#ALSO. IF A CHARACTER WHO IS CONSIDERED TO BE 'GOOD' DOES SOMETHING WRONG THAT IS ALREADY MORE INTERESTING THAN 'SECRETLY EVIL'

[intrepidmare]

I want to reiterate @ao3commentoftheday's words. You can tag however you want. It's a tag wrangler's job to sort them out. Don't worry about making it harder for wranglers, especially with chatty tags (those are often great, some of you are very very funny).

However...

Expanding on character and relationship tags fields, don't add modifiers like "Mentioned Character" or "Background Character Y/Character Z" in there. Those tags will be syn to the character's or relationship's canonical tags (without the modifiers). And making them syns, renders them useless for filtering.

For example Jamie Lannister(mentioned) as a character tag is synned to Jaime Lannister. Just like (background Clark Kent/Bruce Wayne) as a relationship tag is synned to Clark Kent/Bruce Wayne. I know people who does that is wanting to warn people that the character or relationship has a minor presence in the work, but in the end, their efforts are lost. Any tag with a modifier should go in Additional Tags. Always. No exceptions.

The opposite it's also true. Any character or relationship tag without modifiers in additional tags is deem unwrangleable and will never see the light of the day as a canonical additional tag. Readers won't be able to filter it in or out when searching for something to read.

The issue is that tags can't be in different categories at the same time. Fandoms can't be in the character or relationship or additional tags categories. Neither can a character be in the fandom category (or any other) except for in the character category. Each category is subjected to the same rule.

A good way to know if you wrote a tag in the wrong category is to see if they have "- fandom", "- character", "- relationship" or "- freeform" as a suffix after you entered it. Although, not all tags in the wrong category have a suffix. But if they have one, that 100% means that either you or someone else wrote it in the wrong category.

I just remembered something else! People who censor tags are wasting their time. This is my very own personal opinion. Any of those tags will be eventually synned to the correctly-written tag anyways. (e.g. "Suic¡d3" is synned to "Suicide") You're not helping, and I don't mean not helping wranglers. I mean, you're not helping the readers! Because for wranglers, that censored tag is like any other that needs to be synned, not effort at all to deal with it. For your readers, however, it might be a big issue. What most don't know or consider is that it takes some time for tags to be wrangled (anything between hours and several weeks, when the fandom has wrangler(s) assigned to it. Takes way longer when the fandom is unattended).

Let's use the example above: during that time until the tag is wrangled, if a writer uses "suic!d3" or "unaliving themselves", and a reader filters "suicide" out not wanting to read works containing that subject, then the work tagged with the censored tag will appear on the filtered search and reader will get an unpleasant surprise if they click on the work. That censored tag did nothing of what it supposed to do. Do not censor tags and everyone will be happy.

I know tag wranglers do a lot of work connecting tags etc. Is there anything authors can do to make their jobs easier for them like trying to mostly use canonical tags or not making tag comments?

Thanks!

This is a great question, and I'll do my best to answer it but I do hope that some wranglers add on in the notes! I'm also just going to preface this with the fact that you should still tag however you like to tag. This list isn't meant to be a checklist or anything. It's just info I've picked up over the years and you can take or leave each piece as you see fit.

Okay, so the first thing that most non-wranglers should know is that wranglers see tags separately from the fic. They get a big bin full of tags to sort through and match up in the system, but they'll only see your fic and the other tags you've added to it if they decide to go look.

That's important to know because sometimes a user will tag something like [character] is so sexy and then also tag by which I mean they're a huge dork. The wranlger won't see that second tag and won't know that they're connected so your sarcastic tag will end up synned (matched up to) sexy!Character or whatever the canonical is, as if that was the meaning you were going for.

Another good thing to know is that tags can only be synned if they only have 1 idea in them. So if you tag, say, [character] is gay and autistic then the wrangler can't actually syn that to either [character] is gay or character is autistic because it only half-fits either tag. To have them synned in the database, you would need to tag those two ideas separately.

You might have already seen the post I made referencing the fact that you don't have to tag multiple versions of the same idea (unless you want to for the aesthetic) because the synning that wranglers do makes sure that tagging one idea allows users to filter for all versions of that idea. But in case you didn't know that, now you do!

Wranglers are often members of the fandoms they wrangle, but they aren't always. Sometimes they'll take on a fandom that doesn't otherwise have a wrangler because they like to do research or because they like small fandoms or for many other reasons. But that means that if you're tagging your OCs by name, you should add (OC) to the end so that they know it's not a canon character that they aren't familiar with. This is double true in huge fandoms like Star Wars where there are millions of canon characters and just as many OCs.

Wranglers don't "seed" tags in fandoms. For a tag to exist, users need to create it. The rule of thumb is at least 3 fics from 3 separate authors, but that's very much the minimum and in fast-moving or huge fandoms the bar is probably higher. Also, for brand new fandoms, it's entirely possible that they won't know you exist until you tell them. Back in January I was the first person to write in a brand new fandom so I knew I had to start the tags, and I waited until there were 25 or so works by 15 or so creators before I emailed Support because I know I have to be patient - but I'm still impatient by nature lol.

Another thing to know is that tags are kind of like proton packs - they can't cross the streams. If you put a tag in the Character field by mistake, wranglers can't move it to the Additionals. This can also work in your favour, though, because if you have a minor character or minor relationship that you want to tag because there's some kind of fandom drama happening and people want to be able to avoid them, you can tag them in the Additional Tags so that people can know they're in there, but the people who like that character or ship can still filter the Character and Relationship tags without seeing a bunch of works that don't really focus on them.

This got super long, so I'll end with your question about tag comments. I know people worry that it makes extra work for tag wranglers if you get all chatty in your fic tags but I've been reassured by more than one wrangler over the course of several years now that it's no extra work. They just shovel those tags into the gaping maw of the Unfilterable Beast - which is the same thing they do with those tags that have multiple concepts in them. If it can't be synned, then that's where they go.

(keep tagging that way, though, if you like to because that's how new concepts get created and eventually canonized)

Alright, I that's all I can think of off the top of my head, and the list was actually longer than I thought! Wranglers: please do add on with other things you wish users knew, and please correct me if anything has changed since the last time I delved into this topic!

[phrandallanton]

I've been thinking of making a GENZ version of my OCs for a bit now. So here it is. If there's any spelling mistakes or just mistakes overall let me know!

Joesph is your typical twitch streamer, one of the more beloved ones. He does get canceled over small things and befriending bad people, but overall everyone deems him to be non problematic. 

Joesph mostly streams video games and the occasional whatever. But he also has a channel dedicated to computer science and robotics. Definitely helping people with building their gaming PCs.

Just like how he is originally, He's bestfriends with Joshie in this AU too. He probably tried to publicly support her work but then he got "canceled" and it just led up to Joshie getting more hate than love. Now Joesph supports her privately. He adores her fan fictions (even if he doesn't know anything about what she's writing) and always sends her seal videos or anything that he thinks will make Joshie happy! I can't remember if Joshie is an artist in this AU, but if she is then Joesph has probably asked if she would draw some stuff for his channel before.

Joepsh finds Pete's thirst traps cringe. Pete probably forced him to record one for him, the whole video was shaky due to Joesph laughing. Joesph actually knows japanese (Yes I just added this. He would totally know japanese, dude. Trust.) With that, Jerry asks him to translate for him from time to time so he can more accurately fake being japanese. Joesph thinks it's weird and wrong to fake something like that (because it is) but Jerry uses him still interacting with Joshie and his friendship with Joshie as blackmail. Uhhh, him and Bill probably don't like eachother. I could see them fighting over waifus or something dumb like that. Jokes on Bill, Joesph got Vinny to draw Bill pregnant. Made sure to make it clear he was going to be a single mother too.

Speaking of Vinny, Oh God. She makes art commentary videos on youtube. Her opinions aren't the best considering she's always contradicting herself. Stupid. But her not extreamly big yet dedicated group of white knights support her simply because she's a "pretty" women. And since Vinny is dumb she genuinely thinks that these people actually care about her takes on things.

She does mostly NSFW art commissions to earn money. Trying to save up so she can go to collage and become a marine biologist. However she's not responsible with her money so take that as you will.

Just like how she is originally, she still goes on fourm sites to take down anyone she's jealous of. And just like how she interacted with Greedo318, she does interacted with Bill on these fourms from time to time. Once again, probably not aware it's him, because she's stupid. In reality, away from the computers, in real life, IRL, Vinny actually finds Bill to be attractive appearance wise. But that's all he has going for him. He's just good to look at, preferably far away and not talking.

Currently re-working working original Vinny, and now she's friends with Josh so she would also be friends with Joshie. She likes hanging out with her on discord VCs as she's doing commissions while watching one of Joesphs dumb streams. She does try to defend Joshie on fourms but she's mostly busy speading misinformation on the people she hates.

Uhhh Vinny doesn't care about Jerry too much. Yeah she also thinks he's cute but can't get over the fact that he vapes. Even though she would probably hit a vape and she owns a bong. Just thinks anyone who vapes gives off douche bag vibes.

