#Aiber

[pennyblossom-meta]

Analysis of the romance in Death Note's Spiraling Trap game.

EDIT 02/03/2024: minor edits and fixes, added a few imgs and extra content.

A huge thank you to the folks over at agtteam who translated L - the ProLogue to Death Note: Spiraling Trap into English! Now we can all date L become FBI agents after hours.

I've been playing the game recently and one of the features I love the most is the L Communicator, which allows the main character (referred to as MC henceforth) to take a break from adventuring and listen to L talk about whatever is on his mind.

There's around one hundred different lines available as the MC develops a relationship with L and they paint him as such a sweet, attentive and thoroughly unique individual that I was surprised by how detailed it was. If you're thinking about playing, then this part is definitely worth putting effort into.

The mechanics of the dating sim are relatively simple: during the adventure, you'll pick up a number of recipes hidden among traps and tools. Then, Watari will provide the ingredients and you can give L whatever sweets he specifically craves. These recipes and cravings depend on the time of day and can be season specific.

Character analysis

As stated in-game, giving L sweets causes his appreciation for the MC to grow. However, L being L, means that he craves different sweets throughout the day. He's definitely very specific about what he likes and what he wants for his sugar fix.

However, if you give L something he isn't craving at that specific moment, he will sulk. The way he expresses his displeasure varies according to the depth of the budding relationship he has with the MC.

L: To tell you the truth, there are many other things I would have preferred. L: [F/N], I hate to say this, but I really would have preferred something else. L: F/N], you must know that I was hoping for something else, right? L: [F/N]… It’s not my favorite but, it made me really happy.

Note: Given that the books in the expanded universe (Another Note and L: Change the WorLd) came out before this game, I think some of the quotes further ahead might be a subtle nod to how L is perceived by the police forces as the "creepy murder detective". However, references about his piece of mind lead me to believe that L craves some respite from the burdens he carries on his shoulders — burdens so strong that they managed to curve his spine.

Note: I'm unsure how the system here works, as the MC also gets points for gaining L's trust in the actual adventure when they a) agree with his observations and b) find key objects hidden in unsuspecting places. It might affect the available lines through the L Communicator.

L: Today is going to be a better day… Let’s think positive. L: I wonder what kind of morning this will be. L: It seems the air outside is crisp this morning.

L: I want to finish what I need to get done before night falls. L: It’s nearly sunset. Time for children to go back home. L: If you just stare into space, night will be here before you know it.

L: It’s already evening… Time keeps passing me by. L: There’s something different about the air at night. L: Night-time, dusk… It’s the witching hour.

As a naturally introspective individual, L observes the world around him and draws conclusions. To my surprise, the game actually managed to capture how observant L is about small, unsuspecting details of daily life and give him a slightly poetic side laced with a hint of wistfulness that suits his character well.

This is a side of L in his private life that I personally wish we had been able to glimpse during the Kira investigation. Though, at the time, L was busy trying to prove that Light was, indeed, Kira. It left him little to no time to enjoy the world around him. During the brief time that L could have had a semblance of rest right before the Yotsuba arc, he was depressed that his deductions were "wrong" — though I could see him musing about some of the above, equal parts whimsy and sulking.

L: If I start to lose my touch… I guess I’ll retire. L: Another day, another mystery… L: I have a lot of thinking to do. L: I feel like doing some capoeira… L: I haven't played tennis for a while. L: The weather today is… Well, it matters not. L: I, um… No, ignore me. L: Am I reading too much into it…?

As a thinker, L has a lot of unfinished thoughts he says out loud. Some border on cliché, others are musings about things he'd like to do or that he's missing.

I wonder if some of his thoughts end up trailing off because, suddenly, he catches himself and believes they're not important? Or that he doesn't think the MC would be interested in what he has to say beyond work matters?

L: “In spring one sleeps a sleep that knows no dawn.” Though, too much sleep isn’t good for anyone. L: If you think about things persistently, noticing all the sides to them will come naturally. L: Strawberries… Despite the name, they aren’t actually berries. How berry disappointing. L: The one who has thought it through wins. It’s true for chess, and for deduction. But in the case of love… I don't know.

He's also a philosopher at heart, always thinking about the human condition. In these we can also witness his dry humour, silly puns along with a subtle desire to share his thoughts on the world and give helpful advice.

As for love, L is cautious but willing to learn. It's a topic where he's out of his depth.

