#American Shakespeare Center

[valeroyeaux]

to the person who said “i like your shoelaces” as we were leaving the theatre: i did get the reference but you have to understand that i have the instincts of an anxious prey animal and i panicked

[thewdep]

The Blackfriars Playhouse is truly a wonderful place. I attended college at Mary Baldwin located mere blocks from the playhouse and was able to volunteer as an usher which meant I got to see as much Shakespeare as my little biology major heart desired (which was so much oh my god). Every show they put on is a banger. The actors and actresses are phenomenal and just as was mentioned, it is incredibly immersive. Audience members literally sit on the stage and you best believe that as soon as you step foot in that theater, you have become a part of the show.

You also never really know what you're going to get when you go. One of my all time favorite shows was when the touring cast (yeah, they have a resident cast and a touring cast, they do different shows) was in house and did Love's Labour's Lost. Truly a delight of a show. If you are unfamiliar, at one point in this show, the King of Navarre and his 3 buddies (all of which have sworn to do a year of study without company of women at court which of course is immediately tried when they need to play host to a princess and her 3 buddies - see where it's going?) decide to dress up as Russians of all things and do a performance for the ladies. This particular cast interpreted that to mean that the 4 guys would do an acapella rendition of "What Makes You Beautiful" by One Direction. Obviously. They would literally come into the audience and sing to random women.

10/10 would recommend seeing a show there.

They also have the Actors Renaissance Season where the actors have some ridiculously short amount of time (a month) to memorize, stage, costume and direct 2-3 shows by themselves (no director) with stage combat and everything.

Also also, if you are looking to study Shakespeare and want to do so in a delightful town with a gorgeous theater, Mary Baldwin University has a Shakespeare and Performance MLitt/MFA program where you are heavily involved with Blackfriars.

TLDR; Blackfriars Playhouse is a beautiful, immersive and enjoyable way to see Shakespeare (and others!). You will laugh, you will cry, and you will want to come back.

love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded

[traveling-clitoris]

Clitoris thought the theatre was beautiful, the live music they played was gorgeous and we wished we couldve seen the band candy show tonight, unfortunately we are driving our way back home today. Clitoris thoroughly enjoyed their week in Shenandoah Valley.

[bisexualwintermoon]

MIDSUMMER NIGHTS DREAM PLAY OF THE CENTURYYYYYYY

[tanadrin]

Imagine that a century or two from now, the eastern half of the United States is conquered by the Canadian Empire, its intelligentsia deported, its land colonized by Canadian immigrants, and its remaining people mostly gradually absorbed into a Neo-Canadian identity. The West reorganizes, developing a new political and cultural center, and comes to regard itself as the "true" United States, with the remnant culture of the East (by now much changed by Canadian rule) as representing an unchanged tradition stretching back to the time of George Washington. The holdout western half is subsequently conquered by the Reformed Mexican Empire, and while most of the population remains in situ, its elite is taken to Mexico City. There, for three or four generations, they do their best to maintain their distinct American identity, focusing on the American "civil religion," the distinctive political ideals and cultural features that mark them out as Americans, and come up with a new way of interpreting their history that allows America to be a perennial idea, something not directly physically tied to the territory of the United States, which no longer exists. They compose a body of historical works based on Washington Irving's rather fabulistic approach to early American history, the half-remembered popular versions of the stories of Columbus and the Pilgrims, the First Thanksgiving, even the Revolutionary War. They don't have access to the original texts anymore--let's say this is all taking place in a post-Collapse North America where long-range travel and communication is difficult and a lot of history has been lost--but they do their best. They append to these books, or include in their text, of history a copy of the Constitution, big chunks of the United States Code, and Robert's Rules of Order.

