#And how to use each character's skill to an advantage

[mayhemmaybe]

Maniac Mansion might be the one game Mephisto can get through without raging.

[luna-azzurra]

Tips for Fight scenes #1

Consider how each character's personality, background, and motivations would influence their fighting style and tactics. A character who is impulsive might rush into a fight without thinking, while a more strategic character might carefully plan their moves. Use the fight scene as an opportunity to reveal hidden depths or conflicts within the characters.

Take advantage of the surroundings to add dynamism to the fight. Characters can use objects in the environment as weapons or shields, or they might use the terrain to gain tactical advantages. Think about how the setting could influence the flow of the fight and make it more engaging for the reader.

Describe the sights, sounds, smells, and sensations of the fight to immerse the reader in the action. Instead of just focusing on the physical movements of the characters, bring the scene to life by painting a vivid picture of the entire sensory experience. For example, describe the metallic tang of blood in the air or the adrenaline-fueled pounding of the characters' hearts.

Ensure that the fight scene serves a purpose beyond just showcasing action. It should advance the characters' emotional journeys or the overall plot of the story. Consider how the outcome of the fight will impact the characters and their relationships, and use it as a catalyst for further developments in the narrative.

Don't limit yourself to traditional weapons or fighting styles. Research different martial arts, historical combat techniques, and improvised weapons to add variety and authenticity to your fight scenes. Think about how each character's unique skills and resources would shape their approach to combat.

Use pacing, suspense, and foreshadowing to build tension leading up to the fight. Hint at the conflict to come, then gradually escalate the stakes as the scene unfolds. Consider incorporating moments of uncertainty or doubt to keep the reader guessing about the outcome.

Every character should have strengths and weaknesses that come into play during the fight. These vulnerabilities could be physical, emotional, or psychological, and they should add depth and complexity to the conflict. Think about how each character's flaws or insecurities might be exposed under pressure.

Show the aftermath of the fight and the impact it has on the characters and the world around them. This could include physical injuries, emotional trauma, or changes in the balance of power between characters or factions. Use the fallout from the fight to drive further conflicts and developments in the story.

[theplotmage]

Writing a Manipulative Character

- A manipulative character is a master of influence, skilled at bending others to their will without them even realizing it. Show their ability to read people, understanding their desires, fears, and weaknesses, and then use this knowledge to subtly guide their actions and decisions.

- These characters often present a facade of charm and trustworthiness. Highlight their charismatic nature and how they can easily win people over, making others believe that they have their best interests at heart, while secretly pulling the strings.

- A manipulative character is adept at creating and controlling narratives. Demonstrate their talent for spinning stories, spreading misinformation, and planting seeds of doubt to achieve their objectives. They always have a backup plan and can think several steps ahead.

- They thrive on secrecy and deception. Illustrate how they carefully conceal their true intentions and motives, keeping their schemes hidden while appearing innocent or even benevolent. They might use half-truths and strategic omissions to maintain control.

- Show their capacity for patience and strategic thinking. A manipulative character knows that some plans take time to come to fruition. They are willing to wait, gradually nudging events and people in their desired direction until they achieve their goal.

- Highlight their emotional intelligence. These characters can read a room, detect subtle shifts in mood, and adjust their approach accordingly. They know exactly when to apply pressure, offer comfort, or feign vulnerability to manipulate others.

- They often exploit relationships and social dynamics. Depict how they use friendships, family ties, and professional connections to their advantage, playing people against each other or leveraging loyalty and trust to further their own ends.

- A manipulative character is skilled at deflecting blame and responsibility. Show how they can twist situations to make others seem at fault, creating scapegoats or diverting attention from their own actions. They are experts at maintaining a clean image while orchestrating chaos behind the scenes.

- They use flattery and validation as tools. Illustrate their ability to make others feel special, understood, and valued, all the while steering them towards choices that serve the manipulator's agenda.

- Lastly, demonstrate the manipulative character's adaptability. They can quickly change tactics if their initial approach fails, always finding new ways to influence and control those around them. They are chameleons, constantly adjusting their persona to fit the needs of the moment.

[slayingfiction]

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

[lovemomhatepolice]

drew starkey nswf alphabet (part 2)

navigation taglist requests

N = No (something they wouldn’t do, turn offs) There is no chance that it will touch you after alcohol. That is, when only you are after alcohol. Even though you are in a relationship and even though you trust each other implicitly, THERE IS NO SUCH OPTION. Even if you look at him with your pleading eyes, even dripping, no. Well, unless you are both slightly tipsy and then you land in each other's arms, even more willingly than usual (which is all too strange)

O = Oral (preference in giving or receiving, skill, etc.) Heck, you guys are even fighting over it. There's no way you're going to get around it without plowing both ways. Drew loves, LOVES to lie between your thighs - oh and you love how he is there, because your man is very talented. But you also take his breath away as you climb into his lap and caress him with your mouth. Let's hope it never ends, right?

P = Pace (are they fast and rough? slow and sensual? etc.) Let's be honest - Drew is a man of a million talents. You want him to fuck you hard, with your face pressed into a pillow, begging for it to stop, even though you don't really want it to - he will. If you're in a romantic mood and want to seal it with sex, he'll be sensual and calm. Whatever you desire

Q = Quickie (their opinions on quickies, how often, etc.) If you do not have the opportunity to have sex longer, quickies also are ok. But as I mentioned, Drew doesn't like to skip the “elements” of your intercourse, so quickies are not to his liking. But sometimes you both want it, and what can you do?

R = Risk (are they game to experiment? do they take risks? etc.) This man is turning 31!!! (Funnily enough - he turns it tomorrow) We all seem to know very well how well he takes care of his sister-in-law. So it's no wonder he doesn't mind if you don't use protection or are not on the pill. Oh, he would love to have children with you, even if you are quite a bit younger. If you were ready, he could fuck you all night long just to put that baby inside you

S = Stamina (how many rounds can they go for? how long do they last?) It depends on how aroused he is. Usually you can easily do two-three rounds if you are not tired. Drew doesn't like to finish after one round, who would he be if he didn't fondle his woman to her limits?

T = Toys (do they own toys? do they use them? on a partner or themselves?) He has. Not a lot, but I think she keeps a vibrator at her house to sometimes support her actions and improve your sex. He's not some big fan, but he likes to experiment

U = Unfair (how much they like to tease) He doesn't do it all that often - in fact, mostly when you're heavily aroused against him, and he (due to the fact that he's quite elderly) takes a little advantage of it. He prolongs with doing you good with his mouth, moves slowly inside you, oh, but how he returns the favor afterwards

V = Volume (how loud they are, what sounds they make, etc.) Oh, he is loud! Drew doesn't suppress his moans, loud breaths or saying how wonderful you are to him, how beautiful your body is and how much he loves you. He is sonorous and I think that is his advantage. Imagine that damn sexy voice of his worshiping you...

W = Wild card (a random headcanon for the character) Maybe it's because he's an actor - and such a perversion came out of his work, or maybe he just saw such a thing once in a porn. Drew had the thought, and more than once, of having sex with you as one of his film characters. I don't know, he wanted to get into Rafe's or Trevor's shoes and fuck you like they could (meaning he could)

X = X-ray (let’s see what’s going on under those clothes) Drew has a lot to show off. He's all big, so it's also no surprise that his boxers are constantly bulging. But I guess that doesn't bother anyone, right? Especially in your bed, as you finally feel as full as you should

Y = Yearning (how high is their sex drive?) There are times when he can behave himself and tries not to pay so much attention to how sexy his girlfriend is, but this is rare. Even at the family home, he tries to take you aside, at least for a moment to go to the restroom to have a hot kissing session, and then go back to the family as if nothing ever happened. Oh, he can't take his hands off you and it takes so little for him to be at your every beck and call

Z = Zzz (how quickly they fall asleep afterwards) You talk to each other for a long time before you fall asleep, but for Drew, first of all, it is important that you fall asleep first, only then will he feel properly to fall asleep - with the knowledge that his whole world is safe in his arms

