#Acoustic Board panels

[tranquilglobal]

Acoustic Boards for Walls are ideal for Sound Control in Different Settings

Acoustic Boards for Walls are essential elements in creating a sound-controlled environment. One of the most effective ways to manage sound is through the use of Acoustic Panels and Acoustic Wall Panels. These design elements not only improve sound quality but also enhance the aesthetic appeal of any room.

When it comes to noise management, it’s not just about blocking sound from entering or leaving a space. It’s about creating an environment where the sound is clear, balanced, and comfortable. Acoustic Boards for Walls offering a solution that addresses both the visual and auditory aspects of a space. These boards are made of specially designed materials that absorb sound waves, reducing noise and echoes.

The difference between Acoustic Panels, Acoustic Wall Panels, and Acoustic Board Panels lies in their functionality and placement. Acoustic panels typically refer to any board or material used to improve sound quality in a room. Acoustic Wall Panels are specifically designed to be mounted on walls which is aesthetically pleasing with sound absorption. They help to reduce sound reflection and prevent noise from traveling too far. The term Acoustic Board Panels is often used interchangeably with these, indicating that these boards are typically larger and can be used in various configurations to optimize sound quality.

Aesthetic Appeal Meets Functionality

In recent years, the design of Acoustic Boards for Walls has evolved to become more stylish, customizable and integrated with interior aesthetics. While their primary function is to absorb sound, these boards are now available in a variety of colors, shapes, and textures to complement any space. This means you no longer have to choose between functionality and style; Acoustic Wall Panels can do both.

From sleek, modern designs to textured, artistic options, there is a wide range of Acoustic Board Panels to choose from. Many manufacturers now offer panels that can be custom designed to match the décor of any room. Whether you want a minimalist look or prefer bold, statement-making designs, Acoustic Boards for Walls can blend seamlessly into your interior design.

Sound Control in Different Settings

Acoustic Panels are versatile and can be used in various settings. They are especially beneficial in spaces where sound quality is critical.

Offices and Workspaces: Open-plan offices and coworking spaces often struggle with noise distractions. Acoustic Wall Panels can be strategically placed to create quieter zones and reduce background noise.

Home Theaters and Media Rooms: For an optimal viewing experience, sound clarity is essential. Acoustic Board Panels can significantly enhance audio quality by preventing sound distortion and echoing. These panels ensure that the sound stays within the room, making your movie nights or gaming sessions more immersive.

Recording Studios: In a recording environment, clarity and precision are paramount. Using Acoustic Boards for Walls can help fine-tune the sound quality, eliminating unwanted reverberation and echoes.

Educational and Conference Rooms: In spaces where communication is key, such as classrooms or conference rooms, Acoustic Wall Panels can improve speech intelligibility and reduce background noise.

Practical Considerations for Choosing Acoustic Solutions

When selecting Acoustic Boards for Walls, there are several practical factors to consider. The first is the type of sound you want to control. If you're dealing with high-frequency sound, such as voices or chatter, you'll need panels that are effective at absorbing these frequencies.

The size and shape of the room also play a significant role in determining how many Acoustic Panels you'll need. Larger spaces may require more panels or larger Acoustic Wall Panels to adequately control the sound. Additionally, the location of the panels is crucial for maximum effectiveness. Installing Acoustic Board Panels at specific points in the room, such as the reflection points on the walls, can significantly enhance the overall sound quality.

Another consideration is the material used in the Acoustic Board Panels. Most panels are made from sound-absorbing materials like foam, fiberglass, or polyester. The material choice affects the panel's effectiveness, durability, and aesthetic appeal. Some materials are more effective at absorbing sound across a broad range of frequencies, while others may be better suited for controlling specific types of sound.

Sustainability and Durability

With growing interest in eco-friendly design, many manufacturers of Acoustic Panels are now offering sustainable options. These panels are made from recyclable materials, contributing to a greener environment. In addition, Acoustic Wall Panels made from durable materials ensure that they last for years, providing long-term sound control without the need for frequent replacements.

Easy Installation and Maintenance

Another advantage of Acoustic Board Panels is that they are easy to install and maintain. Many panels come with adhesive backing or can be mounted with simple hardware, making the installation process quick and hassle-free. Additionally, Acoustic Wall Panels require minimal maintenance. Occasional cleaning is usually sufficient to maintain their appearance and effectiveness.

Conclusion

Acoustic Boards for Walls are more than just sound control solutions—they are a vital part of creating spaces that are functional, comfortable, and aesthetically pleasing. With their sleek designs and customizable options, Acoustic Wall Panels can enhance the look of any room while serving their practical purpose.

Incorporating Acoustic Board Panels into your design not only improves sound quality but also contributes to a more harmonious and efficient environment. So, when planning your next interior design project, consider the importance of sound control and invest in Acoustic Panels to achieve the perfect balance of form and function.

[nanotheareacoustic]

Let Acoustics Rule Your World!

Are you ready to lose yourself in the power of amplified, acoustically treated sound?

Elevate your entertainment experience with our Acoustic Home Theatres, now available across India's key cities—Delhi, Mumbai, Bengaluru, Hyderabad, and more! Whether it’s the captivating Sound of Music, the thrill of Gaming, the excitement of Sports, or the drama of your favorite TV Shows, superior sound is the gateway to an unforgettable experience.

We promise to take you to new heights with our highly acoustically treated Home Theatres. From the pulse of a DJ concert to the ambience of a serene jungle, each Installation is meticulously designed!

Your taste, our creation!

We specialize in transforming your dreams into reality, offering:

Hi-Fi AV systems

Advanced home automation

Custom recliners

Expert acoustic treatments

Elegant theatre interiors

Let us redefine your living space into an immersive entertainment hub where every sound, image, and detail leaves an everlasting impression. Thanks to near-3D visuals and immersive surround sound, every dialogue and note will captivate you.

Transform your environment with our Acoustic Home Theatres—because we understand your world like no one else.

Discover the difference. Lose yourself in superior acoustics today!

