kind is very sentimental!

Answer 19: can't draw them out just yet! I don't know how to draw machinery! But!! They do have some sort of healing tank, a small teleporter/3D printer, bathroom stuff (it looks a bit different from normal human stuff), and also basic kitchen appliances.

Answer 20: yeah! It'll take y/n a while for them to figure stuff out though!

Sun: (explaining mechanical tools) "blah blah blah blah blah blah blah"

Moon: "don't crash."

Answer 21: they'd be full of rage! But would also be pretty lost for words. They would just do their best to be there for them :)

Lots of hugs for sun and moon!!

Answer 22: honestly, I haven't thought of a situation where they would meet yet

Eclipse: "ooo!! Jealous!! Mind if I take them off your hands? Why the angry faces boys? What's got you so upset?"

Answer 23: yep! I haven't really developed this stuff yet and honestly my wrist is starting to hurt a lot (sorry)

I'm so glad you like my au!! I really appreciate all the support and I love answering these questions!!

[temmtamm]

omg hi i also currently have donnie brain rot and will totally dump some requests in your asks! also just wanna say thank you for your service there’s not many rottmnt blogs active, your doing gods work <3

anyways can i request some hc of donnie with a reader who speaks a diff language? (spanish to be specific if you want) like would he try and learn it? would he be annoyed he doesn’t know what they’re saying? would he shit talk with them in secret? inside jokes?

please and thanks you!

✰RISE BROS W/ SPANISH SPEAKING S/O✰

(Asks are temporarily closed until I can finish them all)

❀LEO❀

Both him and Mikey speak a little bit of Spanish, so he can understand most of what you're saying, but likes to play dumb so that way you don't stop.

Took special notice to your use of "Mi luchador" when you're tired of his antics.

Just something about the way you say that as you're trying your best not to chew him out for whatever stupid shit he did today just makes him fall in love with you all over again.

Whenever you have trouble with an English word, surprisingly he won't tease or poke fun as he usually does and would instead correct you as quiet as possible.

One day it somehow slipped out that he really knew what everything you're saying meant, as one night after a particularly long battle he sleeping mumbled "Mi mundo" to you while you two were cuddling. He definitely had some explaining to do after.

☁︎RAPH☁︎

Look, I love him but I think we can all agree he wouldn't know what the he you are saying.

It's not that he doesn't know Spanish or what it is, he definitely heard some of it and learned a few words of it thanks to Ghost bear.

He is unlikely to understand all of the little nicknames you give him until Leo decides to be a little menace and translates you one day.

His favorite of all the nicknames is "Mi héroe", not only cause it feeds into his hero complex but it makes him feel like his leadership skills are actually being appreciated by someone.

He never corrects you when you get anything wrong in englisj- Matter of fact, even if you pronounce a word so terribly wrong he's convinced the way you said it is the right way and will pronounce it like that too.

He loves it when you cuss people out in Spanish, he doesn't know why but he is absolutely smitten when you get so deep into an argument or conversation that you start speaking your mother tongue without realizing.

☀︎MIKEY☀︎

He, like Leo, can speak spanish although only a little. He mostly knows just pet names and a few curses in Spanish.

He loves to call you "Vida Mia/Mio" and in return you usually call him the same, though you still also save a few pet names for when it's just you two and you want a cuter more intimate pet name for him.

He is quick to correct you whenever you incorrectly say something in English, even offering to help you with the words you struggle with.

He sometimes likes to mimic things you've said- Like if you stubbed your toe and said, "Oh, hijos de puta. Te comeré vivo." He'd repeat it himself when angry or hurt. This has resulted in Leo and Raph chewing you out for turning their baby brother into a cussing machine.

He doesn't really mind though, if anything he fines it fun restarting some choice words you say to his brothers whenever they get into a fight, even if it always results in you trying to get him to stop by not cussing.

The attempt is futile though, as he had a taste of the bad boy life, and he wants more swears and devious behavior

⚕︎DONNIE⚕︎

You'd think with how smart he is he'd know a multitude of languages, but you'd be wrong.

He was much more busy with his tech and being enamored with science than languages.

Though, he knew that his lack of knowledge on other languages would bite him in the ass one day, and bite him in the ass it did!!

He sometimes automatically thinks that whenever you're talking in Spanish, you're talking shit about him but after building a translator for himself he was surprised to see that when you were ranting in Spanish, it was really about mushy lovey stuff that you thought he wouldn't enjoy but still wanted to say.

You love to call him "Tesoro" and although it's cheesy and a bit overused, he likes to call you "Mi Amor" whenever he's having a lovely moment.

Unfortunately, he is a stickler for grammer and will constantly correct and tease you whenever you have trouble with an English word.

Thanks for reading ♥︎

@el-chiste

@nightmarewhispersxx

[rigelmejo]

Also, I've mentioned this before but: I truly do think Listening Reading Method is at least 75% as good for learning as it claims it is.

I've never had the stamina to do an entire book with it, but the one time I did 20 chapters of Listening Reading Method with Guardian (just steps 2-3 of chinese audio with English text, and Chinese audio with chinese text), I improved a significantly noticeable amount. That was 1 month of approximately 20 chapters x 40 minutes each to listen twice to each chapter. So 800 minutes, or a little over 13 hours. 13 hours of study is not that much study time in a month. But it drastically upped my vocabulary and reading/listening ability in that small time, and I'd say for anyone upper beginner/lower intermediate (A2-B1 ish) it would give a significant improvement to your abilities in a reasonably short time frame of study (10-20 hours short study time to see a significant improvement).

The L R Method suggests more study time, at like 40+ a novel and 200 hours in a short time period like 2 weeks. I've never been able to focus long enough to test out how well it works in that recommended study time. But I've tested L R Method in shorter bursts, and any time I did it 10 hours in a month or more I noticed a significant vocabulary boost, reading level boost, and noticed listening level brought up closer to my reading level.

It's the shortest "time investment" study method I've seen that works even somewhat as well as it claims to. It's only downside is it Does require you to focus the entire length of an audiobook chapter, and then do that 2+ times for each chapter. Which for me was the hardest part - I am not good at focusing for long unless I do other things at the same time like draw or move (which I can't do when reading/listening with my full attention).

And I've mentioned this before but like. If you've got Pleco (or some similar tool), for "english" you can just click the megaphone and have Pleco read aloud in chinese while giving a word by word translation. Then read the translation in one round and the chinese in another. Or even, the quickest laziest way to do this - open up the Chinese, paste that baby into Google translate, and use the resulting English text for ur translation part. And click the speaker for the Chinese part for ur audio. An audiobook is going to be wayyyy better in quality, but in a pinch machine audio does work (I used it and it still helped). And Pleco in particular will highlight each word as it speaks which helps keep you following along. So there's reading tools out there to do this in a very easy way with very little inconvenience or set up time, if you're lazy like me and won't do it if it takes too much work. (There's also SOME youtube and bilibili chinese audiobook postings with chinese subtitles, so you can use natural audio for the step of following along chinese text with chinese audio).

[little-smartass]

THE VAMPIRE LESTAT COVER ALBUM - the legendary Vampire Lestat is back and bigger and badder than ever, this time bringing a whole album of song covers ranging from classic bangers to newer fresh takes on chart hits! get your copy now, complete with a transcript of the artist's commentary on each song!

(songs I think Lestat would cover and release as an album in an attempt to re-kickstart his career and/or make some sort of dramatic statement to Louis. tracklist and "artist commentary" under the cut)

Survival - Muse

“And I’ll reveal my strength, to the whole human race, yes I am prepared, to stay alive, and I won’t forgive, and vengeance is mine, and I won’t give in, because I choose to thrive! Yeah I’m gonna win!”

