#AS THEY WORKED TOGETHER ON THE Z DRIVE

[ayzaart]

BRO SAID W H A T

i take it that Jinx is not dead, and Timebomb WILL THRIVE AND SURVIVE

[boyslit]

what a fuckin Monday

u know that post where it's like. being an adult is nothing happens for 4 weeks and then EVERYTHING happens at once like a fucking Rübe Goldberg machine?

well it's true

goodbye

*collapses in a heap of bones and unsettling goo*

[signedkoko]

Signed with Love - Overlords & Sins

What is this? - A valentines gift to my lovely readers! Its valentines/love letters from your favourites 🖤

Characters - Asmodeus | Beelzebub | Carmilla | Mammon | Rosie | Valentino | Velvette | Vox | Zestial

Series Parts Hazbin Cast - Here! Helluva Cast - Here!

Dear to the dearest,

You've always got me running myself sappy, but I'd like to offer my hand to you this valentines.

You know how popular Ozzie's is on Valentines, so how about a nice spot for brunch and then we pick a song to perform together tonight? Just you and I on stage, surrounded by people who wish they had what we do~

Eagerly awaiting your reply,

Prince of Lust, and yours forever;

Asmodeus

Heya lovely!

I'm so fucking excited to be spending valentines with you this year, and I don't say it enough so here it is in writing!

Normally I throw a party but I don't know, I kinda rocked with the galentines dinner you suggested, I'm thinking we invite some of our closest and have a hell of a good night, yeah?

You're the only party that matters,

Your Queenie Bee🐝

Mi vida,

I think it's about time we get away from work and the girls, how about we take valentines off?

I've always wanted to show you some of the places I used to frequent, since you always ask it only seems fair. I'm sure you'll adore the cuisine, I miss it dearly.

I'll help you get ready before we leave,

C. Carmine

Sup hottie!

How about we ditch my valentines show and leave it to the performers to take care of shit? I much rather be with ya anyways.

Anything you want, just tell me. I'll take care of everything from there babe.

Love ya more than you know,

MAMMON

Sweetest darling,

I reckon its about time I follow my own advice and pursue the one I love this valentines.

We can take a break from everything and go sight seeing! I don't get away from the town much, but everything you tell me sounds exquisite. We can go somewhere with a nice tune and I can really show you how I used to swing!

What do you say?

Your Rosie

Querida cariño,

Theres no reason for me to ask what I already know, and I don't want to hear another valentines joke about my name.

I know work has kept me busy babe, but this Valentines its just you and I. We can laze around all you want or you can drag me wherever, I'll make sure we get in.

Like a moth to a flame, eh?

Val.

Heya gorgeous,

Ive got two outfits in our sizes that could use a little test drive around town this valentines.

Already booked the photographer, so I hope you'll come model with me for my end february magazine, yeah? If you do a good job we can do dinner and drinks after, though you've never disappointed me, dolly!

You know I love you, always have & will

Velvette

Hope you're doing well, angel

You always joke that I can't write for shit so heres proof. In fact, I'm here to ask you to be my valentine.

I already know its a yes anyway, so how about I let you in on the itinerary? I got breakfast at the local spot booked with live music, an afternoon just the two of us, and for dinner I have our main reservation and a backup in case you don't like it.

Romantic or what?

Owner & CEO of VoxTek, Beloved valentine of you, Vox

Greetings,

Tis with great pleasure that thou is still by thine side after such an overwhelming year.

We must beg thou has considered indulging such an old soul in an evening of romance. Perhaps thou would dare to consider looking upon their bed, for there lays a gift.

Yours affectionately and forevermore,

Z

Authors Note - Who are you expecting a letter from? Who will you accept? I'd love to know! Heres to another part of the valentine sseries 🖤

[northopalshore]

hihi! i have a question and does juno and pof have any meaning in the composite/synastry chart? thank you!

Juno in the composite & synastry chart (romantic)

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

Juno symbolizes love, marriage, and partnerships as she is the Roman goddess of marriage & Jupiter's wife. They are the Roman version of the Greek Hera & Zeus. In the composite chart, it tells you what you both may desire from the relationship and what makes it work. It also represents what you two will be doing the most together.

In synastry, it's quite similar but it tells you what you both think are "marriage/partnership material" & what makes you stay. The synastry & composite descriptions are interchangeable and do mostly contain the same agendas, however I did try to specify them a tiny bit more based on what I've seen.

In Aries/°1,°13,°25/1st House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

The very "feel" or image of them is something that you find very attractive. You may share a lot of things in common, and find a lot of what your partner does; how they act, look or carry themselves to be attractive. In a way, they may reflect your ideal image of how a partner should be. There is a hot & heavy attraction, both physically and emotionally. It's easy to get lost in their features, they may have a comfortable yet strong & lasting impression on you.

𝜗𝜚 ࣪˖ In composite

You may both bicker or quarrel a lot but that's a natural part of your dynamic; the more tension there is the closer the pull towards the other gets. Thing may get hot & heavy quite often with you two.

In Taurus/°2,°14,°26/2nd House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

Your partner is the ideal manifestation of stability for you which could be monetary wise, emotional comfort or both. It's very easy for you to get attached to your partner & romanticize a future with them. One where you have it all together. It's quite common to see with couples that work together or share resources. You find that their reliability, stable income, or just sense of maturity is a valuable aspect to them which is also what might have brought you to them in the first place. Even if they don't own anything, you see the potential for them to have something with you in the future.

𝜗𝜚 ࣪˖ In composite

You'll be getting that bank together ayee, but more so than that you both are focused on stability. It's about drive, it's about power, the money the family the love — all of that.

In Gemini/°3,°15,°27/3rd House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

You're attracted to their wit and humourous nature. You love that they are someone smart and are able to manage a lot on their own. There may be different sides of their personality that you find very interesting or appealing.

𝜗𝜚 ࣪˖ In composite

You both will be very focused on connections, work and communications together (in whatever context). Both of you display a lot of creativity and wit when you're together and on that note may always prefer to be around each other of do things together. This is one of those "inseparable duo" placements, and you may kind of merge your identities as well.

Ex: Beyoncé & Jay-Z has composite Juno in Sagittarius (°14 Taurus) in the 3rd house. It's pretty self explanatory inthis case!

In Cancer/°4,°16,°28/4th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

You love that your partner is down to earth and kind. There is a sweetness to them that melts your heart and they may seem more feminine than other women/man or just have that demure .. subtle way about them. You love the way they treat you and tend to you specifically and how they get you to open up so easily.

𝜗𝜚 ࣪˖ In composite

The comfort that the relationship provides will be unparalleled. This can make it very difficult to leave your partner if things turn out sour. It brings you back together, binding you in a way. It brings a similar effect in synastry & composite. There is a tendency for codependency to arise in the relationship as well. With one having to be more responsible over the other, but it's not always negative, some do enjoy that dynamic.

Ex: Sid & Nancy have Juno in the 4th house in their composite chart; you can see that play out quite clearly between them.

In Leo/°5,°17,°29/5th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

You love how they are the life of every party, how charming and attractive they are, how they love the things that they love and do the things that they do. Their expressions, artistry, love language and laughter is what brings you in closer and enables you to open up to them on a deep but still fun and flirty way.

𝜗𝜚 ࣪˖ In composite

They bring more enjoyment/fulfillment into your life. Physical attraction will feel especially good with this person. Their sense of childlike wonder, or the way that they make you laugh and look forward to another day will make it seem like you were a match made in heaven. The relationship works best when you're having fun or expressing your romantic feelings and creativity. You are more romantic around them and more childish as well. You'll notice that you joke around more with them too or they help you "lighten up".

In Virgo/°6,°18/6th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

You'll find yourself naturally drawn to doing things for them. You may share a lot of similar habits, and are attracted to their way of life. You'll find a lot of compatibility when it comes to personal pleasures; what you do during leisure time and your daily life. It's good to see in the synastry/composite charts of people who live & work together.

𝜗𝜚 ࣪˖ In composite

Something about your partner makes you want to be with them 24/7 all day, all night to the point that it will feel strange if they haven't texted you or called you at least once the whole day. It just feels right to be next to them. Both of you are very invested in each other's wellbeing, and constantly find ways to help each other improve.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

In Libra/°7,°19/7th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆In synastry

Marriage is on your mind almost from the get go lol. They will exsert a lot of what you deem to be "your type", and allows a lot of room for the other to make mistakes (minor mistakes of course) as you are more tolerant towards them. Will this make you head over heels for them? Absolutely. Does that mean you'll let them ruin your life? Hell no! You both still value equal exchange and loyalty, but this placement keeps you with them for longer than you usually will with other people you've dated for example; because of that early sense of potential and chemistry.

𝜗𝜚 ࣪˖ In composite

Both of you have a very harmonious relationship for the most part, there is a lot of compatibility and both of you are usually seen together as well but unlike Virgo where you can be fussing around for or towards your partner; Libra gives you that lovebirds look. You are together, but you don't keep each other busy or are actively trying to improve the other when you're alone. You just love to bask in their company and are able to compromise easier too. You feel like you belong here, or feel like you are responsible of this person in a way.

In Scorpio/°8,°20/8th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In Synastry

This one I've seen is the most unpredictable placement. The relationship itself is likely very deep and enigmatic. Some may struggle with the intensity, and could potentially lead to toxicity, but for the most part; both parties will be very attached to each other. Sex can be very addicting to both of you, in some cases it might be the main agenda of the relationship. Trust me when I say you will have a very hard time getting your hands off of your partner once you get intimate. Though it also means it's tough to let of of this person specifically if the relationship does end. Regardless if you are intimate or not you will greatly appreciate your partner's ability to "feel more depth" compared to others.

Ex: In synastry, Michael Jackson has Juno in Lisa Marie Presley's 8th house. They were on & off again for 4 years after their divorce but she did try to stay away because of the drug abuse.

Here's an interview I found on Oprah: "During that final conversation, Lisa Marie says Michael told her she had been right about certain people around him—the vampires. He also asked her if she still loved him."

"I told him I was indifferent," she says. "He didn't like that word. He cried."

𝜗𝜚 ࣪˖ In composite

It's quite similar as if it were in synastry actually. As you can imagine, in the composite chart it leads to a great attachment to this relationship on both sides. "There is a thin line between me & you". This is the person you want to be greedy with, to have everything with as you know they will feel it too and have that multilevel understanding. You will be very jealous and protective of each other, that's a guaranteed outcome of this placement.

In Sagittarius/°9,°21/9th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

This is a good placement to see, since it adds some maturity, common beliefs and an understanding between you and your partner. You both see each other with curious eyes, excited for what's to come and are able to get past a lot of issues due to that shared willingness to cooperate & a shared sense of optimism. You'll likely have a lot of fun talking and joking around with your partner, I've seen it once with a couple I used to know. Both of them are very chill with each other. Gave off a nice energy. You look up to your partner for advice and protection in some cases.

𝜗𝜚 ࣪˖ In composite

It's always a "broaden your horizons" type of relationship. Having this in your composite chart with a romantic (or non romantic partner actually) means that through this relationship many doors will open up and opportunities come gushing in almost instantaneously following your union with each other. Works on multiple levels too; spirituality, love, maturity and career! I like to think of it as the golden star composite placement. You both help each other see the bigger perspective of your union.

Ex: I have an 8th house composite AND synastry with a friend, she's one of the only people I've met offline that is able to sense the same things that I do and "feel" the deeper truths/details. Our composite Juno is in Sagittarius (°20 Scorpio) in the 8th house. Gives me goosebumps thinking that it's all part of destiny's design.

In Capricorn/°10,°22/10th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

Similar to Taurus or the 2nd house; you will be able to envision a future with them almost from the start. Though for you, it's not an image or fantasy but a goal. It's also a trophy partner placement, being together is not only good for your love life but it's also practical for you in the future. Both of you may share a common passion in something and this will make it 10x easier to see each other eye to eye and support them through their journey for "greatness". Being with them may be good for your status too.

𝜗𝜚 ࣪˖ In composite

You'll be working with them a lot, this is something that may be very prominent in your relationship. Both of you may work on a business together, or create some sort of brand, but it could also mean leading the family or relationship together.

In Aquarius/°11,°23/11th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

This placement usually manifests as a partnership where both partners support each other's personal freedom and intellectual growth, you value their independence and they yours. You may also share a fondness towards unconventional or progressive ideas, whether about life, relationships, or society.

𝜗𝜚 ࣪˖ In composite

Both of you may bond over things like shared intellectual interests or a commitment to causes, sense of humor, humanitarian work, or other goals/aspirations you may have. There could also be a strong sense of friendship and camaraderie. You may infact have a pretty unconventional relationship too no matter what it may be. You are your own rebels without (or with) a cause.

In Pisces/°12,°24/12th House

⋆｡‧˚ʚ♡ɞ˚‧｡⋆ In synastry

You are easily enticed by your partner's enigma, and may feel a strong spiritual connection with them. You are connected to their beliefs and a lot of their convictions may stand out to you or effects you in the long-run. This is one of the "hopelessly devoted to you" placements (aside from the 4th house) but it's more romantic in my opinion. One or both of you may see the other as perfect for them or somebody they can fall into completely.

𝜗𝜚 ࣪˖ In composite

You can sometimes feel like nothing can take you down when you're with them. It brings this sort of "destined to be" aspect to your relationship, and both of you tend to extend yourself to each other often (sometimes sacrificing a lot for the other) but it's usually for the better; like quitting bad habits or abandoning old mindsets. You might move around a lot too, but this also means you both may go through a lot of hard times together, whether financial or otherwise.

Ex: My parents have Juno in the 12th house in Virgo (°23 Aquarius). Both of them have gone through a lot of changes and unexpected event together; literally through thick and thin. Poverty, alcohol addictions and even court. It amazes me every time I think about it.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

Part of fortune, in synastry & composite

as the name would suggest is what works best in the relationship or what comes easily to the both of you (in both composite & synastry), where you bring a lot of luck or comfort to the other party. It's quite similar to Juno, but tends to bring some sort of joy along with it, like Jupiter enhancing all that it touches. This section works for both composite & synastry.

☆ Aries (°1,°13,°25) | 1st House :

Sexual chemistry and attraction is enhanced with Aries. You also act as a catalyst for your partner to be bolder and more genuine to themselves; you are more passionate around your partner, they give you vitality in a way. Though, it also enhances that possessiveness towards your partner. You feel like you can live and die just for them. You act more childish around your partner, but again — it's not always bad to be childlike!

Ex: Sid viscous & Nancy Spungen have POF in Aries (° 14 Taurus) in the 3rd house. For the most part, no explanation necessary lol.

☆ Taurus (°2,°14,°26) | 2nd House :

You tend to be very generous with each other. Both of you could be earn more money when you're together as well. Whether that'd be through starting a brand, a business or just collaborating together, but it also works if you have separate jobs but come together to build something together at home for example. The perfect person to lounge or shop with lol. You can get very physical with them often too.

☆ Gemini (°3,°15,°27) | 3rd House :

Conversations come easy, you will love talking with them and you will always feel like you understand each other immediately. You can talk for hours & hours with then and won't even feel the passage of time.

Ex: I have this placement with a friend in our composite chart, whenever it's just the two of us talking; we talk for hoursssss non stop lmaoo! The topics are broad and random but it never feels forced.

☆ Cancer (°4,°16,°28) | 4th House :

There is a very sweet relationship with this person, and you tend to be a bit mushy around each other lol. You feel that it's easier to be emotional or show your true feelings/be vulnerable around them.

☆ Leo (°5,°17,°29) | 5th House :

The sun shines a little bit brighter when you're with your partner. They encourage you to have more fun and let loose. You'll notice that you're going out more when you're with them or there's always something to look forward to, even if you aren't doing anything particular.

☆ Virgo (°6,°18) | 6th House :

You work well together, take care of each other and have a sort of "duty" to be around them almost. You are very invested in their lives and tend to help them with things a lot (but it's usually reciprocated and feels very natural). You will enjoy taking care of them in a sense.

☆ Libra (°7,°19) | 7th House :

There is a great sense of belonging that you both may feel. Similar to Juno in synastry/composite, marriage & commitment was something you both may have had in your mind when it comes to this person. You are especially romantic with one another; flirting and hand holding often. Doing a lot of traditionally romantic gestures because it brings you joy.

☆ Scorpio (°8,°20) | 8th House :

There is this sense of belonging that exists between you. You tend to be very generous with each other, and also put a lot of importance in the relationship because of how deep and meaningful it is to the both of you. You are able to get through a lot together and understand each other on a very deep level. If you work together, this is also a good aspects to see as it brings luck and success in the 8th house specifically.

☆ Sagittarius (°9,°21) | 9th House :

You are each others biggest supporters, motivators and mood boosters. You help each other to grow and look at things from a different perspective. This usually results in some sort of expansion as well or good luck with trying something risky or taking a big step foreward into something. More than that though, you will be more introspective around your partner with this placement.

☆ Capricorn (°10,°22) | 10th House :

Through this relationship, fulfillment, success, and happiness comes easier or seem more enticing now that you're with them. They may give you a sense of purpose, or at the very least are very supportive of your ambitions. In the 22nd degree, they may infact be the reason that you are able to take more action in your life for example, or get more opportunities through them.

☆ Aquarius (°11,°23) | 11th House :

Expect the unexpected when you are together. Both of you will experience a lot of things or help each other break free from whatever that is old or stagnant in your life; being more experimental while still respecting each others sense of independence. This is the couple that can do their own thing one day but come together the next without much thought. You will feel respected and free around them.

☆ Pisces (°12,°24) | 12th House :

I'd like to name this the miracle placement. If the "through thick and thin" vows were a placement in astrology, then this would be it. You are able to overcome hell together and still come out hand in hand. You help each other and are able to put a lot on the line for each other as well. It's not as direct as if it were in Virgo, but both placements seek to help their partner to improve in their own way. Pisces is usually much more tolerant & takes more figurative punches though.

Ex: Surprise! My parents also have POF in Pisces (°24 pisces) in the 6th house! Fun fact; when my mom was pregnant with me she was in and out of court for my father. I think it's also because of this that they were able to get through so much and still be in love with each other after what.. 27-28 years of marriage now? Damn. They met like years before that too.

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

Hope this helps ♡

@northopalshore

@northopalshore composite & synastry 2025

[eggrollforyou]

You Are My Flame

Ace x F!Reader

CW: Fluffy as could be, angst to comfort, self-worth issues

A/N: This tooth achingly sweet Ace piece goes out to you Z @shy-writer-999! I’m proud of you for all your hard work this semester! As usual, barely proofread because I have no idea what I’m doing. I just wanna write stuff about my favorite 2D fictional boys

Dividers by @cafekitsune

It’s almost dinner time, Thatch has something wonderful cooking for everyone and Ace is nowhere to be found. Really unusual for him considering his relationship with food. It’s almost as bad as his brother’s. You search the ship for all of his usual hiding spots knowing something is up if he’s not being smacked away from the kitchen at this point. Checking his usual places to seek solitude, you forget to check the last one. You precariously climb out onto the Moby Dick’s signature smile, walking along the lip of the ship, you find your Ace. He’s staring pensively on the horizon as the sun begins to set, lighting the sky in streaks of reds, golds, oranges, and purples. The beautiful reflection of it glistening in his eyes. His eyes, they’re all you can see. He’s huddled up, arms perched on his knees that are folded into his chest, head down resting on his arms. Between his hat and his arms, all you see are those wonderful eyes on his freckled face.

“Ace, baby, it’s almost dinner time. Is everything ok?” you whisper to him as you sit quietly next to him, taking up a similar posture, resting your arms on your knees.

“M’fine. Just…tired is all,” he stutters quietly.

“If you’re fine, then I’m the Queen of PIrates, Ace. What’s up? You can tell me anything, let me help you,” you speak quietly, laced with concern, as you reach over and brush your hand between his shoulders. He peeks over at you, his eyes glistening with hurt, tears threatening to spill over, “Why….why do you love me?” he croaks as his voice begins to crack. “I…I’m a monster, born from a monster…I’m not worth it, not good enough. Why do you waste your time with a man like me?” Your heart clenches seeing how unkind he is to himself. How can he not see what happiness he brings? And you stop your thoughts.

“Portgas D. Ace,” you say softly but sternly as you grab his chin to force his eyes on you. His eyes widen slightly, lips parted in surprise, “Every moment with you is a blessing that I will always cherish. I love you because you are kind, because you are adventurous, and loyal, and you fight for what you believe in.” He gulps, taking in your words and his eyes soften slightly out of their previously woeful state. “I love you because you make me happy and safe. You make me laugh every damn day. You can be stubborn as all hell and sometimes it drives me up the wall,” you pause and he lets out an airy chuckle, “But I will never stop loving you. You are the flame that ignites my heart and it will ALWAYS burn for you.”

Ace sniffles trying to fight back the tears that trickle down his face, wiping his nose with his arm in shy embarrassment. Trying to deflect his insecurity he flashes a grin, “Look at you with your love confession, sweetheart. You could have just told me you liked me instead of professing your love.” You glare at him and he laughs, pulling you between his legs, your back against his chest. He takes a deep breath in your hair, finding comfort in you. Giving you a squeeze he whispers in your hair, “Thank you, my little firefly. I love you too,” he closes his eyes as his heart feels full again, your words taking his broken pieces and putting them back together. You hum finding comfort in his embrace as you both sit quietly taking in the smell of the salty sea spray coming off the bow of the ship as you chase the sunset.

Did you like this? I'm flattered! Wanna read more? Here's my Masterlist!

[greatcheshire]

I noticed you weren't on Sarah Z's last video, do y'all not work together anymore?

We still work together when the situation calls for it! The thing is that Sarah will often get creatively motivated on certain topics, especially ones with a more sociological bend. So when it comes to videos like West Elm Caleb, or Replika, or Narcissists, Sarah writes the scripts by herself because that’s her passion and what’s driving her and things she wants to say. I still gave feedback on the script and did a voice line for it. And Sarah and I are still very close friends and I hold them in my heart with so much love and they’re such a brilliant writer and wonderful person. And we are constantly collaborating on the project that really matters: our 200 session dnd game.

[menagerofmischief]

could you possibly do a mark webber nsfw alphabet? i hc he's secretly a dirty old man lmaoo

nsfw alphabet -> mw2

masterlist

nsfw alphabet (a-z)

mark webber x fem!reader

a/n: I was already planning on doing one for mark when I got this request, so perfect timing. likes and reblogs are greatly appreciated! <3

A= Aftercare (what they’re like after the act)

He'll always stroke your hair and pepper kisses all over your face, praising you for how well you did and offering you water and snacks. Will usually drive you a bath, or carry you to the shower but if it's been a long day you'll both just cuddle up and fall asleep.

B= Body part (favorite body part their own or their lovers)

Mark is pretty satisfied with the way his body looks, and hasn't really thought much about what his favorite part is. Maybe his arm.

When it comes to you, he absolutely adores your tits. No matter the size, he's obsessed. Constantly squeezing them, pinching your nipples, groping you ... Once he even offered to let you use his hands instead of a bra while at home.

