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postmodernmulticoloredcloak · 4 years ago

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I would love for you to talk more indepth about the montage. To me it feels so off and weird. Almost like a parody? So many scenes in it are "funny" moments that just don't make sense in the context of an emotional overview of the road so far... (Like all the scenes where Dean is eating, Donna with donut dust on her face, Sam getting hit during the game show.) I don't know. Isn't the montage supposed to make me nostalgic, teary-eyed? This one definitely doesn't do it for me!

Here I am! Yes, I absolutely agree. The montage is Weird(TM). It’s kind of a tone rollercoaster. It’s very full of funny/silly moments, with some serious moments smacked in. And it definitely looks like... there’s something about it.

For an easier consultation I will reference the gifs I have made of the montage sequence here.

[Gif 1] It starts pretty much like I’d expect a Supernatural goodbye montage to start. The two brothers meeting for the first time in the pilot, a reminder of their childhood with John, their banter still from the pilot, a couple moments of them driving in the car in the first seasons, Dean saving Lucas in 1x03 which is the first Dean-heavy episode and also an extremely symbolic moment for Dean’s entire journey - just think at how Lucas as a mirror was still relevent during the “drowning” Michael possession arc. Everything feels normal so far. We’re starting from the beginning! Now--

[Gif 2] Interesting and weird choices start here. Them pretending to be high school teachers from After School Special 4x13 - actually a very iconic moment for the fandom, remember that post of Dean in shorts from that episode that you had to reblog when it came on your dash? (Actually I’m not sure if I ever reblogged it lol.) Dean celebrating getting young again from The Curious Case of Dean Winchester 5x07 (and Jensen showing off his agility). The two of them showing their FBI badges to Jesse Turner’s biological mother in 5x06. Dean mowing the lawn of Mary’s house in the Djinn dream and immediately after Jess and Sam kissing also in the Djinn dream, from What Is And What Should Never Be 2x20. Then Dean after killing the witch when he was under the memory loss spell, in Regarding Dean 12x11. Sam happy when they celebrate Christmas in A Very Supernatural Christmas 3x08. Them being “lucky” under the effect of the rabbit’s foot in Bad Day At Black Rock 3x03. Sam also happy in Baby 11x04.

Again the present, then the montage starts again with the water-related ghost from Red Sky At Morning 3x06, a Bela episode, and then Bela herself from her first episode, 3x03 again.

What do these moments have in common? Not all of them, but for many of them I’d say reality being manipulated. The Djinn dream, the rabbit foot, Dean’s aging, the Antichrist... and it’s not over yet. Also, them pretending to be teachers, agents etc - not “real”.

[Gif 3] The tone suddenly gets more serious and relevant to current events: Chuck in The Monster at the End of This Book 4x18 (eh). Death in Two Minutes to Midnight 5x21 (the first appearance of Death, while now we’ve had Billie’s last and a very short-lived new one), and then two major moments from Lazarus Rising - Dean emerging from the grave and finding the handprint on his shoulder. Crowley’s first episode, Abandon All Hope 5x10. Zachariah’s death in Point Of No Return 5x18. Anna from The Song Remains The Same 5x13, where she is the antagonist having been brainwashed successfully by heaven. Michael burning and Sam jumping in the cage with Michael in 5x22, then another moment from 4x01 (the brothers hugging after reuniting). A moment from The French Mistake 6x15 (reality fuckery again!). Sam in Frontierland 6x18.

[Gif 4] Reality fuckery continues with Becky marrying Sam in 7x08. Funnily enough, this is the peak of Becky’s obsessive behavior which she went to therapy for and grew away of - it definitely emphasizes how far Becky has come. Donna’s first appeance in 9x13. That iconic shot of Dean in Bloodlust 2x03 because he’s pretty. Charlie’s first appearance in 7x20 while she dances to Walking On Sunshine (relevant?), Kevin’s first appearance in 7x21 when he becomes a prophet (lots of firsts). Abaddon’s first appearance in As Time Goes By 8x12. Then there’s the first appearance of the bunker, in the next episode, a couple shots in fact. Then more 4x01, Ruby pretending to mistake Dean for the pizza man (eh). Then more present...

This section seems to be mostly “first appearances” - including Ruby’s s4 meatsuit, i.e. Genevieve’s first appearance.

[Gif 5] We suddenly jump to more recent events with Kelly and Jack in heaven in Byzanthium 4x08. Jack’s iconic hello from 4x16 Don’t Go In The Woods. Dean teaching Jack how to drive in 14x07 Unhuman Nature. But then we suddenly go from Jack things to something completely different on the surface: two consecutive moments from Changing Channels 5x08, including the iconic Nutcracker scene, and Sully from Just My Imagination. We are actually back to the previous theme: reality fuckery. Gabriel’s episode was about placing them in “television shows”, Sully, while real, is literally a child’s “imaginary friend”. And then... a moment from the cartoon part of Scoobynatural! It doesn’t get more reality fuckery than that. Oh, wait! Charlie and Dorothy going to Oz in 9x04. That’s a pretty strong contender. Dean being hit in the face by a fairy in 6x09 - also about a realm Dean briefly went to. And, in case we felt like we hadn’t gotten enough 4x01 yet, Pamela’s first appearance (her last, albeit a hallucination, was about the whole “How come you only want what you can't have?” thing).

[Gif 6] We continue again with a mixture of firsts and weird things. Ellen’s first appearance in 2x02, Dean and Cas in 4x18 (we saw Chuck from that episode earlier), Jody’s first appearance in 5x15 Dead Men Don’t Wear Plaid. Rufus in 6x04 Weekend At Bobby’s (not his first but a good episode...), Garth in 9x12 Sharp Teeth (not his first but the first in which he is a werewolf and is married... relevant to recent lamp events??), Missouri in 1x09 (her first appearance).