Oh, I wish this song had been around back on that opening night at the Cow Palace - how apt that would have been! What a fucking anthem! They would have been rioting all night. I mean, they already were, but, like, because of the music. Not because vampires were being immolated in the middle of the crowd. Different kind of riot.

The Bitch Is Back - Elton John

“I’m a bitch, I’m a bitch, oh the bitch is back, stone cold sober as a matter of fact, I can bitch, I can bitch, ‘cause I’m better than you, it’s the way that I move, the things that I do!”

One day I want to have this play as I walk into Night Island. I’ll time it perfectly so that I throw off my coat - my denim jacket, or- oh, no, a fur! Maximum drama! - just as the chorus starts. Armand will know that I’m coming of course, but I think that’ll just make it even better. And I have good memories to this song... [muffled question] Sorry, gentlemen don’t kiss and tell, bébé. [laughter]

Everybody Loves Me - OneRepublic

"Oh my, feels just like I don’t try, look so good I might die, all I know is everybody loves me, head down, swaying to my own sound, flashes in my face now, all I know is everybody loves me”

Look, do I even need to explain this one? Didn’t think so.

Bad Reputation - Joan Jett

"I don't give a damn ‘bout my reputation, I've never been afraid of any deviation, and I don't really care if you think I'm strange, I ain't gonna change - and I'm never gonna care bout my bad reputation"

This one's fairly self-explanatory again. It could have been my personal anthem when I was mortal quite honestly. And it's an awful lot of fun to jump about and headbang to, don't you think? That's a new thing I've found out about, headbanging. People have been hopping about to music looking like fools for centuries but now there's a name for it. Fantastic.

bad guy - Billie Eilish

"I’m that bad type, make your mama sad time, make your girlfriend mad type, might seduce your dad time… I’m the bad guy. Duh.”

Creepy? Check. Sexy? Check. Tongue-in-cheek? Check check. This song was great and a lot of fun to cover.

Lover to Lover - Florence + the Machine

“I believe there’s no salvation for me now, no space among the clouds, and I feel I’m heading down, but that’s alright, that’s alright, that’s alright”

I don’t know, this one just felt very relevant. Also the piano was great to do. You might have noticed that I’ve picked a lot of songs with piano, and that’s because I bullied the studio into getting me a goooooorgeous grand piano for the recording space and I wanted to use it as much as possible!

Feeling Good - Muse

“Stars when you shine, you know how I feel, scent of the pine, you know how I feel, oh freedom is mine, and I know how I feel”

I just really like this song - I’ve done a cover of an excellent cover! Can- can you put emojis in this? Do people still use emojis? Well imagine I’ve put the shrug one. Wait, isn’t there- Daniel, Daniel, come here, isn’t there a shrug emoji made up of keyboard- [muffled words] yes! The shrug one! Yes, put that in the transcription. [ ¯\_(ツ)_/¯ ] I just like this song.

The Man - The Killers

“I got gas in the tank, I got money in the bank, I got news for you baby, you're looking at the man, I got skin in the game, I got a household name, I got news for you baby, you're looking at the man”

I feel like this one speaks for itself too. Can you put that shrug emoji thing in here again? [ ¯\_(ツ)_/¯ ] Yes!

J'ai Pas Envie - MIKA

J'ai pas envie, de faire comme si, comme les maris, qui disent oui, j'ai pas envie, j'ai pas envie, j'ai pas envie d'te faire plaisir, j'ai pas envie, j'ai pas envie, si tu m'aimes viens me le dire"

Look, I'm not going to translate the whole song for you, because it has all this clever wordplay you just totally lose in english… but the gist of it is that these two lovers are… at odds a lot. It's… it's maybe a little spiteful [laughter] but in a fun way! It's a fun song! Louis won't even be mad about it, it's MIKA.

Good Old-Fashioned Lover Boy - Queen

"When I'm not with you, think of you always (I miss those long hot summer nights), when I'm not with you, think of me always, always"

[Long pause] God, I miss Freddie.

Let 'Em Talk - Kesha

Ah, full disclosure - I put this song in purely because of the expression Louis made when I played it in the car and it got to the line “can suck my dick” and she did that popping noise… it was incredible, and I just knew I had to cover it so I could see his expression when I said that. I can’t wait to play it to him. [laughter]

So What - P!nk

"So so what, I'm still a rockstar, I got my rock moves, and I don't need you, and guess what? I'm having more fun, and now that we're done, I'm gonna show you tonight, I'm alright, I'm just fine, (and you're a tool, so)"

I'm actually a big fan of nineties and noughties female stars - all that grrrrrrrl power, it's great fun, you know? I'd say this one is fairly self-explanatory, because I am still a rockstar! This is my new album! Fuck you EMP and your sniffy little article calling me "washed up"!

Little Lion Man - Mumford & Sons

"But it was not your fault but mine, and it was your heart on the line, I really fucked it up this time, didn't I my dear?"

This one could be self-deprecating, but it's also very vindictively angry at the same time, and that's a combination I definitely get. Like, oh, it's my fault, isn't it? It's my fucking fault again, what a surprise. Perhaps "learn from your mother or you'll spend your days biting your own neck" is a little on the nose… [muffled words] you've read my books, right? [muffled words] Good, good.

Missy - The Airbourne Toxic Event

"But I swear there's still some good in me, I think if you'd stuck around you'd see, all the botched attempts at integrity I once had"

Oh, I was feeling philosophical when I picked this one. No, philosophical isn't the right word… melancholy? Do people still use that word? "I swear I swear I swear I'll never get sad" is both furiously defiant and yet so self-defeatingly ironic. [Exasperated noise] Enough of that. Next!

Please Don't Leave Me - P!nk

"I don't know if I can yell any louder, how many times have I kicked you out of here, or said something insulting? I can be so mean when I wanna be, I am capable of nearly anything, when my heart is broken… (please, please don't leave me)"

Oh, we’re… we’re getting to this section now. [clearing throat] Well, I have to make up for that sucking dick line, don’t I? Get a bit vulnerable. Oh God, why did I decide to do this bit? [muffled words] [bad chicago accent] But why buy the cow? Because you love him, you really do. [sigh, laughter]

Next To Me - Imagine Dragons

"Oh, I always let you down, shattered on the ground, still I find you there, next to me, and oh, the stupid things I do, I'm far from good it's true, still I find you, next to me"

Why did I- I don’t remember putting so many of these ones in.

Run To You - Pentatonix

"I've been settling scores, I've been fighting so long, but I've lost your war, and our kingdom is gone... how shall I win back your heart which was mine? I have broken bones and tattered clothes, I've run out of time"

[Sigh] [clears throat] Yeah. I think we can move onto the next one.

Love of My Life - Queen

“Love of my life, don't leave me, you've stolen my love, you now desert me, love of my life, can't you see? Bring it back, bring it back, don't take it away from me, because you don't know, what it means to me”

I play this one sometimes on my baby grand when we've had a fight, and it's impossible for him to stay angry. He's a sucker for this sort of… formality in romance. God, I wish I'd realised that earlier. If I'd written him a letter in fancy copperplate script with scented paper and enclosed rose petals politely requesting him to bend me over his desk back in the day, it might not have taken two centuries of mutual blue balls for us to figure our shit out. Ah well, live and learn… as it were. [muffled words] Look, I did a whole bunch of vulnerable songs! Now I get to make sex jokes! [laughter] oh fuck off.

[mizuuziz]

Dream of Me Pt 1. - San

Ft: Ex Hongjoong

Tags: Angst, Mentions of Dream Sequences, Mentions of Future, Mentions of Cheating, Mentions of killing, Mentions of Marriage, Strong Language, San x Reader (Gender Neutral)

Time Traveler San Au

2.4k

Smut in the next part

©Sleepyxhan All Rights Reserved

Do not repost on other sites that are not tumblr. Only use the repost button. No translations without permission.