[raghavgypsonite]

Modernize Your Space with MDF Acoustic Slat Solutions

Discover stylish and effective MDF acoustic slat panels for noise reduction and contemporary design. Ideal for homes and offices and Perfect for modern interiors. Shop Now! and make your space much more vibrant and aesthetic. For more info you can visit our website or contact us. Website:

[acousticsoundproduct]

Acoustic Board Panels - Acoustic Sound Products

Find the best acoustic board panels to improve sound quality in your space. Our range of panels offers premium sound absorption for a quieter environment.

[noiseproblemsonline]

Style and Functionality- Using innovative white acoustic panels for recording studios

Decorative white acoustic panels add a nice touch of functionality and form into any recording studio. From custom designs to timeless patterns, these panels make your studio sound and look better.

Using decorative white acoustic panels is a great way of enhancing both sound quality and style in a recording studio. Having the right acoustics installed in your studio doesn’t imply that style should take a backseat to functionality.

While quality recording tools is mandatory for any reputed recording studio, adding flair of style that sparks innovation leaves a better impression on both current and prospective clients. Sometimes, the feel and image of a recording studio also plays a vital factor in making sure better performance from the users of a sound deadening board.

Designing a studio may contribute to the productiveness and more than just providing the best technology. Offering a good environment with the ideal spring vibration isolators also assists artists deliver their best performance. Though an all-black room might be a viable standard to go with, these days recording studios boast treatments with vibrant colors and also innovative acoustic panels. Depending on your targeted clients, you can design your recording room to not only capture excellent music, but also to impart a mood boost to your artist.

As a matter of fact, swapping out vibration damping pads in your recording room for more innovative options might already improve the mood of the space. There are various design options you will get depending on the manufacturer.

Being in the music industry, you have to be sure that your studio allows its users get inspiration as they work to create musical masterpieces with every recording. With your assistance, you can be sure they are able to work productively while simultaneously keep the sound quality of their tracks under control.

[noiseproblems]

How to treat your home theater studio acoustically

With current computer processing power and technological developments these days, the entire process of making hit records can be done in home studios, unless obviously, you need an actual orchestra! People with home studios frequently don’t understand just how vital the acoustic ambience is. We have a tendency to get more exhilarated about spending a few hundred dollars on new acoustic diffuser panels   treating a room.

My lecture on acoustic underlay can be six hours long and sometimes it can be hard keeping some of the more musical and less scientific students interested, specifically when I start on the standing waves. If we are in a small room, a great way of vibing things up is to measure the distance between two parallel robust walls and try to generate a standing wave.

I always had a problem with bass in my studio. I am fortunate to have very high ceilings but sadly I think most of my bass gets lost up there in the chandelier. I do a bit of bottom end but much further back from my seated position in front of the computers. I have treated my room behind my monitors and I have some bookshelves at the back with act as sound tiles for the mid frequencies.

It is troublesome, but I know the curves so well now in the space, I can make it work. The box will then tweak your curve and theoretically, you will get a much truer curve when you position the microphone. I will get back to you with my thoughts and I am sure that if it is really as good as they say, they will sell bucket loads. Well, the thought of getting sound boards for walls  got me on the standing waves here in the first place!

[mariacallous]

The US Coast Guard’s Titan submersible hearing kicked off with a startling revelation.

“I told him I’m not getting in it,” former OceanGate engineering director Tony Nissen said to a panel of Coast Guard investigators, referring to a 2018 conversation in which CEO Stockton Rush allegedly asked Nissen to act as a pilot in an upcoming expedition to the Titanic.

“It’s the operations crew, I don’t trust them,” Nissen told the investigators. “I didn’t trust Stockton either. You can take a look at where we started when I was hired. Nothing I got was the truth.”

Nissen’s testimony, which focused on the design, building, and testing of OceanGate’s first carbon fiber submersible, was a dramatic start to nearly two weeks of public testimony in the US Coast Guard Marine Board of Investigation’s hearings into the fatal June 2023 implosion of the Titan. Its five occupants, including Rush, all likely died instantly.

Before Nissen took the stand, the Coast Guard presented a detailed timeline of OceanGate as a company, the development of the Titan submersible, and its trips to the wreck of the Titanic, resting nearly 3,800 meters down in the north Atlantic. These slides revealed new information, including over 100 instances of equipment failures and incidents on the Titan’s trips in 2021 and 2022. An animated timeline of the final few hours of the Titan also included the final text messages sent by people on the sub. One sent at about 2,400 meters depth read “all good here.” The last message, sent as the sub slowed its descent at nearly 3,400 meters, read “dropped two wts.”

The Coast Guard also confirmed reports that the experimental carbon fiber sub had been stored in an outdoor parking lot in temperatures as low as 1.4 degrees Fahrenheit (–17 Celsius) in the run-up to last year’s Titanic missions. Some engineers worried that water freezing in or near the carbon fiber could expand and cause defects in the material.

Nissen said that almost from when he joined OceanGate in 2016, Rush kept changing the company’s direction. A move to certify the vessel with an independent third party fell by the wayside, as did plans to test more scale models of the Titan’s carbon fiber hull when one failed early under pressure. Rush then downgraded titanium components to save money and time. “It was death by a thousand cuts,” Nissen recalls.

He faced tough questioning about OceanGate’s choice of carbon fiber for a hull and its reliance on a newly developed acoustic monitoring system to provide an early warning of failure. One investigator raised WIRED’s reporting that an outside expert Nissen hired to assess the acoustic system later had misgivings about Rush’s understanding of its limitations.

“Given the time and constraints we had,” Nissen said, “we did all the testing and brought in every expert we could find. We built it like an aircraft.”

Nissen walked the Coast Guard board through deep-water testing in the Bahamas in 2018, during which he says the sub was struck by lightning. Measurements on the Titan’s hull later showed that it was flexing beyond its calculated safety factor. When a pilot subsequently found a crack in the hull, Nissen said, he wouldn’t sign off on another dive. “I killed it,” he testified. “The hull is done.” Nissen was subsequently fired.

Nissen sought to draw a line in the sand between the vessel he worked on and the one that took the fateful voyage to the Titanic. The latter had a replacement hull and a redesigned acoustic monitoring system. “My design was collecting data such that we would prevent a catastrophic failure and ultimately the loss of human life,” he said. “We did that with serial 1. What they did in serial number 2, I don’t know. “

The next witness, Bonnie Carl, worked at OceanGate for less than a year between 2017 and 2018. Carl was hired as a director of human resources and finances and was also training to be a pilot for OceanGate’s submersibles. Carl said that one of the company’s board members, former Coast Guard rear admiral John Lockwood, was brought in for oversight and “to show that we’re talking to the Coast Guard.”

