#Acheron analysis

[finisnihil]

So. I think. I may have figured out the significance of the red text in Penacony’s quest line and it’s relation to Acheron. Spoilers ahead for Penacony

First, let’s establish the connections and contexts in which red text is used in Penacony. The first time we experience it is when we meet Acheron.

During this initial conversation, Acheron tells us something extremely important.

Acheron easily forgets things UNLESS they are tied to emotional response.

When we see the red text used going forward it’s typically through emotional recollection.

Acheron asks if we have met before because it feels like we have. When she talks about her interactions Black Swan and her old friend she never recalls details like their facial features, their names, nothing like that, she only remembers the atmosphere of the interaction and how it made her feel.

When we see the red text pop up again it’s during exploration of the Dreamscape Reverie

In both these instances the red text is denoting emotion, experience.

This tape we find, it's extremely important.

When you turn it in to a member of the Bloodhound Family he informs you that the tapes are associated withe the assault of Sweet Dreams Troupe and a corruption of their "consciousness". He then gives an interesting description of their effect

.

The use of the term "tapes" is not a coincidence and I think I have the anwser.

It's the Stone Tapes Theory.

For those unaware, the Stone Tapes Theory is the belief that "ghosts" as we know them are actually recorded memories. During traumatic or emotional events, the mental impression seeps into objects like the stones of a house and the memories of the events get "recorded" in the object like a tape, and it's believed it can be "replayed" if interacted with in a certain way (it's the premise of a movie called Last Night in Soho which is an excellent watch if you want to look into the concept more).

The objects attacked were ones typically in a state of being inanimate and the attacks disrupted the impressions they already carried. They disrupt the mental state and emotions of the living because the living get sucked into the "replay" of the event. The term "phantasmagoria" in relation to the Dreamscape is used in the letter with the tape, which is a term for dream-like visions or illusions, typically seen in a half-concious or sleeping state.

How does Acheron connect to all of this?

In a previous analysis of mine, I talk about Acheron's connections to death and her possible role as a psychopomp. Death and Sleep are connected in many folklores across many cultures as Sleep is seen as a temporary stae of Death.

The Dreamscape has many allusions to being an afterlife or place of death beyond having the "Death" nightmare creature.

Souls are gathered in the Dreamscape and when you talk to many NPCs it's a shock to realize they're actually dead and their memory is being stored in the Dreamscape like the Stone Tape Theory. Chadwick, Lesley Dean, etc. And these are the quests that are shown in the Fate's Atlas. They're important. We access their memories connected to their fate using an inanimate object that holds significance to their specific situation.

Sparkle is used to reiterate that death isn't permanent in the Dreamscape but I don't think it's just because you can wake up, it's also because the "tape" can be rewound and replayed from the start.

Acheron was picked out from the start by Black Swan as interesting. She was her first dance. Acheron also shows to be able to navigate the Dreamscape very well on her own. The mingling of memory and death is significant because I think Acheron is serving as a psychopomp leading souls out of their Stone Tapes. Stopping them from being rewound. Her sword has a red eye and she sees the world in black, white, and red. The living, the dead, and Stone Tapes. This comes into conflict with Black Swan, who as a Memokeeper, would be striving to preserve those Stone Tapes. Sam burning entities in the Stone Tapes could be bad because he's destroying the tapes with those still inside them while Acheron is trying to guide the souls out.

Penacony has a big clock theme with an area of the Reverie even commenting that the clock doesn't work because time stands still in a dream. The different areas of the Dreamscape are called Moments. These "Moments" are just Stone Tapes.

Do you know what witness marks are? They've been symbolic in horror media like Mike Flanagan's adaptation of The Haunting of Hill House. They're scratches or dents in antique clocks left behind where pieces may have moved or been stationed and are used by clockmakers to help restore or wind antique clocks. The founder of Penacony as it is now is the Watchmaker. Acheron is a witness mark. All the special guests are. The Watchmaker's legacy is whoever can use the witness marks to fix the big clock of the Reverie and smooth out the disruptions in the harmony of life and death, these Stone Tapes.

Feel free to add your thoughts, mwah!

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[generalsdiary]

gays are so tragic.

any gay ship, any queer ship in any form of video game, anime, tv show, or movie where they're censored or made by homophobic ppl is so tragic.

the way they yearn to be together, which is shown by actors/voice actors/animators/writers. and, of course, we all grasp at the tiniest crumble, and the fanbases are the ones that recognize them and keep them alive- that is where the couple escapes the constraints, restrictions, and homophobia.

ex. in gi they said they will explore more same-sex couples by labeling them in game as 'best friends'. (kavetham, cynari, etc.)

so, of course, we, fanfic writers, write them as tragic, or even cursed yaoi, and yearning and all the heart-wrenching pieces because there's pain in their existence. they are our escape and something we relate to but we also offer them an escape, making them alive with our funny words and silly au's.

also some honorable mentions of good depictions of queer couples; good omens, shadowhunters (malec), our flag means death, the originals (freelin). (feel free to add more)

also, only pure hatred and disgust at the queerbaiting seen in media (I'm looking at you supernatural). furthermore, gender identities in media are a whole different issue and topic; where is the recognition overall, especially in video games, for enby's and similar?

honorable mention to bg3 for having great body options (trans friendly) and more gender options than the usual f/m.

there's also tragedy in queer characters, who fandoms depict and destroy by ignoring their sexuality, ex. yelena from marvel's black widow who is confirmed asexual. (which pains me as an aroace individual)

thus we write them as tragic and pained because, just like us, they also have to be hidden or censored, many queer ppl cannot come out due to so many varying reasons. sadly, we aren't safe everywhere and have to be careful. media is a nice escape, so I guess we can relate to our sad gays who are so much more like us than we thought at first hand.

dear writers, artists, and creators keep creating art and keep giving them life. we give them air to breathe and the hope that they give us. that is how this relationship with our favorite fictional characters transcends all bounds, we keep each other alive and comfort each other.

this rant was inspired by my mutual commenting on how homosexual my love confessing fic is (here if you're interested).

[reverie-obsessingtime]

Is Jiaoqiu a Self-Annihilator?: an analysis into the Self-Annihilator condition (with Acheron and Jiaoqiu as case studies)

Soooouuuu pink fox man huh so pretty right? Sure nothing sad going on in the background..... *sobs*

This be the kind of brainrot you get as a Acheron main and Jiaoqiu haver 😮‍💨 :,)

sighs....WE ARE BACK IN THE BUILDING AGAIN!!!😭

Ok ok, enough fooling around let's get to business *rolls sleeves*. I'm gonna be using S-A for short to refer to Self-Annihilators through all this cause it's a mouthful to write.

TRIGGER WARNING: this post tackles depression and speaks of the nihilistic feelings it brings. It's not too major but if talking about stuff like this can be triggering, please advance with caution.🙏

What does it mean to be a Self-Annihilator? And the similarities between Acheron and Jiaoqiu's stories

Tldr: basically to have severe depression but much worse! :D (yaaaaay! :D)

From the ever so gracious Data Bank, S-A are described as people who have unintentionally but ireversibile stepped into the shadow of IX

To better understand these flowery words by giving Acheron as an example:

When it comes to Acheron, she stepped into THEIR shadow when it all lost meaning to her. She fought against the kami with other blades only for everyone to die. She managed to finally slay the kami but at what price? Why could that sword only be forged from this situation? Why did all have to be swallowed by naught for this blade to be made? What was the point of all this fighting and struggle if it all ultimately ended this way? If the ending never existed? If they all walked into IX shadow a long time ago?