Then Gabriel from 13x21 Beat The Devil (an episode where he plays a trick on Lucifer) and Rowena from the same scene (in fact a scene where they’re flirting). Then Eileen coming back to life in 15x06 and smiling at Sam. Jo flirting with Dean in 2x02 - her first appearance, again. Funnily enough, she had been introduced as a love interest, but ended up being repurposed as a sisterly figure. Tempted to say it’s relevant in an ironic way. Mary in 14x11 Damaged Goods, when Dean has a goodbye mother-son moment with her. Amara in 11x09 Oh Brother Where Art Thou when she was looking for her brother. Then Lucifer in two different vessels (12x07 Rock Never Dies and 12x21, when Lucifer regains control over the vessel).

Then Metatron doing the find a wife make babies speech to Cas in 8x23! Relevant??? Dun dun dun. Then Ketch for some reason (the first episode where we see his face, 12x08 LOTUS).

[Gif 7] Then Jo/Anael in 13x13, another first appearance. (I cropped these horribly I should have cut them when the present happens lol.)

Sandwiched between two shots from the present, Dean Sam Mary and John having dinner together in 14x13 Lebanon.

Then we start again with Dean riding Larry in 12x11, Dean and Cas dressed as cowboys in 13x06 (mini pattern here...), Asmodeus with the archangel blade in 13x13 (insert meta about Asmodeus in Christian lore here), and the really intriguing “Intermission” shot from the play in 10x05.

[Gif 8] To continue a certain pattern we might be tempted to see, Dean eating piecake from 14x06 Optimism (an episode about a distorted version of romantic love), then Dean eating noodles from 10x13 Halt & Catch Fire (the ghost is a husband that passes on thanks to his wife). Dean after his dentistry session with Garth in 15x10. Meg from 6x10 Caged Heat (the episode with the pizza man porn). Dean and Sam investigating in 4x12 Criss Angel Is a Douchebag (an episode about growing old poorly). Crowley in 10x16 Paint It Black (that episode). Dean playing that game in 14x17 Game Night (the episode Cas calls for God, and when Mary dies - the one playing the game was God...). Sam and Dean getting out of the car in 13x05 when they visit the traumatized kid (peak mourning Dean episode...). Then we go into reality fuckery territory again with 14x15 Peace of Mind, Sam under the psychic’s control and Cas disgruntled about it.

[Gif 9] Mick Davies from 12x16 Ladies Drink Free, when he learnt a lesson about monsters. Dean geeking out about the Hatchet Man - so heavy with mirror significances - in 14x04 Mint Condition. Belphegor - Jack’s dark mirror - in 15x03 The Rupture, the break-up episode. Donna’s first episode again, this time Dean and she eating donuts. Dean, Sam and Mary hugging in 12x22 after the confrontation in Mary’s head. Kaia in 13x09 The Bad Place, when Jack uses her to find the way to where Mary is (Mary pattern?). Claire&co rescuing Jody and Donna in 13x10 Wayward Sisters. Dean in 1944 dresses as a sailor in 11x14 The Vessel. Baby nyooming in 15x11 The Gamblers...

Aaand more Changing Channels, the genital herpes ad. It’s almost like reality fuckery is a theme. Followed by Sam drinking the anti-cold concoction at Garth’s in 15x10 and the two of them outside the monster fighting pit in the same episode. Then Cas, Dean, Sam and Jack on a video call with Ketch in 14x09 The Spear when they talk about the egg to trap Michael.

[Gif 10] We stay in the same episode with the four of them heading to Michael. Then the four of them celebrating Jack’s return to life (after Cas’ deal with the Empty). More present, and then the iconic “we’ve got work to do” [trunk closes] moment from the pilot.

So: some of these moments seem like genuine moments you’ll want to put in a montage, but there’s a weird predominance of characters smiling and looking happy or goofy. It’s kind of... not exactly representative of the show as a whole, you know? There are moments that fit as, you know, iconic steps in the story, but surprisingly few, and many moments you’d expect to be in a “final” montage are blatantly not there. Several moments with, let’s put it like this, suspicious meta connotations. Moments that, well, we don’t know what happens in the finale yet, but smell like they might be relevant to future developments. (Metatron’s speech to newly human Cas anyone?)

What really strikes me is the amount of moments connected to reality being manipulated or distorted in some way. Lots of Changing Channels, fantasy elements of various kinds (the Djinn dream, Scoobynatural, Oz, the imaginary friend Becky’s wedding to Sam, the fairy, ...), them acquiring luck (s3) or losing it (s15), and so on. It’s almost like the sequence is telling us something...

Thoughts?

#anon #my spn thoughts #spn meta #spn 15x19 #spn

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peridottea91 · 4 years ago

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*masterlist banner was done by me **section headers were done by @firefly-in-darkness / @firefly-graphics

MAIN MASTERLIST

“Bad Days” (Dean x Unnamed!Female/Reader) Summary: Sam and Dean return from a hunt gone wrong. Sometimes it’s okay to let someone see you hurt.

“Birthday Cake” (Dean x Reader) Summary: Today is Dean’s birthday, so you decide to bake him a long-overdue surprise.

“Finally Living” (pick-a-Winchester) Summary: The world is finally safe. After years of hunting, you’re finally free to be together.

“For the Best” (Dean x Reader) Summary: You deserve better than Dean can ever offer you, no matter how badly it hurts.

“If Only She Was Enough” (MOC!Dean x OFC) Summary: The Mark of Cain is getting louder than ever, so Dean gets knocked-out drunk to numb it. Greer, once again, takes care of him.

“Silent Night” (Dean x Unnamed!Female/Reader ) Summary: Just a little something-something for @julesthequirky‘s Winter Holiday Song Challenge. My song prompt/request was “Silent Night” (I did the Stevie Nicks version because I love her).

