#Alexa play So Gone by Monica

[willowcreektownie]

When you're too cool for school but not each other 🥰

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#Asa finally grew out his awful haircut. Let's cheer

[letterboxd]

Making Waves.

“I live in Florida, my cat’s in the movie. It is incredibly personal.” Waves writer and director Trey Edward Shults opens up about his filmmaking process, reveals the movies that made him fall in love with cinema, and gushes about fellow A24 alum Robert Eggers.

Trey Edward Shults doesn’t want to spoil Waves. We don’t want to spoil Waves either. To even begin to describe its unconventional structure would be a spoiler. We’ve said too much already. Just know it’s a sweeping melodrama that solidifies Shults as one of the defining American voices of the decade.

The coming-of-age family drama centers on brother Tyler (Shults regular and breakout star Kelvin Harrison Jr., pictured above) and sister Emily (Taylor Russell), their relationships and struggles with each other, their parents (Sterling K. Brown and Renée Elise Goldsberry), and first loves (Alexa Demie and Lucas Hedges). This is Shults’ third collaboration with A24 after his DIY debut Krisha (set in the same family house as Waves, and similarly playful with its aspect ratio), and the polarizing horror It Came At Night.

While its structure hasn’t worked for everyone, Waves has captured the enthusiasm of many Letterboxd members in a profound way. “This is the coming-of-age movie to end coming-of-age,” writes ActionTomasello. “The less you know of it, the better it is going into this one.” It’s been added to the popular ‘You’re not the same person once the film has finished’ list, and the film’s soundtrack, collected into this Spotify playlist by Letterboxd member Ella, is one of the most-mentioned contributing factors to its success. Writes Nick: “A soundtrack that’s meant for a specific group of people that I’m a part of. It feels too perfect how someone made a film filled with songs from Kanye, Frank Ocean, Radiohead and many others. It feels like one long, sad, fucked-up music video.”

But no Letterboxd review currently beats Jack’s heartfelt letter to Shults: “Your film has moved me to better myself, to love, and to meet my emotions head on. Thank you.” (He also put it in his top five of all time.)

We caught up with Shults to learn how Waves was conceived and executed, and investigate which films have hit him the hardest.

Taylor Russel as Emily in ‘Waves’.

You often draw your films from your personal experiences and you’ve described Waves as autobiographical. Can you go into some detail about which life experiences fed into this film? Trey Edward Shults: Where to start? In broad strokes, I was a wrestler and tore my shoulder in the same way as Tyler. The relationships between Tyler and Alexis and also Emily and Luke are inspired by my girlfriend and [me] in the good moments, bad moments, and everything in between. Their parents are inspired by my parents. I live in Florida, my cat’s in the movie. It is incredibly personal, but I had a huge collaboration with Kelvin, and then as more actors came on it got more collaborative, so it really started from this personal place and grew out of that.

How do you reconcile your relationship to your own suffering with the fact it’s become your livelihood and commodity? It’s very strange. When we recreated events in Missouri I think that was the furthest I’ve ever gone. That shoot was an all-consuming dread and I broke down, it was very hard. I would question: “Is this healthy? Is this right?”, but I came out the other side happy I did it. It was cathartic. My mom and my step-dad are therapists and I would be a total mess without them, though I’m not in therapy right now. Working through these movies is a bit of therapy.

I’m trying to make personal things that I hope connect with other people, especially this movie. Going through life and getting to the other side of it and having perspective informed me a lot. Whether it’s just tonally or pacing-wise, I wanted the film to spiritually feel that way.

The film’s photography is remarkable, especially the first act, when you have your fullest frame. Can you take us inside how you executed some of those spinning 360-degree shots? For the car shots we took out the middle console of the truck and put a slider that went from the backseat to the front. Basically, the dolly grip and I were crammed down hiding behind the car seats and the grip pushed the camera from the back to the front. Drew [Daniels, the director of photography] was in the car behind us with a remote, so he’s operating the spinning and I have a monitor in the back. That way I could talk to the kids in the car and I also had a walkie so I could talk to Drew.

A lot of the dynamic camera stuff was a case-by-case scenario, sometimes it was just running behind our steadicam operator or just hiding and letting them go and play. We wanted the camera to be purely motivated by where our main character’s emotional state of mind was, so it’s all coming from them, but then we also wanted to figure out the technical shit and make it feel to the actors that the camera disappeared and we’re not even there. So it was an interesting balance getting there. It’s a second skin for us and we know exactly what we’re after visually, but let’s disappear and let the kids play and we’ll adapt to them.

Since our name is ‘Letterboxd’, I feel obligated to ask you an aspect-ratio question. Can you share with us how you built this intuition to change at will—did you have films you saw that you feel did this well? That’s a good question, because this one really felt like it was building off what I did with Krisha and pushing it further. I do remember The Grand Budapest Hotel came out right before I started Krisha and it had the three aspect ratios to separate [its] time periods, which was really cool to me. I think I got really excited about using aspect ratio to echo the character’s state of mind. That was the goal with that, especially for Tyler’s trajectory.

The soundtrack is getting some acclaim. Do you have any songs you wanted to fit in but couldn’t find the room, or couldn’t clear the rights for? I realized there were so many songs I wanted in it, but the movie told you what works. If you tried to force it on, it didn’t work. It started with the writing and it worked its way organically. The final soundtrack is pretty close to what was in the script though I think a few changed along the way. We got incredibly lucky that we got everything we wanted. I don’t know how we did it. It was a long process and our last song didn’t even clear until after Telluride and Toronto.

Trey Edward Shults and Sterling K. Brown on the set of ‘Waves’. / Photo: Monica Lek

There are shades of Chungking Express, Magnolia and Moonlight in the film’s DNA. What were some other films you watched or recommended to your cast and crew as preparation? Funny thing is we didn’t do a lot of movie-watching for preparation. Drew and I lived in the same house so we’d always have a movie on. We were watching The Story of Film a lot—the giant anthology series and study of the history of cinema, incredible. What we watched would totally range, it could be things like Ordinary People and Raging Bull, to The Tree of Life and I Am Cuba, to Boogie Nights and Punch-Drunk Love. We would take inspiration from anything, even a film like Yi Yi. It’s a completely different cinematic approach.