L: Um, Watari is… L: I wonder if Watari’s asleep? L: What could Watari be up to? L: Today is Thanksgiving Day. I am truly grateful to Watari for his diligence.

I found it interesting how L's thoughts eventually go back to Watari and what he's doing. He's the one person that L relies on and whom he interacts with the most. Other people are passing acquaintances at best, who show little interest in L beyond work.

Notice how he mentions diligence? Although it is a utilitarian consideration, it also reveals a thankfulness for the comforts of familiarity and the peace of mind that trusting someone close brings. This is a topic we'll explore better at a later stage, i.e., how trust and acts of service work as a relationship builder.

Romance

Neutral stage

One of the first things I've noticed is that, during the early stages of the relationship, L is still very formal and quite a bit dismissive — even borderline rude. As his sugar fix gets sated by the MC's keen suggestions (Watari provides the ingredients, of course), L grows gradually more fond of them and wants to include the MC in his life with an enthusiasm I can only define as endearing.

L: Aren’t you bored? You don’t have to check in on me. L: Don’t you have stuff to do?

At the beginning, L is still wary of the MC on a personal level as they have absolutely no rapport beyond a partnership of circumstance and usefulness in the name of justice. He's quick to get bored and doesn't take it very well when he's given sweets he isn't craving. A bit childish, one could say, the way he sulks when the MC errs by not reading his mind.

L: Did I enjoy it? Let me just say “no comment”. (about sweets that weren't quite to his taste)

It's also very in-character for L to feel both annoyed at someone who is randomly calling him and be suspicious of their motives.

Growing interest

L: Spending the afternoon with you isn’t so bad. L: Even though it’s late, you’re not going to bed, huh? L: You must be a night owl, [F/N]. L: I’m a little curious about you, [F/N]. L: Are you having a good time? I’m just curious. L: You’re kind of… Ah, no, forget I said anything.

He starts addressing the MC by their first name as he becomes more enamoured. It's very sweet. I was pleasantly surprised at how attentive L becomes as he gradually comes to the conclusion that this is a person who understands him.

Mind, due to game mechanics the MC gains approval by giving L sweets, but from a narrative perspective what's really happening is that L not only feels seen and understood, but also accepted. And when that happens, he starts lowering his walls and relaxing.

As a plot device, I would say these are defining moments within L's thought process here; he's curious about the MC, finds them interesting enough to want to know more them and pursues that curiosity to see what they might have in common. It seems he's both a little baffled and content about this development.

L: [F/N], what do you think of when you see a sunset? L: What are you doing this afternoon? Oh, should I not have asked? L: Are you a night owl? Oh, you don’t have to answer if you don’t want.

It should also be noted that L is very mindful of boundaries. There's a tentative, almost shy attempt to connect. He's determined to indulge in his curiosity since the MC's attentiveness towards him shows an opening for closeness he's unused to (but is happy about) and to tend to his more immediate needs (i.e., food cravings), which in turn shows a genuine concern for him. Aside from Watari, I doubt anyone ever extended L similar kindness.

And it is in this determination to get to know the MC that I also find Mello's words (AA: LABB Murder Cases) that L is actually a very active, aggressive individual with absolutely no interest in social conventions perfectly represent him this game, as he navigates a growing fondness with expectation, curiosity and caution — on his own terms, while minding that he doesn't overstep.

L: Staying up late talking to you… It makes me feel calm.

I find it particularly heartbreaking how this confession of L unknowingly makes it more transparent how burdened he is. The spine curved by burdens unseen, the addiction to mind games and sweets; all of these point to stress factors which isolate him further, increasing the loneliness and lack of affection in his life.

That L feels the need to mention the MC makes him feel calm seems telling.

L: We’re both late workers, huh? That makes me happy. L: [F/N]… You’re pretty formidable. L: It’s reassuring to have a partner like you. You’re someone I can trust. L: Your feelings have been received. (Valentine's Day) L: The fact we’ve become so close was an unexpected development on my part.

And here it is, the acknowledgement just as L enters the highest stages of approval, where he expresses admiration and happiness at the close bond he developed with the MC.