Two worlds how pointlessly fought against one another, only for the ending to be even more pointless.

Because of all this trauma, like all soldiers coming back from a pointless war that had to witness all their fellow soldiers die, Acheron developed severe depression aka unintentionally stepped into IX shadow.

Depression isn't something you actively choose or agree with, it (annoyingly) chooses you and clings to you all the time and whispers in your year even when you don't agree with it anymore or actively try to fight against it.

You develop it from trauma (also H2O is water) and even when you are out of the environment that traumatized you, even when life is going great for you, when you have a limitless future ahead of you, it still exists and clouds ur judgement about those said things. It is something that you are stuck with. It's illogical nihilism and is sadly very hard to shake off...

But you CAN do it. Acheron and the other Self-Annihilators are proof.

There are two types of S-A: the ones who give up and succumb to it and the ones who fight back. Much like in real life (sadly)

Acheron is someone with severe depression who, despite it being uncureable, chose to show defiance against the predicament it brings by fighting back against it and actively trying to prove it wrong. Wrong not to herself, cause she knows THEIR wrong, but to prove THEM wrong to THEMSELVES.

How does this all connect to Jiaoqiu's story?: A Moment Among the Stars and Character Story Analysis

Both Acheron and Jiaoqiu have trauma from war, war that asks them "what was the point of everything you've done in the end?"

For Acheron:

What was the point of fighting if the ending was predetermined?( "Even if the ending is predetermined, that's fine. There are countless things that humans cannot change. But before the end, there are many things that humans can do while on their journey.")

For Jiaoqiu?

....

"While the Alchemy Commission is a good place to be, it is ultimately not compatible with my wish to practice medicine for the masses. The one place that requires a healer the most is undeniably the battlefield where the Yaoqing's forces are."(-Character story I)

And mah man was NOT ready for what the battlefield will ask of him and his master knew this but sadly also knew he couldn't stop the ambitious youth so he let him go. ("The elder looked as though he wanted to talk the youth out of his decision, but he ultimately decided against it.")

"A healer's purpose is to mend wounds and save lives. You pull the dying from death grip....only to see them march back into it. Saving one person is child's play. Saving the world is as hard as reaching the heavens. Do I press forward, or run away?"

Faces with this, Jiaoqiu can't help but be consumed by nihility. Question what's the point? My purpose as a healer is to save them from death grip but despite me doing that they will have to go charging back into it again and again until I can no longer save them. Doesn't that make my actions are, ultimately, pointless? I save them from death, give them hope and then they have to go back out there again and have it ripped away by an arrow. The hope of victory, of living to see it, of making it, I give it to them by saving them from death and then they have to die anyway but live through the pain of the hope I gave then being ripped away from them along with their lives.

So why save them? Give them hope? If they are gonna ultimately die? Why just not let them die at this point? And if I do that? Then what's my purpose? My purpose is to be a healer and save them from death no matter how many times but I just CAN'T bring myself to do it anymore faced with the pointlessness of it...

( -Jiaoqiu.... probably.....for legal and anti-missinfo-spreading reasons he, in fact, did not say all that)

Saving one is easy, but saving them all from death grip? Not so. Faced with the weight of that? Does he keep going or run away? Should he keep going through the pain of the pointlessness of it all or run away from it(like a coward, because it's too much)?

"You can't help but ask yourself... How does a healer heal himself?

Faces with all this nihility, he is at loss as just HOW to heal himself, the healer, amidst all this. Jiaoqiu's at an impasse, not knowing what to do, emotions conflict with each other.

"They answer with victory- Every life saved makes for the salvation of all."

"They" probably refers to all the soldiers, the ones that got healed and made it, the ones who didn't and the ones on the bed getting bandaged up.

Which is interesting. Interesting because despite them giving this answer, he still hasn't returned to the battlefield.

"Those I saved only ended up as another dead soul when they dived head-in back into the battlefield. I prefer to no longer engage in such futile efforts." ( -Jiaoqiu Character Story IV)

That despite being given the answer, the scars and terrors of the past will not make it easy to accept it or march forward with it. And that's ok. That is human and ok.

We don't actually know when he was given this answer, if it was after he started working on Feixiao or not. (something to further note on)

"Now you must make another choice... Will the result of this treatment be "life" or "death"? Are you ready to face the end... Jiaoqiu?"

Here he is probably talking about Feixiao. The choice he made to return, in a way, back to the battlefield, the place that traumatized him so much he accidentally walked into IX shadow. Only this time, it's for one person only.

Will he be able to heal her or will she die? And is he ready to face the conclusion of the case that is Feixiao, whatever that conclusion and the answer it gives might be?

The physical changes that come with being a Self-Annihilator and the suspicious desing choices in Jiaoqiu

WOOOOOOO welcome to section two of this analysis that is gonna be so much more easy for me

Now, let's have a refresher of physical and other changes that come with being a S-A:

-skin turn into something like rotten wood, full of holes and scars

-endocrine system disrupted

-becoming unable to distinguish between pleasure and pain and turning numb to everything

-loss of memories

-loss of senses

-corporeal body, mental cognition, and personal memories will gradually fade away

(Ik what makes me violently rage? WHY ISN'T HAIR TURNING WHITE IN HERE!?!?!?!)

Now based on all of that and using Acheron as comparison (while being mindful that her Emnator powers might make some parts of her S-A different) let's look at Jiaoqiu and take some notes:

-both her and Jiaoqiu have two white hair streaks that are in the same place just mirrored.

-in Jiaoqiu's lightcone description he asks himself "How many springs has it been?" suggesting that he MIGHT have memory problems like Acheron.

-in his character story IV Jiaoqiu says the spicy food boarders on pain and Owlbert commented that the pain might make him feel alive so maybe dulled senses as well (?)

-both of them have their hair turning white. While Acheron's Emnator powers make her able to hide it (refer to one of her idle's when she lets her guard down and her hair starts turning white) Jiaoqiu's hair is a light pink but not THAT light and you can see how the white hair fades into his normal not yet discolored hair. This change in hair is not recorded in the Data Bank oddly enough so we don't know how much time this takes to fully happen. 🤷😮‍💨

-lack of taste. Both Acheron and him can't taste the flavor of any food that isn't heavily spicy or strong in flavor. Acheron directly tells us that through the peach and her favorite drink being Wake the Heck Up. Jiaoqiu's like for spicy foods can easily be brushed as him just being a spice fanatic until you read his character story.

In the first one he eats lotus petals and comments "Sweet and refreshing, it delights the plate" showing a liking to them. But in IV he comments "Ugh, too bland" when eating them again. Even his master comments, "I remember you preferred bland food before joining the army." to which he responds "People... tend to change.".

The change comes from his III story, after Lan hit the battlefield with THEIR arrow, killing both enemies and soldiers. A moment that traumatized him so much that after it all died down, he felt cold from the inside and put EVERY spice he had into his cauldron and only then was he able to feel the taste

"When his already numbed sense of taste finally picked up on the spice, a jolt of current ran through him. He felt alive for the first time! It was a sensation that bordered on pain."

