#Alix Delaporte

[cinecritik]

Avec ses acteurs convaincants, #vivants est pertinent dans la description des métiers du journalisme d’investigation et de son évolution, mais il y manque une mis en scène plus originale et un traitement fouillé des reportages. On reste sur sa faim.

www.cinecritik.com

[laplumesansmasque]

Vivants, le métier de Grand Reporter

Le film Vivants décrit la vie d’une équipe de grands reporters. Dans ce groupe qui travaille jour et nuit pour capter l’actualité il y a de la vie, de l’aventure, des accidents, des histoires d’amitiés et d’amour, un métier magnifique.   Alix Delaporte ne fait pas un film parfait, un peu trop haché, trop filmé caméra à l’épaule, mais a le grand mérite de la véridicité, de nous faire aimer ce…

[lemagcinema]

#LAFF2023 - Vivants - Rencontre avec Alix Delaporte

Rencontre avec Alix Delaporte, juste avant la cérémonie de clôture du festival des Arcs 2023.

Retrouvez l'article complet ici https://lemagcinema.fr/festivals/festivals-nationaux/les-arcs/les-arcs-2023/laff2023-vivants-rencontre-avec-alix-delaporte/

[adniel1949]

Ciné-club en baie diffuse "Angèle et Tony" film de Alix Delaporte avec Clotilde Hesme et Grégory Gadebois. César du meilleur espoir féminin, César du meilleur espoir masculin. César du meilleur premier film

Ciné-club en baie diffuse “Angèle et Tony” film de Alix Delaporte avec Clotilde Hesme et Grégory Gadebois. César du meilleur espoir féminin, César du meilleur espoir masculin. César du meilleur premier film

Un premier long-métrage juste et sensible, fermement ancré en Normandie et remarquablement interprété. La rencontre d’une jeune femme au bord de la désocialisation et d’un marin taiseux.

Synopsis

Angèle est une jolie jeune femme un peu perdue. Elle a un fils, Yohan, qui a été confié à ses grands-parents. Pour lui offrir la poupée soldat dont il rêve, Angèle vend son corps. Puis, par le biais…

[paoloferrario]

Angèle e Tony, di Alix Delaporte, con Clotilde Hesme, Gregory Gedebois, 2010

Angèle e Tony, di Alix Delaporte, con Clotilde Hesme, Gregory Gedebois, 2010

TRAMA: https://it.wikipedia.org/wiki/Ang%C3%A8le_e_Tony#Trama

[phgq]

EU launches PH cycling tour, fora for Women's Month

#PHnews: EU launches PH cycling tour, fora for Women's Month

MANILA – The European Union Delegation in the Philippines is launching several activities to celebrate the 2021 International Women's month, including a cycling tour, a series of film screenings, dialogues, and roundtable discussions that advocate for gender equity and gender equality.

“It is imperative to ensure the well-being of society and to foster economic growth, prosperity, good governance, peace, and security," said EU Ambassador to the Philippines Luc Véron Tuesday, adding that gender mainstreaming is high on the agenda of the EU in the Philippines.

“The EU ensures that programs implemented in the country are screened through a gender lens taking into consideration the needs of women and girls," he added.

On March 21, Véron will join Filipino bikers and other European envoys such as Ambassadors Saskia de Lang of Netherlands, Michel Goffin of Belgium, Grete Sillasen of Denmark, and Michèle Boccoz of France for a solidarity ride titled "Empowering Women thru Cycling".

The cycling tour will start from Intramuros going to Rizal Park, with SM Mall of Asia as the last stop.

The cycling group will do a short stop at the Binhi ng Kalayaan to highlight the important role of women who fought for the freedom of the country.

A culminating program will then feature stories of seven women whose activities in their daily lives and pandemic have helped their communities.

The activity is initiated by cycling advocates and women’s advocacy groups: Bikers United Movement, Life Cycles Ph, Pinay Bike Commuters Community, and InThePink.

The EU Delegation and the Foreign Service Institute will also conduct a “Women in Diplomacy” webinar on March 22, from 2 to 4 p.m. to discuss the state of play in gender equity and gender equality in diplomacy.