She also echoed Nissen’s testimony that Rush was in complete control of the company: “There might be discussion, but in the end … all decisions were made by Stockon,” she said.

The final witness of the day was an OceanGate contractor and veteran submersible operator, Tym Catterson. Catterson is one of only two witnesses the Coast Guard has called who was among the 42 people aboard the Polar Prince, OceanGate’s support ship, that June. He was operating the floating platform used to transport, launch, and recover the Titan submersible.

The preparations for the Titan’s dive that day went smoothly, said Catterson: “The sun came out, there were no red flags, and it was one of the first times we ever launched on schedule.”

He did have positive things to say about OceanGate’s safety culture, noting that Titan’s predive checklist was longer and more thorough than those used by other submersibles. But Catterson also admitted to contributing to an “uncomfortable” incident on a previous Titan dive, where an incorrectly closed valve caused the sub to tilt, tumbling its passengers together for an hour.

Catterson was able to give only a very spotty account of events following Titan’s loss of communication. He repeatedly referred the board to OceanGate’s operations director Scott Griffith as someone who could provide a more complete account of the dive. Griffiths is not on the Coast Guard’s list of witnesses, nor are any employees of OceanGate’s operations team.

Catterson was there for the recovery of some of the Titan’s wreckage, however. He testified that the inside edge of one titanium ring was sheared off all the way around. One former OceanGate engineer believes this supports the theory that the implosion was allegedly caused by damage to the carbon fiber there, perhaps from freezing water or lifting the sub without using the correct equipment, rather than a failure of the hull from pressure alone.

The hearing continues this week and next.

[fleet-of-fiction]

Jake Kiszka // Female Narrator

Part Five

After a blinding light eradicates mankind, you're left in a desolate and empty world. A year of solitude eliminates all belief that anyone else was left behind. Until a chance encounter on the side of the road. Jake is injured and fighting for his life, but his presence brings a renewed sense of hope. Touch starved and lonely, you need him. And undoubtedly, he needs you too.

"It would be the last man on earth that would end up being mine..."

Explicit sexual content Sex (penetrative & oral) /Foreplay /Blood / Injury / Hunting. / Intense emotions / Death.

Day 469 ~ Jake

The house sat at the top of a steep incline, up a winding driveway that had begun to be reclaimed by nature. Cracks in the cement where little shrubs had started to grow and leaves that were never blown away. Neglected and abandoned.

It reminded me a little of Josh's house. With pristine edges and white walls, coveted by obscure works of art. Book shelves that were gathering dust and kitchen utensils left out on the surfaces as if the owners had just stepped out of the room.

Amelia seemed to know where she was going. "I found this place a couple of months after I moved into Grandma's cabin."

She led me down a narrow corridor, flanked by a bank of full length windows overlooking a sweeping back yard that was shrouded by trees. Photo's of the family who once lived there sitting on the wall opposite, happy faces forever immortalised for no one else to ever see.

"I hit every house within a 10 mile radius. Looking for supplies, anything that I could use. Food, toiletries. And I was about to leave when I noticed this..."

She stopped at the end of the corridor, leaning against a nondescript door. Her face sincere as she ran hands up my arms, coming to rest around my shoulders.

"We have to take whatever joy we can find in this world." She said, "And if we're lucky, we'll take back some of the joys we had before."

I'd known nothing but joy since I'd almost died. There wasn't a single moment I'd had with her that hadn't made me question whether I would take any of it back to have the world filled with every other person I'd ever loved again.

It was something I'd wrestled with. The notion that I could happily exist in a world I'd come to hate simply because she was in it with me. I was thinking about Josh again when she opened the door, simply because I'd been reminded of him. And the certainty within which I knew I wouldn't take any of it back, even if it meant having him back, drew a conflict within the likes of which I'd never known before.

But it was all for nothing. As I stepped into the room she'd been eager to show me, I knew beyond a shadow of a doubt that I loved her enough to never want the old world back.

"Amelia..." I gasped. "What in the...fuck."

Mounted on an oak panelled wall were an array of vintage guitars. A brazilian board 1959 Gibson Les Paul. Shining in the last rays of the afternoon sun. I reached out and touched it, trembling as my fingers remembered what it felt like to know strings. A custom Fender strat in dark red with a black mottled pattern that looked like spilled paint if you looked too closely. A plain red stratocaster and an acoustic Martin dreadnought with a mahogany neck.

"I know that you said you didn't play anymore. Not without your brothers. But I think you should play again. For them. To them. And maybe somehow, I don't know how insane it might be, but maybe they'll hear you. Wherever they are..."

She was nervous. Biting her lip and wringing her hands in the sleeves of her sweater. Anticipating that I'd reject the sweetness of her idea, of this perfect gift.

"You brought me here because you knew that I would love it, didn't you?" I asked, although it wasn't really a question.

"Is that so bad?" She replied, opening her arms as if I would somehow be mad at her.

The room was decked out with framed vinyls. Some were so old I'd never seen them before. There were a few more guitars leaned up against the opposite wall and a beaten up drum kit in the window. It looked as if it had been played to death, with the cymbals hanging off and the kick drum looked as if one more pound on it would tear it right in half.

"It's not bad at all, why would you think that?" I pulled her into me, her little body slotting into my embrace like it had always meant to be there. "Just because I said I didn't play anymore doesn't mean I wouldn't love this."

She rested her head against my shoulder. Let me sway her back and forth a little. Everything was so eerily quiet. Up here the wind howled a little more than it did around the cabin. It sounded like ghosts were singing to us, begging me to pick up one of those fine old ladies.

"Maybe I'm selfish. Maybe I just wanted to hear you for myself." She looked up at me, resting her lips on my jawline.

"Plenty have paid for the privilege." I replied, "What will you pay me for a private show?"

She raised an eyebrow. "I saved your life. This is you paying me, sweet thing."

She laughed and buried her face into my neck, kissing me there and holding me tight around my waist. Familiar and wholesome. Like she hadn't tried to push me away at all in the beginning.

