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x-wingkc · 4 years ago

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Effects of Stargate

This turned into a long post. We all have things in our lives that we hold on to because they mean very specific ‘somethings’ to us. Some of us have blankets or ornaments that we have had since we were babies because they mean something. Some of us have printed pictures because we were alive before the digital age and the Internet. And then there’s massive numbers of us who have entertainment etched in our souls because a TV show or movie meant something to us at a time when we really needed it.

Star Trek was always my thing. I grew up watching TOS reruns with my dad, and he let me know a new Star Trek was coming out when I was in high school. I had a shitty high school. I did. My family was awesome, but I remember being bullied and just not having a good time in high school. We didn’t have the Internet, but kids are still mean if they chose to be mean.

Star Trek TNG literally saved my life. It became a family affair to watch. We had a VHS recording machine that would record when I couldn’t be home. I’ve spent the last few years or so going to conventions and thanking each and every one of the main bridge crew for what they have done for me. I’ve met them all so far except Sir Patrick. I wrote to him, and I hope he knows what he has done for me.

Then there’s Stargate. The show started when I was in the Navy. The movie came out when I was stationed in school in Tennessee. A few of us went to see it and I thought it was freaking awesome. But that was it. Or so I thought.

In the USA, Stargate SG-1 premiered on the cable channel Showtime. I was stationed in Pensacola, FL and was an E-4. I had zero money for cable at the time. Then in 2000, I got stationed in Hawaii after spending 13 months stationed in Diego Garcia. In Hawaii, I was part of a small 10-man deployable satellite tactical support facility for P-3 aircraft. I was the only female. And deploy did we ever. I was gone a lot with the guys. I got along with them all for the most part, but we didn’t see eye to eye on some things. But, they always looked out for me no matter how we felt about each other. My second year there we got a new guy in the unit who told me about SG-1. That new guy would go on to become my husband of almost 18 years now.

I still didn’t pay for cable. I was in Hawaii. Why would I spend my time indoors watching TV when I could be outside paddling or surfing? By then, 2000, I think I recall SG-1 coming out on DVD in the USA. I remember buying a DVD player and watching. Holy shit I was hooked! I was watching another small deployable military unit with only one female in it! And I also was hooked on MacGyver, so I already had the hots for RDA.

Then there was Amanda Tapping. I’m not sure I can even put this into words how her character of Samantha Carter affected me, but her portrayal was spot on. Sam wasn’t oversexualized at all (at Amanda’s demands that her character not be). Sam seemed real and someone who you could hang out with after work. Sam inspired me on deployments to places I have no desire to ever return to. She is smart. She is beautiful. She is confident. She’d kick your ass if you deserved it. She stood up for herself and her team. And after all of that, Samantha still knows how to love. Amanda made Sam relatable in a time when I really needed it. I have ALWAYS wanted Sam and Jack to be together. Always.

I would bring my DVDs home to visit family on leave and me and my mom would watch at least two episodes a night. I brought my DVDs on deployment with me so I could watch one episode before having to sleep on my 12 on / 12 off rotations. The realness of the show, and the realness of Samantha Carter have stuck with me all this time. Then I found out about this awesome world of fanfiction so now I write about Stargate on AO3. I love this community and am so grateful I have found you!

I have been out of the Navy since 2004, and yet Stargate is still very much alive inside of me, and fans want more. I’ve tried to see Stargate folks at cons, but something had always seemed to happen and then I couldn’t go. I was supposed to FINALLY see Amanda at Momentocon this year, but COVID. I even paid for a meet and greet with her, and I was to be in the seat directly next to her. Thankfully, it transferred to Momentocon 2021. So I am still holding out to finally see Amanda.

It seems we are getting closer to having a new Stargate show. While I will watch for the mythos and technology and all that is Stargate, all I really want is my Sam and Jack confirmation. We all can say SG-1 and Atlantis gave us enough clues that they are together, I just want it on the record. I’ll be 50 in February 2021, and to this day I gush over Sam and Jack. And that is OK. It’s OK for us to have things to dream of, write of, draw of, paint of, dance of, and talk of. This world needs the arts more than ever. How awesome will it be to have Stargate come back and feed our imaginations again!

https://www.gateworld.net/news/2020/09/5-chevrons-locked-mallozzi-hints-new-stargate-progress-revisiting-destiny/

#stargate #stargate sg1 #amanda tapping #navy #deployedlife #deploy #star trek #momentocon #stargatenow #patrick stewart

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u23art · 5 years ago

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A LOOK AT THE STARGATE FRANCHISE

A Look at the Stargate Franchise Stretching over the expanse of nearly 20 years, the Stargate franchise persevered as best it could, entertaining audiences with scifi/ military adventures with various SG teams across many planets. And by golly, over the last month, I took it upon myself to watch all the Stargates. Starting with the Stargate film, the adventure begins with the discovery of an artifact in Giza, covered in glyphs, experts suspected the portal like object to have originated by an intelligence earlier than the Ancient Egyptians. Nearly 80 years later, historian/ archeologist/ anthropologist Daniel Jackson (James Spader) is recruited by a military outfit and successfully deciphers the meaning of the glyphs and the artifact. Each glyph coordinates with a constellation, using 6 around a destination along with a point of origin creates a wormhole to travel along between two of these artifacts called Stargates. Joining up with a team lead by Col Jack O’neill, they set off to a distant planet, meet an ancient life form that nurtured Earth’s earliest cultures and liberate a desert people from the alien that named itself their god. This film, though overshadowed by the media that came afterwards, is an earnest adventure story that knew what it wanted and nailed the landing. The world building is solid and doesn’t interfere with the story progression and creates a sympatico relationship with the character Daniel Jackson. The character’s enthusiasm for understanding the culture validates the importance of the world and the world in turn gives Daniel Jackson a muse to let him flex his intelligence, giving audiences some engaging and thorough analysis to connect with. James Spader gives a stand out performance with this character and becomes the backbone of the film, with no disrespect towards Kurt Russell. Combined with effective special effects, the 1994 film cements itself as a science fiction must-see. Following up the movie, running ten years from 1997 to 2007, Stargate SG-1 was a prime contender on Showtime and the scifi channel.

