#AKA: I HAVE OPINIONS A LOT

[yunmeng-jiang]

every day i wish there had been a better solution for the qin su marriage problem.

in my fix-it fics i either have some other sect leader claim that he was actually madly in love with her this whole time and sweep her away for jgy's sake, have her mom confess earlier, make jgy decide to tell her for her own good and have them work together, or not give them a chance to meet and fall in love in the first place (i guess i could also make qin su have a miscarriage, but that's really sad and awful and not my preferred option at all), but all of those require tweaks to the circumstances, sometimes early on so they don't meet or jgy feels safe enough to talk with her or another confidant, or sometimes later like madam qin finding out they're pregnant before the marriage prep is too far along and telling one or both of them right away so they can make other arrangements.

with the situation being what it was, jgy didn't find out soon enough to do anything that wouldn't involve either marrying her anyway (and he didn't think telling her about it would do anything except make her upset and depressed) or leaving her essentially a ruined woman with no prospects and an illegitimate child who would inevitably grow up fatherless, which is pretty much exactly what his dad did to meng shi. this would be a crueler option than pretty much anything else, and given that he clearly still cares about her, he couldn't do that in good conscience. jgy tries his best to protect the people he loves, unless there is literally no other way for him to survive.

it's one more example of jgy being faced with a situation where the only choices are bad ones, and making the decision that he thinks will hurt the fewest number of people. metatextually, it's one more example of women in fiction being shoved aside and not given agency in their own lives, and getting killed off instead of surviving and growing as people like the male characters are allowed to do. it's just a tragic situation all around and i wish there had been something they could have done.

[seyaryminamoto]

Hello! Long time no see :) hope all is well!

Not sure if you’re still taking Q&A’s, but I was curious about your opinion in regard to this newest addition in the ATLA live action casting for toph. They have opted with making her “more feminine”. I have seen your interpretation of toph and it was very well executed all the way around. From her friendships and admirations, to her romance and personal struggles/goals. It was well rounded and very in character. That being said, do you think making her more feminine will be an issue? Would adding femininity, -in your opinion- take away from her accomplishments as a character ? Would it ruin what she stands for and the social standards she went against? Or could this be a not so serious variable that affects Toph as an individual? This isn’t counting any other changes the creators have/will make ofc.) I look forward to your answer whenever you have a chance.

Thank you for these latest chapters btw, they have been a true delight! Best of luck to you in your future works. XO - a fan

Hello there! I have a lot of stuff to answer and it's been piling on, but yeah, I've been terribly busy lately, so I'm sorry for that :( but here's your answer, and I'll keep it as... concise as I can make it. Haha... ha. It's me, brevity is not in my nature.

Usually, with ATLA's liveaction, I've been able to trace the reasoning behind their choices. Some, of course, are completely ridiculous and can't be justified as anything but fanservice (looking at you, 41st division), but with several others, while the effectiveness of the changes can be questionable, I can trace where they're coming from and why they're trying to do that.

I have struggled to make sense out of why Toph would suddenly need to be less of a tomboy and more feminine. I have a couple of theories right now: one of them is that they believe it would be culturally unlikely for a highborn girl to be too much of a tomboy for believability's sake. While I could, perhaps, concede on this on SOME level... I also find myself thinking on many modern Korean TV series I've watched, where even if the story takes place in the Joseon era, the female leads might even crossdress as male in order to have a stronger role in society, thus, they can be depicted as... not all that feminine? Not COMPLETELY, usually, because there always needs to be some level of femininity to sell the perfect romance, apparently... but they're willing to provide the characters with different facets of personality that make femininity a backdrop, rather than the core of the character.

If this is what they're going for with Toph, then I guess our Blind Bandit's going to be K-Drama-ized. Sort of. I'm not entirely sure whether that will make her believable as a character at all when you consider what her role was like throughout Book 2, unfortunately, but it's, as usual, a case of reaching your own conclusions when we see it live.

The second option is one I find a little more outrageous: the show may be looking to disregard a lot of "character stereotypes" from the 2000's. The erasure of Sokka's early sexism most likely comes from this logic (the bad writing around the rest of his character, unfortunately, makes it a lot harder to love him even if his egalitarian view of society should make him more likeable, weird self-own there...), it's an attempt to "modernize" the story and show us the character as something other than your stereotypical 2000's male cartoon character who masks his insecurities behind sexism. And I will say, in my eyes, the logic of "modernizing" a story is the very reason why remakes are supposed to exist: the issue comes when the people creating these remakes somehow fail to hit the mark and their new version winds up being less genuine and more shallow than the original (see most of Disney's liveaction remakes, ofc). I don't think ATLA's liveaction is necessarily doing EVERYTHING wrong, but while the changes can have their logic, in this instance it would be really hard to argue that the logic sustains itself, because...