And all of these similarities, ARE FUCKIN SUSPICIOUS!😁😁

--------------------------------------------------------------

Tldr: I'm going insane (the end)

I hope Hoyo's headquarters burn down actually cause I'm tired of getting brainrots from these characters!!!😭

Hoyo literally allergic to leaving pink foxes alone (and melanin- HOW SAID THAT!?🫢)

Anyway who wants to join hands and pray in a circle for Jiaoqiu S-A confirmation cause at this point you don't make Acheron and this mf after and add all that to him with it being completely coincidence ESPECIALLY THE HAIR AND SPICY FOOD HOYO YOU BETTER CONFORM THIS OR ISTFG OSNDODBDODDBODDN

I'm so normal!!! 😁

Anywaaaayyy if you read this far thank you soooo *mwah* muuuuuch🙏 hearts and repost are very much appreciated as it keeps me posting here :,D If you liked this I have some other stuff posted that might pick ur interest. Ik I'm not the best at putting it all together in a neat way but I'm trying my best, I usually keep all this in my head 😅

May the sunlight brush your cheeks, flowers tickle ur skin and butterflies kiss ur nose! :)

[aoxizu]

i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first

star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise

like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now

also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me

acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless

and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)

and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes

the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless

later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity

and i think dr ratio's scroll thing kind of relates to that

he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity

and dr ratio's answer for aventurine is to just tell him to keep living, good luck

which is. yeah

it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying

it's the bold claim that despite everything, you can still choose to live

sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all

and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe

and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there

let's go back to acheron.

in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."

which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?

and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else

like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has

ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore

once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble

[ririka-ilios]

Eidolon art "blueprint"

I've been looking over Eidolons in Star Rail today and thought it'd be fun to try and figure out how exactly the art on them works (i.e. what is the principle behind it, what they have in common between different characters, that sort of stuff).

There will be 1 (ONE) 2.1 story spoiler in here, so beware!

I haven't seen anyone else discuss this, so I've taken it upon myself to write an essay on it! This is relatively small and based entirely on my observations of the art. Feel free to use this as a basis for designing eidolons for your OCs if you want.

There will be example(s) for each part to help visualise the point I'm making as well as descriptions for the ones I'll use (some of the descriptions are much more detailed than others).

Eidolon 1

Shows view of the character from the back 3/4th to the left, up to their shoulders.

Eidolon 2

A close up of either of the character's eyes, showing off the details.

Eidolon 3

The view is entirely unique: the perspective, pose, and focus of the composition is meant to showcase an aspect of the character's personality.

Examples:

● Dan Heng. Back view, focus on his earphones as well as the maple leaf in his hand;

● Silver Wolf. Front view, focus on the game console in her hands;

● Himeko. Front view, focus on her facial expression and the pen in her hand.

Eidolon 4

Gives view of the character mostly from the front (either full-on or at an angle) or with them facing the camera in some way, up to their shoulders. Often has characters establish eye contact with the camera, but not necessary. Another showcase of their personality possibly might even represent how they interact with others.

Examples:

● March 7th. Back view with her head turned to look at the camera, making a peace sign. She's the only real outlier I've found so far, but it fits her personality fully;

● Aventurine. Front facing the camera, tipping (pulling down?) his hat and hiding one eye behind his hand as a result, obscuring his face;

● Bronya. Front, turned to the right, has a serious listening expression, one hand one her chest, closer to the heart. Perhaps a show of sincerity and dedication.

Eidolon 5

A close-up of the character's neck/collarbone area (despite the popular belief, it doesn't actually focus on their chest). The angle varies, as does the amount of character's expression shown, but generally, most of it is obscured (even in fuller pictures).

Examples:

● Herta. 3/4th angle, focus on the key hanging from her choker. The only part of her expression we see is her typical smug little smile;

(This Herta is one of many puppet avatars so the key might be a play on that. She also has a keyhole on the front of her outfit, though they're different sizes. There's also a key on a book cover in her splash art. Another fun fact, her upgrade materials are "Keys" as she is one of the first Erudition characters)

● Dr. Ratio. Focus on the pendant/decoration on his collarbones (maybe the Intelligentsia Guild insignia?), he has that "lips in a thin line" sort of expression;

● Black Swan. Focus on the heart decoration on her collarbones (reference to the stained glass in her ultimate, which in itself, loosely, calls back to Fuli, the Remembrance). She has her slight enigmatic smile.

Eidolon 6

Like E3, the view is entirely unique. The only consistent thing is that it ends at about the middle of a character's chest. The character is naked, showing them at their most vulnerable.

Examples:

● Misha. View from the side, his body turned in on itself as he hugs some sort of glowing orb. As a result, he's only illuminated at the points of contact. His expression is relaxed, but there's an interesting amount of seriousness in it, as if he's soothing/protecting the object;

● Sparkle. 3/4th to the left, has her hands up to her chest, one holding onto the other. A red string is tied into a four-petal flower shape around her pinkie finger, which sticks out from the rest of her fingers. Her expression is fully relaxed, her mouth is even slightly open, but the face paint is still on, and her hair is tied up;

● Acheron. View from the front, though her body is slightly turned to the left. She's in her self-annihilator state: hair white, the red thorn-like tattoos surround her lower neck and collarbones. There are red flowers outlined in white, either blooming on or flowing near her, some on her shoulders, some covering her left eye, others flying off. Interestingly, the flowers are placed loosely on a diagonal, bottom left to top right. Her expression is fully relaxed, mouth open slightly, and her hair is flowing to the side. That, paired with the flowers, makes it seem like there's a breeze passing by.

The conclusion I came to, upon finishing this analysis, is that Eidolons can be interpreted as the layers to characters' personality. With E1 being what anyone in the crowd could see – their back, no face, nothing to truly identify them by, and E6 is them at their most relaxed, most open point.

[olenvasynyt]

Fate is SJM’s happy ending

@goldenivy0 made this post about the idea that Lucien and Elain can have a HEA without getting together and tagged me but I wanted to make a separate post about it too.

People are very quick to dismiss the mating bond and say that it’s an easy thing to push aside.  Because it’s not.  Especially in SJMs writing.  I said this in a tiktok I made a while ago about this subject but the mating bond isn’t some tinder date that went sour.  It’s a mating bond.  A soul level connection.  It means something.  Elain is avoiding Lucien for a reason and it doesn’t make sense to me that “oh it’s just because she’s not into him” and that is the end of the conversation. 

I can go into detail about so many different things, which I have done before and several other Eluciens have done before: how they are tied to each other through plots, through similar circumstances and traumas and personalities and symbolisms; how it would be shitty to write Lucien's backstory of thinking he lost his mate just to find his true mate and then have that mate reject him or not be his mate, etc etc. How they can be compared to other mates and their journeys.

But it all boils down to one thing: fate.

SJM always writes about fate and the FMC running from fate.  You cannot run from fate.  It is your destiny, and you are supposed to go on a journey of destiny where you learn to understand yourself, fight your fears and past beliefs, and it all ends with finally choosing and accepting.  Accepting yourself, accepting fate.

Elucien’s mating bond is a fantastic way to do that with Elain and it’s frankly SJMs bread and butter.  She writes her FMCs to initially avoid their fears and problems.  

“Oh but Elain doesn’t want a mate!” 

