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songs345 · 6 months ago

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10 Best Songs Of Rekha Bhardwaj

Rekha Bhardwaj is a well-known Indian playback singer celebrated for her wealthy, soulful voice and versatility within the track enterprise. She is Delhi, she has carved a niche for herself inside the Indian tune employer.Known for her collaborations with tune director husband Vishal Bhardwaj, their partnership has produced a number of the most iconic and seriously acclaimed soundtracks.

Bhardwaj's voice is characterised via its intensity, emotion, and ability to affect various genres. Whether it is the raw depth of folks' songs or the elegance of classical melodies, she brings a completely unique flavour to each overall performance. Her contributions to films like "Omkara," "Maqbool," and "Dedh Ishqiya" have garnered her vast acclaim and numerous awards, which includes a National Film Award and Filmfare Awards.

The turning point in Bhardwaj's profession came with her collaboration with husband and friend song director Vishal Bhardwaj. Their artistic partnership has been a cornerstone of Indian cinema, producing a number of the maximum iconic and severely acclaimed soundtracks.

Vishal Bhardwaj's tunes, regularly rooted in Indian classical and people traditions, supplied the proper canvas for Bhardwaj's vocal prowess. Her capacity to seamlessly aggregate classical and parent elements, infusing them with modern sensibilities, created a very specific musical universe that resonated with audiences all through generations.

Beyond her movie work, Rekha Bhardwaj has additionally explored independent tunes, showcasing her artistry and vocal range. Her capacity to connect to audiences on an emotional level has made her a beloved parent within the Indian tune scene.

It may be as raw and earthy because the windswept plains, but as touchy and airy as a moonlit night time. Bhardwaj's versatility is high-quality; she might be able to transition from the haunting melodies of Namak Ishq Ka to the playful exuberance of Sasural Genda Phool. Her ability to imbue every song with a distinct emotional centre is what units her apart.

Rekha Bhardwaj's effect on Indian music extends past her staggering discography. She has redefined the position of a playback singer, proving that a voice may be both powerful and nuanced, industrial and creative. Her adventure is a thought to aspiring musicians, demonstrating that with skills, perseverance, and a unique voice, you can create a long-lasting legacy.

Bhardwaj's contribution to Indian cinema is endless. Her songs are not just mere accompaniments to visuals; they're fundamental to the storytelling method. They evoke feelings, create atmospheres, and leave a long lasting impact on the target market.

In a world ruled by way of fleeting tendencies, Rekha Bhardwaj stands as a timeless artist. Her voice, a treasure trove of feelings, continues to resonate with audiences, making her one of the most celebrated and revered singers within the Indian tune enterprise.

Formal schooling in classical music at Gandharva Mahavidyalaya laid the muse for her one of a kind style. Her subsequent tutelage underneath Pandit Amarnath in addition honed her capabilities, imbuing her voice with the depth and richness that might later become her hallmark.

While classical track changed into her first love, it changed into her collaboration with husband and renowned song director Vishal Bhardwaj that delivered her into the limelight. Their inventive synergy has ended in some of the maximum iconic and significantly acclaimed soundtracks of Indian cinema. Her voice, a rich tapestry of emotions, has turned out to be a critical part of the cinematic soundscape.

She has experimented with Sufi, qawwali, or maybe jazz, showcasing her adaptability as a vocalist. Bhardwaj's collaborations with other music directors, consisting of Shankar-Ehsaan-Loy and Amit Trivedi, have further accelerated her repertoire, solidifying her role as one of the maximum sought-after voices inside the business enterprise.They evoke feelings, create atmospheres, and depart a long-lasting effect at the target audience. Her capacity to connect to listeners on a deep emotional level has made her a cherished discern within the Indian music scene.

Beyond her film work, Bhardwaj has also explored unbiased track, showcasing her artistry and vocal variety. Her contributions to the song enterprise have been recognized with numerous awards, along with a National Film Award and two Filmfare Awards.

With her exclusive voice and charming performances, Rekha Bhardwaj has solidified her function as one of the maximum influential and respected singers in India.

In an era of speedy change and fleeting trends, Rekha Bhardwaj stands as a timeless artist. Her voice, a treasure trove of feelings, keeps resonating with audiences, making her one of the maximum celebrated and revered singers inside the Indian music business enterprise.

As Rekha Bhardwaj continues to accommodate as an artist, her adventure is one that promises to be as thrilling as her beyond. With her unwavering passion for song and her innate capability to connect with audiences, there may be no doubt that she will continue to inspire and enchant for future years.

10 Best songs of Rekha Bhardwaj

1.Kabira : Kabira is an Indian song from the 2013 Hindi film, Yeh Jawaani Hai Deewani. Composed by Pritam Chakraborty, the song is sung by Rekha Bhardwaj and Tochi Raina, with lyrics by Amitabh Bhattacharya. The track focuses on actors Ranbir Kapoor, Deepika Padukone and Kalki Koechlin.

2.Ghagra: The first look of Madhuri Dixit and Ranbir Kapoor's much anticipated item song Ghagra from the film Yeh Jawaani Hai Deewani.

3. Judaai: Dhawan, picking the song as his personal favourite song from the album declared that the "video of Judaai" is actually what Badlapur "Judaai" was digitally released on 23 January 2015 as part of the soundtrack album of the film.

4. Teri Faryad: Teri Fariyad is a Hindi language song and is sung by Rekha Bhardwaj and Jagjit Singh. Teri Fariyad, from the album Tum Bin 2, was released in the year 2016. The duration of the song is 3:08 minutes.

5. Hello Hello : Hello Hello' is sung by Rekha Bhardwaj and music of the song is given by Vishal Bhardwaj and 'Hello Hello' from Hindi movie ”Patakha”.

6. Mileya Mileya : Mileya Mileya Lyrics from Happy Ending: The song is sung by Rekha Bhardwaj, Jigar & Priya Andrews, composed by Sachin-Jigar.

7. Genda Phool: Genda Phool, from the album Delhi 6, was released in the year 2009. The duration of the song is also a hindi song.

8.Saazish : “The song is about love and loss. It’s about living some dreams and letting some go. And it’s about how making this choice can be the most difficult thing to do. It was truly a pleasure to have Rekha ma’am lend her voice.

9. Hamari Atariya : Hamari Atariya is a Hindi language song and is sung by Vishal Bhardwaj and Rekha Bhardwaj. Hamari Atariya, from the album Dedh Ishqiya, was released in the year 2013. The duration of the song is 4:08 minutes.

10.Ram and Sita: Ram Sita from the Hindi movie ’14 Phere’ featuring Vikrant Massey, Kriti Kharbanda is a brilliant song, and it has an enchanting voice by Rekha Bhardwaj. The agreeable lyrics of the paean are documented by Shloke Lal. Mukund Suryawanshi for Jam8 is the artist of RAM SITA’s par excellent music.

Conclusion:

Rekha Bhardwaj's journey is a testimony to the energy of raw talent, unwavering determination, and the perfect amalgamation of artistry and commerce. Her voice, a captivating combination of classical finesse and present day enchantment, has left an indelible mark on the Indian song landscape. From the grand degrees of classical track to the vibrant world of Bollywood, she has conquered hearts together with her soulful renditions. As she continues to evolve as an artist, one element is positive: Rekha Bhardwaj's legacy as a legendary vocalist is already etched in the annals of Indian tune history.

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bollywoodproduct · 3 years ago

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Lyrics Kal Ho Na Ho (Sad)

Lyrics in Hindi | Kal Ho Na Ho-Sad | Shah Rukh Khan, Preity Zinta, Saif Ali Khan Soni Banno Chan Si ChamkeMatthe Utte Jhoomar DamkePalkaan Uth DiyaanNe Tham Tham KeMain Vaari JaavaanSoni Banno Chan Si ChamkeMatthe Utte Jhoomar DamkePalkaan Uth DiyaanNe Tham Tham KeMain Vaari JaavaanTu Vekh Laiyin Aj Raj KeApne Saariyaan NoonChheti Apne Nai MildeJa Banno Paanve KhushiyaanTe Dil Daariyaan TuPaave…

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coldnerdnacho · 2 years ago

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Never knew enemies to fake friends to real best friends to soulmates is my ultimate trope

Here's another song dedicated to merthur cuz their feelings can't be explained without song

Dildaar hai rab vargaa

Hooo meraa yaar hai rab vargaa

My companion is like God

My lover is like God

Wo noor kaa jharnaa hai

Main pyaas puraani

Mainey aankh se gattak liyaa

Us husan kaa paanee

He is the lake of beauty

I am old thirst

I drank with eyes

the water of that beauty

Use taktey taktey taktey umar guzaarun

Koyi aur khayaal jo aaye jhat sey utaarun

I pass my life staring him

If some other thought comes, I leave that at sudden

Ishq karun yaa karun ibaadat

Ekko hi gal ai..

Whether I love or worship

Both are the same thing

Alfoo Allah, alfoo Allah

Alfoo Allah hu... (4 times)

God is first

God is before all..