C= Cum (anything that has to do with it)

Mark is dirty, sue him. While he loves cumming inside of you, watching it run out and then scooping it up and pushing it back inside - he also loves cumming on you. Especially on your face and tits.

He's pretty satisfied either way, so he'll leave it up to you, grunting out a "Where do you want it, sweetheart?" as he pounds into you like a feral animal.

D= Dirty secret (Pretty self explanatory)

It's not as much of a secret as he thinks it is, but he keeps a collection of your nude polaroids you have given him over the years and uses them to jack off when you're not together.

E= Experience (do they know what they’re doing)

He's not as experienced as some other drivers but definitely had his fair share and been around.

Still takes his time to learn all the ways to make you fall apart, because his experience in handling your body is more important to him than any previous one he's had.

F= Favorite position

Loves doing it in doggy, gives him easy access to slap your ass or pull your hair. Also loves cowgirl because he can lean up and suck your nipples while you ride him.

G= Goofy (how serious are they)

He's not goofy at all. It's either intense or super intimate but he's definitely not cracking jokes or being funny.

H= Hair (grooming habits)

He keeps it trimmed but doesn't fully shave it off. When it comes to you, he's okay with whatever you choose to do as long as you feel comfortable.

I= Intimacy (in the moment romantic or rough/dirty)

He really gets deep into the mood, no matter what the mood is. It all depends of the events of the day, if it was a long or particularly bad day it's more romantic and slow.

J= Jack off (do they masturbate and how often)

Doesn't do it very often as you two are together most of the time but when you're not, he's like a teenage boy entering puberty. Will jack off to your photos or video call you so you can masturbate together.

K= Kink (kinks what they like possibly unusual)

Definitively exhibitionism, some light BDSM, and has a bit of a daddy kink.

L= Location (where they like to get it on)

Anywhere, anytime. He likes your bedroom the most because that's where he can really take his time but he's down to go pretty much anywhere.

M= Motivation (what gets them going)

He's a dirty (old) man, anything you do is enough to turn him on. Just say the words and his pants will be on the floor.

N= No (something they won't do)

Will not share you. He's just not up to bringing someone else into the bedroom, no matter their gender.

O= Oral (receiving or giving and how skillful they are)

You know that video of him talking about the Australian kiss?

Prefers giving, especially if you're riding his face. Will spend hours between you legs, working his tongue over your most sensitive spots and making you cry from overstimulation. If he suffocates, he'll die a happy man.

P= Pace (do they prefer it slow or fast)

Usually it's fast and intense, messy kissing, desperate pounding and deep groans as he fucks you like an animal in heat. But on lazy days or bad days it's more of a slow passionate love making.

Q= Quickie (do they prefer quickies or taking their time)

While he does prefer to take his time with you and draw multiple orgasms from you - he is absolutely down for hickeys. Will fuck you no matter how little time you have left or how risky the place is.

R= Risk (do they like to try new things)

He's open to trying anything you want to experience. Is definitively a bit of an exhibitionist so he loves doing it in risky places with high chances of someone catching you.

S= Stamina (how many times they can go)

I think now that he's older he really only cums once, maybe twice on a good day. But that doesn't matter you won't be getting multiple orgasms, because the order of things goes: his mouth, his fingers and mouth, his cock.

T= Toys (are they game for using sex toys on themselves or lovers)

Definitively had a stash of toys hidden in a box under your bed. Multiple different kinds, from dildos and vibrators, to gags, plugs and clamps. Loves using them on you and if you're good maybe he'll let you try a few out on him as well.

U= Unfair (how do they tease or do they enjoy suspense themselves)

Mark loves to tease you to the point you're begging him to do something, anything. He loves when you get whiny and desperate and it makes him tease you even more.

V= Volume (are they loud, what sounds, and do they talk)

As soon as his lips part open it's dirty talk flood. He groans a lot and you'll catch a few moans slipping.

W= Wild card (random headcannon of any sort)

Once upon a time Sebastian had a crush on you. Once upon a time (post Multi-21) Mark fucked you in Seb's driver's room and made him watch.

X= X-ray (what’s down below in those pants)

He's about 8 inches, and he knows how to use it very well. It's not that girth-y but it's still a bit of a stretch. The tip is dark pink.

Y= Yearning (sex drive)

Mark is insatiable, he could happily go at it the whole day with short breaks and it would be his personal slice of heaven. Ready all the time, horny 24/7 and absolutely will make it your problem.

Z= Zzzz (do they sleep after if so how quickly after)

He does start nodding off but will only fall asleep after you have. He finds it comforting to listen to your breathing fall into a rhythm as you curl up into him and fall asleep.

[deliciousangelfestival]

Love Me A Little

Character: Secretary!Bucky x Female!Reader

Words: 1,539

Summary: "Love me, even just a little." When she uttered those words, they struck Bucky like a bolt of lightning, leaving him utterly bewildered. After all, he was just a secretary—his world and hers seemed galaxies apart.

Main Masterlist || support: Ko-fi

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

A/N: Check out the male version of this story - Be Mine.

It was already 1:00 a.m., and the streets lay deserted, easing Bucky's drive. The sleek black Bugatti smoothly entered the apartment basement car park. Just one more turn, and he would find his usual parking spot.

"Screech." The sound of tires screeching echoed in the empty basement.

"Huh?" Bucky's foot instinctively hit the brake as he caught sight of the familiar figure standing in front of his car.

"Y/N?"

It's you. The sole daughter of the Rogers family, the heiress to Starlight Enterprises, a conglomerate spanning oil and gas, telecom, retail, and financial services.

You had fled, prompting the company to dispatch security teams in search of you.

And here you were.

Bucky stepped out of the car. "What are you doing? Don't you realize everyone's been searching for you?"

You scoffed, your tone laced with defiance. "So what? At least everyone will learn that I'm serious. I refuse to marry that guy."

Bucky understood the depth of your frustration. Your family was orchestrating an engagement between you and their business partner. But you vehemently opposed it. He comprehended why; the man they wanted you to marry was notorious—a playboy and a drug addict.

Unable to sway your resolve, Bucky carefully chose his words. "You should go home."

He reached out, gently clasping your hand, his touch pleading, wanting to guide you to safety.

But you recoiled, pushing his hand away. "I don't want to."

Bucky's heart sank, his expression pained. "Your family is worried about you."

Your retort was sharp, cutting. "Are they really? Or are they just afraid of losing their golden ticket?"

A tense silence enveloped them as Bucky grappled with the weight of your words. As the secretary to your brother, Steve, the Vice President, he was privy to the inner workings of wealthy families, aware that most marriages were arranged for business purposes.

Like Steve and Peggy, who defied the odds and found happiness together despite the pressures of their world, you refused to succumb to a loveless marriage.

With teary eyes, you gazed at Bucky, desperation etched in every tear. "I'll tell my parents I'll marry you instead."

Bucky sighed, feeling the weight of your request once more. You had asked him this before, seeking refuge from the loveless future awaiting you. Each time, he had declined.

"Not everything will always go your way," he murmured, his words heavy with resignation. "You've been living in a bubble as Princess Rogers." He paused, unable to bring himself to utter the name of your family's empire. "Now you're facing reality."

You fought back the tears, stung by his harshness. It was the first time Bucky had spoken so coldly to you. "Do you think my feelings for you are fake?"

"My whole life has been arranged from A to Z without my opinion," you continued, your voice trembling with suppressed emotion.

"The only thing I have is my dream of us living happily ever after. Can I at least have that?" Your breaths came in ragged gasps as you struggled to contain your emotions.

"Stop dreaming. Go home," Bucky commanded, his voice firm as he pointed behind you.

'Screech.'

With a screech of tires, a white Mercedes arrived to collect you. It dawned on you that Bucky had already informed the security team of your whereabouts.

As you watched Bucky walk away, a surge of determination washed over you. Clenching your fists, you whispered, "I'll show you."

########

A few days later

The entire Rogers family had gathered for tonight's dinner, including your grandparents, Thomas Rogers, the esteemed founder of the company. Bucky joined the dinner as well, having become one of the company's key figures, seated right beside you.

Despite the gravity of your previous conversation, you seemed to have put it aside, acting as if nothing had happened when you saw Bucky.

The dinner unfolded in its usual extravagant manner, with everyone engaging in polite small talk until dessert was served.

Your grandmother, Anna, broke the silence. "It's wonderful that we could all come together like this. We must discuss our youngest's engagement."

Your mother, Sophia, nodded, her smile gentle. "I met with them four days ago, and we've already ironed out all the details, from the church to the wedding."

Bucky's mind raced. Four days ago? That's precisely when you had gone missing.

Anna's excitement bubbled over. "This wedding will be magnificent. I can hardly contain myself."

But only the two women seemed enthused; your grandfather, Thomas, and your father, Benjamin, remained stoic, while your brother Steve stayed silent.

Then, a sudden sound cut through the air—a sharp "clank" as a fork stabbed into a plate.

All eyes turned to you.

"I don't like it," you stated flatly, your voice cutting through the tension like a knife.

Sophia's hand hesitated mid-air, poised to call the waitress, but froze when she heard her daughter's words.

"I don't like anything," you continued, your voice ringing with defiance. "I don't like that person, the wedding, anything."

"Y/N, stop," Sophia interjected, her tone tinged with frustration. "We've discussed this."

"Discuss?" you retorted bitterly. "Do you mean when you ignore my words?"

Anna's patience wore thin. "Y/N, enough with the tantrum. This concerns the entire family."

You crossed your arms defiantly. "I refuse to marry him."

Anna rose from her seat, ready to reprimand you, but a sharp glance from Thomas halted her in her tracks. Without a word, she sank back down, chastened by her husband silent command.

Thomas fixed you with a steady gaze, the same gaze that had once spoiled you as his beloved granddaughter. "Explain to me the reason why."

"I don't love him," you declared, your voice trembling with emotion. "I love someone else."

A sudden palpitation coursed through Bucky's chest. He sensed the situation spiraling out of control.

"Whose the person you love?" Thomas inquired, his voice firm.

You didn't hesitate. "Bucky."

'Ba-dump'

The room fell into stunned silence, broken only by the rapid thudding of Bucky's heart echoing in his ears, his mind racing as he grappled with the revelation unfolding before him.

Bucky rose hastily, his intention to apologize to the Chairman halted as your hand clasped his, the determination in your eyes stopping him in his tracks. It was the first time he had seen you like this, and it sent a shiver down his spine.

As all eyes turned towards you, you swallowed hard before speaking up. "And I'm pregnant. Bucky is the father."

The room erupted in chaos as Sophia and Anna screamed in unison.

"What?" they exclaimed in disbelief.

"Bucky! How dare you touch my daughter!" Sophia lunged forward, her hand reaching for Bucky's hair, but Benjamin intervened, restraining her.

Bucky opened his mouth to protest and deny the accusation, but the words stuck in his throat. He was taken by surprise, too.

"Silence," Thomas, the Chairman's authoritative voice, cut through the commotion, bringing an abrupt end to the chaos.

He rose from his seat, followed by Benjamin and Steve, their expressions a mix of shock and concern.

Fixing Bucky with a steely gaze, Thomas uttered just two words. "A word."

Bucky swallowed hard, his heart pounding as he replied, "Yes, Sir," bracing himself for the inevitable confrontation.

########

In Benjamin's office, Bucky stood before the three men, the weight of their scrutiny heavy upon him as they remained silent. Finally, Thomas broke the tension with a direct question. "Is everything true?"

Bucky knelt before his boss and friend, his voice steady but his heart pounding. "No, sir. None of it is true. I've never laid a hand on her."

Thomas's expression softened, a flicker of relief crossing his features. "Good."

Bucky let out a breath he hadn't realized he'd been holding, grateful for Thomas's understanding.

But then Benjamin spoke up, his tone contemplative. "Then why don't you like my daughter?"

Bucky's brow furrowed in confusion as he lifted his head to meet Benjamin's gaze.

"She's better off with you than with that spoiled man," Steve interjected, his voice firm.

Benjamin nodded in agreement, his eyes holding a hint of understanding.

Bucky was taken aback. "What?"

Thomas leaned forward, his voice grave. "The wedding arrangement was orchestrated by my wife and Y/N's mother. I'm relieved my granddaughter took a stand today."

Steve clapped Bucky on the shoulder, a mixture of relief and gratitude in his eyes. "I nearly lost my cool when she said she was pregnant. I almost punched you. Thank goodness it was a lie."

Bucky struggled to find words, overwhelmed by the unexpected turn of events.

Steve's tone softened. "Stay with her. I won't allow my sister to marry that man."

As the men continued their discussion, Bucky's mind raced, unable to fully comprehend the depth of their support.

Excusing himself, Bucky closed the door behind him, only to find you waiting for him outside.

Your worried expression melted his defenses as you approached him.

"What did they say?" you asked, searching his eyes for answers.

Bucky hesitated, then shook his head. "Nothing."

You breathed a sigh of relief and pulled him into a tight hug, his body stiffening like a log. Lifting your head to meet his gaze, determination flashed in your eyes.

"I'll make you love me," you vowed softly. "Even just a little."

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Author Note: Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account.

Your support through tips would mean the world and help me keep creating.

Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

[artsekey]

I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

[classic-blue]

Nature of the Arcane- Positive and Negative Energy

(For reference, Arcane = the series; arcane = the magic) Come help me figure out how the heck the magic system of Arcane works.

What is the anomaly? Why was it born? Why is it that other mages in the series don't seem to cause anomalies, but Hextech does?

I refuse to be content with a magic=good or magic=bad explanation, and Arcane loves to play with nuance. I was trying to sort out my thoughts on why some magic has bad side effects while others don't, and this is where I'm sitting now. My (spit-balled, half-baked, and probably leaking) thesis:

The arcane/using magic has 2 separate outputs: the order you placed (Hextech) and the resulting exhaust (wild runes; the anomaly). Hextech can use runes to control magic, but there's a second output of natural, wild magical energy, that Hextech doesn't account for. Both of these energies can build up, and when they're reunited, they have explosive reactions (see: Mage Viktor's world, the final blip that takes Jayce and Viktor, and possibly various smaller explosions throughout the series).

For example, when positive and negative charges meet, lightning strikes.

Justification below the cut.

Science break! Ever been shocked by static electricity? That's because of a buildup of one charge, say positive, on you, and a buildup of negative charge on another object. Nature loves balance, so when you two touch, the charges discharge in a shock that connects the positive and negative charges and allows them to balance out. Size this idea up big enough, and you get lightning- powerful, fast, and destructive.

More importantly though, you can't just charge positive energy, without also charging negative energy at the same time-  creating one by necessity creates the other, so that there's an overall balance of electricity types (hey look, a metaphor, creating one inevitably leads to the other…).

Let's carry this idea over to the arcane. What if there's a 'positive' magic and a 'negative' magic output?

(Note, I use the electricity words here intentionally- positive/negative do not mean in a cosmic/moral/ethical way, but in a scientific, 'hey we need 2 connected words to separate these concepts' sort of way.)

Positive: Hextech; runes; the intended output. Teleportation, levitation, everything we see it accomplish.

Negative: the wild rune, the anomaly; the unintended output.

And, when the two come together, lightning strikes.

Lightning 1- Viktor vs Ekko's Z-drive. Viktor spends S2 becoming a centralized conduit of 'positive' magic, via the Hexcore and top ups from the crystals under the Hexgates. As the Machine Herald, the claw is continually using runes and doing magic behind him. In short, he's been building up a lot of positive magical energy. When Ekko chucks the Z-drive at him, it's powered by an anomaly, or 'negative' magical energy. Put the two forces together, and let the fireworks happen; a part of the Machine Herald's mask gets struck off in the blast. (But the Z-drive has less negative energy than Viktor's positive, so it doesn't totally wipe him out.)

Lightning 2- Viktor and Jayce's rainbow time. Jayce's acceleration rune might be the negative magical energy in this case (since it travels with him via Mage Viktor's anomaly), paired with the anomaly that Viktor grabbed beneath the Hexgate. That works in opposition to Viktor's compiled positive magical energy via the Hexcore and similar products. With these together, the balance between positive and negative is reached, achieving net neutral magic dispersion, and of course, an implosion that sucks in (or teleports, we can be happy) Jayce and Viktor, ending the conflict.

Perhaps in Mage Viktor's timeline, a similar explosion occurs, resulting in the destruction that we see Jayce traverse in the alternate timeline. But in the main timeline, Jayce and Viktor were able to contain that explosive potential to just themselves, via Jayce's acceleration rune.

"Pass me a tome" Jayce's (quoting Viktor) explanation of the anomaly/wild rune (S2:E3)

Jayce says that Viktor theorized that wild runes are "patterns that would occur naturally where the border between our world and the Arcane is thin." By the theory, wild runes are expressions of magic not quantifiable by traditional runes- natural outputs of magic that are uncontrollable and untamable.

This still works with my positive vs negative theory- it's just that Hextech, and by extension the boys, are only viewing it from the perspective of positive energy (they accessed magic, but really only half of it). From that view, negative charge, which they can't interpret why it's building up or that it even is, might look pretty wild and untamable- however, we see mages control this negative magical energy. Mage Viktor uses the anomaly to send Jayce back to his timeline. The Machine Herald is able to transport it and start to destroy/convert the world.

Because it's still a useable product, so long as you understand what it actually is, I'm not fully content to say that the anomaly is an entirely wild thing, or an unpredictable force. It's possible that Mage Viktor intentionally manipulated it to send Jayce, Ekko, and Heimerdinger to their temporary alternate universes to set in motion events to save the main timeline. I think the anomaly definitely has somewhat volatile characteristics, a bit more chaotic perhaps, but it's still controllable.

(Additionally, Ekko breaks time using both hex shards (assuming they're still in the Z-drive, I'm not sure off the top of my head), and a tiny anomaly. The fact that he's able to control it to a degree also shows that the anomaly is not fully wild and untamable.)

I suppose my overarching feeling is that the anomaly is not necessarily better or worse, or more dangerous, than the 'positive' magic of Hextech- it's just a different, inevitable byproduct of magic use.

Then why don't mages cause anomalies and 'lightning strikes'?

Simple- they know how to account for both positive and negative energy in their spellwork. They know how to equate a balance, so nothing blows up in their faces.

Granted, the only mages we really see in Arcane are Mel, the Black Rose, and Mage Viktor, and the only real discussions we get about magic is from either the Hextech nerds or Heimerdinger, who may not be working with the full picture of how the arcane works. Our sources with regards to actual mage work in Arcane are pretty thin (and I probably need to rewatch Mel's S2 scenes).

But the Black Rose mentions as Mel leaves that (paraphrased) 'it's a dangerous world out there for a solitary mage.' This seems to imply that mages work best in collaboration- perhaps that allows for a balance between positive and negative energies, preventing 'lightning strikes.'

The real point- The Need for Collaboration

While the obvious theme to be drawn from this is the need for balance, another interesting one is the need for collaboration. If mages in Arcane indeed do work together to prevent destructive magical fallout, this again points back to a core element of Arcane's relationships:

Things (magic in particular) work best in collaboration.

That's how the boys crack Hextech

That's how Jinx and Vi start to bring Vander back and reconcile

That's how Viktor and Sky work in the commune

That's how Ekko, Powder, and Heimerdinger crack Hextech again

That's how Caitlyn and Ambessa start to work, and how the lack of honest collaboration exposes Ambessa's selfish gains and weakens Caitlyn emotionally and politically

That's how Mel literally does everything politically (and why her arc narratively suffers when she's on her own against the Black Rose for so long [I still love her tho])

That's how Piltover and Zaun fend off Ambessa's assault

That's how Viktor and Jayce end it- together.

More assorted thoughts on this topic:

This theory somewhat requires that the arcane is not conscious, not retaliating for Hextech using magic improperly, which is debatable. The Black Rose says "the arcane is waking up," which could imply a sentient force, or simply a natural force like how the world 'wakes up' to spring after winter. Ekko also claims that Jayce 'pissed off' the arcane, which Jayce is cutely embarrassed about, which is a possibility, but not one that I'm getting into here- it's entirely possible that Ekko is also wrong! Jayce and Viktor frequently are! (also, the hexcore being sentient does not necessarily mean that the arcane is sentient- Viktor describes it as a learning matrix, so it could very much be a Flubber situation. He done taught the rubix cube science before ethics.)

As Viktor brings Jayce up to the top of the Hexgate, Viktor winds the anomaly in his staff and talks about the balance between order and chaos- maybe positive magic is one and negative the other?

@avelera and @linddzz were throwing around some awesome thoughts similar to this strain, including how it looks like Mage Viktor 'cleans up' the smoke output of the spell in the snowstorm. Their theory is that what I call positive and negative energy is actually constructive vs destructive force in equal output from the Arcane, and that balance between those two types is needed (i.e. if you want magic to do what you want, you also need to let it blow up some stuff) which would also explain what I've called lightning here. Definitely worth a read!

There are so many holes in this theory, but I still wanted to organize my thoughts about the anomaly, Hextech, and how Arcane tells the audience to view magic. In S1, Hextech is all good and great, possibly dangerous, but in S2, Hextech and its byproducts are all infectious, destructive, and never productive. I found the switch a little jarring, and went searching for a deeper meaning.

Also… does this mean that Arcane is actually a big metaphor for the dangers and impacts of technological advancement on natural society and how Mother Nature will come back to bite us all in the butt? Has Arcane been a secret Ghibli film all along???

[platonicyanderereverie]

I dunno if you do doubles but if you do then awesome, if you don't then don't worry about it or you can just pick one character!

But what about Yandere platonic Dottore and Pantalone as a tweenager(11-13) reader and they're like readers dads even though reader wants nothing to do them I was thinking letter A, B, C, E, G, H, J, M, O, P, R, S, T, U V, W, AND Z! I know this is alot but please choose which ones you want to do if these are too much, all I ask is that maybe you especially Z, S, W, T, O, J, H, F, D, OR C! Again pick at which ever one you want!! Thank you!!

( I luv your platonic yandere writing!!!)

Thank you for your request‼️ I tried my best to do the main ones you wanted <3 I really hope you like em

Platonic yandere Dottore and Pantalone with a tween reader using the yandere alphabet!!

[Warnings!: usual possessive behaviour, implied kidnapping, isolation and so on]

Zenith

(Would they ever break their darling?)

Chances are, no. Dottore is very calculated with his advances and actions, and Pantalone tries to avoid actively placing you in situations that could make you crumble. However, it's not entirely impossible for their child to snap under the pressure, and both of them would be highly displeased if that happened. They would immediately swoop in, attempting to piece you back together.

Stigma

(What brought about this side of them (childhood, curiosity, etc)?)

For Pantalone, his childhood was filled with troubles. Born poor, he always felt beneath everyone else, constantly forced to look at things he wished he had from afar. He never wants that for you; he wants to give you the childhood he wished he had, even if he becomes overbearing in the process.