In the coming days, it will lead a discussion for journalists and editors titled "NO JOKE! A Conversation on a Gender Fair, Inclusive, and Empowering Philippine Media" on March 29, April 5 and April 12 together with Miriam College’s Women and Gender Institute.

A series of roundtable discussions on important women’s issues are scheduled on March 15, on governance on March 22, and SPARK Conversations: Women and Feminine Health on March 29.

These roundtable discussions are led by SPARK! Philippines, in partnership with the US Embassy in the Philippines, the Embassy of the Kingdom of the Netherlands, the Austrian Embassy Manila, the British Embassy Manila, the Embassy of Sweden in Manila, the Embassy of the Czech Republic in the Philippines, the German Embassy Manila, the Embassy of France to the Philippines and Micronesia, UNFPA, Philippine Commission on Women, Women Inter-Industry Network, Philippine Financial & Inter-Industry Pride, Young Southeast Asian Leaders Initiative and other organizations.

The Institut Français and the French Embassy will also present the 2021 edition of “IFCinéma à la carte,” featuring four French-language films directed by women filmmakers: Angèle et Tony (Angel and Tony) by Alix Delaporte; Le beau monde (High Society) by Julie Lopes Curval; La Cour de Babel (The School of Babel) by Julie Bertuccelli and Tout est pardonné by Mia Hansen-Løve.

All films are subtitled in several languages, including English, and are available for streaming free of charge until March 10 on the IFCinéma à la carte website: https://ifcinema.institutfrancais.com/en/streaming/alacarte (PNA)

EU logo

***

References:

* Philippine News Agency. "EU launches PH cycling tour, fora for Women's Month." Philippine News Agency. https://www.pna.gov.ph/articles/1133012 (accessed March 09, 2021 at 08:10PM UTC+14).

* Philippine News Agency. "EU launches PH cycling tour, fora for Women's Month." Archive Today. https://archive.ph/?run=1&url=https://www.pna.gov.ph/articles/1133012 (archived).

[italianaradio]

The Shift: prima foto del film prodotto da Notorious Pictures

Nuovo post su italianaradio https://www.italianaradio.it/index.php/the-shift-prima-foto-del-film-prodotto-da-notorious-pictures/

The Shift: prima foto del film prodotto da Notorious Pictures

The Shift: prima foto del film prodotto da Notorious Pictures

The Shift: prima foto del film prodotto da Notorious Pictures

In queste settimane si stanno svolgendo a Liegi le riprese di The Shift, opera prima di Alessandro Tonda. Il film è una co-produzione Italia-Belgio tra Notorious Pictures in quota maggioritaria e la società belga Tarantula.

The Shift nasce dall’urgenza di raccontare l’Europa contemporanea in uno dei suoi aspetti socialmente e culturalmente più drammatici ovvero lo scontro tra Islam radicale e civiltà occidentale. Ambiziosa è la strategia narrativa e registica del film, che per quasi tutta la sua durata costringe due paramedici e un giovane kamikaze a condividere lo spazio angusto di un’ambulanza.

The Shift è un drama/thriller claustrofobico con una forte unità spazio-temporale, e uno stile iperrealistico e immersivo per lo spettatore. E per queste ragioni sono stati scelti ad affiancare il Alessandro Tonda due figure di grande esperienza nel cinema d’autore e documentaristico quali il direttore della fotografia Benoit Dervaux, e lo scenografo Igor Gabriel che hanno lavorato al fianco di cineasti del calibro dei fratelli Jean-Pierre e Luc Dardenne.

La sceneggiatura è scritta a quattro mani da Davide Orsini e Alessandro Tonda che fa il suo esordio alla regia dopo una decennale esperienza di aiuto alla regia (Romanzo Criminale – La serie, Gomorra – La serie, Suburra e Sicilian Ghost Story).

Nel cast: Adam Amara per la prima volta sul grande schermo nel ruolo di Eden, Clotilde Hesme nel ruolo di Isabelle (Les Chansons d’amour di Christophe Honoré, Angèle e Tony di Alix Delaporte e la serie TV Les Revenants di Fabrice Gobert) e Adamo Dionisi nel ruolo di Adamo (Pasolini di Abel Ferrara, Suburra – La serie e Dogman di Matteo Garrone).