“Ramble On” (Dean x Plus Size!OFC) Summary: While on a hunt in Vermont, the Winchesters bump into another hunter working the same case, Jenn McGowan, who just happens to be Jo Harvelle’s best friend. After hunting on-and-off together for a few years, Dean and Jenn grow close, only for a major loss in their lives to cause a rift between them. Years later, when the Winchesters set out to meet an old contact of Bobby’s, they're shocked to find that Jenn has taken on his old role. What does it mean for the once-budding feelings between two seasoned hunters?

PART 1 / PART 2 / PART 3 / PART 4 / PART 5

“Good Literature” *RESUMED/UPDATED NOV 2023* (PAIRING TBD) Summary: The angels have fallen, the pearly gates have been shut down. Desperate for a way to undo Metatron’s spell, Sam and Kevin turn to Crowley, who receives a cryptic message from Abaddon regarding Alphas and Eve, Mother of Monsters. Diving into the Men of Letters’ records, Sam finds out about a set of classified journals belonging to a former MoL field agent. In an effort to uncover what secrets the journals were hiding, the infamous Winchesters are led to a fellow legacy. The problem is, she doesn’t know anything about the supernatural! *SPN Season 9-?? Rewrite

“Static” *COMPLETE* (Dean x OFC) Summary: Chelsea has had a lonely and mundane life. No family or friends, she spends most of her time painting or drawing and binge-watching Netflix. After getting laid off (again), she hauls off to the mountains for a weekend only to have an accident. When Chelsea awakes, she finds herself in the Supernatural Universe!! Is it all inside her head or is this her new reality? How did she get here and does she even want to return home?

#peridottea91 #masterlist #dean winchester masterlist #supernatural fanfiction #spn fanfic #spn fanfiction #dean winchester

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caranfindel · 6 years ago

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Recap/review 14.01: Stranger in a Strange Land

The Road So Far: Well, this montage pales in comparison to the one at the beginning of 13.23. Conspicuously absent: Sam being killed by vampires and resurrected by Lucifer. Also, it's set to an AC/DC song, and I dislike AC/DC, so let's just skip this, shall we?

(But Caranfindel! We thought you LOVED all that crappy old 80s music!)

You kids behave or I'll turn this car around.

Anyway. We open with Sam, driving the Impala alone through the night. He feels the same way I do about AC/DC, and turns off the radio (Sidebar: Have I mentioned before that I love when the soundtrack becomes part of the actual scene? Because I do.) Let's just take a good look at Sam here, looking magnificently angry and beardy. Because of course he's been too busy/depressed/other reasons to shave. And honestly, I'm not normally into beards. I love some heavy scruff, but a heavy beard doesn't generally do things for me. But this is just, rawr. I don't want him to keep it. Mama needs to see those dimples. But for right now? Let's enjoy it.

Mmmmm yes.

We cut to a (presumably) Muslim man being awakened by a call to prayers. He puts out his rug, begins to pray, and is suddenly shocked to see The Flying Squirrel sitting in his living room. Still wearing the hat, unfortunately. Michael informs Jamil that he's read about him, and quotes what is presumably the Koran (and Jensen speaking what is presumably Arabic isn't quite as hot as Jared speaking French, but is still very, very enjoyable). I wasn't aware that Gabriel and Michael were mentioned in the Koran. (Is this not actually the Koran? I'm going to feel like an idiot if it's not.)

Yes, you are the better one, but only because of your pretty, pretty vessel.

Michael is there to ask Jamil the question he's been asking a variety of people ("holy men, leaders, killers") for weeks. "What do you want?" (Sidebar: speaking of holy men, I still wonder where Michael and Lucifer found all the ingredients for the spell to open the rift in AU Land. How did Lucifer recognize that the blood came from a Most Holy Man and wasn't just average blood?)

Jamil says he wants peace and love, and Michael snidely points out that if he'd really wanted peace, he wouldn't have left Syria and abandoned his friends to die, and that's cold, man. That's really cold. He also tells him that if he cared about love, he wouldn't have gone into that broom closet with Darlene and his wife wouldn't have left him, and I'm with you on that one, Michael. Avoid going into broom closets with chicks named Darlene. Michael then throws Jamil about the room and tells him he's lost, and not worth saving. And for his part, Michael wants what he's always wanted: a better world. Oooh, like ours, maybe? Duh duh duuuuuhhhh!

New title card! I don't really like it. The blue flames are cool but the wings are too cartoony.

Bunker. The place is bustling with activity. A poor Sam substitute with long hair and a plaid shirt is laying out different types of bullets for Mary. Maggie is tending to someone who was injured by a rawhead. Someone shows up with food. Sam comes downstairs, apparently having just returned from Atlanta, and gets a hug. Aw. I guess the silver lining to Dean being gone is that Sam gets to be Number One Son for once.

His lead in Atlanta didn't pan out, but Mary reminds him that Ketch is working on a lead in London (and just like at the end of s13, there is no evdience at all that Mary remembers or cares what Ketch did to her in s12, so... okay then) and Cas is doing something in Detroit (Sidebar: How does Sam feel about Detroit? Can he hear Castiel's in Detroit without hearing Lucifer tell him I think it's gonna happen in Detroit?) and then she thoughtfully expositions for us that it's been three weeks since Dean... and she trails off without saying whatever she was going to say. I know it's awkward to say since he agreed to be an archangel vessel in an attempt to save your life but you could just say since Dean's been gone.

She assures Sam that "something will break; it has to" (and I'm thinking yes, and it will be Sam) and he says "yeah, you keep saying that." Oh, Sam. You used to be the one assuring Dean that you'd be able to fix/find/kill/save whatever, and now you're on the other side of that conversation.

