#Aludels

[makeshiftstory]

Getting this up as Memorial Day will be insane tomorrow, Here are The Foxlings, The Aludels, and Mojave in their Summer Holiday outfits X3 Basically these outfits (Except for Moe) come out when for certain summer holidays arrives. Also The Foxlings Outfits also double for Mermay! Please have a safe and happy Memorial Day or safe and happy Monday :')

[makeshiftstory]

I’m still loving how these boogers came out X3 Thank you again for doing Ernest and Dorian :’D

My half of an art trade with @makeshiftstory !

[thefamilyeldritchabomination]

I did this for the Foxlings earlier and now I do it for the Aludels over here. I wanted to say thank you to everyone that voted for the crossover piece I'm planning on doing once the last chapter for the first act of 'The Wayfarer' is unleashed (It'll be up on May 10th to give everyone a chance to reread the past chapters before hand). You may know the first two, Ernest and Dorian, but the last one, Fairfax, hasn't been introduced just yet. You'll likely will see that one soon, very soon. Now back to the writing mine I go to get the last chapter of the first act done!

[play-now-my-lord]

Pete Buttigieg is a load-bearing pillar of the DNC's attempts to live forever with hermetic alchemy. He is the aludel of the Biden administration's god hand, subliming all things in himself, reddening through fire. The objective is to perfect his sublime body and alienate it to themselves, to discard the mortal flesh they bear now, to become complete, to transcend the divisions of male and female, life and death

[ghaniblue]

@microficmay days 6&7: flare & innocuous. 6&7/31 of Driftwood: a Regulus Black fic. I got distracted yesterday so it's a 2 for 1 deal today.

My dollhouse has a laboratory now: mortar, alembic and aludel on a shelf. I don't know why I know these words. My alchemist doll has blonde braids, wears blue dungarees. I call her Hope.

The painted fire in the hearth flickers when I squint my eyes. I must be tired.

Come out, come out, wherever you are! the neighbourhood children call. The sound of tiny feet. Shrieks of laughter. 

Too loud. Too close. Too bright. My eyesthroathead hurts.

Mairead puts a kitten in my lap—because I need it.

I don't know what she means. The cat's ears are petal soft.

<< | >>

[sekwar]

Concerned with so many things you forget who you really are

This land used to house many gods. They themselves believed only gods occupied this land and not ordinary folk, because civilians had a little bit of godhood inside them: the power to create and destroy. That was all they needed. Usually they would not disturb these gods unless their aid was needed, or if a god asked them. How kind. Life was simple back then, and the people and the gods existed in near-perfect equilibrium. Perfection couldn’t exist, and everyone made sure it was not achieved. Now this may seem strange, but it was a belief everyone held. If you thought that something was “perfect” in every way, you would immediately notice there would always be room for improvement. Things changed, and the gods helped the people adapt.

As time went on, and the land evolved and progressed, so did the gods. Their abilities became more powerful, and they were desperate to hold it all back and only use them when necessary. They would convene in dwellings, discussing the day’s plans like any family. New buildings were erected. The civilians sought out new forms of entertainment. So did the gods. There was so much to do… too much. So when the time had come to converse about what to do next, they began to wonder about the very nature of the world around them. The people’s curiosity needed to be quenched. The ability to take various things and examine them, breaking them down into their essential elements, was only reserved for the gods. They had enough power to make it happen. The right god could perform these miracles in front of everyone’s eyes.

The Lioness took a leaf, sliced it in two, then pressed down on it a little. Collecting the juices, they put it in a crucible, and the heat of a flame from below brought it to a vigourous boil. Collecting the gas in a cup, they held it aloft for all to see. It was colourless, but it smelled of vinegar and pine.

“Behold, the wonders of the natural world, manipulated before your very eyes! The soul of this leaf may have been taken due to my hand, but there is more we can do with. Now, who shall light this vile cloud?” the lioness announced. No god was willing to do this, because they had an inkling of what would happen. This changed when the god with a serpent for a head stood up and ambled his way to the front to take the splint laying before them. He ran it across the ground, starting a flame, then as it made contact with the gas, a small explosion rang out. The audience applauded. They had finally seen someone brave enough to perform the experiment. This was what he wanted to do.

Zagan was a god of many forms, a chimera. Multiple parts to the whole. He had learned “the art” himself and wanted to use it to his advantage. The practice of alchemy had been a longstanding interest for many of the gods, since the Age of Wonder began. Once the word had spread, most of them were trying to outwit each other in a kamikaze race to create the Masterwork. Zagan was not interested in such pointless competitions. He wanted to learn through experimentation and trial and error, as any well-educated alchemist should. Retorts, firestarters, aludels, athanors, and other clay tools were scattered around his dwelling space, all of which he used. Not one piece of equipment was left to fracture in the sun, as the clay got stronger with repeated application. He constantly repeated the same processes, wanting to see how all the substances would react. The rack of substances and chemicals was his pride and joy.

“Zagan, I admire your determination to achieve the Masterwork. Me and the rest of the gods bestow unto you the essences of nature itself, which will be important in your studies. Good luck, and may we bless you forever more.” The ox handed him the containers.

He didn’t care about the finality. He just wanted to see where he could take it. Every day he was fully invested in what he could make out of thin air, out of the materials he had, out of himself. He hoped to make something that the gods would find beneficial, but nobody knows what’s really beneficial to a god. Instead, he went the other way, choosing to get more risky and extreme with his Gesamtkunstwerk, searching for more volatile chemicals; things the rack couldn’t possibly hold. With each explosion and controlled fire, he veered into a hidden side of himself he previously didn’t care about. But now was the time to fully embrace it. He pushed elements past their point of criticality, violently evaporating what minerals he had and producing ominous glowing hues in the night. Whenever he went out, a wide smile was plastered on his curved face, as he told the people how proud he was of whatever he was doing. Whenever they asked what it was, he only used vague terms. Alchemy wasn’t something bound by a rulebook, rather it was something that held its own interpretation for whoever practiced it. Unfortunately for Zagan, this may have meant destroying his surroundings, or even his own body. He didn’t care. His mind was already lost in the process.

“Nigredo, albedo, citrinitas, rubedo! Watch me do my dirty work, for all shall tremble in fear! I am Zagan, the master alchemist of the world! Nobody will stop me until I’ve done what I had to do!” he skipped across the land, maniacally humming to himself. At this time, he was giving demonstrations of what he was capable of, giving short demonstrations to people of various forms of transmutation. He hoped to inspire people to take up the craft, because it would provide them with a lifetime of amazement and discovery. What the people didn’t know was that he had reached a very advanced level, too advanced. The shows he put on were only experiments the people could understand. Years of work had caused him to harness elements the people shouldn’t have been aware of. Zagan was once a simple alchemist, but now he might be able to harness the power of immortality, curing all diseases, or invoking the Midas Touch. Harnessing the total perfection of body and mind was a quintessential goal for him, and the serpent would not be satisfied until he could get to the prize.

When he accidentally left a gold coin in a chemical bath, it turned to copper, a useless metal, only applied to the less important parts of things. At least, that’s what he believed. While carefully trying to siphon out the liquid to no avail, he bit the bullet and dipped his hands in the vat. More smoke, so pleasing to the eye. When it all cleared up, he was too scared to touch anything, not even his own flesh.

Someone in the land now holds the power of total transmutation. What a dangerous game to be playing with oneself. He is willing to risk the disruption of equality and potentially get everyone he meets to turn against him in a final spectacular display of deliquescence. How could anyone have noticed the fiery fumes coming from the hut? Were they too busy to care? Perhaps luck was on Zagan’s side. Luck didn’t matter, only the art of dissecting nature.

One day, when he woke up, he found his hand touching another gold coin. Uncovering it revealed that it, too, had turned to copper. He touched a third coin, and the same reaction happened. He snapped back to his senses for a few seconds and realized what he had done. He just turned a currency used for all manner of things into a worthless counterfeit. If he could only turn it back to gold… there's no use in reversing this change now. His hands were shaking. They were virtually non-functional, but they were easy to hide in his robes. He needed a walk to take his mind off of things anyway. He tried to keep his eyes on the village and not look down at his hands. Nobody seemed to notice. This isn’t luck, he thought. It’s my own undoing. The gift I got is a tool of destruction and not creation. I’ve been grateful up to this point… but I don’t know if this will entertain and intrigue me any longer. I don’t know what to do about this… Zagan had to dispose of this powerful mess he made, but how?

He purchased another chemical from the shop. The shopkeeper didn’t notice the value went down in seconds.

For the next couple of days, all Zagan could do was stare at the equipment he had used for years. He couldn’t experiment anymore. He no longer wanted to do this. If he gave the rack back to the lioness, he thought they would look down upon him and consider him wasted potential. They passed by his hut yesterday! What was he thinking?! He paced around his soon-to-be crumbling laboratory when he came across the credo of affirmation of life that he, and some of his friends, had written down themselves. It was stashed underneath a pile of food he had kept with him. Each god who participated wrote the same line over each other’s handwriting so as to unify the tract. Looking past the grape stains and runny ink, he mumbled it to himself.

If I was unborn // I would have nothing to be grateful for // I would have never seen companionship // I would never have wept // I would have never celebrated // I would never have eaten // I would have never held what I have made aloft // I would have no stories to tell // I would have never slept // I would have never spoken // I would have never

The last line was in Zagan’s writing alone. He must have had an idea for one more line on his way home but didn’t come up with it before the idea dissolved in his mind. He rolled up the scroll in his hands, staring at the paper. The life he had now was nothing like what the tract had destined to bring him and the others. Or even all the gods. “So I betrayed all the promises we had made… I’ve… I… ah… aaahhhhhh…” He was rendered incapable of any comprehensible emotion.

Then his string finally snapped.

He got the largest bowl he could find, set it down over a flame, crushed the scroll in his hands and threw it in. He then took every material off the rack, pouring them in, until the hissing and bubbling was enough to attract a few witnesses. The entire mixture caught fire. Zagan had made the wonder of wonders, in the age where people were searching for the ultimate state of all things. All rational thought drained away, replaced by a nonexistent language lapping off of his forked tongue. His eyes widened. He knew what he had to do. He leaned back and threw himself into the bowl, causing the entire laboratory to explode. The fireball that emerged was unusually colourful, with hints of pink, purple and green within the commonplace orange and yellow. It looked almost divine. Only a higher power could do this. From his eyes, he saw the room spinning, and everything melting away before his eyes. His mind cycled through every possible form one could have, and automatically it embraced them all at once. It killed him. It brought him back. He didn’t just make the Masterwork, he became it. The Masterwork is not a culmination of the elements processed in the right order, nor is it the eventual state of the lead to gold act. It is not the philosopher’s stone. It is not spiritual completion. The Masterwork is an abomination. It is something that should be avoided no matter what people say about it. Zagan had ruined centuries of seeking and turned himself into the opposite of what it was meant to be. He had become a deceiver, and he wouldn’t do a damn thing to stop it. He was too deep into this irreversible change. This is not the Magnum Opus. This is the Malum Opus, the Terribile Opus. HORRENDUM OPUS IN ANNUS HORRIBILIS.