A/N: part one if anyone missed it!! i will be very pleased if you leave something behind - orders are open, and I am very close to 600 followers! if you just like my work - take a look at the masterlist, give a heart, pass, and maybe even follow! it really means a lot to me and helps me grow by reaching more people :) please do not copy and translate my works! in case of any issues related to this - I invite you to discuss privately :)

[acid-ixx]

Imagine Wally West being the one to have a crush/obsession with reader, it would be cute, however l feel like it would be as if Reader is trying to overcorrect in a way

Instead of dark hair he has bright hair, instead of dark and brooding he’s very vibrant and carefree, instead of no powers all skill he has powers and skill, plus reader can give him a hand signal and BOOM they are back home in sweatpants, watching the latest show they are obsessed with, talking about which actor is better for the main character

On the other hand, I can totally see Wally as the best friend that gives the shovel talk to potential love interests as well as the friend who will straight up ask if reader wants to move in. He’s just so… friend shaped and safe feeling

a/n: imagine waking up to over 20 detailed asks, couldn't be me! but seriously, i enjoy how all of you are into the series as much as i am. there's so much lore potential and love interests that i can insert or another yan! family who would be more than willing to take you away from your batfam so i can see this series being longer than all my other writing.

i'll admit, i never thought of wally being a contender for a love interest but this is so interesting... your reason for being close to him is "if dangerous, why friend shaped?" (albeit unknowing of his love for you) but you just don't want to admit that he's your form of coping by exposing yourself to a person who's straight up the opposite of your family.

though, you have so many other advantages than his physical traits, which would be the power he hones; his speed. sure, you have to get used to the first few months of motion sickness but with enough practice, you'll be blazing off and away from any momentary danger— that danger being your family.

wally often does get flirtatious with you. which means unlike your living circumstances beforehand, you'll be faced with constant compliments and attention here and there that you ought to never notice.

oh, your hair looks so slick and shiny! did you use the new shampoo he bought for you? ohh, you look so adorable wearing his pajamas! you should match with him more often. the necklace he bought for you totally complements your eyes! you should go on a movie date today, babe!

— oh, sorry, did you hear him call you babe? that's totally what friends call each other when they're as close as peas in a pod, you know? it sucks a lot that you never had someone as close as wally. but worry not, darling; he'll make sure you never have to ask for his love, not when he's quicker to reciprocate it.

did he just call you darling?

nevermind that, ahah. wally would totally be the type to glare at anybody who thinks they're better than him when it comes to hitting on you. sorry stranger, but he's your bestest and closest friend in the world, he's your future roommate, your future boyfriend, and nobody could ever reach that level— not that you'd hear that from him directly, but he'll pass that message on anybody who thinks they have what it takes to flirt with you.

after that incident, he'll offer you a place at his apartment, or somewhere far, far away where only a speedster like him can reach; just to guarantee your ultimate protection from obstacles like your family or anybody else interested in you.

yeah! he's such a good friend.

[literaryvein-reblogs]

Writing Worksheets: The Antagonist

Worksheets & Templates Antagonist; Villain; Fighting

ANTAGONIST

Treat your antagonist as a real person. Their sole reason for existing should not be to act as a foil to your protagonist.

It is the framework of your story that sets the antagonist in opposition. What happens when the antagonist becomes the protagonist?

Have you imbued your antagonist with some of your own good & bad characteristics?

Use a real-life antagonist for inspiration, and give them some love too.

My antagonist wants:

Why they want it:

They will sacrifice these to get what they want:

Others judge them too harshly because:

But they act like this because:

I can sympathise with my antagonist because:

They could change if:

They can't change because:

They are good at:

They are bad at:

Who else loves/loved your antagonist?

Why do/did they love your antagonist?

Antagonist - works against the goals.

Villain - a “bad guy” in the story, often working for evil purposes to destroy a heroic protagonist ⚜ Writing Notes: Villains

While there can be villainous protagonists, villains are antagonists when they’re not the main character of the story, but instead the main source of conflict for the main characters.

VILLAIN

Defining characteristics:

General mood/disposition/outlook:

Motivation/s:

Do they consider themselves a villain?

Do they feel mistreated?

Who or what do they blame?

What is their aim?

How do they plan to achieve it?

How does this cause conflict with the protagonist?

Why does the protagonist dislike them?

Why do they dislike the protagonist?

What advantages do they have?

Are they isolated?

Do they have henchmen?

Do they change? Do they succeed?

How do they...

Treat their subordinates?

Unnerve others?

Try to manipulate others?

Try to hurt others?

Try to antagonise others?

Pursue their victims or wait for them?

Create a contrast with the protagonist?

Change the course of the story?

Create drama and suspense?

What made them a villain? Was it...

An event?

A person?

A belief or world view?

Their environment?

Something else?

FIGHTING

Who gets involved in the fight?

Why do they start fighting? Who starts?

What is at stake for each party?

What is the aim of the fight for each party?

Do all parties fight fair?

Why couldn't the problem be solved without fighting?

Are there any onlookers or arbiters?

Is the fight pre-planned or spontaneous?

Does anyone try to flee? Why or why not?

How does the fight end? Is there a clear winner?

What do they do after the fight? How do they feel?

Does the fight end the conflict between them?

Physical Elements

Do they have weapons?

How does the method or choice of weapon influence the fight?

Is the fight part of a ritual or rite of passage?

Where do they fight?

Does the fighting ground play a role in the outcome?

Is anyone injured or killed?

Are they evenly matched in skill? In strength and stamina? In resources?

Do any other factors come into play?

How does the fight play out?

Sources: 1 2 ⚜ More: Worksheets & Templates ⚜ Writing Exercises: Antagonist Fight Scene ⚜ Hate ⚜ Word List: Fighting ⚜ Morally Grey Characters

[stevieschrodinger]

Just imagine how put out Dustin would be. He's spent months and months working on Steve, trying to get him to come and play. It had been a personal, ongoing campaign. He used every trick and manipulation and wasn't above just outright whining about it. All he asks is Steve try it; just once.

Just imagine how put out he is when Eddie gets out of the hospital, and he asks Steve one time, and Steve says yes. But of course Dustin can't complain OUT LOUD, because he got what he wanted, didn't he? Steve's going to play.

Dustin makes this as absolutely painless as possible; Steve doesn't even see his character sheet until it's done. Dustin has him roll for stats. They talk about race and class. They talk about what skills his character should have...but he doesn't go into detail. he wants to make this fun for Steve, so he lets Steve pick whatever the hell he wants and when Steve calls his gnome Trip Hazard, Dustin doesn't even bitch about it.

Dustin corners Eddie ten minutes before their one shot starts, and explicitly tells him to let Steve get away with absolutely any and all bullshit. The goal here is that Steve comes back.

Of course Dustin has no idea that Eddie has been making heart eyes at Steve for literally years and fully intends to do that, anyway.

It's a one off, so Eddie has some fun with it. He's generous with the XP and everyone has two levels before lunch, excitedly choosing new skills and spells. After a mini boss battle they come across a hoard of treasure; some of it magical.

It's a free for all and everyone walks away with a fun new powerful toy for their character; Eddie's even pre made little cards with illustrations, descriptions, and the magical abilities of each item. He does a whole array, more than they need, but everyone gets one thing each.

Steve, hilariously, chooses a seven foot spear.

Eddie holds it together and does not laugh. He lets Steve do whatever he wants, and when Steve has a moment of madness and acts out his tiny gnome suddenly getting his spear stuck in every single doorway, everyone looses their shit.

The final battle though, that evening, rapidly because serious; an acid spewing black dragon. Everyone rolls initiative. The Dragon, with advantage, goes first, and the battle goes back and forth for several turns before, "the great beast raises itself onto it's back legs, mighty wings spread, so massive they fill the cavern," Eddie climbs up on his chair, spreading his arms demonstrably, "the dragon draws in a mighty breath...Will the Wise, your move."

The party uses their turn to attack, moving their little people on the board appropriately. Steve's turn comes and everyone looks at him..."I'll, ah, move, I think."

"Attack Steve!" Dustin encourages him.

Steve moves his little gnome, with hilariously oversized cardboard accessory, to directly in front of the dragon, the air in the room grows heavy, intent, "no attack...I set to receive a charge."