"An unexpected development on my part" is quite the turn of phrase. One can only wonder, but I'd make an educated guess that L didn't see this coming because:

a) no one showed feelings towards him before. In his line of work, hidden behind a screen there is no time to indulge or get attached to anyone (he would mistrust their intentions anyway) and so L keeps everyone at arms length, sharing little more than a professional side of himself and fostering utilitarian relationships that help him win "games". L ultimately carries various burdens the average civilian would never be able to understand, all due to the pressure of his job. When failing at the "game of cat and mouse" means being responsible for the likely deaths of dozens, perhaps even hundreds or thousands, the stakes are up in unimaginable ways. What started as a thrill chase can have catastrophic consequences should L fail. That in itself alienates him from society at large. It's a game that L plays well and absolutely profits from, but it is also an indicative of two major flaws: his addictive personality and how he suppresses his emotions to carry on. Coincidentally, it's the expanded universe, in particular Another Note: LA BB Murder Case and L: Change the WorLd, that give us the best insight into this. This isn't too dissimilar to the struggles policemen face in high risk jobs or technicians who have to flag and delete sensitive content from online platforms. These people end up changed from what they see — and some carry traumas for the rest of their lives. That's not to say that L doesn't feel for others. He respects people whom he considers good or morally upstanding (Soichiro Yagami), who are competent in their line of work (Naomi Misora, Mogi), worthy of a second chance (Aiber and Wedy), who speak their minds, unafraid (Aizawa) or who are reliable, loyal to him as a person and not just his cause, in whom he can place his trust and feel secure won't betray him (Watari). The MC seems to fall mostly in the last category, though the relationship is rather precocious — and there seems to be a fair amount of wishful thinking and even projecting on L's part, since communication happens over a device connecting two people remotely. He falls both for the idea of the individual and their attentiveness towards him. When L mentions that they make him feel calm, I'd argue it comes both as a surprise to him and a confession of a closeness and safety he intimately craved — though I personally view L as someone who feels lonely and wanting healthy human contact, even if his social skills might not be the best (worsened by his distrust of people as a whole). Someone who ultimately is willing to adapt to him but whom he can adapt to, as well. Someone who sees him as a person and not an unfeeling robot. It's a POV that certainly challenges certain aspects of DN: Vol 13. I would further argue that L's portrayal has evolved significantly beyond the manga, and that his subsequent humanising is partially a result of the creative liberties the English translations took, as well as a more empathetic view of the character and hidden struggles. Each medium displays a separate iteration of L, with common variables.

b) L fosters distant relationships with others as a safety measure. Aside from Watari, L's contact with other people had always been distant, work-focused, perhaps even tainted by notions of his supposed creepiness as a kinky detective "who relished bizarre murders" (L:CtW). He's useful to the police because he achieves favourable results, though L is still viewed as "a human computer, capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath" (L:CtW). He isn't necessarily liked; in fact, I would argue he rubs people the wrong way most of the time — as we can see during his interactions with the Task Force, during the events of Death Note. L is tolerated, a useful asset who is both mysterious and a pain to deal with. However, he's also put on a pedestal due to his status (i.e., Relight, the children at Wammy's). For the latter, he purposely shatters their idea of L as this unbeatable, paragon of justice by defining himself as a monster (anime), a dishonest cheating human being who hates losing (manga). I do share in lux-mea-lex's perspective on L doubting his own humanity and how it fuels a certain self-hatred for distrusting everyone around him. As lux mentions, "love comes with trust" and L is an excellent detective precisely because he questions everything and everyone — but it comes at a cost: his own loneliness. To draw a parallel, L's ultimate flaw — and that which makes him great at his job — is not unlike what we see during the moments of extreme anguish that Veronica Mars goes through in her personal relationships and which draw people away from her when she oversteps boundaries to prove she's not being lied to. That mistrust comes from experience, for people burdened with having seen too much and it's not unlike a kind of paranoia acquired when one has to deal with the worst of humanity on a daily basis.

Full reciprocity

L: [F/N] you’re the light that illuminates the dark night. That’s an exaggeration of course, but… L: What I need to live is glucose… and to talk to you. Nourishment for my brain and heart. L: When we’re together, I feel like there’s no problem we can’t solve. L: The afternoons I get to spend with you are precious to me.

When the MC achieves the stage of full reciprocity with L, he's very open to showing vulnerability and lowering his emotional defenses. I found this to be particularly sweet, as L is such a secretive man with so many hidden layers that him being willing to show such honesty with that one person he holds dear is incredible character development.

