#Also thank you for these questions ^_^

[halos2]

Simple OC questions from @sparkledragon04, using these for my TES Oblivion OC, Camellia ^_^

Simple background, my OC is an Imperial woman, and is the Hero of Kvatch ^__^

1.) Favorite color?

She likes darker colors (such as black, dark blue, dark green, dark red etc etc) but doesn't have a specific favorite color.

2.) Preferred natural environment?

Camellia's preferred natural environment is cold weather. She comes from the northernmost city in Cyrodiil, Bruma, known for its cold temperatures and constant snow. Despite growing up surrounded by cold weather, you might think that Camellia would grow tired of it and come to resent it; however, she has always loved the cold climate and continues (and will always) to find comfort in it.

3.) Style of clothing (Armor)?

Heavy armor is the way to go, with the current favorite and most worn being the Blades armor. She loves feeling the weight of the armor on her body, which makes her feel secure. Before joining the Blades, her most worn armor set was iron.

4.) Favorite or least favorite food?

Due to growing up in cold environments, Camellia's favorite foods have to be stews; nothing can warm you and your heart faster than a good tomato or beef stew!! Of course...with a nice side of homemade bread. 

She definitely loves teas. In Elder Scrolls lore, juniper berries can be used to craft regenerate health and fortify marksman potions, and thistle branches can be used for resistance and fortify heavy armor potions so Camellia likes to keep a plentiful amount of these around in her living quarters, and her travelling satchel. However, besides creating useful potions, they make for beautiful flavors and are among her favorite tea flavors! Also, almost every drink sold in Oblivion (and Skyrim) is alcohol-based >_>, so it’s important that she always keeps these on her person when traveling. She's not opposed to alcohol, and enjoys an excellent wine on occasion, but tea is mostly preferred.

5.) Fears?

She has small fears of simple things like zombies and rats, primarily due to the diseases they carry. The thought of undead reanimation is somewhat frightening, but these things are not too much, they are not paralyzing kinds of fears that would prevent her from dungeon exploring.

Another fear is change. Camellia can handle pain, humiliation, shame, failure; these feelings would be the fears of others, but they are not foreign to her, though not pleasant, they are feelings she can handle. Those are things that she has grown accustomed to as a sword fighter, especially from a young age: humiliation and failure from losing matches, duels with peers, pain from feeling the sharpness of a sword on her cheek, ridicule from sword masters. However, despite the natural and inevitable nature of change in life, it's the one thing that she finds extremely difficult to accept and adapt to. People come into her life, bonds, and relationships are formed, and then one day, they're gone – either they leave or they die. What follows is a life accompanied by grief, yearning, and nostalgia, feelings that are hard for her to carry.

6.) Favorite or least favorite people?

Though she has only been a Blade for just a few months, her Blade companions have grown to become her favorite people and close family, specifically Belisarius and Jena (in the game, these characters only have little dialogue, but I may flesh them out in the future). Of course, insert Martin Septim here as well. I can’t think of any disliked people, but this may change during character development. However, she certainly does not like vampires.

7.) Romance?

Hmmmm, maybe…

8.) Are they a fighter? If so, how do they fight?

Yes, Camellia is a fighter! She has fought in the Arena for a few years in her youth and enjoys one-handed combat and blocking; she prefers the sword but is also an apprentice marksman. Recently, she has developed an interest in magic-based combat that has led her to sometimes use a novice-level frost spell and a fortify health one in combat, although she still leans on her regenerate health potions. Despite her magic skills being a work in progress, her desire to learn more remains, and she has bought a few magic books to assist her and hopes to seek a mentor in the future.

[ciderjacks]

dwarven brew

+

[lecoindecachou]

From this Hollywood Reporter interview.

[cherryfennec]

Summer Times

Hi! I'm finally back from my two week abroad trip!

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[risibledeer]

boat boys, shortgrass and greenbeans- what more could you ask for?

(ps-drawing reqs are open btw i need inspiration helpp)

[setacin]

"she's dead scar.... you won."

my cosplay of scar's secret life red life skin!

[sgtpeppers]

Paul and Linda performing a Blackbird / Bluebird / Michelle / Heart Of The Country medley (x) For @thebeatles

[lethesbeastie]

Hi, I saw your post about practicing drawing fat people and I was wondering if you could compile like a list of resources or references?