Every turns to look at Eddie, who frowns down at the map.

"It's on here," Steve volunteers the little card that came with his spear. "This counts, right? Double damage because it's magic, then setting to receive a charge is double damage again..."

Everyone looks back to Eddie again who, solemnly, frowns...then nods.

The dragon unleashes it's attack, everyone in the party taking damage. The dragon falls forward, aiming to land on all of it's feet again.

"Does that...work?" Steve asks hesitantly.

Eddie nods. The damage is so great when Dustin works it out, they have to borrow dice from Will to combine with Dustin's so Steve can roll them all together. The combination enough to fill his cupped hands.

Steve kills the dragon. Everyone is up, screaming and cheering.

Steve is the only one to notice when Eddie rolls damage; Trip Hazard is instantly killed by the crushing force of a dragons corpse.

Steve doesn't care, especially not when Eddie gets real close to whisper in his ear, "that was so fucking clever, I'm furious."

[bones4thecats]

Hello👋🏻

I, ⛏️ anon, have returned! Could I request Poseidon and Hades with a social expert reader who knows how to get people on her side?

┗ Social Butterfly; Hades + Poseidon ┛

Characters: Hades and Poseidon (separate) A/N: Yeah, a lot of my requests are going to be short and straight to the point from here on. Hope that's alright for you guys. Anyways, have fun reading! ⇘ Summary: Moments where you, a Goddess with amazing social skills, used your ability to your advantage.

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💀 You smiled at your children as Hades stood off to the side. He was listening to Adamas speak about what he wanted this future to go in Helheim. He wanted certain things so he could stay sane, as your husband told you.

💀 Melinoë stood beside her father, her head barely meeting his hip as she listened intently to her uncle. He was her favorite uncle by far, Zeus scared her while Poseidon just sat in silence and bored the young Goddess. Meanwhile, Macaria and Zagreus danced around with Cerberus, occasionally jumping around on the large dog.

💀 Eventually, Adamas' words became yells, his anger controlling him as his niece cowered behind her father's leg. She gripped his pants tightly as she shivered in slight fear. You looked down from your daughter and son, seeing Adamas yelling. Your eyes traveled to your nearby guards and motioned for them to watch your kids as you walked away.

💀 Once they were securely observing them, you walked up to Adamas and began to speak in place of your husband, giving him time to calm your eldest down. You smiled and started to calm your brother-in-law, surprising Melinoë.

💀 When you managed to reach an agreement with Adamas, he walked away, as did your daughter to play with her siblings, leaving Hades and you. Hades smiled at you and hugged you from behind, pressing a kiss to your temple.

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🔱 A man of few words and his spouse with many. You guys were always viewed to be a pre-fallen couple, when in reality, you both cared for each other immensely, flaws and all.

🔱 Your little confrontation happened during a gala with your family. You had sent your five children, Theseus, Triton, Orion, Atlas, and Polyphemus, off to hang out with their various uncles, while you stood with Poseidon and spoke to the others.

🔱 Poseidon stood beside you silently, looking down at your hands, which were intertwined, rather than looking at the deity before you both. The God smiled and began to praise you and condemn the actions of your old friend, Aphrodite, calling her a tramp.

🔱 Your eyebrows furrowed slightly as your smile stayed on. Poseidon smirked inside as you began to butt-heads with the male, making his gears in his brain move as you practically manipulated him into siding with you.

🔱 It was impressive how intelligent you were with this skill. And honestly, it only attracted him more to you.

[ultimate-marysue]

I made some sort of alignment classification based on whether they're impulsive or if they plan ahead for the Batfam. Feel free to correct me (politely please, I'll cry) or to add your opinion. I'm not trying to be super canon, just based on their characters' vibes.

Bruce Wayne: 100% planner. This man could be a Bene Gesserit, plans within plans, and they always work even if they shouldn't (because DC can't have him be wrong). It's like a choose your own adventure, you follow the plan and each time something new happens that is sure to chase things up he pulls a subsection specifically for it. Senior Justice League Members just don't question him anymore no matter what. "You had a contingency for getting invaded by mind controlling ballerina spiders? Yeah, sure, tell us all about it".

Barbara Gordon: she plans around her impulses. She is self aware enough at this point to know she's a bit of a hot head. It is what it is, she's called Batman an Emo Boy's idea of Therapy enough times to his face to know she just can't help herself with some stuff. So instead of working against it she plans around it. In the end, it was her plan all along. Canary thinks she could just hold her tongue, but considering the vigilantes Oracle manages, her experience in planning for these situations is invaluable.

Dick Grayson: Impulsive, not because he can't make plans or because he isn't smart. Quite the opposite. He just has that ADHD dog in him. He would be guiding the Titans through a mission and they'd be thinking "Woah, everything is going according to his plan", meanwhile inside his head is Bear Grylls saying "Improvise, Adapt, Overcome". It's not so much that he comes up with plans on the spot but he ends up changing it along the way because he thought of something better for that specific situation. He may use B's protocols for a general structure but then trusts his instinct to come up with something better on the spot.

Cassandra Cain: Neither. She's not one to be coming up with elaborate schemes but, as much as she relies on her instinct, she's able to stop before jumping. She doesn't need to plan, she knows what works. She observes and then takes the best course of action. When Bruce goes on and on about the importance of planning she just answers "Skill issue" and leaves.

Jason Todd: impulsive planner. This is a man that makes plans, okay? He's theatre kid coded, he needs to know his little monologues by heart. The thing is, he's also very emotional and has the impulse control of a toddler in front of the cookie jar. He can't help himself, he has to punch the asshole and make the witty comeback or he will explode. The outlaws have been grilled to death on the importance of following the plan but then watch him like ten minutes later throw it out the window. They find it both endearing and annoying.

Stephanie Brown: Queen of Chaos. She can plan. She's good at it too btw, she just doesn't want to if she can avoid it. She works best when she's improvising and it drives Bruce and Tim up the walls. They just hate to see women winning. She's the best one out of all of them at turning a mistake to her advantage in a matter of seconds. It's quite impressive.

Tim Drake: Chaotic planner. Everyone is so sure Tim is a mini Bruce and to a certain extent, if you squint your eyes, then yes. But Young Just Us know the truth: his plans are extremely effective but only in the most chaotic way possible. There's the Batman plan, and there's the Red Robin plan, which is like the first one but faster and with more fire. He also has to be periodically reminded to take into account his own wellbeing when making his little schemes.

Duke Thomas: plans on the go. I don't know how else to explain it but it's like those sequences in the Sherlock movies (the ones with RDJ) where he's watching his surroundings and opponents almost in slow-mo till he puts together a plan. It's similar to Dick from the outside, but if you pay attention you can see the wheels turning in his head as he goes along. He actually stops and thinks (metaphorically, most of the time his thinking is done while he distracts enemies).

Damian Al Gul Wayne: he's a strategist, not a planner. This is an important distinction because whenever Batman or Red Robin are explaining one of their convoluted plans he feels like he's actively losing braincells. He's closer to Cassandra in the way he prefers a more direct solution. He also gets palpitations anytime Jason or Stephanie just start doing things without thinking. If he knew what Dick's thought process was he would have probably developed an anxiety disorder in his time as Dick's robin. He doesn't understand the need for such high detail planning and hates the idea of making it along the way. No, he just needs to come up with the most efficient strategy and that's all.

[darkficsyouneveraskedfor]

Long Snake Moan 5

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Loki

Summary: your boss gives you a task you’re not prepared for.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

He’s still there when you return to your desk. Just like the ring on your finger, Loki is immoveable. Your knuckle hurts from trying to yank it off.

You sit at your desk and try to ignore him as he stares from one of the acrylic chairs across from you. They’re rarely used, more so for the illusion of accommodation than anything. 

His gaze casts a blazing heat over you. Your focus is fractured by his unyielding observation. He hums, a taunting tune, as you type and pretend to be alright. You’re not. You’re far from it. 

That sinking doom is muddled in a sludge of disbelief. You just can’t accept this is real and yet hat pit in your chest assures you otherwise. How did he do this? Thor always says his brother is a trickster and you know well of Loki’s unsavoury past, as most New Yorkers would, and yet, this is nothing you could ever predict. 