Subsequently, the Empire of Gran Columbia invades, conquers southern and central Mexico, and its Emperor lets the captive Americans go home. They return north, mostly to California, find that the version of American history and civics that is remembered there isn't the same as the version they have (not that the Californian one is correct--the Mexican Empire has suppressed English-language education and high culture in its Aztlani provinces), and set about reforming and reorganizing the Western States (as they're now called) to be more in line with the forms they brought back from the exile. In the meantime, other bits of important literature start being kept in libraries next to copies of the received histories: some bits of early American literature, like Hawthorne, the Song of Hiawatha, some highly abridged Herman Melville, Thomas Paine--heck, even some John Locke, and quotes or fragments from Shakespeare. Some traditionalists now argue the capital of the United States has always been located in San Francisco, and that Washington, D.C. only because the capital later, under the influence of Eastern heretics.

In the following centuries, the Western States retain their independence for a time, but eventually become a secondary battleground for a lot of other empires--the Mexicans, the Canadians, the Pan-Pacific Federation, and so forth. American culture remains distinctive, insulted in part by its unique traditions, though now everybody speaks Future Spanish, and only learns English to read the old texts. In this period additional material, including later compositions, continues to accrete, forming a distinct body of sacred American scripture, although it does not exist in a single canonical form. Attempts to reconcile distinct sources, like more literal and historically-grounded accounts versus the simplified narratives of figures like Irving, produce hybrid texts that sometimes are full of internal conflicts.

Oh, and through all this, some institutions of American government like the Supreme Court still function, although their rulings only apply to Americans, and there isn't much in the way of a federal bureaucracy.

Finally the Great and Sublime Brazilian Potentate conquers most of the Americas, sets up an American client state that roughly coincides with the heartland of the old Western States (California, Oregon, most of Washington and Nevada), and allows the Americans to elect their own President (subject, of course, to Brazilian approval). During this period, an apocalyptic street preacher from Los Angeles claims to have inherited the authority and power of George Washington, and is executed by the Brazilians; his later followers point to the prophecies of Emperor Norton, and out-of-context bits of a Quebecois translation of Moby-Dick and some Mark Twain stories to say no, really, he was George Washington. Inexplicably, a version of this religion becomes the dominant faith of the Brazilian Empire before it collapses. But long before then the American state in California fails, crushed when it tries to revolt against Brazilian rule; the remnant Easterners likewise dwindle down to only a few hundred souls living in a village in Alexandria, Virginia. Centuries from now, as the descendants of the descendants of the Brazilians colonize Mars, they will point to the sacred Americanist scriptures, the Neo-Americanist narratives of their prophet's life, and the letters written by the early leaders of Neo-Americanism, and say, "all of this was written by the spirit of George Washington, and is free from contradictions." Meanwhile the remnant Americanists, who have been writing about Americanism and how it applies to their everyday lives in the centuries since, and whose commentary has formed around the copies of the last editions of the U.S. Supreme Court Reporter (SCOTUS managed to outlast the final American state by a hundred years or so) plus the thoughts of the remaining Americanist community in Mexico, continue to regard their traditions as the unbroken and unaltered practice of American culture, politics, and ideals as they existed since the Revolutionary War.

This is, as far as I can tell, approximately how the Bible was composed.

[drowningroane]

I went to see The Merry Wives of Windsor at the American Shakespeare Center's Blackfriars Playhouse my last year of High school and my goodness all I can say is that watching the play makes understanding the script make more sense on what exactly is happening.

(Shakespeare had the habit of letting the setting be vague enough that I would have trouble with visualizing on what Exactly is Happening.)

[jstor]

any recommendations/personal favourites from the image collections to print out and make a wall collage out of? (extra love if it’s not artstor, my uni doesnt have a subscription to that)

I love this question! It very much depends on your personal vibe, but here's a list of every collection designated as open to get you started:

Folger Shakespeare Library

Images from the History of Medicine

Museum of New Zealand - Te Papa Tongarewa

Schomburg Center for Research in Black Culture

Science Museum Group

Smithsonian National Museum of African American History and Culture

Statens Museum for Kunst-National Gallery of Denmark

The Cleveland Museum of Art

The Metropolitan Museum of Art

Wellcome Collection

[broadwaydivastournament]