Oh, she said she doesn’t want a mate?  Huh. Shouldn’t that tell you something about the journey SJM might put her through, then?  Because Celaena ran from her past and now she’s Queen.  Bryce pushed down her traumas and let them fester and Hunt helped her heal.  Nesta mourned and suffered by herself after the War and wanted nothing to do with anyone including Cassian, and now she has Cassian as a mate and 2 amazing friends.  Feyre believed she was going to be married to Tamlin and now she is mated to Rhysand and High Lady of the Night Court.  

Fate is SJM’s happy ending.

[mdhwrites]

Device IX Has No Interest in Nihilists

The Path of Nihility in Honkai Star Rail is fascinating to me because none of its pathstriders, those that follow the aeon in some way, are nihilists. In contrast, most of the other paths do want people who are actually affiliated to their keyword in some way, such as the straightforwardness of Hunters, leaders for the members of the Harmony, etc. like that. Now, I want to be clear here: I'm actually going by gameplay paths, not like what sort of organization they're affiliated to. This is because most will split allegiances with this and I consider their gameplay path to be the actual path they are a part of. Jing Yuan might be a member of the Xianshou who are affiliated with Lan but he himself looks at the world in a skewed, academic lens, which makes him a great tactician and a member of the Erudition more than of the Hunt. That to me just makes more sense and honestly is just FAR more interesting to examine.

Why do I say Device Ix isn't interested in Nihilists then? Well, it's because all of the Nihility characters we have right now in some way are both in conversation and reject Nihilism in some way. If Nihilism can be boiled down to "Everything sucks, we'll all succumb to entropy, why bother doing anything?" then why does Black Swan record dead planets? What is there to learn from something that has already succumbed? Guiniafen and Luka both have suffered SEVERE losses that have shaped who they are but also both became performers with new goals in life and desires to be aspirational for those around them. Silver Wolf sees life as a game but she also cares about winning that game or else she wouldn't get so upset when she loses. The Nihility branch is filled with this stuff.

But the best example? Well, let's actually wait on talking about Acheron to talk about the outlier because the game was actually pretty clear about this. It's the whole point of 2.1 after all.

Aventurine the Nihilist versus Acheron, the woman who wants to kill Nihility itself. One is an Emanator of Preservation while the other an Emanator of Nihility itself. But... Not the ones you would assume immediately.

Aventurine is fascinating in that one could argue he is only Nihilistic to himself but it's still more genuinely Nihilistic than almost any of the actual Nihility characters. He genuinely believes he does not matter. He is the most worthless chip in the game and so he will bet that chip over and over and over again. But... What is he also doing with those bets? It's not just that he accrues wealth and status but accrues a theoretical proof to his worth as someone who should exist. The hole within him that the Cornerstone arguably fills is that of a need to be able to say he matters and the best way he can do that is with firm, physical objects. That's why his power is creation because in theory, a limitless amount of credits would mean limitless proof that he deserves to exist. Now if only depression actually worked that way. However, this also translates into how he'll put himself below all others, prioritizing their safety and preservation, thus the path he his actually a pathstrider of. After all, much like Luka and Guigui, he has lost a lot and I think he would do ANYTHING never to lose that which he cares about again. He will preserve it at all costs, the tragedy being that he does not actually care about himself.

Meanwhile, Acheron barely has a self to lose. Of any character in the game, Acheron has lost the most. She has lost her world, her people, much of her self identity, her memory, her sense of place, etc. etc. IX is CONSTANTLY taking from her... Yet she never wavers because she confronts Nihility with its opposite conclusion. If we are all destined to die, for our efforts to be wiped away, ALL of our actions matter because if the moment is all that can be relied upon, why choose to waste it? Why choose to wallow and suffer and hurt others when you can try to do better? Why let yourself be consumed by entropy when you can live the one life you have to the best it can be? It doesn't matter if you screw up after all, what's important is that you tried because it's what you believed in. This is why Acheron wishes to kill the Nihility. It actively tries to trap Pathstriders in despair until they admit that who they are is indeed worthless and should just wither away. It's what Acheron and Aventurine talk about at the end of 2.1. That Aventurine's path was going to lead to his destruction because he wouldn't have bothered taking Argenti's hand once in the clutches of IX. After all, his actions didn't matter and his job would have been done. Why bother keep trying? But Acheron rejects that because even if she may never remember the connections she makes, the people she helps, she would rather have had them at all then to simply sit and do nothing.

And she is the emanator of IX. The one who pulls people away from his grip and reminds their souls of who they are so they may pass on happy and whole rather than rotted, decayed and faceless. If IX were interested in Nihilists, he would have nothing to do with Acheron. He would have never looked at her and certainly never blessed her. Instead, she is his emanator.

Which brings an interesting question we don't have an answer to: Is the giant space blob looking to be proven wrong and given a reason to care about the universe, or are they looking to be proven right and empowers those who are foolish enough to challenge the natural trudge towards entropy? We genuinely don't know. The most recent SU stuff actually even illustrates that both answers could be correct. After all, Nous empowered both Herta and Polka despite the fact that they both will act upon his dominion over knowledge in opposite ways. It may just be that Device IX sees these people as those exploring Nihility, rather than simply accepting it, and doesn't even care about if they prove them wrong or not.

But regardless, it still makes it a fascinating question. How do you get on the radar of something that is supposed to believe the universe doesn't matter? That nothing does? Because right now it seems to be by giving it double middle fingers and shouting, "FIGHT ME FUCKER!" And I love these debilitating daredevils for it. See you next tale.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[saunne]

HSR THEORY - COULD NIHILITY, VORACITY AND DEVICE IX BE LINKED ?

All my thanks to Bunni on the old friends Discord Server. I wouldn't have had this fucked up theory without her. Also, this is messy and probably nonsensical but I had to purge it.

The question asked was about "how close Voracity and Destruction are in terms of beliefs". A valid question, as something like Voracity and "devourer of worlds" imply mindless destruction.

HOWEVER.

Nanook's Emanator destroys with purpose, where Ouroboros seems to act more on instinct than anything, an animal feeding itself rather than a sentient being with an agenda.

Looking at Ourobos description in the databank, something struck me :

The drinker of worlds, the unsatisfied devourer, the black hole with thought. THEY are an Aeon and a Leviathan at the same time.

"The blackhole with thought".

Something one would expect to read about IX, a literal blackhole, rather than Oroboros. And yet, it's Oroboros description. The second part of the description only birthed more thoughts :

In the eyes of Oroboros, life is a flickering fragment floating in the sea of void, destined to return to the darkness along with the stars which birthed THEM — This darkness is within the depths of THEIR mouths.

Sea of void, return to the darkness... Sounds an awful lot like Nihility, doesn't it ? When you meet Oroboros in the Simulated Universe, the Log Entry states the following :

…Oroboros the Voracity! THEY are reserved and uncommunicative, occasionally resulting in unintended consequences when attempting to speak — such as inadvertently consuming THEIR interlocutors.

IX is also reserved and uncommunicative. Remember the first time we met them in the Simulated Universe ? Herta had to cheer us up with falsities because we were swallowed by IX.

IX: You feel yourself being swallowed by some black liquid — a sea of darkness. Your hearing and smell are cut off, and everything becomes far away from you.