Recasting O’neill and Jackson with Richard Dean Anderson and Michael Shanks, the two form a team with Samantha Carter (Amanda Tapping) and a former enemy soldier Teal’c (Christopher Judge). Expanding upon ideas set by the film, the galaxy is under the rule of another parasitic race known as the Goa’uld. This show was balanced and well cared for. Some charms of this show carry over from the movie, namely the relationship shared between each new world and Daniel Jackson, and this time this aspect is improved upon by the performance by Michael Shanks. He had fun with his character, his character loved exploring and that validated each new world the team visits. On top of this, the worlds aren’t just one and done, with each new season brings evolving politics, making the story well-constructed and leaving next to no added fluff. Regarding the new actors aside from Michael Shanks, Richard Dean Anderson portrays Jack O’neill with a calm yet playful demeanor, making him a comforting presence in any seemingly stressful situation. Teal’c is portrayed by Christopher Judge, giving a performance offering strength, sensitivity and breathtaking deadpan comedy. Samantha Carter however, played by Amanda Tapping, is a bit of a double edged sword. Sam Carter is stubbornly professional, meaning that she approaches problems with calm inquisition, but she doesn’t actually have a character arc. Despite getting her chops busted constantly by coworkers and villains alike, she responds to nearly every show of pigheadedness with “with all due respect”. I can’t think of many instances where she gives an aggressive or sarcastic response to rude behavior, and further still I don’t think there was a single point where she cracked a joke. But I digress, all in all SG-1 is a well-oiled machine and earns it’s good reputation. Next up is Atlantis. Running from 2004 to 2009, we find ourselves in a new galaxy with a new SG team led by Col John Sheppard. Lasting only 5 seasons, the show left behind a few ingredients that made it’s predecessors as engaging as it was, but still provided fun character interactions. The show is more action based, most stories depicting each new world as a new danger and resolving many conflics with hammers rather than scalpels. And the team this time around lacks a character like Daniel Jackson, removing the element of curiousity towards the worlds and in turn the worlds begin to lack appeal. The writing began to lean more on characters than world building, but regardless, John Sheppard and his crew provide fun, banter and action. And then came Stargate Universe. Thanks, I hate it. This show lasted only 2 seasons and a comic book mini series, and I couldn’t be happier. I can’t remember the last time I watched such an uncharismatic show, with an uncharismatic cast on an uncharismatic set. Lasting even less time than Atlanis, with only 2 seasons from 2009 to 2011, adventure is abandoned entirely and replaced with a survival story. Here we follow a group of civilians and SGC personnel, dragged along by the obsessive curiosity of the total sociopath; Dr. Rush. Deciphering a Stargate address with not 7 but 9 glyphs, Rush drags over 40 survivors of a base attack onto an abandoned, ancient ship called the Destiny. Several galaxies away from earth and unable to control the ship, Rush seeks to uncover the mission of the Destiny while everyone else just wants to get home. The funniest aspect of this show is that it’s structured like a reality tv show, take a bunch of irritated people, isolate them and watch the chaos ensue. There’s even a surprise pregnancy, and I totally watch scifi for that. As for world building, there is next to none. Each world is one and done, managing only to give the characters brief periods to have some shenanigans before moving on. There’s plenty of intrigue regarding the Destiny, from the get go it raises a number of questions; what was the ship’s purpose, why was it abandoned, where is it’s crew. Only one of these questions is truly answered; the purpose of the destiny was to track down and investigate an energy signature supposedly left behind from the birth of the universe, essentially a journey to find God in a sense. Story progression drags it’s feet and without proper focus. The main point of intrigue is the Destiny and it’s mission, then there are the ongoing problems of cabin fever among the civilians and then there’s the emotional turmoil of the SGC soldiers and their emotional instability. None of this is executed in a way that works, the characters certainly perform but none of what they do contributes to learning anything new about the Destiny, leaving me with total apathy towards scenes with most of the characters because they’re irrelevant to the main point of interest towards the show. I found myself just glazing over the characters problems because they don’t contribute substance in tandem to the main story. This is not helped by the fact that the characters wear dull, dark clothes on a dull, dark space ship, leaving no scene looking particularly remarkable. In addition to the problems on the Destiny, there is an issue of cloak and dagger espionage on Earth, this becomes more interesting by default because we join members of the original SG-1 team in well-lit locations with a clear problem and characters willing to solve said problem. The series ends unspectacularly and was followed up by an unspectacular comic that still doesn’t resolve the ongoing problems. This show bears the name “Stargate” but lacks all the elements that made what came before it so entertaining. The show was cancelled due to issues of poor reviews and financial trouble and at present there’s no chance of a return, and I won’t lose sleep over this. Then after wrapping up my time with Universe, I ended my Stargate marathon with Stargate Infinity. Stargate Universe was a standard 26 episode animated series from 2002 to 2003, airing on the short lived Fox Box and produced by Dic animation. Set years ahead of SG-1, Gus Bonner and a rag tag SG team are framed and accused of treason, finding themselves banished by Stargate command and chased by an alien race called Tlak’kahn. It’s a show for young audiences, and made by an animation studio that pumped out a lot of budget cartoons. Though to this show’s credit, it was more bearable than Alienators: Evolution Continues, another Dic cartoon based off a science fiction property which displayed embarrassing writing like a badge of honor. The show is cheap, has passable animation, toy like character designs and barely taps into the ongoing conflict, making nearly every episode a contained story. Had I watched this before I watched Universe, I probably would have looked on this show with more scrutiny. However, this is not the case, and I can look on this show more favorably now that I’ve seen what Stargate can look like without most of it’s pieces. Despite the show’s faults, it still retains the idea of adventure and exploration, and it has episodes that lightly touch upon issues like living in poverty or dealing with addiction. And Gus Bonner had so many insightful things to say on issues of science and history, I found it rather wholesome. I even appreciate the colorful toy-like designs after several hours of next to no color at all during Stargate Universe. All in all, the show retains the Stargate identity and gives a decent enough show with what resources it has. There were several other pieces of media that came out for the Stargate franchise, such as books and games, but as of this time the Stargate Franchise is on ice for the foreseeable future. It was an underdog that had some bite to it, and that didn’t go unappreciated. It was refreshing getting to watch the shows and get a more complete perspective for the scattered episodes I’d seen when SG-1 was still on the air.