Dottore, on the other hand, experienced significant mental isolation. Driven by an unquenchable thirst for knowledge, he strives to understand everything there is to know. You seem like a book with endless pages to study, each one holding possibilities that he craves to uncover. His obsession drives him to push you onto the same page as him, fueling his desire for intellectual satisfaction.

Wit's End

(Would they ever hurt their darling?)

The short answer is yes, but it would be in calculated, mentally focused strides. If you've been particularly disobedient, expect isolation, loss of privileges, and an intense struggle to regain the love they once showered on you freely. You might even find yourself wrapped up in a few of the doctor's "tests." Nothing serious, but certainly enough to leave a lasting impression.

Tears

(How do they feel about seeing their darling scream, cry, and/or isolate themselves?)

Pantalone would be the first to lean forward and wipe your tears. He hates seeing you upset, he truly does, but if it’s due to a punishment, he'll softly coo, reassuring you that it’s all necessary. Meanwhile, the doctor might run a hand through your hair in a slightly chastising manner.

Screaming or throwing a tantrum would earn you disappointed looks from both of them. They’d regard you as a child throwing a fit over not getting what you want. Dottore would shake his head, speaking in a cool, calm tone to remind you that such behavior is unfavorable. Pantalone might attempt to soothe you with promises or small gifts if nothing else seems to work.

Isolating yourself would prove difficult, as they’d quickly sense your withdrawal. Once they do, they’d reel you back in for a lecture and enforce some "mandatory family time."

Oppression

(How many rights would they take away from their darling?)

Most likely, they'd control nearly every aspect of your schedule. Pantalone would ensure it’s filled with classes and tutors, while Dottore would require time in his lab. You wouldn’t be making any significant decisions on your own either, as they consider you too naïve and impulsive. Despite this, they still expect a certain level of engagement and respect from you, even if you’re resistant.

Jealousy

(Do they get jealous? Do they lash out or find a way to cope?)

Jealousy is an interesting concept when it comes to your fathers. Pantalone is confident and self assured in his status, knowing no one else could give you everything he can. No one else would sacrifice as much as he would for you, even if you don’t recognize it. If someone tries to interfere, he has the power to make sure they can’t.

Dottore, however, would be fascinated by jealousy itself, viewing it as a curious feeling. Understanding its implications, he deals with it by turning it into a personal experiment. He identifies the cause of the itch in the back of his mind and manipulates situations so that you seek him out, he won't fetch you himself, oh no, you will be the one cementing your dependence on him. He won't stop until he’s fully satisfied with the results.

Hell

(What would be their darling’s worst experience with them?)

Once, you managed to slip away from the manor, somehow finding yourself wandering the streets, finally tasting freedom and reveling in spite.

However, I hope your short loved feedom was worth it. Upon your inevitable return (having been dragged back by the agents), you faced endless berating from Pantalone and a slew of unpleasant new tasks from Dottore, not to mention an extended session in his lab. Anything that entertained you was confiscated, and any servant you liked was dismissed. And god forbid If one of them had assisted your escape, the punishment would be even harsher. You were met with cold discipline, leaving you powerless to change the outcome. Days seemed to blur, each one more isolating than the last. Should you resist further, you might find yourself bedridden, unwell due to "mysterious circumstances."

Darling

(Aside from abduction, would they do anything against their darling’s will?)

Short answer, yes. For one, they expect you to stay with them, fulfilling their aspirations for you. To them, it’s simply that you can't see what’s best for you yet. Resistance is futile; listening to them would make things so much easier. Furthermore, you don’t have a say in spending time with them...it’s simply not optional.

Cruelty

(How would they treat their darling once abducted? Would they mock them?)

Pantalone would present the situation as a luxurious arrangement, framing it not as a victory for himself but rather as the natural, ideal state of things. He’d act as though everything is perfectly fine, assuring you that all you need to do is stick with family.

Dottore, however, would be slightly more biting. He wouldn’t mock you outright, but his words would carry a tone of condescension. He’d calmly lay out the terms of your new reality, driving home just how powerless you are, making sure you fully understand the situation.

□●■□●■□●■

(Original request forum)

[zegrasdrysdale]

[ sneaking into vegas ] j. drysdale

part one !

paring : Jamie Drysdale x fem!!reader

summary : (Y/N) flies into Vegas to surprise Jamie for his first NHL game in nearly a year

warning(s) : none

author's note : listen, this was supposed to be a little thing but it turned out to be over 2k words so … i got a little carried away

༺═──────────────═༻

She was supposed to be across the country in New York, but when her boyfriend told her that he was going to be playing in his first NHL game since he got hurt last year, she couldn't resist getting on a plane to go watch him.

Especially after she saw who Anaheim was going to be playing for their season opener. (Y/N) knew that she needed to be in Vegas for that game. Even if that meant leaving New York a week early.

Jamie doesn't know she's coming. As a matter of fact, she tells him that she's going to be in her temporary office catching up on some work all day so he doesn't suspect anything when she doesn't reply to him all day because she has an eight-hour travel day ahead of her.

Her flight leaves at nine in the morning and she won't be getting into Vegas until two in the afternoon pacific time. That leaves her nearly five hours to check into the hotel that the Ducks are staying in while they're in Vegas for the game, get something to eat, and head to the arena without alerting Jamie to where she is.

Should be easy since she knows that Jamie will be at morning skate from eleven until two then will take a nap and eat before he heads to the arena at five. He has things that will keep him busy so she can sneak into Vegas.

On the contrary, Trevor knows that she's coming in and has a whole plan to keep Jamie busy if he decides not to take a nap after morning skate. They've been working together for the past few days so make sure the surprise goes smoothly. He's supposed to pick her up from the airport as soon as he's done practice.

(Y/N) has never watched Jamie play a game of NHL hockey. They met after he got hurt last October and started dating in February. She's very excited to be in the arena for his first regular season game back from injury. She doesn't care if she's the only Ducks fan in the place. She'll be making sure she cheers loudly for Jamie and his teammates.

At two on the dot, the plane lanes at Harry Reid International Airport. When (Y/N) gets off the plane a few minutes later, she texts Trevor and lets him know that her flight has landed. He replies and says that he's waiting for her in his rental whenever she grabs her suitcase from baggage claim.

A few notifications come through while she's waiting for her bags. All from Jamie throughout the morning.

j ♡ - 10:04 am hope you have a good day at work. will miss you. hope you can catch the game tonight if you aren't working super late

j ♡ - 10:49 am forgot to say that i love you so ... i love you 🩷 gotta go to morning skate so talk to you later

j ♡ - 2.08 pm z ditched me if you're not busy for a short call. i don't think i'll be able to sleep before the game so call me if you have a few minutes

She looks at Trevor and asks, "Do you think he'll be suspicious if I call him really quick? I think he has some pre-game nerves and I told him I'd only work until dinnertime, which is what time it is in New York."

"I don't think so," Trevor replies. "It'll be like you're calling him on your way back from work. Just don't get all cute and everything. The two of you make me sick when you get all lovey-dovey with each other. I already hear it from Jamie every day."

(Y/N) sticks her tongue out at Trevor as she clicks 'call' on Jamie's contact. Trevor lowers the music so she can talk on the phone.

It rings three times before Jamie picks up. "Hi, baby," he breathes out when he answers the phone. "I've been needing to hear your voice."

"Hi, Jamie baby," (Y/N) replies. Jamie's nickname causes Trevor to make a face as he drives. She swats at his shoulder. "How was morning skate? You just got done a little bit ago, right?"

"Yeah," Jamie says. "It went good. I think it went well. I feel pretty good about playing tonight, minus the fact that we're playing Vegas and I got hurt playing against them last year. I'm just nervous about playing them after last year."

She frowns. "Hey, you'll be okay," she assures him. "You're going to play so well tonight. I know you will. No matter what happens tonight, I'm proud of you. I'm excited for you to get back on the ice, and I know your teammates are too. I'm pretty sure Z has missed having you on the ice with him."

"I've missed being on the ice with them, but what if I do something wrong?" Jamie questions. "What if I give up the puck and they score on the giveaway? What if I fall and land on my shoulder wrong? What if-"

"Jamie, stop," (Y/N) interrupts. "None of that is going to happen, okay? Not intentionally. You're working yourself up and you shouldn't be because this is what you're good at. You wouldn't be in the NHL if you weren't good at hockey, baby. There's a reason you're playing for Anaheim at the professional level. Do what you do best tonight. Your teammates are there to pick you up if you need them to until you get comfortable. Stop freaking yourself out."

They pull up to the hotel and Trevor parks his rental away from the main entrance so none of the Ducks players see (Y/N) and report to Jamie that his girlfriend is at the hotel. "You're right," Jamie sighs. "I'm sorry to bother you with this while you're at work."

"I'm actually on my way back to the apartment," (Y/N) tells him. "But even if I was still at work, bother me with this any time. I'll never be mad if you want me to call you because you're nervous for a game."

"I don't deserve you, (Y/N)," Jamie says. "I truly don't. I love you so much."

The comment brings a smile to her lips. "I love you more," she replies. "I'm pulling into the parking lot now so I'll talk to you later. Maybe you can get Z to bring you something to eat if you can't sleep."

Jamie laughs and says, "If I bug him enough then he'll definitely bring me food. I'll let you go though, get settled in for the night. I'll talk to you after the game."

"Call me after," she tells him. "I don't care that it'll be after one in the morning. Call me and tell me all about the game. I'll want to hear all about it and how it went."

"I will," Jamie replies. "I love you."

"I love you too."

The line goes dead after that and (Y/N) realizes that she has a small smile on her lips. He won't have to call her after the game. She'll be waiting outside the locker room when he gets done showering and getting dressed after the game.

Trevor gets out of the car and mumbles, "The two of you make me sick." She laughs and gets out of the car after him.

He grabs her suitcase from the trunk and hands it over to her when it's on the ground. With Trevor following close behind, (Y/N) walks into the hotel. She checks into the room that she'll only be in for about four hours total because Jamie is going to make sure they're together that night, and she doesn't want him to kick Trevor out of the room.

It’s been a few weeks since they’ve seen each other so she wanted to make sure there was a room they could stay in together.

Trevor walks her to her room, which is a floor below the Ducks’ rooms. “We’re in 504,” he tells her. He hands her the extra key to his and Jamie’s room while she hands him the extra key to her room. “I’ll let you know if he sleeps, which I doubt but I’ll let you know.”

“Make sure he stays calm and remind him that he knows what he’s doing,” (Y/N) tells him. “Don’t let him freak himself out.”

“I’ll just distract him,” Trevor replies. “With food or with an activity that he likes to do. Maybe I’ll take him to a casino for a bit, I don’t know. I’ve got him though. Until you take over after the game.”

She nods and Trevor walks up to his and Jamie’s room. With a sigh, she opens the door and lets herself into the room.

Her suitcase with the jersey she’s wearing to the game is left right by the door and she goes right to the bed. She sets an alarm for five so she wakes up after the Ducks leave for the arena. She’ll leave a half an hour later so she doesn’t run into Jamie when he’s on his way out the door.

After a long day of traveling for the surprise tonight, (Y/N) is fast asleep almost right after she puts her phone on the table to charge.

༺═──────────────═༻

T-Mobile Arena is one of the nicest arenas that (Y/N) has ever gone to. Most of the people are nice. She gets a few looks from Golden Knights fans because she’s in the Drysdale jersey that Jamie gave to her. She loves the jersey, and she promised him that she’d wear it to the first game he plays in after his injury.

That game is tonight.

She makes her way down to her seat with the other Duck wives and girlfriends, and they’re all excited to see her. Some of them meet her for the first time, but they’re all super nice.

The puck drops a little after seven, and (Y/N) spots number 6 almost immediately. He glides around the ice like he’s flying, and she’s mesmerized by it.

(Y/N) has watched practices and Jamie work with Trevor throughout the past few months while he recovered from his injury. That is nothing compared to what she’s watching right now.

Vegas gets on the board first with two seconds left in the first period, and the fans erupt around her and the other wives and girlfriends.

Then they score again with five minutes left in the second period.

Then they score again six minutes into the third period. It’s not looking very good for the Ducks at this point. (Y/N) finds herself frowning because she knows that they wanted to be a better team this season.

About thirty seconds later, the Ducks get themselves on the board with a goal from Mason. Their little group celebrates the goal.

(Y/N) knows that Jamie had the puck before Mason put it in the net. His first point in over a year in his first game back from injury. It causes her to scream a little louder in celebration. Her mouth hurts from smiling. She swears the smile doesn’t drop until the final horn blares through the arena, signaling a 4-1 Vegas win.

Not the best first game, but it’s only game one of 82.

After the game, (Y/N) finds her way down to the locker room where the Ducks are. She leans against the wall right outside and waits.

She can hear Greg Cronin on the other side of the door talking to his team about the game. She didn’t think they did terrible, but they’re in there getting lectured like they gave up ten goals.

Yeah, Jamie might be really excited to see (Y/N) when he leaves the locker room. Especially after getting a long lecture from his coach.

He played a good game, and she’s proud of him. She’s happy that she decided to hop on a plane and come out to Vegas to watch Jamie play. She’ll be even happier when he comes out of that locker room in a little bit.

Cronin leaves the room with a heavy sigh and doesn’t even acknowledge (Y/N) standing in the hallway. She doesn’t even care.

A few minutes after Cronin leaves, Trevor sticks his head out into the hallway. “He’ll be right out,” he tells her. “He’s hitting the showers really quick before he leaves. I don’t think he’s in a good mood but when he sees you, that’ll change.”

She nods and Trevor disappears back into the room.

Just to mess with Jamie a bit, she takes a picture on her Instagram story of the giant Vegas logo and geotags T-Mobile Arena. Jamie has her notifications on so he’ll see that as soon as he checks his phone.

Ten minutes pass and (Y/N) is getting antsy. She knows that he doesn’t take very long showers so he’ll be coming out of that locker room any minute.

Several Ducks leave and greet her as they pass while she waits for Jamie. Troy pops his head back into the locker room when he sees her and says, “Hey, Jimmy. Someone’s here to see you.”

“Who?”

“You’ll see.”

(Y/N) shoots Troy a smile as he walks down the hall to get on the bus.

The door opens and a very confused Jamie Drysdale walks out of the locker room. His eyes land on (Y/N) and he runs up to her. She smiles as Jamie hugs her around her torso and lifts her off her feet.

She giggles and wraps herself around Jamie. Her legs are around his waist and her arms are around his neck. He buries his face into her neck and she puts her nose in his wet hair.

“When did you-”

“Earlier today,” she says into his hair. “Worked with Z to make sure you didn’t see me when I got in. When I saw you were playing Vegas in your first regular season game back after injury, I had to come out and watch.”

Jamie sets her down but doesn’t let her go. She looks up at him and he looks genuinely surprised to see her. Good to know Trevor didn’t blab and ruin the surprise.

“I can’t believe you’re here in Vegas,” Jamie breathes out. “You saw my assist in person?”

She smiles and nods. “I saw your assist in person,” she replies. “I’m very proud of you, Jamie baby. First point in a while. I told you that you had nothing to freak out about. You’re a talented player. I had no doubt that you would be amazing tonight. Maybe even pick up a point or two.”

The smile that Jamie gives her makes her heart flutter. This is the smile she has missed and wanted to see after this game ended no matter the result.

Jamie pulls her against him by her waist and presses a feather soft kiss against her lips. “All I could think about after that assist was how I wish you were here to see it,” he admits to her. “You were actually here to see it.”

“Mhm,” she hums. “I made the right choice. I’ve really missed you. I wanted to surprise you today.”

“Consider me surprised.”

She gets on her toes and instigates a deeper, more frantic kiss when she presses her lips to his. She kisses him the way she’s wanted to kiss him in the three weeks since they last saw each other.

Her fingers curl into the hair on the back of his neck, not caring that it’s wet. Jamie has a grip of his jersey on her waist that’s keeping her from going anywhere. As if she would go anywhere right now.

This is where she wants to be. She doesn’t want to go anywhere else.

“Ew, can’t the two of you wait until we’re back at the hotel to suck faces?” Trevor voice asks. It pulls them apart. “You’re away from each other for a few weeks and all of a sudden you’re both a fan of PDA. It’s gross.”

Jamie turns his head and (Y/N) looks over his shoulder to see both Trevor and Mason standing in front of the locker room door. “It’s not my fault you have no one to suck faces with, Z,” Jamie retorts. “Imagine being across the country from your girlfriend then tell me you wouldn’t suddenly be a fan of PDA.”

She buries her face in Jamie’s shoulder to hide a smile. Trevor rolls his eyes and says, “You’re sleeping in her room tonight. I am not giving up ours.”

“Don’t worry,” Jamie says. “I was already planning on it.” He turns his attention back to (Y/N). “I wouldn’t want my teammates to hear the things that I’m going to do to (Y/N) tonight.”

Yeah, sneaking into Vegas was the best idea she’s ever had.

༺═──────────────═༻

MASTERLIST | part two

have a request ? check out the guidelines !

[astupidweeb69]

You know x-virus don’t get enough love…. Do you have any head cannons regular or nsfw (maybe both)??

I've been thinking about this guy a lot lately for some reason. Also I've never written for Cody before so hopefully this came out okay.

I was going to work on Toby's but.... I have more inspiration for Cody at the moment. He absolutely doesn't get enough love!

X-Virus Headcannons

SFW

Isn't related to Toby at all. In fact doesn't really look like him either. Sure, he's got the brown hair, but he looks waaay more dorky than Toby does. While Toby has kind of a boy-next-door-from-hell look to him, Cody is more slender and works out less. He looks like your typical STEM student (sickly complexion, poor nutrition, etc.). His whole schtick requires him to stay indoors most of the time, in a make-shift lab.

Has a refrigerated van, which he paid to be converted to safely transport whatever science experiments he's got going on in a temperature-controlled environment.

He tries to stay in one place. He's less of a drifter than most of the other creeps but sometimes... the things he does requires him to uproot his life and start over in another town. (No Cody you can't just infect your landlord with a mutated form of tuberculosis when they raise your rent! There will be consequences!)

Has kind of a nasally voice. I feel like he always has a bit of a cold too.

Ironically has a shitty immune system, and probably drinks those Airborne Immune Support drink mixes like it's his job. Also a germaphobe, wearing medical gloves all the time, and his hands are dry and cracked from overusing sanitizer.

LOVES Re-animator. He's rewatched that movie more times than he can count. But he has a love for science fiction movies in general, with horror elements to them. Like Alien.

Also loves zombie apocalypse movies, but that's an obvious one. Specifically 28 Days Later and World War Z.

Sometimes he's like... should I try to make a zombie virus? nah.... unless...?

I also think he was raised by a single father, who worked for a large pharmaceutical company.

Antisocial. I know Toby and him are compared a lot and people give them similar 'hyperactive' personalities, but I don't see that for Cody at all.

Cody's more focused, and is less inclined to interact with others. He doesn't really get lonely?

I'd say he'd get along okay with someone like EJ (both like science, ya know?).

Toby and him hang out a bit - they'll stay in and watch movies together. Or Cody will tag along with him to a bar and watch as Toby fails to pick up anybody. Cody wouldn't say it to his face, but it makes him feel better about his own social skills to see Toby strike out like that.

NSFW (Under the cut!)

I don't know how he'd find himself in this situation - but if he DID have a partner.... the sex would be kind of bland at first?

He doesn't know what he wants and frankly is too much of a germaphobe to get up close and personal with someone he doesn't know well.

You'd have to spend months getting to know him for him to feel comfortable to engage in anything sexual.

I think at the start of the relationship, he'd want to experiment with voyeurism.

He'd be across the room watching you touch yourself, giving you directions while he slowly strokes his cock, loving the feeling of ordering you around.

But as things escalate, of course, he'd give in to his urges. However, the voyeurism would become how he likes to foreplay.

Out of all the creeps (most of whom I view as being dominant) he's actually pretty tame.

He whimpers a lot, and it sounds almost pathetic when he moans. He's been holding out for so long for the right person, and when he finally gets to fuck he's absolutely drunk off of you.

That said, his sex drive is about average.

One of his roleplay fantasies is him being the experienced scientist, and you being his lovely little assistant.

Probably started after the first time you helped him in his lab.

He just kept thinking of you in a tiny little lab coat, bent over his desk - papers and test tubes falling to the ground while his hips piston into you.

[postpunkindustrial]

Pink Noises: Women on Electronic Music and Sound by Tara Rodgers

Get it from my Google Drive HERE

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.

Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.

Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)

[ganondoodle]

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[puck-luck]

new beginnings | may 27 - june 2

note: before i start this, i just want to warn y'all that it's 24.4k. if you want to read this in one sitting, i recommend locking in.

please hit me up in my inbox to give me feedback! or your thoughts! or speculation on what's coming next! i want you guys to talk to me all the time and tell me every thought you have. if i could send each of you the google document and force you to leave comments, i would.

also, i think by the time this fic is finished, it might be long enough to be a novel. should we all work together to get it published?

1:90 – TREVOR

“Do we really think it’s a good idea to spend the summer down here instead of the Michigan house?” Jack asks. “We own that one, after all.”

“Everyone knows about the Michigan house,” Trevor points out.

Cole, who had plotted this with Trevor after last summer’s debacle, sighs. “We can’t keep having the same conversation. We decided that we would train at the Checkers’ rink when we can get down to Charlotte and use the cement slab as our own rink in the yard of the rental house in the meantime. So that’s not your problem. So, what is, Jack? You’re gonna miss the girls?”

Jack fixes Cole with a cutting glare. “Fuck off.”

“You know, there are girls in North Carolina,” Cole says, a grin dimpling his cheeks. “Sweet, southern belles, even.”

Jack rolls his eyes. “I can’t wait for the rest of the goons to get here. We’ll put it to a fucking vote and I’ll get to go home.”

“If you want to go home so bad, why don’t you?” Trevor asks. “We’re not forcing you to be here.”

“You triple-belted me in the backseat,” Jack argues. “You’re taking me away from Michigan and you can’t even let me have shotgun.”

“Talk, talk, talk,” Trevor mocks. “You have hands. And fingers. You’re not helpless.”

Jack huffs from his spot in the back, stubbornly turning his head to the right to watch the trees pass. Cole does the same from the passenger seat, tapping his fingers along the pane of the window.

There are twenty miles, an hour total, still on the GPS. Trevor hasn’t seen a town since they stopped at the gas station at the bottom of the mountain, the closest city being Winston-Salem almost an hour and a half ago, barely more than sparse houses and fields in the time since. They’re driving along a stream now and the latest exit off this small, two lane highway said “Love Valley.” Trevor snickers at the sign and goes to point it out to Jack, but Jack beats him to it.

“Don’t, Z.”

“It’s funny, dude.”

“It’s not, though.”

Cole cranks the volume up, drowning out the continuing argument that floats forward from the backseat. 

They drive on and Trevor thinks about it– everything. They have three unobscured months in Litchton, the only people knowing about their whereabouts are their families and coaches. The goons, as Jack referred to them, would be joining them sometime in the next day or two. Quinn and Luke had to wrap up some loose ends at home (Quinn, closing up his apartment for the summer; Luke, visiting some college friends as their semester comes to an end.