Broadway Divas Tournament: Round 2A

Christine Baranski (1952) "CHRISTINE BARANSKI (Charlotte) last appeared in the Playwrights Horizon’s workshop production of Stephen Sondheim’s Sunday in the Park with George. Just prior to that she appeared in the New York Shakespeare Festiva’s production of A Midsummer Night’s Dream for which she received an Obie Award. She also recently completed filming Louis Malle’s new movie Crackers in which she co-stars with Donald Sutherland. Other New York credits include Sally and Marsha with Bernadette Peters at the Manhattan Theatre Club; The Undefeated Rhumba Champ at the Ensemble Studio Theatre and Coming Attractions at Playwrights Horizons. Her films include Playing for Time with Vanessa Redgrave, Lovesick, and Soup for One. She has worked at Center Stage in Baltimore, Chicago’s Goodman Theatre and the McCarter Theatre in Princeton as well as the American Shakespeare Festival in Stratford, Connecticut. Christine is a graduate of the Julliard School and is the happy bride of actor Matthew Cowles.” – Playbill bio from The Real Thing, May 1984

Judy Kuhn (1958) “JUDY KUHN (Alice/Succuba/Citizen/Miss Isabel Yearsley) is making her Broadway debut in Drood and was a member of the original company in Central Park last summer. Off-Broadway she received critical praise for her performance in the Jewish Repertory Theatre’s production of Pearls. Before that she was seen with Yul Brynner’s farewell tour of The King and I. Roles in stock productions include Maria in West Side Story, Julie in Carousel, Rosamund in The Robber Bridegroom. Judy is a graduate of the Oberlin Conservatory of Music and studies acting with John Stix.” – Playbill bio from The Mystery of Edwin Drood, April 1986.

NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

"With the devastating elimination of Patti LuPone, Christine Baranski may well be our reigning *Diva* in the most literal sense of the word. Are you truly worthy of the title if you don't inspire drag egos? Go on, close your eyes right now and picture a living Broadway Diva. Baranski is going to be on that list every time."

"Four-time Tony loser Judy Kuhn is a sad sentence to type. But hey, at least she's in good company with Elaine Stritch. Judy doesn't need a fancy trophy to prove how talented she is. She's booked and busy, and aren't we glad for it?"

[gracie-bird]

September 1983: Austin photographer Gray Hawn presented her portrait of the late Princess Grace of Monaco, a pioneer in the Shakespeare Globe Theater Center movement, to the board. She took the photo eight months before the former American actress’s fatal auto accident. This was Princess Grace's last official portrait.

[justinspoliticalcorner]

Zack Beauchamp at Vox:

When Donald Trump flew to Pennsylvania for a 9/11 anniversary event this week, he brought an unusual companion: a 9/11 conspiracist named Laura Loomer. Loomer has been a quasi-journalist on the fringe right for about a decade, with a penchant for saying things that make even hardened MAGA types recoil. She is a self-described “proud Islamophobe” who has cheered the deaths of migrants and called for Muslims to be banned from driving for ride-hail apps. She ran for Congress twice, in 2020 and 2022, and failed both times. More recently, Loomer has called Kamala Harris a “drug-using prostitute” and warned that, if she wins, “the White House will smell like curry & White House speeches will be facilitated via a call center.” Despite all of this, Trump has long displayed a soft spot for Loomer. He endorsed her House bid in 2020 and, in 2023, tried to offer her a spot on his campaign — only to back down after aides revolted. Undeterred, he hosted her at Mar-a-Lago afterward, repeatedly boosted her content on Truth Social, and traveled with her on the 2024 campaign trail.