#Stargate #Stargate SG1 #Stargate Atlantis #Stargate Infinity #Stargate Universe #Jack O'neill #Daniel Jackson #Samantha Carter #Teal'c

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imagitory · 5 years ago

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D-Views: The Princess and the Frog (with guest input!)

Hi everybody! Welcome to another installment of D-Views, my on-going written review series focused around the works of the Walt Disney Company, as well as occasionally films made by other studios that were influenced by Disney’s works! For reviews for Disney films like Mary Poppins, The Little Mermaid, and Treasure Planet or non-Disney films like Anastasia, The Nutcracker Prince, or The Prince of Egypt, please consult my “Disney reviews” tag!

I’m super excited about today’s subject -- not only is its heroine my favorite Disney princess, but I also won’t be watching the movie alone! My darling mum, who has in the past helped me review Harry Potter and the Cursed Child, has graciously agreed to co-review this with me! We hope that you will join us on this magical adventure through the Louisiana bayou as we review...The Princess and the Frog!

In the early 2000′s, the Walt Disney Company -- especially its animation department -- was in trouble. Of all of the films done in the so-called “Experimental Era,” the only animated film that had made Disney a real profit was 2002′s Lilo and Stitch. The others, even if they did manage to receive favorable reviews, were all financial disappointments. The Emperor’s New Groove was fourth at the box office opening weekend behind movies like What Women Want and How the Grinch Stole Christmas and only grossed about 169 million dollars in theaters worldwide after costing 100 million to make. Brother Bear even now boasts a rather sad 37% rating at Rotten Tomatoes. And even if Atlantis: The Lost Empire hadn’t received such lukewarm reviews and been accused of plagiarizing several other movies (most notably Nadia: The Secret of the Blue Water, Stargate, and, as I’ve discussed previously, Castle in the Sky), it wouldn’t have changed the fact that it was released the same year as Dreamworks’ green monster hit Shrek. But no Experimental Era film did as badly as the last one -- Home on the Range -- which after its release in 2004 was so badly received both by critics and at the box office that it prompted Disney to write down the production costs and announce the closing of its 2D animation department for good.

But it didn’t close for good. In 2006, the new president and chief creative officer of the company, Ed Cadmill and John Lasseter, reversed the decision. The 2D animation department had one last chance to turn their dark destiny around, and in 2009, as Disney did after World War II with Cinderella and in the late 80′s with The Little Mermaid, it pinned its hopes on a beautiful, goodhearted princess.

The Princess and the Frog in some ways was Disney’s attempt to return to their Disney Renaissance roots. Its directors -- John Musker and Ron Clements -- had previously directed The Little Mermaid and Aladdin among others. The reinvented fairy tale story features magic, a theatrical villain, a prince, animal sidekicks, romance, and Broadway-musical-style songs. Even the advertising highlighted how much it wanted to remind millennial audiences of the films they grew up with, putting a spotlight on the music and beautiful hand-drawn animation, rather than the “adult,” meta humor that Dreamworks had used to advertise its films and Disney later used to advertise its next Disney princess movie, Tangled. Some production details leaked to the public, such as the title of “The Frog Princess,” the main character’s original name, and her profession as a chambermaid, also were edited upon receiving backlash, and still others (such as the use of voodoo in the plot and our black princess’s prince not being black) were just left as is. Despite all of the negative press that swirled around the project, there was also a lot of promise that Disney fans noted too, such as Dreamgirls supporting actress Anika Noni Rose being cast as Tiana, Pixar composer Randy Newman being chosen to write the film’s score and songs, and Oprah Winfrey being brought on both as a technical consultant and the voice of Tiana’s mother Eudora.

The marketing decision to focus more on nostalgic millennial adults rather than the new Generation Z is what I feel largely contributed to The Princess and the Frog not being the blockbuster Disney was hoping for. As much as I wholeheartedly believe that animation is not and has never been a children’s medium, the attitude that lingered around the public consciousness in the late 2000′s and sadly even today is that animation -- most importantly, 2D animation -- is for kids, and without the kids being just as excited to watch the film as their nostalgic parents, uncles, aunts, and older siblings, The Princess and the Frog was fighting an uphill battle, even if it was produced by a marketing monster like Disney. Even though the movie was handicapped by this bad marketing choice, however, I would still argue that The Princess and the Frog was a success. Even with that bad marketing choice, the racism-themed controversies that had swirled around its production, and the release of James Cameron’s blockbuster Avatar a week later weighing it down, Tiana costumes were selling out everywhere prior to Halloween that year. The movie still was #1 at the box office opening weekend, an honor not held by a Disney animated movie since Lilo and Stitch. It still made $104.4 million and was the fifth highest grossing film that year. It still earned pretty favorable reviews, earning an 85% at Rotten Tomatoes.

Sadly, because The Princess and the Frog wasn’t the big blockbuster that The Little Mermaid had been, Disney turned its focus more toward its 3D projects, and after the release of Winnie the Pooh in 2011 (the same weekend as Harry Potter and the Deathly Hallows part 2 -- COME ON, DISNEY, WERE YOU EVEN TRYING TO GIVE THIS FILM A CHANCE??), the 2D department did close its doors after all, and the studio went in a new direction with the release of Tangled. It’s a choice I lament Disney making, for as much as I’ve enjoyed most of the 3D entries to the Disney Revival, there was something so utterly magical about seeing The Princess and the Frog’s premiere at Walt Disney Studios in Burbank with my mother back in 2009. 2D animation is a beautiful art form, and it’s frustrating that Disney has turned its back on it so thoroughly after it got Disney to where it is now. The Princess and the Frog could’ve been the Great Mouse Detective to another 2D film that could’ve been a Little Mermaid and proved once again that 2D animation is for everyone, not just for kids, just as Little Mermaid did. But instead, the film that was the Revival version of The Little Mermaid was Disney’s first 3D princess film, Tangled -- and not to diss Tangled as a film, but it saddens me that it succeeded largely by playing to the public’s ignorant attitude that 3D animation is more “adult” than 2D animation and that the way to communicate that your animated movie is “for adults too” in your trailers is through using snarky meta humor rather than through artistry and complex themes.