#i was lisning to this song when this scene immediately came up #i kid not #plus the lake reference #merthur #merlin bbc #arthur pendragon #merlin emrys #Spotify #desi tumblr #desiblr

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brindaneer · 4 years ago

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Inspiration and positivity are what the entire human race is in dire need of during these uncertain times. The present blog acquires additional importance for us because the film it deals with is possibly one of the most motivational motion pictures produced by the Hindi movie industry in the past few years. Penned by the inimitable Javed Akhtar, and directed by Farhan Akhtar, Lakshya showcased the progression of Karan Shergil from an aimless, albeit good-hearted soul drifting through life into a dutiful officer of the Indian Army. Karan's path of self-discovery was not merely an entertaining watch; it was also about the vital role that initiative and determination could play in our lives. Thrown in the midst of a world pandemic after a hundred years, most of us have lost these amazing qualities up to some degree at least, which is probably why pondering over this film in particular seems to be a productive job at the moment. Ironically, a film that several people have drawn inspiration from over the years (people had actually joined the Army after watching Lakshya) had been declared a 'box-office flop' during the time of its release. In that aspect, Lakshya resembles classics like Kaagaz ke Phool, Mera Naam Joker, Pakeezah, Jane Bhi Do Yaaron, and Andaaz Apna Apna, all of which failed to take the box-office by storm, but went on to obtain cult status among viewers later. Astounding? Definitely. Great films sometimes fail financially without rime or reason and unfortunately, the same fate befell Lakshya.

At its core, Lakshya was Karan's story and not a war film. The war and Indian Army provided a perfect setting for Karan to find his true calling. Nevertheless, intricacies of the Kargil war along with the destruction, desolation and pain that accompanied it, and which are also inevitably associated with all international armed conflicts in general, were far from being neglected in the story. A great writer is able to strike a balance between various dimensions of a plot without compromising on his actual intention, and who better than the legendary Javed Akhtar to achieve that? He was complimented by his talented son, the captain of this ship, who ably steered the film into a direction his father had envisaged while writing the script. Karan's metamorphosis from a lazy, casual college-going boy, perpetually confused about what he really wanted to do with life into a mature and responsible man was laced with humour and drama in equal measure, a strategy Farhan had previously employed while depicting Akash's journey in the epic 'Dil Chahta Hai'. Yet, the real genius lay in how different these two journeys actually were. Nobody could accuse Farhan of repeating what he had already done in his debut directorial venture.

Moments such as Karan listing his engagements of the day to Romi's (Preity Zinta) father upon being asked about his future plans in life and then literally hijacking that man's opinion on the importance of giving the best, no matter what the job was, to pacify his own father were examples of the witty humour we were talking about earlier. Of course, the actors took these scenes to a different level altogether. Hrithik’s delivery of ‘Main ye sochta hoon Dad’ after Karan had just rattled the ‘achcha ghaas kaatnewala’ lecture, and Boman Irani’s (Karan’s strict father) poker faced ‘Thik sochte ho’ in return have never failed to elicit roars of laughter from viewers till date. This wit pervaded most of the film’s first half as Karan continued his antics- the expression of his eternal confusion through the iconic ‘Main Aisa Kyun Hoon’ (apart from displaying Hrithik’s insane dancing skills through the choreography of the one and only Prabhu Deva, this sequence also aptly conveyed Karan’s inherent dilemmas), his decision of joining the Army only because another friend had promised he would come too, his disappointment upon being dumped by that friend, his ‘unconventional’ marriage proposal to Romi and his characteristic callousness as well as indolence even during his stint at the IMA were hilarious to say the least. Hrithik’s comic timing was pitch perfect in every scene, and perfectly suited for the nuanced, elegant genre of comedy that the script had aimed at.

Just when we thought Lakshya was a hoot, Farhan introduced the dramatic element in it; and he did so with such subtlety and ease that the ensuing sequence of events seemed to be the only natural course for the film to take. The scene where Karan fell into the pool by sheer unmindfulness during one of his drills and got punished by his commanding officer was somehow able to generate a strange mixture of sympathy as well as laughter amongst the audience and proved to be one of the watershed moments in Karan’s story. Hrithik’s masterful portrayal of humiliation as Karan knelt in front of his fellow cadets engendered such palpable discomfort within us the first time that re-watching it remains difficult even now.

The Karan that emerged on the other side of this event was somewhat different. Staying true to his fickle-minded nature, he jumped the wall of IMA and fled home. Nevertheless, regret could clearly be observed on his countenance as he sat with his parents, head bowed in shame, forced to accept defeat in front of his father- a man, who had always underestimated him. The grievance in his eyes upon over-hearing Mr. Shergill's unfavourable opinion of him hinted not only towards Karan's underlying strong ego, but also revealed his latent desire to prove himself. The hurt ego, along with his heart, was eventually completely shattered when the one person who had genuinely believed in him refused to be a part of his life anymore. Romi, played by Preity Zinta with her usual vivacity and boldness, broke up with Karan at the same place where she had once agreed to marry him because he had failed to live up to even her expectations. For Karan, someone who had probably harboured feelings of inferiority ever since childhood because of incessant comparisons with his brother, this became the ultimate betrayal. As viewers, it was our interpretation that he never really understood Romi’s point of view; he only attributed one primary meaning to her actions- her belief in his worthlessness. Looking at this entire sequence from a neutral perspective, one might say that both Karan and Romi deserved some empathy from each other. Karan’s lack of conviction in everything he did naturally upset Romi to a point where she could not imagine spending the rest of her life with him. Can we really blame her? As far as Karan was concerned, he had to bear rejection from someone, who, he had hoped, would never judge him like his dad. Before this, he had been able to bear the brunt of his father's expectations because of the security that his relationship with Romi provided him. However, when she pushed him away, he truly hit bare ground, with no one to break the fall. The scene that followed the break-up will possibly remain one of the best pieces of emotional acting in Hrithik’s career forever. As easy as it might seem, crying your heart out on screen can actually be very difficult in practice. Hrithik obviously nailed the sobs, but more importantly, he conveyed his character’s rancour towards Romi most effectively through the unspoken hurt in his eyes, thereby suitably justifying the transition Karan would undergo next.

With no comfort zone left for him to turn to, Karan did what his parents, especially his father, and Romi had always wanted him to do. He grew up. He could have sulked like a petulant child and continued to live a directionless life like he had done previously. Instead, he chose to prove himself to Romi and made that his life’s goal. Ironically, Romi had disapproved when he insisted on joining the army earlier because she felt he was doing it to rebel against his father. But this was a different Karan. He was not rebelling anymore. He was trying to show Romi that he could be much more than what everyone thought about him. Sub-consciously, it was not just she who was the reason for this transformation; rather, it was both his dad and her.

Karan’s second stint at the IMA provided viewers with some of the finest moments in the film. His dedication towards learning and training, initial isolation and finally, amalgamation into the student community were fascinatingly depicted through the brilliant title song ‘Haan yahi rasta hai tera, tune ab jana hai, Haan yahi sapna hai tera, tune pehchana hai, tujhe ab ye dikhana hai......Roke tujhko aandhiyaan, ya zameen aur aasmaan, payega jo lakshya hai tera....Lakshya ko har haal mein paana hai’. Now, let us take a brief moment to acknowledge the terrific music by Shankar-Ehsaan-Loy which truly set the mood for the film. This song in particular struck a chord with us because of the simplicity and eloquence with which it expressed the inherent message of the story. The picturization was top-notch with several nuances throughout. Few moments stand out even now such as Karan passionately screaming ‘Dhawa’ during his drill, something he had been completely casual about earlier, Hrithik’s unflinching eye-contact with the CO who had previously punished him indicating that Karan was a changed man now, and Karan’s increasing camaraderie with his batch mates.

The song was followed by two important sequences, superb for the understated nature in which they expressed first Karan’s unspoken resentment towards his father, and then, his blatant grievance against Romi. In the first, Karan’s mother informed him that his dad had wanted to attend his graduation ceremony but could not ultimately, and in the second, Karan himself called Romi to inform her that he was finally a lieutenant of the Indian Army. At this point of time, talking about Hrithik’s acting probably seems redundant. So, we apologize for the redundancy (What? Did you think we would stop talking about it? 😱😱). Karan’s casual brushing away of his mother’s statement about Mr. Shergill conveyed volumes about how he had ceased to expect anything from his father; it also revealed the disappointment he felt, courtesy of Hrithik’s amazingly layered performance. Similarly, his delivery of ‘Saare faisle tum nahin kar sakti Romi’ was spot-on. It was optimally hurtful, just like it was supposed to be.

As his job brought Karan to Kargil, Ladakh, and he met his commanding officer, Colonel Damle, played to usual perfection by the enigmatic Mr. Bachchan who managed to captivate the audience completely during the few brief moments he had in the film, as well as other colleagues, the lines between proving himself to the two important people of his life and finding his true ‘Lakshya’ began to blur. By his own confession, he had never thought about the significance of being an ‘Indian’ until his senior colleague Jalal Akbar (a brilliantly natural Sushant Singh) took him to the border (pretty prophetic that Hrithik himself went on to play a different Jalal Akbar later in his career, right?). In all honesty, a considerable section of the audience probably felt the same too. The stunning Trans-Himalayan locales shot so artistically definitely added to this feeling, although any border area is usually capable of engendering such thoughts. The landscape of Ladakh has a strange haunting quality about it, and that played a substantial role not only in making the film a visual treat but also metaphorically with respect to Karan’s journey.