“What is it you mortals call it?” He speaks at last, jarring you from your troubled trance. “A honeymoon? Would you like to go away, darling? I know this place on the other side of the moon. Your moon, that is... it’s not too derelict and the sky is rather romantic--” 

“Stop,” you splay your fingers over the keyboard. “I’m working.” 

“Mm, yes, you’ve some time to go...” he checks the watch on his wrist. “What are we at? Less than two hours. I must admit, I am counting the minutes.” 

You stand and take a deep breath, “I need a tea.” 

You twist on your heel and march away. You doubt caffeine is going to help your nerves. It’s more that the flavour is familiar enough to offer some shred of comfort.  

As you enter the breakroom, he’s already there. You hate that. How does he do that? You glance over your shoulder then turn back to the room. 

“What is it you prefer?” He peruses the selection of pods. “Mm, pumpkin spice?” He takes a pod and sniffs it, “smells less than appetizing.” 

“I can do it myself,” you approach him and reach for the box of oolong pods. He catches your hand and runs his thumb decisively over the large emerald. You wince as he keeps hold of you. 

“Darling, I am your husband. Allow me to show you the advantage of this union--” 

“I know why you did it. You get to stay. I never wanted you gone, I only delivered the message. You don’t have to do this. If you want to stay, I’ll lie but this is... it isn’t necessary.” You tug but cannot free yourself of his snare. 

“While that may suffice, I don’t have much faith in your skills of deception. I have considered all facets of this plan and we must prove this union to be genuine, thus we may as well commit--” 

“Loki,” you hiss and his brow arches. “Prince, whatever, this is strange. In your research did you not figure out that ‘mortals’ as you call us get to know each other first?” 

“Not always. Not for the majority of your history. There are some rather entertaining scenes along the way. Some I had the pleasure of witnessing myself,” he snickers. “An arranged marriage is not unheard of, even presently in some regions. I could not wait to charm you but I can more than make up for that.” 

“Charm me? You couldn’t even ask me? Talk to me?” 

“We are speaking now. We are working through our first marital hurdle. Together,” his grin assures you that he is being less than authentic. This is a game to him. “Allow me to prepare your tea, wife. You are hard at work.” 

You scrunch up your nose in frustration and he lets you go as you pull away, “why me??” 

His lashes flick up and down as his lips curve deeper, “when you say my name, I imagine you moaning it, and it doesn’t sound so bad.” 

You gurgle. Your stomach knots and tugs. Something inside you plucks. You step back and hug yourself, as if hiding from him. 

“Uh, I...” you look away and shake your head. “You’re right. I’m working so I would appreciate the tea. Thank you. Just milk, if you don’t mind. Please. Er.” You wobble around on your heels. The slither of his voice sticks in your ears and you smell smoke. What is happening? 

You go back to your desk and sit heavily. You stare at the screen as it hazes to a medley of colours. The font obscures in your distant vision and fold your hands on the edge of your desk. 

This is very strange. This is hard to swallow. It’s not what you had planned for today. Or really ever. Not just marrying Loki but anyone. You’re perfectly happy alone. You’ve built a small life for yourself. It’s not that bad. You like the routine and the simplicity and now he’s gone and messed it all up. 

“Darling,” he purrs as he appears with your tea, jarring you from your gloom.  

You sit back and bite down on your tongue. He sets the cup on your coaster, coming close enough that you roll back in your chair. As he stands straight, you rest your elbows on the armrests. 

“You don’t have to pretend to be nice now. You’ve already messed it all up.” 

He laughs again. You hate that. He thinks everything is so funny. This is your life. 

“Messed what up, exactly? I know a Midgardian’s life cycle, I’ve lived through many and so by my estimate, you are overdue for marriage--” 

“That isn’t-- oh my god,” you drag your hands down your face. You drop them into your lap and look at him. “When I told you, you were angry. You looked at me like you hated me. So, how do you think this is going to work?” 

“Hate is powerful but there are things that can overwhelm it,” he shrugs. “I do enjoy the way your legs look when you walk in those shoes and your skirt compliments you well. Now, I know you do not hate me, I can read others rather well. You are intimidated yes, but fear can also make one...how should I put this, sexually aroused?” 

“Oh god. Please,” you wheel back to your desk and shield one side of your face with your hand. “That’s not—Like I said, we can pretend.” 

“This marriage is very much real, darling,” he intones. 

“No.” 

“Yes.” 

“No.” 

“Yes, it is--” 

“Lokiiiiii,” you growl and pop your head up to snarl at him. 

He smirks and tilts his head, “ooh, say it again.” 

“Stop, please.” 

He chortles and his eyes flare. You don’t like the way they glint, “darling, your dear husband brewed you a tea, please, do not let it grow cold.” 

You sigh and look down at the cup. You raise it and blow the steam away. You sip. It’s rather nice, richer than you would expect. In fact, it’s so good you can’t stop drinking. You’ve had that oolong a dozen times over and you’ve told Tony to get a different brand as it is far from your favourite, but today, it is like honey. 

You wipe your lips at the dribble left behind and set down the cup. Loki resumes his seat by the wall, “hmm, just over an hour to go, darling.” 

[thebroccolination]

THAMEPO'S RELATIONSHIP (AS OF EPISODE 4)

Back when the teaser (made as an appeal to sponsors) aired in part two of GMMTV's 2024 showcase, and especially after the trailer (cut from the actual series) aired, I thought ThamePo looked like it would become one of the strongest series GMMTV has ever made.

So far, even though we're only four episodes in, it's well surpassing my expectations. Apparently, it's a passion project that the director had in the making for five years, waiting for the right casting to come along, so based on that alone, it's a series made with love. And I have a soft spot for passion projects. <3

Still, the top criterion I judge all series by is the quality of the writing, and since ThamePo's director is also a seasoned screenwriter who developed the script, this is one of the strongest aspects of the series so far.

Over the past four episodes, we've seen our protagonist's flaws (people-pleasing, projecting, temper) and strengths (resourcefulness, observational skill, cleverness), what he wanted (to return to the creative working world) and how it's changing (to reunite MARS). We've met the public version of Thame, the shallow version of Thame that Po misread, and the private version of Thame trying to make amends with his friends. We've met three of those friends (Jun, Dylan, and Pepper) and have hints about the fourth (Nano), and each friend we've met has given us more insight into the kind of person Thame is and what he's done to try and protect his group as the leader.

Since the main conflict of the story appears to be Thame being forced to choose between his band or his new boyfriend—

—Thame's relationship with Po has to move at quite a quick clip so he's emotionally invested enough in their relationship that it's a difficult choice. He's already extremely attached to his friends, so I'd argue one of the biggest challenges in the writing was having him fall in love with Po convincingly fast without it feeling forced by the hand of the screenwriter.

And daaamn has that been well-accomplished, in my opinion.

First, Po gets his Y/N moment.

It's established in the first episode that Thame saw Po at a fanmeeting once and remembered him because Po did something kind for someone when he didn't have to. Presumably because Thame's in a fairly cutthroat industry where people are constantly vying for his attention, maneuvering him like a chess piece, or flat-out ignoring him, that small act of kindness was probably one of the bright points of his day, week, or even month. Especially as things started falling apart with the other members.

In that same episode, we see Po projecting the heartbreak from his previous relationship onto Thame.

And in return, Thame—who spends most of the next episode docilely doing whatever he's told to do by the company—allows some of what he's hidden to show out of frustration presumably brought on by being so thoroughly misunderstood and chastised by a stranger he used to think well of and now suspects of being a sasaeng.

Because both characters are in such vulnerable places emotionally, it translates well to the narrative when they start to depend on one another.

On Po's end, his recent breakup has left him feeling foolish and exposed, taken advantage of by a man who refused to acknowledge Po's sacrifices or show any true appreciation for all the work Po did to see him succeed.

Meanwhile, Thame is alone in every way that matters.

His parents are neglectful,

his friends abandoned him,

and his boss is manipulating him.

At the start, Po is quite literally the only ally he has.

It's because Po kept at him to be honest, to be sincere, that Thame woke up and decided to fight for himself.