It’s not clear what Trump gets out of this relationship. But his ties to Loomer have become a major controversy since the 9/11 event, with some of the former president’s closest allies speaking publicly against Loomer. “The history of this person is just really toxic,” Sen. Lindsey Graham (R-SC) told the HuffPost. Rep. Marjorie Taylor Greene (R-GA) — who claimed a Jewish family was using space lasers to start wildfires! — thinks Loomer is a bridge too far, calling Loomer’s tweet about Harris and curry “appalling and extremely racist.” (Loomer responded by accusing Greene of sleeping with a “Zangief cosplayer.”) It’s hard to take these condemnations all that seriously. Trump and his vice presidential pick have spent this week pushing a nasty conspiracy theory about Haitian immigrants stealing and eating people’s pets that appears to have inspired real-world hate crimes. If you’re worried about racism and conspiracy theorizing, maybe take a look at the top of the ticket. But what makes Loomer different from Trump is that she has literally no filter. She says the quiet part out loud, every single time. The more time Trump spends with her, the harder it is to deny that his thinly veiled bigotry is anything but the genuine article. And that, for the Republican Party, is a very big problem indeed.

Who is Laura Loomer?

Loomer isn’t a household name for most Americans, but she’s been a presence in the conservative media ecosystem for quite some time. She first attracted attention in 2015 when, as a college senior at Barry University in South Florida, she secretly filmed a meeting with administrators in which she attempted to form a campus club supporting ISIS. The video was released by Project Veritas, the conservative group that specializes in (questionably edited) sting videos. Loomer worked for Project Veritas during the 2016 presidential campaign and learned to build a career out of political stunts. She grabbed the national spotlight in June 2017 when she stormed the stage at a performance of Shakespeare’s Julius Caesar in New York that dressed the Roman general like Donald Trump. The disruption earned Loomer a booking on Sean Hannity’s show.

“You were making a very strong point. I applaud you for what you’ve done,” Hannity told her. Loomer parlayed the notoriety from the Julius Caesar incident into a kind of internet celebrity on the pro-Trump right. The problem with celebrity, though, is that it can give you too many opportunities to show yourself. And Loomer proved to be someone with truly out-there opinions. After an ISIS supporter killed eight people with a truck in November 2017, she went on an Islamophobic rant on Twitter, blaming popular ride-hailing apps for employing Muslim drivers. “Someone needs to create a non Islamic form of Uber or Lyft because I never want to support another Islamic immigrant driver,” she wrote. The two services subsequently banned her, the first of many bans from high-profile tech platforms.

[...] This particular cocktail of hate speech and conspiracy theory misinformation became the hallmark of Loomer’s political style, prompting bans from major social media platforms. The straw that broke the camel’s back on Twitter, for example, came in November 2018 when Loomer tweeted that Rep. Ilhan Omar (D-MN) supported female genital mutilation because she is Muslim. In response to the ban, which came a year after Twitter stripped her blue check mark (then something given to notable people rather than a badge to be purchased) as punishment for similar false and offensive claims, Loomer physically chained herself to Twitter’s headquarters in New York while wearing a Nazi-style yellow star. It’s worth noting here that Loomer is Jewish but has long had tight links to the white nationalist movement. She is, for example, close with the avowed anti-Semite Nick Fuentes who dined with Trump in 2022, and once broadly boasted that “I’m going to fight for white people.”

Presenting herself as a victim of Big Tech censorship, she found allies in popular far-right publications like Breitbart as well as in Washington. In December 2019, then-President Trump retweeted a Loomer supporter calling for donations to her campaign. In May 2020, Rep. Paul Gosar (R-AZ) sent a letter to Attorney General Bill Barr calling on him to open an investigation into Loomer’s Facebook ban. She was reinstated on Twitter after Elon Musk’s purchase of the site.

[...]