As he truly began to love his job, Karan realized that he was finally ready to let go of his ego as far as Romi was concerned. Unfortunately, Romi, after a lot of thought, and pining for Karan, had decided to move on with life, much to Karan’s shock and dismay. The scene where he stood outside the venue of her engagement and watched her laughing with her fiance was one of a kind for the lack of melodrama that usually accompanies such sequences. Its speciality lay in the director’s nuanced handling of emotions and the actor’s terrific portrayal of subtle poignancy.

Run down and broken by the trials of his life, Karan returned home to his parents, only to receive news that his leave had been cancelled, and that he was urgently required to return to base. The moment where he bid goodbye to his parents was the first time when his father openly expressed love and concern for him, although not exactly in those words. The visible tension on Mr. Shergil’s face as he lost his cool and asked Karan to tell the complete truth was a testimony to his worry for his son who was about to go to a border area amidst serious disturbances. The part where Karan hugged his mother and left with just an uncomfortable glance towards his dad was another of those amazing subtle moments which characterized Farhan’s direction for this film. Hrithik’s discomfort and Boman Irani’s disappointment were both heart-rending to watch and as a viewer, one really wanted to reach out and give both of them hugs. A special thanks to Farhan and whoever was in charge of casting for signing Boman Irani in this role. Hrithik and his scenes were like mini acting classes that aspiring actors could take tips from.

Sometimes, it is difficult to get on with life, more so after losing one’s love forever like Karan had, but military training had instilled a sense of duty and discipline in him that was impossible to ignore. Of course, he had already begun to find a deeper meaning in his life through his job, especially after spending time with his superiors and colleagues. And, so he marched on. Had Romi seen his sense of responsibility even during a time when his personal life was in turmoil, she would have been proud. However, the realization that this was his true calling was probably yet to come to Karan. It did, in phases as he learnt about the war situation from Colonel Damle, and then embarked upon it.

If two people are destined to meet, even the universe conspires to bring them together. The same thing happened with Karan and Romi as they crossed paths unexpectedly in Kargil, of all places. The scene where they saw each other amidst a convoy of army vehicles is absolute poetry. Kudos to Preity for being so natural with her expressions always; she was brilliant in every scene, and especially here as Romi’s eyes changed from pure surprise on finding Karan there to a subtle melancholy and probably hope ( ?) at the thought of their future interactions. Hrithik, as usual, was spot-on with Karan’s ‘seeing a ghost’ expression as he moved past her, without getting an opportunity to satisfy his curiosity regarding her presence there.

Their next exchanges were laced with intense angst, but not of the typical Bollywood kind, rather much more controlled and nuanced. The part where Karan, after knowing about the demise of his good friend Abir (from the IMA) found his other pal Saket (Abir’s closest friend) venting out at Romi requires special mention because of the seamless manner in which it shifted from a discourse on the necessity and morality of war to a fantastic interaction between the lead couple, their first face-to-face conversation since the break up. It was formal, yet intimate; mundane, yet special; filled with hope for more on Romi’s part, and discomfort as well as suppressed anger on Karan’s. This scene was followed by his a little mean ‘pata nahin’ when Romi asked him if he had decided whether they should meet or not, and his angsty ‘congratulations’ for her engagement. Of course, the poor guy had no idea that she had broken it off after finding out that her fiance who was apparently a highly motivated successful individual was also a narrow-minded chauvinist. The irony of life! Once again, kudos to the genius of Farhan Akhtar. Without even mentioning it, he managed to point out the difference between Karan and Rajeev, and it was clearer than ever why Romi loved Karan. Remember ‘Maine aj tak tum mein koi choti baat nahin dekhi’ ? However, Romi obviously did not explain the truth to Karan. It was truly frustrating at times to see these two souls so much in love with each other, and yet unable to let go of their stubornness. Nonetheless, the frustration could be borne because of the brilliant intensity of their scenes and the wonderful chemistry these two shared. Truly, we do not talk enough about Hrithik and Preity’s amazing on screen bonding. We really should!

Karan eventually found out about Romi’s broken engagement from a letter his best friemd Ashu had sent him a while back. Hrithik’s expression of shock portrayed the extent to which the news had unsettled Karan. Incidentally, just when love had given him a second chance, Karan encountered death more closely than ever. After an initial victory during the first battle (the one in which he had saved the life of a senior officer, and killed opponents for the first time; also possibly the one where he began to realize that serving his country had started becoming his passion), Karan and his battalion were massively defeated in the second and several lives were lost, including his close colleague, Captain Akbar’s. The scene where Akbar succumbed to his injuries in front of his best friend, Dr. Sudhir (played by the late Abir Goswami, may he rest in peace too) who tried desperately to resuscitate him while motivating the gasping man with remarks such as ‘aam khane jana hai na’ can make people cry anytime without manipulating their emotions or forcefully tugging at their heartstrings. In fact, this was true for every battle sequence in Lakshya, which made it one of the best war movies Bollywood had ever made. Notably, the script treated every character with sufficient respect including even the ones who had screen times of just a few minutes. Everyone had a well-crafted story arc, however small it might be but integral to the movie. Most importantly, not for one second did we feel that Karan had taken up the screen space of others.

The best example for this was provided by the great late Om Puri ji, who played the role of Subedar Pritam Singh. Of course, if you have the privilege of casting an actor of his calibre, your can rest assured of the outcome. Acting is at its best when it does not feel like enactment, and not many actors are more natural than Om Puri ji! Appearing on screen for not more than four to five scenes, he delivered some of the most profound dialogues in the film. He explained to Karan how a soldier knew better than anyone about the destructiveness of war; yet he had no other option but to be a part of it. When Karan asked why wars took place, he pointed out that human greed had drawn boundaries upon the earth’s surface and if it were in their hands, men would partition the moon too. How true it rings, especially now. People are actually talking about ‘making life interplanetary’. If it ever happens, countries are going to fight about demarcating territories there.

Moving on! Excuse the length of this blog please! A film like Lakshya has so many subtle intricacies that it becomes impossible to leave out scenes. But don’t be impatient please. We have almost reached the end of our ‘Lakshya’. A few sequences still deserve mention. First, the iconic ‘Tum kehti thi na Romi meri zindagi mein koi lakshya nahin hai?’ The defeat accompanied by the loss of close friends and colleagues had augmented Karan’s determination to win but our hero had also finally discovered his passion, his true calling. In moments when such epiphanies occur, is there anything else left to do other than crying? Probably not. That was exactly what Karan did. As usual, Hrithik’s performance elevated the quality of this scene, like so many others. The part where Karan pledged to Colonel Damle that either he would execute the mission successfully, or he would not come back alive was again equally impactful because of both Hrithik and Mr. Bachchan. The way Colonel Damle looked at his officer after this momentous declaration conveyed the immense pride, gratitude and grief he felt at that moment. Truly, Mr. Bachchan needs no dialogues to express emotions. His eyes do it all. And the same is true for Hrithik too.

Now, its time for our favourite scene in the movie. You guys must be thinking that we agree on everything. Well, we do agree a lot, but disagreements occur too. However, there was no disagreement on this one. We think its a lot of other people’s favourite too. You are right! We are talking about the scene in which Karan called his dad. This was on the night before the final mission- a mission that was near suicidal. Upon seeing his colleague Vishal take off his engagement ring and put it in an envelope, Karan finally acknowledged what he was running away from; something that he had buried deep down in his sub-conscious- his conflicted emotions towards his father. The knowledge that he might no longer be alive for a resolution made Karan pick up the phone and dial his number. Here is an anecdote in this context. When Boman Irani started shooting for his part in this sequence, Hrithik’s lines were being read by an AD, and Mr. Irani could not get his shot right because he was not able to get the proper feel. Acting is a lot about reacting, and the non-impactful delivery by the AD hampered Mr. Irani’s shot. Finally, the person in charge of the sound came to his rescue and Hrithik’s dialogues were played in audio (Hrithik’s part had already been shot by then) to which Boman Irani reacted. And what an outcome. This is the true mark of a great actor; he not only excels himself but helps others soar too. And what an honour to have helped an ace actor like Boman Irani! The performances by both in this scene were superlative and manage to leave us with lumps in our throats even today.

In his first ever heart-to-heart with his dad, Karan confessed that he had always disappointed his father and told him that he was aware of it. In return, his dad who initially had thought Karan had called his mom, finally told him how proud he was of him. A salute and heartfelt gratitude to all the parents out there who send their children to serve in the security forces so that civilians can live in peace. The smile on his son’s face was proof that he could die happy. The tears in both their eyes expressed the craving they had towards each other; the dejection that Karan had always felt upon being ‘ignored’ by his father was replaced by the understanding that his father had always loved him; the pain on Mr. Shergill’s face portrayed his disappointment for waiting so long to convey his love to Karan- so long that there was a chance he might never see him again.