La trama di The Shift

Bruxelles. I 17enni Eden e Abdel compiono un attentato terroristico nella loro scuola. Isabelle e Adamo, due paramedici accorsi sul posto dopo l’esplosione, trovano Eden ferito e privo di sensi, e lo caricano sull’ambulanza senza immaginare che sia uno dei terroristi. Quando Isabelle si accorge che indossa una cintura esplosiva, è ormai troppo tardi: Eden si è svegliato.

Cinefilos.it – Da chi il cinema lo ama.

The Shift: prima foto del film prodotto da Notorious Pictures

In queste settimane si stanno svolgendo a Liegi le riprese di The Shift, opera prima di Alessandro Tonda. Il film è una co-produzione Italia-Belgio tra Notorious Pictures in quota maggioritaria e la società belga Tarantula. The Shift nasce dall’urgenza di raccontare l’Europa contemporanea in uno dei suoi aspetti socialmente e culturalmente più drammatici ovvero lo […]

Cinefilos.it – Da chi il cinema lo ama.

Redazione

[krakowergroup]

PR: Loveless

VARÈSE SARABANDE RECORDS TO RELEASE LOVELESS – ORIGINAL MOTION PICTURE SOUNDTRACK Featuring Original Music Composed By Evgueni Galperine and Sacha Galperine (October 31, 2017 – Los Angeles, CA) – Varèse Sarabande will release the LOVELESS – Original Motion Picture Soundtrack on November 10, 2017. The album features the original score composed by Evgueni and Sacha Galperine (THE WIZARD OF LIES, THE PAST).  LOVELESS is directed by Andrey Zvyagintsev (LEVIATHAN) and won the award for Best Film at the BFI London Film Festival and the Jury Prize at the Cannes Film Festival. Evgueni and Sacha began to write the score for LOVELESS without seeing a frame of film or a word on paper. “Andrey wanted us to give an absolutely free interpretation of the story based solely on his description, hoping that the music would become a missing piece of the psychological and emotional puzzle,” said Evgueini.

In LOVELESS, Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears… How to process this event would be a central focus of the score. “We had to go deep into our imaginations and emotions,” explained Evgueni, “trying to connect with what is happening in the heads of the parents when their child disappears and their world is reduced to only one thought: find him.” “In the language of music,” Evgueni continued, “ it would be one note, one chord, one rhythm – it’s how the idea of ’11 Cycles of E’ was born.”  That piece both opens and closes the film. “Director Andrey Zvyagintsev’s cinema always shows the invisible link between the intimate stories of human beings and the universe. And often the music personifies this link,” said Evgueni. “Finding the way to express this connection was the most incredible and gratifying challenge.” Brothers Evgueni and Sacha Galperine relocated to France, from their native Russia in 1990, to complete the classical music training they’d begun in Moscow.  Soon after arriving in Paris, Evgueni was drawn to composing film scores while still studying symphonic composition and electro-acoustic music at the National Conservatory (CNSM) in Paris. Sacha turned to rock and electronic music after receiving a first prize for violin performance at the Conservatory of Versailles. Evgueni and Sacha Galperine are equally at ease and focused on storytelling, whether working on independent films��over a dozen in Europe and Asia— mass-market films, or contributing music to blockbusters like M. Night Shyamalan’s SPLIT, and Garry Ross’ THE HUNGER GAMES.  Their international credits include Luc Besson’s THE FAMILY, Asghar Farhadi’s THE PAST, Eric Lartigau’s LA FAMILLE BÉLIER, Alix Delaporte’s LE DERNIER COUP DE MARTEAU (official selection at the Venice IFF), Nicolas Provost ‘s THE INVADER (Best Music award at Ghent Film Festival), Yilmas Arslan’s BRUDERMORD, and Jiang Wenli’s LAN. Their recent credits include the HBO Films Original THE WIZARD OF LIES, starring Robert De Niro and Michelle Pfeiffer, directed by Barry Levinson, the acclaimed French TV show LE BARON NOIR, Courtney Hunt’s THE WHOLE TRUTH and Barry Levinson’s upcoming HBO film HAPPY VALLEY starring Al Pacino. Sony Pictures Classics presents LOVELESS, Russia’s official selection for Best Foreign Language Film at the 2018 Academy Awards. Varèse Sarabande will release the LOVELESS – Original Motion Picture Soundtrack digitally and on CD on November 10, 2017. # # # www.varesesarabande.com www.galperine-galperine.com For more information contact KrakowerGroup[at]gmail.com, or @KrakowerGroup on Twitter ABOUT VARÈSE SARABANDE RECORDS Founded in 1978, Varèse Sarabande is the most prolific producer of film music in the world, releasing the highest quality soundtracks from the world’s greatest composers. From current box office hits and top television series to the classics of Hollywood’s Golden Age, Varèse Sarabande’s catalog includes albums from practically every composer in every era, covering all of film history; from Bernard Herrmann, Alex North and Jerry Goldsmith to Alexandre Desplat, Michael Giacchino, and Brian Tyler. Varèse Sarabande releases deluxe and expanded editions of special soundtracks for the film music aficionado. The Varèse Vintage imprint specializes in releasing new and re-issued albums by classic pop, jazz and country artists. Varèse Sarabande Records is distributed by Universal Music Group. Follow:  twitter.com/varesesarabande Watch:  youtube.com/varesesarabande Listen:  open.spotify.com/user/varesesarabanderecords Like:  facebook.com/varesesarabanderecords Buy:  varesesarabande.com