She was the most incredible woman I had ever known. Her fears were like shadows now, she had this uncanny ability to turn them into her most beloved passions. Once she had been afraid to love me. And now, the ways in which she loved me were making me feel unworthy of it.

"Sometimes I don't think you realise how much you saved me." I told her, casting my eye on the acoustic. "Not just from that car wreck. But from a life of misery."

Of course I would play for her. If not her, then nobody. She made herself comfortable on a shaggy looking bean bag, folding herself into it and resting her head against her curled fist as she regarded me. I pulled the mahogany acoustic down from the wall, not wanting to tend to wires and amps just yet.

I considered coming up with something on the fly, but it had been so long since I had tinkered with strings that my mind began to wander so far away I couldn't make them work. I strummed a little, hearing the notes play out and something weird happened. I thought I'd never feel this ever again, this visceral wave that washed over me to the point of almost growing hard as I felt the back of the guitar against my groin.

Her eyes widened. She wasn't prepared.

"How does it make you feel, to have an audience again?" She asked softly, seductively.

The strings needed tuning a little. I turned the keys at the top of the neck, plucking out chords until they sounded pitch perfect.

"Sexy." I replied, "I always felt sexy whenever I went out on stage. They made me feel sexy. Kinda the same way you are now. Knowing they want to fuck you every time you play for them."

I didn't realise how much I missed the adrenaline. The feral cries of a crowd. Their voices rising in unison. Lights and screaming and the feeling that I might ascend with their love. I'd been someone in my life before. I'd known what it felt like to open my eyes and know I was doing something I loved completely. I hadn't felt like this in what felt like a life time.

"This is who you are, Jake." She uttered, sliding her hand down the curve of her hips. "You can't run from who you are forever."

I felt as if I didn't deserve her. For all she had done for me, for how incredible she was. There was no crowd that could ever compare to the way I felt in that moment playing for her.

"I can't sing our songs like Josh could." I confessed, "I'd be a poor imitation. But I'll try."

I couldn't hold the same power with my voice that my brother could. The part of me that had promised never to play again still sat in the shadows whispering to me that it would never be the same. But louder than that was Amelia's face watching me strum out the first chords of a song that meant everything to me.

"What's it called?" She asked.

Day 469 ~ Amelia

I knew he would love it. I'd all but forgotten about the little music room at the back of the big house on the corner of the road that led into Lafayette. It had meant nothing to me the first time I'd ventured in there. There was nothing in there that was of any use to me.

But today, it was like seeing the sun peek out from a grey cloud. I'd gone from doing everything in my power to ensure that he was never necessary to me, to doing everything in my power just to see him smile.

"It's called Broken Bells." He replied, "Josh used to say that it was about seeing that when things sometimes feel broken most of the time they're just lessons sent to help us see that everything will be alright in the end. I really wish he could be here to see that he was so fucking right."

What would I have done if he hadn't felt the same? I could feel myself dying a little inside at the melancholy way he played. His face expressing his grief. He played so hauntingly beautifully, in a way I hadn't really been prepared for. He closed his eyes and didn't even need to look at the way his fingers moved across the strings. He knew them, and they responded to him so lovingly. Almost as if they were an entity all of their own, able to come when he called.

If he hadn't have loved me in return I'd have been driven mad by it. Every rational bone in my body broken if I'd been forced to live beside him unrequited. I began to understand how lucky and fortunate I was as he began to sing. That he and I were somehow fated. And it wasn't just a coincidence that he was driving past me that day. He was creation and I was necessity. He'd made music for a world that needed to hear it and I'd treated them when they were sick. And for some unfathomable reason, we'd been left behind to exist together in this empty world.

But empty didn't have to mean broken. There was nothing but love in the world again. Nothing but this painful song that made tears spill from my eyes as I watched him and listened. What if this song was the only one being played? And the only one being listened to? I had hope that if anyone else had been left behind that they had somehow managed to find each other and find love within it.

"That was...beautiful." I sobbed, laughing at myself for crying at it.

He put down the guitar and came to me. Launching himself into the bean bag, the scrunchy sound of tiny styrofoam balls moving around as he wiggled into the space beside me.

"It always got an emotional reaction whenever we played it." He sighed, trailing soft palms down the side of my face. "It felt like people resonated with our songs for all different kinds of reasons. But with Broken Bells it always felt we were all on the same page. All of us feeling the same thing at the same time."

How could I have ever doubted him? This beautiful man with his beautiful music?

"I was just thinking, while you were playing it, that I hoped that somewhere out there that other people were listening to songs for the first time. That they'd found each other and found love, even in a world seemingly broken." I countered, feeling the heat of that familiar rush when I knew he was about to make love to me.

"If they aren't, then we have to love for all of those who can't." He said, trailing kisses down my jaw line.

Sometimes it felt silly. The things we said to each other. Things in the dead of night. In the cold light of day. In the middle of the afternoon when he was at his most sleepy, when he would linger in the kitchen looking to score a bowl of stew or soup before curling up on the couch with a book before he would fall asleep.

Even now, I could feel him nuzzle in. Our bodies entwined on the bean bag lazily tracing his thumb over my nipple as he sucked the flesh on my neck into perfect little shapes of his mouth.

"So, you really do like it?" I checked, just wanting to hear him say it one more time.

"Oh, yeah." He yawned, "That Les Paul is coming home with us for sure. And maybe I'll come back for the Strat, too."

I was wearing the black yoga pants I saved for hiking. The ones that I wore to collect fire wood. To muck out the horses and clear out the chicken coop. I never felt particularly sexy in them, or desirable. It felt almost like we'd become accustomed to seeing each other in our most desolate states.

But when he slipped them down around the curve of my ass and hitched me around so I was facing away from him, I was glad that I'd worn them. The way he pressed his hard on into my back and continued to roll my nipple around between his fingers as he breathed harder into my ear was the blessing I'd needed to know that I'd done the right thing.

We were both tired from the hike. Our bodies crying out for rest. The afternoon sun began to slip away, making room for cloud and darkness. I was acutely aware that there was no power in this house. No electricity. No running water. No heat. It was in my mind to interrupt his ministrations with these facts, but as his hand slipped below, coming up into my entrance from behind, I lost all manner of speech.