Part 2 - Final

You were walking around the park when a man approached you, he told you his name. San explained your life story. No one else knew what you went through, someone who you barely knew told you all this. He was a stranger who you met mere minutes ago. He even spoke of your plans for a secret marriage to your boyfriend Hongjoong. No one knew, not even Hongjoong's friends. He even spoke of how you met Hongjoong as a kid. You both were in kindergarten, he even spoke of how you and Hongjoong got engaged. You were frightened, yet you felt like you knew San.

"I'll prove that I'm right, I'll show you your future." San looked at you dead in the eye, as he spoke to you.

"I believe you." The words came out of your mouth without hesitation.

"Do you want to know more? I'm warning you, it's all very hard to deal with. Are you sure you would want to know more?" San asked you, as he was sure to speak to you in a secluded area.

"I should, there's a reason as to why I met you. I should have listened to you if by chance I met you in the future." You nodded, as you only spoke the confirmation that San needed.

"If I stand corrected, your parents are opposed to this marriage, they don't believe that Hongjoong should be the one you marry. Well, you marry him, but you're only miserable. You believe that you know all of him, you even trusted him. For proof, I'll leave a detail out of how we met and something else, if you see it then you'll know that you were meant to know. As a result of your marriage, you were condemned." San waited for your response to what he saw you go through.

"What if I make a different choice? Can you see that other path I would choose?" You waited for San to respond to your visibly shaking hands. You started questioning your love really meaning something to Hongjoong.

"I cannot see any other alternatives, I'm a time traveler, I can only see what you went through when I met you. I loved you then, even when you dismissed my opinions on Hongjoong. You said that I was only jealous of him. I never wanted to see you suffer. You never even invited your parents because they opposed it, it was wrong. I am only given a chance to time travel in this time for now to stop you." San sadly glanced at you. You didn't know why your heart was aching for San.

"I'm sorry." You got up to hug San even if it's for a mere moment. You forgot about Hongjoong at the moment.

"I created a time machine, so I'm here. You both married in my presence, we had already met at the time. You also won't be able to wake up until you see your future, it's an effect to seeing your future. Y/n, he even cheated on you before the wedding. That sick in the head dared to." San looked at you in the eye with tears threatening to fall out.

Hongjoong cheated on you, yet San was the most affected. He saw you go through that. You approached San and wiped his eyes.

"Don't, I'm still not over you." San sadly backed away from you. You didn't know how to respond. You couldn't find another way to break the silence.

"San, tell me more." You worried more and more about what situation you got yourself into.

"Y/n, he had a baby. You married him without knowing that he had a son with a woman. You found out and wanted to get divorced. Hongjoong refused to let you go, even when you applied for a divorce. He was controlling. He even had the kid and the woman living with you." San looked down in sadness.

"You one day had enough and decided to kill him for taking away your youth. You told him that you both wouldn't divorce if he came to the apartment building rooftop. Everyone was living in that apartment building, you pushed Hongjoong off the rooftop. You were taken to prison for First-degree murder. Even after his death, you were tormented. My advice for you now, follow him today at night to prove my point." He finally spoke about what he could tell you.

"Thank you, I wish I would've listened to you before. I also hope that I could meet you at this point of my life." You started crying because there was someone who truly cared. You were determined to take the bind off your eyes.

"In two days, at 9 am was the moment we met. I have to go now." San hugged you until he disappeared.

You finally took off to your place while taking a fresh breath of air. The day became sad after San left. You didn't want to believe what you were told, but you shouldn't be fooled any longer. You would finally know who was lying. Hours passed and you finally got in touch with your fiancee. He called you to make sure you were okay.

"By the way babe, my friends are coming over tonight, I can't go see you. I'm sorry, I'll make it up to you." Hongjoong apologized over the phone. He seemed nervous, and you were apprehensive.

"It's fine babe, see you tomorrow." You responded in the usual manner.

You decided to use an excuse to go to his place. There was still light in the sky for you to go observe him. You took your car and waited at a stop that was out of sight to watch Hongjoong. You grew bored, but you needed to know. Good thing you didn't confront Hongjoong without proof when he called you. You waited until it was nighttime. The night stars beamed, you wanted to shine bright like those stars. You hoped to meet San again, you didn't want him to dissipate from your life. Then all of a sudden, you found your answer. Hongjoong ran out of his place to come to get a woman who was as young as you both. You never even met her before. To take away any doubts, Hongjoong even ran to her arms and kissed her on the lips. He was holding hands with her. That was your cue, you got out of your car. You approached both of them from behind and tapped on Hongjoong's shoulder.

"What the fuck, are you doing Hongjoong?" You were now mad that you were betrayed.

"Were you stalking me? Y/n, you're a psycho!!!" Hongjoong screamed even in front of that woman.

"You're a psycho for wanting to marry me even while having an affair, I don't deserve this. Now here's your stupid ring!!!" You finally threw your engagement ring on the street.

"No, you're not doing this to me!!!" Hongjoong gripped onto your wrist so tight.

"I called the police, now let her go!!!" A man came to your rescue and led you out of the situation. You recognized him immediately, it was San. Times changed, you were supposed to meet him in two days. You guessed that events changed since you caught Hongjoong cheating.

"Are you okay? Did he hurt you?" This present time San was just as kind as future time San. You stared at San in awe, he was right.

"I'm okay, thank you." You thanked San and asked for his number just in case Hongjoong came by again.

You drove home and called your parents to apologize. If San was right about this, then it's only right to reconcile with your parents. Now all you needed to do was go to sleep. You snuggled on your bed and slept.

You had dreamt about that future life. You met San at the grocery store when you went to go buy cereal and he was in that same aisle. He helped you reach the cereal you wanted. You both started meeting more and more until he found out you were getting married. He even told you that was walking to his house at night and saw Hongjoong with another woman kissing. Just as you saw them when you confronted them in this time because you changed time, but you dismissed San even when he told you what he saw. You even said that he was jealous and never wanted you to be happy. That same moment, he confessed his love for you, and you told him that you didn't want his worthless love because you loved Hongjoong. You couldn't recognize yourself, you became a monster. You didn't believe San and that led you to your doom at that time. You also saw how San created the time machine and wanted to use it the day of your wedding, but it failed. You committed a crime and were thrown in prison, you would refuse to see San. You also saw every single detail that future time San told you. That was all you could see.

You finally woke up, two days later. It was 6 am when you realized that there would be another encounter. You got ready even if there was still time. You realized the true meaning of love, Hongjoong only made you suffer in the long run. You tried to make things the same to not alter too much. You still dressed in the time you did before when you had to go for groceries. You finally drove to the groceries and went inside and went in just a bit before 9 am. He only said you both saw each other at 9 am. You approached the cereal aisle at exactly 9 am and there he was. He was with another woman, you thought that you should just leave. Then all of a sudden, he called out to you.

"Excuse me, I saw you yesterday. Don't go." San called out to you. You stopped for a moment before turning around.

"Oh hi, thank you for yesterday." You nervously replied as you approached him.

"No worries, but meet my sister Ha Neul." He grinned ear to ear as he introduced his sister and looked at you. You forgot that he didn't tell you his name even when he gave you his number. He only said his name in the future time, but at present time San didn't even have your name.

"I'm Y/n, what's your name?" You grinned as well as you asked San. You forgot that he never told you his name at present time.

"Omg, I'm sorry I didn't tell you my name. My name is San." He was soon told by his sister that he should've introduced himself before. She is pretty just like him.

