#AGF/delay

[dustedmagazine]

Yosa Peit — Gut Buster (Fire)

Photo by Carlotta Phelan

German artist Yosa Peit writes and performs off kilter pop songs that center her voice within a matrix of densely structured bass and percussive effects. On her new album Gut Buster, Peit uses her auto-immune disease as a metaphor for the effects of consumerism on the body and the planet. The result is a collection of processed voices, thumping beats, swathes of unexpected guitars and effects and moments of introspective calm. An overlay of glitch and grime that connects her work to Arthur Russell’s serene but disjointed sonic explorations, as well as with the work of composer Holly Herndon (with whom Peit has collaborated), vocalist Antye Grier’s duo with Vladislav Delay as AGF/Delay and the genre fluid music of Arca. Pop songs lie at the heart of it all. Their fuckedupedness expresses Peit’s ideas with a visceral force that her lyrics sometimes lack.

Literally and conceptually body music, Peit’s songs churn and gurgle like the workings of your guts. Polluted, sickened things stick and squirm like oil covered birds, thump and scream like an approaching hurricane. Queasy ambience coats a slimy guitar line in “World Eaters.” Vocal treatments make Peit sound like an ailing child lost in a minimalist dub on “AOL SLYT.” The bass on “bb moon” is a sclerotic bastard of a thing operating on some muscle memory of funk. “PORTIMAO” feels like nursery rhyme recital in some hellish club where the DJ’s laptop is glitching itself to bluescreen. On “PEPPER PLANE” Peit takes the rigid guitar strum, shuffling syncopated beat and handclaps of some vaguely 1980s sounding pop song and renders them as separate, alienated ghosts at cross purposes with the living. Even at her most straightforward on “Twixx” and “Call Me,” Peit plays with form in surprising and thrilling ways. The former, which opens the album, evokes Russell’s cello in synthesized form. Peit’s voice is unadorned and high in the mix, but the contrast between the restless insistence of the backing track and her measured vocals dares you to settle into the song. “Call Me,” in contrast, echoes Tom Waits’ junkyard blues with Peit’s multitracked voice is to the fore against a circular guitar riff and a grumbling beat that staggers along behind.

In Gut Buster Peit has made a quite extraordinary record. Daring in its conception, production and performance, it takes time to absorb but take the trouble to locate yourself within her matrix and you’ll find much nourishment.

Andrew Forell

[thomasmartinnutt]

Chance Encounters #007

https://www.mixcloud.com/thomasmartinnutt/

Gordon Mumma, Vladislav Delay & Eyvind Aarset, Ben Frost, Alial Straa, Charles Olsen, Graham Lambkin & Áine O’Dwyer, Félicia Atkinson, Feronia Wennborg, Yama Yuki, Permanent Six Flags, Sarah Davarchi & Sean McCann, Angus Carlyle, Pierre Schaeffer & Pierre Henry, Charlie Morrow, AGF & Delay, Valentina Magaletti & Laila Sakimi, Geneva Skeet, Merzbow, Mats Gustafsson & Balazs Pandi, LFO, Michiko Hirayama, Eliane Radigue, Stephen Vitiello, Cia Rinne & Sebastian Eskilden, Felicity Mangan, Kim Cascone, Roméo Poirier, Francisco Lopez, Ganavya, Caroline Shaw & Attacca Quartet, The Australian Art Orchestra, Clara de Asis & Ryoko Akama, Paul Beaudoin

[tracknews1]

Controversy As Head Of Service Reverses Presidential Decision On New Accountant -General

In a recent development, the Federal Government has decided to delay the appointment of Mr. Shelmsudeen Babatunde Ogunjimi as the new Acting Accountant-General of the Federation (AGF) following counsel from the Head of Civil Service of the Federation. The Head of Civil Service expressed concern that the appointment should not occur until the conclusion of the terminal leave of the current AGF,…

[hardynwa]