And because Thame is doing something for himself for a change, that's what wins back his closest friend Jun.

What I love about this whole narrative is that it's already established from Po's previous relationship that he's the kind of person to give himself entirely to a cause for someone else's benefit. He helped Earn to his own detriment, he picked up a small child so she could see, and he's risking his job to help Thame find happiness and peace.

So it's entirely in-character for him to, say, go through a whole room filled with boxes of rejected song lyrics trying to find one piece of paper that he had to tape back together. Only for it not to matter, because Thame mended fences with Dylan on his own.

I'd argue this is what makes Po think, Maybe I'm too emotionally involved in this. Especially after Jun has point-blank told him that Thame would never be interested in him that way.

We see the moment Po doubts his enthusiastic support of this whole project.

And it's clear that this could have been where it ended for Po.

Until Thame, observant and kind and the polar opposite of Earn, says exactly the right thing to him.

Because that was the major breaking point for Po in his relationship with Earn. He was made to feel disposable. Extraneous. Unnecessary. But Thame recognizes the work he's done, the effort he's put in. He may be reuniting the group for his own satisfaction, but he's not so selfish that he can let Po's contributions go unobserved and unappreciated.

Then, y'know. Thame talks to Po until he falls asleep—

—and serenades him in the morning.

And the thing is! Knowing all we know about Thame—that his parents don't seem to care about him, that he's been isolated from his friends, that he's been made helpless in his own career for so long after being manipulated into signing contracts that restrict his freedom—it makes sense for him to be the one pursuing Po this hard. Just as much as it makes sense for recently heartbroken Po to be interested and yet hesitant.

Setting all of this up in four episodes while covering the entire backstory of MARS and their gradual reunion is a feat of excellent writing. We have a reason to care about Thame and Po's relationship, because it's been clearly shown to us that they bring out the best in each other and that they're willing, even at this early stage, to take risks for each other. We've also got reason to care about MARS, because they seem to be more family to Thame than his own, and they're his current priority.

I'm genuinely thrilled to see such solid writing come from a GMMTV series because as I've said before, they seem more and more recently to chuck first drafts on an assembly line and just assume the fandom will watch anything regardless of the quality as long as certain khuujin are cast as the leads (which, y'know, isn't untrue).

While I enjoy some GMMTV QL series as mindless fluff to watch with friends, there are very few I'd say are written well. Apart from ThamePo, only five other series I've seen have what I'd consider well-executed scripts: Pluto (2024), Be My Favorite (2023), Dark Blue Kiss (2019), SOTUS S (2017), and SOTUS (2016). Sadly, I think Not Me (2022) was on track to be one of the best with its first half, but the production was infamously neglected with episodes cut by GMMTV at the last minute and the script deprived of major edits that left the second half almost shallow by comparison. (Of course, Not Me had a host of censorship issues as well, so we may never know how much that interfered with the quality. It's still an incredible series for its ambition and for Nuchy's directing, and I'll be mad every day of my reincarnation cycle that it didn't get the writing support it deserved.)

Otherwise, nearly every GMMTV series I've seen has at least one major basic storytelling flaw (no character arc, a sloppy resolution, unconvincing setup, weak characterization, excess filler, etc.), and they seem to be first drafts with very little depth. With that in mind, I hope to see ThamePo do well enough that it sends a message to GMMTV that they should focus more on the writing of their series. I think based on what we've seen in the first four episodes and in the trailer, the script quality is reliable, and ThamePo's relationship may be one of the best-written we've seen yet. <3

[arguablysomaya]

Nightwing's weird fem-coding

! LONG POST !

Finally got around to jotting down my thoughts on the weird way that Dick Grayson (Nightwing) often occupies female-coded roles without being a particularly feminine guy. This is entirely due to me procrastinating on my finals. Okay!

Dick has often been cited as the hero who plays into the "female gaze", and he takes up some key roles that are typically reserved for women characters.

A large portion of Dick's fem-coding is contingent on his being with his family, and when he's not with them, this fem-coding kinda drops away, such as when he's with his various teams or acting solo.

His most prominent (and imo, complex) femme-coded role is:

-> Eldest Daughter + Widow

Eldest daughter syndrome means " frequently feeling like you’re not doing enough, like you’re struggling to maintain a veneer of control, like the entire household relies on your diligence." It's born out of the unique way that first-born girls are expected to take on adult roles around the household before they've had an opportunity to fully experience childhood (an opportunity their younger siblings will have, in part due to this sacrifice). It creates a strong sense of independence and a desire to be a good role model, but also leads to undue pressure and perfectionism.

Dick acts as a central emotional pillar for those in his family. To the point that when he fakes his death, it breaks something fundamental in the family dynamic:

Not only is it repeatedly made clear that Bruce depends on Dick to act as a lifeline for his own mental struggles, but moreover, his siblings do as well. In a very literal sense, the maintenance of the batfamily rests on Dick's shoulders. Bruce is so rarely available for emotional support that these children turn to the next best thing, which, to be fair, is better than what Dick had growing up. He has to clean up so many breakdowns, it's honestly pretty staggering.

As the OG sidekick, Dick receives quite a bit of hero worship, particularly from younger heroes/sidekicks, who look toward him for guidance. As a naturally upbeat and welcoming person, Dick ends up in the position of bringing light to everyone, not just Bruce. For example, here's Cassandra:

This balancing effect is unique to Dick's skill set. However, this can (and does) backfire very easily. The same pragmatism Bruce engages in hurts extra bad when coming from Dick: like when Dick had to take Robin away from Tim. Not to mention just how intimidating Dick's legacy is, which can create resentment when his successors aren't able to play this role so easily. For example, Jason both before and after his death expressed insecurity that he felt he was constantly being compared to Dick, and falling short.

As the original character that people think of when they think "sidekick", DG Robin (and his successors) had the advantage of not losing prominence even as his contemporaries (Kid Flash, Aqualad, Wonder Girl, etc.) were de-prioritized in favor of independent teenaged heroes (like Cyborg, Beast Boy, Raven, and Starfire). But that means Robin as a concept now has to deal with questions that weren't so prominent in the earlier decades, such as: "How do we justify a grown-ass man using a child (and in fact, children) as emotional crutches?"

It's icky to think about, but there's no denying that early Batman and Robin got side eyes for homosexual subtext. I mean, they literally call each other "partners". So while that "subtext" was, and remains, just audience speculation, given Dick is literally Bruce's adopted son, there is room, I believe, to call into question how healthy it is for Bruce's oldest kid to be taking on a nearly-parental role and be a core pillar of Bruce's emotional regulation.

Hot take here, but I think Dick's relationship with Bruce was/has been pretty emotionally incestuous for a long time.

-> Emotional incest

"Emotional incest[...] is a type of emotional abuse performed by a parent. In cases of emotional incest, parents rely on their children for significant emotional support, which is a reversal of roles. Emotional incest is more than just relying on your kids on occasion—rather, it is an extreme dependence on them." (There's a pretty good argument to be made that Bruce has been emotionally incestuous with all his Robins, especially Dick and DEFINITELY Tim, but y'know. Small steps.)

Emotional incest is a semi-common consequence of eldest daughter syndrome; the natural conclusion of deputizing a child to manage the other children combining with an inability to see the child as a child, still in need of emotional guidance, but more like an adult capable of shouldering the burdens of grown-ups dumping their traumas on them.

To be clear here, while emotional incest may not be incest in the most traditional, taboo sense, it is still abuse. It's putting a burden on a child they shouldn't have to carry, even for children that aren't dealing with such extreme burdens as "grown-ass man running around in a fursuit needs me to keep him from getting himself killed". It's a perversion of a healthy parent-child relationship, where the child is treated more like a partner than a child. In Dick's case, it further exacerbates the parentification he already experiences. This is made more explicit when Bruce "dies" and Dick is cast into a sort of "Widow" role.

Dick reluctantly dons the cowl in an attempt to bring order to his family members. He's also left to parent Damian, alone. He has to make the decision to take Robin from Tim, and try to deal with the fallout from that decision. He has to put a stop to Jason's fratricidal rampage. He's made into the de-facto head of the family.