With all this background out of the way...laissez le beau temps rouler! Let’s start the film!

Anika’s singing voice starting our film out is just a perfect introduction. Its pure, unassuming tone just ripples with sincerity as we are led into our introductory scene for our main character Tiana, her mother Eudora, and her absolutely hysterical best friend, Charlotte “Lottie” La Bouff. As we leave the La Bouff manor, we also see a touch of the “Lady and the Tramp influence” that Musker and Clements added to the production in the background design. Just by transitioning from the well-kept, affluent neighborhood in the dimming sunlight to the more run-down areas of town at night, we get a perfect, complete sense of the environment that our heroine lives in, all without any dialogue. And yet, as Mum pointed out, even the rundown areas are full of warmth and charm. Just like in Lady and the Tramp, they never look scary or shady, simply modest and maybe a little worn. On the note of charm, as well, I absolutely friggin’ adore Tiana’s dad, James. Considering how big of a role he has in the story, it’s really good that we see how big of an impact he had on his daughter through his good, hard-working attitude and love for his family and neighborhood despite not having much screen-time.

Once the “Walt Disney Pictures” banner floats by, we finally meet Tiana as an adult. As mentioned earlier, Tiana is my favorite Disney princess. Part of the reason why comes back to the fact that Tiana’s movie came out right before I started my first job (ironically enough at a restaurant in Disney World) and she inspired me to give 120% everyday, but the other reason Tiana speaks to me so much is because she reminds me quite a bit of Mum! Like my mother, Tiana is a very warmhearted, logical, and hardworking person who never sits on her laurels and is always ready to fix a problem, and it was really cool to see a Disney princess with the same kind of organized mind and stubborn work ethic that I saw in my mum growing up. That feeling I had watching Tiana’s story is one of the things that inspired me to write my Disney crossover story TrueMagic, where I wrote a character directly inspired by Mum. On top of all that, I realize that Tiana speaks a lot of the millennial and gen Z experience, having to save up a lot of money at two dead-end minimum wage jobs just to try to get ahead in a world where the cards are stacked against her. We even see her sleeping in the room she grew up in, meaning she’s still living at home as an adult to make ends meet!! Isn’t that relatable!!

I have heard others critique Randy Newman’s music, but in my opinion the score and songs developed for this movie perfectly set the mood of 1920′s New Orleans. The opening number “Down in New Orleans” is really well-paced with the medley of scenes introducing Tiana’s usual work day, Dr. Facilier’s vindictiveness and desire for Eli La Bouff’s wealth, Naveen’s playboy attitude, and Charlotte’s instant attraction to the newly arrived Prince. Of the songs, I’d personally cite Tiana’s “Almost There” and Facilier’s “Friends on the Other Side” as the strongest links, with “Gonna Take You There” as the weakest, but even if you don’t end up finding the songs catchy, I don’t think anyone can deny how well it suits the film’s setting.

Now admittedly, one critique you could give the film is its idealized, whitewashed view of historical race relations. Let’s be honest: in the 1920′s, a rich cotton baron like Eli La Bouff would not have visited a cafe on Tiana’s side of town and he would not let his precious daughter engage with Tiana as an adult either. As much as there were people who didn’t follow the common attitude that black Americans were somehow “inferior” to white Americans, if you didn’t follow that attitude, you couldn’t have expected to be very financially successful or influential in such a racist society, as Mr. La Bouff is. On top of that, Tiana would not only be facing passive prejudice when trying to open her own restaurant, like the kind the Fenner brothers express about her “background” -- she would also be likely facing active discrimination and potentially violence. As much as this film doesn’t truly represent the way things were back then, however, I would argue that the decision in the end benefits the picture, which clearly is supposed to be a fairy tale. This is a story where a girl kisses a frog, becomes one herself, meets an alligator who plays the blues and a firefly in love with a star, and both fights against and alongside people who practice voodoo. It may have a historical backdrop, kind of like Pocahontas and The Great Mouse Detective do, but it is still a fantasy. There are other films that aim to teach us about how things really were back then, so why can’t we have one where a young black American lives her own fairy tale in the iconic Crescent City? Plus, in Mum’s words, an integral part of this story is the pure, unlikely friendship between Charlotte and Tiana, which would have been close to impossible in a completely historical setting. To my memory, it’s actually one of the few times we see a close friendship between two female contemporaries in a Disney princess movie -- the closest we’d had previously were relationships like Aurora with the three fairies (which was more of a familial relationship) and Belle and Mrs. Potts (which...yeah, big generation gap). Even in films that came later, we have Elsa and Anna, but they’re sisters, not just friends. And Tiana having a friend like Charlotte ends up being pivotal in her eventual triumph.

Speaking of Charlotte and her friendship with Tiana, something I love about her is that she doesn’t just give Tiana the money she needs to open her own restaurant. Instead, because she knows Tiana has pride and wouldn’t just accept the money for nothing, Charlotte finds a reason for her to give her the money she needs by assigning her the task of making beignets for the ball she and her father are hosting. It’s something that reminds me a bit of my mum and her best friend, who also comes from a wealthy family -- like Charlotte, my mum’s best friend likes spending money on my mum, but has always known that she can’t buy my mum’s friendship. Both she and Charlotte know that you can only be a friend through expressing sincere caring, which is the mark of a true friend.

Ever since The Princess and the Frog first came out, “Almost There” has been my work mantra, and every time I hear it, I just am full of drive and excitement. The animation for this sequence -- animated by senior Disney icon Eric Goldberg, who previously worked on the Rhapsody in Blue segment in Fantasia 2000 and was the supervising animator for the Genie in Aladdin -- is also pitch perfect, incorporating both Al Hiershfeld-inspired designs and an Art Deco vibe to envelope us in Tiana’s fantasy. It’s one of the kind of artistic risks that Disney used to do more often, like the Pink Elephants sequence in Dumbo, the fairy’s gift sequences in Sleeping Beauty, and the Zero to Hero sequence in Hercules, and you just don’t see this sort of highly stylized song sequence in most of Disney’s newer films. The only one that comes to mind is the “You’re Welcome” sequence in Moana, which ironically enough also featured Eric Goldberg drawing all of Maui’s “Mini-Maui” tattoos! Those sorts of stylized musical numbers is something I’d love to see more of in the Disney Revival, because it gives the film in question such character and can bring an already great song to new heights.