Having poured his heart out to his dad, Karan finally set out to achieve his Lakshya of recapturing Point 5179 and hoisting the Indian flag on it, but not before a much needed conversation with Romi. What an amazing bond these two shared. Karan did not need to tell her explicitly that he knew about her broken engagement; she did not have to tell him that she still loved him. They just knew. Her ‘to phir main zindagi bhar intezaar karungi’ was far more intense than a conventional ‘I love you’. The beauty of this scene lay in the complete lack of melodrama which one usually associates with Bollywood scenes of this kind. No over the top background score, no hysterics, not even a hug! And the fact that they wanted to hug, but could not (because Karan’s seniors were waiting) made this moment even more poignant. Hrithik and Preity were the epitomes of subtlety here. The frustration of not even being able to touch each other before Karan left for a life threatening assignment was so tangible that even the audience imbibed it. Seriously, why did not Hrithik and Preity work more? They were so attuned to even each other’s silences!

The final mission proved the truth of Romi’s words. ‘Jis din usne decide kar liya ki use kya karna hai, aap dekhna wo kahan se kahan pohochta hai’. Indeed, Karan reached the peak of success, literally and metaphorically. The mountain-climbing scene deserves a special mention here. It was so perfectly done that the only comparison that comes to mind is the famous rock-climbing sequence in ‘The Guns of Navarone’ by the iconic Gregory Peck. And in all fairness, Captain Mallory only climbed a cliff; Captain Shergill had to climb a peak of the Trans Himalayas! Jokes aside, both scenes shall forever remain goosebump- inducing. Karan, obviously hoisted the Indian flag, and just in time. Boy, did he make Colonel Damle proud or what?!

Thanks to our friend Mita for this wonderful VM .

There is a saying that everything works out in the end, and if it does not, it is not the end. It indeed did happen that way for Karan. He found his goal, and achieved it too. As he walked out of that elevator, and hugged his dad finally, we surely did feel contented. And who said Mr. Shergill did not know his son? Well, he might have taken time, but now he understood him better than most. When Karan’s mother asked if they could go home, he objected. Go home? What NO! Karan had to go and fulfill his other 'Lakhshya’, right?

How wonderfully thoughtful of Romi to stand at a distance from Karan’s parents, wanting to give them the private space that they needed! Actually, kudos to the director for his sensitivity; such subtlety is not something that we frequently see in Bollywood. So thank God for ‘Lakshya’. Just like Karan’s story ended on a positive note as the camera focussed on him and Romi, holding hands, finally embracing each other, ready to step in to a new chapter of their lives, we also end this blog with a bit of optimism.. Let us all hope and pray that ‘Hum Jeetenge Ye Baazi’ (modifying Javed Akhtar’s line a bit) on behalf of every Indian, and every person in the world dealing with this pandemic.

P.S. This blog is dedicated to all the front-line workers (doctors, nurses, other medical personnel, medical suppliers, delivery executives, grocery storekeepers, and all other emergency personnel) who put their lives in danger everyday so that we may survive. Please know that you are always in our prayers. Also, let us all hope that no one remains shy of masks and vaccines anymore. Those are the most effective ways of countering this virus. Stay safe everyone!

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junglelascl · 2 years ago

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Zindagi na milegi dobara online free putlocker

Zindagi na milegi dobara online free putlocker movie#

Kabir’s another friend, Imraan, is a copywriter who works at an advertising agency in Delhi. Though reluctant to leave his work, he agrees to join his friends for the holiday. He had big dreams and his entire focus was to establish himself well in life. He grew up without a father and had seen a hard life. Kabir decides to set on a fantasy holiday, which he had planned to take up after college with two of his school friends, Arjun and Imraan, played by Hrithik Roshan and Farhan Akhtar respectively.Īrjun is a financial trader working at a huge firm in London. He gets engaged to Natasha (Kalki Koechlin) 6 months after meeting her. Kabir, played by Abhay Deol, is a wealthy young man who works in his father’s construction company in Mumbai. Javed Akhtar has penned the lyrics of Zindagi Na Milegi Dobara. Music director trio, Shankar-Ehsaan-Loy takes the credit for composing the pulsating music of the film. Some of the portions were shot in Egypt and India. Produced by Farhan Akhtar along with Ritesh Sidhwani of Excel Entertainment, Zindagi Na Milegi Dobara has been extensively shot at locations in Spain. Zindagi Na Milegi Dobara also features Spanish actress Ariadna Cabrol and will have brief appearances of Suhel Sheth and Naseeruddin Shah. Abhay Deol, Hrithik Roshan, Farhan Akhtar, Katrina Kaif and Kalki Koechlin play the lead actors in the film. Zindagi Na Milegi Dobara – the upcoming Hindi film directed by Zoya Akhtar is a story of three friends, Kabir, Imraan and Arjun, who embark on a road trip, that changed their lives forever. Retrieved 15 July 2011.Zindagi Na Milegi Dobara Release Date, Zindagi Milegi Na Dobara Release Date, Zindagi Milegi Na Dobara Movie, Zindagi Na Milegi Dobara Movie, Hrithik Roshan Zindagi Na Milegi Dobara, Katrina in Zindagi Milegi Na Dobara, Zindagi Na Milegi Dobara Photos, Zindagi Na Milegi Dobara Pics, Dobara Songs, Zindagi Milegi Na Dobara Photos, Zindagi Na Milegi Dobara Images Archived from the original on 18 July 2011. "Raja Sen reviews Zindagi Na Milegi Dobara". Archived from the original on 29 January 2018. ↑ "Zoya Akhtar hasn't made any 'women-centric' films but women certainly have the best roles in her movies".Archived from the original on 8 June 2018. ↑ "Top movies this weekend on Hiru TV"."Handbags are Kalki Koechlin's new best friend". Archived from the original on 12 November 2017. ↑ 7.0 7.1 "Zindagi Na Milegi Dobara Cast & Crew".Archived from the original on 25 April 2018. ↑ "Farhan Akhtar's clean-shaven look reminds us of his Zindagi Na Milegi Dobara days!"."What Abhay Deol Said About ZNMD 2 And 'Personal Fear' On Acting With Dharmendra". Archived from the original on 21 April 2017. "Happy birthday Hrithik Roshan: 6 milestones of his career". Archived from the original on 5 February 2012. "Top Worldwide Grossers ALL TIME: 37 Films Hit 100 Crore". ↑ BOI Trade Network (3 February 2012).Archived from the original on 13 September 2014. "Zindagi Na Milegi Dobara breaks even, makes Rs 590 crore". ↑ Indo-Asian News Service (18 July 2011).Archived from the original on 29 January 2016.

Zindagi na milegi dobara online free putlocker movie#

After its theatrical run, the movie was nominated for and won several awards, including two National Film Awards. It was a critical and commercial success that grossed ₹1.53 billion (US$26 million) and received critical acclaim for its performances, story, music, humour, and direction. Zindagi Na Milegi Dobara was worldwide released in 1,800 screens on July 15, 2011. The music and score were composed by Shankar–Ehsaan–Loy with lyrics by Javed Akhtar. It was filmed in Spain, India, Egypt, and the United Kingdom on a budget of ₹550 million (US$9.4 million). The movie features an ensemble cast consisting of Hrithik Roshan, Abhay Deol, Farhan Akhtar, Katrina Kaif, and Kalki Koechlin. info)) is a 2011 Indian Hindi-language buddy road comedy drama movie directed by Zoya Akhtar and produced by Farhan Akhtar and Ritesh Sidhwani of Excel Entertainment.

#Zindagi na milegi dobara online free putlocker

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bananafinders · 2 years ago

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Shankar mahadevan breathless song time

#Shankar mahadevan breathless song time how to#

In 2018, Mahadevan recreated the song to highlight the programmes and initiatives of the Narendra Modi-led government. Get DJ recommendations for harmonic mixing. Also see Camelot, duration, release date, label, popularity, energy, danceability, and happiness. He has given more than one song in the singing world. Key & BPM for Breathless - Shankar Mahadevan by Shankar Mahadevan. Famous playback singer and best composer Shankar Mahadevan is not interested in anyone's introduction today. This was the beginning of a long association, as Shankar, along with Ehsaan Noorani and Loy Mendonsa (as Shankar–Ehsaan–Loy), went on to score music for all of the films directed by Farhan and Zoya Akhtar.īoth Shankar and Javed Akhtar later reunited to come out with "Breathless Reprise," a similar song whose story takes off from where "Breathless" ended. Shankar Mahadevan brought Breathless Hanuman Chalisa, fans are reacting like this. The music video of the title song "Breathless" was directed by Farhan Akhtar and his sister Zoya Akhtar. Support quality journalism and subscribe to Business Standard.The music album was a huge success, selling over 300,000 copies and topped all major music charts in India for about 10 straight weeks. Your support through more subscriptions can help us practise the journalism to which we are committed. We believe in free, fair and credible journalism. He gained fame for his album entitled Breathless in which he sings constantly for over three minutes without pausing for taking a breath which is not true.he did take breaths.because it is not possible to sing in a single breath. More subscription to our online content can only help us achieve the goals of offering you even better and more relevant content. Shankar Mahadevan is a Tamil-Indian singer and music composer. Our subscription model has seen an encouraging response from many of you, who have subscribed to our online content. Even during these difficult times arising out of Covid-19, we continue to remain committed to keeping you informed and updated with credible news, authoritative views and incisive commentary on topical issues of relevance.Īs we battle the economic impact of the pandemic, we need your support even more, so that we can continue to offer you more quality content. He obviously took breaks in between his singing,But due to high professional.