Probably wishes she could be in one of Pete's thirst traps dispite not finding him attractive one bit. Maybe if he keeps a mask on, it'll work. Guh...freak. Also, ex alt kid of 2020, has a Dino mask and some paper dragons locked up in a closet, nearly got diabetes from the "battery acid" drink, probably drank it with Joesph, still a monster drink addict, bunny hat and a danganronpa cosplay is lurking somewhere.

Okay, good night everyone! Sometimes the characters in the pilot remind me of fish.

[the-nosy-neighbor]

Frank lying to us they know something wrong and they’re pretending everything is fine

Thanks for the ask, your collages are always interesting.  In this secret video, Frank establishes that they are safe and sound here in Poppy’s house, which might insinuate that they aren’t outside or in other places.  However, Poppy has just been fretting on oven safety, making Frank wear two pairs of gloves and at least two aprons, so it could be as simple as that, but the phrasing is weird. 

Then we see hawthorn, and the connections to bringing illness into the home.  The asker has made a link between this idea and Frank before, and I can see why, given the arrangement of the flowers and the colors (but not the shape).  Hawthorn, as listed, is considered to be very unlucky.  If it is brought inside, it can bring illness or death.  On BBC flora, it states that it is closely associated with death for some because the pretty white flowers turn into blood red “haws.”

I also found that some hawthorns are red and white to begin with:

Which remind me of Julie’s view from above and the flower on her paddleball.  Could we find these flowers other places?:

Hawthorn may have this association with death due to the smell of the flowers, which are described as reminiscent of rotting (bodies). 

Frank's association with this flower could symbolize his role in the death of characters, as he would literally be bringing bad luck or death into the home.  We have seen Frank in 5 homes at this point:  he’s been in Eddie’s home (hidden video about the post office having bugs), Home (holiday party where Eddie’s freakout occurs), Poppy’s home (hidden video about bird seed and Halloween party), and Julie’s family’s home.  We have an image (not canon) of seeing Frank in Julie’s home in front of the mirror.  We’re  going to have to assume he has been in Howdy’s Place, as it is the only store, though we know that Howdy does deliveries for Poppy.  You can probably see where I’m going with this.  If Frank is associated with hawthorn, then he could be literally bringing misfortune and death to his friends.  OK, so technically no one has died, but we’ve seen people have very negative consequences, and Frank is nearby. I've also theorized before that Frank has buried Eddie for his own good multiple times.

Add to this that Frank is grey, and he’s strongly associated with butterflies, who are known to consume dead things.  I think grey, especially in this neighborhood, could be considered related to death and dreary things. After all, the grim reaper is usually in a black cloak. Zombies, frankenstein, and other fictional dead things have a deathly pallor that is grey.

Hawthorn is listed as a plant that attracts butterflies.  Decomposing things also attract butterflies.

We’ve seen this in non-canon art, in this unfinished image of Eddie being consumed.

A more full version of this is on the ko-fi, but it resembles Frank’s body parts/red envelope picture, in that a realistic hand holding a red envelope is extended out of his middle.  Hard to say, but in the beginning, it looked more gory than a later version I have seen. 

The overall effect is that perhaps they aren’t safe and sound in this little neighborhood.  We have Poppy suffering a really big freak out in her home, which was described as a safe space.  Frank is nearby when she bursts out, just as he’s nearby when Julie breaks, and when Eddie breaks.  We had been noticing that both Sally and Frank were nearby in the previous two, but with the most recent, it’s just him.  He looks shocked each time to witness their break, so he’s obviously not expecting it. 

It is possible that Frank is dragging in bad luck, leading to him seeing the breakdown of these characters.  He seems scared and concerned for them, but so far has done nothing to stop what’s happening.  I’m not sure that he could if he wanted to.  There’s a theory that we hear the normal voices of the puppeteers in the end of Poppy’s book, but it’s close enough that it’s hard to say.  In the transcript, however, it has ??? listed as the names of both the Frank voice and the Sally voice.  In the end of Julie’s, the text says Julie, but notes that her voice sounds different. But given her choice of language and real sense of fear, the two options are that Julie is masking her real voice and swears exist in the neighborhood, or that Julie's puppeteer believes she is really Julie.

It's almost like we have three different outcomes:

Eddie:  Goes catatonic.  Frank is talking to him, and there doesn’t seem to be a question of it being them in the transcript. It could be that Eddie’s puppeteer has had an episode.

Poppy:  Could switch from Poppy to her puppeteer when she is alone.  Her alone voice is different, and she shows some anger, it could be that this is her puppeteer and the question marks at the end are because Frank, Sally, and Poppy’s puppeteers are on set.

Julie:  It is coming through in the text as Julie, but we know that’s not Julie’s voice.  It is either she has been disguising her voice, which is possible, because she has lied about everything else.  However, she seems legitimately panicked and states that she is THE Julie Joyful and is desperate for this flower to bloom, which wouldn’t be something that the puppeteer would feel responsible for. 

I’m not making the connection with the shadow of Frank, so if you’d like, let me know what you were thinking there. 

[rxttenfish]

Thanks for opening my eyes to Miravi as a ship, it’s one I never would’ve even thought of but once I started thinking about it… yeah. Yeah!!!! It makes so much sense! Two tropey girls, a tragic princess and her conflicted knight in shining armour! I can’t help it, I’m a sucker for that…. (this might be why I always play as Vicky in MP…. because when I romance Miri my queen…. the polaroid is them as a knight and a princess….)

I love how you characterise them a bunch. I love that they can be two dorks together. Two nerds who love talking to and listening to each other. Two people who can heal together. Happy times for the both of them <33

thanks!! i still recall that this ship came mostly by accident to me, and honestly it was a damn fortunate accident at that because they work AMAZINGLY together. i really do like picking ships by virtue of personality and how well those personalities would mesh together, and don't like ships where that isn't directly considered, which, to be fair, i did at first think the two would probably dislike or hate each other! but i ended up thinking about it more and how the two might actually interact, and, honestly? the way they come off to me has always been that, if they can just get over that initial hump, they're WONDERFUL for each other.

i just like the way they parallel each other. both clinging to what they were told they are for their entire lives, something given to them by family and whom they had little choice in, but which they threw themselves into with a passion simply because they had nothing else they thought they could be. both with nasty, tangled histories, upholding systems which exist to eat the world and themselves simply serving as the last victims of it, neither able to fully question their role in it due to how much has been invested, how much would be lost if they had to put it aside. both with ringing alarm bells of psychological distress of all of this, that they cannot hear because they were never taught they were alarm bells, seeking out something that's close enough to what they were told they're supposed to be but without the teeth, without the fear, without the alarm bells. both rejected by their own systems by virtue of some flaw that isn't really a flaw, a fault that has marked them as unable to live up to their own myths. both only really able to come to any terms about all of this when they have other people, people who aren't a part of that system, people who they can depend on and trust, to start pointing it out and offering alternatives.

it's good! i like when two characters' journeys are really one journey, one path together, when they're in the same boat and just haven't realized it yet. i like it when they realize it, when they can finally start talking about it, finding solidarity in, yeah, actually, this IS bullshit, and why would someone do that to them. i like it when they're a conversation with each other, a mirror through which the other can be dismantled and picked apart and seen for what it is, when both act to lay the other out plain, when only the both of them can see the other for who they truly are.

and i like when it gives characters that are all high octane and presence and tension, just some downtime together. i like it when they can finally take off all that they drape themselves in, and just sit there together, vulnerable and exposed. i like how much they talk and have to say to each other, but i like how much they don't talk to each other as well, how much they can just exist in the silence together because the words aren't necessary. i like it when two characters being vulnerable with each other first feels like strangulation, and then, release.

[wrightfamily]

it's annoying when people take a character that's mean or evil or whatever and try to make them a better character than in canon but the reverse is much worse to me

[leori-the-unlearned]

the way digimon does conflict/drama between two characters who should be or are close: chef’s kiss <3

the way sonic idw handles creating conflict/drama between two characters who should be or are close: *wilting flower*

[radioactive-yuri]

i guess my point is that i want to explore the human aspects of inhumanity but most of you guys are only interested in the moral aspects of both. as if being more human is the same as being more morally correct. as if morality can be fairly applied to something distinctly non-human.

[amarriageoftrueminds]

*taken out of the tags cuz it got too big

It's useful to bear in mind: A thing is not a true/accurate proof of a character's beliefs just because they're the one who said it, unless their actions demonstrate that thinking/belief as well. (You could call it... word/deed harmony? 🤔). 

Example: Steve saying this ^ and acting in accordance with it, in this and other Cap movies. 

Example of word/deed dissonance: Tony claiming/telling himself he has got out of the arms dealing business... while continuing to design weapons (Iron Man suits) and selling them to America instead (SHIELD) under his own control. 

That is not getting out of arms dealing. That is merely building a new personal arms-dealing monopoly and altering your customer base to US-centric alone. Proving that Tony doesn't truly believe it was wrong; only that it negatively impacting Americans was wrong. Which is contrary to what he says and what he thinks he believes. 