I don't know who on earth finds tomboy characters offensive, but if such people do exist? I hope they step on a lego.

Tomboy characters can be great representation and validation for girls who (like me) weren't all that gender-conforming. It could even help some people make sense of their own gender dysphoria! All of which is very modern and forward thinking and not at all stereotypical of the 2000's because nobody in that era was creating these characters for those purposes. But upon removing Toph's "tomboy" status in order to turn her into a more "traditional girl", it leads me to think that Mai's NOT going to be a goth girl because "that's no longer such a common personality type, 20 years later, so its dated and needs to be removed", and Ty Lee is suddenly going to be written as an erudite because a carefree girl who doesn't seem to be all that intellectually inclined (note that she CAN be depicted as smart in her original characterization, it's merely that it's clear her interests don't lie in knowledge or so, she's a physical, spiritual kind of person, not bookish by any means) would be offensive and enforcing the idea that feminine girls are stupid! All of which would, of course, turn them into entirely different characters.

Toph was a great tomboy, a lot of people loved her for it, and a lot of people liked that she could be this while also being blind. It's possible that the liveaction people think that tomboy + blind are one too many traits and she needs to be nerfed (...???) in order to handle her better? I don't even know. While I can't say for sure how bad the result will be once this version of the show releases, I'm not very confident that this change will help her character in any way. I actually think Katara ended up having a curious arc in Book 1's liveaction, if not what her fans wanted, and I don't mind a lot of the changes they gave Aang. Zuko... eh, I will never love him, that much is obvious, but I appreciated that he seemed to take his mission and his honor a lot more seriously than in the show, where he seemed to think that sailing everywhere to find the Avatar was enough to get results even before Aang broke out of the iceberg (the fact that he had a BOOK here where he wrote things down was such a nice change! I was caught off guard completely by the notion that Zuko can write, let alone investigate things! :'D).

But this Toph change honestly seems to lean more towards the Sokka change... in the sense that on paper MAYBE they have their reasons and yet in practice it could just result in a character being completely derailed from its purpose and crippled on a characterization level, which then gets overcompensated with... uh... unnecessary convoluted matters like "my dad doesn't approve of me, my life is useless, this is where all my insecurities come from :((((", for instance.

Time will tell and I guess we'll have to watch it to see whether it works or not... but unless they leaked this information to gauge how to calibrate this change based on fan reaction? I'm not sure this is going to be remotely as agreeable a change as the liveaction's creators might have hoped it was.

Addressing your specific questions: a more feminine Toph will definitely need a wholly different character construction. Her clashes with Katara are bound to lean towards classism now ("I'm highborn, you're a peasant, why would you expect me to set up your tent? You should be the one setting up mine, lesser being"), which won't make her any more agreeable as a character, as long as they do retain some of the story beats from Book 2, ofc. Her training of Aang will definitely be weird because Toph was supposed to be the embodiment of earth, so in tune with her element that she's basically a rock, or metal once she develops that one. And worth noting, she develops metalbending by punching stuff: this isn't very feminine :'D I'm not entirely sure how they intend to recreate these scenes if her character will be fundamentally altered.

I do think that, unless the tomboy side is replaced by something even more impressive (and I can't really think of something), this change won't be very agreeable for me. A great deal of what draws people to characters like Toph is their personality and their willingness to go against the norm. She does this by being a tomboy and by being blind but embracing her condition rather than bemoaning how sad she is about it. And the issue is, considering Toph's background, the only things I can see them replacing the tomboyish behavior with, in order to obtain similar results, is... making her a social snob. Which people won't like. I, at least, can't imagine anyone enjoying that switch. Otherwise? She'll just be a cute, chirpy girl who is perfectly complacent and compliant with everything, meaning there will be no conflict with her character and all issues between her and the Gaang, while shortlived in canon, will be rendered non-existent altogether here.

