#Alvaro Barrington
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Alvaro Barrington rose that grew from concrete 2022 charcoal and acrylic on paper on cardboard in steel and concrete frame 102.5 x 73 x 9.5 cm
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Alvaro Barrington at Karma
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Alvaro Barrington - Oh, Sandy? Sandy, Sandy - KARMA, New York https://www.contemporaryartdaily.com/
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Jawara Alleyne x Alvaro Barrington by Amber Pinkerton
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Jawara Alleyne x Alvaro Barrington by Amber Pinkerton
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Paul Mogensen (b. 1941, Los Angeles, California) is a New York-based painter who has often been associated with Minimalism, although his mathematical, progressional work resists categorization. Rather than reproducing the reductive geometric abstractions of his Minimalist contemporaries, Mogensen uses an iterative format to activate the picture plane. His paintings are meant to be deciphered rather than easily comprehended: often full of movement, they actively draw the eye across the canvas. Each painting is calibrated according to the rules of elemental mathematics, particularly those deriving from Renaissance and Ancient Egyptian theorems. Mogensen uses such arithmetic progressions to determine the sequence and size of each color form. The resultant morse-code-like arrays call to mind the universalist ideas of early 20th century Russian artists and poets admired by Mogensen, such as Mayakovsky, Rodchenko, and Tatlin.
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Alvaro Barrington: Oh, Sandy? Sandy, Sandy at Karma New York:
Figuring it out is hard and I’m sorry
We have to be gentle with each other’s hearts
I Like America and America likes me
How dare you make this harder
Why cant you let me have this
You cant be this liberally idiotic like common sense has to come into play at some point
Russiagate
Show me the incentive and ill show you the outcome
Alternative currency schemes
They fell for the rhetoric they fell for the hype
Negros take abuse as a sign of love
The patina of the privilege class
The story is no longer the boss instead we sell narratives
I think most people just want to improve their condition and i dont think people are as tied up on the philosophy of the government as they are about improving their condition
The creation of the library across the united states was the greatest act of philanthropy
We must build before the backshots
Unholy alliance
Every debt is a social obligation
Play stupid games win stupid prizes
I think they just dont care about the sensitivities and not caring about the sensitivities when you’re talking about black people when your talking about black people not caring about them is the same as hating them
Pop culture is Art plus time
Alternative asset class
Experienced to be photographed
Rage against the dying of light
Chief everything officer
Professional buzz words
Peak entitled neoliberal feminist
Betta belly burst than good food waste
We have all become very adept at saying things that are technically true but lack context
People want any type of Fame even if its embarrassing
You know the family dynamics on repeat
You reading about you and you aint wrote
Middle class laziness and entitlement masquerading as social justice warriors
Id prefer clarity to agreement
The Math aint Mathing
You ever lived with somebody while they eating you starved
Asset Bubble
Of all the things i care about this is below my line
Educated by other people’s interest
Who is served by these stories
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https://href.li/?https://www.sadiecoles.com/artists/59-alvaro-barrington/
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gallery visit: Tate Britain
above photos- my own
artist evaluation: Alvaro Barrington
above photos- left via tate.org.uk , middle + right, my own
The main body of work I saw at the Tate was Alvaro Barrington's commission "Grace". As we entered the museum, we split into groups and were given the instruction to look at, react to and absorb the work without looking at the text panels, in order to form original opinions about the subject matter etc.
This process was very foreign to me as my main objective when visiting museums previously had been to take as many photos as I could of the artwork and text panels due to this making up a large part of my research marks in prior projects. Despite this, I much preferred this new way of viewing artwork as I found that I could retain a lot more information, as well as take time to actually think about and evaluate what I was seeing.
I really loved "Grace" as although I am not from the exact same culture as Barrington, I immediately recognised the inspiration taken from Carnival from my own childhood experiences. Additionally, the domestic installation piece with the plastic covered chairs and rain sound on the corrugated metal 'roof' also reminded me of another childhood memory; a month long holiday took to Ghana around 10 years ago to visit my dad's extended family, many of whom I had never met. The corrugated metal and colour of the wood deeply resonated with me as, I instantly connected the textures from the exhibit to my personal memories and experiences with them in the past.
below images- right via fadmagazine.com, left via sadiecoles.com
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Happy 14th Birthday ART WITH KORB! 2010
HAPPY BIRTHDAY Art With Korb. This is year 14! All time highlights: 1,832 Posts, 147,092 Visitors, 301,415 Views, 89 Comments (more comments?). June 11, 2017 was my most popular day - 4.2K views! Most popular post this year Feb 17, 2017 - 4.2K. Thank All!
HELLO?! Are you NEW to Art With Korb? Have you been with me for a while – 14 years? Regardless… WELCOME to ArtWithKorb.com. If you want to ALWAYS SEE what is happening the SUNDAY before it happens – SUBSCRIBE. Now… “Art isn’t a luxury. Art is a necessity.” Alvaro Barrington Recognizing Strengths, Self-confidence, Self-efficacyI can use my knowledge of my strengths, weaknesses and future hopes…
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#adobe-photoshop#Art#Blog#blogging#camera#Collaboration#Creativity#Drawing#Goals#Inspiration#photographer#Photography#photoshop#travel
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https://elephant.art/confetti-glitter-in-my-peripheral-vision/
new critic about town!! about alvaro barrington's tate commission and ilze aulmane's work at the RA degree show 🎉
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