Never mind what X character says / thinks / genuinely thinks he believes / wishes other people to think he believes... 

What do their actions show?

If Ultron hadn't rebelled... who do you think would have been in charge of pulling his strings, alone? The Avengers? the UN? or just Tony? 

If Tony hadn't died, who alone would've been in charge of EDITH (aka Insight 2.0) instead of Spidey? The Avengers? the UN? or just Tony again?

Tony's actions prove that, when he speaks of oversight, he means: controlled by him (an American) alone... and that rules are for everyone else but him. 

Tony says he believes in the Accords... but his actions don’t support that, not before or since.

a) He’s a non-enhanced billionaire who experiences zero consequences for rule breaking, even within this one movie, so even if the Accords did apply to him (which they don’t) they still wouldn’t affect him in the way they do affect everyone else (even within this movie). So all of his advocating for them that claims to include himself is hollow and hypocritical. As demonstrated by the fact that he:

b) acts completely contrary to the Accords ('I'd have to arrest myself'). 

When push comes to shove, Tony doesn’t put his money where his mouth is. 

He puts his money where his mouth isn’t.

While Steve relies on 'the people' (small group) to protect the planet (vindicated by the fact that in his own/most Avengers movies that usually works), Tony thinks it should be just him in charge (which is not vindicated, because that always goes wrong).

And his actions show that he only appreciates human loss if it’s Americans and especially he himself, as an American.

(What is his PTSD about? the people who died in the battle of Manhattan? the other people the Avengers couldn’t save from Loki? No. Him personally going through a wormhole. Whose death does he care about in Sokovia? Pietro's? all the Sokovians he wanted to blow out of the sky? No. One American, and even then only because he personally was confronted about them. He refuses to help undo The Snap... until he remembers that, of all the trillions of children who died, one mattered to him personally... and because he wants to be able to control how the Avengers undo The Snap, so that it doesn't adversely affect (you guessed it!) ...him personally. etc etc.)

Which is why (and this is wild to consider) none of CACW would have happened if Pepper Potts had been around. 

Because Tony does NOT actually, genuinely believe in the Accords. He just thinks signing them will make him look responsible and will ergo fix his relationship problems. 🤷‍♀️

Steve dealing with casualties vs. Tony dealing with casualties

[deikshen]

Shen Yuan, who opens his eyes and has just transmigrated into some strange demon deep in the Endless Abyss. Well, GREAT! He's a demon, and while he's not OP, if he behaves and doesn't mess with Binghe's women, maybe they could even be traveling companions. Cool! Incredible!!

It doesn't take long for him to find Luo Binghe in the Abyss some time later. He leaves a trail of carnage... And he's speedrunning!! Ignore the wife and solo plots, just mow down monsters and charge forward! He's awesome!

Shen Yuan tries to avoid the red flags that the stallion protagonist isn't, well, forming a harem. Maybe he would form later, when he had more power!! He's not exactly sure in which narrative arc are.

However, his days of watching Luo Binghe through the shadows are soon over. Luo Binghe catches him!! He has obviously noticed Shen Yuan following him. What does he want? Is he looking for him to kill him?

Shen Yuan ducks out a bit, but ultimately decides to impart his honed Abyss 101 knowledge from months of Wiki editing. He disguises himself as a demon who has been searching for a way out of the Abyss, and he knows that he can only do so with Xin Mo, but he knows he doesn't have enough power to wield it. So, he will tell Luo Binghe where the portal-opening sword is, if he allows him to travel by his side and accompany him when he leaves!!

... It's very easy to become travel companions after that.

Luo Binghe is suspicious (of course he would be!! After all, who wouldn't be?!) but he's nice when he's not on his monster-killing rampage. Shen Yuan kills minor monsters, but in reality, he might be getting into more trouble than he should... spiritual flora, ancient artifacts! Luo Binghe should collect them and become more stronger with them! Shen Yuan rambles a lot: he talks about flora, beasts, monsters, demonic history, he throws out fact after fact of PIDW backstories that never got fleshed out from the old demonic civilizations, banished kingdoms, people literally turned into black jade statues...

Luo Binghe seems to find it irritating that he's talking at first, but actually... It's like he can't stop looking at him afterward. Shen Yuan guesses that he must be considering getting rid of him, sometimes: Luo Binghe looks at him with an expression of dismay and doubt. It's like he's searching for something in him. Like he sees something familiar, but Shen Yuan finds it ridiculous. Bah!! As if there's something familiar about him to some random NPC in the world!

One day, after several weeks of traveling, Luo Binghe asks him: "Little Demon. Do you have a name?" And it's not like Shen Yuan has introduced himself, but he considers saying "Shen Yuan" to him not to be wrong.

After that, Luo Binghe... gets worse? He also becomes a little more talkative, which is good, they can have conversations. Shen Yuan enjoys learning little things about his favorite character: how he likes tea, what he misses most is not water or clean clothes but being able to cook with spices, his favorite food, his mother's favorite recipe, about his life on Qing Jing Peak...

That's when everything goes to hell.

A kind Shen Qingqiu? What the fuck? Luo Binghe speaks about his Shizun with more passion than he has spoken about Ning Yingying or any other person or thing. That he had had this horrible qi deviation, but right after, he had been so kind, giving him medicine, a new cultivation manual, fair training, even letting him live in the bamboo house! For the past few years, Shen Qingqiu had practically spoiled him: the best missions, all the running of the Peak, he was basically the head disciple in all but name.

That Luo Binghe had fallen in love with him. Deeply, devastatingly. And Shen Qingqiu had pushed him into the Abyss when his heritage was revealed. However, Luo Binghe will not doubt! He will leave the Abyss, return to his Shizun, and show him that his heritage does not determine who he is. He will become a righteous cultivator and will have his respect to reach his heart.

OOC! So OOC! What the fuck!? Where was the scum villain!? Why is Luo Binghe gay now!? What weird fanfic did he end up in!? Actually, Shen Yuan supposes, well. That means at least he wouldn't destroy Cang Qiong and all that. Wow. Dramatic but calm ending. A better world!! And worse for him, being a demon. Maybe Could he find a way to disguise himself as a human? He believes he has already won Luo Binghe's friendship and sympathy. Maybe he'll even help him to disguise.

Revelations are a rare thing, but Shen Yuan guesses, it's okay. They continue their travel, collecting flowers along the way (for real, not meimeis) who improve the cultivation, and occasionally fight for their lives. Shen Yuan has defended himself very well with his claws so far, but Luo Binghe teaches him how to use a sword, and it's nice to have one.

Shen Yuan has drawn a map, more or less: it is the path that must be taken to reach Xin Mo. He knows that some of those places will be more difficult than others; he explains to Binghe many times that collecting things to strengthen him is necessary: it's a waste of time for him to meet with his Shizun now, but he'll be grateful! He'll need to get strong fast!

Shen Yuan shamelessly takes advantage of all his knowledge of the plot: he teaches Luo Binghe everything he knows, all the weaknesses of the beasts, all the strengths of certain flowers or roots. However, the more Shen Yuan teaches him over the weeks of their travel together, the more Luo Binghe seems... weirder. If he looked at him too much before, now it's incredibly worse. Sometimes he even asks extremely specific questions and seems frustrated when Shen Yuan doesn't answer exactly as he expects. Once, even, when they are crossing some paths surrounded by magma and the heat is suffocating, Binghe improvises a folded fan of leaves for him, and he seems clearly aggrieved when Shen Yuan's first instinct is to fan Binghe!

Luo Binghe is a frustrating little creature who seems to be testing him. Constantly. Shen Yuan assumes it's normal, but still!! He thought he had the protagonist's confidence!! Something seems to sparkle in his eyes when Shen Yuan stops halfway to explore a forest of giant mushrooms and talks at length about the properties and, above all, about the mole-squirrels who get high off their asses biting mushrooms, and he even seems fucking frustrated when he offers some weird herbal blend similar to a bitter tea and Shen Yuan accepts it just out of politeness because it tastes awful. It's like they're running in circles!!

Still, they continue on their way.

There is still a large stretch of the map to go, which Shen Yuan translates into a few more months of travel, when they are cornered by some beasts. They're horrible, disgusting spider-beetles the size of a fucking elephant; it's an unfair fight, seven against two, and even with their swords the bugs are fast, their legs sharp, and Shen Yuan is too exhausted after hours of only being able to defeat two of them.

Luo Binghe fights majestically, but even so, there is one thing Luo Binghe cannot fight: being outnumbered. And when Shen Yuan sees the giant insect's attack at Binghe, his only instinct is to get in the way.

The insect's leg pierces through him. It doesn't quite touch Binghe, but Shen Yuan isn't even aware of the pain from the way his nerves have been ripped apart. He's stunned, disoriented, and only a moment later Luo Binghe enters that desperate berserk mode that the protagonist only got once every two hundred chapters. The horrible insects fall, and Shen Yuan doesn't even know why he's still alive.