Yi Yi might just be the best film about family, so it’s a good start (Lulu Wang also mentioned it in our recent chat with her about The Farewell). That’s the thing exactly: even though Waves is made in such a different way, I think spiritually they’re sprawling tales of family. That’s one of my favorite movies. For the cast, we didn’t actually talk about movies that much. It was more about Florida, music and the character dynamics and all that good stuff.

Which movie scene makes you cry the hardest? One that just popped in my head is Dancer in the Dark. When Björk escapes in her head doing these musical numbers and it leads to the end, to the most devastating thing possible, it broke me. That movie’s rough, man. That’s not one I could watch and have good cries or something. I can’t rewatch it because it’s utterly traumatizing. I was probably crying for hours after it, I felt dead.

Which film makes you laugh the hardest? The most recent film that made me laugh the hardest is What We Do in the Shadows. I saw it for the first time on an airplane sitting next to a stranger and I think they thought something was wrong with me. Then I got home to Florida and showed it to my girlfriend, and her brother came home and we watched it again. It never got old.

Who was the most relatable coming-of-age film character for you? It’s hard because when I was a teen I was obsessed with sports and then it was music. I’m trying to think who I related to the most. Man, I don’t know. Nothing is coming to mind. Shocking.

What film do you wish you made? I’ll go with There Will Be Blood. It’s the first film that popped in my head.

What mind-fuck movies changed you for life and why? There were three that I saw pretty close together at a young age: Boogie Nights, A Clockwork Orange and Raging Bull. I had a digital cable box in my room, so I would sneak and watch a lot of things that my parents didn’t know I was watching. They just rocked my world. Until that point it was all Aliens and Terminator and every big action movie, so then when I saw those films it was like “this is what movies can be! What the hell is this?”.

I remember with Raging Bull I didn’t actually enjoy it. I was like, “This isn’t Rocky but I can’t stop watching.” It’s like a trainwreck and I’m fascinated but I don’t know if I like it, then I was obsessed with it and it’s one of my favorite movies now. Boogie Nights and A Clockwork Orange felt like a bigger vision was at work. It wasn’t just something made out in the ether, it was a specific singular vision and I cannot stop looking at it.

Sterling K. Brown in ‘Waves’.

What’s the most overlooked movie from A24? Shoot, I wish I could look at the catalogue right now. I’m just gonna go with The Spectacular Now because I just watched it again on the airplane and I thought it was really beautiful. It’s a good one, man.

Lastly, it’s time for best-of-decade lists. What’s the greatest film of the 2010s? When we interviewed Robert Eggers, Waves was his first choice. Shut up, come on! Oh my god, Rob’s the best. I will say that The Lighthouse is my favorite film of the year, without a doubt. I’m obsessed with it. I could gush about him for hours. He’s not just one of the greatest young filmmakers, he’s one of the great filmmakers working now. Honestly though, for my decade number one I gotta go with The Tree of Life. It’s one of my favorite movies of all time so I would put that at number one, and then The Lighthouse is close to it.

‘Waves’ is distributed by A24 and is playing in select US cinemas now. Photos courtesy A24.

[first-ex-wife]

okay I was thinking about Captain Marvel cause someone made a cute joke about Carol finding out gay marriage is legal & running off to see Maria

but the thing is, Carol’s been off in space for nearly 30 years. and she doesn’t seem to have aged a bit. meanwhile, Maria is gonna be about 60. which okay isn’t actually like too old but suddenly there’s this huge gap in their ages that just,,, Maria’s gonna keep aging and Carol won’t so one day she is going to lose her, they aren’t going to get to grow old together, and that’s just so sad. and as well, meanwhile, she’s missed Monica growing up. I can’t remember how old she is in the movie, but at this point she’ll be late 30s—early 40s which is quite a difference.

and anyway it also reminds me of the song ‘39, especially “But my love, this cannot be/ For so many years are gone though I'm older but a year/Your mother's eyes from your eyes cry to me” (in that while it hasn’t been long enough for Maria to be gone, Monica’s probably going to be the one who looks a lot more like what Carol remembers —oh my god imagine her knocking on the door & Monica answers & Carol thinks it’s Maria for a moment, ahh— and also just the overall theme of like,, leaving your lover behind to go to space & they age without you, like what a sad sad song)

anyway Carol missed out on so much & especially on growing old with her love, Alexa this is so sad play ‘39

[sherlockxreader]

A Time Of Change - Chapter Eight - The Chase

Title: A Time Of Change Chapter Eight: The Chase Summary: Ava Bradford is a former Behavioural Analyst of the Miami Police Department. After the events of the past force her to journey to England and take up a job away from the family she had created, she tries to start anew. At Scotland Yard, she struggles to keep to herself and her life under control, as her nightmares from her past come to haunt her once again. Author: Alexa @alex-awesome1023 Words: 4,223 Characters/Relationships: OC x Sherlock Warnings: Depression, Anxiety, Past Physical Abuse, Nightmares Author’s Notes: I know!!! I’m terrible... But i have great news guys i finally got a job! Its at Starbucks... So you already know what my days consists of but i’m not complaining because i get espresso everyday. I’m trying to create some kind of schedule with posting. i mean i’m already at chapter fourteen guys. I promise!!! there will be more. i might even spam post today. I love every last one of you and i’m thanking all of the little coffee beans out there who stayed and actually stayed with us!!! Enjoy!❤

Frantic footfalls echoed through the alleyways and pounded the cobblestones as a trio ran through the streets. One, a tall man in a belstaff who lead the other two with a haste and glee that is found only in that of children playing games. The second, a small woman in a badge coat and obviously worn sneakers, followed him blindly as he leaped over construction works and potholes, the same joy in her eyes as her heart beat in sync with her steps. The third, a second man in a jumper and sensible shoes, seemed unaffected by the plights of the former pair, his face red with exertion and steps heavy yet light with military practice…

“Sherlock just where are you taking us?” John shouted as he followed you up a fire escape onto the roof of an apartment building. Sherlock, too focused on the chase said nothing as he left you both behind.

Feeling your heartbeat and your lungs burn gave you an excitement and a rush that you hadn’t realized you missed from working in Miami, taking down armed thugs in the heat of the sun. It brought the thrill and adrenaline into your veins; this was what you loved. Running and jumping from rooftop to rooftop was becoming a little overwhelming but you refused to stop knowing you would lose Sherlock in the process if you did. You and John were matched in pace as you both pushed through the coming pain in your muscles trying to keep up with the madman. You watch as Sherlock’s long legs sent him over a large gap and just as you were about to follow jump you stopped, your toes just shy of the edge and your eyes fixed on the ground several feet below. “Oh… S-shit.” You gasped out between breaths. John paused then proceeded to jump to the other rooftop looking back to you with encouraging look. Taking a deep breath you stepped back a few steps to try and gain momentum, and courage. You could hear Sherlock yell in the distance.