I would have never destroyed myself

In the weeks that followed, chaos erupted. A jackal had replaced someone’s gold with copper. A pig had mastered persuading others into bribing him, taking items with a swift hand and replacing them with something of much less importance. An eagle turned up to a vendor’s stall full of silver creations, and with a sudden gesture they all melted down into hazardous mercury. The shopkeeper yelled, “The town is in disarray! A gang has disturbed the peace!” By that point the mouse had fled. There was no gang; it was all the work of one man. All he had to do was cup his face in his hands and concentrate, and his whole body would shift into the form of his choosing. O, what wonders he was producing! Zagan, you deceiver! By night he would revert back to his serpent form and look at all the damage he had done. He had so much power in his hands, and instead of being a sickly coward and holding back, he went all out and did everything he could to ensure his legacy! He would become a successful swindler and even recruit a real gang to carry out his acts! He’ll be a superstar! He chuckled to himself. This was the life he wanted. The next day, a bull wandered out into the fields, and the lioness was there. They had recognized the robes Zagan was wearing before he got himself into his role as deceiver, for no two gods can have the same patterns adorned on them. This was to provide a sense of distinctiveness within the community. They immediately began pursuit of him, and he was blissfully unaware that the one who inspired him to pursue the art of arts was the one who would ruin his life.

As Zagan was being held by his robe and the civilians gathered round to see the cause of the commotion, the lioness made the most relieving announcement in a while. “Dear friends, this traitor you see before you has meddled with the basic elements of nature for much too long! I set him off on a journey of understanding the prima materia and what he can do with it, and eventually, he used his abilities to turn to a life of crime and deceit! NOT ONCE have I thought he could commit such… alchemical SACRILEGE! Do you have any idea what’s about to happen to you, undeserving god?”

Zagan completely dodged the question. “I have no regrets for what I have done. I am happy with how far I’ve come, and the processes I had to achieve to get there. I humbly apologize to anyone who has been affected by my destruction. I simply wanted to put my skills to use. But do not let their intense ire land you all in trouble. Attack the problem with new zeal, and overcome it! Rebuild! Restore from the earth!”

He was interrupted by a roar. “Suffice it to say you have caused complete destruction of various properties, forced crops to mutate and bear dangerous fruits, and most of all, you turned the whole land against you! We have no choice but to remove you from this place you used to call home, and end your life if need be.” They let go of his pathetic hood. “Turn to face me.” He did so. “I forbid you from entering this land or any land nearby. May the light shining from your eyes never return, and your mind be purged of these heinous teachings!”

“NononononoWAIT-”

They pressed their thumbs on his temples, and using two fingers they split his head open, jarringly exposing his brain to the morning air. With both hands they prodded the areas of his brain they thought contained the malevolent bits in an attempt for him to forget all he had learned. When they sewed him back up, they made no effort to hide the stitches. Too much work, they explained. They quickly realized not even his presence would make things better. So they indulged in a little alchemy of their own. Raising their hands above his head, drops of white-hot iron ore fell around him and hit the ground. A hole opened up in the dry earth, crumbling away as Zagan lost his footing and tumbled down into the unknown depths. Hopefully, they thought, he emerges on the other side of the world as a completely different person. They knew godhood wasn’t something he would be good with after all.

Zagan woke up surrounded by shrubbery and trees which completely covered the sky. There were no signposts telling him where he was, and no voices in the distance. “This was what I needed,” he thought. “Death. Perfect. I’m gonna have a great time here. What good is being a god anyways?! I can’t even go back to practicing alchemy and trying something different…” He couldn’t remember how it all worked anymore. He knew what it was, but the lioness had eradicated almost all the steps needed for basic transmutation. Looks like he’ll have to start again. He doesn’t even know which way to go. Being stuck in the middle of a jungle with no discerning qualities isn’t the best way to enter this realm.

“I guess I’ll have to go the direction I’m facing… doesn’t that always get you somewhere?” he mumbled to himself. And so he set off trodding across this new place. Start running, and keep running until acted on by an outside force.

[popolodipekino]

l'astrologo e l'alchimista

- Le fait est que mes coffres sont vides et que je vais bientôt en être réduit à casser la tire-lire de mon héritier éventuel, ce qui me fait penser que j'aurais peut-être mieux fait de garder l'astrologue. Il m'aurait coûté moins cher et la duchesse eût été contente. - Bah, fit Sthène, tout ce gens-là se valent. - Serais-tu sceptique, mon bon Démo? - Si vous voulez que je vous dise le fin fond de ma pensée, moi, aux horoscopes, je n'y crois pas. - Et moi guère. - A la pierre philosophale non plus. - Ah, dit le duc, si tout autre que toi me disait une chose pareille, je lui morniflerais les ganaches. - Je n'y crois pas, dit Sthène, mais je ne vous empêche pas d'y croire. - J'espère bien! Ah, si tu nous voyais, Timoleo et moi, au milieu des athanors et des aludels, des pélicans et des matras, des cornues et des alambics, manipulant les sels et les métaux, les uns violets, les autres indigo, les uns bleus, les autres verts, les uns jaunes, les autres orangés et certains rouges, sans parler des blancs et des noirs, les observant passer d'une couleur à l'autre, de solides devenir liquides et de liquides devenir solides, de palpables devenir impalpables et d'impalpables devenir palpables, et je ne te parle que de l'aspect le plus superficiel, de nos opérations, alors, mon bon Démo, tu te dirais que ce n'est sûrement pas en vain que ton maître et son alchimiste se donnent tant et tant de mal. Le jour viendra où les anges récompenseront nos oeuvres et ce n'est plus en bronze mais en or massif que je ferai fondre ma statue. - Notre statue. da R. Queneau, Les fleurs bleues

[trad. - Il fatto è che le mie casse sono vuote e presto mi ridurrò a rompere il salvadanaio del mio eventuale erede, il che mi fa pensare che avrei fatto meglio a tenermi l'astrologo. Mi sarebbe costato meno e la duchessa sarebbe stata felice. - Bah, disse Sthène, quei personaggi, uno vale l'altro. - Sei forse scettico, mio buon Démo? - Se proprio volete saperlo, il mio parere personale è che non credo agli oroscopi. - Ed io nemmeno. - E neanche alla pietra filosofale. - Ah, disse il duca, se qualcuno che non sia tu mi dicesse una cosa del genere, lo prenderei a schiaffi. - Non ci credo, disse Sthène, ma non vi impedisco di crederci. - Lo spero proprio! Ah, se potesssi vedere Timoleo e me, tra gli athanor e i vasi ermetici, i pellicani e i matracci, le storte e gli alambicchi, manipolare i sali e i metalli, alcuni violetti, alcuni indaco, alcuni blu, alcuni verdi, alcuni gialli, alcuni arancioni e alcuni rossi, per non parlare dei bianchi e dei neri, guardandoli passare da un colore all'altro, da solidi a liquidi e da liquidi a solidi, da palpabili a impalpabili e da impalpabili a palpabili, e sto parlando solo dell'aspetto più superficiale delle nostre operazioni, allora, mio buon Demo, ti diresti che non è certo invano che il tuo maestro e il suo alchimista si danno tanto da fare. Verrà il giorno in cui gli angeli premieranno le nostre opere, e non sarà più in bronzo ma in oro che farò fondere la mia statua. - La nostra statua. da R. Queneau, I fiori blu]

[katiajewelbox]

Words used in the writing of “weird fiction” author Clark Ashton Smith

Abbadon the angel of the "bottomless pit" of Rev. ix. 11; hell (see Gehenna)

abdominous big-bellied ("an abdominous jar of uncolored glass")

abjuration a renunciation under oath; a formal rejection or denial

abrogation a nullifying; a doing away with something [L. normal'>abrogare- to repeal]

acidulous sour; bitter; painstaking [L.- acidulus- slightly sour]

adamant

a stone imagined by some to be of impenetrable hardness; the hardest iron or steel 2. Poetic: unbreakable hardness (adj.-adamantine)

addorsed Her.- placed back-to-back, as two animals or figures

adipocere a soft or waxy substance of a light-brown color into which the flesh of dead animals is converted under certain conditions of temperature and humidity

adits entrances or passageways

adumbration

a faint sketch or outline 2. foreshadowing; advance indication 3. overshadowing

adytum an inner or secret shrine; sanctum [L. from Gk. normal'>adyton]

agate a waxy quartz in which the colors are in bands, or are blended in clouds

aigretted tufted as with feathers or gems

alabastrine of a pure white color, like alabaster

alembic a chemical vessel formerly used in distillation, usually of glass or copper (see cucurbit)

aliment food for body or mind

almandine n. a transparent deep red or violet garnet, a precious crystallized stone

aludel a pear-shaped vessel of glass

amaranth n. 1. a plant of the genus Amaranthus, with colorful leaves and, in some instances, showy, tassellike heads of flowers, as the love-lies-bleeding, pigweed, etc. 2. Poetic: an imaginary flower that never fades

amaranthine never-fading, or, of a deep-purple or purplish-red color

ambergris a solid, opaque, ash-colored substance used in perfumery

amethysts purple sapphires.

amphora a tall, two-handled jar for wine or oil, with a narrow neck [L. from Gk. amphoreus]

ana n. a collection of notes or scraps of literature bearing on a particular person, place, or subject

anaglyph an ornament in low relief; a cameo [Gk.- normal'>anaglyphon, from ana, up, & glyphein, to cut out]