So... yeah, I'm not exactly hyped, if still slightly curious as to what exactly they're planning to do to her character. It does remind me of Sokka's changes too, because... I don't really hate that he wasn't sexist. But I disliked the writing around him so much that the removal of sexism legit did nothing to improve him, in my eyes (I won't say the lack of sexism made him worse, though, it was the REST of the writing that did that). As a flaw for his character that I didn't really care for, it's weird that its removal didn't help my view of their Sokka in the least, so I am admittedly wary that a personality trait I DID like, Toph's tomboyish demeanor, will get nerfed or deleted outright... and it's hard to believe this can be an improvement for her. We'll have to wait and see.

Also? Thank you very much for your kind words regarding how I characterized Toph <3 I actually got used to Toph fans not being very happy with how I wrote her since she was so very aggressive and bold at the start instead of having softer sides all along, but that's why you write very long complicated stories! To flesh things out as you go along rather than since day one x'D Along with that, an older Toph whose life grievances festered for about 7 extra years, and who never had the Gaang's influence, sounded like one hell of a molotov cocktail of a character to me, so I really enjoyed working with her based on this premise. So glad you've enjoyed her <3 and really happy to hear you've enjoyed the newest chapters too! Finally a bit of deserved respite, haha, be it for you guys or for our main dorks <3

[buryam-soul]

idk maybe i'm just a simple guy with simple tastes but i really like natlan's story actually

[widevibratobitch]

Ok, drop your favourite characters and ships from the Three Musketeers, queen. <3

the answer is pretty simple actually <3

Aramis is my babygirl, my murder kitten, my favourite little princess, my rotten soldier, my sweet cheese... truly one of the characters of all time. to me. and he ages like fine wine - the older, the more cruel and ruthless and cunning and evil he gets, the better.

im a die-hard Athos/Aramis truther 🙏 i also adore the whole thing Aramis and Madame de Chevreuse have going on, especially their fucked up little divorce in the last book, it's insane and i'm obsessed with it. I do also think Aramis and d'Artagnan are long overdue for some quality hatesex sesh! and none of these are mutually exclusive, the opposite actually. basically i live for and breathe the entire d'Artagnan/Athos/Aramis/Marie drama. it's everything to me <333

[livvylives]

idk why but sometimes I look in the anti tsc tags just because it's fun. the insane opinions you can stumble upon... for example I had no idea people were so passionate about jalec & jace/izzy that they sincerely believe they should have been canon. like they might the only people who think that but I admire the commitment

also I once saw someone say that the show is better than the books because it had representation. they were not claiming the books had worse representation mind you, they were explicitly claiming that the book didn't have any representation 😭 I think they must have read the wrong books because????

I also saw someone say that you could cut coa & cofa out of tmi and it would be perfectly understandable. they doubled down on coa having absolutely no storylines that are relevant in cog which. it doesn't have to be your favourite book or anything. but things did in fact happen. people died (mainly simon).

[innytoes]

... "I may not be beautiful, but at least I know a lot of useless information."

reggie. please.

😩 okay i'll be done now

Reggie wasn't sure how he ever got an invite to tonight. Like sure, he knew Julie, she was practically his sister now, after her parents took him in (stole him, more like it) when they found out what was going on at home.

Reggie had been too young to entirely know the details, but from hearing tía Victoria shouting from downstairs about 'putting the cart before the horse' and 'your home study wasn't until next month', he was pretty sure it hadn't been done entirely by the book. But given the fact he'd passed out from neglect and DCF had been over to his house twice already and had done nothing, there was some leeway.

So yeah, he was basically a Molina now, even though the adoption was pending because the courts were backed up to the heavens. Which meant Julie was his sister.

And Julie knew Flynn. And Flynn was cool (and pretty). And Julie and Flynn knew Carrie. Who knew the Candis. Who were all also very pretty and very out of his league. And then the new guy at school showed up, the one with the killer cheekbones and the cute laugh and the pretty hair and...

And Reggie wasn't sure why he was here, except for the fact that Julie told him to bring his crochet stuff because they were 'having craft night'.

He loved craft night, okay? Julie and Flynn and him would turn on a crappy movie, and they'd each do their own thing. He'd crochet, Julie would draw, and Flynn would work on whatever project had caught her fancy this time. Sometimes it was making jewellery, sometimes it was diamond painting, sometimes it was gluing an insane number of googly eyes onto a phone case.

So he threw on his flannel, grabbed his bag with his current project (a baby yoda amigurumi), and followed Julie out the door, ready to head over to Flynn's.