“Ava, John, come on! We losing him.”

“You can do it.” John had his hands out ready as if to catch you upon your leap. You sprinted forward, your heart in your head… and jumped. Time stopped as you flew forward in midair, a hysterical laugh breaking through your lips in a scream as you landed on the other side. You teetered backwards slightly yet John’s arms caught you and pulled you forward to proceed the chase, his hand in yours to bring you to speed. “See, wasn't so bad?” John called over his shoulder in a joking manner between breaths. You smiled and ran faster, coming to his side and glancing cheekily to the side, seeing his hair spiky and in disarray from the exhilarating chase.

“You don't have short legs, you hedgehog!” You yelled, speeding past him. You heard his amusement as he laughed wildly, trying to catch up.

As the three of you round a corner into an alleyway, you see the taxi go past, making Sherlock run faster. “Ah, no!” He growled through his teeth and without breaking stride, he turned right. Right? But the taxi went left. Oh, a faster route: interception.

“This way!” He shouted behind him for you to hear. You followed Sherlock, running after him and you look behind briefly to see John who instinctively turned left to follow the taxi.

“This way, John!” You shouted back to him and his head whipped to your direction, his feet following soon after. You laughed out between breaths at his observational skills. You headed down a few more alleyways and side streets before the taxi came into sight again. You see Sherlock jump out in front of the taxi and flash him a Police I.D. badge. Where did he get that?

“Police! Open her up!” Panting heavily, he tugged open the rear door and stared in at the passenger, who looked back at him anxiously. Instantly, Sherlock straightened up in exasperation just as John joins the both of you. You took the opportunity to look at the passenger. American. You quickly glance to the luggage. LAX Los Angeles International Airport to LHR London Heath-row Airport : Californian. He just got here. It can't be him. You backed up to where John was, putting your arm on his shoulder to catch your breath. He only looked at you but was unfazed by it.

“Teeth. Tan. What - Californian?” Sherlock deduced between breaths, glancing down to the luggage.

“L.A., Santa Monica. Just arrived.” He said standing straight, grimacing.

“How could you possibly know that?” John asked out of breath and annoyed.

“The luggage.” You pointed out, gesturing to the passengers feet where it was. As Sherlock was talking to himself, you looked to the taxi driver who seemed… off. You tilted your head in confusion trying to file through your brain what you were trying to make sense of. As you stared on, the driver made eye contact, smiling to you and giving you an eerie feeling in your chest. Hearing the car door slam shut was what brought you out of you daze. The driver broke away from your gaze and you watched as he drove away. Confused, you turned and followed John to where Sherlock had stopped a few yards behind the vehicle.

“Basically just a cab that happened to slow down.” John stated.

“Basically.” Sherlock replied.

“Not the murderer?” John continued.

“No, not the murderer.” Sherlock said in an exasperated tone.

“Wrong country, good alibi.”

“As they go.” You hear Sherlock say as you notice him switch the I.D. badge from one hand to the other.

“Sherlock where did you get that anyway?” You asked gesturing to his hand. John grabbed it and looked down at the name on it and chuckled. You furrowed your brow at the action. “What?”

“Detective Bradford.” John laugh out looking to you. Your eyes go wide as you look to Sherlock who was failing to hide his grin.

“You didn't.” Quickly checking your pockets you found that your badge was, indeed, gone. You looked at Sherlock that had a sly grin on his face. “You did!” Arrogant little shit. Stomping over to John, you grabbed it out of his hand. “How did you-?” You stopped yourself as you made the realization. When he caught me, he got the badge out of my pocket.

“Never-mind…” You said defeated, too tired to argue.You hear john laugh making you and Sherlock turn your attention to him.

“What?” Sherlock asked furrowing his brow.

“Nothing, just. What you said. “Welcome to London.”” John laughed out. You and Sherlock both laughed at the ridiculousness of the situation and looked down the road to where a police officer had apparently gone to investigate why the cab had stopped in the middle of the road. The passenger had gotten out and was pointing down the road towards the three of us. Looking between each other reading ourselves.

“Got your breath back?” Sherlock asked the both of you, each returning your own amused smile.

“Lead the way.”

“Ready when you are.”  Both you and Sherlock turned and began to run off down the street, John quick to come to your side. It didn’t take long for you three to get back to 221B, considering you ran all the way there. Breathless, you enter the flat with the boys, shrugging off your jacket and placing it on the coat hook. John did the same and Sherlock put his belstaff and scarf on the bottom banister. Taking deep breaths, you leaned your back against the wall with John and Sherlock doing the same opposite to you. You breathlessly laugh at the two of them and soon the foyer was filled with adrenaline induced laughter, your mind's racing from the events of the night. Your eyes watered from the feeling of unjudged, manic freedom. You were enjoying yourself for the first time in… well, a very long time.

“Okay, that was ridiculous.” John spoke breaking the silence. You smiled to the two of them. Catching Sherlock’s ocean blue eyes that made your heart skip a beat. You had a feeling that he was having as much fun as you were. “That was the most ridiculous thing I've ever done.”

“And you invaded Afghanistan.” Sherlock mocked making John giggle adorably and after a moment Sherlock joined his laughter. You watch as these to grown men laugh like little children and it was a sight to behold. You knew in your heart that they were special but little did you know that these men were going to be your everything.

“Ava, please tell Mrs. Hudson that John will take the room upstairs.” Sherlock’s request brought you out of your mind and smiled wholeheartedly turning to go tell your Aunt about the good news. You knocked on the door and waited for her to open but when she did her face was tearful and full of worry and sadness.

“Aunt Martha? What’s wrong?” You asked taking her hand in yours to try and calm her down. Confusion, anxiety and worry wormed its way into your heart at seeing your Aunt in such a state of disarray.

“I th-think Sherlock is in trouble.”

“What do you mean?” .