Litchton was the safest bet and Krebs had mentioned North Carolina to Trevor in passing the one time they caught up throughout the year, heaving heard from Leschyshyn that the mountain towns of his home state were notoriously quiet and drama-free and that their inhabitants, although lovers of gossip, kept to themselves. 

After those girls had snuck into the Michigan house at the end of the summer and started showing up wherever the boys went in the evenings, Trevor just wanted a summer off. He wanted time with his friends the way they used to have it, just working out together and drinking until they dropped, swimming and parading around the town like normal guys in their early twenties. 

In Litchton, they could pretend to be guys that were home for the summer, ready to start some corporate finance or everyday-tie job. It was a look into what could’ve been, had they not dedicated their lives to their sport. 

For three months, he gets to be Trevor Zegras, the kid who complained about his name being last on the roster in every class growing up and the kid who worked in his mom’s store after school. But he’s also Trevor Zegras, NHL superstar, ninth overall pick, owner of the best Michigan goal in the United States, so he might toss his name around in Litchton this summer. Just to see if it gets him anything.

If it doesn’t, his good looks certainly will. What’s flirting with a few old ladies on the street? It’ll be the highlight of their year.

Trevor misses the driveway the first time the car passes it. It’s hidden by brush and along a curve. The GPS reroutes them– but they have to drive an extra fifteen minutes along this road before they can turn around. 

They drive into a small town, a strip of eclectic stores littering the main road. There’s a small grocery store with a fruit stand out front that Cole points to.

“We could pick up some food while we’re out here,” Cole suggests. Upon hearing Jack’s mouth open in the backseat, he continues, “Just so we don’t have to come back later.”

Jack slouches against the backseat, huffing about being cut off at the opportunity to express his discomfort. 

“Jacky, will you relax? We’re going to have fun this summer.” Trevor tells him, turning into the parking lot and choosing a spot close to the entrance. 

Cole laughs when Jack unbuckles his three seatbelts in the wrong order and has to untangle them. Trevor flips the mirror down and fudges his hair, fluffing the ends. He had gotten it cut just before they left for this trip, so the edges were still even and sharp. 

Jack is the first to exit the car, practically throwing himself onto the pavement with his excitement to leave the vehicle behind, if only briefly. They’d been driving for hours. Cole flew into New York from Montréal, so Trevor had to pick him up from the airport. They picked Jack up in Jersey in the early morning and started driving south. 

Trevor can’t blame Jack for his annoyance. They’ve been in the car with him for ten long hours and they forced the first stretch of driving on him, having spent about two hours in the car before getting him. He had just woken up and had to drive four hours through the traffic of Philly and into Baltimore. He napped while Cole drove down through most of Virginia, and then woke up grumpy anyway when Trevor took over to take on North Carolina. 

It’s been a long fucking day.

They shop together, but they bicker quietly. After years of friendship, their arguments seem more like brotherly spats. The knowing smiles from the women in the grocery store prove that they’ve heard encounters like this before, likely in their own homes. 

Eventually, Trevor rolls his eyes and goes to sit in the car. He leaves Cole and Jack to pay for the groceries. Upon leaving the store, he pulls his phone out of his pocket and pulls up Instagram, hoping to catch up on the posts that he had missed on the long drive.

Walking past the fruit stand out front, Trevor bumps into someone and he stumbles back.

“I’m sorry,” Trevor apologizes, reaching out and steadying the girl with a touch to her elbow. “I didn’t see you.”

“Hard to see me when you’re on your phone,” she replies with a tilted smile. 

Trevor lets out a little laugh at her reply, barely a breath. “I’ll be more careful next time.”

She nods with an approving hum and turns back to the stand, picking up a peach and turning it over in her hand. 

Trevor turns and walks to the car, climbing into the vehicle and settling behind the wheel. He watches the sliding door for his friends, but his eyes drift back to the girl.

She’s tied a red bandana in her hair and she slips peaches into her mesh bag. She talks to the vendor, using her hands to speak. She’s pretty, he realizes, far prettier than the girls he knows from California. The vendor hands her a basket of strawberries, which she takes carefully, inspecting the red berries by twisting the basket’s handle from side to side, spinning it. Trevor can see her profile this way– the slope of her nose, smooth. Her eyelashes, long. Her lips, pink and pursed into a little smile. Her stance is tilted, one hand on her hips.

Trevor is back outside the car before he can think. He approaches her as she pays for her fruit, standing behind her when she turns around.

She jumps when she sees him. “You’re still here?” She asks.

“No, but I’m back,” Trevor replies, realizing just how lame he sounds. “My friends and I are staying here for the summer and I just wanted to introduce myself.”

When he falls silent after explaining himself, she looks at him expectantly. He can see the bottoms of her teeth as her lips part. “So introduce yourself.” She gestures for him to go on.

“I’m Trevor,” he says, sticking his hand out. “My friends call me Z.”

Her eyes drop to his hand briefly. She considers it before reaching up and taking his hand, shaking it. “Why?” She asks.

“My last name starts with a Z,” Trevor supplies. “Zegras.” The smile he gives her is strained, expecting her eyes to light up in recognition. They do, but it’s not in the way he expects.

“You’re Greek?” She asks, her interest piqued. 

“Yeah,” Trevor replies. “But not, like… Greek. I’m from New York, but I live in California now.”

At the mention of California, her face stiffens. She hums disapprovingly. “Got sick of the West Coast, I take it? Is that why you’re back east this summer?”

Trevor flounders for a moment. “I love California, but the guys and I always spend our summers together. Usually we’re in Michigan.”

“So y’all travel all around, huh?” She asks. She doesn’t sound impressed, which makes Trevor nervous. In fact, she sounds almost disdainful, but the look on her face appears as though she’s holding back a laugh. Whether that is at his expense, he doesn’t know.

“We’re very lucky,” Trevor confirms, nodding tightly. “Most of our travel is for work, though. We all work in the same industry and it involves a lot of, um, business trips.”

“Business trips?” She asks, letting the laugh overtake her this time as she looks him up and down. “You?”

Trevor looks down at his own outfit, the basketball shorts and loose t-shirt. They’re two of the few clothes he owns that are not branded with the Ducks logo. He scratches the back of his head sheepishly. “We’ve been driving a while and I wanted to be comfortable.”

“You certainly look comfortable,” She agrees with a nod, her grin knowing and wide.

“I didn’t catch your name,” Trevor says with a similar grin, shuffling forward just a step now that he’s got her smiling and laughing.

It’s then that Cole and Jack exit the grocery store, each with a hefty load of grocery bags on their arms. They’re laughing, so it appears Cole has managed to cheer up the sullen Jack in Trevor’s absence. Trevor watches the girl’s eyes leave his, drawn to the movement and volume of his two friends. He curses them in his mind, watching as they find him and decide to approach.

“I thought you were warming up the car, Z,” Jack accuses, his eyes flickering between Trevor and the girl. “D’you get distracted?”

Trevor bites his tongue before forcing a smile on his face. He turns back to the girl. “These are the some of the friends I mentioned, Jack and Cole. The other ones, Jack’s brothers, aren’t here yet.” Trevor knows he’s overexplaining, but he can’t help it. Something about this girl has him awkward and tongue-tied, yet his tongue can’t stop forming words and pushing them out.

“Yeah, your business partners.” She rubs a hand over her face, smoothing out the half-smile that was clearly keeping a laugh at bay. “Are they also from California?”

Cole snorts. “Business partners?” He repeats. “From California? No way. You’d never catch me dead in Anaheim, unless we’re playing there. Believe me, I’d be on the quickest flight back.”

“I just said we all worked in the same industry,” Trevor corrects, throwing on his most charming smile to try and salvage the situation. He wasn’t lying, but this girl might think he is, and that would be disastrous. He doesn’t know why, but it would be. He wants her to think highly of him and now he’s made two bad first impressions.

The second one is his friends’ fault, of course.

And she does think he’s lying– Trevor can tell by the way she looks him up and down, then Cole, then Jack. Her eyes squint imperceptibly at Cole’s mention of “playing” in Anaheim, rather than working. It was a statement that could have extended the conversation, but this girl seems to decide that she is uninterested.

She nods sarcastically, then scoffs quietly. “I have to go,” she says. “It was nice to meet you, Trevor. Have fun in Litchton this summer, boys.”

“Oh, we will,” Jack assures her. Trevor hates how his eyes rake over her, combing through each detail of her skin, her clothes, and her hair.

“Nice meeting you!” Cole calls after her as she walks away.

Both boys turn to Trevor, equally annoying smiles on their faces. 

“Shut up,” he hisses before they can say anything. 

“Who was that?” Cole asks.

“I didn’t get her name,” Trevor growls through gritted teeth. “She was just about to tell me and then the two of you showed up.”

“Boo-hoo,” Jack teases. “So you won’t be the first to bed a girl this summer, for… how many summers in a row is it now, Coley?”

Cole’s laughter breaks his face, but Trevor interrupts before he can speak.

“It’s not even a real competition, Jack. You only act like it is because you fuck the same girl every summer as soon as we get to the lake house. It’s trashy.”

“Being a winner isn’t trashy, Trev. In fact, maybe I should go follow after the girl you were just chatting up. I’ll show her how a real man flirts.”

“Shut the fuck up.” Trevor feels a flare of anger well up inside of him when Jack insinuates taking this girl for himself. It should be anger about questioning Trevor’s manhood, but it is not. “Get in the car.”

He stalks off, starting the car this time and situating himself behind the wheel. Jack vies for the passenger seat unsuccessfully, souring his mood yet again. Despite Cole’s smaller stature, Jack is the one left in the backseat with the bags of groceries around him. Soon, Trevor’s shirt joins him after a misguided throw to the trunk of the car where their luggage resides.

When they arrive at the house, Jack only carries the groceries inside. He claims he’s been stilted all day and Trevor can’t really do much to prove otherwise. Cole carries in his and Jack’s luggage into the home– a rental that Trevor paid good money to book for the entire summer. 

“I get the best room!” Trevor yells after them. “I paid for it! I want the ensuite bathroom!”

“Go fuck yourself,” Jack replies. He’ll leave the room for Trevor to take anyway. 

The three boys had planned this ahead of time. They would be in Litchton the whole summer, so they will take the three bedrooms that have king beds. Quinn and Luke will take the queen beds in the other bedroom, and the various guests throughout the summer will take the bunk beds in the basement. From the pictures alone, Trevor realizes that the house could sleep more than ten people. If they can find ten people, maybe they could throw a party. 

and invite that girl, Trevor thinks.

He’s taken aback by the thought and its suddenness. He doesn’t even know her name or if he’ll see her again– so why is he thinking of her?

Trevor shakes the thought and grabs his bags from the back of the car. He used an extra practice bag from the bottom of his closet in Anaheim to pack his clothes for the summer, so he has a free hand to open the door that Cole closed behind him. 

He finds the big bedroom easily and drops his bag in the closet, not bothering to unpack. He looks out the sliding door onto his porch, the wrap-around that encircles the entire back of the house. His porch holds two rocking chairs and a wooden bench. The house is built out of wood– almost overwhelmingly so– and the decorations match. His bedframe, his dresser, his bedside table, his small desk, the fan, even the blinds on the window… all of them are made of wood. 

His bathroom has double sinks and a granite countertop. The handles are gold in color, but likely not in material. The spout of the sink is more like a water spigot that one might find outdoors, but it’s classy. When Trevor enters his bathroom, he’s in awe of the jacuzzi tub and shower on the other side of the room. 

The tub and shower are both built from dark marble, bespeckled with lines of darker ore. The tub has wooden cabinets beneath the feet of marble on either side of the tub, which holds towels and toiletries on the right and left respectively. The tub has jets and a handheld spout that’s detachable. Trevor considers them. He can think of a use for both.

The shower is spacious with an overhead spout, wide and fancy. It has ledges for toiletries, as well as a seat in the corner. The door is glass and there is a hook for towels next to the opening. The shower stands from ceiling to floor, completely confined. Despite the windows to the side of it, the occupant of the shower would be completely hidden from sight, once the glass door steams up. 

Trevor explores the house further, but doesn’t take up residence anywhere. Cole and Jack seem to have put the groceries away while he found his room and looked around. Now, they’re nowhere to be found. They’ve likely taken up residence in their bedrooms for the night, tired from their eleven hour drive.

Lord knows Jack needs sleep before he braves this vacation. He always gets grumpy when he’s tired, part of the reason why he naps prior to every game. 

Trevor is glad that all of the boys can make it up for the summer. He can’t wait to get things started.

2:90 – HONEY

She wakes with the sunrise, as she does every Tuesday. It’s her first day of the week at the bookstore and she has to open. The Reading Nook is always closed on Mondays and she is one of three workers– the owner, Ada and her best friend since childhood, Bea. Ada opens the store on Thursday, whereas Bea opens it on Friday. Every other day of the week, the responsibility falls on her.

She makes her coffee and drinks it on her couch, looking out the window towards the mountains in the distance. It’s clear today and she can see the rows of mountains clearly– ten rows back. Once, her father had told her that if you could count ten rows back, you were looking at the mountains across state lines. If you could count ten mountains, then you could count all the way to Tennessee. 

She believed him, until she realized that the sun always rises behind those mountains. She faces east. Tennessee is to the west.

Still, the memory comes with fondness. It was before she moved away from home to pursue a life of quietness in the mountains, her favorite place in the world. Those days are long in the past. She has no interest in returning to them, given how far she’s come. The only person from her hometown that was welcomed into this new life was Bea and she has proven time and time again that she is deserving of that role.

Not only did they grow up together, but she got her nickname because of her friendship with Bea. As children, a long-forgotten teacher had made a comment about the two being attached at the hip, stuck together like glue. She had corrected herself with a laugh, evidently feeling clever when she said: “No, more like a bee to honey, right, girls?” From that day on, she had only gone by Honey and Bea had shortened her name from Beatrice to keep the analogy. 

She drives to The Reading Nook and unlocks the store, wiping the counter and sweeping the main room while she waits for her regular patrons to enter the store.

On Tuesdays, the “founding” women of Litchton convene in the bookstore and knit. Some days, Honey joins them. Others, she just wishes to sit and read at their table, listening in on the gossip of the week. The women are not so much founders as the grandmothers who lived in Litchton since their birth, having married and worked and raised families here. They are true Appalachian women– driven by superstition and fantastical solutions, lovers of a good story, and wonderful bakers who only crave to share their gift. They are churchgoers, often multiple times a week, and headstrong believers in their chosen politician. These are the attributes that Honey does not share with the women– she was an outsider, although she has been welcomed into the Litchton society since moving here. She attended church when the ladies asked her to, usually for the rare wedding or baptism. Rarer for a funeral, luckily. Honey does not feel any particular way about politics, at least not out loud, and she’s lucky that the ladies try to reserve that topic for the debates of their husbands over dinner parties, not the knitting circle on early Tuesday mornings.

Sacha is the first to arrive to the bookstore that morning, armed with blueberry muffins in a tupperware that Honey will have to wash in the little sink in the back while the women are knitting. Sacha has left one too many tupperwares and bowls in The Reading Nook and Honey won’t allow her to leave another behind. 

Honey plates the muffins for Sacha while the elderly woman secures the long table in the store for her friends. It does not take long for Scarlett, Gillian, Vera, and Rosalind to join. The women each knit their own project, waking up over coffee and muffins before the gossip starts.

It begins with Vera’s son’s divorce, something she had been dreading since he proposed to his soon-to-be ex-wife while they were still students at NC State. They had moved to Raleigh permanently, an action that Vera believes started this whole thing. When her son left home, and his wife finally revealed that she didn’t want children, Vera knew it was over. Or so she said. Honey thinks that she’s just butthurt about her son fleeing the nest… ten years ago. She wonders, briefly, if her own mother feels this way about her.

Honey shakes herself out of her thoughts as soon as Scarlett introduces the next topic, the topic that Honey knew was coming since the night before.

“Did you see those young men at the store yesterday? I know you always do your shopping on Monday evenings, Rosalind.” Scarlett tilts her head like she’s conspiring with Rosalind, like Rosalind has been holding information from the group.

Rosalind nods, eyes glinting behind her wired glasses. “They were such handsome boys. Lord, I tell you, if I were a young lady nowadays…”

She trails off and Honey stifles a laugh, looking down at the counter. She can feel the ladies’ eyes on her, no doubt hoping that the mention of boys piques her interest. Honey knows how these ladies were in their day– boy crazy but also efficient, looking for the perfect match and settling for no less. All of them prevailed, although from their complaints, you would never know their husbands were the loves of their lives.

“Ladies, you know this conversation would be better suited for Bea,” Honey teases. 

“Bea is too forthcoming, you are still somewhat of a mystery.” Gillian lifts an eyebrow. 

“Where is Miss Bea?” Vera asks. “Wasn’t she supposed to be here half an hour ago?”

Honey doesn’t stifle her laugh this time. “Miss Vera!” She exclaims. “It is a Tuesday morning. You know Bea has no interest in showing up to work for at least another hour.”

Vera shakes her head. “You and Ada have got to stop allowing her to show up so late.”

Sacha laughs. “As if they could stop her if they tried!”

All of the women, and Honey, laugh at the joke. It’s well established in Litchton that Bea is the tardy sort, whereas everyone else prefers to be early or on time. Bea has the attitude of a city girl, to quote the old ladies, but the work ethic and priorities of a Litchton woman. She likes her men, she likes her job, but she loves a nice lay-in.

“Besides,” Honey tells the women, hesitating with a coy smile before dropping the bomb of information: “I’ve already met those men.”

The effect is instantaneous. All of them drop their knitting onto their laps and gasp. Gillian clutches at her chest, always the most dramatic of the quintet. 

“My darling,” Rosalind marvels.

“Well?” Scarlett questions. “How? When? Tell us everything.”

Honey moves from behind the counter to an empty seat at their table. She sits next to Sacha, the woman taking her hand and holding it tightly. 

“You ladies seem to forget that I go to the fruit stand outside the store on Monday evenings,” Honey begins. “Which is where I ran into them. Literally, too– one of them had his nose buried in his phone and bumped into me. He could’ve knocked me over!”

“You should have fallen so that he could have helped you up,” Rosalind suggests. The women murmur in agreement.

Honey rolls her eyes. “I did not. He apologized, I told him that he only bumped into me because he was caught up in his phone, and he said he would be more careful next time.”

“Next time,” Gillian repeats, nodding. “So he wishes to see you again?”

“Turns out, ‘next time’ was about five minutes later, when I went to leave the stand and he was right behind me!” Honey reveals, purposefully lacing incredulity into her voice. She places a finger on her lips and widens her eyes, playing into the dramatics of the ladies as if to say “What do you think of that?”

The women gasp in time. 

“Which one was it?” Scarlett asks.

“I only saw the other two for a moment, so I don’t think I could describe them well enough to you,” Honey says. “The one I spoke to is named Trevor.” She pauses to roll her eyes before adding sarcastically, “But his friends call him Z.”

Scarlett and Rosalind nod and look to each other. 

“It must have been the one who left earlier than the other two,” Scarlett says. “With those awful tattoos.”

Honey bites back a giggle. Once a southern mother, always a southern mother. “He did have tattoos,” she confirms.

“You two would get along,” Vera suggests, not so subtly casting a glance at the leafy vines that crawl up Honey’s arm.

Honey goes quiet, glaring at Vera. She has worked to try and get the ladies to stop commenting on her body and habits over the past few years, but the ladies are stubborn and traditional in most senses.

“How long will they be here? Or were they just stopping through?” Gillian asks.

“They’ll be here all summer, so I’m sure we’ll get our fill of them.” With that, Honey effectively ends her role in the conversation. She returns to the counter and opens her book, pretending to read it.

She knew the ladies would have caught wind of the men’s arrival by now and would want to discuss it. She knew that the ladies would be interested in setting her up with one of these new arrivals. They were cute, she’d give them that. At a glance, any of the three could have been nice company at a brewery, but Honey wasn’t looking. She was perfectly content with finding herself and making her own life, even if it meant that she wasn’t finding a husband like most women in Litchton wanted her to do.

The other thing was this: Trevor hadn’t made the best first impression. He bumped into her, then startled her, then told her some story about business partners or colleagues that definitely was not true, and he was from California. He’s a yuppie, a hipster who probably enjoys the bustle of Los Angeles and can’t handle the slow, satisfying life of a small town. To her estimate, Trevor has got a week before he leaves Litchton for something more glamorous and fast-paced.

The ladies relay the news to Bea when she finally shows up for her shift, a travel mug of coffee in hand from which she sips throughout each tantalizing detail of Scarlett’s retelling. Upon Honey’s information, Bea’s eyes flicker knowingly toward the counter and Honey just shrugs. Bea’s eyes then narrow, accompanying a questioning tilt of her head. Honey shakes her head at that, and Bea lets it go.

“Well, I heard the reason that Mr. Mayes wasn’t at church last week wasn’t his hip acting up,” Bea says to the ladies when it’s her turn. That starts a whole new tangent for the knitting club, one that will keep them occupied and in their seats for a number of minutes. It gives Honey the time to slip into the back and cut up one of the peaches that she brought from home to snack on during work. 

The ladies leave The Reading Nook about an hour after Bea’s arrival, leaving the store empty except for the two girls and floaters looking for their next novel.

Bea leans against the counter with a smug smile, blinking innocently at Honey. 

“What do you really think about them?” She asks.

“I think they’re trouble,” Honey says. “They didn’t seem on the same page about their jobs, they don’t know anything about living in a small town, they travel a lot, and I think I saw one of them carrying a 48-pack of beer.”

“Are they cute?”

Honey fixes Bea with a stare that could put a stop to anyone else’s questions. Unfortunately, Bea is immune to Honey’s intimidation tactics and her sarcastic jabs. She sees right through them. Honey’s silence is another thing she sees through.

“Interesting.” She draws herself up to her full height. 

“I think you would find them cute,” Honey says.

Bea hums. “You can’t backtrack now. You said enough without saying anything at all.” She crosses her arms over her chest then leans back down onto the counter. “So, tell me, Honeybear,” she muses. Fortunately, she changes the topic. “Did you get my strawberries from the stand, or were you too enthralled by the pretty boy in front of you?”

“He wasn’t pretty.”

“Sure he wasn’t.”

Honey scoffs, then leaves to the back to grab the basket of strawberries. She does so carefully, not touching the strawberries in case she breaks out in hives like she did last time. Bea swears that more exposure to the fruit would “cure” her allergy, but Honey only picks up the baskets to humor her. Honey doesn’t think she’s missing out on much, being allergic to strawberries. It’s her peaches that she would miss, and the blackberry pie that Ada makes when her vines turn ripe. That’s something to look forward to– blackberry season is starting and Ada could show up with a pie any day now.

The day continues slowly, with Ada making an appearance to close down the shop with the girls and help unpack a new shipment of books. After they’re done, Honey and Bea head to their respective homes.

Honey curls up with her book in her bed and listens to some music before the soft noise of the background and the comfort of her blanket draws her to her sleep.