He yawns, and she tries to get him to get some rest. Poor Sam never had a mother and now he's being mothered within an inch of his life. Then Not!Sam calls him Chief \o/ and gives him some soup and some bad news about vampires on I-90. Sam gives some instructions, because he's Leader Sam now, and then he asks Maggie if she can hack into the traffic cams and she says "Um. No."

I don't know if this is just supposed to be amusing, or if it's a sign that Sam is cracking under the pressure and has forgotten that this is Maggie, not Charlie. Or if it's just a demonstration of how useless Maggie is, although she's performing first aid so it's not like all she can do is sneak out to meet the cute guy at the Gas N Sip.

Sam hands his food off to Mary, because you can't hack and eat at the same time, everyone knows that, and sits down at the laptop, pointedly ignoring some mothering from Mary. "I'm good, I am," he says.

YES YOU ARE, MY PRECIOUS LITTLE LUMBERJACK, YOU ARE SO, SO GOOD.

He asks Mary about Jack, which is our segue to Jack sparring with AU Bobby. Jack's learning how much life sucks with no angelic powers. While Sam has ignored his grooming routine, Jack has changed his hair. It's shorter, without so much swoop in the front. It's okay.

Cut to a barbeque joint in what must be Detroit. We see a pair of shoes and too-long pants walking in, and then a guy wearing a pair of Agent Smith sunglasses says "Castiel, darling" and greets Cas, who is sitting at a conspicuous table right in the middle of the dining room. The fireplace behind him looks very much like the one we saw in President Lucifer's hotel room. Coincidence? (Spoiler alert: No, I don't think it's a coincidence that there’s a Fireplace from Hell in this restaurant.)

Cas is surprised Agent Smith chose this place to meet, and Agent Smith is surprised that Cas wanted to meet at all, considering that he's (dramatically removes the sunglasses) a demon. (gasp!) Cas asks if any demons know where Dean is, and Agent Smith says he's surprised that Cas lost him, considering that they're "joined at the... you know, everything." Oh, wait. Is Andrew Dabb a Destiel shipper? Because it's getting awfully shippy in here. I feel like I should complain about him pandering to the baser desires of a certain contingency of fans, but on the other hand, he's give me Bearded Angsty Sam, so let's just agree not to discuss our various base desires, shall we?

Carrying on. Agent Smith asks the eternal question, not "what do you want" but "what's in it for me," and Cas threatens to kill him if he doesn't spill. Oddly enough, even though Cas could tell if someone was evil or if they were lying in s13, he didn't realize that everyone else in this restaurant is a demon. Your powers are oddly specific, Cas. There's a fight, in which angels and demons use fists, because that's just what you do now, and Cas is predictably beaten to a pulp. (Also of note: one of the beer signs in the restaurant is for Fast Jack's Ale.)

Cut to a church. Sister Jo? We're back to that, then? Okay. Anael walks out, counting a wad of money, and meets Michael in a dark alley. He calls her Jo because... because that's how he was introduced to her? No. Because that's her angel name? No. There is no reason for any angel to call her Jo. What the fuck ever. She recognizes that he's not Dean, and then I don't know if he reveals his wings, or if she just sees him in Angel!Vision (Angel Radio is so old fashioned), but we get a special effect and she realizes who he is.

Do I like this or is it cheesy? 🤔

She even knows he’s not from our world. But I guess the AU angels recognized that Lucifer wasn’t from their world. Just not so quickly.

Oh God.

People keep calling me that.

Hee! (Although I don't think angels would use "God" like that but whatever.) She asks why Dean would have let Michael possess him, and Michael answers "love," and YES. I am here for Michael recognizing that Dean loves Sam (and maybe Jack but we know this was about Sam) and would have only done this to save him. Michael asks her his question, what do you want, and she spouts some designer labels. (Sidebar: What is the deal with her, anyway? Why does she need money?) He doesn't believe she's telling the truth, and I hope he’s right, because Show has given me no reason to think an angel would be interested in material things, even if they're covered with big tacky double-C logos.

Michael says he knows all about her, because "the other angel" knew all about her. Lucifer? Is he talking about Lucifer? (And one of the things Lucifer knew was that her name was not Jo, but whatever!) He knows that what she really wants is love, a home, a family. "It's very, very human of you." Hmmm. Interesting that Anael kind of liked that "almost human" feeling she got when Lucifer was sucking down her grace. Michael knows there are very few angels left, and thought he might be able to help, but if they're all as lost and fallen as she is, maybe they're not worth saving. Careful, Anael. The last person who heard this speech was Jamil, and it did not end well for him.

Bunker. Jack is sitting on his bed when Sam comes in. He's heard from Bobby that Jack had a terrible no good awful day (although I thought Jack was actually okay at the end of his scene with Bobby?), and he's so kind and encouraging about how hard it must be for him to be without his powers. "I have faith in you, Jack," he says. "And I believe in you." Which is basically the same thing but daaaaaawwwww! Mary interrupts to say "Sam, um, he's awake." Sam sighs and looks distressed and I know what you were all thinking. Who is awake and why does this distress Sam so much? He tells Jack "We'll talk later, all right?" but Jack stays in Quiet Angst mode and doesn't respond as Sam sadly creeps out of his room.

In the hall, Sam and Mary are talking about him.

Did he say anything?

I didn't talk to him. I can barely look at him.

Sam is clearly fucked the hell UP over him, and Mary peels off as Sam hesitantly opens the door. The room is dark, and a figure in a white shirt is sitting on the bed. Sam sighs nervously again and turns on the light and walks into the room. The man on the bed is facing away from us, but we can see his bed is in the middle of a devil's trap. Sam comes closer, radiating fear the way he did when he was locked in the jail cell with Jack in 13.01, and the figure turns around.

Hey, Sam.

Hey. Nick.

OH GOD, GUYS, NICK IS ALIVE.