“Upstairs.” Was all she said gesturing with her hand. Rubbing your hand warmly on her shoulder, you reassured her that everything was fine and you left, meeting the boys in the foyer. Sherlock seemed to read your face. Furrowing a brow at you, you answered his silent question by gesturing upstairs. Sherlock turned and hurried up the stairs and John followed. You heard sniffling coming from back in your Aunt’s flat and, upon telling John you were going to stay with your Aunt for a bit, you walk back to her, seeing her in hysterics, covering her face.

“I’m sure it’s nothing Aunt Martha. I'm sure it's just about the case.” You said trying to reassure her even further. You sat her down and made her some tea, making sure she was settled down before you left once more to go determine what was happening.

As you got to the door you heard Lestrade talking. Why is he here?

“They all volunteered. They’re not, strictly speaking, on the drugs squad, but they’re very keen.” You heard him say and you froze on the spot. Drug squad? You quickened your steps and walked in, finding John at the door and a room full of officers, some of which you had seen earlier that day, Anderson and Donovan included. Great…

Donovan walked out of the kitchen with a jar of eyeballs in her hand and a disgusted scowl upon her face. Where were those? Neat. You hooked your arm in Johns elbow getting his attention.

“Why is the whole division here?” You whispered, looking around seeing Anderson staring at you lecherously. Bile rose in your throat.

“Apparently it's a drugs bust. Do you believe it? Sherlock, on drugs.” John asked in an exasperated tone, unbelieving of the comings and goings of the room. Before you could answer Sherlock barked out to Lestrade, the whole room coming to a standstill.

“I am clean!”

“Is your flat? All of it?” Lestrade asked sternly.

“Please, I don't even smoke.” Sherlock said pulling up his sleeve to reveal one of the nicotine patches from earlier. He must have taken the other two off earlier… But why?

“Neither do I.” Lestrade replied doing the same pulling up his right sleeve to show his own nicotine patch. Sherlock rolled his eyes, turning away as they both pulled their sleeves back down. Lestrade looks to you with a furrowed brow. “Ava, if you knew about the case, why didn't you call?”

“Um…” You looked to Sherlock who was staring intently at you, as if pleading you not to tell. “After examining the case... we came up with a possible lead. I was going to call but my phone died.” You said looking back to Lestrade with an innocent smile. He looked between you and Sherlock then shook his head, knowing there was no use trying to argue.

“Anyway, we found Rachel.” Lestrade stated making you come front in center to listen with Sherlock doing the same.

“Who is she?” You asked before Sherlock could.

“Jennifer Wilson’s only daughter.”

“Her daughter?” Sherlock asked with a confused frown looking back you for an answer.

“Why would she choose to write her daughters name? Why-?” You asked looking to Sherlock but were interrupted by Anderson.

“Never mind that. We found the case.”  Anderson interrupted pointing at the suitcase in the dining chair. “And according to someone, the murderer has the case, and we found it in the hands of our favorite psychopath.”

“I’m not a psychopath, Anderson. I’m a high-functioning sociopath. Do your research.” Sherlock snarled disparagingly to Anderson. You just shook your head at the detective and turned back to regard Lestrade.

“You need to bring Rachel in. You need to question her.”

“I need to question her.” Sherlock cut in. Lestrade looked between both of you, brows raised.

“She’s dead.” He replied.

“Excellent!” Sherlock exclaimed making you and John look to him is surprise. You looked back to John who was as intrigued as you were. “How, when and why? Is there a connection? There has to be.”

“Well I doubt it, since she’s been dead for fourteen years.Technically she was never alive.” Lestrade states. You saw Sherlock try to understand the meaning behind the remark as you hung your head in respect for both Jennifer and Rachel.

“What do you mean?”

“Rachel was Jennifer's Wilson's stillborn daughter, fourteen years ago.”

“No, that’s ... that’s not right. How ... Why would she do that? Why?” Sherlock asked confused shifting on his feet.

“Why would she think of her daughter in her last moments? Yup - sociopath, I’m seeing it now.” Anderson said from the kitchen, trying to be a smart ass, successfully making you want to strangle him.

“Think with that tiny brain of yours. She scratched it into the floor, with her fingernails. She was dying, it would taken effect and it would have hurt. Have some compassion for the dead.” You snapped at him making him look a little insulted. You turned to John and leaned into his side for comfort as he stood and listened. You missed Sherlock’s satisfied grin from your comment but it wasn't long enough to be noticeable.

“You said that the victims all took the poison themselves, that he makes them take it. Well, maybe he ... I don’t know, talks to them? Maybe he used the death of her daughter somehow.” John inquired, looking about the room to the officers.

“But that was ages ago. Why would she still be upset?” Sherlock asks making you and John look to him. You watched as Sherlock hesitates and realizes his mistake as everyone in the flat stopped what they were doing. Silence blanketed the flat. He glances around the room then looks awkwardly to you and John. “Not good?” He asks quietly.

“Just a bit.” You responded giving him an apologetic look knowing what it felt like to be in his shoes.

“Bit not good, yeah.” John added after glancing around at the others. Sherlock shakes it off and steps closer to the both of you looking intently.

“Yeah, but if you were dying ... if you’d been murdered in your very last few seconds, what would you say?

“Please, God, let me live.” John answered simply.

“Oh use your imagination.”

“I don't have to.” You felt John tense up by your side you gently put your hand on his shoulder as Sherlock seems to recognize the look of pain in John’s face. He pauses momentarily and blinks a couple of times, shifting his feet apologetically before continuing, turning to you.

“Ava, what about you? Think about it? What would you say?” Your mind flashed to a rainy night, one filled with blood and darkness, and your mouth moved on its own accord as you saw his face.

“Don’t leave me...” You whispered, just barely audible to Sherlock's and John ears. Realizing what you had said your heart dropped to the floor.

“What?” John asked turning to you with a look of shock

“I... " You paused trying to think of something but before you could your phone started to play the ringtone that Lyra put in your phone to let you know it was her… God why did she have to pick this song. Of all songs... You thought in horror as you cringed at the song Hey Mama by Black Eyed Peas playing from your back pocket. Everyone had stopped to look to you.

“Shit.” you muttered looking at Lestrade who was glaring at you. You grin and laugh out of nervousness. You looked to John who was having a hard time keeping it together and not piss his pants laughing at you and Sherlock's face was pure gold with confusion and amusement. They both start to chuckle but stopped as Lestrade turned his glare to them, quickly shutting them up.