It can be difficult to find resources for drawing the wide variety of forms fat bodies can occupy, so I've done my best to bring together some resources I've been able to prove have some degree of diversity in the references they offer!

My primary resource recommendation for drawing fat people is Morpho Anatomy For Artists: Fat And Skin Folds! It does a wonderful job breaking down where fat accumulates on the body, how it interacts with the familiar landmarks of human anatomy, and what sort of shapes it tends to form under the influence of gravity. It's a phenomenal reference and my top recommendation for anyone seeking to improve at drawing fat people!

When it comes to finding decent photo references for fat people, the pickings are frustratingly slim. Most sites that specialize in pose references either don't have fat models or have all their images behind paywalls. Of the resources I looked through, the best sources for pose references were Adorkastock and Line of Action.

@adorkastock actively seeks to provide an incredible profile of pose references with diverse body types, and as an added bonus you can access a lot of their images for free on their site/Tumblr or join their patreon for early access to images! Line of action is a site aimed towards practicing figure drawing, providing images and a timed function to challenge artists to sketch within a set time limit. I took the time to go through roughly 300+ images and was pleased to find that during my session around two-to-three out of every ten photos were fat models. The only caveats to this was the fact that most of the images were of the same individual, limiting the applications for studying the variants of fat bodies. Still, it's an amazing tool that has a free mode and allows you to filter the types of references you want based on age and level of nudity.

Beyond sites that specialize in art reference photography, there's also the ever popular Pinterest, which is the site where I typically seek references for my personal studies. Due to the nature of Pinterest's extensive collection, there's a vast variety of references for different fat body types that includes a lot more "everyday" people. The primary issue with Pinterest however is the rampant reposting and lack of proper credits for images, which can make things dicey depending on how you wish to use the references you find. For personal studies this isn't really an issue, but for any sort of professional or paid work is something to be aware of just for the sake of accountability.

* For those who are 18+, porn photography of real people also offers an incredible wealth of visual resources for fat bodies and how they interact with gravity/movement/etc. The variety of positions and angles offer many opportunities to study human anatomy, and it's a pretty well-known fact that drawing NSFW art can be an important learning experience for those struggling with drawing anatomy. In the end, it depends on your personal level of comfort with viewing/drawing explicit images, but it's not something you should completely overlook.

Last but not least, look at the work of artists you admire who draw fat people! While I typically recommend sticking to photo references for learning anatomy, studying artist's portrayals of fat people is also incredibly helpful for learning different tactics for simplifying and/or stylizing fat bodies to better fit ones own style. There are also plenty of artists who've crafted tutorials detailing their approach to drawing fat folks, so I highly recommend you check them out as well! I hope the resources I've linked here can help you in your studies, and feel free to drop another ask if you have any more questions! I'm planning on posting a tutorial on how I do studies for fat people soon, so that will be an additional resource for you once I've got it posted!

[ballad-of-the-lamb]

What are the Lamb's thoughts as they went through their cult life? How does a day in their cult go? (Love the art so much! Hope you have a lovely day!)

[i-got-da-rubes]

“Thank you for asking what nobody else did.

What not even I considered.”

Drawn with my non-dominant hand.

[hedgehog-moss]

The blueberry tart moral quandary has been very fun to ponder! Thank you for sharing it with us. I think the real question, however, is what each of your animals would think about ordering two slices of tart under the circumstances

You're right, that IS the true question here. Let's situate this in a universe where blueberry tart is safe & delicious to eat for all animal species.

CHICKENS. The chickens would definitely want that second helping of tart because chickens live in a solipsistic moral universe and would hesitate to share tart even if it was their dying sister's last wish. However if you place two slices of tart on the ground for 2 chickens, they will immediately and violently start fighting each other over the same slice, thus giving you the opportunity to discreetly retrieve the first slice for yourself. Moreover, if a chicken manages to break off half of the slice and starts running like hell to go eat it elsewhere in peace, the other chicken will take off after her instead of eating the other half happily by herself. If they then break this half in two while fighting over it, they will resume fighting over that half of the half, allowing you to retrieve 3/4 of the second slice. And so on. This is Zeno's paradox applied to chickens and tart: the hens will spend the rest of eternity fighting over diminishing crumbs while you get almost all of the second slice back (albeit broken in increasingly minuscule halves.)