"I didn't call you because I lost your number. You didn't put a contact name and I accidentally saved it without having your name." You replied. It was indeed true, but you also had been asleep for 2 days. It was all a supernatural experience that you wouldn't forget.

"Y/n, do you have a boyfriend?" Ha Neul asked you and San whispered to his sister to not ask such things.

"No, I got out of a relationship with someone who I realized that I no longer loved because they were bad to me." Both San and Ha Neul apologized.

"I'm over it, San actually saved me. And I took pictures of my arms." You told both of them. You also explained to Ha Neul what happened yesterday.

"Well I have to go now, thank you both." You smiled and said your farewells to the siblings. They both waved and you noticed that San was blushing. It seems like his sister was teasing him about you from the way his sister was looking in your direction.

You decided that you weren't going to break San's heart. As soon as you walked out of the grocery store, you felt like a weight was taken off your shoulders. The sun was shining bright today and you had no regrets. You walked out and embraced the sun rays that blinded your sight at the moment. The fact that San loved you all throughout the future time was comforting, you only wished that you chose him instead of Hongjoong. He loved you enough to save you from your doom, he never intended to make you fall for him. He even respected your decision to not accept his feelings in the alternate future. You planned to change your future.

Everything you saw in the alternate future took place in a span of years, but you fell for San in a span of days. All you needed to do was make him fall for you, he must not love you at the moment. If nothing happens, then it's not meant to happen. You will always be grateful for San since he saved you in both worlds. You refused to go down without trying even once. San said that you hurt him, your heart must have ached for a reason. You must have realized your faults too late and only pushed San away. You refused to make the same mistakes, you were almost involved in a poisonous marriage. There were small details that changed like the first time you both met and you even met his sister when you didn't do so in your alternate future.

You walked to your car as you felt the trees rustle on the shade your car was parked on. You were afraid that San wouldn't love you in this life. If he has no meaning for a time machine, there probably won't be one in the life you changed. All throughout the drive home, you worried that the changes could make it impossible to be with San. It may seem ridiculous, but you were going to go to the end of your newfound love for San. After all, he made so many sacrifices for you and you only hurt him in your alternate future. You finally rolled down your car windows because you felt overwhelmed already. The drive home felt like an eternity, then you noticed that it seemed like you would be getting new neighbors. The moving trucks were parked in the next-door neighbor's driveway.

You felt quite sad these days. You decided to just lounge around your house, you had nothing to do. You were laying down on your couch and were watching a series. Your doorbell rung, you don't have anyone to visit you which only makes you nervous. You look through the peephole and notice Ha Neul and San. Why are they here, could they be the new neighbors? You wondered if what you changed, had an effect on San's life.

[poormeowmeowcollector]

First Kiss, But Not On The Lips

Pair: Tony/ace!Loki (platonic)

Warnings: mentions of insomnia, nightmares, panic attack, isolation and alcohol.

Notes: Basically, the idiots in love trope is my favourite. Tony is a bi mess, Loki doesn't care about a thing (or cares about too many things), Thor is a himbo and Steve is trying. Also, yes, Loki has the ace ring (and a pride flag in his room) and he legally cannot sit like a normal person. And Steve lost the bet because he didn't expect Tony to find out about his crush on Loki within a month.

Read on AO3

"You know what, I get it. We all deserve second chances and blah blah blah, but can't Loki redeem his name on another solar system? What about Jötunnheim? He did a genocide there too!" Tony argues. At least he moves past the redeem part.

"I told you they would not accept me," Loki sighs at Thor, trying to appear stoic. But Tony sees the disappointment in him. Because he knows how to spot it in the mirror.

"Fine, he can stay for a month as a testing period. But if he causes trouble, he's gone," Steve decides. He loves speaking out the decisions even though no one will disagree.

And Thor smiles widely and hugs his brother. But Tony can still see the disappointment in Loki.

~~~

Sleeping is hard while knowing he's in the same building. Tony expected it, but it's still annoying.

"You know he was a victim too, why are you so afraid?" He asks himself but no answer is given.

He knows he won't be able to sleep, and there is a broken suit waiting for him in the lab.

Well, if he's about to pull an all nighter, he better be productive.

~~~

Tony had gotten his all nighter on a schedule. He would wait until Steve is asleep, go to the lab, and return to his bed only one hour before Steve wakes up. Of course and they all noticed his dark circles and moodiness, but he would blame nightmares and get away with it. Not that he was lying.

And, apparently, Tony is not the only one with sleeping issues.

Thor was claiming that Gods don't need sleep or nutrition. But Thor is also a sleeper and eats every time like it's his last time. But Loki doesn't. He barely touches whatever food is placed in front of him or drinks a little water and he looks more sleep deprived than Tony. But no one has the guts to say to a thousand years old powerful cranky god to go sleep or to eat, not even Thor.

And he doesn't talk. It's been days since his voice was heard. Thor doesn't like it, but the few times he mentioned it or tried to get Loki to speak or take part in a talk, he only got a glare. And Tony still doesn't know how Thor still makes Loki even get out of his room.

~~~

Once again, Tony is working on a new suit, during his favourite inhuman hours. Because two things come out at 3am, the devil and Tony Stark.

But the first dude is not helping Tony with the non functioning leg that's driving him insane.

"It's not going to work," Someone comments from the lab's door. Who the hell is up that late?

"Excuse me?" Tony turns around, only to face Loki leaning against the door frame.

"Remaking the joint to resemble a human's is not going to work. You need less strength and more flexibility, probably even another material," Loki explains, staring at Tony. He makes a small nod. Loki then straightens himself and walks closer.

"You know about mechanical engineering?" Tony asks.

"Science, magic, it's all the same on Asgard… and I happen to be the Master of Magic, and therefore…" He trails off, something sad blooming in his eyes. Homesickness, Tony recognises with ease.

"Alright, so, how do you think we'll make it work?" Tony asks, a grin on his face. But instead of answering, Loki just lifts his sleeves and grabs a wrench.

Tony watches as Loki plays with the machine—he looks more like he plays than like he's repairing something—and uses his magic to change the elements on the materials, green glows appearing and disappearing. And, after the five minutes it took him, the leg is perfect.

"Wow…" Tony whistles. Loki grins and sits on the working table, spinning the wrench on his fingers.

"It will probably last for a millennium or two," He shrugs, like it's something easy. And Tony is more impressed.

And they go on with the suit, finishing it before it's time for Tony to go and pretend he's sleeping. And Tony would use this time.

"Well, I didn't know you're good at engineering," Tony trails off. Loki shrugs in response, again sitting on the table with his legs in lotus position.

"You never asked,"

"Yeah, sorry about that. You are just too…" He suddenly can't find the word.

"Cold?" Loki asks, raising his eyebrows at Tony.

"Reserved is how I would phrase it, actually," Tony responds, making Loki hum.

"You know what, nevermind. I'm asking now. What do you like? What don't you like? Just rumble about things," He decides, big brown eyes staring at Loki. And he responds with another shrug.

"I don't know… it is quite late, so I'll probably head to my bed. Good morning, Stark," He jumps up and leaves, before Tony can even think of stopping him.

Right, he's just waiting for people to ask…

"So… Do you remember the rumble offer? Cause it still stands," Tony eyes Loki. And Loki responds with a smile.

~~~

The next morning, Loki didn't appear. Thor explained that he crashed on the bed. And it must be the hell of a sleep because he got out of his room three days after. Again, while Tony was working on a suit.

"Hey, wanna help?" Tony yells at Loki as he walks outside of the lab. And Loki nods a yes and gets to work.

"Still not sleeping, Stark?" He asks, his smart eyes pinned on the helmet of the suit.

"No rest for the wicked," Tony smiles. Looks like he's more talkative now that he's fresh.