Except there was a car waiting outside for them. Like, a fancy car. And when Julie pulled him in after her, he wasn't sure what to do except follow. Like, did he forget something? Flynn was already there, a giant tote on her lap.

It wasn't until they left the neighbourhood that Reggie spoke up. "So, um, where are we going?" And Flynn burst out laughing.

"You didn't tell him we're going to Carrie's place?" she asked, and Julie gave him an evil grin.

"I didn't want him to chicken out," she said sweetly. Because Julie knew that Carrie and her Candis intimidated the heck out of Reggie ever since he was smacked by the Puberty Stick and realised 'oh no, girls and boys are pretty'. So he'd been kind of avoiding them ever since Julie and Flynn made up with Carrie.

And thus, he was trapped in a car, going to Carrie Wilson's house, and now he was surrounded by beautiful people. And amazing snacks. And a TV three times the size of the one they had at home, playing a Gilmore Girls marathon on low volume.

(Every time Dean appeared on screen, two of the Candis boo'ed, while one other cheered, and the fourth took a shot of soda. He, again, was too afraid to ask.)

There were people knitting, drawing, making friendship bracelets, bedazzling a rather rad-looking jacket. Cute skateboard guy, who turned out to be named Willie, was attaching Worms On A String to one another to make long chains of them, explaining he wanted to make a curtain for his door. He seemed impressed by Reggie's Baby Yoda, and even more so when Julie whipped out her phone to show off some of the other things Reggie had made over the years.

It was entirely too much attention from entirely too many hot people, and he resisted the urge to talk. Because if he'd talk, he'd start spouting out stupid pick-up lines and he'd never be invited back. And also Julie would kill him. If Carrie didn't.

Eventually, he was saved by the Dean ("Booo!") and he could go back to counting stitches and eating fancy snacks and carefully, being so totally normal, complimenting bedazzling techniques.

Carrie Wilson smiled at him and it wasn't one of those smiles that made him worry she was going to stab him later, so that was cool.

Just when he thought he was safe from making a complete and utter buffoon of himself, a dark figure leapt over the back of the couch and plopped next to him, leaning over to grab one of the vegan spring rolls in one fluid movement.

Reggie looked up, a little bit startled, and then realised. Oh no.

Oh no, that was Bobby Shaw, his biggest crush. Bobby who was always cool and always wore black and red and always had a snarky comment in English class when Mrs Miller was picking on someone. Who swept his hair off his forehead during PE in a way that made Reggie wish he was better at sports. What was Bobby doing here?

"What are you doing here?" Carrie asked, but she asked it in a way that sounded a lot more annoyed than Reggie felt.

"There's snacks," Bobby pointed out, like that was reason enough.

"This is craft night," Carrie glared at him. "You have to be making something to join."

"I'm making you annoyed," Bobby said, popping another spring roll in his mouth before moving on to the cookies. "Oh fuck, is she still with Dean? Booo!"

Immediately, one of the Candis (the yellow one, maybe? He couldn't tell, out of costume they were not all as committed to the aesthetic as Carrie was) turned around and said: "Your cousin can stay." Then, she turned to Bobby. "Jess or Logan?"

"Paris." This got some shocked and awed looks, though Flynn and Purple Candi (he was pretty sure) cackled.

Oh. Cousin. Cool, cool, cool cool coolcoolcoolcool. That didn't make Bobby like ten times more intimidating to talk to. Nope, not at all.

Thankfully, the conversation carried on without anyone pointing out Reggie had recounted the stitches of this row eight times already because he kept getting distracted by how funny and cute Bobby was.

"And then," Probably Blue Candi said. "He asked me to knit him a sweater! Can you believe it?"

"What's wrong with knitting your boyfriend a sweater?" Willie asked, confused.

"It's the Sweater Curse," Reggie said. Willie blinked at him, so he went on. "If you knit your partner a sweater, you will break up with them."

"Because of a sweater?" Bobby asked, doubtful.

"Because you just spent hundreds of dollars on nice yarn, asking their opinions on colors and the material and size and shapes and finding a pattern and adjusting it to their size and then even more countless hours knitting it only for them to declare it's 'kind of itchy' and never wear it or they shrink it in the wash because they didn't listen to you and then shrug it off because it's 'just a sweater' and you realise you could have spent all that time and effort and money on making something for yourself instead of this asshole who never cared about your craft in the first place."