#Shankar mahadevan breathless song time how to#

Your encouragement and constant feedback on how to improve our offering have only made our resolve and commitment to these ideals stronger. Shankar Mahadevan obviously didnt sing breathless for the entire 6 minutes. Over 3000 people from different parts of Bangalore as well as the rest of the country gathered to celebrate the spirit of music.ĭuring the closing ceremony of the fest, DJ and independent artist Nikhil Chinapa announced that the next edition of Storm will take place in December in Coorg later this year.īusiness Standard has always strived hard to provide up-to-date information and commentary on developments that are of interest to you and have wider political and economic implications for the country and the world. Sunday also witnessed the performances of bands such as Anthony Daasan and Yen Party and Indiva as well as independent artists Suheela Raman and Raghu Dixit Project., while spinners such as Pearl, Tuhin Mehta and international DJ artists such as Danny Rampling and Kid Creme also performed. The highlight of their performance was Mahadevan's fast, faster and fastest version of the song "Breathless", which catapulted him into the big league in Indian music industry many years ago. The latter crooned several of his own hits such as "Maa" (Taare Zameen Par) and few more songs. Tucker and Mahadevan mesmerized thousands of audience with a memorable jugalbandi performance. That album went on to get over 10 million hits in a very short period of time. Tucker, clarinetist and music composer, launched his debut album "The ShrutiBox" featuring cover version several popular Indian songs on YouTube in 2011. While rest of the world was thinking of creating a revolution with digital medium, Tucker spearheaded that movement and turned out to be a sensation on digital platform," he said. "I have worked with very few path-breaking artists and Shankar Tucker happens to be one of them. Mahadevan said Tucker is truly a path-breaking artist. Initially, Tucker and his band performed some of their new compositions along with independent singer Vidya Iyer, while Mahadevan joined on stage later. I have been his fan since his first album and I think it's truly a dream come true to perform with him on stage," Tucker said during the performance. "It's my honour share the stage with Shankar Mahadevan.

#Shankar mahadevan breathless song time

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gelasssoek · 4 years ago

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Papaya kuch shahi andaz mein. Kuch Toh Hai Colors Tv Hindi Drama Serial Full Episodes HD Quality, We Try Our Best To Make Available All Latest Episodes, Kuch Toh Hai Voot Watch Online. Papaya is one of the well known healthy fruit and Raw papaya or green papaya considered as a very healthy vegetable. This is having many vitamins for our body specially for Skin. today i am presenting tasty and healthy Shahi Papaya Kofta recipe.

Papa bahut roye the maa ko is halat mein dekh ke. Unhone doctor par case bhi kiya aur court se hum jeet bhi gaye. See more of Dil Ka Ehsaas !!

Hello everybody, it is me again, Dan, welcome to our recipe site. Today, we're going to prepare a special dish, papaya kuch shahi andaz mein. It is one of my favorites food recipes. For mine, I will make it a little bit unique. This will be really delicious.

Kuch Toh Hai Colors Tv Hindi Drama Serial Full Episodes HD Quality, We Try Our Best To Make Available All Latest Episodes, Kuch Toh Hai Voot Watch Online. Papaya is one of the well known healthy fruit and Raw papaya or green papaya considered as a very healthy vegetable. This is having many vitamins for our body specially for Skin. today i am presenting tasty and healthy Shahi Papaya Kofta recipe.

Papaya kuch shahi andaz mein is one of the most favored of recent trending foods in the world. It's appreciated by millions daily. It is easy, it's fast, it tastes yummy. Papaya kuch shahi andaz mein is something which I have loved my entire life. They are nice and they look fantastic.

To get started with this recipe, we have to first prepare a few ingredients. You can cook papaya kuch shahi andaz mein using 25 ingredients and 9 steps. Here is how you cook that.

The ingredients needed to make Papaya kuch shahi andaz mein:

{Prepare of For Koftas.

{Get 1/2 cup of Raw Green Papaya peeled and grated.

{Make ready 100 gram of Paneer.

{Make ready 1 of Boiled Potato.

{Take 2 tbsp of Corn flour.

{Make ready 1/2 tsp of Salt.

{Prepare 1/4 tsp of Garam Masala.

{Make ready 1/4 tsp of Black Pepper powder.

{Prepare handful of Chopped Cashews and Raisins for stuffing.

{Get of For Gravy.

{Make ready 2 of Onion.

{Make ready 1 cup of Tomato puree.

{Get 1 tbsp of Cooking Oil.

{Make ready 2 tbsp of Cashew Paste.

{Prepare to taste of Salt.

{Take 1/2 tsp of Kashmiri lal Mirch( chilli) powder.

{Get 1/2 tsp of Haldi( turmeric) Powder.

{Make ready 1/4 tsp of Honey/Sugar.

{Make ready 1/2 tsp of Dhania ( corinader)Powder.

{Make ready 1/4 tsp of Garam Masala.

{Make ready 2 drops of Kewra essence.

{Prepare 1/4 tsp of Green Cardamom Powder.

{Prepare 3 tsp of Chopped fresh coriander leaves.

{Take 3 tsp of fresh cream for garnishing.

{Take 1/2 tsp of Kasoori methi.

Han Mere Jaisa Ishq Mein Pagal, Phir Mile Ya Na Mile Kal Sochna Kya Hath Ye Dede Mere Hath Mein. You may never find someone like me who is crazily in love. Ankh Uthi Mohabbat Ne Angdayi Li Dil Ka Sauda Hua Chandani Rat Mein Oh Teri Nazron Ne Kuch Aisa Jadoo Kiya Lut Gaye Hum Toh Pehli. "Jeetendra" Ko Iss Janwar Se Lgta Tha Darr, Badi Filmon Mein Kaam Karne Se Kiya Tha Inkar. Song - Koi Kahe Kehta Rahe Film - Dil Chahta Hai Singer - Shankar Mahadevan, Shaan, K K Lyricist - Javed Akhtar Music Director - Shanker, Ehsaan, Loy Artist. Результати для запиту Naye andaz mein.

Steps to make Papaya kuch shahi andaz mein:

Clean, peel and grate the papaya. Squeeze out its water.Mash the potatoes, paneer nicely and Add grated papaya to it..

Add salt and black pepper to it. Grease your clean palms and make lemon size balls, flatten them and stuff, chopped raisins and cashews in it..

Roll them again, keeping in mind, no cracks are formed. Else they might break in oil. Fry each of them on medium heat.

Gravy – Soak 5-6 cashews in little warm milk After 5 minutes, churn them in mixy to form a fine paste, keep aside..

Meanwhile, take a kadhai and add oil, finely chopped onion, ginger garlic paste and cook them on medium flame, till they turn pink..

Add in tomato puree, salt, kashmiri laal mirch, haldi powder, coriander powder, cook it till it leaves it side. Switch off the gas, cool the gravy.

When it is cooled down, put it in mixie jar and give it a nice churn. Pour it again in kadhai, add little water to it, make thick gravy consistency. After one boil, add in cashew paste, kasoori methi, kewra essence, honey, add one teaspoon cream to it. Switch off the gas.

While serving, warm your koftas in microwave and pour in hot gravy, on top of it. Garnish it with elaici, powder, garam masala powder, chopped coriander and few drops of cream.Serve it with your fav bread like lachha parantha or naan! Happy feasting!.

Notes: Clean the papaya, nicely and remove the white seeds and thin white layer from inside, before grating Koftas are very soft, so do not boil it in the gravy for too long..

Twenty memorable dialogues from the rib-tickling comedy Andaz Apna Apna, as we celebrate twenty years of its release. hadees speech of larka by qari haneef rabbani بہت یاد آتی ہے ماں رلا دینے والے اشعار Molana Nasir Madni Bohut Yaad aty hay maa Bazaron mein zina sare aam Songs included in this Jukebox are :-. Kuch Toh Hai: Naagin Ek Naye Rang Mein (There's Something: Female Serpent In A New Colour) is an Indian supernatural, fantasy, thriller television series produced by Balaji Telefilms. Watch popular Indian movies online with HD on YuppFlix.

So that is going to wrap this up for this special food papaya kuch shahi andaz mein recipe. Thanks so much for your time. I am confident you can make this at home. There is gonna be interesting food in home recipes coming up. Remember to bookmark this page in your browser, and share it to your loved ones, friends and colleague. Thank you for reading. Go on get cooking!

#recipesfood

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srvverms-blog · 5 years ago

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Best Bollywood Music Directors

Without a doubt, Bollywood music has some attractiveness that could steal the hearts of everyone. There are numerous fans across the globe of Bollywood music as back to the old times when people listened to the songs to motivate themselves & that can only be happened by the likes of Kishore Kumar, RD Burman & Lata Mangeshkar who created the magic. Then there was a time when Kumar Sanu, Udit Narayan & Alka Yagnik created the benchmark of romantic Bollywood songs that no one could have beaten till now as the songs of the 1990s was something that it is still in the hearts of the people. Music can only be hit when the music is correct & the lyrics of the songs are perfect. So here is the list of famous music directors who were the right hand of creating some magic Bollywood songs.

