#Anadolu Psychedelia

[burlveneer-music]

Gaye Su Akyol - Anadolu Ejderi - forging the next generation of Anatolian rock

This wildly acclaimed Istanbul-based artist, delivers an unforgettable 4th album Anadolu Ejderi (Anatolian Dragon). Building upon her mélange of Turkish psychedelia, empowered commentary and retro-futurist sonics, her vision is more personal and uncompromising than ever before. Courage. Bravery. Daring. Those are the watch words that guided Turkey’s Gaye Su Akyol when she was making Anadolu Ejderi, her first full-length release in four years. Already lauded for her startling, innovative mix of Turkish psychedelia and folk song, surf music and ʼ90s Western rock, a global sweet spot where Anatolian music heroine Selda Bağcan rubbed shoulders with Kurt Cobain, Akyol was ready to expand her vision after a relentless period on the road.

Click through for more extensive liner notes.

[yohji-radio]

MASTERS OF TURKISH PSYCHE: SELDA BAĞCAN

From being sampled by none other than Dr. Dre and Mos Def, getting Elijah Woods to his knees for an autograph to being arrested up to three times for her government questioning songs, Selda Bağcan, also known as the Queen of Psychedelic Folk Music, is a singer, songwriter, producer, and activist who has written some of the most iconic and memorable folk songs in all of Turkey.

With her music being released in the ’70s, a time wherein many political conflicts between the far-left and far-right, as well as the state against Islamist militant groups arose, Bağcan used her musical passion and talent to speak up about the tragedies and conflicts that were happening right under her home country.

Her songs contain strong criticisms against the happenings and social issues that were occurring at the time, as well as lyrics supporting the working class amongst many social issues.

Her versions of traditional Turkish folk songs are accompanied by her own strong voice, which many have come to love, as well as the baglama, an instrument that is often used in the genre.

By the time the ’80s had arrived, a coup de tat had occurred in Turkey, and Selda was persecuted and stripped of her passport by military officials due to her often if not almost politically-charged songs. Because of this, she was unable to join the WOMAD Foundation Festival.

In 1987 with help of the WOMAD Foundation, Bağcan was able to get her passport back and was then finally able to join the Festival.

Not long after this, she was able to start her European tour, which elevated her name and fame in Europe, eventually catching the attention of none other than American rapper Mos Def, who sampled one of her songs in his album The Ecstatic, “SuperMagic” to be exact.

Selda’s sound was not only adored by Mos Def — after discovering her sound on the album, Dr. Dre decided to put his own spin on Bağcan’s music by featuring the same sample used in Mos Def’s song in “Issues”, featuring Ice Cube, Anderson P.aak and Def Jointz in the album Compton: a Soundtrack (2015).

This spread her name and influences even wider into the world and many festivals, illegal sampling, lawsuits, interviews and international fame later, Selda Bağcan is a true legend and continues to inspire many people to this day.

[fallingstars-things]

Değeri Bilinmeyen Bir Cevher, Hardal:

1960'lı, 70'li yıllar, tüm dünyanın The Rolling Stones ve The Beatles diye çalkalandığı o dönemlerde Burhan Ağaoğlu isimli bir müzik severin tutkusuyla başlıyor herşey. Bir kaç arkadaşına bir rock grubu kurma teklifinde teklifinde bulunuyor Burhan. Yeraltı Dörtlüsü'nün son dönem elemanlarından Sedat Avcı, Aydın Şencan ve döneminin en yetenekli gitaristlerinden olan Cahit Kukul'a gönderiyor teklifini. Sedat Avcı ise o sıralar grubu 25. Saat ile konserlere ve turnelere çıkmaktadır. Teklife sıcak bakan bu yetenekli müzisyenlerin vokal için teklif sunduğu o isim ise Şükrü Yüksel'den başkası değil. 1970'li yıllarda resmi olarak kurulan ve çalışmalara başlayan grup 70'lerin sonuna doğru arabesk müziğin popülerliği ile karşı karşıya kalıyor. Giderek daha az ilgi gören rock ve pop müzik camiasında ise 3 Hürel'in dağıldığı, Erkin Koray'ın yurt dışı seyahatine başladığı ve Barış Manço'nun albümlerinin eskisi kadar rağbet görmediği bir dönemde çıkıyor Hardal'ın ilk albümü. "Nasıl? Ne zaman?" isimli 1978 çıkışlı albüm çoğunlukla Şükrü Yüksel'in şarkılarının bulunduğu, Cahit Kukul'un da bestelerini barındıran mükemmel bir rock projesi olarak ilk çıkışını yapıyor. Başarıya ulaşan albümlerinin ardından grup televizyonlarda da sahne almaya başlıyor. 1980 yılında 12 Eylül darbesinin ardından ikinci albümlerinin kayıtlarına başlayan grup 1983 çıkışlı "Nereden Nereye!" isimli ikinci albümlerini çıkarıyor. Ülkede yaşanan siyasi olaylar ve mali durgunluk sebebiyle karamsarlığa düşen grup ara vermeye karar veriyor. 1994 yılında Cahit Kukul'un önderliğinde grup "Seçmeler" adında bir albüm yayınlıyor. 97'de tekrar bir araya gelen grup 1999'da "Yeniden Doğuş" isimli son albümlerini piyasaya sürüyor. Sedat Avcı'nın bir müddet daha Erkin Koray ile çalışmasından sonra vefat etmesi üzerine grup dağılıyor. "Nasıl? Ne zaman?" albümü kırk iki yıl sonra 17 Şubat 2020'de tekrar yayınlanmıştır. Türk rock tarihinin bu değerli çalışmaları için çok teşekkür ederiz. Cahit Kukul'un da dediği gibi; "Hardal bir lezzet, biz de müzikte bir lezzetiz!"