3:90 – TREVOR

They have to go to the hardware store today. 

Yesterday, the boys wasted the day, sleeping later than they have in weeks. They ate a late breakfast, which turned into their lunch. They played pool on the pool table, ping and beer pong on the foldable table, and sunbathed out on the porch. Cole watched lazily as Trevor and Jack tried to outline half of a rink in chalk on the cement slab. They never finished the other half of the rink.

Today, they have to go get some wood and tools to make the rink into a 3D structure so the pucks don’t go flying into the woods when they shoot them. Trevor and Cole are the ones who are supposed to go to the store– Jack has decided to stay behind and wait for Quinn and Luke if they show up while the other boys are at the store. 

A convenient excuse, even though the goons are planning to show up today. Trevor expects the brothers to try and weasel their way out of working on the rink, claiming that they’re too tired from travel or they need more time to unpack. The thing is, the boys are flying into Charlotte and renting a car for the summer so that there will be two at the house, so they’re only driving for like an hour compared to Trevor’s eleven. They have no right to be complaining, but they will likely enact a vote and outweigh Cole and Trevor because if the Hughes are anything, it’s lazy and loyal to each others’ laziness.

They’re very driven, but only when they choose to work. When it comes to hockey, they’ll work all day. When it comes to creating the hockey rink or putting together equipment, they would much rather watch. Jim spoiled them that way– he was always the builder of the family and the boys were left to go do whatever they wanted as long as they weren’t annoying their father.

Trevor and Cole put off the trip as long as they can, hoping that maybe the Hughes brothers will show up early and they can force them to go to the store before they can even get out of the car. 

When the clock hits two, Trevor decides that the waiting is useless. They could’ve done so much during the day instead of sitting around waiting, but no. He was lucky enough to sit around and do nothing all day and watch stupid daytime TV with Cole while Jack read his texts with his brothers out loud.

The hardware store would be heaven compared to this.

He leaves without Cole at first, driving slowly down the driveway until he sees Cole’s figure run out of the house and after the car. Trevor can imagine what he’s saying as he yells after the vehicle– something about not being left with Jack in case the other Hugheses show up, something about how Trevor is a dick. 

They follow the one road on the mountain up to the strip where all the stores are. The hardware store is just a few doors down from the grocery store, so they park in the same parking lot.

Cole and Trevor walk side by side, Cole’s eyes on his phone as they walk while Trevor takes in the brick walkway beneath them. Names are etched on some of the bricks– Jude Doyle, Frederick Lawson, Ansley Hood… Grandma. Trevor has seen stuff like this before, but there’s something different about these names being etched on the bricks of this small town. Everyone probably knew these people, or knew someone who knew them, when they died. It’s so personal.

When they reach the hardware store, Trevor holds the door open for a man leaving. They give each other a curt nod, just a passing glance. Trevor sees absolutely no recognition in his eyes and comments on it. Cole doesn’t care, and says so. Trevor punches his shoulder.

“Welcome in,” the elderly woman at the counter greets. “What are you boys looking for?”

“Hi,” Cole replies, a charming smile on his face. “Could you point me towards the power tools? I can find my way from there.”

The woman smiles and points toward the back of the store. “They’re on the left, sweetie.” She turns to Trevor. “And what about you?”

“We’ll be needing some plywood,” Trevor says. “We’re building a little roller rink.”

“Oh, how fun!” The lady, named Vera if her nametag has any truth to it, claps her hands. “How much do you need, dear?”

“How much have you got?” Trevor asks. 

Vera waves her hand. “I don’t know. I’ll call Earl, he’ll send you off with what you need.” She turns and takes a breath before shouting the man’s name. Trevor’s heard that shout before– his grandmother used to do the same thing with his grandfather. 

The balding, age-spotted man appears at the door to the back of the shop. “I done told ya I have my hearing aids in, woman,” Earl grumbles to his wife, fond and mean and familiar in the way that only a couple who has been married for fifty years can be. 

Vera smacks Earl’s arm as he ambles by her. Earl pulls his arm away and puts another foot between them. 

“What do you need, young man?” Earl asks.

“Lots of wood,” Trevor says. “A couple of sheets of plywood and some 2x4s, maybe?”

“Boy, you do not think I have all’a that laying around.” Earl fixes Trevor with a stink-eye. 

“Don’t you tell him that!” Vera chimes in. “I know you’ve got plenty of wood out back because you bought all of it and never finished our damn basement.”

“I’m going to finish it!”

“Earl, you’ve been saying that for thirty years, you ain’t never finishing the basement.”

Trevor wants to laugh at the absurdity of this conversation. He wants to laugh at this domestic argument and how unreal it is that it’s unfolding in front of him. Instead, he clears his throat. “Excuse me,” he interrupts gently. “I don’t know if I want thirty year old wood for this. We’ll be hitting pucks off the boards all day and I’d like to keep the pucks inside the rink, please.”

“You’re a hockey boy?” Earl questions with a raised brow. When Trevor nods, he lets out a grunt. Trevor can’t tell what that means. Nonetheless, he waves Trevor to follow him into the back.

Trevor squeezes past Vera– she pinches his butt, he thinks– and catches a glimpse of her knitting under the counter when he walks by. She’s knitting something green. It’s too bundled up for him to tell what it is, though. Maybe he’ll ask later.

When he enters the back room, Earl gestures around. “Take your pick of the wood and make a pile over there–” he points to the corner– “and you can drive around back and we can put the wood in your truck there.”

“Oh, I didn’t drive a truck down,” Trevor says before he can help it. Earl makes a face. “But my friend and I can carry the piles ourselves to the car, don’t worry about that.”

“I wasn’t worried,” Earl gripes, shuffling away to sit at a bench with a circular saw and a half finished product on the table. 

Trevor sifts through the wood, all neatly arranged into piles of similar sizes– but labeled completely wrong. Trevor thinks that Earl might’ve refused to follow Vera’s labels when she first put them up in the shop, but realized that they’re more helpful than harmful. He’s just petty enough of an old man to ignore the labels, but follow the categorization.

Trevor ends up with a pile of ten sheets of plywood– four that are as long as lunch tables, and six that are just squares. Those will go behind the goals, while the long ones will go around the sides of the slab. He picks up a couple of 2x4s, just in case he needs them, and throws them on the pile with a clatter.

“I’m going to go grab my buddy,” Trevor says to Earl.

Earl grunts, but doesn’t budge. He also doesn’t look up from his station.

Cole is chatting up Vera when Trevor rejoins them. He’s leaning over the edge of the counter, asking about Vera’s knitting and her grandchildren. He’s got a bag of goodies next to him– powertools and nails, Trevor assumes. 

“Coley, come help me,” Trevor interrupts.

“No manners, this guy,” Cole says to Vera, scoffing and pointing his thumb at Trevor with a shake of his head. 

“Well, don’t keep the bear waiting,” Vera replies. Trevor watches her pinch Cole’s ass as he passes, but Cole just laughs and bats her hand away.

Fucking annoying. Always so good with the grandparents.

“The bear?” Trevor asks once Vera is out of earshot. “Is that me?”

Cole smirks. “We’ve got nicknames.”

Earl looks up when they reenter the back. He lets out a laugh, just a short bark. “This is your friend who’s going to help you carry all that wood?”

As the smirk falls off Cole’s face, Trevor picks it up.

“I can carry some wood,” Cole insists. “Probably all of it. I’m stronger than Z is, anyway.”

Earl’s gaze slides over to Trevor. “Z,” he repeats. “I hope you don’t stick with that one.”

Trevor laughs. “You sound like–” he cuts himself off. He never did learn her name, anyway. What’s it to this old man, who he sounds like?

Cole picks up on it though. “Like who, Z?” He asks with a tilt of his head.

Trevor glares at him. 

“I don’t give a rat’s ass who I sound like and I don’t want to hear your smug little bickering,” Earl admonishes. “Get your wood and get outta my shop.”

Trevor laughs in Cole’s face, then pushes him over towards the pile of wood. “Go on, strong man.”

Cole makes like he’s going to throw a punch at Trevor– Trevor doesn’t flinch, because he hasn’t fallen for that since their first stint on the US team– and puffs up his chest before deciding to pick up the long pieces of wood.

“Compensating for something?” Trevor asks.

“Go fuck yourself,” Cole replies cheerfully, turning on his heel and swinging the wood around with him, hoping to hit Trevor in the stomach. Trevor jumps away.

He picks up the rest of the wood and follows Cole out of the shop, bidding Earl a quiet farewell.

Earl grunts.

Trevor nods to himself, not surprised by the response. Vera is much more sad to see them go, gushing over how strong they are and telling them to come back soon. 

“What’s your nickname?” Trevor asks suddenly, as they load the wood into the back of the car.

Cole grins, crooked and smug. “Sweetie.”

“You’re fucking with me.”

“Oh, I assure you, I’m not. I’m a real hit with the ladies.”

“Yeah, you’re a real fucking hit with the married seventy year olds,” Trevor scoffs. “Don’t fucking talk to me, dude.”

Cole laughs, tossing his head back. He looks over Trevor’s shoulder. “Hey, isn’t that your girl?”

Trevor spins around. “Where?” He asks, looking to his left and right. 

When Cole starts cackling behind him, Trevor takes a deep breath and closes his eyes. “I’m gonna fucking kill you, dude.”

“Bear, you wouldn’t know what to do without me.” Cole pats Trevor on the chest before rounding the car, settling in the passenger seat.

“Fucking passenger princess,” Trevor seethes. 

“You wish you were me.”

“I fucking don’t.”

“The more fucks you say, the more fucks you give.”

“Fuck off.”

They drive back to the house in silence, Trevor’s knuckles white as he deliberates driving off the mountain and taking Cole with him. There are pros, certainly, the top one being that Cole would no longer be part of this vacation. The cons, unfortunately, outweigh the pros: without Cole, Trevor would be alone with the Hughes brothers all summer, except for the occasional visiting savior.

Quinn and Luke have arrived by the time the duo returns to the mountain house. They brought with them another SUV, this one only slightly bigger than Trevor’s vehicle. It’s got a third row of seats, but it’s cramped– they’ll definitely have to take both cars down to Charlotte when they go to practice. Because of the limited trunk space in Quinn’s rental car, Trevor’s car will likely end up being the gear car. 

Which is lucky, because who wouldn’t want to spend three hours total in the car with smelly gear while the other car gets to have fun and smell nice?

On second thought, the time alone might be good for Trevor. He loves his friends, he really does, but it’s hard to be around them for so long. He’s lucky that they’re all on different teams, that they keep up when they can, and that it’s not constant. Jack can’t escape his brothers, especially not Luke, but Trevor can escape all three of them.

He spends the evening building the outdoor rink, mostly alone. Quinn helps a little bit, mostly chalking up the lines on the remaining half of the slab. He holds the wood for Trevor while he screws some nails into the pieces to keep them in place. They work mostly in silence, as they often do. Trevor is itching to talk with Quinn, see how he is, but he knows that Quinn is a man of few words. He also knows that Quinn is quick to say that Trevor talks too much. They’re at the point in their relationship where Trevor lets Quinn dictate how much they speak.

Luke tries to cook dinner, he does. Trevor can’t fault him for trying. Jack had to jump in to save them from burnt steaks and soggy vegetables, and even if he can’t salvage everything, he does a pretty good job. Luke apologizes and does the dishes. He’s quiet for the rest of the night, falling asleep on the couch during the movie they picked out, and Quinn wakes Luke like a good big brother and shoos him to bed. 

It’s more calm than the lake house, Trevor thinks. They’re not really doing anything differently, are they? And yet, here they are, sitting together in calm silence. They’re drinking bottled beer and laughing over the same jokes they’ve heard a million times, reminiscing about summers past and what they’ll do this summer. Quinn wishes for a lake. Jack tells him they’ll find one.

Trevor goes to bed when the movie ends, frogs croaking past his bedroom window in the depths of the night.

4:90 – HONEY

It’s a Thursday, so Honey gets to sleep in until nine. Sleeping in until nine means that she really wakes up at eight, because she just can’t sleep in late after working at the bookstore for five years now. She sits on her couch on Thursday mornings and reads. She does the crossword in the Litchton Local, the newspaper that comes out weekly on Wednesdays. 

There’s an immeasurable stillness in the mountains.

Honey noticed it the first time she came up to this house as a child. Everything moves, like the bugs outside and the leaves on the trees, but everything is so still. Like it’s being held in place by something bigger. She knows the feeling well, but it’s comforting here. 

At home, it was uniforms and piano lessons after school. She loves piano, even still, but there was something so crushing about the weight of her perfect posture on that bench when there was all the pressure of beauty breathing down her neck.

Home, Honey thinks again, and laughs. 

In the mountains, all of the beauty of the world is there and present and taking up space– but it’s not forced. It’s not the idealized version of everything. It just is.

And everything is so green, especially on a rainy day like this. Honey thinks there’s something sacred about the greenness of the mountains, but it’s the melancholic side of divine that leaves you waiting for another whisper or breath in the wind that never comes.

She used to have a piano that she could play in the mornings. She toted it to the antique store down the road when she made the mountain home hers. Sometimes, she wonders why she did that and regrets it, staring at the dents on the floor where its legs used to stand.

But then she remembers that she’s thinking about the past again and she shakes herself out of it. Five years later, but it’s hard to forget all of the things you grew up knowing.

Honey picks Bea up on the way to work, relishing in the girl’s consistent lateness because it allows her the chance to catch up with her friend. They see each other every day, yes, but the bookstore isn’t suited for some topics.

Such as Bea’s current woes:

“I’ve run out of dating app men,” she complains.

Honey bites back a smile. “Did you run out, or did you just swipe left on all of them?” She asks knowingly.

Bea cuts her eyes at Honey. “All the ones I swiped left on are ugly,” she says. “I can promise you that.”

“Is anyone good-looking in Litchton, Bea?”

Bea’s silence speaks for itself.

Honey laughs, her hair whipping around her face in the breeze from the rolled-down windows of her car.

“If I had known you were dragging me to the Ugly Capital of the World, I wouldn’t have come with you,” Bea announces, like it matters. She’s a liar. She wouldn’t have let Honey leave their hometown without her, no matter where she was going.

“You couldn’t turn it down, you had to come,” Honey replies. “Especially since they asked you to be Mayor.”

Bea gasps, affronted. She stares at Honey, her jaw hanging open. “Are you mad at me? Be honest.” She pouts, her voice whiny.

“Oh my God,” Honey groans, rolling her eyes. “No, I’m not mad at you.”

“Okay, well, stop being a cunt, please,” Bea sasses. If Honey were more annoyed, she’d reach out and slap Bea’s arm for the attitude. “We have to go to work and I need to put all my focus into pretending to like you.”

“Yeah, because it’s so hard to like me,” Honey says. Her voice is dripping with sarcasm, monotone and grating. 

“Yeah, it is, you suck.” Bea flips her hair over her shoulder, digging through her bag to find her Walmart lip gloss. She smears the cherry flavored gloss over her lips and puckers up, batting her eyelashes at Honey exaggeratedly. “Gimme a kiss.”

“No.” Honey pulls up to The Reading Nook and parks on the street in front of the building, parallel parking with the practiced ease of someone who’s been dealing with nothing but parallel parking (except in the grocery store and church parking lots) for the last five years.

“Ugh, one day you’ll kiss me,” Bea mutters, staring forlornly out the window. 

Honey rolls her eyes. “Bea, we’ve already kissed. You weren’t that good and I didn’t like your lip gloss then, either.”

Bea cringes. “That was like ten years ago, Hon. Things have changed since then. Number one, I’m not in middle school. Number two, I’ve had boyfriends and I’ve had sex since then. Number three, you know it wouldn’t mean anything. I want you to try my lip gloss so bad, come on.”

Honey stares. Bea’s got a stupid smile on her face, teasing and annoying. They hold each other’s eyes for too long before Honey speaks. 

“You’re insufferable, did you know that?”

Bea nods. “You are so easy to work up.”

Bea and Honey exit the car at the same time and enter the store through the front, the bell jingling behind them. Ada greets them from behind the counter, teasing Bea for being late again and threatening to cut her pay. She never will, never. Bea is too good with the kids, too happy to talk to mothers, and just dry enough to understand the miserly old man that walks through the door looking for a new World War I book. 

In the back, Ada has a bowl of biscuits and jam that Honey reheats and eats over the counter before she starts her day. 

She’s supposed to reshelve some books from their Borrow Before You Buy section, the part of the store that acts as the town’s public library. It’s a small task. The pile of books that were returned yesterday is less than a hundred. A good portion of the books are little kid chapter books, the kind you could finish in an hour as an adult because the font is so big and there are full-page pictures twice a chapter. 

Bea has to read to the kids at noon– some of the mothers bring snacks, like the end of a youth soccer game. It’s like a potluck lunch and the kids love Bea. Most weeks, it’s just her, but since it’s summer, she’s starting to bring in guest readers. Honey refuses to do it every time. Well, that’s not true– she acts as guest reader once a summer, right before school starts. It’s her one moment of the year. 

As she’s restocking the books, Honey hears the bell twinkle with each new customer that walks in. She’s grown used to the noise over the years, so it doesn’t draw her eye anymore.

What does draw her eye, however, is the blunt tap on her shoulder. When she turns around, Bea is blinking innocently at her– no doubt the offending hand in this scenario– with Trevor by her side.

“I was just talking to Trevor here, Honey,” Bea says. “And he was wondering if we had any books that a man his age might like. I thought maybe you should talk to him.”

Honey glares at Bea, purposefully obvious about it so that Trevor sees. What does she know about book recommendations for a man in his twenties? He probably wants some shit sports biography, or worse– he’s embracing his inner old man and he’s ready to venture into the world of World War I non-fiction. Either way, book recommendations are Bea’s thing, not Honey’s. She just stocks the books, builds the shelves, and bonds with the old ladies who come in on Tuesdays.

Bea shrugs with a coy little smile– Honey wishes she could slap it off of her face– and disappears behind the stacks. Honey can tell that she’s still listening from a few feet away, always nosy and overly interested in Honey’s exploits. If she can’t indulge in her own, she’s happy to butt in on Honey’s.

“Trevor,” Honey says, crossing her arms over her chest. She didn’t wear a bra today. She doesn’t trust him not to look. She also doesn’t trust her nipples not to peak in the cold air. 

“Is Honey your real name?” Trevor asks. 

She balks at him. “What is it with you and my name?”

Honey expects Trevor to back down, to act timid and normal and earnest like he did at the fruit stand on Monday. She expects him to apologize, yet again, for another inadvertent mistake that Trevor seemed unable to avoid. It’s because he doesn’t think– he just says the words as they come to mind, hoping that the sentence comes out fully formed and making sense.

And yet, he doesn’t.

“Just wanted to know what name I’ll be saying when I’m telling you to come,” is what Trevor answers. 

Honey gathers her wit quickly, scrambling to find a response to Trevor’s bold statement. She wants something clever, something to turn him down, something to tell him that he’s a cocky prick for saying such a thing while she’s at work, but she comes up with none of the above. Instead, she settles for: “It’s a nickname.”

A smirk tugs at Trevor’s lips and Honey wants to reach out and strangle him. He’s smirking because he thinks he bested her– bested her– and that he’s got the upper hand.

“What kind of book are you looking for, Trevor?” Honey changes the subject, trying to get back on task. She turns, continues restocking the Borrow Before You Buy shelves. 

“I’m not sure, Honey,” he replies, really milking his use of her name. “What kind of books do you think I’d like?”

She glances at him, looks him up and down. She tamps down a smile and says in a curt, monotone voice. “Guides on how to make the best of your business trip.”

Trevor laughs at that, more of a shake of his shoulders than a real laugh. “You’re funny, Honey.”

Honey raises her eyebrows and waits for him to continue.

“Hey, that rhymed. Maybe a book of poetry? I need to study my craft if I’m going to be waxing poems about you.”

He’s bold, she thinks. He’s really bold, much more sure of himself than he was on Monday. He’s much more confident, a sharp 180º from where he was the other day.

“Why don’t you keep your waxes to yourself?” Honey asks.

“How can I?”

She turns to him, planting a hand on her hip. “Don’t you have something to do today other than bother me at my bookstore? You don’t even know me. Why are you here?”

“I’m here to get a book. I’m not trying to bother you, I’m just trying to make conversation.” Trevor shoves his hands in his pockets and has the decency to look ashamed, even if it’s just for a split second and just to see if Honey will crumble. She knows his type. She’s seen them before.

“You’re flirting with me,” Honey accuses. “Not making conversation.” She puts air quotes around the last two words.

Trevor smiles. “You caught me,” he says simply, no shame evident in his voice. The smile stays on his lips as he and Honey look at each other. He raises his eyebrows and she takes it as a challenge.

“I’m not interested, Trevor.”

“I could show you a good time, Honey.”

“In Litchton?”

“Don’t you hear how good it sounds when I say your name? It’s like we’ve been hooking up for ages and I’ve got a special little name for you.”

“A name that everyone else uses.”

“It’s special to me.”

“How about a self-help book?”

Trevor clutches at his chest, jaw dropping in fake-misery. “You think I need help?”

“If you’re not going to buy a book, then you need to leave me alone.” Honey places the last book in her stack on the shelf and looks at Trevor expectantly. The silence sits between them, suspended for a moment.

“Do you have any books about space?” He asks. 

Honey notices that his voice is softer, a little more genuine. She examines his features, waiting for the other shoe to drop. She waits for the joke about not wanting space from her, needing her in his orbit, or whatever. It doesn’t come. She scans his figure one last time, realizing that her brow is furrowed and she’s chewing on the inside of her bottom lip as she does so. She smoothens her expression, hoping Trevor didn’t pick up on her calculating stare.

“How do you feel about creative nonfiction?” Honey asks.

Trevor scrunches his nose.

“Memoirs, personal histories, stuff like that,” Honey supplies. She softens her voice to match his tone. She almost feels a little shy. “We only have one book about space that I’ve read and it’s creative nonfiction, but it’s really good.” Quieter, then: “I liked it.”

Trevor nods, a little hesitant. This is the Trevor she met on Monday. “Okay.”

“Follow me.” Honey leads him to the nonfiction section, to the rows of books whose authors bear a last name that starts with ‘D.’ She runs her fingers along the titles of the books at the height of her chest while scanning the upper shelves. “It’s there,” she says, pointing to the row just out of her reach. “It’s by ‘Dean.’” She looks down, around her on the floor. “Where’s my step ladder…?”

“I can reach it,” Trevor says, stepping forward. He places a hand on the small of Honey’s back and reaches up, fingers hesitating as he searches for the right book. When he finds the spine bearing Dean’s name, he bounces up on his tiptoes for just a second to slide the book from its position on the shelf. 

Honey has never been more aware of a hand in her life. His touch is light, just a passing glance really, but it weighs on her. It’s like she’s standing in quicksand and she waited too long to try and get out.

He’s so close to her when he stands flat on his feet again. He’s got the book in one hand and his other still rests on Honey’s back.

She steps away.