You reach in your back pocket to retrieve your phone, seeing that it indeed was your sister calling seeing her picture illuminate your phone, you turned your back to them and answered it.

“Hello?”

“Hey! I just got off work and I'm exhausted but I wanted to see how you were doing with the case!” Lyra said loud enough for everyone to hear making you sigh a slump your shoulders knowing Lestrade was boring a hole in the back you're head.

“Lyra, I'm gonna call you back okay?”

“Oh… Oh. Oh, You're working aren't you? Oh gawd I'm so sorry hun, call me later.” She said quickly, realizing where you were. At least she's perceptive.

“Yeah, okay love you bye.” You ended quickly hanging up and turning around, hiding the phone back in your pocket. You looked at Lestrade once again with an innocent smile. “It must’ve had a second wind....” You said rocking on your heels.

“Ava-” Lestrade started but you cut him off before he could finish.

“Yeah, yeah I know. First warning.”

“And you can go home, you are relieved for the night.” Lestrade finished making you drop your jaw.

“But that's- oh come on.

“Goodnight Ms. Bradford.” Lestrade said in a stern manner gesturing towards the door. You knew it was useless to argue. Groaning, you made your way to the door but before you left you pulled John and Sherlock down to your level by their arms.

“Keep me updated.” You whispered looking to both of them. You glanced to Sherlock giving a small smile. “Remember Jennifer Wilson was smart. Think with her mind and you'll be able to see it clearly.” You said before letting go of both of them.

“Oh Ava. One question.” John said with a sly grin making you raise a brow. “ Are you a fan of Black Eyed Peas?” John asked before snickering like a child making you punch him in the arm. As you get down stairs you see your Aunt at the door talking to someone. Putting your hand on her shoulder to get her attention you see that it was a cabbie. Who ordered a taxi?

“Ok, Aunt Martha I'm off. You can thank Lyra for that.” Saying the last bit under your breath, you took out your phone to call Lyra back.

“Oh alright love, be safe.” She said stepping aside for you to leave. Quickly pecking her on the cheek you made your exit.

“Excuse me, sorry.” You said quickly to the cabbie in front of the door giving him an empty smile to be polite but your eyes not really leaving your phone. Stopping in the sidewalk to dial.

“Hey beautiful. I thought you were working?” Lyra answered the phone making you furrow a brow.

“I was until a few minutes ago. Did you have to set your ringtone in my phone.” You questioned as you crossed the street.

“I don't know what your talking about.” Lyra said trying to sound innocent but failed hearing her snickering on the other end of phone making you roll your eyes.

“Lyra, it went off in front of half the division!” You shouted getting out your key.

“Oh my god, you're kidding!?” Lyra asked with her voice full of laughter.

“No I'm not kidding! I got sent home. Even though I really want this case…”

“I’m sorry babe, I didn't mean to get you in trouble.” Lyra replied though you could still hear the laughter in her voice. Entering the foyer you closed the door leaning into it and letting out a sigh.

“It’s fine, I needed a break anyway. This case wasn't making sense. The killer has the phone, why? Did she lose it or did the killer maybe take it from her…” You mutter to yourself trying to go over the possibilities in your head as you made your way up the stairs.

“Ava…” Lyra said trying to get your attention but you were too into deductions.

“Maybe she was calling for help and he found out somehow but there was no call to the station for that number, I checked. She was smart so she had to think of something… before she died. She knew she was dying so what did she think of?” You sputtered on fidgeting with your keys.

“Ava.”

“Maybe she figured it out before she took the pill, she knew was going to die when she got into that cab.” You shouted bringing your hand to the side of your head, feeling the answer scratching to get out but you couldn't quite see it. The other hand still holding tightly to the phone.

“Ava!” Lyra shouted finally getting your attention bring you back out of your mind palace.

“Oh sorry, I did it again.” You said frowning knowing you hated doing that to Lyra or really anybody.  Apparently it was rude in a sense.

“No I was gonna say, what if she planted it on him.” Your body and mind came to a standstill as Lyra explained.

“Wait, what did you just say?” You said looking blankly into your door as your mind started to race.

“I said, what if she planted it on him. You said that she must have known that she was gonna die so she had to be smart about it, so she planted it on the guy, that’s what I would have done.” Lyra stated making your whole train of thought come to a screeching halt and everything standstill as your mind shot out deductions, causing you to brave yourself on the wall in front of you.

You quickly unlocked your door and rushed inside running over to the window, looking down at the street to see a single, solitary taxi waiting at the building’s foot.

“She was smart about it. She knew she was going to die when she got in the taxi. A taxi? Why a taxi? No the taxi cab outside the restaurant.” The deductions that flew at you making your attention focus solely on the vehicle, as if walls had encircled your body and it, repelling the world from the outside. Your memory flashing back to the cab, visually zooming in on the cabbie and then the same cabbie that grinned at you. Then it hit you. Your head throbbed as your inner voice monologue. Who do we trust, even though we don't know them? Who passes unnoticed where ever they go? She had to have taken a taxi from the airport, the taxi driver was the last to see her and she never made it to the hotel… Someone who could hunt in a crowd? Someone who could afford to?

“Ava? Slow down and think!” Lyra yelled on the other side of the phone, she knew you could figure it out but she also knew that sometime it could take a toll on you and your mind making it hard to see the solution to the problem.

With your eyes stilled firmly shut you put your hand on the wall for support letting you take in all the information at once. Your mind raced, questions coming from all directions and deductions coming too fast for you to think properly, and then, Sherlock's deep voice vibrated through you making your eyes shoot open.

She was trying to tell us.

Then you remembered something. I took a taxi from the train station this morning, the taxi man with no future. The profile of the killer had to be a man in his fifties or sixties. Has a minute position in his job so he will feel unappreciated and go unnoticed, in this case, a taxi cab driver. Has enough privacy to be uninterrupted. Cast out from his family. And the stresser; Two to three years without seeing his family and then the illness. She planted it on him because she knew she wasn't going to live. She left the phone in order to lead us right to her killer. THAT’S IT!

“That's it! You shouted

“What? What is it!?” Lyra shouted on the other end of the phone making you bring it backup to your ear.

“It Jennifer Wilson, she was smart! Smarter than anyone at this point and she's dead!” You laughed out as you explained trying to fathom the excitement in your veins. “She planted it on him so she could show us where to find him!”

“Wait, how are you supposed to find the phone?”