Beyond the game, I would say that achieving this stage with L would be much more difficult and, naturally, would involve going beyond picking the best sweets for him.

Something important to keep in mind is that L seems to value acts of service, as the people who interact with him more closely have some utility value and aid his work. However, L's life revolves around his work; he lives and breathes his detective work, which is why having a partner who brings him peace would be so important.

L: The time I spend with you is as important to me as the sweets. L: Good morning. It makes me really happy to see you here. L: For your sake… I’d think of a way to get through anything. We share a bond. L: When you have time, I’d like to take you to a shop that makes the best sweets. L: When you’re free, how about we play tennis together? I will have Watari reserve a court. L: If something were to happen to me… I want you, as the person I hold dearest, to carry on the L moniker. L: When my thoughts hit a dead end late at night, I feel like I’m stuck in a maze. But, having you here makes me feel reassured.

I also found it very sweet how L takes the initiative to plan for activities to do together with the MC. And how their presence, their reassuring words make him feel at ease. It seems that a loving relationship would give L a goal in life beyond his work.

Carrying on the L moniker... this quote might be the result of L's trust in the MC growing during the events of the game, or a sentiment L nurtures due to the MC being attentive enough to understand his specific cravings. But being able to read L and having the mental dexterity to become him are different things, as the latter involves a lifestyle that few would want and a complete focus on work. Even FBI agents have lives beyond work.

L: I learned from you that sweets are the bond that brings people together. L: You give me true peace of mind. No one could ever replace you. L: The way I am now, I… I can’t think straight when you’re not around. L: Being able to share this sunset with you, I couldn’t ask for anything more. L: You understand, don’t you [F/N]? What my heart so strongly desires is something more… L: When I talk to you, I feel like my senses are sharpened. Thanks to that, my radar has become more sensitive.

What a sweet guy. I love how L focuses on the little things and just wants to spend time together with the person he holds dearest. It's almost as if he daydreams a close, loving relationship — a trait that clashes with L's logical side.

This game and the expanded universe of Death Note have convinced me that there are many more layers to L than what we can see in the main story.

As Fu Takahashi, who plays L in the 2020 Japanese version of the musical, said:

“(...) A common thing about L among these versions is that, despite his superficial image as a smart guy who hates losing, he actually feels lonely and needs affection, I imagine. Perhaps he is an orphan – his character suggests so. He tries to control his emotions, like the feelings towards his parents, or romantic feelings; that’s why he is sort of dependent on games or battles of the mind. So I want to play L while thinking about the foundations on which his personality has been formed.”

I think this quote and the game are actually very telling of L's core personality and how it moves beyond that cold, calculating persona that defines him in the manga. It's also more in line with the characterisation that we see in the anime and the books, which help humanise L.

As I mentioned elsewhere, learning how to trust and be comfortable around someone else would do L wonders. Though that person would have to accept him for who he is and help him learn how to navigate a healthy relationship.

Perhaps the true test of love, for L, would even be for him to be confronted with someone who knows who he really is and, is not only kind to him, but also sees the best in him — regardless of his flaws. I think that we've had a glimpse of it in this game and it's a breath of fresh air.

[mizzmellos]

L has an exceptionally sound screening process for his employees.

[fndmfrenzy]

I rewatched Death Note focusing on the japanese 1st person pronouns the characters use (because I'm an otaku and I find it interesting). I'm not an expert, so I'm mainly going to point out everyone's pronouns and add a little analysis/opinion based on what I know or read online about their usage. Some characters probably won't get explanations because I have nothing to say. Also: since this is a piece of fiction the pronouns can tell us more about someone's personality. Also: I can only analyze the formality of the pronouns not the rest of the speech, because I don't know japanese that well!

Warning: like half of this post is about Higuchi because he's funny to me. And I included all of Yotsuba, who are pretty minor characters.

Kira Task Force:

Light Yagami Starting with Light as the main character, his pronoun of choice is 僕 (ぼく/boku). Boku is typically used by boys and young men. It's considered polite and humble. If I'm not mistaken only 2 other characters in Death Note use boku (Matsuda and Hatori from Yotsuba). It's a fitting pronoun for the perfect student and son, Light Yagami. It also gives a funny contrast to his ego-driven Kira speeches.

There is a couple of situations when Light uses 私 (わたし/watashi) (because it's gender neutral, and more... neutral in general). It's when he acts as L or Kira on the phone with someone, so in situations where he's trying to hide his identity.