And the thing about this is: Dick's not even bad at it. In comparison to Bruce's litany of disasters-in-parenting, Dick does a pretty bang-up job of managing his siblings, heading the Justice League, and being Batman. But the crucial point is that he does this at the expense of his own mental health, which is the crux of eldest daughter syndrome. There's no denying that at the time, Dick was most certainly the best choice for New Father Figure, but it was a choice he was pushed into, and a sacrifice he had to make. When this sense of responsibility to the point of self-sacrifice is pushed to its logical conclusion, it has the effect of making Dick a Martyr-type figure.

-> Protector/Mama Bear/Avenger

Dick has shown repeatedly that his hot button is his family. From Tony Zucco to allowing Blockbuster to be killed after the villain targeted Haley's Circus, going after Nightwing's family is a pretty good way to earn yourself an asskicking. Probably the most infamous example of this is when Dick thought the Joker had killed Tim, beating the clown to death to avenge both Tim and Jason.

And while this role isn't particularly feminine, I do think it's interesting that Dick protects his family members from each other with almost the same frequency that he protects them from outside threats. He's pretty notorious for wrangling Damian and Tim, foiling Jason's murder plans, and most importantly, beating the shit out of Bruce whenever he crosses a line, such as when Bruce asks Dick to conceal being alive from their family to join Spyral or when Bruce wanted to abandon the Bruce Wayne persona after the murder of Vesper Fairchild. Or of course, more recently after Bruce's latest MK-ULTRA shenanigans.

This basically puts Dick in the position of being the glue that holds the family together, at basically all times, but especially in times of conflict. This also means he's put in the dangerous position of bodily defending his younger siblings from Bruce's wrath or irresponsibility, a position made even more awkward given the whole emotional incest thing.

That's not to say that Dick's relationship with his family is 100% unhealthy. Dick and his family members (including Bruce!) feel legitimate affection and care for each other. There are times when the dynamics here are indeed healthy. And like most people with eldest daughter syndrome, the unhealthy nature of this dynamic is usually understated. Oldest sibling syndrome is often just an unavoidable consequence of how parenting works. So while I am of the opinion that this dynamic is often unhealthy, hot take: I'm fine with that.

Now, though I've just listed some tropes that he only falls into around family, Dick also falls into some fem-coding all the time, regardless of who he's with, and these have to do mostly with his sexuality.

-> Sexual Assault & Harassment

Yeah, so nobody is surprised that this is a factor. Look up any list of the top ten hottest/sexiest/most attractive male superheroes, I guarantee 9/10 times Nightwing is number 1. However, unlike his father, whose attractiveness is usually played as a part of the male wish-fulfillment fantasy, something people aspire to be, Dick's attractiveness more often makes him an object of desire- very similar to how most attractive female characters are perceived.

And as an object of desire, Dick Grayson is constantly having to deal with being objectified.

Now, Dick Grayson being an attractive character is not the problem. Dick Grayson being sexually assaulted isn't even the problem. the problem is that he keeps being harassed, assaulted, and raped in ways that are flagrantly nonconsensual, and yet it's not treated with the seriousness it deserves. In fact, it took a full decade for Devin Grayson to retract her previous statement and admit that yes, the rooftop scene with Catalina Flores was in fact rape, and it's never been acknowledged in-universe (though, comics have always been atrocious at calling out sexual abuse of all kinds, let alone that which targets men).

Hell, even when he in-universe calls it out, he's dismissed immediately and the story continues like nothing happened.

Like???

Dick's adult sexcapades (which were consensual and enthusiastic) have long contrasted with the numerous times he's been harassed; times in which he comes across as bored, exasperated, and even frustrated with his own attractiveness and the vulnerable position it often leaves him in.

This puts him in the rare (in comics) position of being a male character who consistently and near-exclusively has his sexual agency and boundaries violated by women - a position that authors uniformly refuse to examine despite writing him into it all the fucking time.

Other characters around him frequently make comments passing off this harassment and assault as a natural consequence of Dick's own attractiveness, making "jokes" that essentially amount to "I understand why someone would want to assault him". Which- UH?

There is also, of course, the unavoidable reality that as an acrobat and an aerialist, he receives a very specific type of sexual harassment

the nature of nightwing's fight style necessitates a type of tight-fitting suit that male heroes typically don't go for: an extremely slick suit with bare-minimum armour that again, makes him vulnerable in a way most male heroes aren't, but a style female heroes wear all the time, whether it makes sense for them or not. This of course then allows artists to draw attention to this fact by posing Nightwing in poses usually reserved for femme fatales:

And unlike the Hawkeye Initiative, these poses are (largely) unironic, and not played for jokes. Dick isn't arching his back or looking over his shoulder to poke fun at how female heroes are treated; he does so because the artist (clearly correctly) sincerely believed these poses would play into the unironic gaze of the audience, and also probably thought it was hot. It's the same line of thought artists use when posing femme fatales.

He's even been known to use his sexuality as a bargaining chip, much like more traditional Femme Fatales. In Batman and Harley Quinn (2017), he refers to sleeping with Harley Quinn after being kidnapped by her as one of "the things I do for Gotham", to which she responds "I'm taking that as a 'yes'." And that's uh- not how consent works.

And this particularly sucks because- HELLO? The opportunity to explore the very real and tragically underacknowledged phenomenon of sexual violence against men is literally invaluable, especially with such a prominent character. It's one thing to ignore that men face sexual violence, it's another, entirely more unforgivable thing to continuously and explicitly depict such scenarios and play them off as jokes or not as serious as they clearly are. But what did I expect from an industry that has never had a good track record on sexual violence anyway.

-> Queercoding?

There's also of course the fact that DC has been, as of late, dropping hints that Dick might be bisexual.

That on it's own doesn't mean anything, but when paired with the fact that DC has been angling toward giving Dick a similar playboy persona that Bruce has, just with men included, it's just very interesting.

(BTW: The likelihood DC actually commits to making Dick bi is, uh, not a lot, but if they're gonna stick with this weird closet stuff for a while, let's hope they do so in a way that doesn't make him sound like a cross between Donald Trump and Harry Styles next time? Please?)

Anyway, all of this is basically to say I am forever fascinated by the gender dynamics of Dick Grayson, likely due to the fact that I'm projecting all my eldest daughter traumas onto him, and that someone who's background is in Gender Studies needs to get on this shit if they haven't already. I just love this character sm.

[anim-ttrpgs]

How to Choose Music for a TTRPG Session & Eureka Song Selections

When our own group plays any TTRPG, we always like to have some amount of background music to help with the mood and tone, and if you do too, then here's a post about how best to choose it, because it is a learnable skill!

I am one of the creators of Eureka: Investigative Urban Fantasy

and the idea for this post grew out of making a curated list of songs for Eureka sessions, each sorted into different categories for easy access. The Narrator in a Eureka campaign exercises very little control over the story and pacing of the game, so it isn't very helpful to plan for a specific reveal of specific scene set to a certain song. To that end, I have sorted these songs into various types of scenes, tones, etc. for you to grab as the story is emerging.

You can find these lists here:

Session Intro Music (in case you wanna open each session with a musical theme like an episode of a tv show)

Investigation Scene Music (low-stakes) or Meal Scene

Investigation Scene Music (tense/creepy) Part 1

Investigation Scene Music (tense/creepy) Part 2

Foot Chase Music

Vehicle Chase Music

Scooby-doo-ass Chase Music

Investigators Fleeing/Hiding from Monster Music

Unarmed Combat Music

Deadly/Armed Melee Combat Music

Deadly/Firearm Combat Music

Monster Rampage Music

Monster Hunting Music (as in the monster is a PC who is hunting prey)

How to Choose Music for a TTRPG Session

There’s a few things that make a good TTRPG session song that aren’t immediately obvious.

Avoid Lyrics

Lyrics are a no-go 90% of the time. You gotta assume that the players will be trying to read rules and/or do math during the session and lyrics can make that harder.