"You gonna let me thank you properly?" He asked, slaking two fingers inside me slowly. "Be my good girl and let me show you how much I love you?"

I was in no mood to protest. I watched the light outside fade as he ran stripes up my slit and into my clit. Whispering obscenities and freeing himself one handedly as he played with me. Letting his cock rest between his stomach and the curve of my ass, leaking a little against our flesh.

"Can you feel it?" He breathed, "How much I love you?"

It was all I could feel. There was no house. No darkness. No eerie silence as the wind rushed through the trees. Howling like there was someone out there to hear it. Only Jakes breath, the bean bag as it shuffled beneath us, and the sound of my untamed scream as he penetrated me.

He didn't try to quieten me. Buffeting my wild moans with deep thrusts that came like chasms to break me in half. Each time he bottomed out, he savoured it. Taking the briefest of moments to feel me clenched around him before pulling back slowly. The need to fuck and the need to sleep battling it out for supremacy.

"Pretty fucking grateful, aren't you?" I replied, leaning my head back into his waiting mouth.

When he was like this, all in need and eager to satisfy any way that he could, I often thought back to how it had been that first time. On the ground in the mud, knees caked in it and the earth beating in time with us. And how in the time since, we'd leisurely made love on the kitchen floor some mornings. In the shower, just stroking each other to pass the time. Him, on top of me, in the bed we now shared. And me, arms around the trunk of a tree whilst he fucked me from behind out in the woods even though it was still a little cold out there.

"For this pussy? Always." He purred into my ear, like he was serenading me.

I knew that I'd never tire of it. The way he felt inside me. The way he fit so perfectly. I never felt so full, like something had been made just for me. He wasn't just rhythm and blues, he was equipped to make me quiver with the mere mention that he might take me right there and then.

I'd lament it later on. How all my lovers before him had been lacking. How I'd swiped left and right, attended blind dates and settled when I shouldn't have. For men that couldn't make me cum or men who couldn't text me back.

"Mmmmm..." I murmured softly, arching against his quickening pace. "It would be the last man on earth that would end up being mine..."

The gentle laughter that expelled from his mouth against the shell of my ear was like summer rain. Teasing my senses, touch taste and scent. His hair was sweat drenched at his temples, as it often was when he fucked me, and I could taste the salt of it in his kiss.

"She speaks so highly of me." He breathed, "Now let her know no other man will ever have her..."

He would claim me. Over and over again. Even when there was no other to counter his claim. I let his hand wrap around my throat, edging me to the distance it would take to push me over the edge of the world. Thrusting into me so hard my entire body shook. I knew the bean bag had ripped at some point, sending the tiny little white foam balls scattered across the room. But I didn't care.

I'd keep finding them in strange places for weeks afterwards. As he rolled me onto the floor and continued to pound me, vicious and unrelenting. He'd never silenced my mewling cries before, content to let them ring out into the ether.

But not this time. It was like his gratitude couldn't be satisfied until he could hear the one sound he desired. His body raged on top of mine, our clothes half on and half off. His sweaty palm came to rest over my open mouth. Muffling my cries to a dull humm. His eyes silently pleading with me to let them die. And to just listen...

"Hush." He encouraged, resting his mouth against the back of his hand as he continued.

There it was. Against the backdrop of the breeze outside. The sound of how wet I was. His cock hitting my satiated pussy. Moist flesh against moist flesh. The most inconceivable feeling washed over me. This man, the only man that ever was, wanted to silence my mouth only to better hear the sound of my pussy being fucked.

And the drop of his eyelids as he listened had me in another state of being. Half closed and fucked with desire for the way it slipped in and out, wet and completely his.

"Thankyou, my love." He whispered, before he allowed himself to cum.

I was never certain if it was for the music, or the way I let him fuck me. I didn't really care. I let my own orgasm rise moments later, the two of us breathless and spent on the gutted belly of that old bean bag.

Day 470 ~ Amelia

We hunkered down for the night. Choosing to make our way back at first light, gathering all the blankets we could find and sleeping on the couches that were, quite simply, more luxurious than any couch we could have gotten in the cabin.

Jake took the one opposite me, falling asleep first. His gentle snores lulling me into my own dreams. It felt like no time had passed at all before my eyes sprang open, the red of morning creeping in.

I rubbed my eyes and stretched. Taking a moment to recall where I was. This place was eerie, even in daylight. And I wished that there were something, anything...that would remind me that people had once lived here. The ticking of a clock, perhaps. Or the grass being cut outside. I could have laid there a little longer, still tired and drowsy, but I was eager to be gone.

I kicked off the blankets and expected Jake to be laying there, ever the one to wake up last, but my heart fell into my stomach at the sight of the empty couch. Blankets still left precisely where he had kicked them off.

"Jake?!" I called, expecting his voice to filter down the hall from the music room.

Silence.

"Jake?!" I called again, pulling on my pants and shoes as I made my way through the house.

I expected to find him gathering up all the instruments he wanted to take. Agonising over which ones to take now and which ones to come back for. But there was nothing but the aftermath of what we'd done. And all the guitars were accounted for.

"Jake, this isn't funny." I cried, checking behind the curtains like a child playing hide and seek. "Jake, I'm being serious now!!!"

Panic began to rise in my chest. My heart soaring, making me dizzy as I flew through the house. Room after room coming up empty.

"Jake!!!" I screamed, running now. "Jake please!!!"

Had I ever given myself permission to imagine this, I would have driven myself mad. That one day he would simply vanish, like everyone else had, and truly I would have walked to my death in that moment. I had no desire to live in a world void of the man I loved.

"JACOB!!!" My voice broke on his name as I fell out of the door and into the back yard. "PLEASE!!!!"

I fell to my knees on gravel. Crying. Racking sobs expelled from me as I took fists full of tiny pebbles that cut into my flesh as I squeezed. I felt as if I couldn't breathe. My chest was tight, all the horror of him disappearing coursing through my veins as tears spilled down my flushed cheeks.

"Jake, I can't do this...you have to come back..." I begged, broken and beyond redemption.

In a matter of moments I'd gone from waking up, to screaming on my knees. I'd have thought it a nightmare had I not already endured one. The reality of this feeling was one I knew. Only this time, intensified by a love that had known no bounds. I could live in an empty world before I'd ever known him.