The room was silent when he stopped talking, and Reggie felt his face grow hot.

Okay, so maybe the nerdy crochet version of that was his last girlfriend who asked him to make a giant Snorlax, who got snippy when he wasn't done in two weeks, but the point still stood.

"Heck yeah!" Maybe Blue Candi said. "Reggie knows what I'm talking about."

"I may not be beautiful, but at least I know a lot of useless information," Reggie deflected.

"I dunno," Bobby said, and Reggie felt his heart sink. "You're pretty cute."

This time, it was Julie and Carrie doing the booing, but at the end of the evening he'd eaten a ton of snacks, finished Baby Yoda's body, and had Bobby's number in his phone.

He never made Bobby a sweater, but when he nervously gave Bobby the giant throw blanket for his bed on their three year anniversary, Bobby tackled him to the ground and gave him so many thank you kisses that Reggie knew no curse could take them out.

[lemonynuggets]

is that representation really bad or do you just not relate to it?

[135-film]

an alcoholic AND a beastars fan? pick a struggle

[soulsxng]

Sometimes, a person allows me to geek out about dog training/behavior/nutrition stuff a little bit (because they asked me for advice/help), and my brain just latches onto it for the rest of the day. And then I’m just going on long winded dog related info dumps completely out of nowhere to literally anybody in the room.

[youll-ruin-the-flowers]

I have thoughts about the tboys of twitter and how hit or miss their takes are when compared to tumblr, but I cannot word things correctly I guess

[1010ninetynine]

tbh i don't get angry people until i feel the rage myself. then i go back to being unable to get it.

[empty-blog-for-lurking]

🔥🥺? Hiiiii btw<3

Hiiii!!!!!!

Opinion- Werewolves are much cooler than vampires however neither of them are as cool as Dullahan (which are frankly underrated), Mermaids (specifically deep sea fucked up monster mermaids) and Dragons.

[stuffedsand]

silly post before i sleep but i like seeing peoples responses to my other post!! talking about their favs, how who they liked changed over time or if they immediately latched on and never changed! its so fun and interesting to see peoples responses i love human interaction

[igotanidea]

Bait: Jason Todd x reader

aka: the one when Jason's family is using you to renew relationship with him

She certainly did not expect to see a huge bouquet sitting on top of her desk on rainy Friday morning.

And definitely did not want them.

Cause if there was one thing sure in the world it was that those flowers couldn’t have been a gift from Jason.

And if not from Jason this meant she had a secret admirer.

And since she was a taken and very in love woman, a man creeping on her could turn into a big problem, especially considering the fact that she was taken by no one else but Red Hood, who wasn;t a big fan of sharing.

“Y/N! Look, those came for you, this morning.”

“Uh. I see.” She muttered, trying to act unfazed by the excited squeals of her office bestie. How could she be so happy about it? And what the hell was her definition of morning if it was barely 8.30 am?

“You look like you’re mad about it.”

“I’m not mad about it-“

“Then what is it about?” God save Y/N from the office gossip and curious coworkers.

“Nothing. Nothing, it’s nothing.” She put a smile that was equally as big as it was fake, hoping it would be enough to nip this ridiculous conversation in the bud. “I got a lot of work, you know. How about we talk during the lunch break, how does that sound? Good? Great, see you later then!” Before anyone managed to chip in and threw their opinion into the newest office sensation Y/N closed the door to her room, using the unusual force of will power into not locking them. This place definitely didn’t have enough men on board, cause as much as she was a fan of women and their greatest cheerleader a firm full of girls could turn into a hen house at times.

Only after taking a few inhales and exhales did she begin the inspection of the gift, created from her favorite plants.

Hence – the person who sent it must have known her.

She started counting in her mind the amount of people who were close enough to dare to gather such knowledge, successfully limiting it to about 5 individuals.

Second clue was wrapping paper. The kind that only one flower shop in this silly city used. A very expensive one, hence someone truly must have put an effort into this.

And that made her narrow her suspect circle to three people.

But the final tell tale was a card, sticking innocently from the bottom. A teeny tiny note as if someone who endowed her hoped the recipient wouldn’t notice it.

Ha! Good try, but not when it came to Y/N. Honestly, living with Red Hood made her not as vigilant, as almost paranoid and sensitive to every detail.

Back to the gift card.

Two words. Two completely harmless words that under any other circumstances would mean absolutely nothing.

Thank you.

Oh hell no!