Avoid Loud, Dissonate, or Disorienting Music

For the very same reasons—and this is especially useful to keep in mind for a horror-themed game like Eureka—it can't be too dissident or grating. A lot of horror video game music is really dissident screechy and offensive to the ears because this induces a tiny sense of panic, but again, like with lyrics, this means it’s hard to actually play a TTRPG while listening to this.

Don't Outpace the Combat

For combat music, a fast-paced “action” song can work, but if it’s too fast-paced it really quickly outpaces the combat itself because TTRPG combat is necessarily kind of slow. I do have plenty of fast-paced actiony songs in those lists, but those are best grouped into a playlist in sequence rather than looped, because then you at least have the rather frequent serendipity of the song changing on a per-turn basis.

The usual better option is something “tense” and “cool” but a bit more understated, usually with a mid-intensity repeating beat. Complex action songs work in other mediums like movies because their notes can be tailored to sync up to the actual actions on-screen, but that won’t happen in a TTRPG 90% of the time, even if just because describing a character throwing a punch takes way longer than a character throwing a punch in a movie.

For Eureka I also had to like make sure there was a good selection of action music in there that wasn’t too “cool” or “heroic.” Eureka characters are not fearless action heroes nor usually trained soldiers. If they are in a fight, it usually isnt cool, it’s scary. If anything, the combat music should be the bad guy’s theme, not the protagonists’, because they’re the ones with the advantage. When a Eureka PC does have the advantage and can be super “cool” in a fight, they’re probably a monster, in which case it’s the other way around, they’re the terrifying bad guy in the NPC’s story, and I tried to pick music to reflect that with “darker,” more “sinister” tracks.

Choose Songs without Shifts in Tempo or Intensity

You want something that is very easy to loop. Lots of cool songs go through pretty dramatic changes in their intensity over the course of their runtime. This is cool like I said when they can be synced up to action in a movie, but they’ll never (or rarely) sync up with anything in a TTRPG session. They’re going to be playing over and over on like a 3-minute loop as you roll dice and occasionally look up rules, and if this loop is really noticeable because of how the song starts out slow and then swells in intensity, that is going to be annoying fast. You want a song that has a relatively consistent level of intensity throughout its whole runtime.

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!

You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[eiralunaire]

𝙳𝚊𝚖𝚒𝚊𝚗 𝚆𝚊𝚢𝚗𝚎/𝚁𝚎𝚊𝚍𝚎𝚛/Flatline.

𝚆𝚊𝚛𝚗𝚒𝚗𝚐: very fucking long episode, love complications

It's been months since the Lazarus Island Tournament ended. Damian Wayne, the young heir to the League of Assassins and now bearer of the mantle of Robin, has returned to Gotham. However, his mind hasn't been entirely on the shadows of the city or the nightly missions he's continued to fulfill alongside Nightwing and the other heroes of the Bat-Family. Something distracts him: Reader, the mysterious girl he met on the island, whose bloodbending power left him fascinated by both her skill and her indomitable character.

On his first day back in Gotham, Damian had hoped to find clues about Reader. He dove into his combat and training routine, but none of the activities that normally calmed him offered relief. Reader was different. In the tournament, he had seen her use her power with lethal precision, manipulating the blood in her opponents' veins to gain the advantage by killing them, whether by exploding blood vessels, stopping or equally exploding hearts or stopping blood circulation. What had surprised him the most was her detachment and indifference in doing all this with her skills, simply plotting her strategy and executing it without further ado, not to mention that Reader was one of the most difficult competitors, not to mention almost impossible to defeat due to her bloodbending power.

The nights in Gotham grew long and lonely. Every time Damian patrolled the rooftops, he felt a growing frustration. His contacts around the world knew nothing of Reader. Neither the League of Assassins nor the Bat-Computer databases had any record of her. She had vanished after the tournament as if she had never existed. Sometimes, during the quieter hours of the morning, when Gotham slept and he remained alert, he felt as if the shadow of her memory was stalking him. He remembered the last moment on the island, when they had exchanged a look that promised more, but neither had said a word.

On his patrols, he unconsciously searched for any trace that might lead him to her. Gotham had its own darkness, but Reader possessed a shadow that felt different, more dangerous and fascinating at the same time.

Damian couldn’t help but train harder than usual. Sometimes, his teammates would notice his intensity, but no one would say anything. His obsession consumed him. Deep down, he knew something inside him had changed since the island. He admired not only his power, but Reader’s fierce independence, her ability to fight without relying on anyone, her refusal to follow the path others imposed.

In one such nightly session, practicing in the Bat-Cave, Damian would hit the punching bag with a suppressed fury. The dull sound of the blows echoed in the empty cave. “Where are you?” he asked himself, each blow driven by the frustration of not having found her yet.

As he trained, his mind drifted back to the tournament: how Reader always remained calm, even when the odds were against him. He remembered how, in a fight, she had stood by his side to face the League’s enemies, no coordination or words needed. It was as if they both knew exactly what to do. That implicit connection had surprised him, something rare in his life full of control and discipline.

But after those moments shared in the arena, she had left without a trace.

Damian was not one to leave loose ends. Despite his cold facade and calculating mindset, the truth was that Reader had touched him in a deeper place than he wanted to admit. He didn't know if what he felt for her was attraction, respect, or something else, but the truth was that she didn't leave his mind.

Every night that passed without a lead increased his desperation. Was she okay? Why had she disappeared so suddenly after the tournament? What could he do to find her?

One night, as he looked out over the city from the top of a building, with the night breeze hitting his face, Damian did something he rarely did: he allowed himself to feel. He let the weight of uncertainty and desire overwhelm him for a moment. He closed his eyes and remembered the feeling of being close to her, of fighting together in the arena, of watching her wield her power with deadly grace.

He knew he had to find her. Not because of his own obsession, but because he felt there was something more to her, something he had to understand. And though he didn't know when or how, Damian Wayne, the young Robin, swore at that moment that he wouldn't rest until he crossed paths with Reader again, and that was a promise he was willing to keep.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

It was a night like any other in Gotham: the air heavy with the smell of smoke and rain, the distant sound of sirens, and the dark silhouette of Robin jumping between the rooftops, patrolling the city. Damian was more focused than ever. His search for Reader had him distracted, more than he would like to admit. No criminal in the city had been able to offer him the release he sought, and every night that passed without any leads on her made him more frustrated. But something was about to change.

As he watched from above an alley on the outskirts of downtown, he saw a figure he hadn't expected to find. A familiar figure, who moved with an agility and confidence similar to his own: Flatline. Damian couldn't forget the last meeting they had on Lazarus Island. Flatline had been there too, always by Reader's side, so close that even someone like him could notice the connection between them.

Flatline, her silver hair shining in the dim streetlights and her black attire, roamed the streets of Gotham on a mission of her own, though what it was, Damian didn't know. But he did know one thing: Flatline might be the key to finding Reader. He silently jumped down, landing in front of her, cutting her off.

"Flatline," he said coldly, though her heart was beating a little faster than usual. "We need to talk."

Flatline raised an eyebrow, somewhat surprised but not intimidated. It had been quite a while since she'd seen him, but she wasn't one to be easily intimidated. "What's wrong, Robin? I wasn't expecting you around here. Are you in the mood for a fight or just bored?"

Damian didn't fall for the banter. "I'm not looking for a fight. I want to know about Reader. I know you know where she is."

Flatline froze for a second, her amused expression fading quickly. Reader's name had changed the tone of the conversation. She fell silent, staring at him, as if she were deciding what to say or how to handle the situation. The tension was palpable.

"I haven't seen Reader since Lazarus Island," she finally answered, her tone more serious than Damian expected. "I don't know where she is."

Damian frowned, clearly annoyed by the answer. "Don't lie to me, Flatline. The last time I saw you two together, before the tournament ended… I saw what happened between you two." Her words carried a hint of defiance, and the memory came back to him sharply: Flatline, kissing Reader in a moment of farewell, just before they each went their separate ways. It had been an unexpected kiss, and though Damian hadn't wanted to eavesdrop, the fact had stuck with him, adding another layer of complexity to his own confusion about Reader.

Flatline tensed visibly. "That's none of your business, Robin. What happened between Reader and me doesn't change the fact that I don't know where she is now." Her words were sharp, but there was also a small crack in her voice, as if Reader's absence was affecting her more than she cared to admit. Her gaze hardened, but Damian could see that she wasn't lying. Flatline really didn't know anything.