We get a flashback of Lucifer convincing Nick to be his vessel, but we don't get Lucifer promising revenge against the people who murdered his wife and baby. I think anyone who hasn't been watching long would have benefited from knowing why Nick said yes. But maybe we'll get back to that later.

Sam and Nick discuss his nightmares, and I can't help wondering how much he remembers, if he knows what his body did to Sam, if he knows how many of Sam's nightmares feature his face. Sam cleans his angel blade wound, and they speculate on why the archangel blade didn't kill him. I assume they're setting us up to accept that the archangel blade will kill Michael and not Dean. Oh, those crazy archangel blades and their bizarre rules.

(Sidebar: Why is Sam the one taking care of Nick? Because no one else will do it? Because Sam won't make anyone else do it? Discuss.)

(I'm not crying, you're crying.)

Nick is a little whiny and "poor me, I almost ended the world." Okay, that's not fair, I can see why he'd be upset. But do not whine to Sam Winchester about it. Sam is so tentative and kind. When Nick says it must be weird to look at him, Sam surprises me by saying "yeah," instead of brushing off his own trauma. He asks Nick if he remembers anything, and Nick says it's still "bits and pieces" and nothing about Dean. He does remember Michael saying he "wanted to do it right this time." Duh duh duuuuhhhhhh!

We see Sam in the hall, shutting the door with a long shaky sigh and rubbing at his face, and STOP IT I CANNOT DEAL WITH THIS I AM ONLY HUMAN.

This is the sound of my heart breaking.

I have so many feelings about this scene. First, so much love for Jared, because he shows Sam's terror of this guy SO WELL. And, like 13.01, that conflict between his fear and his need to be nice to this person, to care for him.

And I have conflicted feelings about Nick being alive and well. First, it's bizarre, because (1) why would the archangel blade not kill the vessel along with the angel, because that was definitely human blood, and (b) why is he sane? Why would Lucifer have taken better care of his vessel than Raphael did? (And does it mean Gabriel's vessel is alive over in AU Land?)

And does it mean Lucifer is coming back? Because I DO NOT WANT. Although I have one tiny speck of hopeful joy, because if this isn't really Nick, if this is, in fact, Lucifer? Or if Lucifer's grace will grow inside him (because we know a bit of grace remains inside the vessel) and he becomes Lucifer? That means Sam could still kill him. (Oh, please, baby Jesus.)

But I also have a lot of anger. Because this should have been a shocking reveal, and it wasn't, because the SHOW ITSELF SPOILED IT. I don't know if this happened to everybody, but in my time zone, we had a commercial for the movie "Halloween" that was apparently a tie-in with the show, and it showed Sam asking Nick if he remembered Michael. AND THEY SHOWED IT BEFORE THE REVEAL. WHAT THE FUCK, SHOW??? I assume it was a mistake, and judging from my Tumblr feed, it didn't happen in every time zone. So to those of you who actually got to be surprised, congratulations. I'm sure it was awesome.

Carrying on.

Sam's phone rings. It's Cas's phone, but it's not Cas talking. It's Agent Smith. The next shot is Sam loading up his weapons bag, confidently agreeing with Mary that yes, it is a trap, but of course he's going anyway. He's bringing Mary and Bobby, which makes sense, and Maggie, which doesn't. I guess all the good hunters are off looking for vampires on I-90. Jack wants to come too, which Bobby finds ridiculous, but Sam explains that Jack needs this. OH SAM.

Back at the restaurant, Agent Smith gets a coffee refill and asks Cas if he's sure he doesn't want anything hot and black. Which reminds me... what happened to Michael's previous vessel? Shouldn't he be around somewhere? Agent Smith says he's trying to be a good host, "like mother would have wanted," which makes me think we're going to find out something interesting about his mother and/or a female boss, perhaps an awesome Queen of Hell. (Spoiler alert: false alarm.)

He expositions that he needs something from Sam, because someone recently asked him what he wanted (Michael! It was Michael!) and he didn't know. So he thought about it, and he realized he wants everything. Hmmm. Would Michael have accepted that as an answer? Apparently so, because Agent Smith still walks the earth.

Impala. Sam's driving, with Mary riding shotgun, and I guess everyone else is in Bobby's truck. Mary tells Sam again that everything is going to be fine, and he shocks me by saying "Stop saying that, please." He's tired of her relentless everything will be okay and says "Dean's gone, and we have no idea where he is, or if he's even still alive, you know? Michael could have burned him out, or worse..."

Mary says she knows that, but she has to think about the good, "because if I don't, I will drown in the bad," which reminds me of Sam once saying there was so much evil that he thought he could drown in it. And I like this scene a lot. I like Sam breaking, telling Mary what he thinks instead of burying his feelings. I like the fact that Sam knows so much better than Mary ever could what can happen when you're in an archangels hands. I like that Sam knows how Raphael's vessel ended up, alive but gone. I like that Sam's voice gets shaky when he talks about what could be happening to Dean. I like this all, very much.

In the other car, Bobby tells Jack that they've got his back. Jack looks sadly out the window. I don't know why. I don't understand what's going on here. Is he concerned that he's so useless, someone has to have his back? Is he having second thoughts about coming along? Is he regretting his haircut? I just don't know.

The gang arrives at the restaurant and Sam gives Mary the demon-killing knife. "They'll search me," he says, because he's so damn smart. Then he tells the others "you know what to do," which suggests some kind of plan, and heads for the restaurant. Once inside, he is patted down as predicted, and Agent Smith fangirls all over him. "You are a damn legend, Sam. An icon! The shoulders, the hair! You are my Beyonce!" Same, Agent Smith. Same.