***

“Hello?”

“Dick! What the hell!?”

“Hello Y/N. So good to hear you too, how’s your day going?”

“Don’t try to placate me!”

“I swear you became so aggressive since living with Jason-“

“What the hell?!” she cried out again, circling the desk and the flowers as if it was a predator only waiting for the right opportunity to pounce at her, not that he could see it through the phone.

“I take it, you got my gift?”

“Oh, I got your�� gift, all right. Thank you! I’m not doing you any favors, wing! I merely managed to get Jason to talk to you about-“

“Which was a small miracle by itself and I figured it would be nice to –“

“- to what? To freaking bribe me!?”

“Bribe you?!” Dick gasped, acting dramatically even through the phone “I’m hurt, Y/N. It’s nothing more but a token of my gratitude.” She could almost see his shit-eating grin through the phone.”

“It’s a freaking bribe, Dick!”

“It’s a token of gratitude!”

“Oh yeah? And what will you ask in return? Cause I know for sure I am being used to get to Jason. And that’s both betrayal to Jay and – “

“I would never use my favorite sister-in-law to – “

“I am not your sister in law!”

“Yet.” He cut her off with a hint of humor in voice. “But since we’re already speak I’ve been thinking that maybe you could – “

“Oh, what? What? Dick? I cannot hear you! I’m entering the tunnel – I’m – losing – the – connection….”

She hated using such a lame excuse to hang up on her boyfriend’s older brother but clearly, using any rational argument against Dick Grayson while in his playful attitude was completely futile. And a loss of energy, that she didn’t have in abundance.

But once again, she was starting to realize that forming a relationship with Jason was equal to getting into a mess of connections with his entire (huge) family.

***

She should have left those flowers in the office and that mistake became painfully clear the second the crossed the threshold of her and Jason’s apartment. There were no logical arguments against doing otherwise, besides the fact that it was upcoming weekend and no one would water thema and they would turn into dry sticks on Monday and since Dick bought them for her it would be a waste of money and –

Yeah, yeah, women logic.

Though, men’s logic was working in quite different, mysterious ways….

“Jay? I’m home! Something smells nice in here!”

Coat ended up in the wardrobe, shoes on the shelf, bag on the hanger and without much thinking she followed her nose to the kitchen, eyes landing on her boyfriend in that silly no bitchin in my kitchin apron, bustling about.

“Hi princess.” Obviously, he didn’t even have to turn around to sense her presence. “How was work today?”

“Like a sledgehammer. I swear, sometimes I feel like strangling half of the people there.”

“Do you need help with that violent activity?” he grinned and finally spun to face her, heading for a kiss on the forehead when his sharp gaze laser focused on the thing she was still holding in her hands. Laser gaze that turned from playful and loving to accusatory and cunning in a second. And regardless of how amazingly swiftly Jason was switching between his two personas, such transformation also send a shiver down her spine.

Not a nice kind of tremble.

“Y/n?”

“Um…”

“You got something to say to me?”

“It’s not what it looks like, I swear-“

“Princess.”

“I can explain!”

“Good. Good, sweetheart, because explanation is all I’m asking about.” Jason grinned, but it was the grin of Red Hood, who was expecting a low blow, right into the groin.

He stepped closer, wrapping one arm around her waist and using the other to carelessly toss the bouquet somewhere far away.

“I can’t remember buying them.” He pointed out, now sneaking the other arm on her, effectively but subtly preventing her potential escape.

“Hm? Oh no, you didn’t. In fact you haven’t bought me flowers since my birthday last year and – “

“nun-uh. Back to the point, Y/N.” he smiled again “where did you get them? Who did you get it from?”

“It’s not what you think!” She struggled against his grip.

“You have no idea what I think, love.”

“I’m not cheating on you!”

“I know.”

“Then what’s with the squeezing and hugging and – “

“Can’t a guy hold his girlfriend after a long day apart?”

“Since when are you so cuddly all of a sudden?!”

“Since some fucker is clearly trying to flirt with my woman!”

Oh…

He called her his woman. Not a girlfriend, not a girl, not any other sweet yet infantile word of affection.

His woman.

Making their entire relationship seem way more serious than –

Still being enraged and holding her captive until getting the info he wanted.

And that made her get back to reality from the cloud nine she was floating on.

“Who was it baby?” he whispered, leaning to nuzzle into her neck.

“No one!”