Looking at it this way, it seems there's a possible link between Nihility and Voracity. But it doesn't quite stop there, not really.

To understand, we need to backpedal for a bit.

In the chapter Stranger in a Stranger Land of the Penacony Quest, we had the option to bid our farewells to Acheron. During this exchange, we learned of her true goal :

Acheron: In order to fight against the cruel end of self-destruction, I went on a journey, in search of a way to sever the chains of the Nihility. After a long and grueling search, I am convinced that my destination lies within the depths of the Dark Web, where reality and the Nihility are separate. Acheron: In there lurks a secret called "Device IX"... One day, I'll reach it.

This is a reference to a term known as Horizon of Existence in the Data Bank, the boundary between existence and Nihility marking the "end of reality".

Legend has it that a mysterious faction known as Device IX lurks in the empty reflections of void, difficult to be perceived by the material world. Those who gaze into the void for a long time will gradually be drawn to the dark energy overflowing in the abyss, eventually passing through the Dark Web that separates reality from nothingness — This legend has yet to be proven, though.

So, Device IX is most likely roaming free on the other side of said Horizon of Existence. Saif Horizon of Existence being this :

An eclipse, a darkened sun, a black sun setting.... A star drowning into a sea of darkness.

Do you know what Leviathan feed on ?

Stars.

Shattered Star Bait : Before the Dusk Wars, the exploded fragments born out of the expansion of disordered nebulas could be used as lures, and their unique aroma of cosmic dust could attract Leviathans to feed on them.

So : Oroboros is nicknamed "the black hole with thought", inadvertently consume THEIR interlocutors, believes that life is a flickering fragment floating in the sea of void and destined to return to the darkness...

And where exactly is this darkness ?

This darkness is within the depths of THEIR mouths.

Forget taking a dive inside IX, there's a real chance to be more successful in reaching the Border of Nihility by plunging directly in Oroboros' goddamn stomach. In any way, both solutions look like a one way road towards the End.

But also, not really. Because the Aeon of the Voracity is named Oroboros. Which is originally a symbol of a snake bitting its own tail, thus representing Eternity.

The oroboros is believed to be a symbol of cyclicality, a cycle of life, death and rebirth. Something I think to be intesting is the existence of this symbol in Ancient Egypt, most particularly in the tomb of Tutankhamun.

The ouroboros is depicted twice on the figure: holding their tails in their mouths, one encircling the head and upper chest, the other surrounding the feet of a large figure, which may represent the unified Ra-Osiris (Osiris born again as Ra). Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time. [Wikipedia]

(However, besides Mehen, there's another well known snake deity associated to Ra : Apophis or Apep.... continuously trying to devour the sun.)

Looking at Hoyoverse and their love of Samsara and the less than subtle hints we've got about Fuli making a repository of the memory of the universe to prepare the impending doom or Qlipoth (Preservation) creating a wall to keep the Leviathans OUT...

I'm starting to wonder if what's inside the Leviathan's mouth, rather than being the separation between existence and Nihility, it wouldn't be between one universe's existence and the yet-to-happen or already happened birth of another universe.

Addendum : Everything is slowly coming together RIGHT UNDER OUR NOSES.

"Device IX is real. Go find it ! There lies all of Dr. Primitive's secrets !" — Some Drunken Galaxy Ranger

Who's the new 2.6 quest all about ? Dr. Primitive.

Where does the 2.6 quest happens ? In Penacony, where we were previously fully introduced to the concept of Nihility thanks to Acheron, a Self-Annihilator and where we also first met the elusive Galaxy Rangers, first Boothill and then Rappa.

Funnily enough, we do have this quote in Izumo's Planar Set :

Was it yet another appalling experiment by Dr. Primitive, or was it a sign of the Voracity returning from the end of the Cosmos ?

Also, for reminder :

Dr. Primitive is the member #64 of the Genius Society, an Emanator of Erudition, and a notorious criminal who was known for his mastery of gravity-capture technology.

Do you remember that some members of our crew were just on an errand for another member of the Genius Society ? #81 Ruan Mei ?

And what was that quest about ?

DELIVER LEVIATHAN FOSSILS TO RUAN MEI.

[finisnihil]

Analysis with Penacony spoilers ahead, read at your own behest

I love Acheron so so much and one of the main reasons is how human she tries to be. She‘s trying so hard to stay human, to be human.

She’s killed people the blood debt is a burden she carries. She only sees the world in black, white, and red, but she gets lost easily and guides strangers home and she thanks you for trusting her even though you don’t have to and she protects a little boy from the mafia and she mourns your friend with you even though she didn’t know her because she knows you’re hurting and she helps you calm down after you watched your friend die horribly and she stays with you and looks after you and tells you to stay level headed and she apologies for being held back from protecting those you love because she isn’t human anymore and then she does one of the most human thing of all and blesses the soul and mourns her with you, guides her home like she did with you. Acheron is gentle like a psychopomp, like Death. She cries blood but it’s still crying.

Onto the allusion, the name Acheron comes from the river Acheron, one of the five rivers of the Underworld in Greek mythology. The Acheron is the River of Woe/Pain/Lost Souls. The River Cocytus (River of Wailing/Lamentation) and River Phlegethon (River of Magma) both flow into the River Acheron and the River Styx (River of Oaths/Border to the Underworld/Makes one invulnerable if they bathe in it) stems from the Acheron. The final river is the River Lethe which causes forgetfulness when bathed in or drunk from and usually used by the souls of the dead to be reborn. These allusions fit Acheron well, as she cries blood which is fitting for one named after the River of Woe. Her difficulty to hold onto memories is also reminiscent of the Lethe, especially now that we know she’s an Emanator. She was technically “reborn” as when she became one.

Building off this, she fulfills the role of a psychopomp. In folklore and mythology psychopomp are entities that guide souls of the dead, such a Thanatos in Greek mythology who is the personification of peaceful death (Who Seele has allusions to but that’s another analysis). Aventurine associates Acheron with the Finality a few times and we see her act like a psychopomp when she does things like “take us home” when we first meet her and she mentions guiding again when she sends Firefly off. She gets lost in the waking world but never seems to in the Dreamscape.

Building even more off this allusion, in Greek mythology the twin brother of Thanatos is Hypnos, the personification of sleep. Sleep and death are often tied together even outside of Greek mythology, like the Epic of Gilgamesh where Gilgamesh is literally told he can’t think about conquering death when he can’t even conquer sleep.

This all leads me to a theory about why Acheron said she had no choice in whether to draw her blade. She wanted to but she had no choice in the matter. We’ve seen her draw her blade twice so far in the story and it was to wake the Trailblazer and to fight Sam. If Acheron is an agent of the Finality maybe her blade can’t be drawn because it can only be used against those dying or dead or not living? We know Firefly was dying and we know she has a weird connection with Sam. The weird “Death” monster also seemed to target Firefly. I think Acheron couldn’t draw her sword against the “Death” because she is also an agent of Death and cannot attack one of her own, but she can use it against Firefly because Firefly is dying and it would be seen as a final severing of the soul from life or as “harvesting” the soul. Of course I could be completely and utterly wrong I’m literally just making an analysis based on allusions and motifs but still I think it’s interesting. Plus Aventurine calls Acheron and Sam enemies and Sam uses fire, an element typically seen as representing life.