Sam ignores him to ask Cas if he's okay. Cas says he's more embarrassed than hurt, and, well, he should be, because this is pretty embarrassing. Agent Smith introduces himself as Kipling, Kip for short, but I'm sorry, it's too late for that. He's stuck with Agent Smith as far as I'm concerned. Sam refuses to shake his hand. Don't feel bad, Agent Smith, he refused to shake Mick Davies' hand too.

Smith points out that Sam didn't come alone, as he was supposed to, and his minions drag Jack and Maggie into the room. "Found them outside," a minion says; "they didn't even put up a fight." I assume this is part of the plan, that Jack and Maggie are a diversion or something. Agent Smith says he needs more from Sam now. He wants to make a deal.

Turns out Hell is in "a bit of a pickle." Crowley is dead and Asmodeus is "Kentucky-fried" (see, it's funny, because he looked like Colonel Sanders) and Sam interrupts him to say "I don't care" but Agent Smith thinks he does. Or he will. He wants to be the new King, and he wants Sam to work with him. "You see, I want the Crowley deal. I give you information, a spot of help every now and again, and in turn, you choose to turn a blind eye to the crossroads deals, the demon-on-demon violence, etc." Well, good for you, Crowley. Your mother thought the Winchesters were your weak spot, but Agent Smith here realizes it was a mutually beneficial relationship. Sam tells him they didn't actually have that deal with Crowley, and also that he's no Crowley, and aw. I miss the little limey bastard.

Agent Smith doesn't appreciate this, and growls that in his day he rode with Genghis Khan. He pokes Sam's chest and says "If I had my way I would eat your heart," and I feel you, Agent Smith. If I had my way, I'd also be removing that unfortunate orange jacket and that shirt and nibbling at whatever I found underneath. It's a sad day for both of us.

Agent Smith tells Sam that he's not afraid of him, but his minions are, and he should take the deal before he "stops trying to be Crowley," which I guess means stops not killing Sam's friends. So, is Agent Smith going to be the new Big Bad? The new King of Hell? I mean, he's not the most boring demon we've ever seen, but he's not really grabbing me, either. On the other hand, a King who's more of a Sam fan than a Dean fan could be fun. (Though, let us never forget that no matter how much Crowley craved a bromance with Dean, he was still Not Moose in Crowley's phone.)

Sam acts like he's considering the offer and then calmly says "no," and then Mary and Bobby burst in and there's a weirdly long, weirdly slow-motion fight. Really, it goes on way too long. There's no reason for an extended slow-motion fight when there's no suspense about who's going to come out of it alive. The only person who might conceivably die here is Maggie, and even she survives. Jack defends a fallen Bobby, Mary tells Maggie how to use a knife (seriously?), Sam gets some nice hair-in-the-face action, but really, we could have skipped 90% of this melee. And I'm still confused about why sometimes demons can pin people against walls, and sometimes they can't. Or just choose not to.

Eventually Sam kills Agent Smith and then shouts enough! and oh, you know I like that, don't you. Everyone stops fighting, because Sam Fucking Winchester said so. "There will be no new King of Hell," he announces. "Not today, not ever. Anybody wants the job, he can come through me. Understood? So, what's it gonna be?" Apparently it is understood, because the demons immediately smoke out. The humans (and Cas) look at Sam, shocked, and he pants (hubba hubba) and says "that's what I thought."

Well. What do we think about this? I mean, on the one hand, it's awesome. It's Sam Fucking Winchester taking charge. On the other hand, the only possible way it makes sense is if the demons have a reason to fear him. And that would have to be because they see him as Boy!King Sam, not as Sam Winchester the hunter, right? There's no reason for them to fear him that much as a human hunter. But there's no way he's getting his powers back, so why is Show teasing us like this?

Carrying on. Sam is back in the bunker, wearing a dark shirt with rolled up sleeves showing his big veiny arms (YAAASSSSS), holding a beer bottle against his head. He's on the phone, telling someone to keep looking. Cas comes in and Sam tells him the call was from Ketch, who's in London looking for the pulse generator they used to remove Lucifer from President Rooney. Hmmm, I'd forgotten about that thing. So, is Ketch searching in the BMoL headquarters? Is he welcome there? Or are they dead/disbanded because of what happened over here? So many questions. No answers.

Mmmmmm... ❤️

Cas asks if he's okay, and since he's on an honesty streak, Sam admits he's been better. But also that he's been worse. Oh, Sam. Cas apologizes for going to the demons, and Sam says he'd have done it himself if he'd thought of it. "If it meant finding Dean, I'd work with... I'd do anything."

Have you considered watching The Weather Channel? They’ve been tracking Michael for days.

In the kitchen, Mary and Bobby drink beer and make cute googly eyes at each other. He calls her "Sunshine." They're precious.

In his room, Jack stares angrily in the mirror and tells Cas he's fine, which is obviously a lie.

All I did was get punched in the face.

To be fair, we all got punched in the face.

Hee! But Jack misses his powers, and the ability to actually do something. Cas tells him his grace should regenerate with time, which answers THAT big question. Jack complains about being useless without his grace, and this is a good opportunity for Cas to point out that no one else in the bunker has magic nephilim powers and yet they're not useless, even Maggie, so why does he think he can't do anything? But he doesn't. He just tells him he has a family, which isn't really what Jack's complaint is right now. Jack still looks unhappy, so I guess this is setting us up for some future conflict. Yay.

Sam goes into his room, empties his pockets (he still has the money clip from Tall Tales!!!), and gets a phone call from an unknown number. It's Jo. "We have a problem,” she says. I don’t know about you, but I think she’s working for Michael!

And finally, in a dank damp basement somewhere, Michael has finally found someone who answered his question correctly and knows exactly what they want. "You don't pretend to want to help people, or save the world. Your want is pure, and simple, and clean. And that's why you are worth saving. That's why we are going to work so well together. Because you? You just want to eat." Oh, because you're a vampire. Well. That's not good.