"Tell me about it…" He sighs. Then, he grunts a bit, probably gotten hit by some remaining electricity.

Tony hadn't noticed before how pretty Loki's smile is.

And Loki takes the opportunity and starts to talk. Tony learns a lot about Loki during the Great Rumble. Dandelions are his favourite flowers, thanks to the Æsir library he became an encyclopaedia of random fun facts (even took it far enough to share some), he's a cat person, he loves classical music or music without lyrics, and then he starts sharing some stories of him and Thor as kids.

But Tony notices other things too. He noticed that Loki's eyes seem to glow when he talks about things that make him happy, he moves his hands around, he has this cute little smile that makes his face shine. And when he talks fast, his Nordic accent slips out—just some trilled 'r's or some harder sounds—and he also has a stutter that slips out. And Tony finds all of those so beautiful, but he can't say it.

"Your turn," Loki says. And Tony freezes.

Because his mind is nothing but simping for Loki, right now.

"I… em… Ya know, I…" He mutters, trying to think of something. But, Goddamnit, those shining green eyes pinning on him and waiting are so distracting.

"I'm actually bisexual, but more attracted to women than men," He snaps, finally finding something. But what if Asgard is not so accepting? Earth is having issues with those things and those guys live in the middle ages.

"Oh, nice," Loki shrugs after noticing Tony's brief pause. And it's enough to relax Tony.

"And… Dammit, this is so hard… I like cheeseburgers?" He squirts. "I don't know, can't think of something right now… when something pops up, I'll let you know," He gives up and rubs his nose bridge.

"No worries, you're hot anyways,"

Loki grins after seeing how red Tony's face became. And Tony clears his throat in hope of containing himself somehow.

"Alrighty… How's the helmet going? Tony moves the subject away. He sees Loki short-circuiting for a long moment, before remembering what they are doing here and grabbing back the helmet.

"It won't let me fix it… whenever I try to do something to the source of the issue, I get striked," He answers.

"Have you tried plastic gloves?" Tony asks, not even looking up from the hand he's oiling.

"For the helmet?" Loki asks, his eyebrows furrowed at Tony.

"For your hands, you idiot!" Tony screams, his head snapping heavenwards. Why did he agree on this?

"Fine, fine… Norns, dauðlegir eru svo stuttir í skapi... —Norns, Mortals are so short tempered…" Loki mutters under his breath.

"You know JARVIS can translate from Old Norse to English, right?" Tony snaps.

Loki shrugs and leaps into the working table and walks across it with three big steps, jumping back down with grace and opening shelves to find the gloves.

"They won't fit," He yells at Tony.

"Whatcha mean they won't fit?" Tony yells back.

Loki jumps on the table again and ends right behind Tony.

"I mean, they won't fit. They're too small," He answers to Tony's ear. Tony has learned how much Loki loved climbing on furniture, so he just turns around instead of jumping around and cussing at the God.

"Come on… how big are your hands?" He asks. Loki grabs Tony's hand and places his palm against his own. Tony's fingers were beginning on Loki's second joints, his fingers long and thin. And Tony licks his lips, because he knows what big hands mean…

Stop being horny over deities, you idiot! It didn't end well with Jesus and it won't end well with this one too! The, usually silent, voice of reason reminds him.

"Maybe you can magic them into fitting…" He suggests. Loki nods and stretches the left glove with his right hand, a green light making it bigger as he slides his hand inside.

"Thank you, Stark…" He smiles and climbs back on the table, eyes pinned on the helmet as he's playing with the screwdriver. It's been two weeks since he came here, and he still uses only last names. But when Clint called him Odinson, Thor, Steve and the Hulk had to physically hold Loki from snapping the archer's neck. And no one dares to call him Laufeyson or even think about it.

"Hey," Tony snaps. Loki flinches at the sudden noise but composes himself right after. "Sorry, didn't mean to scare ya," Tony apologizes.

"It's fine… What do you want to ask?" Loki shrugs one shoulder, placing the helmet on his right and the screwdriver on his left.

"Why do you call everyone by their last name but don't want to be addressed as so?" He asks.

"I'm not anyone's friend, and first names feel too familiar for such a situation. And, I won't stay for a long time…" He answers, the livid glow in his eyes fading just so.

"And, your last name?"

"I don't have one…" He whispers, with what Tony recognises as shame in his voice. Tony frowns and walks closer, staying outside of Loki's personal space.

"But you're Thor's brother and he's an Odinson," He studied his words before speaking. The last thing he wants is to trigger Loki, even as an accident.

"On Asgard and Jötenheim, last names work differently. You choose the name of the parent who you are closest to and then add the -son, -dottir or -barn. But Odin and Laufey were not close at all, and Frigga could help but she chose to keep me at arm's reach. So, no last name…" Tony can see how Loki was trying hard not to show emotions, but he is so close to breaking.

"You know, with this logic, only Thor has a last name. Don't tell Steve, but Howard was a first class terrible father. Steve's dad abandoned him and his mother, after beating the poor woman. Clint's parents made him run away and go to the circus. Natasha was given her name in the Red Room, she doesn't know who her parents are. And Bruce's was violent too. The only people with decent parents are Thor and JARVIS." Tony should move the topic away, but he didn't. At least he tries to patch it up on the last bit.

"And Dum-E," Loki adds, with a barely visible smile. A fake one. Tony hears the robot's joints moving as he lifts his upper part.

"And Dum-E," Tony agrees with a smile, and the robot makes a few happy noises. Loki laughs.

"You know, he says he loves you," He turns to Tony.

"If that's so, he earned some nice oil," Tony grabs the oil and applies some to Dum-E's joint. It doesn't stop making those mechanic noises and when Tony is over, Loki's smiling at him from the table.

"He still says he loves me, right?" Tony asks. Loki makes a slight nod, not abandoning his small smile.

"And that you are the best dad," He adds. Tony laughs and pets Dum-E before heading back to the table. But he still won't get too close to Loki, he is very strict with his personal space.

Loki grabs back the helmet and starts poking it around with the tool, now ignoring Tony.

"So, you don't feel like talking, huh?" Tony asks.

"If you mean the topic you want to talk about, then no," Loki snaps, not raising his eyes. Tony nods, he knows better than invading Loki's personal space.

And Loki didn't open his mouth for the rest of the night. The next morning, he would pretend nothing happened, but Tony would see how something changed in him. How his eyes darkened and his face became colder.

~~~

The next night, Loki is even more grumpy. So, Tony avoids speaking, or making anything that has even the slightest chance to irritate him.

"You're scared of me…" Loki finally speaks, his voice soft like a whisper and his fingers playing with the black ring on his ring finger. Tony looks up from the metal glove he's making to stare at Loki.

"Should I be scared?" Tony asks, careful not to say the wrong words.

"You are too picky about what you do around me. Why not do that if not because you are scared?" He answers. And this is where Tony lets himself frown and talks without thinking.

"Maybe because I don't want to make you feel bad?" He lets his words come out without filters. And Loki raises his eyebrow at it.

"Well, you don't lie about it. But why are you so dedicated to this?" He narrows his eyes and crosses his hands, body leaning towards Tony.

And now, he can't answer. Why does he care so much? It's not that they're old friends like with Rhodey or ex-s but still friends like with Pepper. They're not even teammates. Loki said it himself, he will leave after the one month Steve gave him.

So, why does Tony care so much?

"Hmm, nice answer…" Loki snarls and looks away, playing again with the other hand of the suit.

"You're a cold son of a whore, you know that?" Tony spits, his eyes stabbing Loki. He now raises his glare again, but he looks more confused than before.

"I beg your pardon?" He blinks.

"I try to be decent towards you, okay? The reasons behind it don't matter. Could be fear, guilt, interest, it means jack. And you question me on how I dare be decent towards you and why and what I want from you! You know what, I have a question for you. Why can't you accept being treated as a normal person? Are you that messed up in the brain or you just love so much being alone and miserable?" Tony lets his thoughts come out as they are, not giving a care how much they will hurt Loki. But the moment he sees Loki's reaction, he regrets it.

The room gets cold enough for Tony to see his breathing. Loki leaves the tools and the metal hand beside him and locks his feet on a tight fatal position, his hands on his face and pulling some hair with enough strength to pull them out and his shoulders rising and falling too fast.

And Tony knows what this means… It means he messed up badly.

"Crap! Hey, buddy, I'm sorry. I didn't mean those things…" He sprints closer. Loki raises his hand towards him, a green glow erupting from it and sending Tony flying to the other side of the lab.

Loki mutters something to this in Old Norse, before jumping up and leaving, his feet shaking as he was trying to walk towards the exit. But he manages to vanish in the dark corridor anyways.

And this time, Tony definitely messed up the worst way possible.