His eyes follow her, but instead of saying anything, he just flips the book over in his hand. He reads the back cover and as he does so, Honey puts more space between them. She takes a breath, trying to stay quiet, and grounds herself.

“Is it really any good?” Trevor asks. “Do I have to buy it?”

“Yes, and, um.” Honey throws a look over her shoulder. She lost track of Bea while she and Trevor went to find this book. Fuck, her nosey best friend could be anywhere. “You can borrow it. We just usually give people a week or so to bring it back, and if you don’t, we track you down.”

“Track me down?” Trevor asks, chuckling. 

“Yeah.” Honey nods. “Small town. Everybody knows everybody, or knows somebody who knows everybody.”

“Stalking me, Honey?” Trevor teases.

“We’ve met twice, and both times it was because you came up to me. If anyone is the stalker here, it’s you.”

Trevor turns the book over in his hand again, looking down to avoid Honey’s gaze. “Leaving Orbit, huh?” He bites his lip and takes in the sight of Honey in front of him. He taps the book with his other hand. “I’ll let you know if it’s any good.”

“I know it’s good. I read it.”

“Baby, if you knew good, you’d be all over me.”

Honey scoffs. “Alright, fun’s over. Get out of here, Trevor.” She shoos him away, practically pushing him out of the shop. She sticks her tongue out at him through the glass after closing the door behind him. She watches him laugh, run his hands through his hair, and turn away.

‘Zegras’ is written in bold letters across his back, the number 11 in the center of his t-shirt. The detail catches Honey’s eye as she watches him walk away, down the street towards a car with a New York license plate that looks far too perfect and expensive to belong in Litchton. She bites the inside of her lip again, pondering. If anyone asks, she doesn’t care, but Trevor’s different than anyone she’s ever met. She wonders why.

But no, she doesn’t care.

Bea does.

“He plays hockey,” Bea announces, revealing herself. “He’s good, too. NHL. He was a top ten pick when he was drafted.”

Honey just nods. Twice. That’s all she needs. They’re small movements and she’s still chewing on her lip.

“What did he get?”

Honey clears her throat. “Just the, uh, Dean book about space.”

Honey can practically hear the face Bea makes behind her back. “You think he’ll enjoy that?” Bea asks. “It’s really personal.”

“It was the only book I could think of,” Honey replies with a shrug. She finally turns around to face Bea. “You’ve got to stop spying on me. I know you listened to our whole conversation.”

Bea pouts and stomps her foot, the sound echoing along the stacks around them. “How could I not?” She demands. “‘Just wanted to know what name I’ll be saying when I’m telling you to come?’ Honey, girl. Be serious.”

“Bea, you know I’m not looking for that right now.”

“You’re never fucking looking for that,” Bea hisses, pinching Honey’s wrist until she flinches away. “It’s falling into your lap and you’re pushing it out the door! What’s wrong with you?”

Honey glares at her with a tilted head. 

Bea relents. “One of these days, I’m going to kick your ass,” she threatens. “You can’t be a spinstery old maid forever, Honeybear. They’re only here for the summer. Maybe you should embrace it.”

“He’ll be gone within the week.”

Bea sighs. “Whatever you say.”

5:90 – TREVOR

“We need to throw a party,” Trevor says over breakfast.

“Why?” Luke asks, voice scratchy from lack of use. He yawns and runs his fingers through his hair, further messing up his already messy curls. He’s not wearing a shirt– none of them are– and Trevor is astounded by how pale Luke is. 

“We need to get you outside more,” Trevor mumbles, then clears his throat and continues speaking. “It’s like a housewarming thing.”

Unimpressed, Cole rolls his eyes. “Who do you want to invite?” He asks.

Trevor pauses, side-eying his friend. “Nobody,” he deflects. 

Quinn snorts, the spoon he’s using for his cereal clinking against the side of his bowl. “Not much of a party.”

“He wants to invite the girl that he met the other day,” Jack says, butting into the conversation. 

Luke frowns. “What girl?”

“Some townie that he met at the fruit stand when we went to the grocery store,” Jack explains. “He doesn’t know her name.”

“Her name is Honey, actually,” Trevor interrupts. 

The table stills. Each of the boys’ eyes turn towards Trevor and he suddenly feels like an ant under a child’s magnifying glass, boiling under the glare.

Cole pushes up an invisible pair of glasses and raises a finger, pursing his lips. “Actually,” he mocks, then drops the tone. “How do you know her name, Z?”

Trevor shrugs noncommittally. “I ran into her when I went into town yesterday.”

“Oh, when you were supposed to pick up laundry detergent and you came back with a book instead?” Cole asks. “That makes sense, much more sense than what Luke said.”

Trevor blanches. “What did Luke say?”

Jack snickers.

Trevor turns to Luke. “What did you say?”

Quinn smiles and hides his face, taking a large mouthful of his cereal to leave Luke hanging if he asked for help.

Luke flushes. “I mean, you know… that maybe you confused the two.”

“How the fuck would I confuse laundry detergent with a book?” Trevor snaps. “They’re two completely different things, fuckface.”

Luke throws his hands up in surrender. “We were just thinking of reasons why you might’ve come back without the one thing we needed.”

Trevor looks around the table. “You guys are such assholes.”

“Bro, you’re the one that forgot laundry detergent because you were too busy chatting up some chick,” Jack defends the group. “Now we can’t even do our laundry.”

“If it’s so fucking important to you, go get the detergent yourself!”

A smile breaks out on Jack’s face. “Maybe I will,” he says, his voice shit-eating. “I might need to grab a book for myself, too.”

Trevor’s anger increases tenfold, for no fucking reason. “The fuck you do,” he snaps. “You don’t even know how to read.”

Jack’s face twists, his emotions finally aligning with Trevor’s own. “Fuck you, dude. You know I can read, I just don’t like to.”

Trevor scoffs and rolls his eyes. “I just want to have a party,” he mutters, stabbing at his eggs with his fork. 

The boys fall into silence, finishing their breakfasts. Trevor pouts, frustrated that the boys weren’t immediately on board with his idea for a party. 

If they were in Michigan, the Hughes brothers would have the front door of the house unlocked past 10pm. The people they know from the golf course, from the lake, from the pickleball courts would all be pouring through the doorway and into the party. Everyone knows that on Saturday nights, the Hughes brothers invite people over and they have a big bonfire. Apparently, that only applies in Michigan.

Trevor leaves the breakfast table first, to jeers from the other boys about being pouty and bitchy for not getting his way. Trevor knows that he’s going to invite Honey and her friend– Bee? Bea? B?– over tomorrow night no matter what the goons say. There’s not much to do in Litchton, he knows that, so he doesn’t want to leave the girls out. Otherwise, they might just sit at home all night. Trevor can’t have that.

Obviously, that’s his only motive. He would never have any other reason to invite Honey and Bea over to the house at night. Never.

Maybe one other reason.

But that’s irrelevant. 

He spends the morning outside, using the extra wood from Earl to build a fire pit in the half-circle clearing near the edge of the forest. When they were younger, Trevor’s sister might’ve thought this area was where the fairies lived, and maybe she would have built them a house. He wonders briefly if Honey was the same way when she was a child, when she was growing up in rural Litchton with nothing else to do but imagine.

Come to think of it, he doesn’t know if Honey grew up here. She seems so intimately integrated into the town that she has to be from here, has to have grown up here. She must know all the town secrets and all the town gossip and fuck, Trevor wants to know all of that and more. 

He can’t explain the feeling he has about Honey. He’s just… drawn to her. It doesn’t make sense– he doesn’t know her. He’s barely met her. She did not exist in his life a week ago and yet, she’s popping up in his thoughts like they’ve known each other for years. Like they’ve been inseparable for years. When he thinks about it, he decides that Honey is like one of the girls he would have met in elementary school in Bedford. Honey is one of the girls that he would have grown up with, one of the neighbor girls from down the street with whom he rode his bike on hot summer days. 

She’s got a hometown charm feel to her. Trevor has to see her again.

He finishes building the wooden part of the fire pit before realizing how stupid it was to build the pit out of wood. A lightbulb seems to go off in his head, though, because it’s an excuse to go see her, to invite her to his party. He can go to the hardware store on the way, pick up some stone and gravel to line the wood, protect it from catching flame. He can pick up some firewood from the grocery store for their first fire and pick up the laundry detergent he forgot yesterday. Jack won’t be so annoying then.

Trevor doesn’t bother telling the boys where he’s going– he just gets in the car and drives away. 

It takes all of fifteen minutes to make his way to the bookstore. It’s still early, so he doesn’t even know if it’s open yet. Trevor and the boys are so used to waking up early for hockey that they’ve been up for about two hours and the whole day is still ahead of them.

When Trevor pulls at the front door of The Reading Nook, it doesn’t swing open the way it did yesterday. He knows the doors are easy on their hinges, considering how easily Honey slammed the door behind him yesterday, but today, the wood is barely budging. He knocks on the door, loud. 

Honey’s friend’s head peeks out from behind a stack, confusion written all over her expression. Trevor waves at her, gesturing at the door. She laughs, then approaches the door. She points down at the ‘Closed’ sign hanging near the handle.

Trevor tilts his head, unimpressed. “I have to talk to you,” he says through the glass.

Bea unlocks the door and opens it with a snorted laugh. “What’s up, Trevor? Honey’s not here yet.”

“I have a proposition for you.”

Bea steps aside and lets him into the store. “You want her.”

Trevor sputters at her honesty. “I don’t know her.”

“You want her,” Bea repeats with a nod and a knowing smile. “And you want to know how to get her.”

“Well, yes,” Trevor says. “But also, no. I wanted to invite you– both, you both– to a party tomorrow night.”

Bea smiles. She crosses her arms over her chest. “You want my best friend and all I get is some measly party? Come on, Trevor. What’s in it for me?”

Trevor thinks for a minute. “What do you want?”

Bea laughs. She pokes her tongue into her cheek and looks expectantly at Trevor.

“Whoa,” Trevor says, taking a step back. “That’s really… forward, but–”

“I don’t want you, Trevor,” Bea scoffs. She shakes her head and rolls her eyes. “So self-centered, Honey was right about that. But, I’ll help you get her and I’ll make sure we make it to your party if you give me what I do want.”

Trevor hums, narrowing his eyes. “What do you want?”

Bea smiles, devilish and conniving. “The dating pool up here is pretty dry, and I hear you’ve got a few friends.”

Trevor nods.

Bea blinks at him. “Do you have any pictures of these friends? I would’ve looked you up, but Honey and I swore off Instagram years ago.”

That makes sense. That’s why he couldn’t find Honey when he looked her up last night– not that he had much to go off of. Still, “Honey Litchton NC” didn’t reveal many results.

Trevor fumbles with his phone, showing her a picture of the group from last summer. He watches her fingers pinch and zoom in on the picture, on each individual. She keeps her expression neutral, a poker face that impresses Trevor. She hums, thoughts racing behind her eyes too quick for Trevor to understand them. 

“We’ll come to your party,” Bea says simply, handing the phone back to Trevor. She snatches it back at the last second. “Wait,” she says, and clicks around for a second. 

Trevor waits, then she hands the phone back. On the screen is a contact page for ‘Bea McLean.’ 

“It’s pronounced like McLane,” Bea tells Trevor. “Since you’re so obsessed with names.”

“Okay,” Trevor cuts her off with a sarcastic nod. 

Bea laughs. “Don’t get sassy with me, I have all the power here.”

“Yeah, but I have your number,” Trevor flaunts.

“I could just block you, easily,” Bea points out. “Then where would you be?”

Wisely, Trevor bites his tongue. After a deep breath, he asks, “So, I’ll see you tomorrow?”

“Wouldn’t miss it. Now get out, Honey’s supposed to get here soon and I don’t want her seeing you. She’s annoyingly on time. She’ll know we’re in cahoots.” Bea, much like her best friend did yesterday, pushes Trevor to the door and shoves him through it. She slams it behind him, flipping the sign so it says ‘Open’ instead, and waving Trevor off with a blown kiss.

she’s a flirt, Trevor thinks. those guys will not survive her for a second.

He doesn’t know which boy she has her eye on, but it doesn’t matter. Quinn’s too quiet for her, Luke is too awkward, Jack is too cocky, and Cole is too… short. 

Trevor snorts at the insult, laughing to himself. He heads to the grocery store, where he parked, and purchases two gallon bottles of laundry detergent and a Sharpie. He writes “JACK” on one and puts them both in the trunk of the car. Then, he walks to the hardware store. 

“Bear!” Vera greets from behind the counter, joints creaking as she moves from her chair behind the counter to give Trevor a hug. 

“Oh, Vera, you don’t have to come all the way over here,” Trevor says awkwardly, but hugs the woman back nonetheless.

“Of course I did!” Vera exclaims. “You look so handsome, young man.”

Trevor blushes, shying away from Vera’s examining fingers. She squints at the logo on his chest, one of his shirts from Anaheim. 

“I live in Anaheim,” Trevor explains to the woman, catching her hands in his and holding them securely in front of her body before letting go. “Do you have any stone that I could secure a fire pit with?”

“Yes, baby!” Vera claps and leads him to a section of the store that’s, somehow, even more peculiar than Earl’s workshop. There’s bags of gravel, sure, but it looks like fish food compared to some of the other bags and miscellaneous stones on the shelves. “Pick whatever you’d like. I’ll give you a discount for being so darn cute.”

Trevor chuckles. “I bet you give that to all your customers,” he teases.

“I had a local girl put it in the computer for me after we met you and Sweetie on Wednesday,” Vera teases back, batting her eyelashes. Her cheeks are red with blush, too much blush. “His discount is a little more because I see you’ve changed the body God gave you.”

Trevor follows her eyes to his tattoos. He rubs his opposite hand over them sheepishly. “Yes, ma’am.” He tries to smile charmingly. “Maybe I should’ve sent him to do the shopping today, since you like Sweetie so much.” He throws a wink into the mix to punctuate his sentence.

Vera laughs, a twinkling sound.

“Plus, it’d be cheaper for me,” Trevor says, like it’s a scandalous secret.

“I know that’s right!” Vera claps again, waves a hand at Trevor like she’s slapping her knee. She walks off, back to the counter, leaving Trevor to shop for his stones. 

He shops through the stones for about half an hour, choosing his favorites. He settles on a midsize gray stone, one that he can stack and seal with cement. He buys the quick drying cement as well, and carries it all to his car. Vera carries the quick dry cement and giggles when Trevor easily shifts the stones in his grasp when she complains about the bucket being too heavy for an old lady. He picks up the bucket and shifts the stones again, knowing he can carry more than this if he needed to. He swears he hears Vera sigh dreamily behind him as he packs the car up.

Like he said, what’s flirting with a few old ladies?

When he bids her goodbye with a kiss on the cheek, Trevor makes eye contact with Honey in the bookstore window. He grins at her and winks to her for good measure. He thanks Vera for her help while he escorts her back to the store, just for the sake of Honey seeing how selfless he can be. He’s not self-centered, no matter what she told Bea. 

Vera insists that Trevor and “his band of boys” join her and Earl at church that Sunday morning, pledging to introduce them to the other members of the community. Trevor agrees, thinking that being on Vera’s good side might get him even closer to Honey.

Trevor drives back to his home for the summer to find that the boys are playing in the rink he built.

Come to think of it, he’s making a lot of improvements to this property, and the only one who has actually helped is Quinn.

Not self-centered at all.

He deserves a party.

“We’re having a party,” Trevor calls out, carrying his stones toward the fire pit. He dumps his supplies on the ground. “And I invited two girls.” He wipes the dirt and dust from his fingers. “Someone else needs to finish this fire pit because I’m tired of building your shit. C’mon, Quinn.”

He leads the way inside, to grab a beer from the fridge, and Quinn follows after kicking off his skates, eager to avoid the work. The other brothers and Cole are left dumbfounded on the concrete. Jack makes eye contact with the cement mix first, and he smiles. 

They always did love a little project, and maybe they can hide a drawing of a dick in the cement for the owners to find at the end of the summer.

6:90 – HONEY

“Where are we going?” Honey asks. 

Bea has barely crossed over the threshold of Honey’s home before the question falls from her lips. Bea’s been cagey about it all day– just explaining that “we have plans” and that “you’ll enjoy them.” Honey loves her, sure, but this is absurd. She feels like she’s being kidnapped. 

“More like when are we going,” Bea corrects. “Let’s get you an outfit.”

Honey stumbles back, Bea pushing her out of the way. She closes the door behind her friend, following Bea as she stomps up the stairs to Honey’s bedroom. Bea knows Honey’s place as well as she knows her own, a little townhouse off of the main street in town. Honey’s lucky to live a little farther from city center, closer to the magic of the mountains. 

“What kind of plans do we have, at least?” Honey presses. She looks at Bea’s outfit– a jean skirt that falls like an old Poodle skirt and a white bandeau top. It’s sort of see-through– Honey can see the shadow and outline of Bea’s nipples through the skimpy top. “I don’t want to dress like you,” Honey says.

Bea scoffs and turns to Honey. “My plan tonight is to get laid, your plan tonight is to accompany me while I evaluate my prey.” 

Honey pretends to gag. “I hate when you say that.”

“Maybe you’ll find someone to flirt with,” Bea says. 

“So, where are we going tonight? Statesville? Winston?” Honey asks again, hoping Bea will relent since she now knows the purpose of their adventure. 

“Dude, I’m not telling you,” Bea laughs. 

She reaches Honey’s closet and throws the curtain open. She strolls into the closet, looking through Honey’s clothes. 

“What’s wrong with what I’m wearing?” Honey asks, looking down at her athletic shorts and little tank top.

Bea turns around and surveys Honey. “The shirt is fine.” She returns to her task. “Nice tits.”

Honey looks down. It’s a revealing top and she’s not wearing a bra, because it’s a Saturday and she didn’t know they had plans until Bea told her this afternoon. “Maybe not, then.”

Bea glares at Honey out of her peripheral. “But that’s your favorite tank.”

“I have a feeling I’m going to get hit on if I wear this shirt.”

“You’re going to get hit on anyway. Keep the shirt.”

“No, I won’t, because my bitch face will keep most of the guys away.”

“Most of the guys. Which is the whole thing. Those ones will come to me.”

“Ew, you’re going to have a threesome tonight?”

“A threesome?” Bea spins around. “God, no! One at a time for me, thanks. I’m just going to fuck the other ones.”

“Other than who?” Honey asks. “I’m not fucking anyone tonight.”

Bea rolls her eyes. “You don’t know that.”

“Trust me, I do.”

“Whatever.” She digs through the closet, finding a long-buried white tennis skirt, the back pleats of the skirt puffy. Honey would never wear something like that, but Bea would– it’s probably Bea’s skirt in the first place. 

“I’m not wearing that,” Honey states.

Bea wrestles her into it– seriously. She tackles Honey onto the bed and literally redresses her, the absurdity of the situation so bizarre that it completely bypasses both girls’ minds. Honey fights Bea the whole time, but Bea comes out on top. She gets her way, Honey wears the skirt, but she’s not happy about it.

“Do I, at least, get to drive?” Honey asks.

“Oh, I was going to force you,” Bea laughs. “You don’t expect me to drive you home, do you? I’ll be… indisposed.”

Honey scowls the rest of the time they spend getting ready– Bea does Honey’s hair and forces Honey to put on some light makeup, just a bit of mascara, eyeliner, and some lipgloss. 

The only problem with Bea and Honey’s relationship is that Bea likes to go out, likes to meet people, likes to have a wild time, whereas Honey prefers to stay in. She’d rather watch a documentary or read a book or be present in nature than packed into a club dancefloor like a sardine in a larger can. Not that that matters to Bea.

By the time they get in the car, Bea is jumping off the walls trying to keep her secret destination to herself. Honey keeps trying to push, hoping for the right moment, but Bea won’t reveal her plans. All she does is direct Honey to the main road and type away at her phone, sending text after text to an unknown recipient, an unknown recipient that Honey is sure they’ll be meeting up with later.

They drive further into the mountains, to Honey’s surprise. They don’t head towards Winston or Statesville. They drive up, farther from town, farther from their neighbors. Near the top of the mountain, the houses are miles apart.

Perfect for a party.

Perfect for a party… thrown by boys in their twenties.

It clicks in Honey’s mind as Bea tells her to turn into the hidden driveway along the curve. “You’re not,” Honey says.

Bea laughs. “I was wondering how long it would take for you to catch on. I thought for sure you would’ve clocked me when we turned left instead of right.”

“Bea,” Honey scolds, her voice sharp. They’re on the driveway now, safe from the curves of the road, and Honey stops the car. She turns to her best friend. “You can’t be serious.”

For all of her audacity, Bea manages to understand the gravity of the situation at hand. It finally clicks in her head, why Honey isn’t happy with her plans, and why she’s even unhappier that she was dragged out here without knowing what she was walking into. She can’t just drop Bea off and leave– she would be abandoning her best friend in a house of strange boys all evening. Bea might be outgoing, but she hasn’t been hurt like Honey.

“It’s not going to be like that,” Bea reassures Honey gently, grabbing Honey’s hand with both of hers. “I promise, they’re not like that.”

“You don’t know them, Bea,” Honey explains. 

“You don’t either,” Bea points out. “And this time, we’re together. The second they do something– I mean it, the second– we’ll leave. I’ll go with you. Fuckery be damned.”

Honey grimaces, rolling her shoulders to try and relieve some of the tension. She takes a deep breath, then squints at Bea. “Are you really going to fuck all of them?” She asks.

Bea grins, knowing that she’s convinced Honey to at least try and hang out with the boys. She’s smug, getting her way once again. She winks at Honey, coy. “Just the ones you don’t want,” she simpers, giggling. “You get your pick of the litter.”

“I don’t want to fuck any of them. I don’t know how many times we have to go over this.”

“So, you don’t want Trevor? ‘Cuz I was thinking–”

“Don’t fuck Trevor,” Honey groans. 

“Why not?” Bea teases.

“You’re better than that, Buzzy,” Honey scoffs with a shake of her head. “He’s weird and a flirt and annoying.”

“I’m weird,” Bea says. “And a flirt. And annoying.” She puckers her lips and blows kisses at Honey as she shifts the car into drive and begins to creep down the driveway again. “Maybe it’s a match made in heaven, me and Trevor.”

“You don’t want him,” Honey growls, her voice short. 

Bea shrugs and faces forward in her seat, her hands tapping her thighs. Whether it’s from nerves or excitement, Honey can’t tell. If she had to guess, though, it would be excitement. Bea is the least anxious person that Honey knows, the kind of person who can talk to anyone or anything no matter the situation.

While they might be athletes, they’ve never met anyone like Bea. Honey never has, not since she met her best friend all those years ago. They’re fucked– and she’s irresistible.

Honey and Bea pull up to the house and park under the cover, right next to the front door. This house was a point of contention when it was being built the first year Honey moved to Litchton. It was her first introduction to the gossip of the founding ladies. Scarlett and Gillian had felt particularly perturbed by the building– a five bed, four bathroom house complete with a hot tub and a game room and two stories of wraparound porches. 