He supposes that dying while Binghe is fighting is a bit anticlimactic. He's in a pool of his own blood and he's sure that not even the blood parasites will be able to regenerate any of it. He's dying, he knows it, and from the way Binghe drops to his knees beside him after defeating the insects and holds him, Binghe knows it too.

"It's okay," Shen Yuan manages to speak, weakly patting Binghe's face, "follow the map, leave the Abyss and meet your Shizun. I bet you'll scare him to death, but hey. You're a great boy. A very good one. Show him there's no one better than you for him."

Luo Binghe holds him. Shen Yuan is aware that there were blood parasites in his food months ago, but oh well. Nothing can be done now. It's too much.

Actually, he wants to say something else, something other than a pathetic goodbye talking about how the ex-stallion protagonist should go after his Shizun's bone, but while he recognizes that he is dying (he already died once, damn it, he recognizes death) a blue screen flashes in his head.

[ Recalculating data... Correcting recipient... Downloading files... Importing... ]

[ Bugs fixed! ]

[ Returning the Host to his main user... ]

At the exact moment Shen Yuan dies, Shen Qingqiu wakes up in Qian Cao with a gasp, suddenly touching his chest where a second ago he had felt a hole that pierced him from side to side. His head hurts, his muscles burn, and someone definitely screams in surprise because a bunch of disciples call out to Mu Qingfang and, damn, it's fucking chaos.

He's apparently been in a coma for the past eighteen long months since the Immortal Alliance Conference. A qi deviation? No one knew. It was as if he were just asleep, but nothing woke him. His vital signs were normal, low, but active. Except for Without-a-cure, there was nothing else in his spiritual veins, and Without-a-cure could not cause his current state.

Now, with a huge headache, Shen Qingqiu remembers. He remembers not only the last year and a half with Binghe in the Abyss, but his last years as Shen Qingqiu. And he remembers that, just after of pushing into the Abyss, the fucking System COLLAPSED! Damn SHITTY AI! And Shen Qingqiu believed that he was really going to deport him back to his body even if he pushed Binghe into the Abyss! ... But he hadn't. Just to a random demon's body until the system repaired itself.

The story he tells to Mu Qingfang about the qi deviation after Binghe was swallowed by the Abyss is as good as any. So, Mu Qingfang finally lets him rest until he recovers, and Shen Qingqiu accepts it.

During the Abyss, he had been... Free, somehow. He had no memory of being Shen Qingqiu, and he hadn't had to pretend to be anyone else. It had been the greatest freedom he had had since he arrived. Fuck, he has a lot to think about. How, above all, what the hell he's going to do now that, damn it, he knows Luo Binghe has somehow fallen in love with him. Fuck.

... Well, at least the other transmigrant on the scene will surely have something to say. Eighteen months in a coma! Ha! Shang Qinghua wouldn't even know what hit him.

[avelera]

So apparently, Fortiche shared concept art where Jayce's Hexcorization in the cave would extend all the way to his face:

And this is really interesting to me from a narrative perspective, here's why:

Much of S2 Jayce's arc is incredibly... punitive. Like, he is really being punished step by step for everything he did wrong in S1. From Renni terrorizing and almost killing him for the death of her son, to Viktor leaving him "for another woman" (the Hexcore as represented by Sky) much like Jayce left him for politics as represented by Mel, there's really a sense of the narrative not only tearing Jayce down to his bare essentials (something that's very common for TV writing to do, by the way, it's very common that you want to see characters reduced down to who they are for their "long night of the soul" moment before they learn the lessons of what they really stand for before going into the climax armed with those lessons), but Jayce's time in the cave really goes even further than that and not only does S2 take away his political career, his Hextech ambitions, his state as someone able-bodied, much of his strength, and certain other gifts, it looks like in this draft they considered taking away his beauty too.

I think it would have been interesting either way if they had, but I want to dive into the narrative structure of action and punishment in Arcane, why Hexcorizing Jayce's face might have been a step too far and not really addressed a lesson he needed to learn, and my thoughts on punitive character arcs in general in Arcane (or lack thereof), specifically with regards to Jayce and Caitlyn.

I've mentioned elsewhere that I always found it interesting that much of the hate directed towards Jayce by the fans was for his perceived incompetence in difficult moments, rather than at how naturally gifted he seems to be at everything.

When I first watched S1 on my own, I thought Jayce was a bit unbearable because everything comes so easily to him (after Viktor becomes his partner and Hextech takes off as a result, that is). He is naturally beautiful, he's built like a god but doesn't appear to do any sort of exercise routine to maintain this other than working in the forge, he becomes the Man of Progress and rockstar of Piltover pretty much without trying, girls are literally sighing dreamily as he goes by.

He's also naturally a genius, from what we see, revolutionizing multiple industries with one invention. Even his rescue as a child is a literal miracle and it spurs him to create an invention that makes him a rockstar. When he enters politics, he immediately dominates, to the point where he's able to get a unanimous vote to overthrow the founder of the city within weeks of going there. Even in battle he's naturally gifted and naturally lucky during the raid of the Shimmer factory (up until the death of Renni's son), even though he has no prior skills as far as we know. He also wins the love of arguably the most beautiful woman in the series, again, seemingly without trying.

Then, S2 doesn't just take all of this away from him, it seems to go a step further into actually punishing Jayce for how easy and miraculous his life was in S1.

I'm of two minds about the Hexcorization reaching his face, but I have a hypothesis. I think it would have looked fucking rad but, I kinda get why they didn't do it:

Because Jayce's good looks are not something he can control, unlike the other things the narrative punishes him for.

Insofar as he can control his looks, he gives up on the clean-cut, immaculate "Golden Boy" image. Even in the idealized astral plane, he keeps most of the marks of his time in the pit like his hair and beard. I think it's because Jayce likes who he became down there. The clean-cut version of him was always the mask of him trying to please others, Jayce's appearance after he emerges from the cave is him shedding the opinions of others (contrast this with how Viktor idealizes himself in the astral plane, removing all marks of his illness. This isn't a criticism, just an interesting point of contrast).

So basically, my theory is Fortiche may have pulled back on Hexcorizing Jayce's face on the one hand to soften the visuals a bit, but secondly because it keeps the focus on punishing Jayce for things he chose to do, rather than things he doesn't really have control over.

But make no mistake, the narrative comes down hard on Jayce in S2, for every little thing the fans could and often did hate him for in S1. He pays for all of them, arguably in excess of what he maybe deserved, since as he says he didn't ask for any of this. But he did go along with it, and there's where the hammer of consequence (quite literally) comes down on him, tears away all his privileges, drags him down to literally the level of Viktor when he first left the undercity and says, "You have to do it all again but now focused on what really matters, and it's going to be ten times harder than it ever was."

This, in my opinion, is why Jayce is so popular coming out of S2. It is a hell of an arc, it's a hell of a redemption! You gave the man everything any man could want, then you took it all away, and then as his crowning moment of showing he has truly learned these lessons and made up for his mistakes, he makes possibly the most loving gesture possible, puts his weapons down, and reaches out to the person he loves most and literally sacrifices himself on the altar of his mistakes to make things right and show Viktor he is loved, and to protect Viktor from the horrifically lonely fate of his future self. It doesn't get any more noble, loving, or self-sacrificing than that.

Because more than we like to see a character punished we like to see them learn from their mistakes and come back better. Jayce's S2 nobility is earned, perhaps even to excess, no one can question whether he suffered enough to make up for what he did in S1 but even the most uncharitable read of him in S1, his biggest hater, would have to agree his time spent starving to death in agony, alone in that cave for months, has got to be just about the worst punishment a human can face and live.

Which is one reason I must add that I find it a little puzzling that Arcane's creators didn't predict the hate that Caitlyn would get in S2.

Keep in mind, because this is very important, the Arcane creators did not make S2 in response to fan reactions to S1. S2 was already in production and the script was locked in and done before anyone outside their organizations saw S1. So nothing that happens in S2 is as a result of fan response.

But, the creators did understand that Jayce was going to need to suffer narrative punishment for what he did in S1 in order to be redeemed, whether they predicted how hated he would be after S1, they did predict that redemption would be necessary. And boy-howdy, did they give him a hell of a redemption arc!

But Caitlyn's S2 actions are almost in lock-step similar to Jayce's S1 actions, being manipulated (by a Medarda!) into accepting power, but maybe not having a choice in the matter, but still maybe expanding that power on their own because it is useful in its own right. Caitlyn also makes terrible mistakes. A child doesn't die but people in the undercity do get hurt during her rage-fuled raids, even if most of them are mob bosses and their goons. The narrative asks, does that make it right? Caitlyn like Jayce hurts the person closest to her who is from the undercity and uses bigoted language against the people of the undercity to Vi's face in much the same way that Jayce did to Viktor on the bridge, though in Jayce's defense, he apologized immediately after.

So, seeing how hated Jayce was coming out of S1, to the point where there's still barely any merchandise of him, I'm shaking my head rather ruefully that there was so much merch made for Caitlyn this time around. And I get it! Caitlyn and Vi were very popular after S1, they are intentionally THE main romance of the show and it was a very popular romance coming out of the innocence of their meet cute in S1.