CATS. Not only would the cats want that second slice regardless of who else wants it, they would also sit & start grooming themselves on the rest of the pie with great serenity, rendering it inedible for anyone else. However, my original post established that the pies were under large bell jars. Two of my three cats are (to their everlasting torment) stymied by this sadistic human invention. If the bell jar is heavy enough that you can't push it off the table (a popular strategy), then Mascarille and Merricat will just circle it a few times, ram their faces into the glass, do a full body swipe against it in case this might open a secret door, and then walk away in frustration. Morille on the other hand is a cat possessed of extreme patience, diabolical intelligence and acute interest in forbidden food. She will get the tart no matter how long she has to lie in wait.

DOG. Pandolf would not want a second slice or even a first one, if he is made to understand that this might make other people sad. The thing with Pandolf is, he can smell disappointment. His great big nose picks up on every particle of human disappointment in the air and they go straight to his heart. He is also too polite to even defend his bone from thieving chickens. There's no way he would claim any tart at all unless someone gave it to him and made it clear they would be happy for him to eat it. However Pandolf is very cute when he sits there with a lolling tongue, happy for others to have a good time, and there is also no way one or several persons wouldn't give him their slice of tart. He would definitely end up with tart.

LLAMAS. Pampelune is the matriarch and since her duties involve dying to protect her herd in case of predator attacks, she considers it her prerogative to eat first and as much as she damn pleases in compensation. She would get two slices. I believe Poldine would choose to have only one slice and kiss everyone in the restaurant on the cheek for good measure, and I also believe she would actually get zero tart. As shown in the salt video, Poldine understands her place in the pasture hierarchy (the one who eats last) and has to resort to subterfuge to get even 1 lick of salt while others are gorging themselves. She will be very dependent on other people's temperance and decency to get any tart (so, Pandolf is her best bet.) Meanwhile Pampérigouste is trying to figure out how to escape the restaurant undetected to go on an adventure while the sheeple are talking about tart. She will get one or two or three slices but only if they can facilitate her various stratagems (for example, to bribe a guard at the door.)

The FISH—do not have the cognitive abilities to worry about morals but more importantly, do not experience soul-deep desires in the way the birds and mammals in this list do. My fish live in a smooth and quiet world where the gods make food rain from the sky every day. In this luminescent existence of untroubled abundance their capacity for longing has atrophied. They do not understand what wanting tart means, let alone the complex philosophical agonies humans can put themselves through when faced with culinary conundrums.

DONKEY. Pirlouit's first instinct would be to claim all the tart he can eat and then some. However donkeys and fish sit at opposite ends of the philosophical spectrum; Pirlouit strikes me as an animal who would be interested in exploring the ethical ramifications of the issue, as an intellectual exercise. 70% of his life consists in quiet deep ponderings. I think Pirlouit could get distracted ruminating the blueberry tart quandary in light of the rich philosophical heritage of donkey civilisation, and arrive too late to get any tart by the time he determined whether one or two slices is the right answer. Kind of like that time he got distracted by his need for revenge and was late for breakfast and the llamas had already claimed the hay.

IN CONCLUSION.

[stevebabey]

part one here. ze part two to touch-starved stevie that absolutely no one requested hehe <3 but i gots to let my boys have a wee kiss :")

So, hugs with Eddie become… well, a thing.

Not a thing. They’re not a thing, Steve and Eddie. It’s totally the same as when he gets hugs from Robin. Eddie’s doing him a favour as a friend. It’s got the 100% platonic energy of getting a hug from a friend — a hug that usually melts into some form of a cuddle, limbs all tangled together until they can’t tell whose are whose.

Except, Steve doesn’t really do that second part with Robin. Like he hasn’t done it ever with Robin.

So, it’s an Eddie thing.

But they’re not a thing. Not matter how much Steve would actually very much like for that happen. Okay, maybe Steve’s overthinking the whole thing a bit, but he just can’t tell.

Where’s the line? It’s infuriating not being able to discern between platonic and more, just because Steve wasn’t held enough as a fucking baby. Out of all the things he resents his parents for, Steve’s surprised that this is so near the top.

Because, sure, Steve’s had more than his fair share of hookups. He knows that sort of touch. He knows the shape of lust; the scrapes of fingernails down backs, the tight grips over skin, the push and pull of the heat of the moment.