“The suitcase! I gotta go, I have to tell Sherlock!” You shouted before turning around heading for the door.

“Now you're really not making sense, what suitcase? And who is Sherl-?” Lyra asked but you weren't paying attention and hung up as you flew down the stairs. As you got the front door you see the taxi cab drive off. Was that Sherlock?

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Before stardom, Boyd Holbrook was ‘just a hillbilly from Kentucky’

You’ll be able to by no means fairly predict the influence of a likelihood encounter. Simply ask Boyd Holbrook, new hero of “The Predator” — the most recent installment of that blockbuster extraterrestrial franchise. Holbrook says he could have by no means left the coal-mining city of Prestonsburg, Ky., for the Hollywood limelight if he hadn’t ran into actor Michael Shannon at a division retailer in Lexington. “I was working on the retailer when Michael Shannon got here in,” Holbrook recollects. “I acknowledged him from ‘Vanilla Sky’ and I requested him, ‘How do you do what you do?’ He instructed me to get into theater. “It was very serendipitous,” Holbrook, 37, says of the comfortable accidents which have formed his profession — and introduced him to an ethereal wine bar on the waterfront of Greenpoint, Brooklyn, to talk with Alexa. “I’m simply a hillbilly from Jap Kentucky.” Or a lanky fashion-model-turned-action-hunk, who’s quickly changing into a fixture of main releases, from the 2014 psychological thriller “Gone Lady” to final yr’s hard-hitting X-Males movie “Logan.” On the small display screen, the actor has loved arguably much more success, starring as DEA agent Stephen Murphy on Netflix’s hit sequence “Narcos.” He additionally simply wrapped filming on his subsequent Netflix undertaking, “Within the Shadow of the Moon” — a gut-punching, mind-bending homicide thriller instructed in nine-year chapters. (We’ll see him age within the thriller with the assistance of “The Form of Water’s” gifted make-up crew.) Extra importantly, Holbrook says, he and his spouse — Danish actress and mannequin Tatiana Pajkovic — are new dad and mom to their 8-month-old son, Day (named for “daylight — as a result of he’s shiny”). “I’ve a lovely spouse and a lovely child boy, who’s the middle of my life,” he says. The household lives in a transformed pole barn on 10 acres in Bovina, NY, but in addition retains an condo in Williamsburg, Brooklyn. “Fatherhood is the best alternative I’ve ever had in my life.” Leather-based jacket, $3,400 at Dior Males, 17 E. 57th St.; T-shirt, $65 at Cotton Citizen.Richard Ascroft As for his personal childhood, he says he was a discontented, quiet and uncultured child with a heavy Appalachian drawl. He “spent each waking hour” at his great-grandmother’s home whereas his father labored in a mine. After her demise, Holbrook dreamed of escaping his blip of a city alongside Route 23, aka “The Nation Music Freeway.” When it turned clear that a basketball scholarship wasn’t his ticket out (“Seems I wasn’t superb,” Holbrook laughs), he latched onto one other lengthy shot: slam poetry. Impressed by a scene within the 1998 unbiased movie “Slam,” Holbrook started to jot down his personal verse and to assume severely about efficiency. “Being from Jap Kentucky, you’ve obtained Loretta Lynn and Dwight Yoakam and a lot of well-known country-music individuals,” he says. “However I was into Def Jam. There was one thing in regards to the ‘burst’ [of slam poetry] that I discovered simply so goddamn horny, thrilling and clever.” After his encounter with Shannon, Holbrook stop his job on the division retailer and obtained a part-time gig constructing units at a native theater firm by means of his sister (who’s now a social employee). He wasn’t lengthy on the job earlier than one other bit of virtually unbelievable luck got here his manner. “Anyone stated, ‘Hey, let me take your image. I’m going to submit you to be a mannequin,’ Holbrook recollects of his inconceivable encounter with a scout. “To be sq., I didn’t even know what ‘mannequin’ meant. I had no thought. I was like, ‘No matter.’ A month or two later, I was nearly 21 and had a free flight to New York. My cousin lived in Hoboken and I lived on her sofa for a month. I had $1,100 and I made that final eight months by working at a espresso store in Union Sq..” However quickly Holbrook was posing for the style business’s high designers, together with Gucci, Jean Paul Gaultier, Hugo Boss, Calvin Klein and Marc Jacobs. “I was string-bean skinny and ravenous,” he says. “However I was the speak of the city.” Though he had solely left the state of Kentucky about thrice earlier than transferring to New York, he was instantly flying all over the world for shoots and spending prolonged durations of time in Paris. “It’s a very bizarre business,” he says, including that at this time he shuns designer seems to be for a uniform model, paired together with his assortment of seven customized hats and the 1973 Rolex he had delivered to Alexa’s cowl shoot. “I might relate to the stereotypical Jap European lady coming from nothing. Now you might be in a huge metropolis, being profitable and also you don’t need to return to your former way of life. However for those who don’t educate your self by the point you might be 30, you aren’t going to have a pot to piss in or a window to throw it out of. I noticed it [coming].” As soon as once more, Holbrook says he had an virtually miraculous break. 5 to attend movie faculty at NYU and examine the Meisner approach with Brooklyn-based guru Terry Knickerbocker (his performing coach to at the present time), Holbrook despatched a script he’d written to indie administrators Larry Clark and Gus Van Sant. Clark toyed with directing the function (it was by no means made), whereas Van Sant provided him a function in his movie “Milk.” “It was a ‘The place’s Waldo?’ half,” Holbrook says. “I was a glorified background character. However I gave my first line to Sean Penn. I obtained to chop my enamel with the most effective of the most effective.” With perseverance and coaching, the roles saved coming. As soon as restricted by his Southern accent, two years of dialect classes have given him the vary to leap from Center American to a very satisfactory Australian accent (additionally because of some teaching from his buddy Sia). And after working with a Navy SEAL-turned-stuntman, Holbrook went from lean vogue mannequin to main man. “We have been up at 4 a.m., operating on the seaside in Santa Monica, swimming in ice-cold water,” Holbrook says of coaching for his “Predator” character, Quinn McKenna, a mercenary soldier. “I was getting used to s – – t that you simply aren’t meant for use to. I don’t assume I ever handed any of the challenges, however I can’t think about exhibiting up on set and making an attempt to wing it. That may be a catastrophe.” Nonetheless, Holbrook says that he has no real interest in being typecast as an Motion Jackson. “Christian Bale stated one thing that makes a lot of sense: ‘Play one thing overseas,’” Holbrook says. “It’s an escape. I don’t need to be myself. I don’t know why. That’s a deep philosophical query.” He hopes to make use of his high-paying roles in mainstream movies to fund tasks which have actual which means in a world getting ready to environmental catastrophe. The star is actively producing and performing in his personal movies, together with an ecological thriller for Fox titled “The Thirst,” a Nellie Bly biopic and the HBO drama “O.G.,” which was filmed on location in a maximum-security jail. “My job makes use of me,” he says. “It exhausts me. It’s very taxing. So I’m going to make use of it. I’m not going to make a silly horror movie that doesn’t have any social significance. I’m going to make stuff that’s difficult and progresses a collective consciousness. That’s what’s up.” It’s clear Holbrook’s seemingly uncanny success isn’t nearly luck or stars aligning. “I feel you might want to take duty in life,” he says. “At first you simply need to get the basics proper and have this lucid drug excessive by means of performing. Then you definately develop out of that and you might want to take management.” Mr P. sweater $295 at Mr Porter. Richard Ascroft “Chase” hooded sweatshirt, $108 at Carhartt Wip. Richard Ascroft Leather-based jacket, $3,400 at Dior Males, 17 E. 57th St.; T-shirt, $65 at Cotton Citizen; Fendi pants, $690 at Bergdorf Goodman, 754 Fifth Ave.; Adidas Originals “Famous person” sneakers, $80 at Adidas. Richard Ascroft Off-White jacket, $1,000 at Bergdorf Goodman, 754 Fifth Ave.; T-shirt, value upon request at Berluti, 677 Madison Ave.; Ben Taverniti Unravel Challenge denims, $690, comparable types at Barneys; Sneakers, $930 at Dior Males; 1858 Computerized Chronograph watch, $4,300 at Montblanc, 600 Madison Ave.; Socks, $18 at London Sock Firm. Robert Ascroft Leather-based jacket, $3,400 at Dior Males, 17 E. 57th St.; T-shirt, $65 at Cotton Citizen. Richard Ascroft 6 View Slideshow Vogue Editor: Serena French; Stylist: Anahita Moussavian; Groomer: Benjamin Thigpen at Assertion Artists Share this: https://nypost.com/2018/09/18/before-stardom-boyd-holbrook-was-just-a-hillbilly-from-kentucky/ The post Before stardom, Boyd Holbrook was ‘just a hillbilly from Kentucky’ appeared first on My style by Kartia. https://www.kartiavelino.com/2018/09/before-stardom-boyd-holbrook-was-just-a-hillbilly-from-kentucky.html