Pulling a little bit away, Acheron sees the world in black, white, and red. The red is fleeting according to her and it reappears when a choice is made. If Acheron is a psychopomp this makes sense, she would mostly see the world as the living and the dead and the red could be a tie to the idea of the red string of fate, as we know destiny is a major theme of HSR’s story. When we make choices that change the direction of fate, we interact with the red strings of fate. This could be another reason she’s at odds with the Stellaron Hunters, they adhere strongly to the idea of destiny but to death destiny would have a different meaning. Her sword has an eye and is adorned with red which is where the majority of the color in her design is centered, going back to my theory around her sword it could represent how it cuts strings of fate and the eye matches the one on the “Death” nightmare.

We also know she apparently hijacked the Ever-Flame Mansion party to come here, maybe because she sensed there would be a lot of death here and came to collect the souls?

Finally, I would like to reiterate I do not play HI3 this is just something I’ve noticed, so correct me if I’m wrong:

She seems to be a Raiden Mei Expy and I know nothing of that character but I did notice when she says “Do you remember me?” there’s the answer of no and yes, and she akins us to a dear friend she had. We, the protagonist, fulfill the same role in this game Kiana (I think that’s the HI3 protag) does in HI3 and I’m vaguely aware Raiden Mei and Kiana have some sort of relationship in HI3. This asking if we remember her could be two things to me: Either she’s asking if we remember her as we have faced death before or she’s asking if we the player remember her from HI3, which she may have an awareness of if she is a personification of death and that may link her to knowledge of the Imaginary Tree as trees seem to be associated with death in HSR when you remember Yaoshi is associated with trees as well and the fruit of their tree on the Xianzhou gives immortality, where if Luocha is an Emanator he would have that tree motif too and we know he has tree motifs because he’s an Expy of Otto who did interact with what I think was the Imaginary Tree and that carried over when Luocha was given the element of Imaginary (Of course I had to talk about Luocha who do you think I am)

Anyways there’s so so much more but this post is already really really long and probably incomprehensible so if I think of any more I’ll make like a part II post anyways thanks for reading this far if you did and feel free to add discussion, mwah!

[starcurtain]

Hello! Wanted to say that I’ve really enjoyed your analysis on Aventurine’s theming - and yea big agree that part of the charm of the guy is that he’s a weird paradox (he got everything one should technically want, and he also lost absolutely everything he cares about) - and also I like your comment that he is, as a character, actually pretty obnoxious (it’s an odd character charm point to me)

Also your post on the way he interacts with the ladies in the cast kinda reminded me - I know folks tend to focus in Ratio’s note but I ended up zoning in on his convo with Acheron more than anything else - because a lot of Penacony is Aven butting heads with other aeon-touched people (Acheron, Sunday) - but Acheron seems like a fun foil because she also has a pretty double-edged metaphysical blessing that is associated with losing everything she loved, but she ironically hasn’t given in to full meaninglessness.

I think one of Aventurine's defining character traits is that he "tests" everyone he encounters to judge whether they are trustworthy or whether they are a danger to him (I guarantee you, he has some kind of mental ranking scale for how likely people are to dislike or mistreat him), and I think his being obnoxious is actually a direct offshoot of this.

Kakavasha clearly was raised with manners; he knows how to be polite and to tone down his responses to social situations as appropriate, which means that, in every other scenario, he is actively choosing to be obnoxious, even in situations where it seemingly won't benefit him (like talking back to the slave master or being too forward when first meeting Sunday, for example) because it allows him to gauge exactly how others feel about him and exactly how much they will let him get away with.

People who play along are potential allies (Robin, the Trailblazer) and people who act grumpy but actually tolerate the obnoxiousness are safe (Ratio, Sparkle, most of the rest of the Express Crew), while people who respond poorly (Sunday, basically everyone else Aventurine dealt with in the past, etc.) are forced into showing their true colors. If minor obnoxious behaviors can provoke them, then it means their core response to Aventurine is likely to be one of dislike and disrespect. He's just forcing that response from them out into the light sooner, rather than later, by being obnoxious from the get-go.

(And, to a certain extent, I think he also just finds it fun to be a bit obnoxious. Like, he's free to say and do whatever he wants now--who is going to stop him from being a brat if that's what he feels like doing?)

But on to Acheron... Yes, I do think there are a lot of parallels between Acheron and Aventurine (came from a doomed people, lost everyone, both determined to hold out against nihility and live just for the sake of living, "blessed" by aeons), but I think narratively speaking, the story puts Acheron in a different position when her tale entangles with Aventurine's: the surrogate big sister role.

Acheron's a very good parallel to Aventurine's sister in numerous ways: First, she essentially sacrificed herself to defeat the evil threatening her people, but is ultimately unsuccessful, resulting in the permanent loss of all she knew.

This loss also resulted in Aventurine's sister actually dying, while Raiden Mei experienced a symbolic death, taking on the name "Acheron" to evoke the Underworld, getting a ghostly, bleached white form, and prowling the river of nihility like a wandering spirit of the dead.

Second, the philosophy Acheron espouses is nearly identical to Aventurine's sister. When even as a child Kakavasha was doubting the value and meaning of life, his sister was the one constantly reaffirming that life has meaning, despite its hardships, and that continuing to exist is the way to honor those who have sacrificed for you. Just as Aventurine's sister expresses that people must hold on to faith, Acheron reminds everyone she encounters to cling to the last bit of color and light in their lives.

This ends up being echoed by the role of guidance that she plays for Aventurine, with him both directly relying on her for his continued survival:

And turning to her in his moment of greatest emotional need:

(Sound familiar? It should. This is the exact same question Kakavasha once asked his sister.)

But there's also a very, very nice visual parallel that goes on with Acheron and Aventurine's sister: the dusk rain that accompanies her.

For Aventurine, the rain has complicated emotional connotations. For the Avgin, it was desperately needed, life-giving water, and thus was considered a direct blessing from Gaiathra. Rain on Aventurine's birthday was the sign of his being favored by the aeon, and yet it also rained on the day he lost everything and had to flee from the only home he had ever known (conveniently also his birthday, dude this guy's life sucks).

Meanwhile, the rain for Acheron is equally complex--rain can bring life, the renewal of barren, lifeless lands... But we also see the rain accompany Acheron through her worst loss, the final collapse of her planet:

It also is said to rain constantly within the shadow of nihility, a lightless gray that washes away all that people wish to cling to.

For both Acheron and Aventurine's sister, the rain accompanies the end of their "lives," the backdrop to their ultimate sacrifices.

Yet it is also in the rain that they both send Aventurine onward, escaping from the cage of his destiny into a "better" life. From beneath the shadow of the storm, they both bid him to go and not turn back, freeing him and permanently changing the course of his life.

The rain that took everything from both Aventurine's sister and Acheron is ultimately what saves him.

It's all a very tidy and well-written parallel.

[hungnitan]

Penacony TB 2.0 Impression

Contain very heavy spoiler so don't click keep reading below if you don't want to get spoil (JP DUB)

I won't talked too much about story here since everyone can read them

Story Impression

I don't know if I miss it but has anyone explain the graveness of someone dying at dreamscape ? From some side mission, I think it's just they will comeback to reality ? So why at TB they made us think like we died for real ?

I only can hopefully think hoyo will explain it at later date ! If not, then it's just Xianzhou Luofu things again...