The silence between them stretched out, and Damian crossed his arms, sizing her up. Flatline had always been a skilled and lethal fighter, but behind that strength was a vulnerability that he could now read clearly. The fact that she was also searching for Reader, perhaps just as desperately as he was, didn't make him feel any better. If Flatline, who had been so close to Reader, didn't know where she was, that only made things more complicated.

"I thought if anyone would know anything about her, it would be you," Damian said, his tone softer, but no less determined. "You two were together all the time on the island."

Flatline let out a sigh, crossing her arms as she looked at him with a mix of frustration and resignation. "Believe me, if I knew where she was, I would have found her already. After the tournament, Reader left without telling me where. I thought she would go somewhere on her own, or maybe hide for a while. But it's been too long. And believe me, I'm looking for her too."

Damian heard the genuine concern in her voice. Flatline was being sincere, something she rarely showed. And while she didn't normally trust others easily, he could see they were in the same situation.

"Do you know anything that could help?" he asked, less demanding now and more cooperative. "Anything."

Flatline pondered for a few moments, looking out at the horizon, as if trying to recall details that might have gone unnoticed at the time. "All I know is that Reader had no intention of staying in contact with anyone. Not even me. I knew she would leave, but I didn't think she would just vanish like that. It's part of her nature… to disappear when she needs to. But something's not right. I feel it too."

Damian nodded, though his frustration was still lingering. He hadn't gotten the answer he was hoping for, but at least he knew he wasn't alone in the search. Flatline was worried too, and that gave him a slight hint that Reader wasn't simply hiding by choice. Something else might be going on.

"If you find her before I do " Damian said, his voice low but firm, "let me know."

Flatline looked at him, almost surprised by the request. There was an unresolved tension between them, an awkward respect, but also the realization that they both wanted the same thing.

"I will." she finally answered, before turning and disappearing into the shadows of Gotham.

Damian watched her walk away, his mind filled with questions and no clear answers. Flatline knew nothing… but that only meant that Reader was out there somewhere, and probably in trouble. And he wouldn't rest until he found her.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Since I saw Flatline in the comics i fell in love with her, it's just ✨Flatline ✨

[yuoimia]

DAY 9: WE DON’T WANT YOU CATCHING A COLD, DO WE? ❅⋆⍋

summary: them giving you their jacket in the cold.

characters: childe, baizhu, wriothesley, xiao.

notes: 3rd time the charm? fluff, gn! reader, wc: 300ish each.

⋆⁺₊❅⋆ dreamy december event masterlist

childe

Hailing from Snezhnaya, Childe was entirely aware of his resistance to chilly weather, the immunity was practically infused in his veins. The lifelong exposure to frigid winds and crystalline icicles had played a prominent role throughout his timeline, so it was only correct for him to possess such characteristics evolved through experience.

That being said, Childe was not unaware of his resilience in comparison to foreigners in his homeland; in fact, he buoyantly revelled in it. It was an advantage in his eyes, a quality that should be boisterously paraded for the unfortunate souls that could never delight in beholding such a divinely useful attribute. Childe was never ignorant, however, he never let the trailer of playfulness extend to the wrong audience, he had a particular selection of people he simply rejoiced in teasing, and you seemed to be one of the lucky few.

There are days when you have to sacrifice your health just a teensy bit, perhaps risking a cold for a perfectly coordinated outfit. He didn’t have to know, all Childe needs to do is compliment you on your remarkable taste in fashion.

But that’s not all Childe notices, his gaze catches the sequence of goosebumps, the subtle shivers and quivers in your voice, and he feels the thin strings of his heart tighten just a little bit. He’ll murmur the showers of compliments, but not after shoving you his jacket and tucking you neatly under his arm.

baizhu

It happens every year—an unceasing mountain of patients all suffering the same case—which is easily avoidable with the right precautions.

Yet Baizhu ensures to remind them all, gently and tenderly as they finish their checkups with the concocted medicine in hand. As he strongly believes, there is no point being stern when you can be soft-spoken and understanding. This way, as he has observed over the years, always proves more effective results and happier patients, and being a doctor, Baizhu knows the benefits stemming from a greater abundance of positive emotions.

Perhaps it was because of his nature, his eulogised nurturing manner responsible for his revered words and actions commended as significantly noble. Nevertheless, you admired it immensely. Taking care of the sick required many precise skills that demanded only someone who possessed a vast amount of goodwill and patience.

So, really, how else did you think he’d react when he saw what you were wearing in such weather?

Baizhu certainly commends it as a lovely choice of complimentary clothing and mentally applauds you for it, but he can’t help but extend his concern. It’s subtle, all he desires is for you to please take care of yourself, and if you particularly needed anything, just remember that he was always available; he’ll manage somehow, because it’s you.

There are some small exceptions, occurrences where you needn’t ask for him to know, but that doesn’t really matter right now. Just make sure to thank him for that jacket engulfing you most lusciously, because although he attempts to conceal it, those goosebumps lining his arm are just as visible as your smile.

wriothesley

Spending more and more time with Wriothesley has given the chance for you to perceive and confirm a myriad of assumptions and strange quirks about his personality.

In all honesty, you admit there were more pros than cons. The Duke of the Fortress of Meriopide seemed to exponentially bleed extravagance, which was truthfully a little stupid, because although he was a noteworthy figure throughout Fontaine, he sincerely wasn’t the type to feast in glamour or grandeur, or anything similar of the sort. Well, publicly, at least.

It’s a sweet surprise when Wriothesley most charmingly invites you for a night out. It’s not that he wants to hide your relationship (quite the contrary, actually), but he absolutely despises when people decide to inconveniently prowl into the specifics of someone’s private life, and being Fontaine, it would likely be scripted into a melodramatic love story featuring heart-wrenching betrayals and exaggerated standards in romance.

Being with Wriothesley elicits emotions that feel subjected to only him; he’s the exception. These new feelings are ravaging your mind in countless cycles, gifting you a dangerously addictive rush that spreads through your body like a wildfire. He likes to remind you that he does, in fact, notice your reaction to his looming presence, and he does it without an ounce of hesitation.

“You seem to shiver as soon as I get a little too close,” he states matter-of-factly as you browse the night stalls scattered throughout the city. “I assume it's only because you’re cold, right?”

That 'right' is said so excruciatingly slow, like he wants to let it reverberate through your bones, so that you get the message that he knows it, knows how to get you so deliciously feverish.

“Have my jacket, darling. We don’t want you catching a cold, do we?”

xiao

Was he really that interesting?

Although he spends an unhealthy amount of time ambling about his insecurities and his self-image, Xiao has never considered whether he could’ve been fascinating enough to have piqued someone’s curiosity. Someone who found him interesting probably was crippling from some mad sickness without a cure.

Your hopeful face is almost persuasive enough to let him say yes, almost.

Seriously, in what universe was he going to allow you to fight monsters with him? Yes, you were an admirable fighter equipped with a vast set of skills and stamina, but if you slipped for a mere split second, he could regret this decision for the rest of eternity.

Then comes the deal.

You explain that if you can’t go slaughter the monsters, then would Xiao approve of simply tagging along? If that doesn’t convince him, surely a genuine promise of being aware of the surroundings should sweeten the agreement, right?

It seems you have won the prize of an evening stroll accompanied by Xiao.

The first ten minutes are pleasant, bestowing a treasured memory for both, but as the sun sets and the winds begin to pick up, the temperature is getting a little too cool for liking. All you can do is try to retain your body heat by holding your body a little more tightly as you watch Xiao destroy a camp of hillichurls nearby.

“Xiao!” you call out to him once he’s finished decimating the site. “I’m going to head back now!”

With some magical precision of an adeptus, he teleports to where you’re standing, his face is strangely not confused but rather…stern?

“You’re cold, aren’t you?” he announces with the air of a strict mother. “I know you wouldn’t plead to accompany me just to return home after fifteen minutes. Here,” he nods, a woollen jacket displayed in his arms. “Put it on as we walk back.”