Naveen is a character who I could’ve very easily disliked upon first meeting him. Obnoxious, selfish, and/or vain characters -- such as Lightning McQueen from Cars or even Kuzco from The Emperor’s New Groove -- really tend to rub me the wrong way, unless there is something in the character at the very beginning that makes me want to see them improve themselves. Fortunately our main prince is saved for me because we see that along with his vain, shallow, playboy attitude, he also expresses a great love of music and living life to the fullest. He doesn’t ignore his responsibilities as a prince just to be rebellious or lazy, but because he is so in love with New Orleans and its culture. He isn’t an angry or willfully condescending person: he immediately starts dancing with regular New Orleans citizens and is enthralled with the moves of a tiny street entertainer. And just as Tiana represents the millennial experience through working multiple jobs just to make ends meet, Naveen expresses a different kind of millennial experience -- that of being so sheltered by one’s privilege that, once you’re on your own, you’re incapable of sustaining the life style you’ve become accustomed to and are led by society to believe you should be able to achieve. At this point, it’s still easy to feel sorry for Lawrence, Naveen’s resident “Peter Pettigrew-look-alike” manservant, though that impulse quickly disappears after we see his interactions with our villain, Dr. Facilier. Speaking of which...

Just as Tiana is my favorite Disney princess, Dr. Facilier is my favorite Disney villain. Voiced by Keith David, the man who previously gave life to Goliath in Disney’s Gargoyles, the so-called “Shadowman” is -- in Mum’s words -- just “deliciously evil.” His voice drips with cold charisma, dipping into rich bass tones but never sounding groggy or lacking in energy, and the animation -- done by Bruce W. Smith, supervising animator for Oscar Proud from the Disney Channel show The Proud Family -- just fits David’s line-reads like a glove. Although Lawrence briefly provokes Facilier, effectively foreshadowing his true viciousness, the witch doctor largely puts on a theatrical persona that entices even the most jaded viewers in with his song “Friends on the Other Side.” Mum brought up the wonderful comparison to Oogie Boogie in Tim Burton’s The Nightmare Before Christmas, and just like Oogie Boogie, Facilier’s number feels very unscripted and spontaneous, and yet it’s still conniving. Even though the song is jazzy and oddly conversational, there’s this dangerous, sinister darkness echoing in the background, not just in the echoing voices of the Friends on the Other Side but in the lyrics with multiple meanings (”when I look into your future, it’s the green that I’ve seen”). Along with the theatricality, however, Facilier doesn’t forget to also be very intimidating as a villain -- the scene where he turns Naveen into a frog gets quite scary in its imagery.

Just as everything seems to have come up roses for her, Tiana is suddenly about to lose the restaurant of her dreams for good. But there is still hope -- or, at least...there’s a frog. Or a prince. A frog pri -- you get the point. Interestingly Naveen, while a frog, reminded Mum and me of two very different characters. Mum immediately thought of Aladdin, thanks to his charming, smiling expressions, while I immediately thought of another frog seeking a kiss from a beautiful girl: Jean-Bob from The Swan Princess. I personally think the second of those is a coincidence, given that Jean-Bob and Naveen really don’t have much in common excluding a flamboyant accent, but Aladdin’s influence on Naveen’s character animation is pretty reasonable. After all, Flynn Rider’s design was also influenced by previous Disney princes.

Not having seen this movie in a while, I’d forgotten about the “frog hunters” sequence in the middle of the movie until it came on screen. I know that Tiana and Naveen had to face multiple dangers before they reached Mama Odie, not just for dramatic storytelling but also to help cement their budding relationship...but I’m sorry, the characters of the frog hunters are just...uncomfortable. The stereotypical portrayal just comes across as very mean-spirited, especially when compared to the great respect for New Orleans culture in the rest of the movie. The scene does give Tiana and Naveen good character development, though, so it’s a flaw I can overlook to enjoy the rest of the movie.

Usually I don’t enjoy Disney “sidekick” characters as much as I do more developed main or side characters, but I will grant that as sidekicks go, Louis the alligator and especially Ray the firefly are among the better ones. Louis is kind of there for humor more than to advance the plot at all, which is a shame, but Ray becomes both ridiculously charming and central to the film’s theme of love when we see his romantic side in his song “Ma Belle Evangeline.” This song has special significance to Mum and me, all because of Mum’s little Russian Blue/Short-Hair kitty, Evangeline, or Eva for short. When Eva and her sister Ella (full name Cinderella) were being driven home from the pound, the two cats were absolutely beside themselves, crying and yowling the whole way. The only thing that quieted them was me singing songs to them, including songs based on their names -- Cinderella’s opening theme (”Cinderella, you’re as lovely as your name”) for Ella, and “Ma Belle Evangeline” for Eva. Even now, Eva knows that that song is her song, and she always relaxes whenever she hears it. The song sequence in the film also beautifully reflects Tiana and Naveen’s budding relationship, which has already affected them enough that they are starting to take influence from each other. Tiana has started to open up and have some fun, while Naveen is more able to acknowledge his shortcomings and takes more responsibility. They even see eye to eye enough that they stop Louis from telling Ray that Evangeline is a star, not a firefly. Tiana/Naveen is my Disney OTP mainly because of that influence that they have on each other. Both of them are such beautifully flawed characters, but they both also teach and encourage each other to be better people than they would have been on their own.

Tiana and Naveen learn that if they want to turn human again, they need help from Charlotte, who will be “princess” of the Mardi Gras Parade until midnight that night. Unfortunately, when Tiana finds Charlotte, she finds her about to marry who she thinks is Naveen on a float in the parade. Admittedly I kind of wonder why Tiana didn’t consider that it might not be Naveen, as earlier she saw a human Naveen dancing with Charlotte before meeting frog!Naveen and so should know there’s an imposter, but I suppose it’s just story convention, to have this kind of a pre-climax misunderstanding. It’s the same reason why Naveen is locked in a box on the float where he can interrupt the wedding, rather than being stowed away more securely somewhere else, or why Charlotte didn’t turn into a frog too after not being able to turn Tiana and Naveen back.