“Mhh. Don’t think so.” His lips moved upwards and to her ear. “You are protecting someone, I can tell. If it makes you feel any better, I can promise I won’t do any permanent damage. Just a broken leg or an arm as a reminder to keep a court mandated restraining order….”

“I take it you’re the presiding judge in this case?”

“Of course…” he kissed her briefly, rubbing soothing circles on her waist. “But cross my heart, no shooting, bleeding out or spine twisting.”

“Those are your arguments to convince me?”

“I can kiss you senseless and make you feel so high you’d babble it, but figured it was nice to try and ask.”

“Huh! Lucky me.” She scoffed.

Of course she could just tell him, but that would probably cause an interstate scandal and a very heated argument in a Wayne family.

If only Jason knew the scope of conspiracy against him-

She spaced out for a moment and those few seconds were used by Jason to take a look at the flowers on the floor and quickly get into the same conclusion about the donor she had earlier at the office.

“I’m going to fucking kill him!”

“What? NO! What happened to the no permanent damage!?”

“This is not permanent damage! This is terminal damage!” Jason yelled, grabbing his jacket and keys.

“And where is the difference in – Jason!? Jason! Where the hell are you—Oh my god….”

 ***

Living with Red hood under one roof was sure as hell far from peaceful, but never in her wildest dreams she wouldn’t think that it would get to such an extreme as chasing her biker boyfriend thought Gotham In a car.

***

“Where the hell is he?!” Jason busted through the door of Wayne Manor, acting like his usual self.

“Jason, what-“ Bruce looked up from his newspaper, displeased but not surprised by the commotion.

“I swear to God, when I get my hands on him-“

“Jason!” Y/N busted through the doors a few minutes later, and her appearance made quite a noticeable effect.

“Y/N.” Something akin to a smile bloomed on papa Wayne's face, getting as far as making him stand up and approach her. “So good to see you.”

“Yeah, um – nice to –“

“Listen, I’ve been thinking about something-“

“Yeah? You were?” she stuttered, looking above Bruce’s shoulder, helplessly observing Jason and Dick strangling, pushing and pulling, acting like two mad wrestlers in front of camera, much to Batman’s obliviousness. “Um… Bruce-“ her efforts to put his attention to the display of violence behind him came to nothing.

“Later. Now, I know you’ve been struggling to gather finances for your post-grad-“

“What? The hell you know that? Did you run a background check on me!?”

“And I was thinking I could loan you the amount –“ he skillfully omitted her question getting right to the point.

“L-loan me-?”

“Look, there’s no shame in asking your family for help. It’s natural.” Y/N could not believe the words Bruce was aiming her way. Family help? How could he be such a freaking hypocrite? When was his effing family help when Jason was struggling?

“Uh…” she groaned in total shock, while Dick and Jason were now running around the Manor, like a two five year olds playing chase, making so much noise it was getting almost hilarious that Bruce chose not to hear it.

“And I was hoping to see you and Jason at dinner on Saturday? And maybe next Saturday? And maybe every Saturday?”

Was that hope in Bruce’s voice?

“Over my dead body!” Jason’s yelling tore into the conversation and finally Bruce sighed, acting almost forced to intervene.

And the fact that his two sons were laying on the ground, one being half-choked the other flat on his back with the first on top of him made zero impression.

“Those are not funny words to use, Jason.”

“Those are when I say it.” Jason smirked almost vindictively.

“Get off Dick, Jason.”

“Like hell I am going to get off him.”

“I don’t know what I did!” Dick whined theatrically

“Don’t give me bullshit, Grayson! You bought her flowers!”

“As if it was the first time—AAH!”

It took the combined efforts of Y/N, Bruce and even Alfred (who had a miraculous talent of showing up when most needed) to stop Jason from knocking out Dick’s teeth.

“You!” he hissed, throwing his hands around, before grabbing onto Y/N and pulling her into his chest. “You are all a bunch of mentals! Using my girl to get to me! She’s not your fucking toy!” he held her even closer as if she was a precious baby, unaware of being treated like a pawn and having to be protected at all cost. “I swear if she wasn’t here I would –“

“Father, what is all that noise?”  Damian was standing on top of the stairs, looking down at everyone, both metaphorically and literally.

“We have guests.” Bruce stated with a flat tone.

“Oh, Y/L/N, good. I got those books you were looking for and –“

***

-        and she was forbidden to ever contact any of his family members ever again. 

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.