But it's a romance that dearly needed a longer third act if you wanted Caitlyn to be as embraced after her mistakes as Jayce was after making up for his all through S2. You need to give her as long or at least as in-depth of a redemption act with as much suffering and acknowledgment of her mistakes if you want Vi and Caitlyn at the end to get celebrated the way Jayce making it up to Viktor is, because as much as I understand the choice to focus on pacing instead of exposition, and I do think Caitlyn's apology and realization of her mistakes are there on the page more than people complain, I do also agree that it is a bit "blink and you'll miss it" even if it's there. Jayce got a whole episode of being thrown into the Torment Nexus for his mistakes, real or imagined, if you didn't like him or his choices, you definitely got the sadistic glee of watching life kick the stuffing out of him for what he did in S1.

But besides her fight with Ambessa, which was a result of a confluence of many events in the story, not just Caitlyn's mistakes, Caitlyn doesn't really suffer much for the mistakes she made to those she loves. Her losing an eye to Ambessa didn't happen because she said bigoted things to Vi or became a short-term puppet dictator of Piltover. It was a result of Ambessa's actions and maneuvering more than it was a result of Caitlyn's personal mistakes to her loved ones.

In contrast, Jayce's time in the pit gave him the chance to reflect on and suffer for the the mistakes he made that led to the Anomaly that led to him being down in this pit, and what he would do to make it up to his loved ones like Viktor when he returned. Caitlyn never got a moment like that and from what I'm seeing of the vitriol directed towards her, so similar to what Jayce got after S1, it seems like she really needed it if we were going to like her to the same extent again, in a way uncomplicated by lingering questions about whether she ever truly learned the lessons her character needed to learn to grow as a person.

And it's just funny to me that a narrative that was so aware that this whole huge punishment arc was needed to rehabilitate Jayce wasn't aware that we'd need one for Caitlyn too, at least if they're going to move all that merch they made for her (please give us Jayce merch, Riot, I'm begging).

[cripplecharacters]

Writing Profoundly Intellectually Disabled Characters

[Plain Text: Writing Profoundly Intellectually Disabled Characters]

While there is a glaring lack of intellectually disabled characters - except maybe big, physically strong, white men who can’t “tell right from wrong” or have a personality - in all sorts of media, specifically profoundly intellectually disabled characters are next to non-existent, with the existing ones being used more often as plot devices rather than portrayed as human beings.

This does make a degree (and not more) of sense considering that 85% of ID people have it mild, 10% moderate, 3.5% severe and only 1.5% has profound ID, the larger group inevitably gets more representation (which doesn’t make it good, but it does exist). However, it hopefully doesn’t need explaining that minorities deserve to be represented too (...and represented well), so this is what this post will be about.

Please don’t treat this as your only source on writing a character like this (even though I’m willing to bet it’s the only one like this, at least on tumblr), do your research and always check other sources.

Also, for clarity: intellectual disability isn't an umberalla term for "mental/brain disability". It's a specific, singular diagnosis that used to be known as "mental [r slur]". It's not the same as brain damage, autism, dementia, dyslexia, and anything else that's not specifically "intellectual disability". It's something that you are either born with or acquire early in life.

How do I Include Them in the Story?

[Plain Text: How do I include them in the story?]

A profoundly ID person will spend the majority of their time either at home or in some sort of care facility since they will require 24/7 help. The easiest role to put them in is probably a family member of another character. I've mentioned on this blog before that the "ID characters always end up as the annoying younger sibling" thing is overdone, but none of these necessarily have to be true for this suggestion to work (especially not the "annoying" part).

A non-ID character could have an intellectually disabled older sibling, twin, cousin, uncle/aunt, the sibling of a grandparent, etc. Seriously - a severely disabled person can be an adult, or even an elder. Just not as a parent, since a profoundly disabled person can't consent (a lot of ID people very much can, but this is the one disability where your level of functioning is baked into the exact diagnosis - profound ID comes with the inability to consent/understand the consequences enough to consent).

"They're a family member" is basically the easiest "excuse" to include a profoundly intellectually disabled in a story (and, as a bonus, you don't have to figure out how the other character would react to meeting them for the first time, since they probably knew each other for a long time already).

If your story isn't about the profoundly disabled character and instead just features them as a character, it would be much easier to not make the other character their primary caregiver. It's simply a ton of work and the character wouldn't have time for fighting dragons and whatnot - it'd be easier to have the abled character spend time with the disabled character at home (or care facility; you can very much visit someone in one) hanging out rather than actually doing the caregiving part.

Outside of a home and a care facility, there are also day care programs that some people might attend. This is the rarest solution out of the three mainly because of financial reasons, but also these resources aren’t as common for people who can’t walk, learn self-care, etc. Going to one takes time (the profoundly disabled person isn’t gonna walk there by themselves) and probably requires a specialized van (that you can bring a wheelchair in, which is incredibly expensive). Most day care programs are focused on people who are moderately or severely ID at most. One made for profoundly ID people would require 1:1 aides, which generally means the programs are much smaller for logistical reasons, but also even more expensive. For most people, too expensive without funding. Basically, this is an option, but you have to consider your character’s financial situation and/or what kind of financial support do disabled people get where they live.

Another way is having the disabled character in some sort of high position - in real life there were quite a few cases of profoundly and severely intellectually disabled royalty. Depending on the place and time there might have been pressure to not let the public see them, but this wasn't always the case. The biggest example of the latter was probably Emperor An of Jin (the first Jin, Eastern one) who was, as his title suggests, crowned at some point. He didn’t actually rule (his uncle did) but yes, you can have a severely disabled person as the head of a monarchy, it’s not without precedent.

In fiction you can do whatever you want anyway when it comes to ableism, you can have it be there, or you can have it not be there - and if it does exist then there are still different kinds of ableism you can portray that aren't the "literally killing-the-disabled-baby/hiding-them-in-some-dungeon level of eugenics" kind. Maybe a rich family who cares about their image would actually be unable to shut up about their kid to show how "saint-like" they are for caring for the disabled - it is unfortunately realistic, and can be a potential way to have the character exist in public, not ignore ableism, and also not go the aforementioned literally-just-murder route that writers usually do to show an ableist family.

Characterization

[Plain Text: Characterization]

Warning; the bar here is somewhere in the Earth's inner core. If your character has a single characteristic beyond aggressive/loud/unmanageable*, they're automatically at the top of most complex fictional representation of severely/profoundly ID characters. Congrats.

* - Some people are those things but, unsurprisingly, they're other things too. A lot of profoundly ID people can actually be completely quiet - you notice people who are loud because they're loud.

As with literally every character, you need to figure out what they like and not like. This can be quite literally anything, but try to think of the basic stuff. Do they have something they really enjoy eating (and conversely - something they refuse to eat)? Do they have some sort of comfort toy or object they don't want anyone touching (and maybe showing them playing with it with a different character could be a way to show how much they trust them)? In more modern settings, do they have a favorite show they always bug everyone to put on? Are they really clingy or do they hate physical contact (again, maybe they only enjoy it from a specific character)?

Another characterization could be comfort objects. A lot of profoundly ID people are autistic (which I'll touch on later) and will have an object that they bring everywhere the same way that non-ID autistic people might. There's nothing really specific here, just another layer of "this character is a Person". Maybe they have a blanket they really enjoy chewing because the texture feels good or some sort of plushie they like to throw around because it makes a sound they find funny. Lots of options. Maybe they have a personal “tell” to let others know they want their comfort object brought to them.

Keep in mind, you have to show this all in non-verbal manner. A profoundly ID person is probably not using any sort of AAC device (the most robust one I remember seeing right now was a low-tech one with "yes" and "no", but there are probably ones who operate on a larger amount of singular words). This is basically another opportunity for characterization - what do they do when they're happy - laugh, flap their arms, make sounds? - and when they're upset - scream, hit themselves, make different sounds? Obviously, you'd have to take other disabilities into account (e.g. many profoundly ID people won't move much, some might not be able to make much audible sound, etc.) but almost anything helps.

This brings us to…

Communication

[Plain Text: Communication]

An important thing (concept?) I'll throw here is "total communication", which can mean different things in different contexts, but here I'll use it to mean "using everything you can to communicate with someone who cannot do so in a ‘traditional’ way".

Communication can be categorized as having two sides; expressive and receptive. For most intellectually disabled people in general, receptive skills tend to be significantly higher than expressive ones, though there are specific disorders where it’s reversed or equal. As mentioned before, most profoundly ID people won’t speak orally, won’t use sign language, and won’t use AAC (though out of all three, AAC is the most likely one). Some might say single words, but that’s about it. It’s not a “physically mute but can write perfectly grammatically correct sentences” situation, it’s more of a “[single noun]” one, if anything. Receptive skills however are pretty decent (in comparison) and they would probably understand their name, the name/title of their carer(s), names of things they see every day, events they have some frame of reference to (e.g. if they grew up Christian, they would probably know what Christmas is), etc. Your other characters could (and should) talk to them like they can understand, even if they don’t catch everything or even most of it. I say a lot of “probably” there, but the people who can’t do so usually have other comorbidities, which I’ll mention later.