Anakim a race of giants in Palestine

anchorite a hermit; a recluse (see eremite)

androsphinx a sphinx with a human head (distinguished from ram-headed or hawk-headed sphinxes)

animadversions disparaging comments; censure (see objurgations)

ankylose abnormal stiffening of a joint; a consolidation of two bones or parts of bones

anlace a broad two-edged dagger or short sword

annulated furnished with or surrounded by rings

antemundane unearthly

anthropophagic cannibalistic

antimony a silver-white, hard, crystalline metallic element, related to arsenic and tin

antinomian related to the doctrine that faith frees the Christian from the obligations of the moral law

antipodes a place or region on the opposite side of the earth, or its inhabitants

aphelion the point in orbit farthest from the sun

apotheosis

deification; exaltation to divine honors 2. a glorification of any kind

appanage an allowance to the younger branches of a sovereign house from revenues of the country; hence, whatever falls to one from rank or station in life [F.- apanage]

apperception Psychol.- perception that reflects upon the act of perceiving; spontaneous insight

apterous lacking wings

arabesque n. 1. a complex, elaborate design of intertwined flowers, foliage, geometrical patterns, etc. painted or carved in low relief 2. adj.- fanciful, ornamental

araucarias large cone-bearing evergreen trees

arcane known to only a few; esoteric [L.- normal'>arcanus- hidden] (see holocryptic & recondite)

archaeopteryx a bird of the Jurassic period which had teeth, a lizard-like tail, and well-developed wings

archimage a chief magician; great wizard [L. from Gk. normal'>archimagos- chief of the magi]

architrave

Archit.- a chief beam, resting on columns 2. an ornament arching over a door or window

armillary Astron.- an ancient instrument consisting of concentric rings in the form of a skeleton sphere, representing the relative positions of the ecliptic and other celestial circles

arrack a strong Oriental liquor

arras a hanging for the walls of a room, esp. a tapestry

aspergillum the brush used for sprinkling holy water on the people

asphodels a lily plant, bearing white or yellow flowers

astrolabe formerly an instrument for obtaining the altitude of planets and stars

ataxia disturbance of bodily functions, as in the paroxysms of disease

atelier a workshop, especially of an artist; studio

athanor a digesting furnace, formerly used in alchemy, so constructed as to maintain a uniform and constant heat

attar the fragrant oil extracted from the petals of flowers, esp. from roses

augury a portent or omen; the foretelling of events by signs or omens

aureate

golden; guilded 2. splendid (see next entry)

auroral dawning; roseate

auriphrygiate ornamented with embroidery in gold ("auriphrygiate domes") [L.]

austral southern

auto-da-fe the public pronouncement and execution of the sentence of the Inquisition, with attendant ceremonies, such as the burning of heretics at the stake

bagatelle a trifle; a thing of no importance

baleful

hurtful; malignant. 2. Archaic: sorrowful, miserable (see malefic)

banyan an East Indian fig-bearing tree which sends down from its branches roots that develop into new trunks, thus producing a thick and shady grove

barbican an outer fortification; rampart

baroque

irregularly shaped, as a baroque pearl 2. fantastically overdecorated; theatrical

basilisk fabled reptile of the Arabian desert whose breath and look were fatal (see cockatrice)

bastinado mode of punishment in Oriental countries, esp. Mohammedan, by beating the feet

bayadere a dancing-girl, especially one serving in an Indian temple

beryl aquamarine or emerald variety of beryllium, used as gems

besoms brooms; bundles of twigs

bezel the part of a ring which surrounds and holds the stone

bifurcation a division into two branches

bituminous containing bitumen; volatile

blandishments flattering speech or actions (see inveigle)

blazonries

Her.- artfully depicted coats of arms 2. brilliant displays

boreal northern; pertaining to the north, esp. the north wind

boscage a mass of growing trees or shrubs; a thicket [OF., OHG- busc- a thicket.]

bourn

Archaic: a limit or boundary: the bourn of man’s life 2. Poetic: realm or region

burgeoning budding; sprouting forth

burnoose a woolen cloak with hood, worn by Arabs and Moors

buskin a high shoe or half-boot (see cothurn)

byssus among the ancients, a linen, silk, or cotton cloth of exceedingly fine texture (used by the Egyptians in mummy-wrapping)

cabalistic containing an occult meaning; mystical

cachinnation immoderate laughter

cacodaemon a devil or evil spirit [Gk.- kakodaimon, from kakos- bad, evil + daimon- spirit]

caftan a long, wide-sleeved robe fastened by a belt or a sash

cairn a mound or heap of stones for a memorial

calamite a fossil plant of the Paleozoic era, growing to a height of 100 feet or more

calenture

a tropical fever with delirium 2. Poetic: to have illusions

calyx Bot.- the outermost series of leaf-like parts of a flower, usually green but frequently colored, which encloses and supports the corolla

cantraips incantations or charms; pieces of witchcraft (Scot., from cantrip)

caparisoned fitted with decorative trappings; decked out

capriole an upward leap made by a trained horse while standing [F., from Ital.- capriola]

capstan an apparatus for hoisting anchors

captious difficult to please; apt to find fault

carapace the bony outer case on turtles, lobsters and other animals

carmine red or purplish-red; crimson

carnelian  n. a clear red chalchedony, often cut as a gem

cartouche on Egyptian monuments or papyri, a group of hieroglyphics in a small oblong area

caryatid Archit.- a figure of a woman dressed in long robes, serving to support an entablature

cassava

a tropical American shrub with thick roots from which an edible starch is obtained 2. bread made from this starch

cassia

a genus of plants, from some species of which is extracted the cathartic drug senna 2. Chinese cinnamon, a variety made by using cassia bark as an adulterating agent

castradoes eunuchs ("the fat castradoes diddered in their cloth-of-gold")

catafalque a temporary raised structure that supports a coffin [F.]

catatonia a state of muscular rigidity; stupor

causey a paved pathway or street [F. caucie, from L. calciare- to make a road]

celerity quickness of motion

centurial occurring once in a century

ceremented wearing grave-clothes; covered in cere-cloth

cerulean of a deep, clear blue; azure [L.- caelum, heaven, caeruleus, dark blue]

chaffer v. 1. to bargain; to haggle or negotiate 2. to talk much and idly

chalcedony a cryptocrystalline, translucent quartz, having a wax-like luster, and comprising onyx, agate, sard, cat’s eye, jasper and carnelian

chalices Botany: cup-shaped flowers

charpoy bedstead or cot of India, with a bamboo frame

chasmal gaping

chatelaine the mistress of a chateau

chatoyant adj. 1. possessing a changeable luster, like that of a cat’s eye in the dark 2. Cat’s Eye, a chrysoberyl gemstone displaying an undulating or wavy light

chimera- Myth.

a fire-breathing monster, depicted as part lion, part goat, and part dragon 2. a vain fancy; a mere phantasm of the imagination

chiton gown or tunic worn by men and women in ancient Greece

chryselephantine made or covered with gold or ivory, as certain Greek statues

chrysolite an olive-green, translucent mineral, called peridot when used as a semiprecious stone

chrysoprase an apple-green variety of quartz

Cimmerian dark; gloomy (from the Cimmerii, a people whose land Homer described as a region of perpetual mist and darkness)

cinnabar

cystallized red mercuric sulfide, artificially used a red pigment. 2. brilliant red

Circean fascinating but poisonous; magical (from Circe, a sorceress in Greek myth)

circumambient extending around, or being on all sides; encompassing

circumpolar revolving around the poles without setting, as circumpolar stars

claymore a double-edged Scottish broadsword

clepsydra Anciently: a water-clock

cockatrice a basilisk; a fabulous monster whose breath and glance were believed to be fatal, said to have been hatched by a serpent from a cock’s egg

coeval of the same age

coign Archaic: a projecting angle or stone; a corner

coir a type of yarn made from the husk of cocoanuts

colonnades Archit.- a range of columns connected by an entablature

colossi statues of gigantic size, such as the statue of Apollo which anciently stood at the entrance to the port of Rhodes

comestation Obs.- reveling or feasting [L.- comessatio, a Bacchanalian procession]

comestibles food; edibles (see viands)

commensal one who eats at the same table

comminatory threatening punishment or vengeance (minatory- menacing)

condign well-deserved

confrere a fraternity brother

consanguinity

blood relationship; common ancestry 2. close relationship; affinity

contumely scornful or insulting language; haughtiness ("contumelies")

coracle a small fishing boat of hide on a wicker frame [Welsh normal'>corwgl, from corwg- a frame, boat]

corollas the inner circle of flower leaves, usually colored

corposant a ball of electric light observed on dark tempestuous nights about the rigging of a ship; St. Elmo’s light

corundum aluminum oxide, second only to the diamond in hardness. Pure, transparent varieties are the ruby, sapphire, Oriental amethyst, and Oriental topaz.

coruscating giving out sparkles of light (coruscations- sudden flashes)

cothurn a high, thick-soled boot worn by actors in ancient Greek tragedies

couchant lying down; reclining (see recumbent)

courtier a member of the court circle

crenelations battlements; fortifications

crepuscular

pertaining to twilight; glimmering 2. becoming active or flying in the twilight

cresset a kind of iron basket holding a beacon light

cromlech an ancient mortuary monument consisting of two or more large unhewn stones fixed upright in the ground, supporting a flat horizontal stone (see dolmen)

crotali snakes of a genus like that of the rattlesnake (crotalus)

crozier a staff, about 5 feet in length, surmounted by an ornamental cross

cucurbit

a gourd-shaped chemical vessel 2. the body of an alembic 3. any plant of the gourd family

cuneiform wedge-shaped, as in some ancient Assyrian, Babylonian, and Persian inscriptions

cupel a shallow, absorbent vessel, used in refining gold and silver ores

cupola a dome; hemispherical roof

cutaneous on or affecting the skin

cycad a tropical plant of fern-like appearance

damascened decorated with wavy or variegated patterns

damask n. a silk fabric, having some parts raised in the form of flowers and other figures

damaskeen v. to ornament with wavy markings produced by inlaying or incrusting with metal ("damaskeening the slopes beyond the city with bright flowers of azure and vermilion")

decoction an extract or essence made by boiling animal or vegetable matter

decrescent

decreasing; waning, as a decrescent moon 2. Her.- the declining moon, used as a bearing

delimitable capable of being gauged, marked, or decided upon (from delimit)

deliquescent liquifying in the air

demiurge

in Plato’s philosophy, a secondary deity, the creative spirit who made the world 2. in Gnostic philosophy, a subordinate god, often considered the originator of evil 3. in Greek history, a magistrate in certain Peloponnesian states (adj.- demiurgic- godlike)

desuetude disuse; a state of being no longer practiced or customary

dewlaps the fold of skin hanging from the throat of oxen or cattle

diablerie demonology; sorcery [OF. diablerie, from diable- devil]

diadem a crown; a symbol of royalty

diaphanous transparent or translucent; pellucid [Med. L.- normal'>diaphanus- transparent]

diaphragmic dividing; partitioning (from diaphragm)

diluvial pertaining to a flood or deluge

dissolution decomposition; death [L. dissolutio, from dissolutus, pp. of normal'>dissolvere, to loosen]

diurnal relating to the daytime; daily (opposed to nocturnal)

divagate to wander or stray aimlessly; to digress (n.- divagation, "divagance")