~~~

For the next two weeks, Loki doesn't get out of his room. And it only makes the knot in Tony's stomach grow tighter. He asks Thor all the time how Loki is, if he eats, if he sleeps, if he needs something. It's a wonder Thor hasn't grown tired of the constant questioning. And the answer is always the same, "I don't know, he won't let me in,".

And if everyone on the tower has learned something about Loki, is that things are bad when he keeps Thor at arm's length.

Tony wants to go and check on Loki himself, but he bets his right hand that Loki will spit curses at him, and he has every right to do so. So, he has to settle down on annoying Thor and worrying with him.

"You know what? It's my fault," Tony admits to Thor the night before Loki leaves. And Thor furrowed his eyebrows.

"What do you mean?"

Tony explains everything that happened that night, and Thor smiles with sympathy and touches Tony's neck.

"You were right on your words, that's why Loki reacted like this. He doesn't want people to know too much about him… But he won't be mad at you." He answers.

"But, why do I care so much? We barely know each other…" Tony asks.

"Have you thought of love?" Thor suggest. Tony is about to smack Thor for saying something like this, but it makes sense.

"Do… you don't happen to know if he's queer, right?" Tony makes the big question.

"I know very few Æsir who are not your definition of queer, but Loki was never open about those things. You better ask him…" He shrugs.

Well, Thor has a point. But Tony can't exactly ask Loki what his sexuality is while he's like this. So, he better wait till it's time.

"Thank you, Point Break…" Tony pats Thor's back. And then, JARVIS yells at them that Steve wants everyone in the central room.

And there is everyone here, even Loki. Well, an emotionally drained and mentally exhausted Loki, but he's there.

"As you know, your month has passed…" Steve begins talking, his Captain Voice on. Loki nods and lowers his shoulders to appear smaller.

"I'll be on my way, then…" He mutters, voice low and breaking. Steve wants to smile, but Loki's reaction stops him.

"So, you don't want to be an Avenger?" He lets his Captain mask fall, eyeing Loki with worry. And every single one of the Avengers is now doing the same. Tony hadn't realised that this antisocial emo little God had become so popular.

Loki lets his lips make a smile so big Tony bets it hurts like hell.

"You mean I can stay?" He asks, his voice now louder and livid.

"Can't see a reason to kick you out," Steve smiles too.

And Loki drags him to a hug tight enough to break the poor soldier in half, smiling like a sunbeam and rumbling thank you again and again.

"Alright, can you let me breathe?" Steve wheezes. Loki makes a small oh sound and lets go of the hug.

"Sorry, Steve," He hums, not breaking eye contact.

"Steve? Where's the "Rogers"?" Clint asks, his eyebrows raised and his hands signing along even though he wears his hearing aids.

"Well, since I'm about to stay, there's no point in calling you with your last names, is there?" Loki shrugs.