1. AR Rahman: There should be no doubt that who is the king of the Indian Music Industry, AR Rahman who has taken the music industry to another level & taking the music internationally also. Rahman is quite popular across the world & many countries who have hosted the events, have honored him to bring the magic into the music industry. We all should feel lucky to witness one of the best artists & Bollywood is blessed to have Allah Rakha Rahman. His famous Jai Ho from the movie Slumdog Millionaire was one of the best of that year that led to winning him the academy awards & the only Indian to achieve this feat.

2. Shankar Ehsaan Loy: Everyone is familiar with the trio as the three legends have ruled the Bollywood music industry for many years. The three of them have composed the famous songs like Its the time to disco, Pretty Woman from Kal Ho naa Ho, Bhaag Milkha Bhaag, Wake Up Sid, My Name is Khan, Kabhi Alvida Na Kehna. As all the songs of these movies will remain forever in our hearts & we all know Shankar has sung various songs in which one song he sang was breathless which blew away all the people with such talent. They have been giving music to this industry for the last twenty-two years & Bollywood is blessed to have the trio as there will be no one like them.

3. Pritam Chakraborty: Undoubtedly, one of the most renowned music directors in the world as Pritam has given some magical music to the industry. Pritam has given songs for a famous films like Love Aaj Kal, Yeh Jawaani Hai Deewani, Ae Dil Hai Mushkil, Barfi, Race & many more as all the music has a special place in the hearts of the people. Some of his songs also made controversies but that didn't stop him to become one of the best in the industry. Pritam has won several awards for his contribution to the Bollywood & has been working for almost seventeen years.

To Book Singer for House Party, please visit StarClinch (India’s 1 artist and celebrity booking website)

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jimmyherry-blog · 6 years ago

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Reviews of 5 Bollywood hit songs

Bollywood songs are famous in the whole world and due to their world wide appeal they gey loved by one and all in different parts around the world. Here are reviews of 5 Bollywood hit songs Upcoming Bollywood celebrity movies list -

- Music Directors Jaidev-Kumaar has done a very good music direction for the one of its kind Bollywood movie “Bajatey Raho”. Jaidev is already known for his contribution in Punjabi Music industry. Lyrics were written by Kummar. The item number used in the movie has attracted the music lovers. The Nagin Dance Remix used for the item number has got beats and rhythm and will definitely become one of the most popular party song or club number. The title track of this movie is a hip hop and rap and the combination has made it a unique one. The lyrics are absolutely doing justice to the situation. Another song “Khurfati Ankiyan” along with the “Nagin Dance” is sure to hit the road once the movie gets released this Friday. The rating for the songs is 3 out of 5.

- Zinda, a track from the movie “Bhaag Milkha Bhaag” is already a hit. The lyrics are written by Prasoon Joshi and the song showcase how a protagonist grows up as an athlete. The song is sung by Siddharth Mahadevan and the way it has been sung will definitely compel people to listen it repeatedly. The use of guitar riffs in this song has made it breathtaking and thrilling and the music touches our soul. The music of this movie is directed by Shankar-Ehsaan-Loy and it is definitely a comeback movie for this trio. The other songs of this movie will also hit the road because of their lyrics and soothing music. The son “zinda” is the debut song for Siddharth Mahadevan, son of Shankar Mahadevan. This song has already made its own signature and has enough to make you feel for your motherland. The singer has superb voice and lyrics are inspirational. The music gets a rating of 3 out of 5.

- With Pritam all ready to make his mark as one of the best music directors, the music done for “Once Upon a time in Mumbai” will not disappoint the listeners. The song “Ye Tune Kya Kiya” has topped the chart and has won the hearts’ of music lovers since first day. To choose Javed Bashir for this sufi-qawwali music genre, Pritam has taken the right decision. The lyrics are written by Rajat Arora and they are perfect to make you feel both love and pain. Pritam had also done the music composition for the original movie “Once Upon a time in Mumbai” last year. All the songs of this movie are melodious and are going to remain as chart toppers for many days. This composition by Pritam showcase his class is addictive and classy. The music gets a rating of 3 out of 5.

- The movie “Chennai Express” directed by Rohit Shetty starring Shahrukh Khan and Deepika Padukne has music composer Visha-Sekhar and Amitabh Bhattacharya as the lyricist. The movie has six originals, a dub-step up version and a mesh up. “1234 Get on the Dance Floor” is already getting like by the music lovers. The song has Tamil Flavor. The song is sung by Vishal Dadlani and Hamsika Iyer. The song is addictive and would be liked by many but if overall composition has to be considered, it has become a bit noisy as many instruments are used in this. The song Titli has more Tamil flavor with few Tamil vocals sung by Chinmayi Sripaada. Malayalam singer and composer Gopi Sunder has also sung this song very well. This song touches the heart for its melodious tunes.

- Aashiqui 2 is the sequel of Ashiqui which was released in 1990. The original movie had some of the hit soundtracks and a lot is expected out of this sequel. All the 11 songs in this movie are original and there are no remixes. Jeet Ganguly is the main music composer and the other two are Ankit Tiwari and Mithoon. The song “Tum Hi Ho” sung by Arijit Singh is a song that one can listen for the life time. This song is one of the best songs of the movie. The song is dripping with melody is bound to touch your soul when you listen it. Use of piano, strings and beats are done very effectively in this song. The song is just the right one to create a romantic atmosphere and singer Arijit Singh has done his work remarkably. You can get Upcoming Bollywood celebrity movies list and Bollywood Gossip News Today. You will be amazed after checking out or site as it has all you are in search of.

#Upcoming bollywood celebrity movies list #Upcoming bollywood movies list #Today bollywood celebrity news #Bollywood Gossip News Today #Latest news india today

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bhuwank · 5 years ago

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Best Item Songs Of All Time

1) Sheila Ki Jawani (Tees Maar Khan)

One of the most loved and hyped Bollywood item numbers of all time, Shiela Ki Jawani was a massive hit in the country. Just after its release, it was all over the country. It was being played in every other club, bars, parties, wedding ceremonies of the country. Sung by Sunidhi Chauhan and Vishal Dadlani and features Katrina Kaif along with Akshay Kumar.

2) Chinki Chameli (Agneepath)

Another massive super hit of the most gorgeous Katrina Kaif, Chikini Chameli was sung by Shreya Ghoshal and the choreography was done by Ganesh Acharya. The song features Hritik Roshan alongside Katrina Kaif and was first revealed on 15th December 2011.

3) Munni Badnam Hui (Dabangg)

Another song which absolutely needs no introduction as this song was on every music player of every individual in every city of the country. Its a super hit song from the 2010 released movie Dabangg and features the beautiful Malaika Arora Khan opposite of Sonu Sood as well as Salman Khan. Mamta Sharma and Aishwarya Nigam have sung this song. For this record-breaking song, Mamta Sharma won the Filmfare award for the best playback singer of the year and it also helped Sajid-Wajid and Lalit Pandit to win the Filmfare award for the best music director.

4) Dil Mera Muft Ka (Agent Vinod)

Kareena Kapoor is without any doubt one of the most gorgeous actresses of the Indian industry and rightly so, she is the gift of God to the Indian film industry. This song justifies every single bit of the previous statement. Setting the stage on fire through her dazzling moves and sizzling performance, Kareena Kapoor's presence in this item number made this song a super hit.

5) Kajra Re (Bunty Aur Babli)

One of many great the all-time classics, Kajra Re was composed by Shankar Ehsaan-Loy and was sung by several playback singers named Alisha Chinoy, Shankar Mahadevan and Javed Ali. The song features the father-son duo of Amitabh Bachchan and Abhishek Bachchan opposite Aishwarya Rai, who made a special appearance in the movie. The song won several awards - Filmfare award for the Best Playback Singer Female (Alisha Chinai), Best Lyricist award(Gulzar) in all major award ceremonies which included IIFA as well as Filmfare Awards.

6) Ohh La La Tu Hai Meri Fantasy( The Dirty Picture)

Coming from the blockbuster movie The Dirty Picture, which released in the year 2011. The highly catchy song features the gorgeous Vidya Balan opposite Naseerudin Shah. The super hit song was included in Fox American sitcom television series as well as was used in a few regional movies which includes Race Gurram.

7) Anarkali Disco Chali (Housefull 2)

Malaika Arora Khan and item numbers are that combination made in heaven that can never go wrong. Another hit item number by one of the most stunning actresses of the industry, Malaika Arora Khan's presence in this song made it all the more brilliant. The movie includes two elder actors Mithun Chakravarthy and Boman Irani shaking their legs and grooving to this brilliant music alongside Malaika.

Hope you liked this article.

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#dance #book dancer #StarClinch

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celebsbooks · 6 years ago

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Sonu Nigam is an Indian Singer, Actor and TV Anchor. He was conceived on 30 July 1973 in Faridabad, Haryana, India. Sonu Nigam works in Bollywood Film Industry. He Has Also sung in Bengali, Gujarati, Telugu, Tamil, Marathi, Tulu, Assamese, Odia, Nepali, Maithili and different Indian Language film melodies. He built up himself as the main and Commercial effective Singer of India. Sonu Nigam Net Worth is $8 million and His Salary 7-8 Lakh Rupee for every melody. Sonu Nigam Film Song Debut Bewafa Sanam (1990, Bollywood) and Album Debut Rafi Ki Yaadein Vol 10-20 (1993). He made his on-screen lead part Hindi Movie Jaani Dushman: Ek Anokhi Kahani (2002).