Why Laura Loomer matters

There is a reason that Laura Loomer has even Marjorie Taylor Greene panicking, and it’s not just that the two reportedly have personal beef. It’s that Laura Loomer makes the rest of the Republican Party look terrible. For decades, right-wing flirtation with racism has taken place through dog whistles and coded messages. Ronald Reagan’s attacks on “welfare queens” didn’t involve actual racist slurs but conjured up a mental image for some white voters of a poor lazy Black woman exploiting taxpayer dollars to live comfortably. Liberals would call this rhetoric racism, conservatives would say liberals are just trying to shut down legitimate debate, and round-and-round we went. [...] But after capitulating to Trump, the GOP fell back into its old habits. No matter how outrageous Trump’s rhetoric and even his actions became — from the Muslim ban to family separation — liberal critiques were met with the same kinds of dismissals. Trump’s rhetoric about immigration and crime can’t be racist, they would say; he’s just speaking the language of forgotten Americans left behind by globalization. Liberals, they’d say, are making everything about race when it’s not.

Vox gives an insightful overview into the right-wing MAGA shill that's too toxic for even MTG and virulently anti-Islam hack Laura Loomer.

See Also:

MMFA: Donald Trump and “pro-white nationalism” pundit Laura Loomer: A guide to their relationship

MMFA: Trump amplified Laura Loomer on Truth Social over 20 times in 9 months

[shakespearenews]

Vanessa Morosco, the new executive director at the American Shakespeare Center in Virginia, is in a similar boat but is facing a new problem. “We still need a certain budget in order to produce enough content because our audience’s expectations haven’t changed, but our donors’ behavior has radically changed,” Morosco said. “During the pandemic, many rose to the occasion to help theatres survive, but as the passion of that moment dies down, we now have donor fatigue.”

[visit-new-york]

The Mall

The Mall in Central Park is a famous and iconic feature of this renowned urban park located in the heart of Manhattan, New York City. It is a tree-lined promenade, often described as a "grand boulevard," that stretches for approximately 40 feet wide and 0.25 miles long. The Mall runs through the center of Central Park, offering a picturesque and serene setting for visitors. Here are some key details about The Mall:

Design and Landscape: The Mall was designed in the 1850s by the park's creators, landscape architects Frederick Law Olmsted and Calvert Vaux. It was intended to provide a peaceful and contemplative walkway that contrasts with the surrounding bustling city streets. The design includes a double row of American elm trees that create a leafy canopy overhead.

Scenic Beauty: The most striking feature of The Mall is its canopy of American elm trees, which arch over the pathway, creating a natural tunnel. The lush green canopy provides shade during the summer months and a stunning display of autumn foliage in the fall.

Historical Significance: The Mall is one of the original features of Central Park, dating back to the park's inception in the 19th century. Its historical significance lies in its role as a tranquil retreat within the bustling city, fulfilling the vision of Olmsted and Vaux.

Literary and Cultural Associations: The Mall has been featured in numerous films, television shows, and works of literature, adding to its cultural significance. It often serves as a backdrop for romantic scenes, leisurely strolls, and outdoor performances.

Statues and Sculptures: At the southern end of The Mall stands a statue of Christopher Columbus, unveiled in 1892. The Mall also includes statues of famous literary figures, such as William Shakespeare and Sir Walter Scott, as well as plaques featuring quotes from their works.

Activities and Events: Throughout the year, The Mall hosts a variety of events and activities. These can include art installations, concerts, outdoor performances, and cultural festivals. The pathway is often filled with musicians, artists, and street performers showcasing their talents.

Wedding Photography: Due to its romantic atmosphere and picturesque setting, The Mall is a popular location for wedding and engagement photography. Many couples choose to capture their special moments amid the elegant backdrop of the tree-lined promenade.

Four Seasons: The Mall offers a different experience in each season. In the spring, the elm trees sprout new leaves, creating a lush green canopy. In the fall, the changing leaves create a breathtaking display of autumn colors. During the winter, The Mall can be particularly enchanting when covered in snow.

Access and Location: The Mall is easily accessible by foot from various points within Central Park, making it a central and popular destination for park visitors. It is located near other notable landmarks such as Bethesda Terrace, the Central Park Zoo, and the Central Park Conservatory Garden.

Artistic Inspiration: The Mall has been a source of inspiration for countless artists, photographers, and writers. The atmospheric beauty of the tree-lined pathway and the changing seasons make it a captivating subject for creative expression.

