#Alexander Tikhomirov
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Sonya Marmeladova 🇷🇺 (📷 Alexander Tikhomirov)
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My fucking roomie got me into Kino and now I got another thing on repeat 😭😂. Specifically this one song here just reminds me of them.
Help I'm having very very complex feelings. Super super complex feelings.
#i cant even explain them#kino#victor tsoi#yuri kasparyan#georgy guryanov#igor tikhomirov#aleksei rybin#oleg valinsky#alexander titov#leningrad#post punk#Spotify
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Iren Piontkovskaya
by Alexander Tikhomirov, 2019
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On the images: left - an AI Assistant assessing documents; on the right Y.M. Yurovsky, memeber of Moscow VCHEKA and one of the commandants of the Ipatievsky House.
The assessment of the Y.M. Yurovsky's note (the Romanov case):
Here is the assessment of the Y.M. Yurovsky (1878-1938) note by the AI Assistant based on the facts mentioned in the book written by Alexander Avdonin:
'Based on the information provided in the training data [the book by Avdonin], here are more details about the accuracy of Yurovsky's note:
1. Errors and Inaccuracies:
- Yurovsky made several mistakes in the note. For example, he incorrectly named Nicholas II's youngest daughter as Ksenia instead of Anastasia.
- He also mistakenly called the cook Kharitonov by the name Tikhomirov.
- The note states that 12 people were shot, when in fact it was 11.
2. Reasons for Inaccuracies:
- The author suggests that Yurovsky might have forgotten some details, as the note was written about two years after the events.
- The chaotic circumstances of the Bolsheviks' flight from Yekaterinburg at the time may have contributed to the confusion.
- Yurovsky's limited education (incomplete lower education) is mentioned as a factor that made writing the note difficult for him.
3. Intentional vs. Unintentional Errors:
- The book suggests that some facts in the note might have been deliberately confused, while others were carelessly mixed up.
- It's noted that many facts need to be "put in their proper places, determined by history, not by Yakov Yurovsky."
4. Limitations in Detail:
- The note is described as lacking specific details about the location where the remains were hidden. It's stated that it's impossible to find the actual burial site based solely on this document.
5. Historical Context:
- The author emphasizes the need to understand the psychology of "ardent revolutionaries" of that time, for whom the execution of the Tsar's family was just another episode in their revolutionary biography.
6. Editing Process:
- The note was edited and literarily processed by M.N. Pokrovsky, which might have introduced further changes or interpretations.
7. Value Despite Inaccuracies:
- Despite its flaws, the note is still considered a genuine and important historical document, providing insight into the events surrounding the Romanov family's execution.
8. Need for Additional Research:
- The author stresses the importance of seeking additional information to corroborate or correct the details provided in Yurovsky's note.
In summary, while Yurovsky's note is considered a valuable historical document, it contains numerous inaccuracies and should be approached critically. The book suggests that these inaccuracies stem from a combination of factors including the passage of time, the author's limited education, the chaotic circumstances of the time, and possibly some intentional obfuscation. The note should be used in conjunction with other historical sources for a more accurate understanding of the events.'
On the images: pages of the Yurovsky note in Russian (digitised version held in GARF, Moscow, Russia)
#romanovs#research#seraphima bogomolova#investigation#nicolas ii#evidence#murder mystery#AI#AI Assistant#documents#Yurovsky note#Yurovsky#Ipatievsky House
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Alexander Tikhomirov Production The black strobe I'm a man HD from FOX10 on Vimeo.
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by Alexander Tikhomirov
Olya Abramovich
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#body#passion#couple#mary sum#sasha tikhomirov#tikhomorov#photography tikhomirov#Alexander Tikhomirov#MaryShum#tattoed guy#tattoo
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Alexander Tikhomirov
19-20 (94)
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Eldzhey // Harakiri from Pavel Beliavskii on Vimeo.
Director - Max Shishkin @shishkinmax Music by Tars @tarsmakessence Rec & mix by Creamy @creaminal Art-director - Elza Serova @elzaserova Cinematographer - Pavel Belyavsky @belyavskyp Producer - Anastasia Klabukova @wow.wonder Wardrobe Stylist - Anna Artamonova @aartamon Production Designer - Philipp Sheyn @philippsheyn 1st AD - Konstantin Trubin @trubin_good 2nd AD - Anastasia Brovko @nastya_bro Casting Director - Gulya Jafarova @gu.jfrv Make-up Artist - Elza Tsedenova @elza.tsedenova Production Manager - Alexander Lyubenko @lubenkoadmincrew @liubenko.a Wardrobe Assistant - Anastasia Nevodina, Lilia Kabirova Assistant Designer - Pavel Ilchenko @il4 Сasting Assistant - Valentin Kudryavtsev @valentinkudryavtcev Make-up Artist Assistant - Evgeniya Karaseva @lamiu.m Administrators - Alexander Ponomar, Vlad Ponomar Gaffer - Kirill Shkhundin @kirillshkundin Focus-puller - Ivan Sushko Lighting Crew - Ilya Turov, Nikolay Shugurov, Evgeny Maslenkov, Ivan Belchenko, Sergey Ermakov, Yury Tikhomirov Camera Assistant - Vyacheslav Mukhin, Egor Chesnikov @egogiii Dolly - Alexander Kashin @kashinsdollygang Stagehands on set - Munir Ibadullaev, Sergey Shuster, Anatoly Pozdnyakov, Anatoly Pozdnyakov, Gurgen Ter-Hakopyan SFX - Maxim Sorokin @sorokin_m_ , Evgeny Sorokin, Olyanishin Pavel, Gogachev Dmitry @sfxstudio.ru Rental Sky Rental - Aleksandr Kykhalov @kihalov VFX Silent Studio - @silent_std Oleg Charukhin, Leonid Pak, Dabyrbek Daniyas, Louise Dolgieva, Artem Shapran, Dogalbekov Meirambek, Darmen Daulet Color Grading - Alexander Zolotorev @alexanderzolotorev Sound designer - Demitar Kesov @dima_kesov , Anton Nikiforov @tonymusfactor Actors - Babek M. Si. @babek.m.si, Tynchtyk Matubraimov Zhakshylykovich @bonbonofficiall, Vladimir Kopush, Rolan Arapov, Stanislav Levashov @levashov_st, Mahamotkamil uulu Makhomotshakir @grow_with_, Marat Salmurzaev @salmurnur, Roman Ovshinov
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I've decided I'm moving to Europe (France or Amsterdam) in January to study photography and find a goddess like her to photograph and fall in love with. This excites me so much.
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