Sonu Nigam

Sonu Nigam Age 45 Years Old, He conceived in Faridabad, Haryana, India. His Father is a Singer named, Agam Kumar Nigam and His mom Shobha Nigam. He has two more youthful sisters Meenal and Neekita. Sonu Nigam is moved on from University of Delhi, New Delhi. Sonu Nigam Married to Madhurima Nigam and they have one child Nevaan. He is Hindu by Religion, Sun Sign Leo and Nationality Indian. Nigam is a sub-position of Kayastha, an upper-level Shudra of North India.

Sonu Nigam Height 5 ft 7 in (170 cm) and Weight 65 Kg (143 lbs). His Body Measurements are 38-30-12 Inches. Sonu Nigam Chest Size 38 Inches, Waist Size 30 Inches and Biceps Size 12 Inches. He has Black Color Hair and Dark Brown Color Eye.

Sonu Nigam is an exceedingly acclaimed Indian playback vocalist whose melodies have been highlighted in various Bollywood and Kannada films. He has likewise discharged various Indi-pop collections and acted in a couple of Hindi component films. He as of late changed the spelling of his last name from 'Nigam' to 'Niigaam' as per numerology.

Early Years⤵

Sonu Nigam started his singing vocation at three years old when he joined his dad in front of an audience to sing Mohammad Rafi's "Kya Hua Tera Wada". At that point on, he went with his dad on his singing assignments at weddings and gatherings. He moved to Mumbai with his dad to start his Bollywood singing vocation at 18 years old.

His first film tune as a playback artist was in the motion picture, "Janum" (1990), which was never authoritatively discharged. He got a break as a playback vocalist in Gulshan Kumar's motion picture, "Aaja Meri Jaan". He at that point sang the melody, "Accha Sila Diya", for the collection, "Bewafa Sanam" (1995), which gave him the acknowledgment as a built-up playback artist.

Melodic Education⤵

It is said that music keeps running in the veins of certain fortunate people. That is by all accounts the case with Sonu Nigam also. Sonu's dad, Agam Kumar Nigam used to perform in arrange appears. Little Sonu used to go with his dad to his shows and his enthusiasm for music developed from that point. When he was four years of age, he had a fit in one of the shows saying that he needed to sing. He sang the superhit tune of Mohammed Rafi "Kya Hua Tera Wada" of the motion picture "Murmur Kisi Se Kum Nahi". That was the start of what has ended up being one extraordinary melodic trip.

Sonu's preparation started at home. He grew up taking in the subtleties of music from his dad. He took preparing of established music from Ustad Maha Kanjar Naveed in Delhi. His enthusiasm for music superseded each other intrigue and he sought after it with a resolute core interest. As a young person, he participated in various local and national music rivalries and won the vast majority of them. It was then that the possibility of turning into a popular playback vocalist in Bollywood jumped out at him. He chose to move to Mumbai when he was 18 and was joined by his dad. He proceeded with his melodic preparing while he was chasing for circumstances under the tutelage the amazing traditional music maestro Ustad Ghulam Mustafa Khan.

Music, Sonu says, is a ceaseless adventure. One needs to put in a ton of his spirit into it and learn constantly. Keeping up quietude and regard is a key part of being a decent education and concentrate the greatest learning

Profession⤵

Playback Singing⤵

Sonu got his first break for playback singing in a motion picture Janam in 1990 however shockingly the motion picture wasn't discharged. He put a considerable measure of confidence in the agreement from T-arrangement yet was disturbed when his tunes were dismissed for S. P. Balasubramaniam. Inspired by his ability, T-arrangement proprietor, Gulshan Kumar offered him a singing contract for his forthcoming venture 'Bewafa Sanam'. The tune 'Achha Sila Diya Tune' turned into a colossal hit and individuals began sitting up and pay heed to this skilled artist.

He battled amid his underlying days in Mumbai as he was not getting numerous playback openings. He did some radio plugs. His principle wellspring of salary was from organizing appears as a Mohammed Rafi voice twofold. He likewise did some forgettable playback work in films like 'Aaja Meri Jaan' (1992), 'Shabnam' (1993), 'Aag' (1994), 'Khuddar' (1994), 'Hulchul' (1994), 'Double' (1994) and 'Slam Jaane' (1995).

His profession took off when he sang consecutive hits like 'Sandese Aate Hain' in the 1997 film 'Outskirt' for which he won the Zee Cine Award. He rearranged among different melodic classes and styles with tunes like 'YehDil' in 'Pardes' (1999) toward one side and the title track of the 2004 film 'Kal Ho Na Ho' at the other. With time he turned into the most trial vocalist in Bollywood playback industry, taking up exceptional undertakings with all the best arrangers including A.R. Rahman in 'Sathiyaa'. Coordinated efforts with current arrangers like the Shankar-Ehsaan-Loy trio, for the melody 'Tanhayee' in the super fruitful 'Dil Chahta Hai', showed his stunning reach and adaptability. He caught the gathering of people's souls with his smooth sentimental versions of melodies like 'Suraj Hua Madhyam' from the motion picture 'Kabhi Khushi Kabhi Gham', or deep 'Dheere Jalna' from the film 'Paheli', both of which won him Zee Cine Awards for Best Playback Singer Male.

At a certain point around 2010-2011, consistently Bollywood motion picture tune was sung by Sonu Nigam. He has worked with legends of Indian music like Lata Mangeshkar and Khayyam. He has incredible regard for contemporary artists like Sunidhi Chauhan, Shaan, Shreya Ghoshal and Kailash Kher.

Aside from Hindi, he has had immense achievement in Kannada motion picture industry also. Till date, he has sung more than 600 melodies in the Kannada dialect. Tunes like 'Cheluve Yeke Bande' from 'Majnu', the title track from the film 'Monalisa' and 'Kannale' made by V. Ravichandran from the film 'Aham Premasmi', made much sensation and won him a few honors.

Music Albums⤵

In 1992, he discharged a collection 'Rafi Ki Yaadein' comprising of fronts of well known Mohammed Rafi melodies. In 2007 he discharged another accumulation of Rafi tunes titled 'Kal Aaj Aur Kal' with over a 100 melodies in a six circle design. He likewise discharged the collection titled 'Rafi Resurrected', a two-plate gathering of Rafi tunes, in 2008.

He discharged a few collections with unique melodies throughout the years. His collection titled 'Deewana' discharged in 1999 under T-arrangement's mark was an enormous achievement. His other unique collections like 'Jaan' and 'Chanda Ki Doli' were discharged in 2000 and 2005 individually.

His other essential music collections were 'Traditionally Mild' in 2008 and 'The Music Room' in 2014 as a team with percussionist Bickram Ghosh.

Author⤵

Sonu Nigam is moderately new in the part of a music author and has made music out of a few tracks in standard Bollywood films like, 'Singh Saab the Great' (2013), 'Jal' (2014), 'Glad Anniversary' (2016) and 'Tum Jo Mil Gaye Ho' (2016).

Joint efforts⤵

His ability has pulled in a few cooperative works with famous music identities from everywhere throughout the world. After the demise of the incredible artist Michael Jackson, Sonu contributed a tune in the tribute collection 'The Beat of Our Hearts' which highlighted vocalists like Judith Hill, Mike Thompson, and Quincy Patrick. He sang at the Inauguration Ceremony of Harvard University's 28th President with the Harvard College Sangeet. In 2008 he visited the United Kindom with the City of Birmingham Symphony Orchestra (CBSO), singing Mohammed Rafi melodies which were later changed over into the collection, Rafi Resurrected. Sonu worked together with Britney Spears in 2011 Nigam on a remix of her track 'I Wanna Go'. In 2012 he highlighted in the melody 'Indian Levels' in a collection delivered by DJ Avicii.

Acting⤵

Aside from a pleasant voice, Sonu is additionally honored with glorious great looks. He has included in films like 'Jaani Dushman: EkAnokhiKahani' (2002), 'Kash Aap Hamare Hote' (2003) and 'Love in Nepal' (2004). These films did not toll well in the cinema world and Sonu did not seek after acting further.

TV and Radio⤵

Toward the start of his vocation, Sonu facilitated the singing rivalry demonstrate 'Sa Re Ga Ma' in 1995 which made him an easily recognized name. From that point forward he has shown up in numerous unscripted tv appears as a judge. He has shown up in Indian Idol (seasons 1, 2, 3, 4 and 7), Amul STAR Voice of India (seasons 1 and 2), Chhote Ustaad and X – Factor India.

Sonu Nigam additionally showed up on a radio show on Radio City 91 FM, known as 'Life Ki Dhun'.

Honors⤵

Till date, Sonu Nigam has had 29 designations of which he has won 15. He has packed away esteemed honors like Film Fare, Zee Cine Awards, and National Film Awards. He won the most extreme number of honors for Best Playback Singer Male for the title track of film 'Kal Ho Na Ho'. A rundown of his assignment and honors might be found in https://ift.tt/2Mfs0Qk.

Discussions⤵

He confronted colossal reaction from the Bollywood music industry for being vocal about issues like Singer's Right and Copyright Act. Gossipy tidbits about issues in marriage had surfaced in the media, in spite of the fact that Sonu and his significant other denied such assertions and are going solid.