At long last, our climax arrives. After Dr. Facilier “lays Ray low” in a scene that makes both Mum and me cry out in grief, he corners Tiana in the graveyard, enticing her with the dream she’s worked so hard for in the hopes of getting the medallion that would allow Lawrence to impersonate Naveen and Facilier to steal the La Bouff fortune. But because of all of the character development Tiana’s gone through, she remembers what’s really important -- the people she loves -- and she outdoes the Shadowman, condemning him to be yanked down into the underworld by his so-called “Friends” for all time. The growth Tia’s gone through also gives her the strength and courage needed to put her dream aside and tell Naveen about her feelings for him. And because she’s a true friend, Charlotte shows no hint of bitterness about missing out on her “happily ever after” with Naveen -- instead she immediately is supportive of her friend and tries to fight for her happiness, to the extent that she looks over the moon when Tiana and Naveen get married as humans. Even Ray, who Mum wishes desperately had been able to make it, achieves happiness by finally becoming a star beside his beloved Evangeline. As our film comes to an end with a reprise of “Down in New Orleans,” we’re left with a sense of triumph and optimism...two things that embody our newly crowned princess beautifully.

The Princess and the Frog is a movie that, in Mum’s and my opinion, should receive much more appreciation that it has. Financially speaking, it only did about as well as The Great Mouse Detective and Lilo and Stitch in theaters, but it still has left a lasting impact. I still see plenty of little girls dressing as Tiana in the parks, and I still hear about young black women and girls who have found validation and comfort in the first African American Disney princess. Even I, who share a complexion with white bread, find Tiana an engaging, brilliant role model in today’s world -- in Mum’s words, she embraces the idea of success being half inspiration and half perspiration, but she also learns the virtue in disregarding the chase for success when it comes at the cost of your values. She learns how to love, how to grow, and how to change, while also encouraging the best from those around her. The Princess and the Frog also features what I would argue is the best Disney animated villain since the Disney Renaissance, a soundtrack that embraces its setting to the Nth degree, and a prince who grows just as much as his love interest does while they are together. It’s not a perfect film, but no film is, and Mum and I hope that like other Disney films that didn’t make much money on their initial theatrical releases, we as a Disney fanbase can make this movie a cult classic and give it the love it fought so hard to earn and so rightfully deserves. Look how it lights up the screen -- ma belle Princess and the Frog!

#d-views #disney reviews #mum and tory watch together!!#disney #the princess and the frog #reviews #opinion #analysis #oh boy here i go

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ionecoffman · 6 years ago

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83 Things That Blew Our Minds in 2018

Most “Himalayan” pink salt is from the Punjab area of Pakistan, not the actual Himalayas.

Hippos poop so much that sometimes all the fish die.

In addition to the supermassive black hole at its center, the Milky Way galaxy may be home to thousands of smaller black holes, invisible to even our finest scientific instruments.

There’s a parasitic fungus that doses cicadas with the hallucinogen found in shrooms before making their butts fall off.

The Arctic Ocean is now so warm that its floating sea ice can melt even during the coldest, darkest times of the year.

You can make thousands of dollars a week charging electric scooters.

When your eyes look right, your eardrums bulge to the left, and vice versa. And the eardrums move 10 milliseconds before the eyes do.

More than 2 million years ago, well before Homo sapiens evolved, one of our ancient-human relatives lived in what is now China.

Women who have had six to 10 sexual partners in their lives have the lowest odds of marital happiness, according to one study.

When Chicago’s Shedd Aquarium opened in 1930, the inland aquarium had to ship a million gallons of ocean water by train from Key West, Florida.

Twitter is the preferred social network for nudists to meet and connect online.

The population of older adults who misuse opioids is projected to double from 2004 to 2020.

The data economy didn’t begin with Google or Facebook in the 2000s, but with electronic information systems called a relational databases, first conceived of in 1969.

At their most voracious, wildfires can grow 100 feet high and consume a football field of forest every second.

People with autism are 10 times as likely to die by suicide as those in the general population.

The number of exclamation points now necessary to convey genuine enthusiasm online is, according to most internet users, three.

An “ice tsunami” killed a herd of musk oxen in February 2011 and kept their bodies perfectly entombed for seven years.

Ten thousand years ago, the people who lived in Europe had dark skin and blue eyes.

Facebook sent huge volumes of data about you and your friends to millions of apps from 2007 to 2014, and you have no way to control—or even know—how that information gets used.

A fishing cat is a water-loving cat species that lives in swamps, quacks like a duck, and dives from riverbanks to snag unsuspecting fish.

Astrology is experiencing a resurgence among Millennials, fueled by meme culture, stress, and a desire for subjectivity in an increasingly quantified world.

In the beginning of 2018, Amazon had 342 fulfillment centers, Prime hubs, and sortation centers in the United States, up from 18 in 2007.

Ivy League universities took nude photos of incoming freshman students for decades.

Some fundamentalist Christian groups think the spread of implantable technology is a key sign of the impending apocalypse.

The shopping mall put a cap on consumerism as much as it promoted it.

Bees stop buzzing during total solar eclipses.

The scientist who advised the production team of Interstellar made so much progress on his research in the process that it led him to publish multiple scientific papers.

High fibrinogen content can help a blood clot stay in a shape like putty—even if it gets violently coughed up.

Many butterflies in the nymphalid group can hear with their wings.

Some scientists think the reason you want to squeeze or nibble on a particularly cute baby is to snap your brain out of the euphoria that cuteness can summon, making you able to tend to the baby’s needs.

In the fourth quarter of last year, 25 percent of all new office space leased or built in the United States was taken by Amazon.

The first scooter was invented in 1990 by a guy who really wanted a bratwurst.

The streets of Boston carry an average of four gas leaks a mile.

In August, Oxford University’s Said Business School came up with a clever way for homeless people to receive cashless donations: Donors could scan the barcodes on homeless people’s lanyards to send them money.