But I quite like the course of story so far despite above and the fact it's very similar to Flamechaser premise of story. I think anyone who play HI3 should notice these. As now the premise are grouping a very range personality people together in same place -> kill them one by one -> spreading distrust to MC and yeah those same premise already happened in Flamechaser stories...

Remember seeing this flamechaser editing pict ? With current story, I guess it shouldn't be that far with changing March7 to Sunday and now hoyo just killed 2 person easily and with Misha get mentioned too much in 2.0 I can't push him away from picture~

And with just 2.0 aside Family will doing something fishy, I can't grasp the main problem at Penacony plus (literally) everyones have their own morally gray goal which make things complicated especially someone like Sparkle which doing things just to make it interesting or Acheron basically hunt injustice equally.

2.0 Important New Character

Firefly, I kinda had Yuuki SAO impression from her so I can't even sad she's gone since I already know the very same "someone terminally ill dive into dreamscape-like to extend their lifetime" premise (plus she still hiding something important even for Sparkle came to us disguise as Sampo lol) but wow hoyo really kill her in brutal and clean way...

It's just this pict hit my heart of course if she's really dying later don't know though

Aventurine, his JP VA Kengo Kawanishi doing a good job voicing him as calculated tricky but bit mellow person. At most scene I'm suspicious of him since he's sounds very similar to Akira Ishida (but his "my friend" line keeping me laugh lol) but one thing I'm sure after read 2.0 about him is he will become a important character even in future version. Why ? He's having too many background mentioned scene

(1) This "Sigonian" bloodline things get mentioned at two scene, other one from Sparkle after made a comment about his unusual eyes. Seems that bloodline connected to his other form~

(2) This one too direct line came from Ratio (lol) saying about he's just a slave to IPC which he brush it lightly

(3) But weird enough when he talked about his family, Ratio suddenly apologies. It still too early to say this but maybe ten stoneheart are all extinct people got taken/buy by IPC

What's more, just what's happened at the end of stories ? Same like Firefly case with Sam, we can't conclude that Aventurine killed Robin with that scene... fyi, these scene too moreless same as Flamechaser story and in the end suspect isn't killed anyone lol

Why only those two ? So far Acheron and Black Swan only become our bodyguards (lol), Sparkle playing around us in her own interesting ways, Ratio isn't doing things too drastically to us he's too busy to wipe his wife sorry ass lol but those people seems have same purpose, keeping eyes on us in this point too is same like Flamechaser story lol

PS : I kinda had some nauseous a bit while playing at 3d maps but so far it's very fun, I need another weeks for all complete I guess. Well, I had Genshin too but the maps itself really big and too many side things to do (I already saving 15 side mission after exploring half of Penacony)

[werchezdeeno]

ok trailer. so many thoughts.

lets start off with the trash cans. I'm surprised (not in a bad way!) hsr is bringing back the whole trash can thing with the mc. But why are they buff? Will they be an integral part of the story? Or are they just featured for this trailer? It seems as though this 'Tatalov' is a sort of judge, who decides whether trash is righteous. What would a righteous trash even look like? (or am I reading too much into these silly goofy muscular trash cans?)

And now we come to Sampo. Sampo Koski, mr. worldwide? First belobog, then the xianzhou, and now penacony. Sampo in general is such an interesting character to me. He is the most unserious, wacky man, but then he says such out of pocket things. (the scene where he talks to the player, the scene where he mentions he thought he would have to step in. step in and do what? on what authority?) In the whole trailer he is just throwing the trailblazer and doing goofy stuff, no explanation why he's there. Well I guess we don't know why he was anywhere else. A big part of his mystery is the group he is aligned with, the masked fools. We don't know that much about them (they like to cause chaos and laugh. For who? Chaos will always favor someone). Now that we know Sparkle will be there, hopefully she sheds some light onto the followers of the aeon of elation.

We also got to see the models of some of the characters that were introduced! Those being Firefly, Acheron, Black Swan, Robin and Sunday. Looks like we will be spending a lot of time with firefly, although the last of those little pics she was in with stelle was a little strange. Acheron and black swan were placed next to each other, I don't know if that means anything either. The ending seems like a metaphor, force the garbage king to mend his ways? I think this 'garbage king' is referring to someone we don't know yet.

final thoughts, the area looks so pretty. and fun too! I love the las vegas vibes, very bright and colorful. On the drip marketing, both the 2.1 characters REALLY caught my attention. Sparkle and Black Swan were kinda eh for me. Sparkle is cute...but not cute enough for me to pull. Acheron though...her splash is absolutely gorgeous. I love her design and her colors. Also, I'm pretty sure she's the raiden mei expy? The large sword, the hair and the eyes, make it pretty obvious. so bonus points. Aventurine looks like a silly guy. Reading his blurb, he came off as someone who is silly for show, and is actually pretty serious and manipulative. idk that's the vibes. I also love his design too...especially the little heart <3

[rubywolf0201]

Playing through the 2.1 and wow! It is even longer than the Belobog story arc in total because of the switching POV’s, lore dump with the new 5 star characters that are integrated into the story (tho how well they’re integrated is up to debate and I’ll give my thoughts on it) and Sunday being an interesting character who is a total opposite of Jing Yuan!

I’ll get my thoughts soon once I’m done with the story cuz *whew* it would take a while to complete.

[aurae-rori]

DR RATIO ANALYSIS PT 3 BUT IT'S JUST GAY

Now, you might be saying - "Aurae, you've done part one, and part two, so why do we need a part three?" The answer is because of two things - one. I made a deal with the Tumblr Peoples that if one of my posts hit more than 50 likes I would do this analysis. Two. Mihoyo is making this shit canon. I CAN'T MAKE THIS UP. So, let's delve into my usual disclaimer, as we might have some new people joining us for the first time with my insanity.

I have been researching psychology personally for about six years, so although I am not a professional (crawling my way there through the education system. I will be one, one day.) I do have some experience with analyzing homosexuals. Psychology hours, my children. They don't call me "chronically cooking" for nothing. Maybe I should change my url to that...

NOW THAT MY LONG AHH DISCLAIMER IS OVER, LET'S GET INTO THIS! It's time to deconstruct these homosexuals like a modern airplane, because they might as well be taking off with how canon they are.

"It can't be canon," they say, but then Mihoyo DOES PAID SPONSORSHIPS WITH THESE FUCKERS BEING GAY. We've all seen the paid partnership edit. We've all seen the video where Aventurine has the audio of "nice rack" as he talks to Dr. Ratio. PAID SPONSORSHIPS. Now, if that piece of evidence isn't enough for you - let's dive into their actual relationship, which is just a HOMOSEXUAL MESS. I will be focusing more on how Dr. Ratio sees this guy as this is a Dr. Ratio analysis™, but hey, the crumbs.. we eat 'em all. Amen.

Let's start off (I say as I write this part three days later) about how people are like, 'Aven is Ratio's favourite idiot' WRONG. Ratio does NOT consider Aventurine to be an idiot and knows that he is smart and capable in his own right. While Ratio is book smart, Aven is extremely street smart and holds his own very well. Ratio does not consider Aventurine to be an idiot as he takes off his plaster head around him and actually indulges in his whims around him. This is a blatant showcase of fondness because although he is emotionally constipated and can't be affectionate through words without sounding semi-backhanded because he's never had true affection in his life, he showcases his love through actions rather than words. He's just bad at showing love, okay? But he does love Aven. Or like him, to some extent, if you don't want to see them as romantic, which is fine. However, no matter what you label their bond as, it's obvious that they care for one another.