And this thing with Eddie… is not that.

So, really, Steve knows that it’s all friendly. Eddie is just being nice. He’s being a decent dude and helping his friend out — by catapulting himself into Steve’s arms at every opportune moment.

(Steve’s only dropped 3 mugs of coffee because of this so far. It’s only because Eddie says good catch, big boy with a devilish grin every time that Steve manages to catch Eddie that Steve hasn’t completely told him to knock it off. Just yet, at least.)

And he’s different in other areas. He’ll always seem to choose the seat next to Steve on movie-nights now, content to snuggle right up to him. They get thigh to thigh, arm to arm — and Eddie only needs to get about 20 minutes in for him to do a big sigh, like an old dog, and slump over, resting his head on Steve’s shoulder.

Steve notices though. He always notices.

It’s impossible not to— the skin, even if there’s 3 layers between them, burns blazing warm. Eddie’s hair drapes over his arm, a curl inevitably tickling along Steve’s collar. He can feel the rise and fall of Eddie’s breathing, the little shake of when he laughs.

It drives Steve a little insane— insane in the way that makes him think about burying his fingers in those curls again, about pressing his lips against Eddie’s pretty mouth just to feel the smile against his skin, about digging into his chest so he can climb into his chest and live there.

Yeah, it’s— well, it’s safe to say that the effect of Eddie’s touchiness has sent what was once a fleeting thought of a crush into mind-melting levels of affection.

But he can’t fucking tell.

-

To Steve’s credit, neither can Eddie.

Which is not surprisingly considering sometimes he catches himself wondering how the hell he ended up here; in a close-knit friendship with band-geek Robin Buckley, princess Nancy Wheeler, and King Steve Harrington.

Okay, the Robin one sort of makes sense. He thinks that if no matter when their paths crossed, he and Robin would’ve always even some sort of strange friends - her snark complimenting his bitchiness. Also, the whole super queer thing helps too. Even the friendship with Nancy works, in its own weird way.

Steve though? He’s the fucking curve ball.

It works though, the two of them. Surprisingly well, actually — the two of them get on like a house on fire, bitchy quips back and forth. Even better, is the quiet that they can share. Steve loves to come around and do… nothing. Do nothing with Eddie, though.

So, even though Eddie had noticed the tension in Steve with touch, little moments where he turned rigid when Eddie’s usual wandering hands got too comfortable — Eddie chalked it up to the usual. Guys bring too uncomfortable with him, too weird about another guy being touchy. It didn’t matter than Eddie wasn’t even out to Steve yet, he was still might be that type of guy.

Well, Eddie had certainly thought so. Sure, Steve might not be one of those jocks who smacked around boys who looked too long in the locker room, but if he knew a smidge of the truth, who really knows. It would explain the tenseness at least.

But then— ‘Can I… have a hug?’ There had been a dozen things Eddie was thinking that Steve could’ve asked for but that? Wasn’t even in the ballpark. It was so left-field it left Eddie speechless for a whole moment. And Steve had been staring at the ceiling, his hands curled up tight again like- like he thought Eddie might say no.

A ridiculous thought, honestly. Anyone who knew Eddie well enough knew he was touchy; loved giving it, loved getting it. Like an overly affectionate cat, Wayne had once called him, just 11 years old, because Eddie’s need for affection seem to never be sated.

After that night, Steve’s lack of touch became far more obvious. It’s always hair ruffles or high-fives, yet never hugs. Normally, Eddie would keep to that boundary; some people are less touchy other than others, he knows that.

But… “Sometimes I realise it’s been awhile, since I’ve had some touch.” That’s what Steve had said, his words. Eddie doesn’t even think he meant to say something so heartbreaking. In fact, the guy seemed embarrassed.

It had thrown Eddie for a loop— because Steve gets around. He’s nearly notorious for one-night stands and failed flings, as Robin loves to drone on about considering she’s subjected to all the flirting. What had originally been a point of envy for Eddie, just saturates the bleakness of Steve’s words. Sex but without a moment of intimacy.

So, while Eddie is miles away from being the person who gets into Steve’s pants — not for lack of want, mind you — he does try hike up the touchiness. Little things. Lingering when he taps him on the arm, hooking his chin over Steve’s shoulder to peer over it, leaning up against him when they’re side by side watching a film.