Don’t worry if you forget all the facts you read in this article by tomorrow—that’s normal.

Many doctors have difficulty accessing the health records of patients treated previously at another facility; less than half of hospitals integrate electronic patient data from outside their system.

The original indigenous American dogs are completely gone, and their closest living relative isn’t even a dog—it’s a contagious global cancer.

Donald Trump can’t really send a message directly to your phone. In fact, the president’s ability to address the nation directly in a time of crisis, available since the 1960s, has never been used.

In 1995, a man in Germany realized his pet crayfish was cloning itself. Clones of that crayfish have now spread all over the world.

Four hundred years after Galileo discovered Jupiter’s largest moons, astronomers are still discovering some tiny ones.

The fastest someone has ever hiked all 2,189 miles of the Appalachian Trail is 41 days, seven hours, and 39 minutes. That averages out to roughly two marathons a day.

The lifespan of a meme has shrunk from several months in 2012 to just a few days in 2018.

Elon Musk’s $20 million SEC fine might make his ill-advised “funding secured” tweets the most expensive ever.

Thousands of horseshoe crabs are bled every year to create a miraculous medical product that keeps humans alive.

Single-celled microorganisms can survive in lab conditions that simulate the icy environment of Saturn’s moon Enceladus.

Only 10 major hurricanes have ever made landfall along the Southeast Atlantic coast, if you don’t count Florida.

Animals that live in cities are sometimes found to outperform their rural counterparts on intelligence tests.

Jupiter’s famous Great Red Spot is shrinking.

The paleontology consultant for Jurassic Park had a Tyrannosaurus rex eat a doppelgänger of another researcher with whom he had academic beef.

Some people think tennis balls are green while others think they’re yellow, and the disagreement has a lot to do with how our brains perceive color.

Conservatives tend to find life more meaningful than liberals do.

It’s easier for spacecraft to leave the solar system than to reach the sun. Thanks, physics.

Despite giving away hundreds of millions of dollars to charity, the Microsoft co-founder Paul Allen was worth $20 billion when he died, 48 percent more than when he signed the Giving Pledge in 2010 and promised to give away at least half his wealth.

China consumes 28 percent of the world’s meat—with the average resident eating 140 pounds a year.

Europa, a moon of Jupiter, may be covered in 50-foot-tall blades of ice.

You can reconstruct a pretty decent record of historical whaling intensity by measuring the stress hormones in the earwax of a few dozen whales.

Doing a good deed—or even imagining doing a good deed—can boost an athlete’s endurance by reinforcing his or her sense of agency in the world.

A science adviser on Stargate: Atlantis imagined a fictional astronomical phenomenon called a binary pulsar system for the show. Years later, such a system was found in real life.

The lowercase g in Google’s original logo is really, really weird.

Sixty percent of gun deaths in 2017 were suicides.

From 1984 to 2015, the area of forest in the American West that burned in wildfires was double what it would have been without climate change.

An astrologer came up with the phrase “super blue blood moon” to describe a celestial event that’s much less scary than it sounds.

The Cambridge Analytica scandal caused 42 percent of Facebook users to change their behavior on the platform, according to a survey conducted by The Atlantic. Ten percent of those people deleted or deactivated their accounts.

In the absence of federal regulation or good research about how skin-care products work, communities of citizen scientists have started compiling pretty decent resources.

The figure-eight trajectory flown by the Apollo moon missions was the very same path followed by fictional astronauts in a classic silent film from 1929, Woman in the Moon.

After one year in America, just 8 percent of immigrants are obese, but among those who have lived in the U.S. for 15 years, the obesity rate is 19 percent.

There’s a spider that makes milk.

Goats love to feast on weeds, and you can rent dozens of them to landscape your lawn.

Some people have a bony growth on the back of their heel, called a pump bump, that makes it hard to wear pumps and other kinds of dressy shoes.

Astronomers can still detect ripples in the Milky Way caused by a close encounter with another galaxy hundreds of millions of years ago.

China built its rocket-launch facilities deep inland to protect them during the Cold War, but decades later it actually makes launching rockets into space more dangerous.

The folks who make Piaggio scooters hope you might buy an R2D2-like cargo robot to haul a case of Aperol home from the market.

Shifting the pitch of an audio recording can make it sound like an entirely different word.

Kids under the age of 8 spend 65 percent of their online time on YouTube.

A reservoir of liquid water may lurk just a mile beneath the ice-covered surface of Mars’s south pole.

When people overdose in public bathrooms, many service workers become the unwitting first line of medical responders.

Some people think that quantum computing will bring about the end of free will.

Mouse urine is a major cause of asthma for poor kids in Baltimore.

The House of Representatives’ longest-serving member, Alaska’s Don Young, was first elected to his seat after his opponent died.

In September, Hurricane Florence dropped about 18 trillion gallons of rain over the Carolinas—enough water to completely refill the Chesapeake Bay.

Europe suffered its worst carbon dioxide shortage in decades (think of the beer and the crumpets!) because of a closed ammonia fertilizer plant. Yes, these two things are related.

Americans spent $240 billion on jewelry, watches, books, luggage, and communication equipment such as telephones in 2017, twice as much as they spent in 2002, even though the population grew just 13 percent during that time.

People get more colds in winter because chilly temperatures make it easier for microbes to reproduce inside your nose.

Article source here:The Atlantic

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gumnut-logic · 6 years ago

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Favourite Character Meme

From @the-lady-razorsharp

Rules: Name your ten favorite characters in any fandom, then tag ten friends to do the same.

Okay...

Jim, John, Jack, John, Michael, John, Tony, and Virgil. Hmm, that’s not ten, but these are the only ones up there on a pretty much equal standing.

Jim Kirk - Star Trek: The Original Series & The Alternate Original Series. This is my original fandom. This is where is all started. The first fandom I encountered way back in 1986 (and yes, I am halfway through my lifespan, told you I never grew up :D ). He was in my first fanfic (which will never see the light of the internet because omigod bad - though you can see my second one - Goodbye, Spock - both of which were physically printed in my local club’s fanzine all those years ago). My history with ST is a little different to some. I entered through the James Blish books as at the time the show was not being shown on TV at all, videos were scarce and expensive and ST was not trendy, not at least until ST:TNG came to play a few years later (well, try four years, it took forever for anything to get onto this side of the planet back then). Fortunately there were books in libraries and I was an avid reader (and as a budding librarian, I had my ways :D ). So due to this, William Shatner wasn’t in the equation when I first met Jim Kirk. In fact, when I first saw ST:TMP I stared at the screen and asked what TJ Hooker was doing in the captain’s chair?!