L L uses 私 (わたし/watashi). It's gender neutral and usually used by men in formal settings. L comes accross as wanting to sound polite (he always uses honorifics for people, even correcting himself one time when he forgets to do so with Matsuda).

He yells out "Matsuda", but then corrects it to "Matsuda-san". He also calls Light "Light-kun" or "Yagami-kun". It's a funny contrast that he cares about this, because otherwise he isn't very polite (especially to Matsuda).

In the anime (sadly I don't think he uses any pronouns in that scene in the manga) when he calls Matsuda (who's in Yotsuba building) and pretends to be his friend he uses 俺 (おれ/ore).

Matsuda As I said earlier, he uses the same pronouns as Light - boku. He's the youngest member of the Task Force (save for Light and L) and his pronoun gives him that youthful feeling.

One situation I've heard him use a different pronoun was when he got busted by the Yotsuba Group, and introduced himself with 私 (わたくし/watakushi) - an even more polite version of watashi. Oh, he also uses watashi on Sakura TV, for similar reasons to Light's usage of watashi.

Soichiro Yagami 私 (わたし/watashi). I don't think he's ever shown using a different one? We only see most of the Kira Task Force at work, so it's expected that they all use formal pronouns.

Aizawa 私 (わたし/watashi). Except for when he's quitting the Task Force, then he switches to 俺 (おれ/ore). Ore is a masculine informal pronoun, considered more rude and rough. He's angry at L and it shows.

Mogi 私 (わたし/watashi), I think, but he doesn't talk much.

Team Kira:

Misa Amane Misa's main pronoun is her name. She basically talks about herself in 3rd person, which might sound silly in english, so most translations don't include it. It's cutesy and childlish and she probably does this as part of her idol persona.

She also uses 私 (わたし/watashi) at times (which is basically the most common pronoun used by women). As I mentioned before, it's considered formal when men use it, but for women it can be both formal and informal. Well, she uses it formally (when it's weird to just use Misa) for example in the Yotsuba interview. And of course, just like Light she uses watashi when posing as Kira (on the tapes in Sakura TV, on the phone in the 2nd part of the series).

Here's Misa using watashi during the interview:

Teru Mikami 私 (わたし/watashi)

Kiyomi Takada 私 (わたし/watashi)

Shinigami:

Ryuk 俺 (おれ/ore)

Rem 私 (わたし/watashi)

Yotsuba Arc:

Most of my research comes from Yotsuba arc (like all the specific examples above...) so I'm including the Yotsuba Group guys. But first, others from this arc.

Aiber 俺 (おれ/ore) usually, 私 (わたし/watashi) when acting as Eraldo Coil.

Wedy 私 (わたし/watashi)

Yotsuba Group: First I have to say that we see them most of them only at work, so they're going to use formal pronouns.

Hatori 僕 (ぼく/boku), but he uses watashi once when keeping watch on Matsui.

Takahashi He doesn't use any in the Kira Meetings (because he doesn't talk much). I'm pretty sure I heard him using ore (maybe at the party?), but I couldn't find it in the manga.

Namikawa 私 (わたし/watashi)

Mido 私 (わたし/watashi)

Shimura He actually is only shown using 俺 (おれ/ore). Even at the meetings. He's a very unassuming guy, so I feel like there's a contrast with him using the informal ore with his coworkers, when most of the others use watashi.

Namikawa and Mido still use formal watashi, even when the three of them are hanging out at Mido's house. The only one using ore is again, Shimura.

I think thanks to his kind personality his usage of ore gives a sense of familiarity, instead of sounding crass.

Ooi 私 (わたし/watashi) in the meetings. In a call with Kida, he uses 俺 (おれ/ore). I want to add that in a work setting ore can be used by people that are either older or in superior positions. Ooi is the oldest in the group, and de facto leads the meetings, but idk if it means anything. Maybe he uses watashi with the group, but ore one-on-one? Maybe that's the etiquette?