So! I know the first ep of the season needs to set up the story arcs, so it's not necessarily going to be great. It has a lot of work to do. And I think this one did okay with that. We've got some interesting irons in the fire - Angry Chief Sam and his Beard of Despair, who has (probably temporarily) stopped telling people what they want to hear, and is telling his truth instead. The Nick situation. Whatever conflict is going to brew with Jack while his grace regenerates. Michael's hunt for the perfect thoughtless killing machine. Sam as default King of Hell. There are things brewing that I don't like. Jack turning his self-loathing against Sam or Cas. The potential return of Lucifer. There are things that make no sense. An angel who wants designer bags. Michael's hat. Hopefully they will all go away. And there were things I adored, which is basically ALL THINGS SAM. Chief Sam, patient-but-angry Sam, lord-of-all-demons Sam, terrified-but-caring Sam, hair-in-his-face Sam, BEARDY SAM, ALL THE SAM, ALL THE TIME.

But I miss Dean. What do you think about Jensen as Michael? I think he's doing a pretty good job. I don't think he plays Not!Dean as well as Jared plays Not!Sam, but I do think he's doing well. It makes me wish we'd had more of Demon!Dean.

Please help me stay unspoiled, thanks!

#spn #14.01 #spoilers #recap #your face your fucking face #beard of despair

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brn1029 · 3 years ago

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Here’s what went on in music on this date…

January 10th

1953 - Jo Stafford

Jo Stafford was at No.1 on the UK singles chart with 'You Belong To Me'. Originally a singer with Tommy Dorsey until 1942, Stafford was the first female to have a No.1 on the UK singles Chart.

1956 - Elvis Presley

Elvis Presley made his first recordings for RCA Records at The Methodist television, radio & TV Studios in Nashville. 'Heartbreak Hotel' was one of the songs recorded during this session.

1958 - Jerry Lee Lewis

Jerry Lee Lewis was at No.1 on the UK singles chart with 'Great Balls Of Fire'. Lewis was the only major white rock 'n' roll star to play piano rather than guitar.

1964 - The Rolling Stones

The Rolling Stones recorded 'Not Fade Away' at Olympic Studios, London, England. The song which was first recorded by Buddy Holly and his band, the Crickets, became The Stones first US single.

1964 - The Beatles

The first US Beatles album, 'Introducing The Beatles', was released on Vee-Jay records. The album cover showed John, Paul and George with their now famous "mop top" haircuts, but Ringo had yet to convert. Vee-Jay would be forced to stop selling the disc by the end of the year because of legal complications, but by then over 1.3 million copies had been sold.

1976 - CW McCall

CW McCall went to No.1 on the US singles chart with 'Convoy', it made No.2 in the UK. CW McCall was in fact an advertising agent whose real name was Bill Fries.

1981 - John Lennon

John Lennon's Imagine started a four-week run at No.1 on the UK singles chart, 10 years after it was recorded. Lennon had two other songs in the Top 5 this week, 'Happy Christmas, (War Is Over') and '(Just Like) Starting Over.' 'Imagine' was voted by the viewers of BBC TV as the best lyrics of all time in a poll broadcast in Oct 1999. Also on this day John and Yoko's 'Double Fantasy' album started an eight-week run at No.1 on the US chart. 'Just Like Starting Over' was at No.1 on the US singles chart.

1984 - Cyndi Lauper

Cyndi Lauper became the first female recording artist since Bobbie Gentry in 1967 to be nominated for five Grammy Awards: Album of the Year, Best New Artist, Best Pop Vocal Performance (Female), Record of the Year and Song of the Year.

2005 - Gene Simmons

A woman was suing Gene Simmons from Kiss for slander, alleging a documentary made her out to be a "sex-addicted nymphomaniac". Georgeann Walsh Ward, 53, of New York, said during a VH1 documentary her photo was flashed up as Simmons talked about his past sexual encounters. Ms Walsh Ward had dated Simmons for three years when he was a student. In the documentary, Simmons boasted of having sex with over 4,600 women.

2006 - Elvis Presley

An Australian woman appeared in court charged with repeatedly stabbing her partner with a pair of scissors in the back, shoulder and thigh because he played Elvis Presley's song 'Burning Love' over and over again.

2013 - Montreux Jazz Festival

Claude Nobs the founder and general manager of the Montreux Jazz Festival died aged 76. During a 1971 Frank Zappa concert, at the Montreux Casino the venue caught fire. Nobs saved several young people who had hidden in the casino, thinking they would be sheltered from the flames. This act earned him a mention (as Funky Claude in the line "Funky Claude was running in and out pulling kids out the ground") in the Deep Purple song Smoke on the Water, which is about the incident.

2016 - David Bowie

English singer, songwriter, multi-instrumentalist, record producer, painter, and actor David Bowie died from liver cancer at his New York home two days after releasing the album Blackstar on his 69th birthday. His first UK Top 40 single was the 1969 'Space Oddity' which became a UK No.1 in 1975, plus over 50 other UK Top 40 hits including five No.1's. Bowie has also scored two US No.1 singles, the 1975 'Fame' and 1983 'Let's Dance'. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists.

2018 - Eddie Clarke

British guitarist Eddie Clarke, who was a member of heavy metal bands Fastway and Motörhead died in hospital, where he was being treated for pneumonia. He was 67 years old. Of Motörhead's classic lineup, which consisted of Lemmy, himself and Phil "Philthy Animal" Taylor, he was the last surviving member.

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supernatural-firstwatch · 7 years ago

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Season 6 Episode 17: My Heart Will Go On

I LIVE! My parents are in town so watching my own shows is sort of complicated now because I only have one TV and they tend to dominate it. :P

Also, because I can’t help myself: Near, far, wherever you aaaaaaaare!!! I love Titatic, lol!