divertissements diversions; amusements

divestiture the removal of rights or honors; the act of removing something

divination the act or art of foretelling the future or unknown

doleful

expressing grief, as, a doleful cry 2. melancholy (see dolorous, funereal, lugubrious)

dolmen a prehistoric, sepulchral monumuent of large uncut stones, set on end and covered with a single huge stone, so as to form a chamber, and often covered with earth; cromlech

dolomite a calcium magnesium carbonate occurring in white to pale-pink crystals; limestone or marble with much magnesium carbonate in it

dolorous sorrowful; mournful; pathetic [ME.- dolerous, L.- dolorosus- painful, mournful]

drupe a soft, fleshy fruit enclosing a hard-shelled seed, as in the peach or cherry

ebullition

the condition of any liquid when bubbles are rapidly forming in its mass and rising to the surface 2. a violent outburst (ebullience- a boiling over; agitation; exuberance)

effluence a flowing out; emanation [L.- effluens]

effluvium a noxious or evil-smelling exhalation from decaying matter

effulgence a shining forth brilliantly; brightness; splendor

eider the soft, fine breast feathers of a large eider duck

eidolon an unreal or spectral form; an image

eldritch ghastly; hideous; weird

electrum

an amber-colored alloy of gold and silver, used by the ancient Greeks for coins 2. Obs.- amber

eloignment removal to a distance; a carrying off [OF esloignier- carry off ]

embrasure an opening in a wall or parapet, through which cannon are pointed

empery Poetic: sovereignty; dominion

Empusa Botany: a genus of prehistoric fungi ("empusae")

empyreal celestial; pertaining to the highest heaven, where the pure element of fire was supposed by the ancients to exist [Gk. empyros- in the fire]

energumen a person supposedly possessed by evil spirits; a demoniac

entablature a platform supported by columns

epiphany a bodily manifestation, as of a deity

epiphytic growing non-parasitically on another plant, as   certain orchids, mosses, and lichens

equerry an officer having charge of the horses of a dignitary

equivocal of doubtful significance; capable of a double interpretation; purposely vague

eremite one who lives in a wilderness or in retirement; a hermit ("eremitic")

erigible capable of being erected [Rare]

erubescent reddish; blushing (see rubescent)

estrade an elevated part of the floor of a room; platform

esurient hungry; needy

ethereous seeming to pervade all space

etiolated whitened; blanched

evanescent passing away gradually or imperceptibly (evanescence)

eventide Poetic: evening time

exanimate deprived of life; inanimate

excoriate to denounce scathingly

exigent demanding; pressing or urgent

exiguous small; minute; slender [L. exiguus- scanty, small ]

fakir a Moslem itinerant beggar, often one claiming to perform miracles (also sp. faquir)

fane a sanctuary; temple

feculent foul with impure substances; muddy

fecundity fertility; richness of invention

femora thigh-bones

fen marsh; bog

ferine relating to or resembling a wild beast; savage (feral)

ferruginous of the color of iron rust; dusky

Fescennine ribald; licentious (from town of Fescennium in Etruria, known for its wild festivals)

fetid emitting an offensive odor (see noisome)

filagree delicate ornamental work formed of intertwisted gold or silver wire

filiated threadlike

firkins wooden vessels ("vermilion fungoid blossoms large as firkins")

flagitious deeply criminal; grossly wicked (see nefandous & nefarious)

flambeaux burning torches

flange a spreading or flaring part; a projecting rim or edge

fleur-de-lis a heraldic figure representing either a lily or the head of a lance

flibbertigibbet an impulsive, flighty, or garrulous person

floe a mass of floating ice

florescence a blooming; the state of being in blossom

fortalice a fortified place; a stronghold [Med. L normal'>fortalitia]

foulder Obs.- to thunder or flash like lightning ("fouldered" ... see fulgor & levin)

frangipanni a perfume prepared from, or imitating the odor of a West Indian tree

franzanita a shrub of the genus Arctosa Phylos; the fruit of one of these shrubs

fretted ornamented with angular or interlocked lines

friable easily crumbled

frore Archaic or Poetic: frozen; frosty

fulgor Archaic: dazzling brightness (fulguration- a sudden brightening … adj.- fulgurant, fulgurating)

fulminating

exploding 2. shouting accusations 3. thundering and lightening [Rare]

fulsome offensively flattering or insincere; excessive (see unctuous)

fulvous reddish-yellow; tawny

fumitory a climbing plant with clusters of pink or purple flowers

funereal mournful; depressingly sad or gloomy

fust a strong musty smell

gamboge a reddish-yellow Oriental gum-resin from certain tropical trees, used as a yellow pigment

garnet

a glasslike mineral of various colors, sometimes cut as a gem 2. deep red

garniture , trimming; embellishment

garth Archaic: a yard; garden [ME.]

Gehenna hell-fire; the place of future punishment

genuflection a bending of the knee, as in worship

geomancy divination by figures or lines formed by a handful of earth cast on the ground

ghazal

a piece of Arabic music with a frequent refrain 2. a form of Persian verse

glabrous smooth

glaucous yellowish-green ("glaucous twilight")

glutinous gluey; sticky

gibbous irregularly rounded or bulging, as the moon when in a phase between half-moon and full

gnomon the style or pin of a sun dial

gossamers fine threads or webs of silk

gracile slender

gramary Archaic: occult lore; magic ("gramaries")

grandiloquence the use of pompous, bombastic words and expressions (see magniloquent & orotund)

greaves dregs of melted tallow

grimalkin an old female cat

guerdon an earned privilege or reward

gules Her.- the tincture red: in a blazon without color, indicated by parallel vertical lines [OF. from L. gula, the throat] ("the leaping of flames that flung their bloody gules")

gymnosophic pertaining to a Hindu sect of ascetics who wore little or no clothing; nude

halcyon calm; peaceful

hamadryad a wood nymph whose life is connected with that of the tree she inhabits

harrow

to tear; to wound 2. to make uncomfortable; to distress

haruspication divination by a normal'>haruspex, a lesser priest or soothsayer in ancient Rome whose business was to inspect the entrails of animals killed in sacrifice [L., lit., an inspector of entrails]

hebetude dullness; stupidity

hecatomb Anciently: a sacrifice of a hundred oxen as an offering to the gods; hence, any great slaughter

Hesperian

western 2. Poetic: of the Hesperides, daughters of Hesperus, guardians of the fabulous garden of golden apples, watched over by an enchanted dragon, at the earth’s western extremity

hesternal pertaining to yesterday ("my own memories grow dim like the fires of hesternal wanderings")

heteroclitic deviating from the ordinary form ("heteroclitic runes")

hieratic consecrated to sacred uses (see sacerdotal)

hierophant Anciently: an expounder of religious mysteries or rites

hippodrome Anciently: a place in which chariot races were performed

holocryptic wholly concealed; arcanic

hornbeam a small variety of the birch tree

houri a nymph of the Moslem Paradise

hummocks small elevations; piles or ridges of ice

hyaline resembling glass; transparent (hyalescence- the state of being glassy)

hydromancy divination by the observation of water

hyperborean frigid; of the far north

hyssop a fragrant, bushy plant of the mint family

ichor Myth.- the ethereal fluid supposed to flow in the veins of the gods

ignescent bursting into flame; emitting sparks of fire [L. normal'>ignescens, ppr. of ignescere- to take fire]

imbricated overlapping, like tiles on a roof, scales of fish, or leaves in a bud ("imbricated leafage")

immedicable incurable (see irremediable)

immemorial beyond memory; originating beyond the reach of records or tradition

immensurable not to be measured; immeasurable (see incommensurable)

immitigable severe or extreme; incapable of appeasement

immomentous unimportant [Rare]

immortelles flowers that retain their color long after they are harvested

immured enclosed or imprisoned (immurement)

impalpable intangible; unreal

incalescent increasing in heat  [L.- incalescens, entis, ppr. of incalescere, grow hot... Rare]

incarnadined tinged with the color of flesh; reddened

inchoate begun, but existing in only a rudimentary form [L.- normal'>inchoatus, pp. of inchoare- to begin]

incognizable not capable of being recognized ("incognizably distorted stars")

incommensurable lacking a common measure or standard of comparison; greatly out of proportion

incubus

nightmare 2. an imaginary demon, formerly supposed to cause nightmare, or to have sexual intercourse with the sleeper 3. anything that oppresses

incunablia the earliest traces of an art, race, or development; early specimens of printing and engraving

indepictable indescribable

indesecrate never visited by man; unexplored ("her indesecrate horizons")

indissoluble

incapable of being dissolved, melted, or liquefied 2. firm; lasting (adv.-indissolubly)

indurate hardened; made callous or stubborn (see obdurate)

ineffable inexpressible

ineluctable inescapable; irresistable

inenarrable that cannot be narrated or told

infoliate v. to cover or overspread with leaves [Rare]

infrangible unbreakable [F.] ("the infrangible solitude of remote places")

innominable not to be named (innominate- nameless)

inscrutable incomprehensible; unfathomable

insuperable insurmountable; not to be overcome

integument any natural outer covering, as the skin of an animal, coat of a seed, etc.

interlocutor an interpreter or questioner

interlunar at the time when the moon is invisible; between the old and the new moon

inveigle to lead on with deception; to entice (see wheedling… n.- inveiglement)

investiture a formal investing with authority (Obs.- vestiture...in Zool., a covering of scales or hair)

inveterate

firmly established; of long standing 2. Obs.- bitter; also, ancient (adv.- inveterately)

invidious envious; provoking evil

involitient not capable of exercising the will; mindless [Rare] (volitient- exercising volition)

involuted

intricate; confusingly mingled 2. Botany: rolled inward at the edges

invultuation an evil spell

iridescent having rainbow-like colors; shimmering [Gk. iris, a rainbow, and escent- prismatic]

irrefragable incapable of being refuted; unanswerable

irremeable admitting of no return

irremediable

not to be remedied 2. not to be corrected or redressed

irresoluble

that cannot be resolved; insoluble 2. that cannot be relieved

isoteric having the same number and arrangement of electrons ("isoteric luster")

ithyphallic relating to the phallus used in the festivals of Bacchus; hence, obscene or lewd

jacinth a reddish-orange precious stone; a hyacinth

jasper an opaque variety of quartz, of red, yellow, or brown, and admitting of high polish

jetty black

ka in Egyptian myth, the spiritual self, believed to dwell in images, and to survive in the tomb

kava a Polynesian shrub of the pepper family, and beverage made from it

lacunae gaps; blank spaces

lambent softly radiant (n.- lambency…"lambence")

lamia Myth.- a female vampire preying upon infants; witch ("lamiae")

lancinating piercing, as a shooting pain

Laocoon Myth.- the priest of Apollo at Troy, who warned the Trojans against the wooden horse,   and was killed with his two sons, by two serpents sent by Athena

lapidaries those who cut, engrave and set precious stones

lazuli blue spar; lapis lazuli, a semi-precious stone used by the ancients for decoration

legerdemain

sleight of hand; tricks of a stage magician 2. trickery of any sort

leman Archaic: a sweetheart or lover; esp. a mistress

lentor

tenacity [Rare] 2. slowness of movement; sluggishness ("the lentor of Lethe")

leonine pertaining to a lion; fierce

Lethean imparting forgetfulness, or, the anxious foreboding of oblivion

levin Archaic: lightning [ME.- levene]