Kida 私 (わたし/watashi)

Higuchi We get more scenes with him and we get to see him switching pronouns. One of them is 私 (わたし/watashi). He uses it in those situations: - talking to Rem (and/or himself). He seems to respect her so he's usually formal when talking to her. This might be also him talking to himself, but since Rem's there let's assume it's at least half-aimed at her... Anyway, here Higuchi talks about marrying Misa:

Even when giving this ego-driven speech (again, about marrying Misa and some more...) he uses watashi:

Talking with Rem in the car:

- thinking. He's kinda inconsistent because he thinks with both watashi and ore. Mostly watashi though. Maybe he uses ore when he feels more confident? Here after confessing to Misa he's Kira:

And some more:

At least in two of those he's like "my life is over, i'll lose my job... oh and go to jail and maybe die... but my job...!"

- in formal/business setting. Ok that's a stretch, but before making this post I was convinced he used it more in the series. We can assume he would in a formal situation, but it doesn't happen in the manga so I have no proof. Huh. Here he pretends to be a lost businessman before shooting Light's dad:

Then there's 俺 (おれ/ore). It's typically used by men around family and friends. It can sound cocky, and indicates a sense of masculinity. Situations where Higuchi uses ore include:

- talking to coworkers. Higuchi doesn't talk that much during meetings and if he does he doesn't use any pronouns. I was wondering if he's more like Ooi (watashi during meetings, ore outside meetings) or Shimura (always ore). I think it's the second based on these two panels:

At least I think it's him talking to Shimura? This moment was cut from the anime so we don't know who's saying it, but it fits Higuchi (and the person saying it uses ore so that excludes most of the people there). The panel below it shows him responding to Mido with ore.

Below are other moments he uses ore with coworkers, during the Misa interview and on the phone with Mido:

Like with most things Higuchi does I think he's going for nonchalant, but it comes across as sloppy and disrespectful. Just look at him here:

His chair is so far back, he's leaning in it with crossed arms. He's trying to show how much he doesn't give a fuck about this interview... Even if it's in his interest to get info about L from Misa! Talk about posturing.

- date with Misa, including his Kira confession. I think it's common for men to use ore when talking to women they're pursuing? I've read about a shoujo manga where the male lead usually uses watashi, but it's a big moment when he switches to ore with the female lead to show he's serious about her (/interested in her romantically).

- thinking. This one happens before he confesses he's Kira:

And he uses ore after making the eye deal when he's like "I'm invincible" (lol). I don't know what to get from this, but there's like 3 panels where he thinks with ore as compared to 6+ with watashi.

Wammy's house:

Near 私 (わたし/watashi)

Mello 俺 (おれ/ore). He's the odd one out when compared to formal L and Near. Well, he is a thug and works with the mafia.

Matt 俺 (おれ/ore). I was surprised to find it so easily considering his lack of screentime.

[suddenlymicah]

death note birthdates(dd/mm/yyyy)

for most of these i used aliases, but for characters commonly known as otherwise (jack neylon/kal saydar) i used the more common of the two. these were all retrieved from volume 13: how to read, as well as being in the order they are stated. please please please tell me if i got something wrong!!!

Light Yagami, 28/02/1986

L, 31/10/1979

Mello, 13/12/1989

Near, 24/08/1991

Misa Amane, 25/12/1984

Teru Mikami, 07/06/1982

Kiyomi Takada, 12/07/1985

Soichiro Yagami, 12/07/1955

Touta Matsuda, 14/12/1978

Shuichi Aizawa, 11/05/1969

Kanzo Mogi, 12/07/1973

Hideki Ide, 29/09/1969

Hirokazu Ukita, 09/11/1977

Sayu Yagami, 18/06/1989

Sachiko Yagami, 10/10/1962

Raye Penber, 31/12/1974

Naomi Misora, 11/02/1976

Aiber, 17/07/1969

Wedy, 02/11/1974

Watari, 01/05/1933

Matt, 01/02/1990

Roger Ruvie, 29/04/1939

Kyosuke Higuchi, 06/06/1972

Reiji Namikawa, 03/08/1974

Takeshi Ooi, 31/03/1961

Shingo Mido, 25/01/1972

Eiichi Takahashi, 19/12/1963

Suguru Shimura, 21/07/1968

Masahiko Kida, 20/10/1971

Arayoshi Hatori, 22/03/1971

Anthony Rester, 06/01/1968

Stephen Gevanni, 01/09/1982

Halle Lidner, 18/02/1980

Rod Ross, 13/04/1968

Kal Saydar, 23/02/1973

Hitoshi Demegawa, 04/04/1966

[m1nionlvr]

aiber and wedy are suchhh underrated death note characters

ESPECIALLY WEDY SHE'S SO COOL

[nebulamist]

Death Note Hunger Games Sim. — Finale

Part 1

Part 2

Sayu falls into a frozen lake and drowns.