Fast-Track appointment of new Justices for Supreme Court – AGF tells NJC

The Attorney General of the Federation and Minister of Justice, Prince Lateef Fagbemi SAN, has challenged the National Judicial Council (NJC) to expedite action on the process of appointing more Justices to fill vacancies on the Bench of the Supreme Court of Nigeria. The Supreme Court presently has only 10 Justices against the full complement of 21 as provided by the Constitution. Although the AGF said he was aware that the process of filling the vacancies for the Justices of the Supreme Court had begun, he asked the NJC to act fast to lessen the burden of work on the 10 remaining Justices. Fagbemi spoke at the special court session of the Supreme Court to mark the commencement of the 2023/2024 legal year, and swearing in of newly conferred Senior Advocates of Nigeria by the Chief Justice of Nigeria, Justice Olukayode Ariwoola. “I would like to use this opportunity to ask the leadership of the National Judicial Council to fast-track the process of achieving a full complement of the Supreme Court and to also concurrently put in place the process of filling the consequential vacancies that will be occasioned at the Court of Appeal to avoid undue delay and minimize disruptions at that level, Fagbemi stated. The AGF disclosed that the administration of President Bola Tinubu has expressed readiness to implement judicial reforms with the cooperation of the judiciary. “We, therefore, earnestly await the judiciary to set the ball rolling to enable the other arms play their part in this critical aspect of nation-building” the Justice Minister said. The AGF expressed concern over the backlog of pending appeals at the apex court, insisting it’s a situation that must be holistically addressed. “We must begin to develop innovative solutions towards enhancing the working capacity of the Supreme Court, cutting down on the number of appeals that get to the Court, implementing critical judicial reforms, as well as adopting alternative dispute resolution mechanisms”. Meanwhile, the AGF congratulated the 58 lawyers on their new status as Senior Advocates of Nigeria. The conferment of the rank of the Senior Advocate of Nigeria (SAN), he said, is not just a recognition of excellence for those conferred but also a motivation for those aspiring to be admitted into the inner bar. “Your new and enviable status demands that you must be honest and maintain professional standards at all times within and outside the courtroom towards the judex, colleagues, clients, and the public in general. “You must maintain a very high standard of professional conduct in the discharge of your duties. “Being a privilege also means that it can be lost or taken away, it is worthy of note that under the new rules once a name is struck off there is no provision for restoration of the name to the roll, therefore, you must continue to sustain the standards and qualities for which you were considered worthy of the rank ab initio” Fagbemi said. Read the full article

[globalhint]

$2.5bn fraud: Attorney General requests Diezani’s extradition from the UK

$2.5bn fraud: Attorney General requests Diezani’s extradition from the UK. Lateef Fagbemi, SAN, the Attorney-General of the Federation and Minister of Justice, has requested the immediate extradition of Diezani Allison-Madueke, a former Minister of Petroleum, and has served the Crown Prosecution Services of the United Kingdom with an arrest warrant. According to information obtained, the request was made on President Bola Tinubu's orders and came after the Economic and Financial Crimes Commission had sent a formal written request to the AGF's office earlier in October. The office of the AGF used Section 2 (2) of Nigeria's Extradition Act, CAP E25, Laws of the Federation of Nigeria, 2004, and the London Scheme of Extradition within the Commonwealth, sometimes known as "The Scheme," in making the extradition request, according to a high source in the Federal Government. a multilateral agreement that controls extradition between Nigeria and the United Kingdom."In a letter to the AGF's office, the EFCC established a prima facie case against Allison-Madueke, and a magistrate was then directed to issue an arrest warrant. The AGF, acting on the President's directions, appended the certified true copy of the arrest warrant to the extradition request that was sent to the UK government, according to a source. However, it was also disclosed that an ongoing internal examination of the request by UK authorities was the reason behind the delay in the extradition of Allison-Madueke from the UK to Nigeria. It is accurate to say that the AGF has written to the UK government and requested an arrest warrant for Diezani. extradition to Nigeria; nonetheless, because the recipient country must approve the extradition, the process is typically onerous. Nigeria has submitted its request, but the UK must abide by its laws as well as other international institutional barriers that exist there. Another senior Federal Government official confirmed the accuracy of the development and told our correspondent in confidence, "So, it is the UK that will determine how fast Diezani will be returned to Nigeria."  EFCC said on October 2 that it has started extraditing Mrs Alison Madueke from the United Kingdom back to Nigeria due to 13 allegations that the anti-graft organization had brought against her that involved money laundering. The commission also disclosed that the funds of The United States of America, the United Kingdom, Dubai, the United Arab Emirates, and Nigeria are among the covered jurisdictions for the money laundering accusations for which Alison-Madueke is accountable to the EFCC. In relation to an alleged £100,000 bribe, the former minister appeared before the Westminster Magistrates' Court in London on Monday. Michael Snow, the district judge, set a £70,000 bail for Alison-Madueke. Alison-Madueke was further sentenced by Snow to an 11 p.m. to 6 a.m. curfew, an electronic tag that she was required to wear at all times, and a £70,000 surety that had to be paid before she was allowed to leave the courthouse. ALSO READ: Kaduna refinery will begin Operations in 2024 She gave her name, birthdate, and address when she appeared in Westminster Magistrates Court. She didn't formally enter a plea, but her lawyer, Mark Bowen, told her she would enter a not-guilty plea with the court. On October 30, she is scheduled to appear in court again at Southwark Crown Court, which hears serious criminal matters. The National Crime Agency of the United Kingdom stated in August that it believed Alison-Madueke had taken bribes in exchange for giving multimillion-pound contracts for oil and gas. Informal interagency cooperation between the EFCC and the UK's NCA was one of the factors that led to Alison Madueke's trial, which is currently taking place in the Westminster Magistrates' Court in London, according to a Federal Government source who talked with our reporter under the condition of anonymity. The former minister in former President Goodluck Jonathan's cabinet from 2010 to 2015 was accused by the EFCC of stealing $2.5 billion from the Nigerian government while she was a Alison-Madueke requested in January 2023 that the Economic and Financial Crimes Commission's ruling for the complete forfeiture of her seized assets be revoked from the Federal High Court in Abuja. She also filed a lawsuit on Saturday, May 27, 2023, against the Attorney-General of the Federation and the EFCC, claiming that their actions were intended to "paint her as a common criminal." Suit No. CV/6273/2023 was used to file this at the Federal High Court's Abuja Judicial Division, and Mike Ozekhome, SAN, on behalf of her legal team signed it. source credit   Read the full article