Liassic Geol: pertaining to the Lias, bluish rocks which are the oldest strata of the Jurassic Period

littoral the shore; the region on the shore of the sea or a large lake

locution a mode of speech; a phrase

loess Geol: a pale, yellowish clay or loam

lubricious lascivious (see salacious)

lubricity slipperiness; hence, shiftiness; instability

lucent shining; luminous

lucubration laborious study or writing [often in pl.] (humorous usage suggesting pedantry)

lugubrious expressing sorrow

luminary any body that gives light, or, a famous intellectual, as, normal'>luminaries of Europe

lunation Astron.- the interval between two returns of the new moon

lune a geometrical figure in the shape of a crescent or half-moon

lustrum a period of five years

machicolation a vertical opening in the floor of a projecting gallery or parapet for hurling missiles  or pouring boiling lead onto the enemy

machinations plots; artful schemes

madder

a climbing plant; esp. Rubia tinctorum, a vine with small yellow flowers and berries 2. the red root of this plant, or a red dye made from it 3. bright red; crimson

magistral n. 1. a sovereign remedy [Obs.] 2. adj.- Phar.- specially prepared; not kept on hand

magniloquent lofty, pompous, or grandiose in speech or style of expression (adv.-magniloquently)

malachite a green mineral, found in massive encrustations, that can be polished for ornamental uses

malefic harmful; evil (maleficent- causing injury; maleficial... "malefical"... see next entry)

malign of an evil nature or character

malisons Archaic: maledictions; curses; invocations of evil

Mandragora a genus of herbaceous plants of the nightshade family, which have narcotic properties

mandrake

a poisonous plant, genus mandragora, found in the Mediterranean regions: it has a short stem, purple or white flowers, and a thick root, often forked; deadly nightshade 2. the root, formerly thought to resemble the human shape

mangonel a military apparatus formerly used for throwing stones [OF]

mantle n. 1. a cloak or loose, sleeveless garment 2. anything that covers or conceals

manumission emancipation; being released from bondage (v.- manumit- to release from slavery)

marah bitter water

marcescent withered; wizened

marish marshy; boggy

marmoreal made of or resembling marble

matutinal pertaining to or occurring in the morning [L. from normal'>Matuta, the goddess of morning]

mauve a purple dye and pigment; any of several delicate shades of purple

melange an unsorted medley of things; a literary miscellany

melanite a velvet-black variety of garnet

Memnon a gigantic statue of an Egyptian king at Thebes, said to emit a musical note at first dawn

menhir a tall, rude or sculptured stone of unknown antiquity

mephitic noxious; pestilential

mere a pond or pool

meretricious

pertaining to or characteristic of a prostitute 2. alluring by false, showy charms; tawdry

meridian noontime; the highest point of anything

miasmal poisonous; vaporous (also miasmatic-- "miasmata")

midge

a common name for gnats 2. a dwarf

migniard Obs.- delicate; frail

minaret a high slender tower, with one or more projecting balconies

missal a black-letter or manuscript book of early date resembling the old Mass books

moiety a half; a small portion

monads Biol.- any simple, single-celled organisms; atoms (atomies)

moraine Geol.- a ridge or heap of earth, stones, sand, or other debris carried by a glacier

morbidezza in painting, delicacy or softness of flesh tints

mordant caustic; cynical

moribund at the point of death; dying

mortuary pertaining to the burial of the dead; relating to or reminiscent of the dead

moted containing fine floating dust or specks

mottlings blotches or spots of different color or shades of color (see variegated)

multifarious having great diversity or variety

multitudinous vast in number

murrain a malignant fever affecting domestic animals; any plague or pestilence

must wine or juice pressed from the grape but not fermented

myrmidon a faithful adherent; an unscrupulous follower

myrrh aromatic gum resin, from several trees and shrubs of Arabia and Abyssinia

nacarat bright orange-red color

nacre mother-of-pearl; the brilliant internal layer of oysters or other shells ("minarets of nacre")

nebulous cloudy; hazy [L.- nebulosus, from nebula- a cloud, mist, vapor] (n.- nebulosity)

necromancy divination by means of communication with the dead; the black art

necrophagous subsisting on carrion [Gk.- nekrophagos- eating dead bodies] ("necrophagism")

necrophore a burying beetle

necropolis an extensive cemetery that is ornamentally laid out

nefandous blasphemous in character; not to be named

nefarious abominable; atrociously sinful or villainous

neophyte a new convert; novice (see novitiate & proselytes)

nescience ignorance; esp. that due either to the nature of the human mind or of external things

nethermost deepest

noctambulistic like a sleepwalker; somnambulist ("her noctambulistic paces")

noctiluca

anything which shines in the darkness; phosphorous   2. small phosphorescent marine organisms that cause parts of the sea to appear luminous

noctilucent luminous by night

noctuary an account of what passes in the night: the converse of normal'>diary [Rare]

noisome offensive to the smell or other senses

novitiate the period of probation of a novice in a religious order; a novice

nyctalopia the faculty or defect of seeing only in darkness

nympholepsy an ecstatic frenzy, said to have taken possession of one who looked upon a nymph; hence, an emotional state caused by unrealizable desire ("satyrs mad with nympholepsy")

obdurate unmoved by feelings of humanity or pity

obeisance a bow of reverence or respect

obelisk a monument of rectangular form, generally forming a low pyramid structure

objurgations rebukes; scoldings

obliquely indirectly; evasively (adj.- obliquitous)

obloquy censorious speech; vilification; also, the state of one who is spoken ill of

obsequial cringing; servile

obsequies funeral services or preparations

obsidian a glossy, black volcanic rock

obstreporous boisterous or unruly; vociferous

occlude to obstruct; to shut in or out

occultation Astron.- concealment of one celestial body by another interposed in the line of vision

ocher an earthy clay, colored with iron oxides and varying in color from pale yellow to deep orange or brownish-red (adj.- ocherous- of a yellow or red color)

odalisques female slaves; concubines

offal carrion; rubbish of any kind

oleaginous pertaining to oil; oily

olibanum Oriental frankincense

omnivalent (omniscient- all-knowing, + omniverous- taking in everything, as an omniverous reader)

opalescent resembling an opal in play of colors; iridescent

ophidian snakelike; pertaining to serpents

orchidaceous like an orchid in showiness, beauty, etc.

orichalch in ancient Greece, an alloy of copper and zinc, resembling gold (orichalchum…see similor)

orlop the lowest deck of a ship; esp. a warship

orotund

full; mellow; resonant; strong: said of the voice 2. pompous: said of a style of writing

oscitancy the act of gaping or yawning; drowsiness

osier any of various related species of willow, whose twigs are used in making baskets

ossuary a charnel house

ostent

Obs.- appearance; manner 2. manifestation; portent [Rare]

oubliette a secret dungeon with an entrance only through the top

pandanus Asiatic shrublike trees of the screw pine family

pandemonium

the abode of all demons; the infernal regions 2. extreme disorder or uproar

pannakins small pans or cups

parapegms in ancient Greece, a table, usually of brass, fixed to a pillar, on which laws and proclamations were engraved; also, a table set in a public place, containing an account of the rising and setting of the stars, eclipses, seasons, etc. ("the brazen tablets of astronomical parapegms")

pards Archaic: leopards

parhelia mock-suns, sometimes white and sometimes tinted with prismatic colors

parterre a flower garden having beds arranged in a pattern [F- normal'>par- by + L.- terra- earth]

pell Obs.- a roll of parchment

pentacle a figure of five straight lines, making a star; in magic, a circle with figures and symbols

penumbra a partial shadow; a margin of shadow caused by the partial interception of light from an illuminating body, as in an eclipse (adj.- penumbral- incompletely illuminated)

perambulations traveling surveys or inspections (see peregrinate)

perdurable very durable; lasting

peregrinate to travel from place to place; to wander (n.- peregrinations)

pernoctation the act of passing the whole night ("saintly pernoctations of prayer and austerity")

peroration the concluding part of a speech

perspicatious quick-sighted; seeing through or understanding something promptly

phantasmagoria a changing, incoherent series of apparitions or phantasms

philtres magical drafts supposed to excite sexual love

Phlegethonian Myth.- fiery, like Phlegethon, one of the five rivers of Hades ("without sound or other ostent than the Phlegethonian luster that surrounds its body and members")

phylactery

an amulet worn as a preservative from danger or disease among the Jews 2. a strip of parchment inscribed with religious texts and enclosed in a leather case

pilaster a square pillar projecting from a wall to a short distance

pinnate Bot: having the shape or arrangement of a feather; said of compound leaves

pismires ants

planturous abundant ("planturous lyricism")

plenilune Poetic: the full moon [L.- plenus- full + luna- moon]

plenipotentiary n. an ambassador

plexus an interwoven arrangement of parts; a network

plummet a piece of lead or other metal attached to a line, used for sounding the water’s depth

porphyry an Egyptian rock with red and white feldspar crystals embedded in a fine-grained, dark-red or purplish ground mass [Gk.- porphyros- purple] ("porphyritic")

porrected projecting; extending horizontally

postern a back gate; a private entrance

poulaine a medieval shoe with a long pointed toe

preciptancy extreme haste; falling or rushing headlong

prescience knowledge of events before they happen

preternatural beyond what is natural, as opposed to supernatural (above nature)

primordial from the earliest time; original

profulgent Poetic: gleaming; brilliant

promontory a high point of land extending into the sea beyond the line of coast; headland

proselytes new converts to a religion

psammite fine-grained, clayey sandstone

puissant powerful; mighty

pullulation germination; breeding

purlieus environs; the part lying adjacent to a property [F.- normal'>lieu- a place]

purpureal purplish (see violescent)

purulent containing or discharging pus; suppurating

pusillanimous cowardly; faint-hearted

pylon Archit.- a truncated pyramid, or two of these, forming a gateway to an Egyptian temple

pythonomorph one of the Pythonomorpha, a group of extinct marine reptiles from the Cretaceous rocks of America and Europe. Some species were more than 50 feet long. ("huge pythonomorphs with fabulous golden coils")

quadrireme ancient Greek or Roman warship with four banks of oars

quinquangular having five angles or corners [Obs.] ("paven with immense quinquangular flags")

quintessential having in concentrated form the essential part; purest

quotidian occurring or returning every day; daily

raddling patterns formed by weaving or twisting together ("fantastic raddlings of ebony")

ramified divided or branched out

rattans the long, tough, flexible stems of a palm tree; the palm trees themselves

ravelled Archaic: tangled; confused

recherche choice; rare

recondite remote from easy perception; secret; hidden [L.- normal'>reconditus, pp. of recondere, put away]

recrudescence a breaking out afresh, as of a disease or wound

recumbent reclining or leaning; idle

regnant reigning; dominant, as a queen regnant

renascent  reborn; showing new life and strength [L.]