Fitness and Recreation: While The Mall is primarily known for its leisurely strolls and cultural activities, it also provides an excellent space for various recreational activities, including jogging, yoga, and tai chi. The wide pathway and serene surroundings make it an ideal place for outdoor exercise.

Wedding Ceremonies: Beyond photography, The Mall is a popular choice for outdoor wedding ceremonies due to its romantic ambiance and picturesque backdrop. Couples often choose to exchange vows beneath the elegant canopy of elm trees.

Cross-Country Skiing: During the winter months when Central Park is covered in snow, The Mall transforms into a cross-country skiing destination. It offers a serene and snow-covered landscape for winter sports enthusiasts.

Quiet Reflection: Amidst the activities and events, The Mall provides moments of quiet reflection. Many visitors come here to find solitude, read a book, or simply enjoy a peaceful pause from the demands of city life.

Birdwatching: Central Park is a haven for birdwatchers, and The Mall is no exception. The combination of trees and open space attracts a variety of bird species, making it an excellent spot for birdwatching.

Educational Opportunities: The Mall's natural setting and historical significance provide opportunities for educational programs and guided tours. Visitors can learn about the park's history, ecology, and the significance of its design.

Horse-Drawn Carriages: Visitors can often spot horse-drawn carriages offering rides along The Mall and other parts of Central Park. It's a charming and nostalgic way to explore the park while taking in the scenic beauty.

Public Art Installations: Central Park frequently hosts temporary art installations, and The Mall is no exception. These installations can include sculptures, art exhibitions, and interactive displays, adding an artistic dimension to the natural surroundings.

Access: The Mall is wheelchair and stroller accessible, ensuring that visitors of all mobility levels can enjoy this iconic feature of Central Park.

In summary, The Mall in Central Park is a multifaceted destination that caters to a wide range of interests and experiences. Its natural beauty, cultural significance, and seasonal transformations make it a beloved and enduring part of Central Park's charm, providing both New Yorkers and visitors with a tranquil and enchanting urban escape.

[forkaround]

This post is an extension to this post about what can be classified as a BL. I'd rec you read that post first.

I woke up in the morning with this in my notifs and I just....

Anyway, let's break it down:

Does a QL simple mean that the main characters are queer and you go in knowing that?

First of, in my post I say BL is where you know "Boys are kissing boys and girls are kissing girls." If there is no romance (thus the reference to kissing), the show becomes irrelevant to the conversation.

But to answer: What's wrong with that?

That makes literally *anything* centering queer people and queer love a QL

Great! It's QL.

I've seen this pointed out multiple times have these people wondered why they don't want to call something they think is good a QL? What is wrong with the title of QL?

and that imo is somewhat belittling of queer people's existence as in their presence in society as a a given is inherently 'genre'

Yeah, and Pride and Prejudice is a 'straight genre'

If that doesn't make sense, well, that sentence didn't make sense to me. Does making crime shows make the lives of cops and criminals in to a genre??? It's such an absurd statement. Or maybe I'm just sleepy....

this is very different from thinking QL is 'bad'--you'd never call anything with an expected straight romance in it 'romance' by default

Yeah! That's how it works! Romance is romance. Romance is a genre. It's literally the biggest genre there is. There is more romance written, published, made into animation or live action than literally any other genre by a huge margin.

Romance can and is often combined with other genres. Doesn't change that it is a romance.

you'd call it whatever genre it is; when you meet a series of fitting tropes you'd call it a rom-com

What does rom stand for again?

Romance is often used with other genres, from action to horror to contemporary to fantasy to sci-fi.

This I think primarily comes from people not knowing how genres work. It's not a Boolean (as one would say in computer science). It's not a True/False thing where if it's action it can't be romance. If it's romance it can't be political.

As they say: It contains multitides.

shouldn't queer stories be afforded the same discretion?