"Alright, you know what we need? A party. Who's with me?" Tony claps his hands and yells, glad to see everyone agreeing.

~~~

Apparently, being an alien God makes you hold your liquor a lot. Tony knew about Steve, but he didn't expect those two to have this stamina as well.

But Thor has started losing his balance and yelling at everyone how much he loves them in Old Norse and Loki's accent and stutter are showing, but he is just sitting on the bar and watching over the chaos.

This is your chance. He's happy and drunk enough, what could possibly go wrong? Tony thinks and stumbles towards Loki before he sits on a tall stool.

"So, are you having fun?" He asks, smiling at Loki and sipping on his scotch. It's fine, he's done this countless times before and he can do it now.

"It's quite nice, yes…" Loki hums, now turning to face Tony.

"And, em… Sorry about the other night… It was too much, should have been midler on ya," Tony mumbles, trying not to lower his eyes and break eye contact. Loki makes a soft nod.

"It's fine, you don't have to apologize… And you were quite right about some things…" He gives Tony a small smile as he talks, making him relax his shoulders a bit a mouth a thank you.

"And I wanna tell you something… I also talked to Thor about it… And I think… No, I'm pretty sure I have a crush on you. And, that's why the care and stuff…" Tony rumbles, his eyes big as he searches for reaction. But Loki stays untouched.

"I am… flattered… But I'm also asexual," He breathes out, staring back at Tony for a reaction.

"Oh, sorry, I didn't want to make it uncomfortable…" Tony rushes to apologize. Couldn't he see the black wedding ring? It's a symbol of asexuality!

"You know, things can work out platonically. I mean, you do start to grow on me…" Loki responds, smiling just a bit.

"Really? I mean, you don't mind?" Tony grins at the response, his eyes big at the God. Loki shrugs.

"Yeah, If you are okay with not getting laid with me…"

"Oh, thank you! Thank you so much!" Tony gives Loki an ear to ear smile and grabs his right hand, kissing gently the black ring.

Loki's cheeks and ears get bright red and he bites his lower lip. Tony is quick to let go of his hand.

"I'm sorry, I'm so sorry. I didn't want to make you uncomfortable…" He chunters, now lowering his glare and playing with his glass.

"It was… nice…" Loki whispers, most likely to himself. But Tony still snaps his head up.

"Seriously?"

"Yes… And…" The red blush appears back in his cheeks as he fidgets with his sleeves. "It was the first time someone kissed me…"

"No way!" Tony exhales.

"I know, embarrassing…" Loki bites his lip again, breaking eye contact.

"I'm actually honoured. Not a lot of humans had the chance to steal the first kiss of a God, you know," Tony grins, hoping the joke is not that bad.

Loki reacts with a snorting sound and a light punch on the ribs, that sends Tony straight to the floor and makes the glass scatter in pieces.

"Oh, dear, are you alright?!" Loki squirts at Tony.

"I think I need a safeword…" Tony grunts.

He is sure that Loki will grimace on the joke, but instead, he giggles like a highschool girl.

"Most definitely yeah," He sighs, handing over an identical glass with the one they broke.

From the back of the room, no one sees Thor laughing as Steve sighs at the view of Loki and Tony and handing over the twenty dollars of the bet.

[watching-pictures-move]

Put On Your Raincoats #15 | Rainbows in the Dark

To the extent that a porn director crossed over to the mainstream, Gregory Dark would be it. Certainly, there have been directors who did one or two porn features early in their careers, like Abel Ferrara, William Lustig and Wes Craven, but they're known almost entirely for their mainstream work. There are also porn directors who did maybe one mainstream movie, like Gerard Damiano, but their careers were relegated to porn for the most part. Dark is the rare director who was prolific on both sides, so to speak, starting with massive hardcore hits like New Wave Hookers, moving on to directing softcore, thrillers and softcore thrillers with some regularity and eventually becoming a popular music video director. My initial plan was to explore the full gamut of Dark's career. I wanted to get a sense of each phase of his work and to see what elements of his style translated across them. Essentially I wanted to understand Dark as an auteur. But then something miraculous happened. I got lazy. (Also I had a muted reaction to some of his movies and became more interested in another director in the meantime.) So I decided to limit my exploration to a few of his early movies and call it a day.

The first one I watched was New Wave Hookers, his best known hardcore title and considered a classic in the genre. What I expected going in and what worked for me can be deduced from the title. Dark's visual style very much brings to mind the "new wave" in the title: big hair, fog machines and neon lighting, all of which are first seen in the opening credits, in which the female talent almost ritualistically present themselves to the camera. There's some stylistic precedent in the work of Rinse Dream AKA Stephen Sayadian (the artist I got more interested in as I delved into Dark's work), but Sayadian's aesthetic feels culled from the art underground. (Dark reuses a few of Sayadian's actors in some of his films.) Dark's style feels more commercial, almost packaged for MTV. (Dark intended his film as a reaction to hardcore porn features of his era, although I'd argue that his choice of camera angles still feels in line with other films of the era.) This is a movie that looks good and, thanks to some choice music courtesy of the Plugz (whose song "Electrify Me" accompanies the opening credits) and the Sockets (who provide the theme song), sounds good too.

What I gelled to much less was the sense of humour. The movie opens with two buddies played by Jamie Gillis (wearing a tie over a t-shirt) and Dark regular Jack Baker shooting the shit and watching another Dark production. ("That fuckin' guy looks exactly like you. Is that you?") Baker starts expounding on his thoughts about pimping and "programming" women to fuck with music. Baker also notes, "a pimp calls a chick a bitch". They doze off, and when they wake up they find themselves inexplicably in an office. Baker is wearing a yellow tracksuit, Gillis is sporting an East Asian accent, and there's a guy on the floor substituting for their phone. (Gillis asks: "Why do we not have a regular telephone?" Baker explains: "He got the power, the second sight.") As the movie proceeds to make good on its premise, wherein women have sex after listening to new wave music, we're treated to a steady stream of racial taunting. Baker grouses about black music being ineffective for their purposes, dropping the N-bomb. Gillis continues with his accent. The two get into racially charged arguments. A middle eastern client is served in a tent and barks like a dog after he's finished. At one point, Gillis wants sushi and is served by Kristara Barrington while East Asian style music plays on the soundtrack. I recognize that a lot of humour from the era is extremely politically incorrect and has aged poorly, but there's something about Dark's use of racist and misogynist humour that feels especially confrontational. I admit I was a bit bothered by all of this.

Still, there are moments of humour that did work for me. One of the headsets that the characters use has dildos protruding from both earpieces (pointing outwards, of course), and the production design, while not always stylish, is at least endearing in its blatant cheapness. To their credit, Baker and Gillis have undeniable chemistry and do sell the material as well as they can. (I laughed when Gillis, when confronted by the vice squad, drops his accent and exclaims "I used to work in your fuckin' office, and now I'm rich, I'm satisfied, and I'm Chinese, you assholes." Am I a bad person? Probably.) And in terms of how it meets genre expectations, I do think Ginger Lynn and Kristara Barrington have a real magnetism in their scenes.

Given the racial content in New Wave Hookers, it probably won't surprise anybody that Dark was a pioneer in interracial pornography. I am not a sensitive enough writer to begin unpacking all the implications of the concept, but I did watch one of his movies in the subgenre, Black Throat. This was a shot-on-video effort and looks considerably cheaper and uglier than New Wave Hookers, but shares some other qualities. It opens and closes with a punk song that references that film as well as Let Me Tell Ya Bout White Chicks, Dark's first interracial feature, and to be honest, the song is pretty fucking catchy. The movie follows Roscoe, a man who wears yellow sunglasses and both a polo and a Hawaiian shirt and his friend Mr. Bob, a talking rubber rat. He's searching through the garbage while arguring with Mr. Bob over what to eat when he finds a business card. "Madame Mambo's House of Divine Inspiration Thru Fellatio!" (All of the characters pronounce fellatio differently. Mr. Bob says "fell-uh-tee-oh" and calls Roscoe a "fuckin' honky", to which he responds "Fuck you, Mr. Bob!")

Roscoe insists he has to find her. "If I don't find her, I'm gonna die!" (When asked why, he responds, "I dunno, it sounded kinda dramatic, I guess.") Mr. Bob enlists the help of a "young urban professional pimp" named Jamal, played by Jack Baker. (He prefers the term "flesh broker" and describes upgrading his diet, clothes and investments.) Roscoe, Mr. Bob and Jamal go from scene to scene, watching other characters having sex in different racial combinations, asking them where they can find Madame Mambo. (Sometimes they ask the characters directly, other times they talk to their private parts.) The best of these scenes, in my humble opinion, is a light domination flavoured sex scene featuring Christy Canyon. Perhaps because of the dynamic, there's an element of actual acting involved here, and because Canyon is, uh, pleasingly proportioned and has a certain magnetism, I found this scene more engaging than the others, at least until it turns into a regular sex scene.

Eventually they go back to Roscoe's place and find a voodoo ritual taking place where a black woman with multicoloured hair (think the George H.W. Bush rainbow wig from the Simpsons, but straight, not curly) is jumping on their bed while a bunch of white dudes in hats, capes and sunglasses jack off around her. This of course is Madame Mambo and at this point the movie makes good on the title while drumbeats and funk play on the soundtrack. Given the premise, this movie proved (thankfully) lighter on racial humour than I expected going in. There is an element of racial critique in Baker's character, and Madame Mambo is certainly exoticized, but the racial content otherwise is limited to the interracial couplings and doesn't overload the dialogue. However, this is a fairly ugly looking movie, shot on video, featuring unimpressive camerawork and lighting as well as extremely cheap looking production design (although the movie does mine this for laughs). I also found the sex scenes overlong and the music a bit repetitive. I imagine if you were jerking off to this back in the '80s it was easier to get through, but trying to watch it now as an actual movie, despite some decent humour throughout, proved a bit of a challenge.