Noooo! I was rooting for you! 😭

😢

Namikawa poisons Naomi’s drink, but mistakes it for his own and dies.

Tbh, I think Namikawa would be smarter than that. But I guess we have a winner now…

Naomi Misora!

I suppose if anyone deserves it, it’s her.

Rankings and summary of the game below the cut:

Summary:

Rankings:

Sayu was brutal in this one.

5 kills?

We need to use the image again.

[serennes-art]

go play ai: the somnium files right now

[mechadeimos]

[g0blin-artz]

There’s like no fanart of Aiber and honestly I find that completely unacceptable, so here are my sillies.

[deathnotewiki]

April 7, 2004:

Light Yagami and L play a game of tennis.

Soichiro Yagami collapses due to stress.

April 7, 2005: Aiber (real name: Thierry Morelle) is killed by the power of the Death Note.

[captainhysunstuff]

Light made L some chocolate, but L’s not dumb enough to eat it right away.  ...So, he makes Aiber taste test it to Light’s annoyance.

Script below the cut:

L on the left holding a bag of chocolates.  Light on the right smiling and wiping his forehead.

Light:  Happy Valentine’s Day!  I made you chocolate!

L:  Oh.  Thank you, Light.

Light:  It was harder than I thought would be, but I think they came out all right!

L:  Here Aiber.  Take one.

Aiber:  *comes in on the left and takes a heart-shaped chocolate from the bag* Thanks, boss!  *eats one*

Light:  ?!

L:  *walks off to the left* If Aiber dies in the next 24 hours, Light is Kira.

Aiber:  *scared*

Light:  *enraged* Hey!  I’m not Kira!!

Aiber:  *fearfully looks at Light, thinking* Oh, boy... It’s the Lindy experiment all over again.  *gulps*

Light:  *addresses Aiber* Don’t look at me like that.  I DIDN’T poison them!

*Aiber is referring to the Lind L. Taylor broadcast.

[pennyblossom-meta]

If L ever had a lover/soulmate and was discovered by Light, what countermeasures might L do?

Thank you for the question, dear anon!

This one's a really interesting one and I had to do some research in order to give you a well rounded response based on canon (mostly the manga, but also with a dash of extended DN lore). I'll add my own conclusions on the specific lover/soulmate case as we go.

I'll preface this analysis by saying that, if we take Spiraling Trap into account, then L's lover would be of extreme importance to them, if not the most important person in L's life — perhaps even above Watari. One of his sweetest quotes from the dating sim actually alludes to this state of mind:

For your sake… I’d think of a way to get through anything. We share a bond.

If L had a lover, he would very much be smitten. Despite all his flaws, his sometimes complicated, hyper-focused behaviour, he would dearly cherish this bond and do everything to keep it.

It's important that we look at L's thought process here as the opposite of what he did with Kira. While L gradually de-anonymizes Light before the world, he would progressively anonymize his lover so as to keep them safe. It might not be to the degree that he made himself to be a ghost, a letter on a screen, but it would be a pretty thorough process to minimise any fallout.

Now, L would take his lover's safety as a constant, high priority task. I imagine he'd be paranoid to the point that he would often run hypothetical scenarios where he'd assume the role of a criminal and try to find information about his lover.

These would range from medical records to high school grades, primary school pictures, etc. He would know exactly what kind of data about his lover was available to the public — and where to find it, in digital or physical form. Do they have family? Pets? Friends that could be tracked or paid to talk? He'd be on top of all this and investigate it through the several angles of cryptography and computer security.

When the Kira case starts gaining prominence, I imagine he would take the utmost care to delete all sensitive information pertaining to his lover from public records, though he might keep actual medical records safely encrypted somewhere only he could access. As for records stored at, say, school, in physical form — like a CD — he would likely have Watari steal them so they could be destroyed. I don't believe he would ask anyone other than Watari for this task, as that could raise unwelcome questions from a third party.

L's greatest fear would be that Kira might kill his lover. Given how secretive he is, perhaps the only way that Light might gain access to such information would be if L allowed his lover to accompany him during the case. Just like L protects Watari, Aiber and Wedy's identity, he would likely never introduce his lover as his actual lover; rather, he would make up a fake name for them and a role. I also imagine he would struggle with the decision of bringing them along and might've acquiesced because a) he wants them nearby or b) they've left him no choice because they want to keep L safe (and be supportive in whatever way they can, depending on their background and profession).