[lemagcinema]

Vivants d’Alix Delaporte

Un film de Alix Delaporte Avec: Roschdy Zem, Alice Isaaz, Vincent Elbaz, Pierre Lottin, Pascale Arbillot, Jean-Charles ClichetLe quotidien d’un prestigieux programme d’information, une jeune femme doit trouver sa place dans l’équipe des envoyés spéciaux et auprès du rédacteur en chef de l’émission.

Retrouvez l'article complet ici https://lemagcinema.fr/non-classe-fr/vivants-dalix-delaporte/

[nagenocturne]

Le Dernier Coup de marteau commence sans générique par une série de scènes au statut indéfinissable. Seul le garçon placé en leur centre fait figure de point de fixation. Pour le reste, l’indécision règne, notamment sur les liens entre les personnages vivant à l’écran. Cette entrée en matière intrigue et, en quelque sorte, rassure déjà. Le sujet à teneur sociale comme les thématiques de l’apprentissage et de la filiation peuvent augurer parfois de lourds ouvrages. Alix Delaporte, sur ces bases, a réalisé un remarquable travail d’élagage pour mieux toucher au sensible. Passées les premières minutes immersives, la situation est posée et éclaircie. Le jeune Victor noue le contact avec ce père qu’il ne connaît pas, celui-ci semblant même ignorer jusque là son existence. Malgré le caractère bourru du grand chef d’orchestre, l’acceptation de ce gamin pour le moins inattendu mais peut-être inconsciemment espéré va se faire, au point de voir également germer un désir de transmission.

Victor est un ado qui doit faire face à la grave maladie de sa mère qui s’affaiblit de jour en jour, dans des conditions de vie précaires, même si l’école, par ailleurs, ne lui pose aucun problème. Se faufilant dans les couloirs de l’opéra à la recherche de son père, il entre dans un monde nouveau, aux antipodes de la maison de fortune et du terrain de football. Sa vie, dès lors, va s’organiser en allers et retours. Alix Delaporte adopte un style de narration basé sur l’alternance plutôt que sur l’opposition de deux univers éloignés. Son jeune personnage principal peut partir vers un côté sur un coup de tête mais l’autre n’est jamais quitté ni oublié. Ce va-et-vient fait naître de subtils échos entre Montpellier et le bord de mer déserté, entre les gestes qu’effectue Victor avec sa mère et ceux qu’il a avec son père (s’allongeant sur le lit ou invité à se tenir à côté du pupitre), entre l’entraînement de foot et la répétition de musique (le coach et le chef d’orchestre tentent d’exercer la même autorité). Victor oscille librement entre deux pôles qu’il finit par relier sans toutefois les faire se rejoindre, ce seul lien se révélant suffisant.