Not anymore.

To be Continued...

.

.

.

@caprisunsister @thewritingbeforesunrise @takenbythemadness @katuschka @its-interesting-van-kleep @lvnterninthenight @writingcold @jakekiszkasbuttsweat @edgingthedarkness @velveteencatch @lyndz2names @nina-23-45 @itsafullmoon @vikingisthenewsexy @char289

[upinteriors]

Autobarn by Bindloss Dawes

The Autobarn is the realisation of our client's long-term dream to house his collection of classic German cars. The project is composed of two volumes: a clean, five-bay garage for everyday use and a taller workshop for repairs and future restoration projects.

Beyond satisfying this initial use, the project ambition was to create a flexible, 'long-life, loose-fit' building that could be used for a range of different uses. Currently it doubles up as event space, however the ambition is that the Autobarn could one day become a low-energy house.

Located on the outskirts of a small Somerset village, the project is set within the grounds of an eighteenth-century Grade 2 listed house. It replaces several haphazard outbuildings and consolidates their amenity into an elegant architectural proposal, nestled within a glade of mature trees.

The project's design references the language of neighbouring agricultural barns. As a practice we are interested in reassessing the rural vernacular, both for its contextual appropriateness and its lessons in low-cost, pragmatic design. As such, the Autobarn re-interprets simple forms and methods of construction, adapting more temporary, rudimentary methods into a robust and elegant paradigm for low-cost, rural architecture. Composed of a concrete base and steel framed structure, intermittent timber cladding and zinc metal roof, the Autobarn adapts barn typologies with varying levels of refinement. Consideration was also given to its weathering, with the natural zinc roof dulling to complement the silver patination of the sweet chestnut cladding.

Like many barns, permeability to light and air is controlled through a series of movable layers. First experienced as a closed solid mass, the barn walls open up via a number of doors, including an heroic 7m sliding timber screen. The intermittent timber slats of the screens create internal dappled light during the day, which is reversed at night as interior lighting illuminates the surrounding landscape. Internally the steel structure is expressed in an array of simple portal frames, with sustainably-sourced wood-fibre acoustic board forming internal wall and ceiling. The garage space is calm and gallery-like, while the workshop space presents a tougher, taller workshop, surrounded with concrete wainscotting and designed to accommodate a car lift.

The building's 'long-life/loose-fit' ambitions have meant that the insulation and energy performance exceed residential standards. Although thermostats are currently turned down for its current use, the building includes underfloor heating powered by an Air Source Heat Pump, as well as additional first fix services hidden behind the internal wall paneling for future conversion.

Construction started in November 2020 and was completed at the end of 2021, with the project effected by the global pandemic and building material inflation. Despite these challenges, and the inclusion of some one-off expensive items (such as the electric garage doors), the Autobarn was built for under £2,300 / m2. In tandem with high energy performance and the use of natural materials, it combines our studio's goal to combine beauty, affordability, and sustainability.

Design: Bindloss Dawes Location: Frome, United Kingdom Area: 165 m² Year: 2022 Photography: Building Narratives

[linyihuite]

The Structural Structure Of The Aluminum Honeycomb Perforated Acoustic Panel Is A Perforated Panel And A Perforated Back Panel

Acoustic panels are classified by structure 

① Sound-absorbing tip 

Sound-absorbing wedge is a special sound-absorbing structure material for strong sound-absorbing field. It is formed and cut by porous (or fibrous) material to make a cone or wedge-shaped sound-absorbing body, which is firm and not deformed. The sound-absorbing wedge is suitable for strong airflow environments. The main object is high-quality anechoic chambers. The absorption of low frequencies is more effective, and it can eliminate standing waves and meet the requirements of eliminating echoes. The low-cut-off frequency sound absorption coefficient is greater than 0.99. Compared with ordinary sound-absorbing wedges, V-shaped and W-shaped sound-absorbing wedges made of polyester have the characteristics of small size and more reasonable price.

② Diffuser

In addition to all the functions of a flat sound-absorbing board, the diffuser sound-absorbing board can also conduct sound waves at different angles through its three-dimensional surface, eliminating the blind area of sound waves during the diffusion process, improving sound quality, balancing sound, thinning accents, and weakening treble , to compensate for the bass.

product structure: 

A three-dimensional triangular or cylindrical groove is opened on the front of the MDF, and a structural sound-absorbing material with a circular hole on the back, the surface is painted (color can be selected according to customer requirements), and the fire-proof sound-absorbing cloth is pasted on the back.

Application range: 

TV station, cinema, opera house, concert hall, conference center, gymnasium, audio room, home, shopping mall, hotel, karaoke, lounge, restaurant, etc. 

③Aluminum honeycomb perforation

The structural structure of the aluminum honeycomb perforated Acoustic panel is a perforated panel and a perforated back panel. The aluminum honeycomb core is directly bonded to an aluminum honeycomb sandwich structure by high-quality adhesives. A layer of sound-absorbing cloth is pasted between the honeycomb core, the panel and the back panel. Because the honeycomb core in the honeycomb aluminum panel is divided into many closed cells, the air flow is blocked, the sound wave is hindered, the sound absorption coefficient is increased (can reach more than 0.9), and the strength of the sheet itself is improved, so that the size of a single sheet can be Make it bigger and further increase the degree of freedom of design. According to the indoor acoustic design, different perforation rates can be designed, and the sound absorption coefficient of the combined structure can be controlled within a certain range, which not only achieves the design effect, but also can reasonably control the cost. By controlling the perforation diameter and hole distance, the perforation rate can be changed according to the customer's requirements. The maximum perforation rate is less than 30%. The hole diameter is generally ∮2.0, ∮2.5, ∮3.0 and other specifications. The perforation requirements for the back panel are the same as those for the front panel. High-quality non-woven and other sound-absorbing materials.

Previous： Acoustic Panels Are Classified By Structure

Next： How To Install Acoustic Panels? How To Fix It On The Wall?

[walldecuk]

In interior design, the two vital aspects are functionality and aesthetics. It is the seamless blending of the two aspects that helps to create spaces that not only appear visually appealing but also offer practical benefits. Decorative soft-furnished panels are the ideal solution. These sound-absorbing boards have revolutionized the design of our interiors.