So, in this scenario (manga, again), Light would need to meet L's lover sometime between the months April-November 2004 and figure out who they really are. It would almost give L a heart attack (pun intended); he would blame himself for his recklessness, backtrack every move, run scenarios to make sure Light couldn't find anything to kill them. After Rem appears, L would absolutely forbid them from being near Misa.

Beyond this, there isn't much that L could do at this point. Short of bringing Kira to justice, the most he can do is prevent his lover's personal information from being handed to Light on a silver platter. He may remove his lover from the case entirely if they were discovered, though. But he would definitely plot to cut any loose ends that'd bring Light straight to their lover's private sphere.

There's also a chance that Light would kidnap L's lover and torture them for information, but it's highly unlikely.

However, I'd like to ask the following question: what does L do to protect himself and those closest to him in canon?

01: There are no photos or images of L anywhere, especially at To-Ho

From: Chapter 28 - Judgment

One of the things that immediately jumps to attention is how secretive (and well prepared) L is under any scenario. During this particular moment in the main story, we witness L's caution when it comes to allowing others to keep any photos or video records related to him, going as far as instructing the Task Force to destroy all photos of themselves. In essence, he wants them to erase any and all images that can lead to the Second Kira identifying them to avoid their murders. Their digital footprint or social media (what was even Japan's version of MySpace in 2004?) should be gone as a security measure.

We also discover that L goes to the trouble of deactivating the security cameras at the hotels he's at so they don't capture his image. It's a huge stretch, but a necessary evil when you're L, the world's greatest detective, always one step away from being killed by criminals.

What about L's love interest/soulmate?

As mentioned before, L would make sure that his lover's information would be hidden or removed from public access. This would give him a head start to protect them from Light (and Misa), as the only way they'd be able to get the lover's name would be through the Shinigami Eyes or by parting with the information voluntarily (like Naomi Misora did).

Like L, they would also not have their image recorded when moving around hotels. I can imagine that they would also leave through the hotel garage or back door in order to avoid bumping into undesirable individuals.

02: Watari, Aiber and Wedy are anonymized — until L's death (and Watari's)

From: Chapter 59 - Zero

Arguably, one of L's biggest mistakes towards Aiber and Wedy was leaving their personal information available for the Task Force in case he died. I assume that the "All data deletion" protocol was solely regarding the case itself, and that there were branches of information that Light acquired after L's death which were not meant to be seen aside from himself.

There might've been other criminals whom associated with L that Light killed. My educated guess is that L would've been more careful with his lover's personal information and had it deleted along with crucial data about the case. In case he died and they lived, he would've taken that precaution. Both Near and Mello also have no photographs of themselves available at Wammy's (or in any record).

03: And as a small bonus of L caring about his associates...

From: Chapter 43 - Black

Utilitarian L may be, but he's not a robot devoid of feelings. He does care about his associates and seems to be on good terms with Aiber. With how careful he is those who work for him, I'm positive he would climb mountains to keep his lover safe from harm — especially if danger came in the shape of Light.

Hope this answered your question somewhat!

[13eyond13]

Hello! Random ask, reading the manga again, I couldn't help but notice the kind of special relationship L has with Aiber. Almost friendly. He allows Aiber to have initiative, praises him, is concerned about his safety.... I wonder if those two could actually have been friends, like close friends, in an AU where they both survived.... Like, Aiber being that good close outgoing friend, the extrovert of the pair, to have brought L out of his semi-isolation....

Haha, I thought they had an oddly interesting dynamic as well! My fave is how L urges Aiber to be careful and lets him take liberties with one of his aliases and whatnot. Aiber and Wedy are definitely fun possible closer relationships to imagine for L (I kinda wish it didn't say in canon that he'd never met them in person before, because that would leave more up to speculation about how friendly they actually had been with each other previously – it'd just be fun to me if maybe L had some hinted-at relationships like that in the past at times, especially with criminals he'd formerly been hunting down).

[queeranotkira]

I wish Aiber and Wedy were in the game

I want his smug conman ass to swipe in and secondhand embarrass L in front of everyone

[irevanity]

a career conman and a suspiciously good lockpicker walk into a bar

[loserlawliet]