It’s good. It helps Eddie release the pressure of his stupid monumental god-awful crush he has. Yeah, yeah, it’s laughable, even to Eddie. It’s like Gay 101; don’t get crush on straight dudes, especially the ones you’re friends with. And yet…

Steve lets him. He lets Eddie give him touch, more than he lets anyone else. He still tenses; there’s still always a moment before he can remember to relax, like he’s trying to shake off bad thoughts but then he melts. He always melts into Eddie’s touch eventually — in a way Eddie knows Steve actually loves it, drinks it up as much as he can.

And maybe, Eddie is the biggest fool to grace the Earth to let that fact give him some hope. Sue his gooey heart, he’s a romantic. It’s a quiet hope but, it’s there.

Tonight, it seems relaxing for Steve is been harder than usual— several times has Eddie traced a quite long along Steve’s arms, a subtle point that they were far too tense for someone who was wrapped up in cuddles on the couch. ‘Cos that’s 100% what they are now. Eddie will still call them hugs, but usually, when it’s just the two of them, it becomes this.

Steve, tucked up into the corner of the couch, one leg flush along the back of the couch and one hanging off the edge. It’s the prime position for Eddie to crawl up, wind his arms around Steve’s middle and give him a good squeeze and then settle there. Head on Steve’s chest, lying in the cradle of his hips. Safe. Warm.

It makes him warm, oh very warm to know that he gets this. That Steve doesn’t give this amount of trust to many, if any, other people but Eddie — he trusts Eddie.

“Y’know,” Eddie says, cheeks smushed against the plain of Steve’s pec. It feels deliciously warm and Eddie’s fairly sure he can feel how toned it is just through his cheek. Hot bastard. “I’m actually real glad you asked for that hug all those weeks ago.”

He leaves it there ‘cos he knows Steve will ask. Eddie’s eyes stay on the buzzing tv-screen even as Steve’s head shifts, turning to peer down at the boy slumped on his chest. Eddie’s pretty sure he can see Steve’s mouth twitch up into a smile.

“Yeah?”

“Oh yeah,” Eddie affirms, giving a nod and his eyes flick up to meet Steve’s for just a moment. “Think I’ve had some of the best hugs in the world.”

Okay, that was maybe more honest and sappy than Eddie was going for. He is just letting Steve know he isn’t just doing it for Steve — that he enjoys these moments just as much. He lays it on thick, tries for a smarmy angle.

“Swept up in these pillowy arms?” He croons, giving Steve’s bicep a quick squeeze, making the other chuckle softly. “Who wouldn’t think so? I’m a lucky guy.”

Despite the joking tone, there’s no quick comeback from Steve. That’s alright. Eddie’s quite happy if this is one of the times Steve just takes the compliment; let’s the word sink in and hopefully, believes them, even if it’s just a little bit. He watches the film and doesn’t read into the silence.

Not even when Steve says, “Eddie?” all soft. Nearly shy sounding. It doesn’t quite register to Eddie’s ears.

“Mm?”

“Eddie.” Steve says again, a little firmer and that catches Eddie’s attention. He turns his head and rests his chin on Steve’s chest, his brows drawn together in silent question.

But the moment he makes eye contact, Steve’s doing that scrunched up face again. Is studying the ceiling instead of facing Eddie. And just like all those weeks ago, his hands clench up tight. Twists up the fabric of Eddie’s sweater in between his fingers and uses it to ground himself.

Last time, he asked for a hug. Considering he’s currently just about squishing Steve beneath his body weight, Eddie can’t fathom what he might be worked up to ask for. Unless he was going to ask for something more than a hug— which, well, just wasn’t going to happen, even if Eddie really wanted it to.

“Can I-” Steve starts. He sucks in a breath, almost like he’s gathering courage. But he’s not, because he’s not about to ask for what Eddie hopes for, he’s not, he’s—

Unless…?

“Can I… have a kiss?” Steve asks, barely audible. The sentence is murmured, soft words that hit Eddie like a gentle kiss in itself — imprinting right onto his heart. Steve Harrington wants a kiss — from him!

“Oh.” Eddie says, in a breathy delightful way. He’s fairly certain the little monkey in his brain is clapping its cymbals at double-speed as the words process; or maybe it’s his heart, which feels like it’s leapt up his throat.