Jim Kirk is your typical hero. Sacrifices himself to save the day, has great friends who would do the same for him, and a honkin’ great big starship to back him up. What’s not to like? :D

John Crichton - Farscape In the early 2000s before the new Battlestar Galactica changed sci-fi storytelling for good, Farscape was at the forefront. It bent the rules that BG later broke completely and that single astronaut stranded on the other side of galaxy found himself in a world nothing like the safe Star Trek he probably grew up with.

John Crichton is a geek, but a geek with spine and a good set of leather pants, long black jacket and a big gun to match. At heart he was a gentle scientist, but he was forced to adapt and kick ass. But through everything something in him stayed true and the world around him which at first found him simply a weak oddity eventually mapped itself to him. His weaknesses became his strengths, his associates of suspect motivations became his loyal friends and together they took on the universe.

And the leather, c’mon...

Jack O’Neill - Stargate SG-1 Oh, poor Jack. Stargate fandom was where I truly waded into fandom. I started really writing here back in 2003 (yes, I’ve been on FF.net that long). I met some fantastic friends through Stargate that had both me and them travelling thousands of miles to meet each other. It was also where I learnt to whump. As I said, poor Jack :D i wrote my first novel length fic in Stargate all 75,000 words of it. Took three months, most written by hand as I couldn’t type fast enough - by the time I finished it, I could touch type.

Jack is the only character I can claim to still be older than me, just (it was a momentous year when I passed Jim Kirk’s age of 34, our characters are forever young, we are not). He is the goofy colonel, typical tough guy with a soft heart, but will of steel who always did what he thought was right, willing to make the necessary sacrifices just like Jim Kirk, and again with the team who would all do the same for him.

John Sheridan - Babylon 5 Okay, I admit it, I was a Scarecrow and Mrs King fan long before Bab 5 was even dreamt up. but the beard in season 4 that did it :D I’ve never written in this fandom, basically because it is pretty much a closed loop story and the actual show did a pretty good job of venturing where fandom would have gone anyway :D

John was another military type with a strong moral backbone (would you believe that I’m not a military type, but all these guys seem to be - what that says about me, I don’t know :D ). Again he is soft around the edges hence the whole Delenn storyline. Maybe for me it is a combination of kickass, doing what is right and squishy insides :D

Michael Knight - Knight Rider I loved Knight Rider as a kid and in 2004 when I discovered the tiny little KR writing fandom online, I instantly fell in love. Real Life at the time was a bit of a challenge and KR was a haven for me. I wrote a lot of KR fanfic and it and the people I met in that fandom still hold a special place in my heart. Michael and Kitt saw me through some tough stuff and I returned the tough onto poor Michael. If I was feeling awful, he got it. I used my writing as a vent zone and managed to create something out of it. This was also the fandom that introduced me to RP. And yes, I RP’d Michael Knight, you can find my long abandoned journal here. I also managed a bunch of other characters including a several hundred year old version of KITT.

I really should say Michael and Kitt, because just like Kirk and Spock, one character isn’t much without the other. A hothead ex-cop who, once again, has a moral core to stand up for the small guy and drives a smart car, literally. The both of them together are quite capable of kicking ass. A not so typical buddy cop show with so many writing possibilities. I built up my writing skills in this fandom and eventually started writing original works (which were all brought to a grinding halt by the event of motherhood in 2008, thus followed the lack of writing for the following 10 years...until a month ago).

John Sheppard - Stargate Atlantis I’m mentioning this John because I fell into SGA quite hard about three years ago, but with the exception of one unfinished attempt at fic (which you can find on FF.net), i haven’t really written anything in this fandom. I like a bit of John and Rodney interaction and because I know SG-1 so well, and John is really just a younger version of Jack in many ways, it was inevitable.

John is military (again ::sigh:: ), but not military. He breaks the mold and tends to be just outside what he should be. Again a softy, not as confident or as steely as Jack O’Neill, but with his own code and strengths.

Tony Stark - Marvel Cinematic Universe Well, in all that writing desert, this is where I have been. There is enough fic in that massive fandom to keep an addict fed for years, literally, I’ve tried it. I have never written any Avengers fic. There is no need to, and really with young children, a job and a small business there really wasn’t time.

Tony Stark is a geek with money. He has troubles, he’s socially messed up in places, but under it all he does his best. He cares, sometimes too much, and is willing to step up to do what is necessary. He is far from perfect and he screws up big time, but he continues to try. There is also a load of angst and whump attached to this poor character, even in canon. (I think the last movie sent me into shock, I really shouldn’t have seen it while recovering from appendicitis, it hurt). And he is not a soldier, he has made that perfectly clear.

Virgil Tracy - Thunderbirds Are Go And here we are today. About a month a go this fandom hit me like freight train and in the process revived my writing skills, created this journal and drew me back into fandom. I still don’t have time to write, but somehow I have.

Out of all the characters above, Virgil is the most different. He has an artistic side which I can understand, being an artist myself (no, I don’t play the piano or any other instrument, unfortunately). He’s a softy, he’s kind, a bit of a dork, he’s calm (much unlike all of the above), he has four brothers he would do anything for, is certainly well built for a cgi character...and he drives a big honkin’ aerotank :D Pairing him up with Scott leads to interesting conversations and the whumpfactor...I’m so sorry, Virgil. But I think at the core of it is the hero again. The Tracy boys go out to save people. There are no guns, no animosity, they are just trying to help because they care. And who couldn’t fall in love with that?

I’m not going to tag anyone, but feel free. it is an interesting way to share info about yourself :D

#fandom #fanfiction #jim kirk #john crichton #jack o'neill #john sheridan #michael knight #john sheppard #tony stark #virgil tracy

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nancygduarteus · 6 years ago