And it’s all made of the same wood, the same stain, the same ugly pattern. Honey cringes when she thinks about the number of trees that were cut down to make this house match. She’d think the same thing if it was made entirely out of the same stone. 

Bea knocks on the door as Honey wipes her sweat from her palms. It takes a minute, but then Honey hears the scrambling of feet and the shouting between one man and his group of buddies, who are just giggling as they do what they can to cut him off from the door. Honey can see it through the thin windows bordering the door, how they rush up the stairs and down the hall. She can also see how they’re holding Trevor back as much as they can.

The brunet from the first day opens the door with a charming smile. “Hi,” he greets. “Can I help you?”

“Jack, you motherfucker–”

Honey bites back a laugh as Trevor curses and struggles, still in the grasp of the shorter boy from the first day and one of the newcomers– another brunet, a taller one. She looks at him carefully– the curl of his hair at the nape of his neck, partially hidden under a baseball cap, the curve of his eyebrows, and the slope of his lips give him away. He must be one of Jack’s brothers. 

“We were invited to come over tonight,” Bea replies.

No matter how many times she hears it, Honey is always impressed by the way Bea turns on her charm and makes the people around her melt. It worked on her, too, when they first became friends all those years ago, and then less and less when Bea moved into Honey’s place when they first came to Litchton together and shared a bed for almost a year before Bea found her own townhouse. Then, her charm just got annoying, like a younger sibling who tags along with you everywhere because Mom said they had to.

It’s better for them when Bea and Honey have their time apart. Honey, especially, needs her time alone.

Jack’s eyes finally find Honey behind Bea and he grins. “That’s right,” he says, tapping his forehead like he just remembered. Honey can tell that all he’s doing is messing with Trevor, though. “The party! You must be the girls that Z invited. Hi, Honey.”

“Hi, Jack,” Honey replies, short and sweet. She turns on her customer service voice just for this. She finds Cole next to Trevor and smiles when her eyes slide over the imprisoned boy, as passive as she can be. “Hi, Cole.”

“Hey, Honey,” Cole says with an easy smile. Honey wants to snort and laugh– he’s got a smile that could get him into or out of anything. She wonders briefly if he’s childish and impish, still, even in their adult age, just because he’s got the smile to match.

Jack steps aside and lets the girls enter the house. He closes the door behind them and Honey has a sneaking suspicion that if she turned to glance at him, he’d be staring at one of their backsides. She doesn’t look. It’s not worth the joke that she could make if she caught him.

Bea nudges Honey and points up.

Honey tilts her head, and– “A chandelier made of moose antlers. Wow,” she marvels. She makes a face at Bea, then continues. “That’s really… something.”

“Isn’t it sick?” Cole asks, finally dropping Trevor’s arm and joining the girls where they stand. He spreads his arms out from his sides and spins in a slow circle. When he makes a full turn, he looks at both girls and wiggles his eyebrows. “Want a tour?”

The girls agree and Cole takes them throughout the house, leaving the other boys behind. From their pounding feet, Honey figures they’re headed downstairs, while Cole takes them upstairs. He shows them the bedrooms, the bathrooms, the common areas, the hallways, the outlet in his room that doesn’t work, and much more. They go back downstairs and get the same treatment– Cole even opens the fridge and helps himself to a beverage before offering anything to the girls. They see the kitchen, the living room, the den, the dining room and patio. Cole shows them the wraparound porch and its chairs. Honey takes in the view– it’s just as good as the one from her living room. 

Finally, finally, they make their way down to the basement. It’s a smaller room, minimized by a covered porch and larger patio with a hot tub. The basement is clearly the man cave, the game room, or whatever you want to call it. There’s a pool table, a large TV, a ping pong table, a foosball table… everything a boy could want. 

As evidenced by the two boys sitting on the couches near the pool table, while the other two wield sticks and study the position of the balls on the table.

Honey finds Trevor on the couch with Jack. His eyes found her first as she walked down the stairs and he hasn’t stopped staring. Neither has she, to be fair.

“Pool,” Bea notices. She looks at Honey and Honey shakes her head. Bea nods. “Honey and I are next,” she announces anyway.

“Oh, yeah?” Jack asks with a little laugh. “Are you any good?”

“I’m okay,” Bea says. She pauses, lets a smirk on her face grow as she looks over to Honey. “Honey’s worse.”

The boys turn to Honey. “Are you?” Trevor asks. 

“I wager she could still beat you, Z,” says the only boy that Honey had not seen when they arrived at the house earlier. He’s got dark hair, but it’s also hidden under a backwards cap. The only difference between him and his brothers, assuming he is one of the brothers that Trevor mentioned on Monday, is that he’s smaller, more sullen. The telltale sign is that his comment is offhanded, delivered with the calm venom of an older brother who knows exactly where to bite. He doesn’t even look at Trevor as he lines up his shot and sinks the ball.

Honey likes him immediately.

When she looks over, she notices that Bea likes him too. Her lips are pursed in thought, only the minutest pout on her mouth. There’s a tiny smile pulling at her cheek and her eyes are twinkling under the bright lights, but they would be hazardous in a club.

It’s a game they’ve played before. Bea sucks at pool– she always has, but… when you suck at pool, either the person you’re playing with will laugh at you or they’ll try to give you tips. The night usually ends with Bea sinking the 8 ball with a little bit of help from her gentleman caller and a celebratory, “thank you” kiss. 

Honey, however, loves pool. She wasn’t always great at pool, but found that, like almost everything, the more she practiced, the better she became. When Bea’s celebratory kisses turned into rushed hookups in the Winston-Salem dive bar bathrooms, Honey got her fair share of tips and tricks from the other men around. Usually, she would try to shack up with the alcoholic middle aged men who had nothing better to do than sip on their beer and play pool after dinner with their wives. It was rare that they flirted with Honey and she liked it that way.

The game goes like this: Bea finds a group of men that puff up their chest at the idea of beating a woman at pool, she “lets them win” against her (as if she would’ve won in the first place), and then it’s Honey’s turn. Honey, of course, feints a few shots and lets the men get comfortable before coming from behind and beating them. Usually, her win results in two drinks for her and her friend.

Today, the drinks won’t be her bargaining chip.

“What would you wager?” Honey asks the boy who last spoke. “If it were a real bet.”

His stormy eyes look her up and down while Jack’s brother, the tall one, paces around the table to find his best shot. “Money, normally,” he drawls. “But I’d rather not lose my money betting on you if you’re worse than her.” He nods to Bea, who takes the chance to blatantly look him up and down.

“How about this,” Bea proposes, twirling a strand of hair between her fingers. “I’ll play the winner of this game and then we’ll see if Honey can beat Trevor. If I win, I get whatever I want, obviously. If Honey wins…”

Honey meets Bea’s eyes. She nods, knowing that Bea is thinking back to the night when they visited ECU their junior year of high school and witnessed a rugby party in the flesh. It’s their usual punishment when their outings feature a house party and a pool table.

“...Trevor has to do a Zulu Run,” Bea finishes. 

Honey finds Trevor again and smiles, overexaggerated and sickly sweet. 

“What’s a Zulu Run?” Trevor asks, looking to the other boys and finding nothing but confusion. On the girls’ faces, he just sees plotted mayhem. 

“It’s fun, don’t worry,” Honey reassures him. “You only have to do it if you lose. Which, I mean, if I’m worse than Bea, then you should be fine.”

Honey sits on the loveseat across from Trevor and Jack, while Bea sits down next to Jack. Her knee presses against his, subtly, just enough that you can’t tell if it’s deliberate or just a lack of room on the couch and Honey presses her hand to her lips to hide a smile.

“So you’re Jack,” Bea says, interrupting the conversation that he and Trevor had been in when the girls walked down the stairs. 

Honey watches as Bea makes her eyes look wide and soft, very flirtatious and fairy-like. She’s got the perfect complexion for it– the light dusting of freckles over her skin, the ounce of baby fat still left in her cheeks and all the right places along her body, her expression just the right amount of interested but not desperate.

For a brief moment, Honey wishes she was more like Bea.

“You’ve heard of me?” Jack asks with a little smirk.

Bea scoffs and waves him off. “Don’t flatter yourself. Honey didn���t even tell me your name.”

Jack’s bright eyes turn to Honey. “Oh, yeah?” He tilts his chin up in challenge. “What is it with you and names? You wouldn’t tell Trevor yours, you haven’t properly introduced me to…”

“Bea,” Bea supplies.

Honey shakes her head fondly at her best friend’s eagerness. Honey bites her tongue to keep her comments at bay, and instead plasters a tight smile on her face. “I didn’t realize I would be seeing you all again,” Honey says, forcing politeness into her voice. “And I’m not the one who’s weird about names.”

Jack and Trevor share a look. Jack hides a snort poorly.

“What?” Honey asks, her eyebrows raised and her mouth in a straight, unimpressed line. 

Jack smirks and Trevor shakes his head. Jack speaks anyway. “I don’t know how you would have avoided us,” Jack says. “Considering.”

“Considering…?” Bea asks, leaning around Jack to look at Trevor. Honey catches Trevor’s panicked glance and can guess what Jack’s alluding to. She jumps in, hoping to switch the subject.

“Nothing to consider,” Honey and Trevor say at the same time. Trevor sounds rushed, Honey sounds indifferent. Both of their jaws drop and they stare at each other, Honey affronted and Trevor surprised. 

Cole, who had been sitting on the stool-saddles near the pool table, steps over the back of the couch and weasels his way between Trevor and Jack. “Creepy,” he says. “You’re like the twins from the Shining.”

Trevor cringes. “You know, I don’t think we are.”

Honey just hums, picking up her drink and taking a sip. She clears her throat and turns back to Jack. “So those are your brothers?” She nods over to the pool table, where the shorter boy is lining up the 8-ball with the corner pocket. “Trevor said you had family coming.” 

Honey doesn’t miss the smirk and blush on Trevor’s face when she says his name, even as he dips his head and takes a gulp of his beer to cover it up.

Jack smiles, a genuine smile. It’s easy to tell the difference with him, when he’s really smiling or if he’s smiling because he thinks he’s supposed to. 

“Yeah, the goons.” Jack looks over his shoulder and grins as his taller brother loses his game of pool. “C’mon, Rusty, you brought that pool stick all this way and your game still sucks?”

The taller boy glares at Jack and sulks, re-racking his stick. He walks over and stands awkwardly behind the couch, but flicks Jack on the back of the head and Honey giggles before she can help it.

She looks down at her lap after letting out the little laugh and misses the way Trevor’s eyes light up and train on her. 

“Luke, you fucker,” Jack swears, flinching at the impact of Luke’s flick. Jack frowns, his eyebrows furrowed as he rubs the back of his head. “He’s my little brother.”

“Little brother,” Honey repeats. “And you’re just going to let him flick you like that?”

Jack rolls his eyes. “Very funny, Honey. Obviously I’m not going to let him get away with it.” He reaches around and half-asses a punch to Luke’s dick, just hard enough that it expels an “oof” from the younger boy and he doubles over a little bit.

The other boy interrupts. “Quit it,” he says. He glares at his brothers, then his eyes fix on Bea. “Your turn.”

Bea stands and smiles, a smug little smirk reserved for her conspiratory looks with Honey that signifies that she’s getting what she wanted. She joins the man by the rack of sticks and clasps her hands behind her back, looking up at him through her eyelashes. “Which stick should I use?”

Jack looks a little put out by the loss of Bea at his side, and casts a glare toward his other brother. “And that’s Quinn,” he says curtly. “Pool master, or whatever.”

“So he’s the best in the house?” Honey asks.

“We’ll tally scores at the end of the summer,” Luke jumps in as Quinn says, “Absolutely.”

Jack scowls. “You just think that because you’re older. Remember, Quinn: first is the worst. Second is the best.”

Trevor snorts and takes another sip of his beer. 

He’s unnaturally quiet, Honey thinks. Trying to be cool in front of his friends, maybe.

“I take it you’re the second child,” Honey says. “That makes sense.”

“That makes sense?” Jack asks, repeating her statement like he can’t believe she dared to say that. “What the fuck does that mean?”

Honey looks over at Bea, who presses her lips together and raises her eyebrows. Daring Honey.

Honey rolls her head back, stretching the muscles of her neck. “You…” She starts, trailing off because she’s not sure how to finish the sentence without sounding mean. She scratches her eyebrow and scrunches her nose. “You like attention,” she decides, trying to keep her voice as free of judgment as possible. 

“Do I?” Jack asks, sounding unimpressed.

Honey shrugs. “You– I mean. Jack, you asked. You opened the door for us because you knew it would annoy Trevor, probably because you knew it would bother him that you were opening the door for m– us, instead of him. You flirt and smile when Bea sits next to you but you lean back and manspread when she gets up like you don’t want us to notice that you’re sitting without a girl at your side. You call your little brother a “fucker” and retaliate because you can, honestly escalating the situation from a flick to a punch to the dick. You act annoyed because your older brother is beating you at pool already this summer and it only just started, plus he took the girl from your side. It’s, uh… yeah. You like attention.”

Everyone but Jack starts to laugh.

“Stand up,” Cole says to Honey.

She does, her arms resting by her side awkwardly, her fingers twitching as she waits for him to do something.

Cole looks around the room and swears under his breath. “I didn’t think this through, one second,” he mutters, and disappears upstairs. 

Honey continues to stand there. She pats her hands against her thighs and looks around the room, trying not to make eye contact with anyone, but especially not Bea. If she makes eye contact with Bea, she’s going to burst out laughing. 

Trevor is still snickering, hiding his face in his shirt. Honey can still see the little crinkles by his eyes.

“She clocked you, man,” Quinn says with a shrug before pulling out a pool stick and standing it next to Bea. It comes up to the tip of her shoulder, Quinn’s chest. He nods in satisfaction and hands the stick over. Honey lets out a relieved breath of air at his approval, and then stifles a second when she watches Bea’s fingers brush over Quinn’s on the stick, her eyes lingering on his for just a second too long.

It’s too easy for her. 

Cole comes bounding down the stairs with a plastic soccer trophy in his hand. “Found this when I was snooping,” he says, approaching Honey and holding it out. He stands directly in front of her, makes eye contact with her, and stares into her eyes. “Thank you,” he says with a sincere nod. “For taking Jack down a peg. He needed that. We all needed that.”

And he hands the trophy off to Honey with a handshake, like she’s graduating from high school and he’s the principal handing her a diploma. He takes the handshake and pulls her into a hug, the trophy crushed awkwardly between them. 

When he pulls away, Cole puts both hands on Honey’s arms and stares into her eyes again. “If you’re going to do that again, please don’t do it to me.”

Quinn breaks the rack with a crack of his stick, standing at a slight angle, and Honey sits back down, cradling her trophy in her hands.

Cole engages Honey in conversation for a few minutes, with Luke jumping in here and there. Jack turns on the TV and pouts. As much as she tries not to notice it, Trevor just stays quiet and sips his beer and sneaks glances at Honey out of the corner of his eye. 

Eventually, the conversation dies out and the group turns their attention to the television, which is streaming some hockey game that Honey doesn’t have an interest in. The boys are chitchatting away, throwing out names and positions and yelling at the TV when a call doesn’t go their way– Honey can’t tell who’s cheering for what team, but she can also tell that Jack and Luke don’t like the team in white… at all. Trevor seems to prefer them over the team in red. Cole doesn’t seem to care. He’s just laughing, still, at Jack. Jack just sulks, but he seems to cheer up once the team in red scores, late in the first period.

“You all really like hockey, huh?” Bea asks between turns. Quinn has sunken a ball almost every turn, but Bea has only sunken one. Honey grins at her, then glances at the pool table and back to Bea. Bea sticks her tongue out at Honey, playful and easy. If Quinn’s the kind of guy that Honey thinks he is, it’s only a matter of time before he starts teaching Bea some tricks to tighten up the game. 

Cole laughs. “Yeah, I mean, I’d hope so.”

“What do you mean?” Bea asks, batting her eyelashes innocently, like she didn’t read all of Trevor’s Wikipedia page before coming here. 

“We play,” Luke says with a shrug.

Honey and Bea lock eyes and Honey plays along with her game. She tilts her head and blinks, as if this is the first time she’s hearing it. “Are you any good?”

Quinn snorts and shakes his head as Bea leans over to line up a shot and Honey notices his hand on her waist when he points at a different ball, explaining that that would be the better shot for her. Bea sinks the recommended ball and jumps up with a cheer, smiling brightly at Quinn and standing just a little closer than she would if she wanted to be just friends.

“We’re alright,” Trevor says, the first words he’s said to Honey since she walked through the door. He stands. “Does anyone want another beer?”

The boys’ voices ring out in a chorus of yesses, whereas Honey stays mostly quiet. Bea agrees to another drink as well, which is when Trevor turns to Honey. “You’re sure you don’t want another drink? I’m already getting them for everyone.”

“I’m sure, but thank you,” Honey says. 

“Why don’t you go and help him carry the drinks,” Bea suggests from her post next to Quinn. 

Honey glares at her, but stands. She leaves her trophy on her seat, saving it. “Fine,” she replies, hoping the edge in her voice is only detectable to her best friend. She follows Trevor up the stairs to the kitchen, like an antisocial cat who has FOMO, but only when it comes to their owner. She crinkles her nose in disgust when she realizes that that’s how she looks, not that Trevor would notice or care. Actually, he would probably be elated if she compared herself to a cat following him around.

Trevor opens the fridge and sifts around, the bottles of beer clinking. The beer takes up most of the bottom shelf, unsurprisingly.

“Do you think you have enough?” Honey asks, unable to help herself when Trevor passes her a third bottle, each a different brand of beer, to carry. 

“Q and J like Michelob, Luke is a Miller guy, Coley likes Budweiser, and I’m more of a Modelo drinker.” Trevor’s head is buried in the back of the fridge, rifling through a pack of Millers that seem to be running low. “We’ve had to go to the store three times since that first day because we keep running out of the one beer that someone wants.”

He retreats from the refrigerator and turns to Honey. He’s got two beers in his hand. He holds them up and asks, “Which one do you think Bea wants?”

Honey weighs her choices, but ultimately chooses the Michelob. Bea will use it as a jumping point for her conversation with Quinn– it’s a no-brainer. As annoying as Bea’s boy-craziness is, Honey is always going to be her wingwoman and helper when she can.

“Cool,” Trevor says and returns the other beer to the shelf. He turns back to Honey and takes two of the beers she was carrying, leaving her with just two, the Budweiser and the Modelo.

“I thought you were a Modelo drinker,” Honey says.

“I am,” Trevor replies, heading towards the stairs. 

Honey follows. “Then why am I holding your beer?”

“Because I want you to hand it to me.”

Honey snorts out a laugh. “Okay.”

When they return downstairs, they distribute the beer. Honey hands Cole his Budweiser and waits for Trevor to finish handing out the beers to the Hughes brothers and her friend. Bea has finally managed to get Quinn to do the work for her, with him leaning behind her and guiding her arms over the cue, pointing out where she should be looking and where to hit the ball. There are no other balls on the table except the 8 ball, which makes Honey chuckle. There’s no way Bea sunk all of hers– Quinn had to have “mistakenly” knocked a few in for her.

Trevor returns to the sitting area and Honey stands, offering him the Modelo in her hand. On purpose, she realizes, Trevor closes his hand over her own to take the beer from her and thanks her with a smile, his eyes far too kind to be harmless and friendly. 

Honey shakes her head with a look, then frowns when Trevor plops his happy ass right down on the other side of her loveseat. She shakes her head again and chooses to watch the end of the pool game, sitting on one of the stool-saddles near the table. She claps when Bea finally sinks the 8 ball after her third whiff. The ball only sinks because Quinn leaned over Bea again and did it for her, working together to finish the game.

“I win!” Bea squeals in delight, jumping in celebration in front of Quinn.

He lets out a little chuckle, the most awkwardly and quietly endearing laugh that Honey has ever heard. “You won,” he agrees. “With my help.”

Bea tilts her chin up and smiles at Quinn, proud of herself. “So we both win,” she says. “That means we both get whatever we want.”

Honey bites her tongue and ducks her head, waiting for what’s coming next. She wants to turn around and look out the window, even though you can’t see anything in the dark mountainside now that the sun has set. The thing is, she also wants to see the boys’ reactions to what Bea is going to say next.

Quinn smiles, a little tiny smile. His focus is only on Bea, who has inched her way closer to him somehow. There’s not much more room between them. “Whatever you want,” he repeats. “What do you want, Bea?”

Honey watches Quinn’s face, but she’s torn. She also wants to watch Jack.

“You know that tour Cole took us on when Honey and I first got here?” Bea asks, reaching out and smoothing out the turned-up fabric of Quinn’s sleeve.

“Yeah,” Quinn replies, a little confused.

Bea rests her hand on his arm, slowly making her way down so she can wrap her hand around his fingers. She watches herself do it, then looks up at Quinn through her lashes. “I don’t think I saw your bedroom,” she says. “Would you care to show me?”

Quinn’s lips part in surprise and Honey watches his eyes search Bea’s own for… insincerity, maybe? 

At the same time, Jack chokes on a sip of his beer. Honey’s eyes fly to him and Cole pats his back as Jack coughs it out. 

“Jesus Christ,” Jack says, clapping his hand against his chest and coughing one last time.

Bea smiles at him, oozing confidence and a little showmanship, as Quinn leads her to the stairs. He lets her climb them first and Honey giggles when Quinn sneaks a glance at Bea’s ass and visibly relaxes before hurrying to catch up with her and get his hands on her hips. Bea’s twinkling laughter grows softer and softer as she bounds up the stairs, her footfalls growing heavier as Quinn closes in on her.

“Well shit, Jack,” Cole says. “I guess you’re not the first to fall into bed with a girl this summer. The streak is finally over.”

“You don’t know that,” Jack says, pushing Cole’s hand off of his shoulder. He turns to face Honey, looking hopeful and a little desperate. “Wanna help me keep my streak up?”

A loud honking laugh escapes Honey. “Absolutely fucking not,” she replies, still laughing. She shakes her head at Jack, then notices the small, but mightily proud smile on Trevor’s lips. 

Choosing not to focus on that smile, a smile that she’s inadvertently becoming very fond of because she’s never seen him smile at his friends the way Trevor is smiling at her, Honey hops up from her stool and starts to gather the balls from the pockets of the table. She racks them, then grabs her cue and waves Trevor over. “I believe we had a game to play.”

“You had a game to lose,” Trevor corrects, standing and approaching Honey. He grabs his own stick, the one Quinn abandoned on the edge of the table when Bea proposed her bedroom shenanigans. 

“Hmm,” Honey voices, raising her eyebrows and exaggerating a grimace. “Consider me scared. Your break, Trevor.”

“When I win,” Trevor says. “I want to buy you dinner.” He lines up the cue ball and shoots, the colorful triangle of balls destroyed in a single swoop. One of the solids finds its way into a pocket and Trevor smirks.