retiarii n. pl. in ancient Rome, gladiators furnished with a net and a trident; hence, spiders or marine organisms with netlike meshes [L- rete- a net]

reticulation a network of crisscrossed lines or veins, as in leaves

revenant one who or that which returns; a ghost

rime congealed dew or vapor; hoarfrost

roc Myth.- in Arabian and Persian legend, a fabulous bird of prey, so huge and strong that it could carry off the largest of animals

roseate

rose-colored; rosy 2. cheerful; bright

rubescent reddened or becoming red

rubicund inclining to redness; reddish; ruddy

ruddled marked or colored with red ocher

rufous of a reddish or brownish-red color; rust-colored

runlet

a small brook or stream 2. A small barrel, or the measure of wine it contains, about 18 gallons (alternate spelling of rundlet)

runneled interspersed with rivulets or small brooks

russet reddish-brown [L.- russus- reddish]

rutilant of a shining red color [L- rutilare- to have a reddish glow] ("Like Satan’s rutilant hair, trailing on the wind of Gehenna…")

sacerdotal pertaining to priests or the priesthood

sacrosanct considered holy; inviolable

salacious lustful; lecherous

saltant leaping; jumping; dancing [L.]

salubriousness healthfulness

samite an old rich silk, interwoven with gold and embroidered

sang-froid calmness in trying circumstances

sanguinary accompanied by much bloodshed; bloodthirsty; or, characterized by vigorous activity

sanguine having the color of blood; ruddy; said esp. of complexions

sanies a thin, reddish discharge from wounds or sores; bloody matter

sapience wisdom; sageness

saraband a stately Spanish dance in triple time, of the 17th century

sarcophagous carniverous

sard the deep brownish-red variety of chalchedony

saturnine of a grave or morose disposition

savant a man of learning who is eminent in his acquirements

scatheful harmful; injurious

scaurs cliffs or rocky places on the sides of a hill

scintillant sparkling [L. scintillans, ppr. of scintillare- to sparkle]

scoriac adj.- littered with fragmentary lava [Rare] (from scoriaceous)

sedge grasslike growths, usually in tufts or clumps, near marshes or swamps (adj.- sedgy)

sedulously in a diligent manner

seines large nets for catching fish

selenic lunar [Gk. selene, the moon… Selene, the goddess of the moon]

sempervirent evergreen; always fresh [L.- semper- always + normal'>virens, ppr. of virere- to be green or verdant]

sendal a light, thin, silken fabric

senescence the process or state of growing old

sententious full of judicious observations; having brevity and weight of meaning

sepia

a dark-brown pigment prepared from the inky fluid secreted by cuttlefish 2. a dark reddish-brown color

septagonal having seven angles and seven sides (coinage- a combination of septangular and heptagonal)

sepulchral suggestive of the grave; low or hollow in tone; dismal in aspect

seraglio a harem

sere withered; dried up

serried compacted in rows or ranks

shagreen an Oriental leather or parchment, usually dyed green

shoal

a shallow place in a river, sea, etc. 2. a sandbank or sandbar

sibilant making a hissing sound (n.- sibilation)

sibyl a prophetess; a sorceress (adj.- sibylline)

sidereal

pertaining to the stars or constellations; starry 2. measured by means of the stars ("intersidereal," "transidereal")

similor an alloy of copper and zinc, resembling gold and used in making jewelry

simoom a hot, dry, dust-laden wind of the desert (also sp. simoon)

simulacra an image, made in the likeness of a being; a shadowy semblance

sinuous winding; undulating

sistrum a jingling instrument used by the ancient Egyptians in religious ceremonies ("sistra")

somnolent drowsy

sonority high-soundedness; resonance

sortilege the act of drawing lots; divination by lots

spar any of various crystalline minerals which easily break into fragments with polished surfaces

spindrift the blinding spray of salt water blown from the surface of the sea in hurricanes

sternutations sneezings

stertorous characterized by a deep snoring sound or labored breathing

stridors a shrill, creaking, screechy or grating noise

stridulations small, harsh creaking noises, as made by some insects

succubus a female demon, fabled to have intercourse with men in their sleep

sultana a sultan’s wife, daughter or sister

supernal related to things above us; celestial

supplicative gesturing with entreaty; humbly begging

susurrous whispering; a soft, murmuring sound ("the dry, susurrous voice")

suzerain a ruler, esp. a feudal lord or baron (suzerainty) [F.]

sward land thickly covered with grass

swart of a dark hue; moderately black; tawny (see umber)

sybaritic devoted to pleasure and luxurious ease [Gk [from Sybaris, a town proverbial for its luxury]

Sybarites an inhabitant of Sybaris; voluptuary

sycophant a servile flatterer

syenite a granitic rock of grayish color, found near Syene in Upper Egypt

sylvan pertaining to a wood or forest

syncope sudden faintness, with loss of sensation

tabouret a stool or small seat, without arms or back

tamarack black variety of the coniferous larch tree, remarkable for its elegant form

tarboosh a red woolen skullcap; fez

telluric pertaining to the earth (see terrene)

tenebrific making dark or gloomy (tenebrous)

teratology Biol.- that branch of science which deals with monsters or malformations

terebinth the turpentine tree; also, a name for various resinous exudations

termagant a brawling, turbulent woman (see virago)

terraqueous consisting of land and water, as the earth

terrene

earthy; terrestrial 2. worldly; mundane

thallophytes members of the lowest phylum of plants (algae, bacteria, lichens, and fungi)

thaumaturgy the act of performing something wonderful; magic [Gk.- normal'>thaumatourgia]

thrall bondage; figuratively: one controlled by a passion or a vice

thuribles censers in the shape of a covered vase

tocsin an alarm bell ("tocsin of doom")

tonsure the round, bare place on the heads of Roman Catholic monks ("tonsured")

topaz the yellow sapphire

topiarized shaped by clipping or pruning

torrefaction the act of torrefying or the state of being torrefied (roasted or scorched) [F]

tourmaline a semiprecious mineral with a resinous luster, used as gem [F]

translucent transmitting light, but not rendering objects beyond distinctly visible

trellising

structures of thin wooden or metal strips crossing each other in a pattern of squares, diamonds, etc., on which vines or other creeping plants are trained 2. a bower or archway of this 3. Her.- latticework

tremulous trembling

trilithon a monument of two upright stones topped by a projecting block or arch

trivet a three-legged stand for holding vessels in a fireplace

trouvere one of a class of poets in northern France from the 11th to 14th centuries,  distinguished from the troubadours of southern France by the narrative and epic character of their works

tumescence a swelling; a swollen part (adj.- tumid… see turgescence)

tureen a deep, covered dish, as for a soup

turgescence a swollen or enlarged condition

tutelary adj.- guardian; protecting

ultramundane beyond the world, the solar system, or the present life

ultrastellar from beyond the stars

ululation a howling, as of a wolf or dog; a wailing

umber of a dusky hue; brownish

umbrageous

shady or shaded 2. easily offended 3. Obs.- obscure (umbrageously)

unctuous characterized by a smug pretence of spiritual feeling or fervor; unduly suave

undine Myth.- a female water spirit, corresponding to the naiads

unforelimnable (a coinage)

usufruct the right of using another’s property for profit, without spoiling its substance

vacilant fluctuating; wavering (v.- vacilate)

valediction a bidding of farewell

variegated

Marked with various colors or tints 2. Exhibiting different forms, styles, or varieties

verdigris the green or bluish patina formed on copper, bronze or brass surfaces long exposed

veridical veracious; truth-telling [L.- veridicus- speaking the truth]

verisimilitude a semblance of truth or reality

vermiculated adorned with traceries resembling the tracks of worms

vermilion

bright-red mercuric sulfide, used as a pigment 2. scarlet; brilliantly red

vertiginous dizzying; affected by vertigo

vestment clothing or covering, esp. a garment or robe of office

viands articles of food; choice dishes

vicinal neighboring; adjoining

villanelle  a short poem of several stanzas (usually 5) of three lines each, and a final stanza of 4 lines: it has only two rhymes throughout

violescent tending to a violet color

virago

a bold, shrewish woman 2. Archaic: a strong, large, manlike woman; an amazon

viscid semi-fluid and sticky

vitriolene (coinage… describes spacesuits; see next entry)

vitriolic extremely biting or caustic; sharp and bitter (from vitriol)…[L.- vitreus- glassy]

vizier the title of high political officers in Turkish and other Mohammedan states

vocable a word considered as a unit of sounds or letters, without regard to meaning

volitation the act of flying; flight

volumen a roll of manuscript

volute Archit.- a spiral scroll used as an ornament in Ionic and Corinthian capitals

wafture something conveyed through water or air, as an odor

wattling a fleshy process, often brightly colored, hanging from the neck of a bird

weft a woven fabric; web

weir an obstruction placed in a stream to raise or divert the water

welkin Archaic or Poetic: the vault of the sky; the heavens

wheedling persuading by flattery or gentle pleading; coaxing

wilderment Poetic: bewilderment; confusion

Will-o’-the-wisp

Ignis fatuus; a phosphorescent light seen in the air over marshy places 2. Figuratively: a delusion; deceptive attraction

windlass a mechanism for lifting by rope, usually with a cranking attachment

withes willow or osier twigs; vines [ME.- wythes]

wraith an apparition of a person, believed to be alive, seen shortly before or after his death; specter

wried (coinage... "wried and twisted constellations")

wyvern Her.- a monster with two wings, two legs, a tapering body and a barbed tail

yoke Figuratively: enslavement

zircon a mineral occurring in lustrous brown or grey prisms, used as a gem

PRIMARY SOURCES

Webster’s New Universal Unabridged Dictionary. 2nd Ed., 1983. Brittanica World Language Ed. of Funk & Wagnall’s Standard Dictionary. 2 Vols., 1960.

