#And he's a complex character as well

[shinidamachu]

As someone who is mixed, I really relate to Inuyasha’s character and the theme of the series as a whole. Inuyasha both the character and the show/manga allowed me to embrace being mixed and love and accept all parts of myself rather than listening to others and attempting to fit myself into a Monoracial/Monoethnic box.

I think this is the whole point of his character and the main reason why I love him so much! Thank you for sharing your story with us! It made me very emotional.

[raspberryjellybrains]

I really enjoy the contrast between the attitude towards killing in PJO and MCGA. Percy doesn't like killing and only does it when he has to, while feeling very tortured that he is quite good at violence despite wanting to avoid it. then Magnus shows up and his first resort is killing and he is so so bad at it. his sword is swinging him for god's sake, this boy is so cringefail at fighting and it is his first instinct, which goes entirely unquestioned. really a beautiful, beautiful contrast.

[atopvisenyashill]

when i'm writing something meta-y i like to look at what other people are saying to see if i'm forgetting a detail or something but that's impossible when it comes to joffrey because every single post is like "no he didn't even suspect for one moment that he was a bastard" oh so his clear switch up from "my uncle jaime" to "YOUR BROTHER JAIME" despite him constantly referring to tyrion, stannis, and renly as simply "uncle" means nothing of course "oh he isn't deep at all he's a cartoon villain" so the story cersei tells about robert almost killing him is completely irrelevant than, right right "joffrey isn't capable of love he's nothing but a sociopath" he literally calls out for his mommy every time he needs something my GOD

[bloomfish]

It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.

As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that

[ferryfoam]

Would you guys burn me at the stake if I say that I think Chrysalis is actually a really important insight into Julian's character and his view on his own life and the people around him at the time it takes place. It's an episode that doesn't hold up today cause of the very ableist writing and kind of shitty moral but I think it's necessary that it's there and also occurs at the time it does in the show

I'll have a more insightful analysis on it one day cause I really want to talk about it (I want to make better researched ds9 analyses with actual clips from the show and whatnot instead of just vaguely referencing events from memory that could be completely wrong but unfortunately I do not have the time to be doing all of that. I would really like to in the future though)

[saffitaffi]

“What if the evil tyrant who likes to kill puppies for fun actually just needed to fall in love with a sweet naive child who redeems them through the power of love and they were actually good the whole ti-“

What if they weren’t, though? What if their life twisted them to the point that they can only love through violence?

What if the narrative doomed them to ever play their role, a role that has already been chosen by forces higher than them?

What if the sweet, gentle character didn’t love them ‘despite their flaws’, or even at all?

Why should they? Especially if it’s a case of kidnapping. ESPECIALLY if they hurt them. Or their friends. Or take away their agency.

What if that strange contradiction of love and hatred in their heart tore them apart and gave them their justified end?

What if they CAN’T be fixed?

What if they don’t WANT to be fixed?

What if we stopped glamorizing abusive relationships and started actually exploring them?

[jinuaei]

Adding more to that K9 officer! Reader and Puppy!Leon Kennedy

Warning: Kind of Yandere? Somewhat suggestive so MINORS DO NOT INTERACT

Him being a rookie would fit well as him being a new pup in the station where you are assigned as his handler and non hybrid partner. Leon liking patrols because he gets to sit in shotgun while the windows are down, wind hitting his face while you and him roam around the streets. He's one of the best K9 in the office but often times get distracted by you and your scent, that he forgets that he's supposed to check for bombs, and when you tug on his leash to make him focus a whine almost came out of him. BUT! He's on duty so he can't afford to be distracted.

And he's such a good boy too, so good at following your orders. When you finally come home from work he'd be whining at pawing at you to play with him or pet him for doing such a good job during work.

Chris would probably tease him a lot about having such an attractive handler, hell, maybe Chris will actually try to flirt with you regardless if Leon was there or not. Nonetheless, Leon is not happy, best case scenario he'd just tell Chris' handler to take him away from you, after that, Leon would scent you as soon as you come home, him clinging to you all night and begging for you to ignore Chris. Worst case scenario, there would be actual bites and mauling and you'd get in trouble for not keeping your pup in check.