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‘Overboard’ and ‘Mom’ star Anna Faris is making motherhood fun again

If Anna Faris hadn’t gone into appearing, she’d have made an excellent therapist. Right here you’re, simply making an attempt to interview her about her new film “Overboard,” a remake of the 1987 Kurt Russell and Goldie Hawn rom-com, and earlier than you recognize it she’s slyly asking the questions as a substitute — about childhood, work, the firefly inhabitants in your space. (She’s method into bugs.) This is an uncommon trait in an actor; the career steadily requires a sure stage of narcissism. Nevertheless it’s a top quality that has made Faris profitable as host of the podcast “Unqualified,” through which she chats with well-known visitors but in addition dives headlong into her callers’ issues, usually getting borderline choked up as she talks them by heartbreak or dysfunctional household dynamics or the planning of marriage proposals. Gown, $5,275, and denim jacket, $1,375, each at Versace, 647 Fifth Ave.; “Aleesha” mules, $1,295 at Giuseppe Zanotti, 806 Madison Ave.; 14-k white-gold earrings with diamonds, $2,530 at EF Assortment; Lili Claspe x Ritani 14-k yellow-gold ring with diamonds, $1,310 at Ritani.Sheryl Nields “I simply needed some interactions that didn’t need to do with movie star,” says the 41-year-old Faris, clad in a T-shirt and ripped denims. Her wide-eyed face nonetheless bears traces of the make-up from our cowl shoot at a sunlit Santa Monica home, the place we’re hanging out upstairs within the artwork studio. Earlier than she began her podcast in 2015, she says, “I used to be attending to really feel like each time I talked to any individual, it was like I didn’t have any type of real connection. I discovered myself turning into actually introverted, even agoraphobic. And I didn’t wish to cease exploring — this sounds so f–kin’ lofty — the thought of human connection. And of loneliness.” This quiet, introspective lady is a marked distinction from the slapstick comedian who an hour earlier had our whole Alexa crew in stitches, and who obtained her begin within the satirical “Scary Film” sequence, parlaying her four-film run right into a profession of outsized roles: a past-her-prime Playmate in “The Home Bunny”; a neurotic hedonist in “What’s Your Quantity?”; a coked-up, sword-wielding model of herself within the Key & Peele comedy “Keanu.” “Keenen [Ivory Wayans, director of ‘Scary Movie’] advised me at some point that the rationale I used to be solid was as a result of I had no thought what made me humorous,” she says. “I cherished that. I contemplated it. I by no means thought I’d make it as an actor generally. I had by no means been a part of the comedic world.��� Does she know what makes her humorous now? “I feel it’s my ridiculous faces,” she says after a pause. “Or the truth that I desperately wish to be taken significantly. Most likely a mixture there.” She’ll be utilizing these comedic chops again in her just-released movie. “It was terrifying to remake a film that I cherished a lot rising up,” she says of the unique “Overboard,” which noticed Hawn enjoying a bitchy socialite whose amnesia is exploited by Russell’s blue-collar carpenter to make her assume she’s his spouse and the mom of his 4 unruly sons. Within the up to date model, Faris takes on the Russell position: She’s a working mother who hoodwinks an obscenely rich man-child (performed by Mexican celebrity Eugenio Derbez) into taking good care of her home and daughters whereas she research to turn out to be a nurse. “At first I used to be like, ‘What do you imply, we’re switching roles? I wish to be the one with the loopy character arc!’” says Faris, who may simply emulate Hawn’s look. However in the end, she says, she embraced the swap, and factors out that the love story between the couple (arguably essentially the most uncomfortably retro factor of the unique) isn’t entrance and middle on this model. “I like that my character is simply kind of too burdened together with her life to have [romance] be any type of focus,” she says. “As an individual who’s been — in my private life and within the characters I play — making an attempt to please all people round me and win a dude or no matter, I simply appreciated that.” This is smart, given what’s been occurring in her life recently: Faris break up from her husband, actor Chris Pratt, final yr after eight years of marriage, and the media scrutiny has been intense. Including to the awkwardness of this was the arrival of Faris’ 2017 memoir, additionally known as “Unqualified,” written earlier than the break up however revealed after it. Each Pratt and Faris have stated publicly that they’re nonetheless good mates and dedicated to co-parenting their 5-year-old son, Jack. For the time being, very like her characters in “Overboard” and the CBS sitcom “Mother,” Faris is squarely targeted on her child and her profession. Positive, she’s obtained extra sources than her working-class movie counterparts, however says she nonetheless struggles in opposition to expectations to be the proper mom. “As a girl, particularly, there’s that inevitable lack of id,” she says. “I really feel like I get judged on mother e-mail chains, if I didn’t contribute to the factor, however