To go back to expressive communication, eye pointing can be used to figure out what the character wants. A change in breathing can be used to tell that a character got stressed. Throwing an object can be used as a hint that the character wants to play. Maybe them reaching towards person A means they want to eat, but reaching towards person B means they want them to sing a song for them. Maybe them making a particular face means they just had a seizure and need to be comforted. Whatever their "tells" like this might be, other characters who know them would probably be able to tell more-or-less what's going on - you don't have to go really in-depth, especially if it's a minor character, but figuring out the ways your character communicates with others will make it feel more like a person and not a Disabled Lamp (“if you can replace a disabled character with a lamp or a sick dog, they’re not a character”).

If you read some of these and go "that's a thing that a child would do" then you're not necessarily wrong. A profoundly ID adult might enjoy activities that primarily kids partake in. This is, I can't stress this enough, not the same as "mentally being a child". Otherwise, a whole bunch of adults on this very website would be "mental middle schoolers" based on the shows that they watch - but they're obviously not. A profoundly ID adult doesn't have the "mind of a baby" if their favorite game is throwing a toy, they have the mind of a profoundly intellectually disabled adult. Sometimes people assume that since ID people aren't mentally [incorrect age], they always "act their [actual] age" and essentially end up downplaying how much some people's ID affects them, when the point is that no matter what you do, you are your age. An ID character who is 26 years, incontinent, constantly puts their hand in their mouth, can't speak, whatever, is mentally 26 years old the same way that they would be if they had a wife and a mortgage.

For the last thing from this section I'll circle back to the assumption that all severely/profoundly ID people are loud, aggressive, etc. - as I said, some of them are (just like abled people). The thing is, this is not always an unreasonable response to being unable to communicate with the people who are caring for you. If you had a pressure sore but couldn't explain it to anyone you'd be pissed off and screaming too. That's an extreme example, but still applies. If someone is severely stressed out (for an abled person, this might be inheriting a ton of debt, for a profoundly ID person it can be a change in daily routine), they can lash out. It's an unpleasant but very much human reaction to have, even if what's behind the ID person's behavior is significantly different from what an average abled person might consider "a good reason".

So I guess my advice is, try to show some empathy to the character, even if they genuinely are loud and/or aggressive. Intellectually disabled people - including the profoundly disabled ones - aren't some alien species that is just mean and hates their caregivers for no reason, some just can't process their feelings the way an abled person might because of their disability. That's not to say that caregivers aren't allowed to feel frustrated - because they are - but that very severely disabled people aren't purposefully evil. As mentioned in the earlier parts, all behavior has a cause, just like for literally everyone. So if the character is being "unmanageable": maybe they aren't some cursed burden, maybe they're just stressed out of their mind and now someone they don't know that well is trying to do *something* to them, which they can't figure out because of their disability affecting their receptive language skills.

Resources and What to Keep in Mind

[Plain Text: Resources and What to Keep in Mind]

Some resources you might read about ID can be potentially misleading. Even if you specifically look for causes of the profound severity of intellectual disability, you will get results for mild ID. That's mainly because people with mild ID make up >85% of intellectually disabled people and those with profound ID make like 1%, so they're a minority in a minority.

Basically:

Down syndrome is a very unlikely cause. It's always listed as the main genetic cause of ID, but that's only true for mild and moderate severities. If you choose any of the common causes of ID make sure it actually has the symptoms you're looking for.

Most profoundly ID people will have either severe brain damage early in life (and this can come with cerebral palsy), cephalic disorders (e.g. microcephaly), genetic conditions that you've never heard of (e.g. Pallister-Killian or Emanuel syndromes, 3p deletion), genetic conditions that you've never heard of for a very understandable reason (e.g. X-linked intellectual disability-limb spasticity-retinal dystrophy-arginine vasopressin deficiency… there are hundreds named in this way), or just have it without a known cause. The last one happens much more often than people tend to assume.

For a reason I'll probably discover at some point, most disorders and syndromes that come with ID are said to have "autistic-like features" rather than being "comorbid with autism". In practice, it's the same thing. Your character is probably autistic.

In the same way, a lot of practical resources will assume that ID = moderate ID (since most mildly affected need no or minimal support, and severely/profoundly disabled ones are a small minority) so pay attention if you're looking at the right things. If it's talking about having a job, travelling alone, etc., then you got clickbaited.

Another subsection here will be comorbidities because there are a lot of them. I’ll mention the biggest ones.

Brain damage is the most common one (except autism) and can vary a lot. There is barely anything I can say about this one, it’s an enormous spectrum that for some people causes disability and for others barely affects their symptoms. Cerebral palsy, especially quadriplegic, is seen a lot and might affect the character’s mobility a lot. Some people might be unable to breathe or swallow and need a breathing or feeding tube.

Deafness and blindness are comorbid with a surprising amount of causes of ID. The thing is, you could take advice for deaf/blind characters as-in for a character that has both (e.g.) glaucoma and mild ID and not change much, but this doesn’t really work for a character who’s profoundly disabled like this. The situation that can happen here is that it’s not actually known if the person is or isn’t deaf or blind because they can’t tell you. As mentioned earlier, some people will have absent receptive communication skills. How do you verify if they’re deaf or just not reactive to language? Some people won’t react to even extremely loud sounds, even if they can hear them perfectly well (besides, a lot of deaf people can still hear some). Same for verifying if they are blind - obviously, sometimes there’s something visual going on, but often there isn’t. Especially since the main causes of both blindness and deafness will be brain-based, not ear- or eye-based. Another character not being sure if the disabled character is blind or just very uninterested in visual stimuli is a possibility, especially with less advanced medicine.  This is also why you might see those weird statistics of "between 5-90% of people with [condition] are deaf" kind.

Mobility is almost always severely affected. Some are fully mobile, but that’s simply not common. The average person will be unable to walk independently. It’s not always a muscle or nerve problem (though it absolutely can be), it’s mostly an issue of coordination. Because of this (and understanding physical space), operating a wheelchair (...successfully) might be impossible. This doesn’t mean you should just drop your character in a hospital wheelchair for them to get wheeled around because they will probably need a wheelchair that will actually support them - a headrest, ability to tilt, a harness, all that. This could be done with a powerchair (they can have controls on the back for a second person to operate), a manual wheelchair, or an adaptive stroller.

Now for resources;

One good resource I can recommend is SBSK (which I shared before), to my knowledge this is the only place that interviews severely and profoundly ID people (+their families) and the interviewer is great at actually interacting with many of them. 

Most resources on the practical things only ever talk about caregivers (who are very important) but completely ignore the actual person being cared for which IMO kinda defeats the point.

Good luck writing!

mod Sasza

[ryker-writes]

Hi Ryker!

May I request Male! or GN!Reader dating Idia and Malleus?

Because Cater said he finds Diasomnia and Ignyhide people hard to approach, most of the student body fears Malleus and never really saw Idia, I think it'd be hilarious if Reader managed to befriend and woo them both.

I wish you a nice day/night, remember to drink something tasty and eat something.

hi hi! Glad to finally write a request for you since you've been around my blog for a bit! I'll be doing GN!Reader to keep it inclusive to whoever reads and wants to connect with it (hope you don't mind). I kinda got carried away so it's longer than I thought it'd be

Request rules and Masterlists

Dating Idia and Malleus (Poly relationship)

First of all; WOAH

It's not uncommon for people to avoid both Idia and Malleus for very different reasons

Idia avoided people, but some found him creepy or weird due to his unique appearance and personality

Malleus on the other hand, is elegant and refined, but too powerful and intimidating for his own good (and it's not even intentional)

So it's quite a feat just being able to befriend both of them considering they're not often even seen around campus

There's always a stunned silence when you mention them as close friends

Cater says you must have next level "rizz" in order to charm your way into a conversation and friendship with both of them

And when you tell him you're actually dating both of them? He is truly stunned into silence, staring at you like you grew a third head

He and everyone around you is baffled beyond belief

It's one thing to date the world's biggest introvert who can't even attend class in person, but to date a literal prince and one of the strongest mages at the same time???

"They have to have strong magic! How else can you possibly explain them dating Idia and Malleus?"

Dating the two of them had quite an interesting start

I think the only way for you to possibly date both of them is for Idia to come first

If you dated Malleus first, Idia would probably bury how he feels thinking you would never date him too since he can't possibly compete with Malleus for your love

And he does feel a little insecure when you mention also having mutual feelings with Malleus too

But with some reassurance that you still love him very much, he's okay with it!

Actually, he likes it!

With you dating Malleus at the same time, he doesn't feel as much pressure to do everything perfectly to be a good boyfriend or forcing himself to go to big events with you because he knows Malleus is there when he's not

Idia also needs time to himself to recharge his social battery, but he feels terrible telling you he needs to recharge on his own, but now you can spend time with Malleus while he recharges and will be ready to spend time together later!