[mostdeviouswizard]

Clementine Midnight Burger inspires complex feelings in me which I cannot exactly put a name to so I had to make fanart about it.

[rawrx3ky-txt]

Bruh wdym you think Mike queerler is the worst character in stranger things ????

My poor gay boy ???? Me ????

You’re saying you hate me and hope I die a gruesome death and never be happy in this world.

Mike queerler is literally me. I am him.

[kryptonbabe]

Alan Scott: The Green Lantern #6 "All that may become a man" by Tim Sheridan & Cian Tormey

It's over now and I'm going to miss this mini-series

[zzoupz]

EVERYONE ELSE ARE COWARDS FOR APOLOGIZING

UNAPOLOGETICALLY I THINK YOUR JIMMY IS SO COOL AND AWESOME AND HOT AND 10/10 LOVE THAT ROACH OF A MAN

PUT HIS ASS IN A LITTLE JAR AND SHAKE HIM LIKE A BUG

I LIKE JIMMY!!!11!!1!!1!!1! throws him against the wall and he makes a loud splat sound

[lestatthevamp]

Louis IS a liar. Whether that’s on purpose or it’s from memory loss/tampering— or maybe both?

Regardless he’s a liar. He’s riddled with guilt. All sorts of guilt. He feels immense guilt even in things he could not control or had no hand in.

And it makes him so interesting. He’s guilty he’s not guilty. He’s a liar he’s a victim. He’s tortured he’s tampered with he’s lost and confused —

I just love Louis.

[k9punkout]

luka's interview is so much more haunting than it appeared to be when it first came out.

in this interview (you can read it for free on vivinos patreon if you haven't already), luka speaks of HIMSELF like he's a product, a thing to be maintained and used, and acts like it's a privilege to be exploited the way he is.

and because of how little we know of him, we can't tell if he's acting this way out of fear, or if he's developed this mindset due to the way he has been treated throughout his life.

it was confirmed that heperu has been abusing luka in horrid ways (stopping his heart???), and the effects it had on his mindset are present in the interview (he brings up the topic of human heart beats several times and speaks of humans like they genuinely are products made to serve the segyein). he seems to be downplaying his abuse, simply referring to it as "strict training" and even saying he received "all the support [he] could possibly need," when really he was being tortured to perfect his craft.

the saddest part is that he refers to heperu as "father." and that really just says a lot about him. his owner was the closest thing he had to a parental figure, and he was so horribly harmed by him ever since he was a child. he may have genuinely thought that love is meant to be that way, and developed and grew with that mindset.

it explains his obsession with hyuna, and why during that one scene during "all-in," he seems to be sort of forcing himself onto her? (he doesn't seem to be trying to do anything TOO crazy, but she's still frozen and clearly uncomfortable.) Luka believes that if you want something, the only way to get it is to take it by force, and he likely thinks this way because he's been used and hurt by aliens for their entertainment all his life. he might've genuinely believed that this was the way of the world because it's the only thing he's seen.

it's why he's so possessive over hyuna, and why he mentally abuses his opponents on stage. he needs control, and he only knows one way to get it. he sees this method of harming people as a way to achieve power as conventional and normal because it's all he's ever known. i honestly believe that he DID kill hyun-woo, but I don't think he's an evil person.

in my eyes, Luka is a child that lived a horrific life, and as a result developed a fucked up way of thinking. we barely know anything about him in canon, but through his actions and behavior we can see that he clearly doesn't know how to act normally, especially around things that he loves and idolizes. i think hyuna offered him the first glimpse of acceptance and safety he had ever felt in his life, and he grew unhealthily attached to that. paired with his messed-up worldview and trauma, it developed into a possessive obsession that led him to do the things he did.

love him or hate him, you have to acknowledge that deep down he was once (and maybe still is) a little kid that was exploited and violated when he needed to be protected.

[queen-morgana91]

"Zuko is the only complex character" in avatar is the most boring and stupid take in this fandom

Seems people can't recognize complex/good characters if they don't have a redemption arc

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.