“Oh?” Steve echoes, a smile already playing at the edges of his mouth, because he can see Eddie’s want. Because he knows him.

“Yes.” Eddie says suddenly, with a frantic nod, pushing up closer so their faces are aligned. “Yes, absolutely, you can.” He affirms.

Steve huffs a quiet laugh at the eagerness and then his arm that had been slung around Eddie shifts. It moves up til his hand caresses along the line of Eddie’s jaw, tilting him just how he likes.

Eddie holds his breath. Counts the freckles he can see this close. Tries to feel Steve’s heartbeat through where they’re pressed so closely together; can Steve feel his? Thundering and hurried, beating so hard Eddie thinks he might bruise the inside of his ribs.

Then Steve kisses him. And shit, Steve’s lip are better by ten-fold than every daydream Eddie’s ever had about them. They’re warm and so soft — plush and pressing against his own and Eddie is freezing. Fuck, wait, how does this go again? Right, Eddie’s never… well, kissed anybody before.

Steve pulls back and Eddie screws his eyes up — not ready in the slightest for the disappointment of his own shoddy kissing skills. Fuck, did he really just freeze? Steve — Steve Harrington — asks for a kiss and Eddie decides to stab himself in the back by not figuring out how to fuck to kiss back.

“You call that a kiss?” Steve teases and Eddie’s well aware of the parallel — of the irony of Steve repeating his own words back at him. But he can’t make himself laugh even though it’s funny. Instead, a little groan wiggles out his throat.

“I’m sorry,” Eddie says, earnest. He forces his eyes opens — he needs to see what’s Steve’s thinking. Where he’s expecting disappointment or perhaps regret, is only patience. Maybe a touch of concern. Eddie continues, despite the humiliation that makes his throat sticky.

“I haven’t- I don’t do this often.” He coughs awkwardly clearing his throat and hoping it hides the next word. “Ever.”

There’s a jump in Steve’s eyebrows, a moment of surprise in his eyes that lets him know he did, indeed, hear that final word. It makes Eddie feel… well, it’s nice that Steve had expected him to have been kissed by now. Even if he hasn’t. He tries to take it as a compliment.

“That’s okay,” Steve assures. Absentmindedly, his thumb rubs soothing along Eddie’s jaw. It makes Eddie shiver, some outrageous amount of joy clawing into every nerve. Steve likes Eddie. He wants to kiss Eddie.

“Do you want to try again?”

Eddie nods before the questions even out of his mouth. Steve smiles, all sunshine. This time when he draws Eddie in, he notices the way Eddie holds his breath — the rigidness in his body.

Steve kisses him again, another short and soft one and then whispers against his lips, “Relax.”

‘Cos isn’t tonight just full of the parallels, Eddie thinks. He listens, tries to focus on how sweet Steve’s kiss is than his panicky heart, forcing out a breath between the kisses. His hands along Steve’s sides find a grip, grounding and good, and by the fourth kiss, he begins to feel a bit melty.

It’s good. It’s really good. Kissing Steve is top 5– nay, the top moment of his life so far. Somehow, it’s made all that much better knowing the build-up behind it. Knowing that Steve knows he isn’t just kissing him for a heat of the moment — that Eddie wants kisses here, kisses before bed, in the morning, on dates. Eddie wants Steve.

And with the way he kisses, Eddie’s pretty sure Steve wants him just as bad.

It doesn’t take long for Steve to reach what Eddie decides is an ultra pretty fuckin’ state; lips swollen from kisses, cheeks flushed, hair a little mussed up. He bets he looks no better. The thought makes him grin, enough they have to break the kiss ‘cos Eddie can’t stop his stupid happy grin ‘cos shit— he actually gets to have this Steve.

“What?” Steve asks, somehow half heart-eyed and half suspicious at the mischief in Eddie’s eyes.

“Can I... have a hickie?”

now with a part three !

[zu-is-here]

<– • –>

[hisui555]

Cooking commentary

Or, as my grandma would say : "That's a dish traditionally enjoyable by two people : one to distract the cook, the other to throw it out the nearest window."

Bonus :

(Had the idea to have Hero try to comfort him with kind words, only to accidentally finish him - "Don't worry I mess up vivariums too sometimes and then I can't house the beetles I catch" - with Assok laughing their fabric ass off but... meh, long enough already.)

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)