Pop Albums And Concerts⤵

Sonu has discharged various pop collections, both in Hindi and in Punjabi. The "Traditionally Mild" collection is the best among all. He has likewise discharged a few collections of Mohammad Rafi's tunes and in addition reverential collections.

TV, Radio, And Acting⤵

Other than "Sa Re Ga Ma," Sonu Nigam has likewise facilitated the TV indicate Kisme Kitna Hai Dum and has been a judge on the show Indian Idol (disclosed on Sony Entertainment Television) seasons 1 and 2. Sonu came back to Indian Idol in its third and fourth seasons as a big name judge.

Individual Life⤵

Sonu was destined to Agam Kumar Nigam and Shobha Nigam on July 30, 1973, in Faridabad, Haryana, India. He went to the J.D. Tytler School. He has two sisters, Meenal and Neekita.

Sonu is near his folks. The two his dad and mom are great vocalists, and in 2005 and 2007 his dad discharged two profoundly well-known collections, "Bewafaai" and "Phir Bewafaai", individually.

Neekita is additionally an artist. She has sung a couple of playback tunes and showed up on a couple of stages appears with Sonu. Sonu wedded Madhurima on 15 February 2002. They have a child, Nevaan, conceived on July 25, 2007.

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songs345 · 6 months ago

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10 Best Songs Of Rekha Bhardwaj

With her exclusive voice and charming performances, Rekha Bhardwaj has solidified her function as one of the maximum influential and respected singers in India.

10 Best songs of Rekha Bhardwaj

2.Ghagra: The first look of Madhuri Dixit and Ranbir Kapoor's much anticipated item song Ghagra from the film Yeh Jawaani Hai Deewani.

5. Hello Hello : Hello Hello' is sung by Rekha Bhardwaj and music of the song is given by Vishal Bhardwaj and 'Hello Hello' from Hindi movie ”Patakha”.

6. Mileya Mileya : Mileya Mileya Lyrics from Happy Ending: The song is sung by Rekha Bhardwaj, Jigar & Priya Andrews, composed by Sachin-Jigar.

7. Genda Phool: Genda Phool, from the album Delhi 6, was released in the year 2009. The duration of the song is also a hindi song.

Conclusion:

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bollywoodproduct · 3 years ago

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Lyrics It's the Time to Disco

Lyrics It’s the Time to Disco

Lyrics in English | It’s the Time to Disco | Kal Ho Naa Ho-2003 | Shah Rukh Khan, Preity Zinta, Saif Ali Khan Dil Hai Mera Deewana KyaKehta Hai Ab Ghabraana KyaTaal Pe Jab Jhoome BadanHichkichaana Sharmaana KyaKhul Ke JhoomonKhul Ke GaaoAao Aao Ye Khul Ke KahoIt’s The Time To Disco (2)Kaun Mile Dekhho Kis KoIt’s The Time To DiscoDil Hai Mera Deewana KyaKehta Hai Ab Ghabraana KyaTaal Pe Jab…

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#100 Best Songs of Javed Akhtar #A to Z Bollywood Dance Numbers #A to Z Bollywood Disco Songs #A to Z Bollywood Songs #A to Z Hindi Songs #A to Z Song Lyrics #A to Z Songs #All Time Best Songs of Disco Shanti #All TIme Best Songs of KK #All Time Best Songs of Loy Mendonsa #All Time Best Songs of Preity Zinta #All Time Best Songs of Saif Ali Khan #All Time Best Songs of Shaan #All Time Best Songs of Shah Rukh Khan #All Time Best Songs of Shankar–Ehsaan–Loy #Antakshari Songs from D #Best 100 Songs of Shankar-Ehsaan-Loy #Best 25 Songs of Vasundhara Das #Best 50 Songs of Shaan #Best Bollywood Disco Song #Best Bollywood Songs of 2000s #Best Dance Songs of 2000s #Best Dance Songs of 2003 #Best Dance Songs of Shah Rukh Khan #Best of Javed Akhtar Songs #Best Romantic Songs of KK #Best Songs Composed by Shankar–Ehsaan–Loy #Best Songs of KK #Best Songs of Loy Mendonsa #Best Songs of Shah Rukh Khan and Preity Zinta

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shakeel786blog · 7 years ago

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Raazi Review – Bollywood Hungama

In the past few years, Bollywood has churned out some very exciting spy films like AGENT VINOD [2012], PHANTOM [2015], BABY [2015], BANG BANG [2014], EK THA TIGER [2012], TIGER ZINDA HAI [2017], D-DAY [2013] etc. Most of these films also had the role of a female spy who looked like she meant business and would easily kick ass. Katrina Kaif’s portrayal in the TIGER series is the most apt example. But imagine a spy who’s completely feminine replete with long, flowy hair and salwar kurtas et al. Anil Sharma did slightly touch upon this aspect in 2003 with his biggie THE HERO: LOVE STORY OF A SPY. Now Meghna Gulzar attempts to make a complete film on this aspect with RAAZI. So does it manage to engross viewers like the other spy films? Or does it fail in its endeavour? Let’s analyse.

RAAZI is the story of a young girl from India sent to Pakistan as an undercover agent. The year is 1971. Pakistan is all set to make a surprise attack on India and the Indian intelligence is trying it’s best to get the details. Hidayat (Rajit Kapur) lives in Srinagar and travels to Pakistan for business. He is a part of the Indian intelligence but has convinced Pakistani Brigadier Syed (Shishir Sharma) that he works for them. Hidayat is terminally ill and he asks Syed if he can get his daughter Sehmat (Alia Bhatt) married to Syed’s younger son Iqbal (Vicky Kaushal). Syed agrees and surprisingly, Sehmat also gives her nod. Sehmat is obviously being married to Iqbal to spy in the house of Syeds and she gets adequate training from Khalid Mir (Jaideep Ahlawat) from Indian intelligence. Sehmat gets married and she gradually gets attached to Iqbal, who gives her the space and doesn’t force himself on her. Meanwhile Sehmat begins her surveillance and finds out crucial information regarding naval attacks planned by Pakistan against India. However the challenges faced by Sehmat are immense and one wrong move can prove fatal for her. What happens next forms the rest of the story.

RAAZI is based on Harinder S Sikka’s novel ‘Calling Sehmat’. The story is novel and stands out from the rest of the spy films as the lead character goes to any lengths, morals be damned. And this bit comes across very nicely. Bhavani Iyer and Meghna Gulzar’s screenplay is a mixed bag. In most scenes, it’s simplistic and engrossing.

RAAZI doesn’t commence on a high note but grips viewers well. The characters are well established and Sehmat agreeing for the dangerous mission could have come across as not so believable. But thankfully that doesn’t happen. Her training sequence is interesting but the film gets better once she moves to Pakistan. Though the film drops for a while, it picks up brilliantly in the intermission point when Sehmat drives the jeep. Arguably it’s the best part of the film. Post interval, the film has some engaging moments but at the same time, the film begins to slow down. There should have been a more gripping cat and mouse chase game but that never really happens. The manner in which Sehmat is able to escape suspicion most of the times is very unconvincing. The finale however makes up for the minuses to an extent. Some of the scenes however gets complicated. For instance, some of the details provided by Khalid during Sehmat’s training is difficult to process as it is presented too quickly. Also the interest drops in some scenes. Meghna Gulzar’s dialogues are simple and neat and are very craftily written. Meghna Gulzar’s direction is impressive. Despite the content being niche, she tries to tell the story in a commercial format. She does falter at places but overall, manages to do justice to the plot.

Alia Bhatt delivers a powerhouse performance and this is surely one of her most accomplished works. Her character is living a double life and she brings out this aspect very nicely. In the emotional and breakdown sequences, she shines! Vicky Kaushal has a limited screen time but he leaves a mark. His character is sure to be loved. Rajit Kapur is quite endearing. Jaideep Ahlawat is very good. This talented actor deserves to be seen more in movies. Shishir Sharma is quite dependable. Notice how endearing he looks when he’s interacting with Sehmat but transforms in another avatar altogether when he’s talking business. Amruta Khanvilkar (Munira) is lovely. Arif Zakaria (Abdul) plays a dynamic role with panache. Ashwath Bhatt (Mehboob) has a small role but is effective. Soni Razdan (Teji) is okay. Other actors do a good job.

Shankar-Ehsaan-Loy’s music is melodious but won’t be remembered, except for ‘Ae Watan’. The song has an anthem like feel and can get a longer shelf life if it’s played during Independence and Republic Day celebrations in the country. The title track gets noticed while ‘Dilbaro’ is completely relegated to the background.

Shankar-Ehsaan-Loy and Tubby’s background score is quite exhilarating. Jay I Patel’s cinematography works big time. The exterior shots of Kashmir are simply breathtaking. Nitin Baid’s editing is nice but should have been more razor sharp. Subrata Chakraborty and Amit Ray’s production design is very authentic. Maxima Basu Golani’s costumes are appealing. Harpal Singh’s action is subtle and not very detailed.

On the whole, RAAZI is an interesting thriller brilliantly narrated by Meghna Gulzar that makes for mature viewing. It is a film that celebrates nationalism that is devoid of the colors of religion. At the box office, it has the potential to grow with positive word of mouth and keep its makers happy.

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