Moonlight Chicken, Kinnporsche, Old Fashion Cupcake, Bad Buddy, Love in the Air, Not Me, 180 Degrees, GAP the series, HIStory 3: Trapped, About Youth, Mood Indigo, Cherry Magic, I could go on. You don't have to go anywhere else for it. BL already has it all.

So I'll ask again: Why do you feel that 'BL' is a bad word?

Other people have wrote about this with better sources and much deeper understanding so I'll try my best to convey it here:

As I understand the situation, something got lost in translation when yaoi travelled from Japan to the US and people started understanding yaoi to be a 'dirty' genre, that did not depict honest queerness despite it being made up of majorly queer people. It became the genre that was 'for straight women by straight women'. If you look at US the same phenomenon can be observed when people talk, or at least talked, about slash fiction. Mix in some cultural context and yaoi goes from a fun escapist genre to the bane of queer existence genre. Fiction is enjoyed differently in different parts of the world. Nothing wrong with that. Hell, nothing unique or special with that statement either. It's a fact of life. If Shakespeare can't be universal, as many like to claim, we should not expect the same of anything else.

And let's never forget how westerners think their version of queerness is the only real version. I've had personal experience with this and I can say: People need to open their minds and understand that not everything is from their perspective. When I encounter any American thing in a show or book, I simply slide past it because I'm not American. I've never been to America. It doesn't change the story itself, so why bother, what would be the point. If people applied that approach instead of analyzing every detail and expecting it to fit your world view then we would all be happier.

(It turned sappy at the end there. I'm sleepy.)

[vintagetvstars]

Anna May Wong Vs. Peggy Ashcroft

Propaganda

Anna May Wong - (The Gallery of Madame Liu-Tsong) - The groundbreaking Chinese-American star became the first Asian-American to star in a TV show with this series on the DuMont Network. Like most DuMont shows, no episodes survive, but we know from her other roles that Anna May Wong was indeed very hot!

Peggy Ashcroft - (The Jewel in the Crown, She's Been Away, The Wars of the Roses) - Peggy Ashcroft's brilliance needs no introduction. One the finest stage actresses to ever grace the British stage, Dame Peggy Ashcroft made several notable TV appearances, particularly in the mid and later eras of her career. In the TV adaptation of The Cherry Orchard (1962) she played Madame Ranevskaya, and while her performance was brilliant she cut an elegant, tragic, beautiful and somewhat foolishly carefree figure who instantly caught your eye. In the TV series adaptation of The Wars of the Roses (1965), she played Margaret of Anjou, going from naive youth to fierce warrior queen and bitter old age in a matter of episodes. It was a masterclass in Shakespeare on TV by one of the best Shakespearean actresses ever, a magnetic performance and she herself looked absolutely stunning. In the TV film "Caught on a Train" she played an elderly Austrian aristocrat, self centered, kind-in-a-weird-way, imperious and elegant. In the TV film "Cream in My Coffee" she was a sad married woman hoping that a holiday would build bridges in her marriage that broke down before it even began. The TV series The Jewel in the Crown was one of her best TV appearances ever where she played a slightly dotty retired missionary and her ultimate tragic end. Her swan song on TV was her final TV appearance in the the TV film She's Been Away where she played an old woman released from a mental asylum where she was locked in since her youth. Peggy Ashcroft looked stunning on TV and translated her wealth of stage experience into her television performances, winning several BAFTA awards for Best Actress, being nominated for several more BAFTA's for Best Actress and was nominated for two Emmy's (one outstanding lead actress and another outstanding supporting actress) and a Golden Globe (also for outstanding lead actress) as well.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Anna May Wong:

Peggy Ashcroft:

[swansongofalyre]

Where to Find Memento Mori (Updated 9/11/2024)

On August 13, two days before 광복절 (Korean National Liberation Day), my debut novel was released. The book is about Korean-American family, and also about Greek mythology, and I promise this combination makes sense in the end. (For those who are curious, I wrote an uncharacteristically personal guest post for Women's Writers, Women's Books on the topic of what inspired me to write a Eurydice and Orpheus retelling about my Korean grandmother.)