Il n’y a donc pas opposition, ni préférence, ni placement en une position de jugement des personnages ou de leurs actes et activités. L’apprentissage de la ténacité et le dépassement de soi peuvent par exemple être le fruit de la pratique du football comme de l’ouverture à la musique. Cet art, cependant, est partout présent dans le film. De nombreuses répétitions de la  Symphonie n°6 de Gustav Mahler ponctuent avec bonheur le récit et le chef d’orchestre saisit l’opportunité de la rencontre pour tenter une transmission ou au moins bâtir l’échange à partir de ce socle artistique. Initiant son fils, il l’interroge sur les émotions que l’écoute de cette musique lui procure. Alix Delaporte place ainsi son Dernier Coup de marteau dans la sphère émotive, mais cela sans donner de réponses directes. Maniant l’ellipse à volonté, elle propose une esthétique de points de suspension.

Son film n’est pas bavard, mais il n’est pas pour autant poseur dans ses silences. La mère est épuisée par la lutte contre la maladie, le père possède une prestance troublée, le fils est buté et combattif, les voisins hispanophones ont des difficultés avec la langue française... C’est le strict minimum qui passe par le verbal afin que le rythme cinématographique évoque l’art musical. Non annoncés par les dialogues, les comportements réservent régulièrement des surprises, en restant dénués de violence, de ressentiment ou de désir de domination. L’auteure refuse absolument que ses personnages, si éprouvés soient-ils, s’abiment dans la résignation. Elle n’est pas là pour leur mettre la tête sous l’eau dans un torrent mélodramatique. Il y a l’ombre d’un cancer mais l’inscription éventuelle dans un centre de formation de football est aussi décisive dans le scénario.

Évitant les pièges du misérabilisme et du didactisme, Alix Delaporte, aidée par la photographie de Claire Mathon et par ses trois interprètes principaux impeccables, signe un film précieux parce qu’il donne l’impression, à la suite de ses personnages, d’avancer. On ne parle pas d’optimisme béat, mais d’élan, qualité rare mais notamment partagée l’an dernier par Les Combattants de Thomas Cailley. Avec des moyens différents, Le Dernier Coup de marteau laisse lui aussi, à son terme, dans un état de confiance.

LE DERNIER COUP DE MARTEAU (Alix Delaporte, 2015)

Texte écrit pour les Fiches du Cinéma

[filmdoo]

Angel & Tony by director Alix Delaporte, 2010, France

Angel is a young woman falling apart. She arrives at the seaside town of Normandy fiercely determined to reconnect with her young son, yet also scared she's unfit to take care of him. Tony is a fisherman who lives with his widowed mother, trapped in emotional solitude.

Watch here: https://www.filmdoo.com/films/angele-and-tony

[dedeandro]

Alix Delaporte

[francenetinfos]

EMERGENCE : Romain PAUL a fait ses premiers pas au cinéma… Le dernier coup de marteau (film de Alix DELAPORTE) sort le 11 mars en France ! Si aujourd'hui l'industrie du cinéma s'intéresse de plus en plus aux jeunes comédiens comme 

[krakowergroup]

PR: The Wizard of Lies

LAKESHORE RECORDS PRESENTS THE WIZARD OF LIES - ORIGINAL HBO FILMS SOUNDTRACK With Original Music by Evgueni Galperine and Sacha Galperine (May 15, 2017 – Los Angeles, CA) – Lakeshore Records will release THE WIZARD OF LIES - Original HBO Films Soundtrack digitally on May 19, 2017.  The album features the original score by composers Evgueni Galperine and Sacha Galperine (NINE LIVES, THE FAMILY, THE PAST). Debuting in May, HBO Films’ THE WIZARD OF LIES, examines Bernie Madoff’s Ponzi scheme – his deception, lies and cover-up, all as the financier’s wife and sons are catapulted into a harsh and unrelenting spotlight.  A modern take on a scheme that dates back to the 1920’s called for a score that blends both modern and classic elements to tell this tragic tale of what led to a scheme toppling and the subsequent aftermath.  Director Barry Levinson turned to the writing duo of Evgueni and Sacha Galperine – who themselves blend modern and traditional musical methods and training.