[tranquilglobal]

Acoustic Board Panels: The Secret to Perfect Soundproof Walls

Creating the ideal sound environment in your space can be a game-changer, whether it’s a recording studio, a bustling office, or a serene home theater. One of the unsung heroes of achieving this is Acoustic Board Panels. If you’ve ever wondered how to transform your walls into sound-absorbing marvels, let’s dive into why Acoustic Wall Panels are the secret ingredient for perfect soundproof walls.

Understanding the Role of Acoustic Treatment

Sound waves have a peculiar way of bouncing, reflecting, and creating echoes that interfere with the auditory experience. This is where Acoustic Treatment steps in. It’s not just about muting sounds but managing them, ensuring clarity, comfort, and precision.

Acoustic Board Panels are a versatile tool in this process. They absorb and diffuse sound waves to create an environment where every note, voice, or sound effect is crisp and distortion-free.

What Makes Acoustic Board Panels Stand Out?

Acoustic Boards For Walls are designed to blend functionality with aesthetics. Available in various materials, shapes, and finishes, these panels are no longer just utilitarian; they are design elements that enhance the beauty of any room. The key lies in their ability to reduce reverberation and echo while complementing your décor seamlessly.

Key Features of Acoustic Wall Panels:

Sound Absorption: These panels trap sound waves, preventing them from bouncing off walls and ceilings.

Customizable Design: Choose from a wide range of colors, fabrics, and shapes to suit your style.

Easy Installation: Most Acoustic Board Panels are lightweight and easy to mount on any surface.

Durability: Made from high-quality materials, these panels offer long-lasting performance.

Applications of Acoustic Boards for Walls

Acoustic Treatment isn’t just for recording studios or music rooms. Here’s how Acoustic Boards For Walls can transform various spaces:

1. Home Theaters

Imagine watching your favorite movie without the distraction of external noises or excessive echo. Acoustic Board Panels create an immersive sound experience, enhancing every dialogue and background score.

2. Offices

Modern offices thrive on collaboration, but noise can often be a productivity killer. Installing Acoustic Wall Panels in meeting rooms, open workspaces, or private cabins ensures a quieter, more focused environment.

3. Schools and Educational Spaces

Classrooms and lecture halls can be noisy, affecting both teaching and learning. By integrating Acoustic Boards For Walls, schools can ensure better sound clarity and concentration for students and teachers alike.

4. Commercial Spaces

From restaurants to retail stores, Acoustic Treatment helps create an ambiance where customers can converse and enjoy without the interference of unwanted noise.

Tips for Choosing the Right Acoustic Board Panels

When selecting Acoustic Wall Panels, consider the following factors:

1. Material

The core material of the panel influences its sound-absorbing capabilities. Look for options like fiberglass, foam, or wood composites based on your specific needs.

2. Thickness and Density

Thicker panels generally offer better sound absorption. However, the choice depends on the size of your space and the level of noise control required.

3. Aesthetic Appeal

Since Acoustic Boards For Walls double as decorative elements, choose designs that complement your interior style. Many manufacturers offer custom printing options to align with your branding or personal taste.

4. Placement

Strategic placement of Acoustic Board Panels is crucial. Focus on areas where sound reflection is highest, like walls opposite speakers, ceilings, or corners.

The Installation Process Made Easy

One of the best things about Acoustic Wall Panels is their straightforward installation process. Most panels come with adhesive backing or mounting hardware, allowing you to set them up without professional assistance. For larger spaces or more intricate designs, you may want to consult an expert.

DIY Installation Steps:

Prepare the Wall: Clean the surface where you plan to install the panels.

Plan Layout: Arrange the panels on the floor to visualize the final setup.

Mount Panels: Use the provided adhesive or mounting clips to secure the panels to the wall.

Innovative Designs and Trends

Gone are the days when Acoustic Board Panels were plain and uninspiring. Today, they come in various patterns, textures, and even 3D designs. Some panels mimic the look of wood or fabric, while others offer geometric shapes that add a modern touch to your interiors.

Popular Trends:

Biophilic Designs: Panels featuring natural textures or greenery.

Custom Art Panels: Acoustic panels printed with artwork or photographs.

Modular Systems: Panels that can be rearranged for different acoustic needs.

Maintenance and Longevity

Once installed, Acoustic Boards For Walls require minimal maintenance. Regular dusting and occasional vacuuming are enough to keep them looking and performing their best.

Conclusion

Achieving perfect soundproof walls isn’t just a dream; it’s a reality with Acoustic Board Panels. Whether you’re designing a professional recording studio, a cozy home theater, or a functional office space, these panels are the key to superior sound control. With their blend of performance, style, and ease of use, Acoustic Wall Panels prove that soundproofing can be as artistic as it is functional.

So, the next time you think about upgrading your space, remember that Acoustic Treatment starts with the right choice of Acoustic Boards For Walls. Transform your environment today and let the sound of perfection resonate through every corner of your room.

[pamxna]

Origins Pt. 1 - Rewrite

"This way! Quickly!"

The pale-haired miqo'te boy was quick on his feet as he led her through the twisting, turning back alleys of the Brume. The gown she was wearing made it difficult to keep up, and she was forever catching the toes of her pointed heels on the cold cobblestone. She could remember a time when this would have been easy, when navigating these streets in her bare feet probably would have had her outpacing him.

But that felt like a lifetime ago.

"Come on!" The ruddy-faced boy showed no signs of slowing down, and despite the fact that she wished that he would for once, Pamina was determined to keep up with him. The further that they ran, the darker and the colder that it became, and the farther away from Ravensfall Manor they got.

Good.

Soon, the only light sources illuminating the night at all were the self-made fires by the various citizens who had made their homes there. They stared at the very out of place half-elezen running through the area, and the looks were enough for her to touch the bouncing curls that framed her face. What a sight that she must have been to them. They must have thought that she existed to mock them.

Eventually, the twisted alleyways gave way to deprecated, abandoned buildings. Surely, Pamina thought, he must have taken a wrong turn somewhere. But Xyphris strolled straight up to one of the doors and threw it open. He held it open and gestured for Pamina to go inside. It didn't seem to matter to him that she looked terribly uneasy; he just waited.