It was surreal to go to a store the other day and see it on a table next to Salman Rushdie and other acclaimed writers. After 13 years of this story existing in some form, I'm so excited that this book is finally out—both because it is a beautiful book that I am proud of and that I hope you enjoy, and also because I would love to stop being my own publicist (it is VERY awkward).

So here is an omnibus post of book-related info that I will keep updated and pinned going forward to finally give the memento mori tag a rest. Below the cut, you will find a running list of indie bookstores and public libraries that I know carry my book. (If you have a New York Public Library card and have 5 minutes, I will love you forever if you would email your local branch to ask them to carry my book, thus fulfilling my lifelong dream of living in the NYPL.)

Also below are a few upcoming events at which I have been invited to speak!

Bookstores by State (as of 9/11/2024)

Search for your local bookstore here!

Arizona

Changing Hands Bookstore (Phoenix and Tempe)

California

Gallery Bookshop (Mendocino)

Timbre Books (Ventura) Sold out for now (but you can still order online)!

Indiana

The Press (Valparaiso)

Iowa

Prairie Lights Books (Iowa City)

Maine

Longfellow Books (Portland) Sold out for now (but you can still order online)!

Massachusetts

Nantucket Book Partners (Nantucket) Sold out for now (but you can still order online)!

Porter Square Books (Cambridge and Boston both back in stock!)

Missouri

Skylark Bookshop (Columbia)

Montana

Chapter One Book Store (Hamilton)

New Hampshire

Water Street Bookstore (Exeter)

New Jersey

Watchung Booksellers (Montclair)

New York

Astoria Bookshop (Queens, 1 signed copy left!)

Book Culture (Signed copies at the 112th St. and Broadway stores; also available at LIC and Pittsford Pittsford has sold out for now!)

Books are Magic (Brooklyn, at both Smith St. and Montague St.)

Market Block Books (Troy) Sold out for now (but you can still order online)!

Greenlight Bookstore (Brooklyn) Back in stock!

Shakespeare & Co (Manhattan, Lincoln Center has signed copies; Lexington also as copies back in stock)

Yu and Me Books (Manhattan; comes with bonus goodies, see below!)

North Carolina

Quail Ridge Books (Raleigh)

Oregon

Powell's (Burnside, Cedar Hills, and Hawthorne locations)

Rhode Island

Heartleaf Books (Providence)

Vermont

Phoenix Books (Burlington and Essex)

Washington, D.C.

Politics and Prose (at both CT Ave NW and Union Market)

Washington State

Elliott Bay Book Company (Seattle)

Wisconsin

Woodland Pattern (Milwaukee)

Libraries (as of 09/10/2024)

Worldcat Listings (Probably the most comprehensive)

Libby (for e-books)

California

Berkeley Public Library

Illinois

Chicago Public Library

Kentucky

Lexington Public Library

Maine

Portland Public Library (On Order)

Michigan

Canton Public Library (On Order)

New York

Greenburgh Public Library (Available)

New York Public Library (Available)

Queens Public Library (Available)

Texas

Harris County Public Library (In Processing)

Virginia

Arlington Public Library (In Processing)

Wisconsin

Whitefish Bay Public Library

Washington State

Seattle Public Library

Online

Bookshop.org (US)

Bookshop.org (UK)

Massive Bookshop (all profits go to community bail funds)

Barnes & Noble

Target

KYOBO 교보문고 (Korea)

Upcoming Events

September 3: Astoria Bookshop in conversation with Maia Lee-Chin for the release of her incredible book Et Cetera

September 22: Narrative Bookshop (Somerville, MA) in conversation with Maia Lee-Chin

September 28: Brooklyn Book Festival for a debut authors panel moderated by THEE Edwidge Danticat

October 17: Fall for the Book Festival in Fairfax, VA for a panel on mythology with Rania Hanna, the amazing author of The Jinn Daughter