He sees and understands why you like Malleus too, after all, Malleus is "A SSR boss character with insane stats. Anyone would be attracted to him"

Malleus on the other hand...can't fully see the attraction to Idia

Don't get me wrong, he knows you love Idia too and he respects Idia, even considers him a smart and worthy fellow partner for your love

He just doesn't feel the same affection for him as you do, and that's okay with him

Malleus is open to new experiences and things to try, so when you suggested being in a relationship with both him and Idia, he was surprised, but willing to try

and to his surprise, he quite enjoys it!

He gets to know you and Idia on a deeper more personal level, and to him, that's one of the best parts about it! He doesn't have many people in his life that he can be so open and close with, so being able to be like that with both you and Idia really means a lot to him

Malleus knows there are times he's out of touch with modern culture and traditions, so he's very glad to have Idia who can help fill in the gaps and explain some things to him (after rewording his sentence at least five times to make it understandable)

With Idia around, he doesn't feel like he has to worry as much about not being able to keep up with how fast human/modern times move, and worrying about you whenever you're not in his sight

Overall, they both enjoy the relationship the three of you have

Dating both of them is quite the experience

For starters, you'll never face financial issues. Anything you want or even mention a slight interest in wanting, you'll have it by end of the day

Yeah, there's a mountain of presents on your birthday, and that's just from one of them

Security is also never an issue. No one in their right mind would provoke Malleus anyway, but even with Idia they risk all their personal and private information being exposed for all to see and the wrath of Styx security

In fact, just about any issue you have can be solved by both of them

They balance each other well in different approaches and areas of expertise

When you have a tech issue, leave it to Idia. When you have a magical issue, leave it to Malleus. When you have a personal issue or issue with others, they'll work together <3

The two of them love you very much, and they often work together or help each other in their efforts too

Even when Idia is feeling insecure about himself and where he stands, Malleus can sense it and is able to reassure him just how deeply both you and him care for Idia and value him

And when Malleus is feeling confused or like a third wheel of sorts, Idia is willing to take a step back and share attention with Malleus too

They even spend time together on their own too, and despite the initial awkwardness in the beginning of the relationship, they get along quite well

You've walked into Idia's room before to find Idia trying to teach Malleus the basics of technology and computers, even trying to teach him how to play some of the simpler games

The next day Malleus had a custom headset to help accommodate fae ears and his horns

On the other hand, Malleus has managed to drag Idia out of his room more, walking at night for both ambiance and to avoid the majority of people

When holidays come around, the two scheme together on how to surprise/what to do for you

There have been rumors circulating around the school about the two smiling evilly and chuckling in dark corners, and everyone gets on edge for a few days

Most of the time when you mention dating both Malleus and Idia, people don't believe you

They'd probably think you're delusional, but the smart ones know to hold their tongue on that

The not so smart ones (Ace) don't hold their tongue and call you delusional, and suddenly there's a thunderstorm and their search history is public information

Malleus and Idia are both pretty protective of you, and love you deeply, so you bet they're going to do just about whatever it takes to ensure you're happy

[innerfare]

Apologizing To You 

Summary: How do they apologize to you? (Similar to Fighting and Making Up but oh well.)

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: 

You thought it would be more difficult to get Luffy to apologize considering he’s not above bickering and arguing and can be so freaking stubborn. But the thing is, Luffy’s emotional intelligence is through the roof and he always senses when you’re really hurting. That being said, he thinks it’s important for you to say so, so he won’t just do it. If you ask, though, he won’t hesitate. He might even grin and ask you why you took so long. 

Zoro: 

For the most part, he’s not one to apologize. He’s incredibly stubborn and doesn’t let those words leave his lips easily, to the point you’ve had several arguments that were far bigger than they should have been. He’s a stubborn bastard, and he’s very proud. He’s also opposed to giving gifts as an apology as he thinks that cheapens it. When he does feel the need to apologize, he’ll do so verbally and quite simply (and privately, for his pride); he would really never do anything to you that would require anything beyond that. 

Sanji: 

You need only ask. Sanji would do anything for you, even swallow his pride. In fact, he’s so quick to apologize, he sometimes tries to speed run the process and might even get his feelings a little hurt if he’s ready to apologize but you’re not ready to accept it yet, but he’s mature enough not to let that turn into another fight. He’s also one to show up outside your window with a bouquet of flowers or another gift to sweeten the deal. He’ll apologize even if you were in the wrong just to jumpstart the making up process. 

Ace: 

Arguing is tough for him, but so is apologizing- not necessarily because he’s too proud to admit when he’s wrong, but because he’s too scared. He fears admitting that he was wrong will cause you to leave him, and this insecurity can be difficult to navigate. He usually ends up shutting you out rather than rushing over to you to apologize, but once you do approach him, usually offering something to eat as a peace offering, he’ll quickly accept fault and apologize for anything and everything. 

Sabo: 

Such a sweetheart but also competitive. You’re the only one (except his brothers, maybe) who knows just how attentive and caring Sabo can be, a far cry from the reckless young man who never seems to listen to a word anyone says, and you’re most likely to experience it after a fight. The two of you have a chosen spot- a pink peach tree on Momoiro Island- and it’s usually Sabo who finds himself waiting there (let’s face it, he’s more likely to say something insensitive than you are). He usually apologizes with a sheepish grin and a peach he plucked from the tree. 

Law: 

Attempting to wring an apology out of him is no good. He has to do it in his own time, and he will, usually no more than two or three days. He prefers to do it under the cover of darkness, without any eyes watching or ears listening except yours, climbing into bed beside you and muttering an apology into your ear, pressing warm kisses into your hand until you melt and are receptive enough to forgive him. Also not opposed to writing an apology on a scrap of paper and slipping it into the book you’ve been reading because he communicates much better that way.

Kid: 

Really not one for heartfelt apologies. Also not one to notice he did something wrong. Eventually he’ll notice you’re upset, but only because you haven’t been sitting in his workshop as much, and kicked him when he rolled on top of you in his sleep. But he’s at a complete loss as to why and ends up snapping at you over it. When you tell him what’s wrong, he’ll grunt out an apology and probably propose you work out your frustration on him in a way that’s enjoyable for you both. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[justaladyiguess]

Jax 001 Theory AKA An almost definitely wrong TADC theory

I thought it was weird that they gave specific attention to Jax seeing the license plate. Like, there's a whole shot dedicated it. And it doesn't serve much of a purpose. I guess it lets us know that this is Jax's car? But it's in the episode. A full shot dedicated to seeing him notice it. A full shot dedicated to the plate itself.

And there's a shot afterwards of him reacting to it. Not even a particularly comedic shot. It feels more in line with his reaction to Kaufmo's funeral in episode 2.

True, it could be him reacting to the awful adventure he just had, but we just had a scene where his smile turned into a scowl. And, you know, pretty much the rest of the episode. Or it could be him reacting to the absurdity of the license plate, but considering the day to day adventures Caine creates, this seems a bit tame to get any reaction from him.

So that gets me wondering, does the license plate have any significance? The number at the top right could be some sort of reference. But it's the 001 that intrigued me. It's typically a number given to the first of something. Maybe even the first person to come to the circus?

Instantly the idea sounded ridiculous (because it is, this theory is almost definitely wrong). I mean, Jax himself said that Kinger had been here the longest. But take a look back at what he actually said.

"Supposedly been here the longest"

At first glance, this seems to mean that Jax can't be sure who's been here the longest. Which makes sense when you consider Kinger's memory issues and all the circus members who have abstracted. And, let's be real, this is probably what the line means. But if you'll let me be delusional for a second, there's another way to read this line.

What if Jax means that everyone assumes Kinger had been there the longest? But he knows it's not true because he's been there the longest?

For most characters, it wouldn't make sense for them to be purposefully vague with their wording. But this is Jax. It's completely in character for him to keep things from the other circus members for no reason. In the first episode alone he kept his supply of keys and Kaufmo's abstraction a secret. Jax will lie about pretty much everything, and he's pretty good at it too.

Further delusions can also be found in episode one. When Pomni tries take her headset off, Jax says this.

Could it be that Jax knows the circus members all tried to take off their headsets because he was there when they did it? Again, probably not. This is the weakest piece of evidence I have, but I figured I'd include it anyway.

And that would explain a fair bit of his behavior. Jax seems more comfortable in the circus than any of them. He has access to keys. He's only momentarily surprised by Kaufmo abstracting. He's incredibly jaded. He seems bored with the adventures, deliberately causing chaos to get them off track (his hijinks on the syrup truck, sucking up the ghost in the mansion, and trying to dunk Ragatha in the oil). It almost reads like a gamer who's played the game a thousand times and is trying anything to make it interesting.

Again, I'm fully aware that this probably isn't the case. I'd say there's a 0.01% chance that this will be confirmed in any capacity whatsoever. It will almost definitely be disproved. But until then, I thought this would be a fun idea. Maybe it'd be a good fic.

But hey, that's just a theory...

A DIGITAL CIRCUS THEORY!

and cut.

[room-surprise]

Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(EDIT: This post is an excerpt/remix of Kabru's section of my larger essay about the real world linguistic and cultural references Dungeon Meshi. You can read the essay on AO3 here. I also have another post about what part of South Asia I think Utaya is based on here.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world. 