The next one I watched was White Bunbusters, which despite the first half of the title is not particularly racially charged. The theme song here, crooned in the style of early '60s rock'n'roll, explains that the movie is about anal sex, as the second half of the title suggests. We begin with Tom Byron thrusting into his wife Shanna McCullough (while wearing his glasses) only to be disappointed by her refusal to take it in the butt. The next day at the office (decorated by construction paper all over the walls, drawers sketched in magic marker and a crude sign with their business' name "Acme Proctology"), he hears an ad for the "A-Busters", an enterprising duo who will convince your wife or partner to let you put it in their butt. We cut to the A-Busters office and see them in yellow shorts, lime green suspenders and orange baseball caps, fiddling with their hi-tech instruments (which include an "anal listening device"). Soon we see them go to work on Jack Baker's girlfriend, taking a cash payment after the fact.

Meanwhile, Byron's friend Greg Rome hears about his woes and offers to let him fuck his wife Keli Richards (Rome is named Bob and Richards is named Bobette). Of course Byron takes advantage of Rome's generous offer, but later gets annoyed when Rome insists it was a "one time deal". They're interrupted by Jennifer Noxt, who asks about a secretarial position for the law office next door. Rather than correcting her, which would be the right thing to do, they have sex with her, which is absolutely not the right thing to do. ("So do I get the job?" "We'll call you later, baby.") We go back to the A-Busters, who go to work on a pornstar warming up for her first anal scene (the movie is called Hershey Highway to Hell). Eventually, Byron decides to make use of their services, and in the climax, when he's having a nice dinner with his wife (complete with plastic cups and paper plates), they crash the party and get to work. After it's all over, Byron thanks the A-Busters and shakes one of their hands, only to promptly wipe it off on his suit.

This is as lo-fi as Black Throat, and features a lot of raunchy humour, but thankfully no real racial content outside of the title. Perhaps because the focus is on a specific set of acts (threesomes, anal sex, double penetration), the execution seems more consistently energetic. The ratio of the threesomes is a little off from what I prefer, but I was not unmoved by the scenes involving Keli Richards, Jennifer Noxt and Shanna McCullough. I realize there are more dignified ways to spend one's time than watching in its entirety and singing the praises of a movie called White Bunbusters, but sometimes the lizard brain takes over. I feel compelled to report the facts, and the facts are that this is good at what it does. As an actual movie, there isn't a whole lot to this, but were I to rate this on the Peter-Meter as the filmmakers intended, it would fare respectably.

Where Gregory Dark's style and the sum of his provocations really worked for me was in The Devil in Miss Jones 3: A New Beginning and The Devil in Miss Jones 4: The Final Outrage, a two-part odyssey through hell. (Attentive viewers may note that the original Devil in Miss Jones takes place before the heroine is sentenced to hell, but this is not a direct sequel. There is also a second part by Henri Pachard and later sequels directed by Dark that I did not see. The narrative in the third and fourth entries feels pretty self contained.) The movie begins with close-ups of our heroine, played by Lois Ayres, taking a shower while "A Christian Girl's Problems" by the Gleaming Spires plays over the soundtrack, her interiority hinted at with an astute song choice. (It's worth noting that this was not an original song made for the movie.) The structure intersperses her story with a series of interviews with those who knew her: an ex-boyfriend who "had a disagreement about the relationship" (he slept around); a woman speculates that Ayres was "a closet lesbian" and that "she probably went to live in one of those lesbian islands in the Caribbean"; a girl who knew her as a prude back in high school, a priest with a thick accent who offers a eulogy; her brother, who speaks in new age euphemisms and resents that she was the favourite growing up; and a blind ex-boyfriend who claims she was the loveliest person he knew "after Helen Keller". (This last character describes his sex life as very "normal": no peeing or dogs, wouldn't fuck pizzas, etc.) All these people knew her, but they didn't really know her.

The actual story follows her after she breaks up with her boyfriend (over the phone, as he shaves another woman's pubic hair while feigning innocence). She heads for a bar, brushing off a stereotypical black pimp played by Jack Baker who mistakes her for a prostitute, and promptly orders a "taco" (a draught beer, a Bloody Mary, and a draught beer in three separate glasses). Beside her is a man asleep on bar in tuxedo, who turns out to have been stood up at his own wedding. They hook up, leading to a sex scene scored by a blaring saxophone that I assume was practice for Dark's softcore work. The scene ends when the heroine knocks her head against the headboard and wakes up in a pitch black space near a grave. In comes Jack Baker, riding atop a woman, to tell her what the situation is. "You are dead, you got no clothes, and this is hell!"

The rest of the movie follows them going through different rooms, the heroine being unable to comprehend her fate, as they watch the different punishments endured by the denizens of hell. There's the room full of "peepers", virgins doomed to only watch sex for all eternity. (One of them explains: "I showed my tits to a guy to get a Gucci purse. He went off an overpass.") There are characters doomed to fuck until their genitals wear out or are ravaged by venereal disease. Baker gives Ayres a raincoat "to keep the come off", but the moment she forgets about it she finds herself getting gangbanged and promptly has to be rescued by Baker (okay, not that promptly, we get to enjoy this for a few minutes). Along the way we're led to believe from the interviews that the heroine might have a fetish for black men, and the conversation between Ayres and Baker grows increasingly heated and racially charged. This idea culminates in a trip to the "racist room", where a white man with a swastika armband is having a threesome with two women of colour while a white woman is sucking off two black men in tribal makeup. Ayres and Baker have a final confrontation on the subject.

"What about all the black racists?"

"Look bitch, when a black man hits a white man, we don't call it racist!"

"What do you call it then?"

"Smart!"

"That's ridiculous, there are plenty of black racists!"

"No dig, you stupid ass white bitch!"

"Look, you're even one of them, calling me a stupid bitch and a white bitch!"

"We'll you're stupid, you're white and a bitch, so what is your motherfucking problem?"

"You're crazy, negro, and you're one of the sickest people in here!"

"That's right, I'm a crazy negro! I'm so crazy I'll eat my own arm!"

This is a deeply uncomfortable scene, and what follows is even more disturbing, as we learn the true nature of the heroine's relationship with her father, a reveal that Dark plays for maximum shock value in depicting "The Ordeal of the Taboo Breakers".

In some ways this isn't all that different from New Wave Hookers, but Dark's direction seems more purposeful here. The stylized depiction of hell, with its black backgrounds and harsh neon lighting, imbue a real sense of menace into the proceedings. With the exception of two scenes, the sex isn't all that outrageous, but Dark's mise-en-scene has a way of rendering it almost as horror. It's not exactly scary and probably still "does the trick" if you're watching this for those reasons, but there's an undeniable charge here. Likewise, the dark humour and the racial content seem to work in tandem here, and Ayres and Baker really sell their adversarial chemistry. (It's worth noting that even by the standards of the video vixens that appear in Dark's movies, Ayres has an amazing hairdo.) Dark may not have entirely thought out his thesis along these lines, but the movie is provocative in its handling of this content, and unlike New Wave Hookers, not in a way that hurts it. At a combined 2+ hours, this probably runs a bit too long, but it does shape the usual procession of sex scenes into a structure that carries an uneasy momentum that matches the heroine's trepidation. We might not like what we're seeing, but we also can't help but keep looking.

[quazartranslates]

Hi I'm not used to Tumblr format but I just binged read Nightmare Game 1 and I'm blown away with the interesting plot twist. I did think Su He was sus, I just didn't realize he was that big of a sus!

I wonder if Ning Zhou's dad is the old devil himself. It seems like the Pope inferred to how Maria sent ML over so that NZ won't make the same mistakes so maybe she's fallen in love with someone she's not supposed to. Or maybe I'm thinking too much. I feel like there's some vague hints tho.

I love the MC, QLR though. The succubus arc and teasing straight men portion had me cracking up. And omg the ending is so bittersweet. I'd probably stack and wait for more chapters before I read NG2 because I super dislike cliffhangers. But goooood I want to start catching up to the most latest chapter because the story is intriguing.

Also LoL MC for the "7" message. I'm a huge fan of the misunderstood trope. Like how MC accidentally does things that causes ML to fall in love iredeemably. Anyway MC must take responsibility.

And hahaha I'm looking forward to the next meeting. Do you mind telling me what chapter the couple officially gets together? I'd like to read it when I can binge up to when they actually and finally officially be together on NG2.

Also I wonder if ML is the devout religious type that believes in marriage before sex. Ahhhh I love the imagery of ML kissing MC's hand with the woven ring. Wonder if ML will find out that MC took the blue gem ring from the tombstone.

Can't wait!!!!

Thank you for bringing this novel to the English-speaking community. Keep up the good work on translating.

Also just curious why you use the word copy. Instead of instance like how I see some horror game world TLs. Just a suggestion that a "game instance" seems more appropriate for the lingo?

I'm glad you enjoyed Part 1 so much, it was a joy to read this!

With regard to your question of when they get together, the reunion takes place in chapter 52 and they get together pretty much immediately after that.

For the question of using the word "copy", it's just a result of the fact that I'm going off a machine translation. When I started working on this, I honestly wasn't giving it much thought other than to make it readable. At this point I am spending more time with each chapter and I've realized some things like this that I would change if I redid it, but I feel that changing already-established jargon would be confusing so far in.