[laughingsam]

Here is a Psych Playlist I made. Music that was born in these regions. Music itself does not have a nationality. Noura Mint Seymali is great. She sings and plays a small African Harp and is accompanied by a full band with a microtonal guitarist. You'll get an idea of where blues originated. I think music from africa tends to get overlooked.

[wp-yahoo-style-1042-yahoopa-blog]

A history of tennis fashion and skirts: Why are they still such a must?

Serena Williams competing at the U.S Open 2018. (Photo: TPN/Getty Images)

On the first night of the U.S. Open, Serena Williams took the high road and responded to her catsuit ban by wearing a fabulous black tutu.

The French Tennis Federation president, Bernard Giudicelli, recently said Williams’s Wakanda-inspired catsuit (her words) “will no longer be accepted,” during an interview with Tennis magazine. “One must respect the game and the place.”

Discussion soon erupted on what type of tennis attire is considered appropriate or not. Tennis legend Billie Jean King chimed in on the conversation, slamming French Open officials for the ban. “The policing of women’s bodies must end,” she wrote in a Twitter post. “The ‘respect’ that’s needed is for the exceptional talent ⁦@serenawilliams⁩ brings to the game. Criticizing what she wears to work is where the true disrespect lies.” 

Williams didn’t let the controversy deter her from winning her first U.S. Open match against Magda Linette on Monday. For the occasion, she paired her black tutu with an edgy leather moto jacket, asymmetrical leotard, and white sneakers. The look is part of the new “Queen” collection inspired by the tennis star and made in a collaboration between Virgil Abloh, the acclaimed Off-White designer, and Nike.

With this look, the 23-time Grand Slam winner continues her stride as a statement-making fashion star on the tennis court, and, as history shows — she’s not alone. Anne White was the first player to wear a catsuit on the court, which caused quite a stir at Wimbledon in 1985. Unconventional tennis fashions have been worn by male players too. A notable example is Andre Agassi, who wore denim shorts to the U.S. Open in 1988. Serena Williams longtime rival, Maria Sharapova, explored creative fashion as well, wearing a tuxedo-style blouse at Wimbledon in 2008.

Despite these fashion-making moments, the iconic tennis skirt continues to be the key sartorial piece in the game. Above, a look at how tennis fashion has changed over the years and why the skirt endures.

Players in the Pavilion in University Park, Oxford, circa 1900. (Photo: Past Pix/SSPL/Getty Images)

During the 1900s, long-sleeved blouses and long maxi skirts were the style of choice for tennis players. “Tennis started out in the Victorian era in England as a lawn sport for the aristocracy,” said Ben Rothenberg, author of The Stylish Life: Tennis, on CNN.

Modest tennis fashion dominated the era, as seen below on a tennis player who wears a pussy-bow blouse with ballooned sleeves, long white skirt, and white sneakers, all covering up nearly every inch of skin.

Female tennis player circa 1900. (Photo: Getty Images)

The 1920s saw a loosening of dress codes with the introduction of sleeveless blouses and higher hemlines. Pleats also became a popular stylistic choice.

Here, Olympic and Wimbledon champion Suzanne Lenglen wears a knee-length pleated skirt. She accessorizes the look with a soft head wrap.

Suzanne Lenglen (Photo: Hulton-Deutsch Collection/Corbis via Getty Images)

In the 1930s, skirts and hemlines continued to hit the knee, but pantyhose was no longer required in the dress code. Women began to wear polo shorts or another alternative: drop waist dresses or those cinched at the waist.

Cilly Aussem, left, after defeating Hilde Krahwinkel for the women’s singles title at Wimbledon in 1931. (Photo: S.R. Gaiger/Topical Press Agency/Getty)

By the 1940s, women embraced shorts for greater mobility on the court, but they still kept them classy (of course). Here, American tennis player Pauline Betz wears a short-sleeve blouse tucked into her high-waisted, soft pleated shorts and a belt to tie it all together.