SECONDARY SOURCES

The American Heritage Dictionary, 1994. Funk & Wagnall’s Standard Dictionary, 1993.

Many thanks to Ralph Grasso for sharing this!

[cipherdice]

Aludel - November 2020

[makeshiftstory]

Happy International Doll Day everyone! It took a bit since today was a rather busy one. I decided to post pics of my own dolls up on here to celebrate the event :')

In the spirit of International Doll Day, I decided to do a little teaser on the next big project I'll be working on for this Summer:

[terezascania]

Primrose Castevette

A short story for my Autumnhearth witch and resident thief following an event I was totally late to that was hosted by Merry! It was a gold mine. A Tides-blessed, thrice-fucked, mana from Bastion gold mine. 

Primrose had wandered into the Apothecary’s shop in Easthollow looking to maybe palm a few healing potions off the shelf to sell to Dame Hallewell and, if push came to shove, maybe a little more than that if the storekeep caught her or was too vigilant. What she had found, however, was absolutely perfect. The apothecary, and whoever the hell his wife was, had been carted off by the Waycrest Guard whose name she couldn’t remember. Further, they had promptly left Primrose with the keys and her run of the place. She was absolutely beside herself with joy, and the second she was able to get inside and bolt the door the looting began properly. She took everything. She took the sheets. She took the pillows. She took the forks and knives and spoons. She took the pots and pans. She took the food in the cupboards. She took the quills and the ink and paper. She even took the gardening tools. The guy had some pretty damn good shovels, and a good shovel wasn’t a thing you let go to waste. Fel, the guy even had a mirror. Prim took that too. Why not? Mirrors were expensive and she liked looking at herself as much as the next gal. The real jewels on the crown though? The glorious, beautiful, diamonds in the sea of free stuff? Primrose took the entire set of the Apothecary’s alchemical tools: the mortar and pestle, the alembic, the aludel, the crucible, the calcinator, and the retort. Complete with recipe books to teach her how to make all of it and the reagents to actually do it. She had mostly been bullshitting Dame Hallewell the other night about being an alchemist, but now she had all the stuff she needed to actually pull the masquerade off. 

How had she gotten so damn lucky? Was it good karma for giving that woman with the burned down house her coin purse back? Maybe. Maybe not. Either way Prim praised herself and assured herself that it was meant to be.  When everything was loaded up and ready on the cart Prim was definitely taking as her own, Primrose Castevette nodded with pride at what all her hard work had yielded. Inside of a week she had found a house situated rather perfectly next to a graveyard, furnished it thanks to the apothecary’s generosity, and gotten a steady job as a gravekeeper and alchemist. Things were looking good. Damn good. “Oh shit.” Prim cursed as she remembered she was supposed to haul the bodies of the dead, although there clearly wasn’t another inch to spare in the wagon. “Guess I’m coming back for you guys.” The witch yawned as she locked the door behind her and sauntered off, whistling a tune all the way as she started to lead the old nag out of town and towards the little cottage that was now her own. Maybe she would come back in the morning. Maybe.

[idealistsinc]

13 // when in rome

wc: 620 content warning: tooth-rotting fluff

“Okay, next one! Here, take a look.”

Yesugen lifted her head a little off Isha’a’s shoulder so she could properly see the plant he was thrusting in her face: a glossy, green-leaved vine with a smattering of young berries. After the heartfelt nameday gift he had carved for her, she had shown enough interest in the Twelveswood’s flora that Isha’a, in a fit of academic excitement, brought back samples from his latest trip to Gridania as visual aids—including a few unintended burrs she had passed half a bell pulling carefully out of his hair. To be honest, she was rather more interested in a cuddle and a nap just now than day-old, withered-looking greenery, but he had gone to such an effort that she felt obliged to at least pretend to listen, even if only to absorb the soothing cadence of his voice. A regular scientist, she thought fondly, turning the plant in her fingers by the stem.

“What is it?”

“It’s called matron’s mistletoe.” Pages rustled in Isha’a’s lap as he leafed through the botany guide with his free hand, and Isha’a read, in what Yesugen had begun to think of as his Sharlayan professor voice: “It’s ‘a variety of parasitic plant’ — meaning it steals water and food from a host — ‘named after the goddess Nophica for its appearance of embracing the trees on which it grows.’ Eorzeans decorate with them around the Starlight Celebration.”

“You decorate with…parasitic plants?” said Yesugen. She had never heard the word parasitic before and pronounced it carefully.

Isha’a huffed a laugh. “Well, when you put it like that, it does sound weird. But they’ve been associated with growth, new life, and the coming of spring for a long time, so people decorate with them as a way to hope for those things in the middle of winter. In fact, there’s, um, kind of a tradition…”

He trailed off. Yesugen twisted a little to see his face; a flush had begun to creep up his neck, his tail twitching against her thigh.

“What?”

“You’re supposed to, uh, kiss under it,” he said. “Evidence suggests it started as part of marriage ceremonies in ancient Allag, but the tradition resurged in Coerthas after the Calamity since mistletoe still blooms in the cold, and anyway Ishgard tends to have complicated mores around  — Cheye, what are you doing?”

Yesugen had moved out of his reach to stand up on the sofa. Very delicately, she set the little sprig of mistletoe on the overburdened wooden shelf above them, a splash of festive, out-of-season greenery among the assorted jars, crucibles, and aludels already in residence. “It’s an Eorzean tradition,” she said matter-of-factly as she dropped back to a sit, raising her eyebrows. “I’ll try it.”

Isha’a’s face turned a truly interesting color. “But it’s—it’s the fifth astral moon. It’s t-too early…”

“We’re under the mistletoe,” said Yesugen, insistently. She twined her arms about his neck, trying hard not to smile at how he blushed and melted at her touch, although it must have been at least the hundredth time she’d held him in such a way, and failing miserably. “Tradition. That’s how it works, yes?”

Yesugen could almost sense him pulling himself up by his bootstraps. “Yes. Tradition,” agreed Isha’a gravely—or, really, as gravely as a very flustered, very happy Miqo’te could sound, which was to say, not at all—and kissed her.

That was his magic, thought Yesugen later when they parted, giggling to themselves, then laughing at how silly they were. Because no matter how many times he put his lips to hers, or grinned that toothy smile, or laughed that breathless laugh…

She always felt the swell in her chest like it was the first.

isha’a belongs to @mimiorzea

[jewlwpet]

Girl Alchemist Egg--Tale of the Rose track 1, translation

As far as I know, nobody else seems to be translating J. A. Seazer’s latest Utena album, which came out in August, to English (please correct me if I’m wrong)... so the job falls to me.

This is track 1,  知恵の竈(アルデル)実験祈祷室, or “Aludel of Wisdom Experimental Prayer Room”. An aludel is a kind of pot used in alchemy; it goes in a furnace (this is significant).

EDIT: I accidentally left out the romaji for one verse and missed a reference in the title; the version with all corrections (at least for now) is here.

EDIT 2: I changed my translation of the title to “Wisdom’s Aludel Oratory-Laboratory”. See here for my explanation as to why that’s a better translation.

金より不純物を除き それを純粋な形と成し それをうまくなし遂げる者は かくて、 賢者の石を作りえよう それは偉大な力の「石」であり 「石」と呼ばれていて石ではない 

To remove impurities from gold To shape that into a pure form The one who successfully accomplishes this, By this means, can create the philosopher’s stone  It is a Stone of great virtue  And is called a “Stone” and is not a stone.[i]

 錬金術師たち

Renkinjutsushitachi

The alchemists

ああ、永遠の知恵の錬金術   ああ、永遠の知恵の実験室   ああ、永遠の知恵の竃劇場

Aa, towa no chie no renkinjutsu Aa, towa no chie no jikkenshitsu Aa, towa no chie no kamado gekijou, gekijou

Ahh, eternal  wisdom’s [ii] alchemy Ahh, eternal  wisdom’s laboratory Ahh, eternal  wisdom’s furnace theater, theater

夢ではなく現れるドラゴン 世界創造の始めに 波の上を漂っていた神の如し

Yume de wa naku arawareru doragon Sekai souzou no hajime ni Nami no ue wo tadayotteita kami no gotoshi

It was not a mere dream; it materialized, the dragon![iii] Like unto God, who in the beginning created, Hovering over the surface of the waters.[iv] 

蒸留、昇華、煆焼、煮煎  反射、溶解、下降、凝結

Jouryuu, shouka, kashou, shasen Kansha, youkai, kakou, gyouketsu

Distillation, sublimation, calcination, decoction, Reflection, dissolution, descent, coagulation[v]. 

すべて水のなか 黒そのものより さらに黒 そして ルビーの燦然たるいろの耀き その間に発生する ああ、祝福される緑 万物芽吹かす緑

Subete mizu no naka Kuro sono mono yori Sarani kuro Soshite RUBII no sanzentaru iro no kagayaki Sono aida ni hasseisuru Aa, shukufukusareru midori Banbutsu mebukasu midori

Everything within water[vi], A blackness  still more black Than blackness  itself[vii], And, too, The ruby’s  brilliantly-colored radiance,[viii] All the  while: generation, Ahh, happy  green, Which dost  produce all things[ix]!

神の霊気の緑 カバラの緑 渦巻く宇宙 秘術師よ緑のライオンを 哲学者の火 賢者の火 鞴よ 錬金炉アタノールの火を熾せ

Kami no reiki no midori KABALA no midori Uzumaku uchuu Hijutsushi yo midori no RAION wo Tetsugakusha no hi Kenja no hi Fuigo yo Renkin ro ATANOORU no hi wo okose Behold!

The green of God's mysterious presence, The green of the Kabbala[x], The spiraling cosmos, The Magus, the Green Lion[xi]. The fire of the philosophers, The fire of the sages![xii] The bellows! Light the fire of the alchemical furnace, the athanor.