“Our goal with this score was to find the right musical color palette that would match this extraordinary character and the incomprehensible path he chose, taking the people around him—his clients as, well as his own family—on a descent into hell,” said Sacha. “A major source of inspiration for us was the symbol of the Ponzi Scheme,” added Evgueni. “The cold mathematical pattern of it, the spiral that was set to get bigger and bigger beyond imagination until breaking inevitably into pieces. We tried to translate this mechanical fate into music, with all its strangeness, its suffocation, its absence of humanity.” Brothers Evgueni and Sacha Galperine relocated to France, from their native Russia in 1990, to complete the classical music training they’d begun in Moscow.  Soon after arriving in Paris, Evgueni was drawn to composing film scores while still studying symphonic composition and electro-acoustic music at the National Conservatory (CNSM) in Paris. Sacha turned to rock and electronic music after receiving a first prize for violin performance at the Conservatory of Versailles. Evgueni and Sacha Galperine are equally at ease and focused on storytelling, whether working on independent films—over a dozen in Europe and Asia— mass-market films, or contributing music to blockbusters like M. Night Shyamalan’s SPLIT, and Garry Ross’ THE HUNGER GAMES.  Their international credits include Luc Besson’s THE FAMILY, Asghar Farhadi’s THE PAST, Eric Lartigau’s LA FAMILLE BÉLIER, Alix Delaporte’s LE DERNIER COUP DE MARTEAU (official selection at the Venice IFF), Nicolas Provost ‘s THE INVADER (Best Music award at Ghent Film Festival), Yilmas Arslan’s BRUDERMORD, and Jiang Wenli’s LAN. Their recent credits include writing the score of the acclaimed French TV show LE BARON NOIR, Courtney Hunt’s THE WHOLE TRUTH and Barry Sonnenfeld’s NINE LIVES.  2017 will see the premiere of LOVELESS, directed by Andrey Zvyagintsev (LEVIATHAN), in competition at the Cannes Film Festival in May. HBO Films presents THE WIZARD OF LIES, premiering May 20, 2017.  Lakeshore Records will release THE WIZARD OF LIES - Original HBO Films Soundtrack digitally on May 19, 2017. # # # To pre-order the album visit: http://smarturl.it/WOLscore http://galperine-galperine.com http://www.lakeshorerecords.com For more information contact KrakowerGroup[at]gmail.com, or @KrakowerGroup on Twitter About THE WIZARD OF LIES In 2008, stockbroker, investment advisor and financier Bernie Madoff made headlines around the world when he was arrested for perpetrating perhaps the largest financial fraud in U.S. history. Debuting in May, HBO Films’ THE WIZARD OF LIES examines Bernie Madoff’s Ponzi scheme – his deception, lies and cover-up, all as the financier’s wife and sons are catapulted into a harsh and unrelenting spotlight. Robert De Niro (Oscar® winner for “Raging Bull” and “The Godfather II”) comes to HBO for the first time in the role of family patriarch Bernie Madoff. Also on HBO for the first time, Michelle Pfeiffer (Golden Globe winner for “The Fabulous Baker Boys”) stars as Ruth Madoff, Bernie’s longtime spouse and unwitting partner during the events that would lead to financial ruin for countless people and institutions, as well as his and his family’s destruction. The film is directed by Barry Levinson from a script by Sam Levinson and John Burnham Schwartz and Samuel Baum. About HBO Global Licensing HBO Global Licensing officially licenses the HBO® brand for the development and merchandising of innovative product lines inspired by the network's award-winning programming. With products created around hit series like Game of Thrones® and Silicon Valley® as well as classic series like The Sopranos®, Sex and the City®, True Blood® and Entourage, items include fashion apparel, figures, jewelry, digital and CD soundtracks, prop and costume replicas, games, books, and beverages, as well as exclusive, premium collections in partnership with upscale, designer brands. Merchandise can be purchased in retail stores nationwide, at http://store.hbo.com, and at the groundbreaking HBO retail hub, the HBO Shop®, located at 42nd and 6th Avenue in New York City. HBO Global Licensing products are also sold internationally across Europe (www.hboshopeu.com), Asia and Australia.

[cineetstreaming]

Le prochain long métrage d’Alix Delaporte, Le dernier coup de marteau , sera en salles le 11 mars prochain.