With her chin held high, she trudged through the dirty snow and into the doorway. What she encountered inside was not at all what she had expected. Outside, the building looked abandoned, and derelict enough that if you poked at the wooden paneling it might fall to pieces. Glass had long shattered out of the windows, replaced with wooden boards. Part of the roof had caved in on one side. The only thing that seemed absolutely untouched by time and rot was the door. It was an old inn, long abandoned by its owners and the usual citizens of Ishgard. But it was not totally abandoned. Several of the chairs and tables had been restored, as well as the bar, even if all of it was a little rough. All of them were occupied by a denizen or two of the Brume, and until she had entered the building, the quiet sounds of laughter and conversation, even the soft strumming of a guitar, could be heard wafting from within. Now, it was silent and all eyes were on her.

Xyphris seemed unphased by the sudden change in the atmosphere, only her hesitation. He beckoned her forward eagerly. "Come on!"

Pamina had no chance to protest. The pale-haired miqo'te grabbed her by the wrist and yanked her inside, slamming the door shut behind him. He bounded off with her in tow, oblivious to the stares that were being cast in her direction. That, or he just didn't care. He dragged her to multiple tables, including the bar, and quickly introduced her to everyone they encountered. He didn't stop dragging her around until he came to a group seated before the hearth, most of them younger. One in particular caught her attention, a young, blonde girl with mismatched eyes who was staring at her in awe. Pamina offered her the politest smile she could manage.

"So, what did we miss?" Xyphris asked as he took a seat in their circle. They handed him an acoustic guitar, but he swatted at the young blonde as he got situated. "Ella, quit staring!"

The blonde, Ella, gave a sheepish smile up to Pamina before she came to life. She jumped out of her seat, which was no more than a rug on the wooden floor, and threw her hands into the air. "The pirates! Theys was attackin' the ships, 'n' about t'lose their shinies! You almost missed it!"

"My apologies, miss Ella," Xyphris smiled, plucking several strings to test his guitar. "Continue, if you will?"

Ella sat back down, beaming. She continued to grin as the older woman sitting with them continued her story, with Xyphris strumming quietly along to the tale. Pamina, as she took her seat on an empty space on the rug, pulled a fancy hairpin from her hair and tucked it into Ella's hair. The blonde girl giggled, drawing a smile from the storyteller and Xyphris, and attention from the rest of the orphans listening to the story.

Maybe it wouldn't be so bad here after all.

[raghavgypsonite]

Modernize Your Space with MDF Acoustic Slat Solutions

Discover stylish and effective MDF acoustic slat panels for noise reduction and contemporary design. Ideal for homes and offices and Perfect for modern interiors. lets your place gets evaluate with the new designs and modern structure. Shop Now! For more info you can visit our website or contact us.

[321arka]

False Ceilings give you an authentic beauty to the building as it is not common to the standard ceiling which is prepared by the use of decorative material such as gypsum board, PVC panels, tiles & much more. In between the false ceiling and the standard ceiling, there is a gap. Soundproofing in halls and auditoriums is enhanced using false ceilings.

In most cases, a metal wire keeps the false ceiling a certain distance from the original ceiling. Ceilings and false ceilings are separated by inches, but if the floor height is more than 10 feet, the gap can be increased to one foot. Fixed to the original ceiling, the false ceiling is made of metal grids.

False Ceiling Types

Gypsum Board

Gypsum board made by gluing specifically prepared paper to a core of set gypsum. As a result, it can be used without the addition of plaster on walls, ceilings, or partitions and provides a surface suitable for painting or papering. Boards made of gypsum are commonly used in interior design projects. Wall and ceiling preparations require the use of Gypsum Board as a surface material.

Due to its fire resistance, soundproof properties, and light weight, gypsum board is used for drywall. Walls, ceilings, and partition walls in residential and commercial structures should be constructed from this material. Gypsum board comes in standard sizes such as 600 mm x 600 mm. The tiles are hanging from a metal frame that swings from the original ceiling.

PVC

It is a lightweight and cost effective false ceiling material made from Polyvinyl chloride, which is the full form of PVC. A variety of buildings use PVC panels for the cladding of their exterior walls, from residential to commercial. PVC is a strong plastic material that is prepared in a factory, resulting in a smooth surface. The shape & size can be customized according to your specifications.

Due to its high water-resistance, PVC is the ideal solution for stopping water leakage through ceilings. Unlike other types of false ceilings, it requires very little maintenance and is lightweight.

Fiber

Fiber False Ceiling is produced by mixing synthetic & natural materials such as vegetable fibers, wood fibers, tars & bitumen. It is usually good for insulation along with soundproofing & acoustic nature.

Due to fiber's role as reinforcement, it provides properties such as hardness, toughness, and fire resistance, which makes it an ideal material for false ceilings in commercial buildings like retail stores, shopping malls, and offices.

Read more

[noiseproblemsonline]

Natural acoustic solutions available for you

Many people automatically think about acoustic diffuser panels or a fiberglass acoustic soundboard while looking for an acoustic solution. But you might want to think twice. Do you know that the main component of a diffuser panel have possibly annoying materials?

To avoid problems with diffuser, you can use custom acoustic panels, which only has natural materials and recycled cotton. They are safer for you and they optimize room more efficiently than a fiberglass acoustic soundboard or a diffuser panel can. Unlike a fiberglass panel, acoustic panels provide top quality sound control at a lesser cost which is a balance hard to find in the soundproofing world.

Keep in mind that soundproofing is not just good as the products you use. Though the safety of a fiberglass panel is still uncertain, that of an acoustic panel or a baffle board is not.

Sound travels across all the exposed surfaces, and by raising the wall panel, you expose the back surface to sound, just like a baffle board, which is an excellent absorber.

Wall mounted acoustic diffuser panels take on a complete new dimension while using Standoff clips. They seem to float in air a couple of inches away from the wall. This just adds visual interest to a regular panel, but it can be further accented by backlighting the panel, by changing the panel into a focal point when it comes to lighting.

From time to time, we have people who need a good dose of sound absorption for their space, but want a less intrusive look than traditional acoustic panels. For situations like this, our sound tiles are frequently the ideal solution. Though these panels are printable and paintable, when left in their unfinished state, they have a soft white color which is quite subtle and have a tendency to blend properly with different environments.