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name. 

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling. 

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar)  “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.)  “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”. 

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.  

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages. 

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences. 

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

 Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it. 

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains. 

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism. 

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well. 

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it. 

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be  an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.  

Rasgulla are also popular in Nepal, where they are called rasbari. 

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either. 

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party. 

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.   

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi. 

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source. 

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people. 

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names. 

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations. 

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this. 

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon. 

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer. 

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do. 

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education. 

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve. 

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

[metalandmagi]

Romance Anime Starter List

I don’t know about you guys, but I’m sick and tired of seeing “Top ___ Best Anime of All Time” lists that are nothing but shounen. So I wanted to put together a list of some romance anime that I consider good “starters” for the genre. Because if I were just now becoming an anime fan, I’d think all there was to offer was shounen action series.

And by “starters” I mean basic stuff that’s not too…out there, and actually involves the characters getting together instead of just harems or using romance as a side plot (sorry Ouran High School Host Club and My Next Life as a Villainess). 

So if you’re new to anime and want stuff that’s not just guys beating the shit out of each other (which is also fun, don’t get me wrong), here are some basics.

Taisho Maiden Fairy Tale- When the pessimistic Tamahiko Shima loses all function in his right arm, his family sends him away to live in the mountains with the cheerful, hard working Yuzuki Tachibana…who was purchased by the Shima family to pay off her family’s debts and basically act as a caretaker/future bride for Tamahiko so they’d never have to deal with him again. It’s a more cheerful version of My Happy Marriage (without the supernatural stuff), except in this one, the guy is the one who has massive self-esteem issues and an abusive family. There are still very serious themes, but ultimately it’s not meant to make you cry every episode. I swear it’s so good, but nobody watched it!

Horimiya- A slice of life in which pretty and popular high school queen bee Hori, finds out her quiet, unassuming classmate Miyamura is hiding piercings and tattoos that could get him expelled. The two gradually find out more about each other and get together in the most realistic way I’ve seen depicted in an anime. It’s also fucking hysterical and genuinely emotional.

Recovery of an MMO Junkie- Another slice of life that focuses on two adults who meet in an MMO game without realizing they also know each other in real life. I don’t want to say much more than that. It’s adorable, and the main character is so relatable it hurts.

Love with Yamada-kun at Level 999- Speaking of MMOs, this is a newer series about Akane Kinoshita, a college first year who’s reeling from a bad break up. In an attempt to get back at her ex, she winds up meeting Akito Yamada, a popular gamer who happens to be in her guild in the MMO they both play at an IRL meetup. The two go from acquaintances to something more as they keep running into each other. Even more relatable main characters and just wholesome relationships all around.

Snow White With The Red Hair- A fantasy in which an apothecary named Shirayuki (meaning, you guessed it, “snow white”) runs away from her home in order to escape becoming the concubine of her town’s prince. While fleeing, she is rescued by Zen, the prince of a neighboring country, and she ends up becoming an herbalist to repay him. It's super cute with some genuinely swoon worthy moments and a couple that just works so well together. I have a habit of comparing this to Akatsuki no Yona, even though the two aren’t really that alike. This is more romance driven while Akatsuki no Yona is more of a serious historical fantasy with romance elements (Yona manga is amazing, but the anime barely scratches the surface, so that’s why I didn’t include it).

Sasaki to Miyano- When the shy, easily flustered Miyano meets Sasaki, a cool “delinquent” upperclassmen, the two end up bonding over manga…specifically BL manga. That’s right, Miyano is a fudanshi, but due to his small stature and somewhat feminine appearance, he’s constantly trying to convince others that he’s not interested in having his own love story where he’d be reduced to a stereotypical doe-eyed uke. But as Sasaki and Miyano spend more time together, they realize that what they have is more than friendship, and they have to come to terms with their own perception of gay relationships. This is my favorite romance of all time. It’s a slow burn, but boy is it worth it. Their relationship is so natural and realistic, just like Horimiya. Just two people hanging out and bonding over things the way people do in real life!

Given: The story of some boys in a band with trauma. Enough said. It's great. Go watch it.

Bloom Into You- Yuu Koito is a high school girl who’s been waiting her whole life for her own perfect romance to start…but when she receives a confession, she realizes she doesn’t know how to respond when she’s just not into the guy. And then she gets another confession…this time from the cool student council president Touko Nanami, who basically jumpstarts her lesbian awakening. Very cute story about how we perceive the concept of love vs actually feeling it. Also has a canonically aro/ace side character, so that’s a win for me. Another show like this is Adachi to Shimamura (but I honestly don’t remember much about it. It just didn’t stick with me as much).

Ore Monogatari- Takeo Gouda is a tall, bulky high school first year with a sensitive heart of gold. He wants nothing more than to find his own true love, but most girls are intimidated by his enormous stature, and they end up falling for his conventionally attractive friend instead. That is, until he meets the tiny, adorable Rinko Yamato. He falls in love instantly, but he’s sure she’s interested in his best friend like everyone else, so he vows to help get them together, even though his heart is breaking. Peak himbo behavior. Pure of heart, dumb of ass.

Yuri on Ice- Yes it’s the gay figure skating anime everyone knows. And yes it’s a fucking romance, okay? I will die on this hill. The romance between Viktor and Yuri is just as important as the plot!

Kaguya-sama Love Is War- Two insanely smart high school students both have a crush on the other, but since they’re…you know…high schoolers, neither of them wants to admit it first. So they come up with increasingly convoluted plans to get the other to confess first. This will go down as one of the best of all time. It’s a hilarious yet poignant modern classic.

Fruits Basket- I’ve talked about it before and I’ll talk about it again. A romance “comedy” that slowly morphs into a drama about a girl named Tohru who finds herself living with the mysterious Sohma family after her mother dies. Little does she know, the Sohmas are the victims of a  (somewhat silly, but ultimately tragic) curse that she must fight to break. Even though I’m more into it for the family drama, the romance is still top tier and plays an important role in the story. This is my second favorite anime of all time, and it’s a classic for a reason. If anyone hasn’t watched it yet, GO WATCH IT! IT WILL RIP YOU TO SHREDS!

Blue Box- A sports romance about an aspiring badminton player named Taiki Inomata who has a massive crush on the girls basketball team's star player Chinatsu Kano. Through a twist of fate, the two end up living together and having to hide it from the rest of their classmates, all while Taiki tries to work up the courage to ask Chinatsu out. It's so sweet and wholesome, and it's a great blend of sports anime and romance that can appeal to anyone who is more hesitant to get into the romance genre. The animation is also so freaking gorgeous!!!!

Insomniacs After School- A slice of life/drama that follow two high schoolers with insomnia who meet and form a connection while using their school's abandoned astronomy club room to sleep during the day. They soon find themselves spending more and more time together and bonding over their personal issues. I don't want to say too much, because there are a few spoilers that heighten the stakes of their relationship, but the characters are so great. They're fun and realistic without being annoying. And the show is mostly chill, but it definitely builds the drama by the end.

365 Days To The Wedding- A workplace romance between the two most awkward people you could possibly imagine! The story takes place at a travel company that is about to open a new branch in Alaska, but because our two main characters are...like I said...very awkward, they come up with a plan to avoid being sent to work at the new branch...by telling their boss they're getting married. Because they wouldn't want to split up a married couple by making one move away, right? As ridiculous as the premise sounds, hilarious shenanigans ensue, but there's also a surprising amount of serious discussions about romance and marriage. The main characters also have major autism coding, so if you're looking for a neurodivergent romance, this is it. (There's also an episode that involves a princess wanting to give up the throne to pursue a life with her girlfriend!)

And now for some honorable mentions that didn't quite fit into the regular list:

Ride Your Wave- A movie about a surfer who falls in love with a firefighter……and I’m not going to say any more than that. Go into it blind. If you like stuff like Your Name, this is a good one to watch.

Gekkan Shoujo Nozaki-kun- A comedy about a high school girl who finds out the upperclassman she has a crush on is actually a shoujo manga artist, and no matter how she tries to confess to him, he just never gets it.

The Ice Guy and His Cool Female Colleague- A slow burn slice of life that focuses on a guy with ice powers who has a crush on his coworker. That’s it. That’s the show. When I say slow, I mean SLOW. It’s perfectly cute and fluffy, but my god does it take forever to get anywhere with these two.

Skip to Loafer- A high strung, small town girl decides to go to high school in Tokyo, where she meets a variety of classmates, including the laid back Sousuke Shima. The unlikely pair become friends, and soon enough, she starts to feel something more than friendship. The only reason I didn’t include it in the main list is because they don’t get together by the end of the first season, but it’s still really cute (also canonically trans character for the win!?)

So that’s my starter list. And no, I didn’t include Toradora, even though it’s a classic. I know it’s blasphemous, but I like it more as a comedy than a romance. It kinda lost me with the ending. But anyway, maybe someone will find something they like. Or maybe you'll just want to roast me and my picks 😅