Pauline Betz of the United States at Wimbledon in 1946. (Photo: Central Press/Getty Images)

In the 1950s, when Marilyn Monroe’s famous windy skirt photograph became an iconic moment in film history, tennis players like Lea Percioli bent the rules of traditional tennis fashion.

Her style on the court was often featured in the press, where Percioli embraced short skirts and dresses, even if that meant showing more than she planned on.

Glamorous Italian tennis star Lea Percioli in 1955. (Photo: Getty Images)

By the 1960s, mod fashion was front and center. Women took a more playful approach, embracing sleeveless tops and shirts with stripes, gingham, and other graphic prints like those seen here on  Virginia Wade and Lorna Greveille-Collins of England and Marlys Burel of France.

From left, Virginia Wade, Lorna Greville-Collins, and Marlys Burel. (Photo: George Freston/Fox Photos/Getty Images)

The 1970s was all about psychedelia. Colorful prints and patterns dominated the fashion scene, and this influenced tennis fashions, too, as exhibited here in a look worn by Martina Navratilova.

Martina Navratilova at Wimbledon in 1977. (Photo: Tony Duffy/Allsport)

The 1980s witnessed a controversial look by American player Anne White, who wore a white spandex catsuit by designer Ted Tinling during her first match at Wimbledon. Little did she know that Serena Williams would sport a similar catsuit at the French Open more than 30 years later.

Anne White in her revolutionary one-piece. (Photo: Getty Images)

The 1990s were all about bright colors, loud prints, and plenty of scrunchies on the tennis court. German champ Steffi Graf wears a colorful floral skirt with a matching polo shirt and white scrunchie in her hair at the French Open in 1995.

Steffi Graf (Photo: Clive Brunskill/AllSport)

By the 2000s, brands like Adidas and Nike were emblazoned on tennis outfits of the top athletes. Here, Russian player Anna Kournikova wears head-to-toe Adidas.

Anna Kournikova (Photo: Al Bello/Getty Images)

In 2008, tennis champions Serena Williams and Maria Sharapova pushed the envelope of traditional tennis attire at Wimbledon, a bastion of traditionalism. Williams opted for a white trench coat, while Sharapova wore a tuxedo-style pleated blouse tucked into white shorts — and both looks were designed by Nike.

Unfortunately, Sharapova wasn’t able to wear her new look for too long, as she was eliminated in the second round. Her winning opponent, Alla Kudryavtseva, had this to say of Sharapova’s look, “I was pleased to beat her: I didn’t like her outfit.”

Serena Williams (Photo: Ryan Pierse/Getty Images)

Maria Sharapova (Photo: Clive Brunskill/Getty Images)

In 2010, tennis fashion took a more scandalous approach when Venus Williams wore a lingerie-like, sheer black-lace dress with red piping, designed by Williams for her fashion label, EleVen.

Venus Williams (Photo: Clive Brunskill/Getty Images)

In 2011, Venus Williams continued her fashion stride, sporting atypical tennis attire.

At the Australian Open, Williams sported a yellow woven, cut-out tank with a splash of color.

Venus Williams (Photo: Julian Finney/Getty Images)

In 2015, Maria Sharapova traded in her 2008 tuxedo shirt for a classic stripe shirt over what would become known as the “Nike Maria Paris dress,” an adjoining white racerback tank top connected to a pleated navy mini.

Maria Sharapova (Photo: Clive Mason/Getty Images)

In 2016, Serena Williams sported a classic all-white look in deference to Wimbledon’s all-white policy.

Serena Williams (Photo: Lindsey Parnaby/Anadolu Agency/Getty Images)

In 2017, 24-year-old Sloane Stephens won the U.S. Open women’s singles competition wearing a sherbet-orange tank dress and matching visor and shoes by Under Armour.

Sloane Stephens (Photo: Al Bello/Getty Images)

In 2018, Serena Williams debuts her Wakanda-inspired black catsuit at the French Open, which was designed to help prevent blood clots, a health issue she has been prone to.

The catsuit came under scrutiny by French Tennis Federation president Bernard Giudicelli, who recently said the style would “no longer be accepted.”

Serena Williams at the 2018 French Open. (Photo: Xin Li/Getty Images)

In the wake of this controversy, Williams debuted a brand-new look for the U.S. Open on August 27: a black tutu skirt, made by Off-White and Nike.

Serena Williams (Photo: TPN/Getty Images)

Read More from Yahoo Lifestyle:

• Did Meghan Markle inspire pal Serena Williams’s $90 ‘Royal Duchess’ hoodie?  • Serena Williams inspires mothers to share their parenting stories ahead of the U.S. Open  • Venus Williams expands fashion label into plus-size: ‘Representation matters’

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