見よ 哲学の竈||実験室 宇宙の竈||実験室 散らかり放題の 貧乏吹き屋の実験室

Miyo Tetsugaku no kama no jikkenshitsu Uchuu no kama no jikkenshitsu Chirakari houdai no Binbou fukiya no jikkenshitsu

The philosophical furnace--the laboratory! The cosmic furnace--the laboratory![xiii] Scattered unrestrainedly, A poor smelter’s laboratory

われら 価値ある人間たらんがために 価値を目指す 錬金術師

Warera Kachiaru ningentaran ga tame ni Kachi o mezasu Renkinjutsushi, renkinjutsushi

For us To have value as humans To aim for value Alchemy, alchemy 

それは一月十七日月曜日正午頃、私の家で、立会人はぺるネル一人だった。人類救済一三八二年の年である。私は水銀に投入を行い、それを約半ポンドの純銀、鉱山のものよりも良質の純銀に変化させた。その後、やはりぺるネル一人の立会いのもとに私の家で、同僚の水銀に赤い石を用いて同じことを行い、四月二五日夕方五時、本当にほぼ同量の純金に変成した。普通の金より確実に良質でより軟らかく、よりしなやかであった。これは真実である。私と同じく理解していたぺるネルの助けをて、私はこれを三回実現したのである。 二コラ・ヴァロワ

Sore wa ichigatsu juunananichi getsuyoubi shougogoro, watashi no ie de, tachiainin wa PERUNERU hitoridatta. Jinrui kyuusai sen sanbyaku hachijuu ni nen no toshidearu. Watashi wa suigin ni tounyuu wo okonai, sore wo yaku han-pondo no jungin, kouzan no mono yori mo ryoushitsu no jungin ni henkasaseta. Sonogo, yahari PERUNERU hitori no tachiai no moto ni watashi no ie de, douryou no suigin ni akai ishi o mochiite onajikoto o okonai, shigatsu nigonichi yuugata goji, hontouni hobo douryou ni junkin ni henseishita. Futsuu no kin yori kakujitsu ni ryoushitsu de yori yawarakaku, yori shinayaka deatta. Kore wa shinjitsudeari. Watsahi to onaji rikaishite PERUNERU no tasukeote, watashi wa kore o sankai jitsugenshita nodearu.

The first time that I made projection was upon a Monday, the 17th of January, about noon, in my house, Pernelle only being present, in the year of the restoring of mankind, 1382. This was upon Mercury, whereof I turned half a pound, or thereabouts, into pure Silver, better than that of the Mine. And afterwards, following always my Book, from word to word, I made projection of the Red Stone upon the like quantity of Mercury, in the presence likewise of Pernelle only, in the same house, the five and  twentieth day of April following, the same year, about five o'clock in the evening; which I transmuted truly into almost as much pure Gold, better assuredly than common Gold, more soft and more pliable. I may speak it with truth, have made it three times, with the help of Pernelle, who understood it as well as I. --Nicolas le  Valois[xiv]

[i] The last two lines of this verse are from Les Cinq Livres or La Clef des Secrets, by Nicolas le Valois, a French alchemist rumored to be the deceased Nicolas Flamel, supposedly using an alias after attaining immortality through the Philosopher’s Stone. I don’t know of any English translation of this text, but the original French is online at https://alchimie.000webhostapp.com/cinq_livres_valois.html. It’s likely that the first lines are also from alchemical texts; I just haven’t been able to identify them

[ii] Eternal wisdom—a phrase from Heinrich Khunrath, used in the title of his book The Amphitheater of Eternal Wisdom. There is an English translation by Peter J. Forshaw, but I have not yet been able to find it; I have, however, contacted the translator inquiring how to obtain it.

[iii] Carl Jung, Psychology and Alchemy: “The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend 'the One, the All'. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.”

[iv] This is a clear reference to Genesis 1:1-2. “Like unto God” recalls the story of the Garden of Eden; Adam and Eve were forbidden to eat the fruit of the Knowledge of Good and Evil because it would make them like God. Alchemists were also seeking knowledge that would make them like God, although the authors quoted in this song emphasized that one could not attain it without God’s blessing.

[v] These are all names for different techniques in the chemical process. Most are still used in chemistry today (only the terms “reflection” and “descent” are no longer used, as far as I know).

[vi] Valois explains that “water” means something different in alchemy. Basically, this water is a truly universal solvent, capable of absorbing anything into itself. He uses an interesting metaphor for this: “It's this Maid Beïa, which has not yet been corrupted or lost its liberty, to marry infirm and ill-shaven bodies, as captives are, who can never leave their filthy prisons without the help of men. Thus preserving liberty with its integrity, we see in a philosophical manner this luminous star making infinite circulation turns, until it came in some reign.”

[vii] Putrefaction, the nigredo, the black stage in the alchemical process. The idea is that there must be sacrifice to facilitate new growth.

[viii] The philosopher’s stone is sometimes called the “celestial ruby.”

[ix] These two lines are from The Rosary of the Philosophers; however, I used the translation of the quote found in the translation of the Exposition, rather than the original text, although that can be found in English too: http://sociedadquimicamexico.org/rosarium.pdf. Here, it’s given as, “O blessed greenness, which engenders all things.”

[x] Many alchemists, both Jewish and non-Jewish, drew on the Kabballah (Jewish mystical texts), although how well they really understood it is questionable. I myself am not at all well-versed in this, but it seems that in the Kabballah, the color green represents healing and harmony.

[xi] The Green Lion typically represents the same thing as the dragon. E.g. The Glory of the World mentions “the Green Lion that imbibes so much of its own spirit.”

[xii] The author of The Glory of the World wrote of “indelible, living, or Divine fire, of that kind which God has placed in the Sun; and wherein God Himself burns as with Divine love for the consolation of all mankind... This is the fire of the Sages which they describe in such obscure terms, as to have been the indirect cause of beguiling many innocent persons to their ruin; so even that they have perished in poverty because they knew hot this fire of the Philosophers. It is the most precious fire that God has created in the earth, and has a thousand virtues -- nay, it is so precious that men have averred that the Divine Power itself works effectually in it. It has the purifying virtue of Purgatory, and everything is rendered better by it. It is not wonderful, therefore, that a fire should be able to fix and clarify Mercury, and to cleanse it from all grossness and impurity. The Sages call it the living fire, because God has endowed it with His own Divine, and vitalising power.”

[xiii] Different names for the athanor, a kind of furnace. The alchemists viewed their work as the creation of a microcosmos, a “petite universe” if you will. “Cosmic furnace” doesn’t seem to have been common in English, but one does find the French version, fourneau cosmique.

[xiv] This passage is adapted from Exposition of the Hieroglyphical Figures. By attributing it to Valois, Seazer continues in the tradition of claiming him as part of the legend of Flamel. We can infer from this passage and its attribution that the two voices we hear singing this song are meant to represent Nicholas and Per(e)nelle, Flamel’s wife, purported to have been an alchemist in her own right.

[othmeralia]

A divine old recipe for fortified wine.

People have been making and consuming wine for many thousands of years, probably first developed for medicinal purposes. This 15th century medieval manuscript in our collection contains the pictured recipe to fortify wine along with about 520 other recipes for various preparations. Fortified wine is distilled to make it stronger and help with preservation. The language is Latin which we roughly translated as:

A spirit of wine that is good, healthy, and much more useful than that in everyday use is made in this way.

Take however much you like of good, healthy red wine, clear and of good strength—however better [the wine] is in and of itself, so much the more useful and better [the product] will be for everything, and will be better in smell, taste, and of praiseworthy virtue.

Then put that prepared wine in a copper aludel [alembic] and distill it with a serpent [condenser] in its vessel affixed to it, then a clear water will be distilled, white, noble, and full of strength.

This manuscript is Othmer MS1, Recipes and extracts on alchemy, medicine, metal-working, cosmetics, veterinary science, agriculture, wine-making, and other subjects. Secreti Naturali. Probably written in Northwestern Italy before 1438. To view the manuscript digitally visit the Bibliophilly site.  

[myreidola]

Aludel

Noun: /ˡaljʊdɛl/ - AL-yu-dell

A type of pot, usually made from clay or glass, that is pear shaped and open at both ends.

[idlnmclean]

To be clear, this is dangerous to attempt under the best of practices and conditions and requires entire international efforts to be even close to clean and safe. The “lead into gold” story among alchemists is actually accurate but imprecise. Lead and processed uranium can look similar; they are both dense, malleable, dark almost black metals in refined form, and you can often find uranium and lead together due to lead being a common stable product of nuclear decay processes.

http://www.ccnr.org/decay_U238.html

In most of those stories, there are a few critical elements. The crucible, the philosopher’s stone, and the product of gold. You combine the quicksilver of the philosopher’s stone in the specially prepared crucible and apply processes of some kind to that combination and at the end you get gold. This is sometimes called the philosopher’s egg or Aludel.

Here’s some examples of mercury ore and potential examples of “philosopher’s stones”:

The crucible or aludel could be made with many materials. Uranium glass has been made at least in Roman from as far back as 79 CE. Blacksmiths and alchemists would try making many different kinds of alloys and using different materials with different melting points. Uranium in some forms is dark and dense like lead, but it has a much higher melting point that is comparable to iron. Some of the crucibles would be either intentionally or accidentally alloyed or coated with radioactive materials out of shear diversity of ground materials, difficulty in processes of purification, and experimenters over nearly 1500 years of experimentation across the earth.

What processes specifically get used varied a lot, and there was a lot of disagreement that seems to be linked with inconsistency of reproducing the results claimed by some, but the common theme is intense heat or what we’d now recognize as electroplating often involving some kind of acid.

This too is more or less accurate to real world process: https://www.wikihow.com/Make-Gold-from-Mercury

A nuclear crucible made out of radioactive lead or uranium alloys which is supplied with mercury and treated with heat and acid can indeed produce gold spontaneously. This isn’t just theoretically; it has been experimentally done.

You don’t get much gold, and the process of doing this with pre-industrial or early industrial manufacturing methods pretty much guarantees you live a short life due to radiation exposure and likely go “mad as a hatter” from exposure to vaporized or liquid mercury or lead, but it is actually confirmed. To be clear, this is dangerous to attempt under the best of practices and conditions and requires entire international efforts to be even close to clean and safe.

It is a form of what we sometimes call nuclear chemistry though the colloquial term “alchemy” is accurate.

A big part of the mistake is the notion that it is lead that you turn into gold in these processes.

It transpired that, under true nuclear transmutation, it is far easier to turn gold into lead than the reverse reaction, which was the one the alchemists had ardently pursued. Nuclear experiments have successfully transmuted lead into gold, but the expense far exceeds any gain.[10] It would be easier to convert lead into gold via neutron capture and beta decay by leaving lead in a nuclear reactor for a long period of time.

https://en.wikipedia.org/wiki/Nuclear_transmutation#Modern_physics

The variability involved the relatively unknown and imperceptible radioactive property of all this leads to inconsistency and a lot of disagreement throughout history despite the rarefied existence of the phenomena. It also lead to a lot of occult and magical belief and ritualistic practice around the execution of the process.

It is hypothetically possible to transmute lead into gold more or less through an accidental fissile reactor but it would be significantly less common in history of human experimentation than accidental fusion of mercury into gold.

You’ll also note on the first figure that bismuth shows up with uranium and lead. Bismuth can be transmuted into gold as well.

You don’t actually believe lead can be turned to gold, right?

SEE HERES THE THING

IT CAN

ALCHEMISTS HAVE HADRON COLLIDERS NOW