- OMG! What the hell? The beer moved and so he reached over and the mason jar with nails fell and then the skateboard came to rest right behind him when he took the broom... And now he’s going to step on it, slip, and hit against the wood holding the door open and the garage is going to fall on him and decapitate him? ALMOST! He tripped, fell on the metal shelf, the balls went everywhere, he slipped on one, and one ball came and knocked the wood out and he got decapitated. I totally called the decapitation!

- BOYS!!!! I HAVE MISSED THESE BOYS SO MUCH!!!! HAHAHAHAHAHAHAH!!!!!!!! Bobby is drinking non-stop and Sam’s all “Say something.” And Dean’s all “You.” And then they DO ROCK PAPER SCISSORS AND SAM IS SO SURPRISED WHEN DEAN PULLS SCISSORS!!!! SAM YOU SHOULD KNOW BETTER!! DEAN ALWAYS DOES SCISSORS!!! Clearly being in Hell screwed with him worse than we previously thought.

- Er... Why does Baby have racing stripes on her front hood??? WOAH! NOT JUST THE HOOD!!!! WHAT’S WITH THE RACING STRIPES??? And the new license plate.

- IS THAT ELLEN????? JO???? WHAT THE FUCK IS GOING ON???? MARRIED HER???? IS THIS AN ALTERNATE REALITY??? Is this why Sam pulled paper when he KNOWS Dean always does scissors?

- Dean is really sucking at interviewing the cousin about his family history. I am not trusting this universe right now.

- ...... Random blonde chick stopped time and grabbed the keys from the purse of the travel agent and threw them under the copier machine....? The whaaaaaa???? Oh, there’s the gold thread from. Blonde chick with a... ship manifest? Going down the line and killing... descendants for some reason? And look, a gold thread just fell out of the page marker. That would explain the gold thread-- OMG!!! 1912!!!! THAT’S THE YEAR THE TITANIC SANK!!!! ARE ALL THESE PEOPLE SHE’S KILLING DESCENDANTS FROM SURVIVORS OF THE TITANIC??? ARE THEY FIRST CLASS SURVIVORS??? (also would explain the title).

- WTF???? THE TITANIC DIDN’T SINK IN THIS WEIRD ALTERNATE REALITY WHERE ELLEN AND JO ARE ALIVE AND SAM DOESN’T KNOW THAT DEAN ALWAYS PICKS SCISSORS??? IT DIDN’T SINK!!!!!!! WHAAAAAAAAAAAAT?????

- BALTHAZAR???? WHAT IS BALTHAZAR DOING CHANGING THINGS AROUND??? HAHAHAHAHAHAHAHA!!!! “Why did you unsink the ship?” “Well because I hated the movie.” “What movies?” “Exactly.” “Wait, so you saved a cruise liner because--” “Because that god-awful Celine Dion song made me wanna smite myself.”

- HAHAHAHAHA!!!!!! Well, despite all this change in history Kutcher and the Butterfly Effect was still made into a movie! I also liked that movie. LOOOOL! “Ah, yes, unfortunately there’s still an Ashton Kutcher. And you still averted the apocalypse, and there are still archangels.”

- Soooo... Ellen and Jo are alive because... the Titanic didn’t sink? And the boys aren’t driving an Impala because the Impala... Never existed?

- HAHAHAHAH!!! “I’m sorry, you have me confused with the other angel. The one in the dirty trench coat who’s in love with you. I, don’t care.”

- Ooooooh!!! Fates like the Greek Mythology the sisters! Explains the gold thread! It’s the thread of life that they cut whenever someone dies. Wouldn’t the fates go after Ellen and Jo anyway? Since they were fated to die but didn’t?

- Ooooh! It’s a mustang! URGH! They have to get the angels to sink that boat! I LIKED THAT MOVIE!!! And the boys need to be driving Baby, not this Mustang impostor!

- HAHAHAHA!!! Oh, the irony. Russo was a personal injury lawyer. “Hey, Sam, check it out.” *Sam gives him the stink eye* “Too soon?” “Yes, Dean. I’m pretty sure six seconds is too soon.” AHA! Sam just spotted Fate! “She looked like a librarian.” “Your kind of librarian or my kind of librarian?” “Well... She was wearing clothes is that’s what you mean.”

- UH HUH!!!! FATE JUST STOPPED TIME!!! AND SHE’S TURNING ON ALL THE GAS BURNERS!!!! AAAAAAH!!!! NO!!!!!!! THE BATTERIES DIED!!! DEAN IS GOING TO GRAB HIS LIGHTER AND THE WHOLE PLACE WILL EXPLODE!!! OH CASS!!! Thank God these two have a literal guardian angel.

- KILL FATE??? Good luck with that.

- HAHAHAHAHA!!!! The boys walking around absolutely petrified about “meeting their fate at any time.” That’s the best song ever. One way other another I’m gonna get you get you get you! AX JUGGLING!!!! AND FIRE!!! LOOOOOL!!!!!!!

- Castiel is trying to give Fate the pink slip and it’s failing.

- AGAIN WITH THE SOULS!!!! THIS KEEPS COMING UP THIS SEASON!!! First Death going on about how valuable souls are. And now Fate accusing Castiel of ordering Balthazar to save the Titanic to “create 50,000 new souls for your war machine.” What war machine? What are they using the souls for? WHAT IS GOING ON???? Mint money??

- HAHAHAHAAHAH!!!!! Celine Dion “My Heart Will Go On” playing on the radio LOOOOOOL!!!!!!

- Cass lying out of his ass. What is the deal with the souls.

- Awwwwh!!! Dean covering Bobby. And Sam just looking on. And the pic only has Bobby in it. AWWWWWWWW!!!!!!!

#supernatural #sam winchester #dean winchester #season 6 #first time watching #balthazar hates titanic #or does he?#what's the deal with the souls????

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