Also, the fucking ZEST FEST that was 'keeping up with Star Rail'. He says, "wait a minute - MUTUAL?" which indicates that he has respect for Aventurine in the first place. He LITERALLY TOLD US that he respects Aventurine and he was commenting on Aventurine's playstyle & everything.. also, at the end, he was here because 'I appreciate this show's dedication to knowledge' - his TONE. Kudos to the VA because that was not convincing at all. Bro was NOT here for the knowledge, bro was here to be GAY!!! Also his little own bathtub couch. We all know Aven bought it for him. Trust, I am John Hoyoverse.

"The Charming Audacity" HUH? BRO? Okay this is hilarious to me because this is the first time that we ever really see them interact with one another, and we get absolutely bitchslapped in the fact that Dr. Ratio calls this guy's audacity 'charming'. That's GAY. That's HOMOSEXUAL.

Also, comparing him to a peacock.. a very beautiful bird.... Must I say more?

Now, the part that I really want to focus on is the part where he gives the Doctor's Note to Aventurine. This shit is important. And I agree with the people who are like - Acheron helped him. Because she did. She was a big part of it and she helped Aventurine get back on his feet in the void. Dr. Ratio is not his only reason to live, but the note, showing that someone will stay by his side? Showing that someone truly cares for him? Someone who's waiting for him when he get back? This bond that he has with Dr. Ratio isn't fake. He already has a starting point to get back to - an anchor to return to. Dr. Ratio is his anchor. Whenever he goes off to do crazy shit, Veritas Ratio will be there when he returns. Because Ratio is loyal. Ratio cares. He cared enough to almost jeopardize their plan to make sure that Aventurine was going to be okay. He cares so damn much about Aventurine that he decided that this man's emotional state after the fake betrayal was more important than all of fucking Penacony.

If you want an example of "I would let the world burn for you," it's Ratio. He's a romantic not in the traditional sense, but he cares and loves Aventurine so damn much it makes my heart hurt. "Do stay alive," he says, knowing that Aventurine struggles with living. Those three words mean the whole fucking world to someone who struggles with suicidal ideation and suicidal thoughts. Someone wants you to live. Someone wants you to stay. Someone wants you by their side.

Dr. Ratio cares. Let me say that again - he cares. He banters with Aventurine, tries to create an environment where Aventurine can feel a little bit more comfortable with the two of them, even in a place as dangerous as Penacony. He will put his own life on the line for Aventurine.

He cares. He cares so damn much. I hate gay people. They make me VIOLENTLY homophobic.

Dr. Ratio after expressing his care indirectly and complimenting Aventurine indirectly: Did I do it?

Aventurine, who has caught none of the hints:

Anyway, thank you for coming to my Ted Talk.

[mdhwrites]

Have you seen the new HSR short, Rondo Across Countless Kapas? Got any thoughts? 👀

From an animation and sapphic perspective? HOLY FUCK! Absolutely gorgeous and I think what it's doing with Acheron is really interesting, even if it's essentially purely through visual storytelling. You could have the sound off and get everything interesting about the short.

Turn the sound on and you get the part I have a problem with: I'm kind of done with the Memokeeper. Not Black Swan, just the memokeeper element of her. I'll get into it soon but for those who haven't seen it, enjoy one of the best dances I've ever seen.

So what is my issue with the dialogue? Well, it's that Penacony has this problem of people getting into kind of grand speeches on a subject, even potentially mundane ones. Aventurine is always going on about power dynamics and hinting at his plan (this leads to the fucking god awful self quoting of like two paragraphs from himself at the end of 2.0), Sparkle is constantly using these big speeches to belittle people or mock them and Black Swan...

Black Swan is talking about memories. I'm not even against these monologues or the like but Black Swan has been in a LOT of marketing materials at this point and they ALL use her memokeeper element and very little of her fortunetelling element, usually only using the latter to emphasize the former in some way. It's just gotten very repetitive to me. Worse yet is that owning Black Swan AMPLIFIED this problem because it's more kind of mysterious, kind of not talk of dreams and the universe and memories and past that a lot of the rest of the big dialogue from her is. I want her to stop being so dramatic and be more personable, at least for a little while.

This isn't even me calling Black Swan a bad character. There is genuinely more to her with how playful she can be or how she is the best manipulator on Penacony so far because she can figuratively be two faced, something Sparkle needs literal shapeshifting powers for and Aventurine can't do to save his life, which the same goes for Himeko. She also sells the best though that she's genuinely a good person who just is willing to get her hands dirty but it is up to interpretation (honestly kind of frustratingly so. I don't like that I can't actually say a ton about each Penacony character so far due to their attempts at duplicity meaning fuck you on concrete characterization besides your flavor of manipulator. No, backstory does not count as characterization either.)

Edit: This could definitely also just be a me thing at this point. I rewatched it and not a lot of it is spent on talking about the past or memories. Black Swan is still playing up the mysteries of Penacony, something that I'm also getting a bit tired of, but she doesn't actually have many lines on memories themselves. It's just somehow kind of stuck in my brain for some reason this element of her being over represented and so it's what my brain ended up focusing on.

Let's end this on a positive though. Star Rail is normally not good at mysteries but the fact that Acheron genuinely seems disconnected from her Emanator state, when she draws the blade, is deeply interesting to me. It even fits within my theory, that we'll find out the truth on soon, that Acheron is an Emanator of Nihility. Speaking of, hi VERY explicitly to Ix within the violence montage. There is no way of getting around the fact that one of those sketches was of them front and center.

And from a dramatic standpoint, I love the presentation. The fact that bringing them up while clearly trying to get extra information out of Acheron, to have her mind have to go there so Black Swan could more easily grab the memories she might lie about, only for her to get fucked up like she does is INCREDIBLE. The fact that Acheron is so sincere in her confusion afterwards only adds to the horror of it all.

I... Am mixed on her knowing who they were. I frankly would love it if because the statement is the Annihilation Gang, not the Everflame Manor, that when she goes "Oh, right, those guys..." She's actually talking about the dumbasses from this destruction cult, since Duke Inferno isn't the only part of it, that got Aha's help to try to kill Ix. It'd be a way for them to have their cake and eat it too that I think fits better than the girl with eternal memory issues to suddenly actually remember killing them all.

Overall, I do like the animated short. If I were to just think of it in a vacuum, I even like Black Swan's dramatic narration. It's a good flourish to the action, explains what's going on well enough and her calm narration provides great contrast from when EVERYTHING gets fucked. My hangups are entirely a weird thing that's just kind of getting to me about Penacony and I'm not entirely sure if I expect it to get better or worse come 2.1.

I just know that thanks to my tax return (I did not spend all of it on Star Rail, don't worry) and knowing the top up refresh was happening, I did spend a good amount and am guaranteed to get Acheron, even if it takes 160 pulls like it took for Black Swan..., and I am looking forward to playing with her.

Just with tempered expectations.

======+++++======

And final note for those maybe hoping for it: I haven't been inspired by this short to write AcheSwan. I frankly wish I knew why I didn't get inspired by Star Rail more for my writing.

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