I meant to, or no matter. There’s this fixed undercurrent of guilt.” Brandon Maxwell jacket, $1,121 at Shopbop; Brandon Maxwell high, $1,295, and denims, $475, each at Saks Fifth Avenue; SJP by Sarah Jessica Parker “Doe” slingbacks, $375 at SJP Pop-Up Store, 6 W. 52nd St.; Earrings, $995 at Ariel Gordon Jewellery.Sheryl Nields She goals for Zen and often lands somwhere close to ok. “Am I doing this proper? Do I care? Not likely,” she says, giving voice to the narrative in her head. “Is he gonna put these Legos in his mouth? Perhaps. Do I care? I’m unsure. He’s gonna vomit within the pool. Do I care? Not likely. “However,” she continues, “I feel he’s a bit of stronger as a result of I’m not a lot of a helicopter mother or father. Once I watch Jack overcome a worry or work one thing out on his personal, I’ll see him take a look at me throughout the room and I’m like, ‘You bought this, dude.’ And my coronary heart will simply fill with pleasure as he figures it out and is courageous.” An English-major graduate of the College of Washington, Faris was a self-proclaimed offended teen whose drama-club crowd was nicknamed the Bat-Cavers. She’s lengthy agitated for roles which can be extra advanced than Hollywood has typically supplied girls. Her temporary, devilish 2003 look as a ditzy actress in Sofia Coppola’s “Misplaced in Translation” is one of many movie’s underrated pleasures. In 2007, she performed a stoner named Jane within the indie “Smiley Face,” which stays certainly one of her favourite elements. “I feel that film made about 200 bucks. However I’d get up so thrilled that I’d get to say these scrumptious traces from this f – – ked-up character who wasn’t chasing a man.” It impressed her, she says, to push for modifications to her subsequent position: “I attempted to make a case in ‘The Home Bunny’ for no love curiosity,” she says. “However you win some, you lose some. I like Colin Hanks, so … that’s OK. However,” she says, brightening up, “Christy hasn’t had too many love pursuits.” Christy can be Faris’ lead position, almost 5 years operating, on “Mother,” the place she performs a single mom and recovering alcoholic regularly reconciling together with her personal unorthodox mother, Bonnie (Allison Janney). The present is notable for its largely feminine solid and an unwavering give attention to the method of dependancy restoration — not, at first look, the pure stuff of comedy. “It feels refreshing,” says Faris. “I like the moments after we all get to be broad and humorous however then additionally get the chance to be intimate, particularly in that multicamera format, and to succeed in out and transfer folks indirectly. The traces, you recognize, are not often even actually gender-specific.” On the present, whose season finale is Might 10, Faris’ character struggles with a brand new temptation (after beforehand almost relapsing on alcohol). “Christy succumbs to a weak spot, which is playing, one thing I’m actually not good at,” Faris says with fun. “I feel you possibly can in all probability learn each expression that’s crossing my face.” That transparency is channeled on her podcast, which she says has made her really feel extra in command of her personal narrative.“I really feel like I can inform my story the way in which I wish to. Not that I wish to share all the things,” she says, “however no less than understanding I may is very nice.” Off-White jacket, $1,145, and denims, $660, each at Saks Fifth Avenue, 611 Fifth Ave.; “Maidugur” pumps, $995 at Manolo Blahnik, 31 W. 54th St.; 14-k white-gold earrings with diamonds, $2,530 at EF Assortment. Sheryl Nields Alexander Wang cami high, $395 at FWRD; Alexander Wang “Stack Tie” denims, $375 at Internet-A-Porter; 14-k white-gold choker necklace with diamonds, $3,525 at EF Assortment. Sheryl Nields Ben Taverniti Unravel Mission denim jacket, $910 at Saks Fifth Avenue.; Denims, $355 at Ulla Johnson, 15 Bleecker St.; 14-k white-gold choker necklace with diamonds, $3,525 at EF Assortment. Sheryl Nields Ben Taverniti Unravel Mission denim jacket, $910 at Saks Fifth Avenue.; Denims, $355 at Ulla Johnson, 15 Bleecker St.; “Tegan” pumps, $875 at Jimmy Choo; 14-k white-gold ring with diamonds, $3,925 at Ritani. Sheryl Nields Up Subsequent Ex-firefighter union chief arrested after drunkenly crashing automotive, fleeing scene: cops The previous head of town’s firefighter’s union was arrested… 4 View Slideshow Style Editor: Serena French; Stylist: Anahita Moussavian; Hair: Richard Marin for Cloutier; Remix utilizing Leonor Greyl; Make-up: Jill Cady for Cloutier; Remix utilizing Koh Gen Do; Manicurist: Ashlie Johnson at The Wall Group utilizing Chanel Vernis Anna Faris was shot on location at 1427 Georgina Ave., Santa Monica, Calif. The luxurious four-bedroom house (full with a 45-foot-long pool and out of doors eating area) is listed for $7.25M by the Company’s Santiago Arana and Griffin Riddle. Extra info right here or name 310-890-3306. Share this: https://nypost.com/2018/05/09/overboard-and-mom-star-anna-faris-is-making-motherhood-fun-again/ The post ‘Overboard’ and ‘Mom’ star Anna Faris is making motherhood fun again appeared first on My style by Kartia. http://www.kartiavelino.com/2018/05/overboard-and-mom-star-anna-faris-is-making-motherhood-fun-again.html