“What a boring prize,” Honey muses. “But if you insist on those terms, then I agree.” She sticks out her hand to shake his. “And when I win…”

She leans down and eyes a line of three balls. The striped nine is farthest from the hole, but Honey wants to prove a point, so she angles her stick down at a steep slope and pushes– noticing Trevor’s mouth flattening into a line when her ball jumps over the other two and tips into the hole. She stands back up to her full height, tilting her head to the side. She cocks her hip and positions her hand against it, holding the cue up on her other side.

“I’m really going to enjoy your Zulu Run, Trevor.”

Cole whistles lowly from the couch. “I need to find you another trophy, girl.”

Honey shoots him a wink.

They play on. Trevor takes it easy– plays the safe route. With each easy fall into the pocket, he fistpumps to celebrate. Honey can only imagine how insufferable he is at the bowling alley. 

She shows him up, not even daring to let him pull ahead in their race and convince himself that he has a chance. She sinks the final black ball into the right-center pocket, bending herself all the way over the table to give him a good view of the girl who’s beating him. Her hips are high on the other side of the table, balancing up on her tip toes, facing the seating area. She doesn’t even look at the ball when she hits it, no, she’s looking up at Trevor with a tilted smile and mocking, bragging eyes. 

His eyes evaluate her– eyes, to lips, to chest, to ass. To the boys, making sure they aren’t looking, aren’t gawking at the round globes of Honey’s ass that are presented before them. Back to her ass. Her ass.

Honey stands, slowly, making sure Trevor memorizes the curve of her waist when she does. Her eyes drop to his pants, a smirk growing in time with his bulge, and she rests her hands on the edge of the table. She pulls her shoulders back, broadening her chest. 

It’s just a dominant stance. All Honey enjoys about this is the fact that his resolve and dignity crumble at the mere sight of a pretty girl bent before him. She likes knowing that he’s weak for her, but that she’ll never do anything about it.

She’s not looking for that.

“A Zulu Run,” Honey explains, clearing her throat to rid her voice of its sultry tinges. She shakes her hair back, over her shoulders. Trevor’s eyes darken at the sight of her throat. She smiles, but continues. “Is when you have to strip, sing a song, and streak around the house until the song is over.” She throws a glance over her shoulder at the other boys. “Usually your friends get to pick your song.”

Jack perks up at that. Honey turns and hops up on the ledge of the pool table, knowing that Trevor’s eyes have fallen to her behind. Jack looks at Honey with delight in his eyes, seeming to forgive her in an instant for psychoanalyzing him earlier in the night. His eyes slide to Trevor and the look in them seems more akin to yearning for vengeance.

“So, boys,” Honey drawls. “What’ll it be?”

They scramble over each other to reach her, shouting song suggestions as they fly into their head. Honey can’t hear anything they’re saying, so she laughs until they fall silent. Cole’s hand presses into the side of her thigh, she looks down at it in disgust, then back up at him. It falls to the edge of the table, noticeable space between her and the appendage. 

“How about this,” Honey decides. She sneaks a glance at Trevor, gloating as she lets her eyes roam all over his body. She takes in his arms, his thighs under his shorts, the way his shirt falls over his shoulders. “Trevor looks pretty fit. Why don’t we all pick a song?” She winks at him. “Make him run for, oh, eleven minutes or so?”

A flicker of recognition passes through Trevor’s gaze, but it’s quickly replaced by disbelief. He doesn’t know how she would know– weren’t they subtle about it? She lets out a breath of a laugh at the look– no, Trevor, you weren’t subtle, she thinks. but it’s cute that you think you are.

She realizes what she was thinking in a split second and shakes herself out of it, snapping her face forward and crossing her legs knee-over-knee. 

“But only his friends get to pick, so I guess I’m out.” Honey hops down from her perch and breaks through the boys, settling herself on the loveseat with her trophy, laying out to take up as much space as she could. She picks up the remote from the table and places her other hand behind her head, navigating to the Roku menu screen. “Do we have Spotify on this thing?”

Luke, Jack, and Cole each pick a song and Cole helps Honey connect to the outdoor speakers. He re-presents her with her trophy with a flourish and a bow, playful and lame. The boys push Trevor out to the patio with a whoop, pulling at his clothes even as Trevor fights them. 

Honey follows at a distance and watches through the glass door. She looks away when Trevor sheds his underwear and waits for Luke’s countdown to end before looking back up. She doesn’t want to see it. That’s just too far. She gets an eyeful of his ass as he rounds the corner of the house, though. 

As Trevor starts his third song, Cole’s cheesy Taylor Swift pick (“You can’t outrun my music now, bitch!”), Jack joins Honey at the door. 

“I think I’m going to head home,” Honey tells him, rubbing over the skin on her arms. 

Jack nods at her, shrugging easily. “I’ll walk you out.” 

Honey leads him up the stairs, hearing Trevor’s whoops grow louder as he finishes the second verse of the song. She knows he catches them walking up the stairs because his singing falters for a moment. His steps speed up. So do Honey’s. 

She walks briskly to the front door, bordering on a speedwalk, with Jack behind her. She swings her keys over her finger and wrenches the front door open. Jack catches it before it hits the wall. 

“What about Bea?” He asks, calling after Honey and making her pause. 

“She’ll find her way home,” Honey replies and steps off again. She has to get out of here before Trevor races up the stairs to stop her from being alone with Jack and she gets an eyeful of his– junk.

“Honey!” Jack calls again. 

She lurches to a stop and cringes, turning to face the boy. 

"Honey, I don't think I'm going to flirt with you anymore."

Honey takes a breath, walking back and reaching up to pat Jack's cheek, just forceful enough that it'll sting for a moment after she walks away. It's not quite a hit, but it's definitely not a love tap. "That doesn't hold the power that you think it does," she tells him with a nod and a close-lipped smile. She goes to leave, but Jack stops her by grabbing her hand.

"Trevor likes you, you know. He was quiet tonight, but he likes you. He's reading that book you gave him and everything," Jack says in earnest, his blues boring into Honey's own eyes. 

Honey picks up on the unsaid words. He's trying, take it easy on him, he might be annoying but he's good, and he likes you. You should like him too, and all of that.

The edges of Honey's smile soften and she gently pulls her hand from Jack's. "It's nice to know he can read," she replies, deflecting. Whatever Trevor feels for her, not that he can really feel anything because he doesn't know her like that, doesn't matter. She's not looking for that right now. "Thanks for hosting us, Jack. I'm sorry for what I... said."

"It's okay." Jack shrugs. "Thanks for coming."

"Goodnight," Honey bids him, and starts to walk away.

"Come back," Jack says, and Honey whips around and finds him looking like the words surprised him when he heard himself speak. He clears his throat. "Friday. Um, it's— it's National Chocolate Ice Cream Day and National Donut Day." He scuffs the tip of his shoe against the ground. "Really... important holiday."

Honey can't do anything but laugh. "I'll bring the donuts."

She walks to her car and ignores the chirping of bullfrogs echoing in her ears as she drives down the mountain to her home, alone.

7:90 – TREVOR

Jack glares at Trevor when he walks down to the kitchen early the next morning. As Trevor rubs the sleep out of his eyes with a yawn, Jack shifts under the frozen pack of peas that rests precariously on his shoulderblades. Trevor had barely touched him last night, he was just being dramatic. So he had a bit of soreness on his back from where Trevor pushed him against the wall and asked him what the hell he was doing, who cares? He went upstairs with Trevor’s girl. Alone. 

“Bea’s taking you to church with her this morning for laying a finger on me,” Jack growls out when Trevor looks at him and laughs.

“No shit,” Trevor replies, snorting.

“It’s true,” comes the female voice from the couch. Bea leans forward, her tube top skewed and tilted enough to draw a wandering eye. Trevor rolls his. “You shouldn’t get violent, not on my watch.”

“You weren’t even with me last night, Bea,” Trevor says sweetly, tilting his head down to dismiss her. “You didn’t see me do shit. How can you prove it was me and not Luke?”

“Luke put a video of it on his private story, then showed me,” Bea snickers in the same tone. “So you’re taking me home and helping me choose my best church outfit to hide these hickeys, and then you’ll join me at the service. It’ll be good for your reputation in town.”

“I don’t really care about my reputation in town,” Trevor laughs.

“Honey cares about your reputation in town,” Bea clarifies, a tight, ‘there’s no room for discussion here’ smile on her face. She pointedly looks him up and down. “Little Bear.”

Trevor scowls at her condescending tone and use of the nickname. How dare she flaunt her inner circle-ness to Trevor. 

“I was going to go to church anyway,” Trevor boasts. “Vera told me to bring all of the boys.”

“Well, you’re the only one resorting to violence–” Jack begins, seething, before Bea cuts him off.

“No, this is a good idea,” she says, waving her hand to quiet him. “We should all go to church.”

Jack scoffs. “I don’t think we need to go,” he says. “Sounds like you’ve got an ulterior motive.”

“I don’t want the town to think y’all are reclusive party folk who have no interest in the happenings of Litchton,” Bea snaps. “You’d be surprised how quickly the old grannies will turn on you.”

“And you get to walk into church with five guys on your arm,” Jack says, still scowling. This time, his attention is focused on Bea, not the man who physically hurt him the night before. 

“Said she wanted five guys, she ain’t talking ‘bout burgers,” Trevor deadpans, a disgusted look thrown Bea’s way.

She’s unperturbed by it, probably from many years of Honey– Honey.– throwing her similar looks. All Bea does is smile and reply, “My pussy already got murdered, Trev. I didn’t need five guys.”

“No way Quinn ‘murdered’ your pussy, Bea,” Jack jumps in, air quotes around the word. “The dude doesn’t fuck.”

Bea laughs. “I assure you, he fucks.”

“Yeah, I fuck,” Quinn agrees, descending the stairs. He veers to the couch first and drops a kiss on Bea’s head in greeting.

“Well, fuck your way to church,” Jack says. “Bea’s making everyone go with her.” Jack looks at Quinn expectantly, maybe waiting for pushback.

Quinn shrugs. “Okay,” he says. “It’s not like there’s anything else for us to do on a Sunday morning in this place. Everything is probably closed.”

“It’s true, everything is closed on Sundays except the grocery store and the gas station,” Bea says with a nod. “And the church, of course.”

Jack scowls and removes his pack of peas from his back. Trevor takes his opportunity to approach the fridge, conveniently behind Jack. “Why can’t we just stay here?”

“Because it’ll be fun,” Trevor replies, trying to exude optimism now that he’s not the only boy being forced to attend church and wash themselves of their sins. He turns and purposefully claps his hand down on Jack’s shoulder, hard. Jack howls in pain. Trevor squeezes just to watch him tense up. “It’s our chance to become one with the community, Jacky.”

Bea smiles, voice dripping with cheerfulness. “Yeah, Jacky, it’ll be good for you. Why don’t you two head upstairs and change?” Her eyes fix on Quinn, whose shirt rides up as he grabs a glass from the upper shelves of the cabinets. “I want to chit-chat with Quinn for a second.”

Trevor and Jack make a face, but scramble towards the stairs. They push and shove each other all the way up– Trevor is particularly satisfied when Jack bumps into the wall and groans– then split off into their respective rooms. Trevor treats it like a race– whoever finishes changing first wins.

Jack is already back downstairs by the time Trevor returns. Cole is there, and Luke, and both of them seem to be dressed for the service too. None of the boys have the best church clothes, but it’s a small town with farmers. Surely not everyone will be in their Sunday best every Sunday. Quinn is noticeably missing, but Bea is standing by the door with a smile on her face. Her lips look a little more red than they did before Trevor went upstairs. He narrows his eyes at her.

“You, and you,” Bea says, pointing at Jack and Trevor. “Come with me. Trevor, grab your car keys. You’re driving.”

“What about Luke and Cole?” Trevor asks, picking up his keys from their spot on the hook next to the door and trailing behind Bea. Jack trails behind Trevor, still grumbling and pretending like his shoulders hurt for dramatic effect. Trevor ought to show him some real pain next time.

The three people climb into the car, Trevor behind the wheel and Bea in the passenger seat. Jack, once again, finds himself relegated to the backseat. He straps himself in and Trevor catches his murderous glare in the rearview mirror.

“Quinn’s going to drive them,” Bea explains. “They’ll meet us at the church.”

“Whipped,” Jack coughs out. He does a terrible job of masking the word. 

Trevor rolls his eyes, just like Bea. She opens her mouth to say something, sass him, but thinks better of it.

They drive on in silence, the occasional sigh or grunt from Jack as he shifts in his seat. Trevor glares at him again in the mirror and Jack hits him with a fake smile before looking out the window to watch the trees whip by.

Bea directs them to the main strip of shops, then tells them to take a left onto one of the sidestreets near The Reading Nook. They pull up to a big brick house, separated down the middle by a massive staircase. Bea climbs the stairs and turns to the left again, unlocking and pushing her front door open.

She leads the boys into her living room, which is decorated exactly how Trevor expected it to be. The couch is white with pink pillows and a white shag rug beneath it. Her furniture is odd, thrifted and worn in. None of it matches, although Trevor suspects that her theme was “Barbie girl aesthetic.” It’s messy, and comfortable, and Trevor almost envies how she lives. His apartment in Anaheim is sparse– when you’re on the road so much and as busy with your job as Trevor is, you really only need a place to eat and sleep. His decorations reflect that.

Trevor sprawls out on the couch, leaving Jack standing awkwardly next to the coffee table. Bea disappears down the hall and enters her bedroom, her closet door creaking open.

“Jack, come here, will you?” Bea asks. 

Jack’s eyebrows furrow in confusion, but he starts down the hallway nonetheless. 

Trevor snoops in his absence, Jack’s presence no longer a threat to his comfort. He drags himself off of the couch and stands, advancing towards the shelves of knickknacks on the wall near the television.

Bea has got a number of books on her shelves, overtaking two of the four rows. The other rows are sparse and far more interesting– there are picture frames spread along the rows, six frames that depict Bea’s life and what she loves.

Four of the pictures feature Honey. The other two are groups of people that Trevor assumes are Bea’s family, her extended family on each of her parents’ sides. He can ignore those easily, not caring about about Bea to scan each of her cousins’ faces. The pictures with Honey are a different story.

There’s a picture of the two when they were ten, or eleven, riding their bikes down an asphalt street lined with suburban houses. Bea’s bike is pink with streamers and flowers and a little basket. Honey’s is dark green and sporty, similar to Trevor’s own bicycle from childhood. Honey’s smile is wry, whereas Bea’s is glowing.

The second, from a birthday party. It’s Honey’s birthday and they’re four, from the looks of the lit candle on her cake. Honey’s smile is wide, much wider than the previous image. Her hair is messy and her tongue is stained green, probably from a lollipop or a Jolly Rancher. Her arms are wrapped around Bea’s neck and she’s pulled her friend close, their cheeks pressing together. Bea’s expression is a little different. Only one of her eyes is squeezed shut, the one closer to Honey. Her lips are pursed like a duck and her little fingers are raised in a peace sign.

Trevor chuckles. If his mom had been the one taking the picture, she would’ve said “What a ham” about the girls’ goofiness.

In the next picture, they’re older. They’re sixteen, probably. Bea’s wearing these short jean shorts and a bikini top and Honey wears a matching top under some long, gray sweatpants. She rolled the waistband up and her back is mostly to the camera, Bea lifted off the ground in a swooping hug. Bea’s legs are kicked up behind her like she’s experiencing a really good, Princess Diaries kind of kiss and her face is frozen in laughter. Honey’s is the same. Trevor’s heart clenches at the smile on her face and the way her hair blows out behind her.

Finally, there’s a selfie of the two of them in a handmade frame. It’s from a high angle and Trevor can’t tell if it’s a .5 picture or a regular one. Honey’s eyebrow is raised and she wears an exaggeratedly thoughtful expression, goofy enough to tug at Trevor’s smile. Bea’s mouth is open and she has a hand pinching Honey’s chin, while the other is raised to take the picture. Behind them is the Welcome to Litchton sign that Trevor passes each time he goes into town. 

Trevor’s eyes glide down to the handmade frame, the written message along the top and bottom borders.

“New Beginnings!” and smaller, in the corner, a more personalized message. Trevor thinks that she wrote the message in a thin Sharpie– it’s too pristine still, after years. “There’s no one I would rather have join me in Litchton than you. Thank you for always being the Bea to my Honey! Honeybea 4ever <3”.

Trevor reaches out and takes the frame in his hand, inspecting it. He turns it over. More script, also in a Sharpie: “2019”, it reads. He replaces the item, making sure it’s back in the exact right spot. 

“Bea, hurry up!” Trevor calls, returning to the couch.

“Don’t get your panties in a twist,” she replies, leading Jack out of her bedroom. She’s clasping a necklace as she walks, then holds out her wrist and a bracelet for Jack to clasp. “We can go now.”

They leave the apartment and climb back into the car, Jack beating Bea out for the passenger seat this time. He’s smug about it too, grinning to himself while he buckles up. Trevor opens the back door for Bea and helps her into the car with a guiding hand in hers. When Jack realizes that he fumbled the chance to look like a gentleman, his face returns to its scowl. 

“If you’re not careful, your face will get stuck like that,” Trevor warns when he finally sits behind the wheel again. He shifts the car into drive and pulls out of the parking space.

Bea directs them to the church and Trevor pulls into the parking lot next to Quinn’s car, which is still running. They’ve got about five minutes before the service begins and Bea chastises the three boys for not going inside and reserving seats early. 

“There’s only a few instances where the whole town goes out to do something,” Bea complains as they walk inside. “Church is one of them. We’re never going to find a spot for all six of us.”

“No Honey?” Trevor asks, taken aback. He expected her to join them, especially since the ‘whole town’ is here.

Bea casts Trevor a look and snickers into her palm. “You’re sweet, Trevor,” she says and Trevor rolls his eyes at her saccharine tone. “But Honey decided a long time ago that she had enough religion in her life growing up. She and God know where they stand.”

Trevor reaches the door to the church first and holds it open for the group, letting them file in. He’s grateful that they’re in the church now, because all of the other boys are either too respectful of the space and what it represents or too awkward in a silent building to make fun of Trevor for seeking out Honey. Or they don’t want to get on Bea’s bad side and act a fool in church and suffer her wrath.

They file into one of the back pews, Bea sandwiched between Quinn and Luke. Trevor sits on the other side, right at the aisle. 

For an hour, he stays quiet and moves and speaks with the congregation. He counts the number of times that Cole tases Jack’s side, sticking his fingers between his ribs to cause him to flinch and make noise in the reverent area. He does this five times throughout the mass before Bea leans forward and threatens to cut his hands off herself. 

For an hour, Trevor stares forward and lets his mind wander to Honey, and all the thoughts he has about her. She’s a mystery and she’s quiet like Quinn, but confident in a way that Quinn never achieved. She knows exactly who she is and won’t budge for anyone, won’t change herself or act in any special ways around certain people. 

Trevor admires it– he’s spent his whole life performing for people, in a way. Hockey is his life and always has been, but sometimes it’s tiring to realize that all of his friends are people he met on ice. To think that he can be surrounded by his teammates and the fans in any arena and still feel lonely– it’s the kind of thing that leaves Trevor wondering if this career was a good idea. 

In another world, he’s playing in a beer league in a town like this, with a girl like Honey on his arm. 

The thought leaves him feeling heavy, weighed down. It ruminates in his mind, even after the service is over. It sours his mood completely and Trevor wishes he was back at the house so he could take a shower or something and stop the prickling feelings from taking over his skin.

In the parking lot, the group chats about nothing. Trevor doesn’t listen. Bea introduces the boys to come of the townsfolk and Trevor smiles and shakes the men’s hands, hugs the ladies or send a special look their way. Vera and Earl honk as they drive past the group, Vera blowing a kiss towards Trevor and Cole through the passenger window. Cole catches it and sticks it to his cheek, then sends one back. It makes Vera laugh.

Trevor tunes back into the conversation as the boys discuss plans for the upcoming week– Jack edges away from Trevor before he mentions that he invited Honey over that coming Friday and that Bea should come too. 

“Well, you’ll rarely find a Honey without its Bea,” Bea teases. She claps. “Okay. I’ll see you guys then. Quinn, take me home?”

Quinn nods and puts his hand on the small of her back to direct her to the car. Bea pauses and waves Trevor over, shooing the other boys away. Quinn stays, his hand still on Bea’s body.

“There’s a fruit stand outside the grocery store on Mondays,” Bea says.

“I know, I’ve been,” Trevor interrupts.

Bea quiets him with a click of her tongue. She chooses her words carefully, her eyes hard. “Go tomorrow at, like, six,” she suggests, a faux-nonchalant shrug lifting her shoulders. “You might find something that you like there. I recommend buying the strawberries. They make a lovely gift, Trevor.”

Trevor frowns, confused. “I don’t like strawberries,” he replies.

Bea closes her eyes and processes his words for a moment, a tight smile on her lips. “They make a lovely gift, Trevor,” she repeats.

“Sick,” Trevor says, his voice hard. He doesn’t understand what she’s saying. “I’m not buying strawberries for you, Bea. I don’t know you enough to give you gifts.”

Bea stomps her foot. “Good fucking God, Trevor. Quinn, can you explain this shit to him?” She asks, then walks off to the car. She takes Quinn’s keys from his hand and gets behind the driver’s seat herself. 

Quinn watches her walk away, then turns to Trevor. “She’s telling you that you’ll run into Honey, you fucking idiot, and that you should buy her strawberries.” 

He leaves Trevor standing there, eyes wide.

Yeah, he’s definitely heading to the fruit stand tomorrow and buying strawberries.

He concocts his plan on the drive home, silent compared to the other three boys, that are laughing and flopping around the backseat with every turn in a game of Jell-O. They’re not wearing their seatbelts. When they get too loud, Trevor envisions ejecting them from the backseat, leaving them sailing down the mountain, falling through the air.

He holes himself up in his room to nap when they get home, too excited to see Honey to let the time pass organically. It’s like time travel, this way. Trevor will wake up and be two hours closer to seeing her, to getting another chance to win her over. This time, with a gift.

In the afternoon, he laces up his blades and skates with the boys. Quinn has come back by now, not spending much time at Bea’s apartment after church, according to Luke. They all skate and shoot for a couple of hours, playing a game of pickup with an extra player to sub in and out. When that ends, they run some drills. Luke and Quinn play defense, like always, with Trevor, Cole, and Jack recreating their legendary line from USNTDP. It works out perfectly, and each boy pushes himself like they’re playing a real game. It’s the brotherly competition that fuels them– and when the drills start to fall into disarray from hits and other penalties that would certainly be called out in a game, they head off to shower.

The night ends slowly, fizzling out compared to the way it ended the night before. The boys lounge in the game room, sprawling out on the couches and snacking and sipping their beer. Trevor isn’t made to perform another Zulu Run, no one picks up a pool cue, and they watch shitty TV movies on the Spanish channel instead of English. They make up the dialogue as they go and Trevor is the first to go to sleep. He makes it to midnight, but then he forces himself to go to bed. 

He’s got a big day ahead of him… after 5 p.m., anyway.

–end–of–chapter–one–