[todays-soundtrack]

AGF/Delay - Explode (2005)

Tonight's closing. On the way back home on a Saturday, while it's still dark. It's been a while.

Love this one, big time.

[ryuukia]

[Translation] Tsukiuta. 2nd Anniversary Round-Table Discussion ~Seniors version~

I’m a bit late but, happy birthday Shun! I started to translate this on his birthday but due to this interview being long, I only ended up finishing on 25th. This is an interview published in the AGF version of Tsukiuta Monthly Publication, meaning it’s 6 years old by now.

I should have translated the 1st anniversary interview, but this one really left me in shock. I mean.... SHUN HAS A KINK?????? I’M JUST????? TSUKIPRO?????

Anyway, that’s all I’m going to say for now, I hope I made you curious. Many thanks to Ryota and Chrome for assisting me and helping with the proofreading. Please don’t reuse/retranslate/repost my work. I mean, seriously.

Haru: The 2nd anniversary round-table discussion of the Tsukiuta. series, seniors version is…… starting!

Shun: Wah (claps)♪

Haru: That being said, this year had a lot of chaotic things in store for us, but somehow we managed to reach the second anniversary without any problems. We’re grateful for that, aren’t we?

Hajime: That’s right. Thank you for always supporting us.

Kai: Thank you. We will never forget this feeling of gratitude.

Shun: Ah, I remember it was during last year’s round-table talk… Ever since AGF finished, there were a lot of opportunities to organize different plans and fairs. We managed to expand our merchandise too, didn’t we?

Haru: Well, speaking of big things, we also had a corner with things for our fans, and then Haru no Fan Matsuri1 too……?

Kai: Then Super Comics, the artbook, the summer comics, the collaboration with Karatez-san, then the Full Moon Fair & Full Moon Cafe, and now we’re back to AGF.

Hajime: We had a big event about every two months and in addition to that, our duet CDs were being released monthly. Somehow it feels like we’ve been busy all year round. Good grief.

Haru: Right? But monthly progress is something fitting for Tsukiuta (smiles bitterly). Good job for now.

Kai: Good job~

Hajime: Good work.

Shun: Good work. This round-table discussion gives us the chance to take it easy and look back over what happened this year. Ever since last year’s events it feels like our talk has become a routine.

Hajime: Okay. Then without further delays…. Haru, bring the tea.

Shun: Ye~s. I want some too.

Haru: Really? That’s how we’re starting? (laughs)

Question: “Tell us about a situation that occurred during the production of the duet CDs.”

Kai: ......Well, until our spoiled leaders get their tea, we have our first topic. “A situation that happened during the production of our duet CDs” it says.

Haru: Hmph, hmph.

Kai: Each of us had to prepare two duets at a time, right? The ones Shun and I got were “Kimi ni hana o, kimi ni hoshi o” and “Celestite”.

Haru: Otherwise known as “Hana Hoshi” and “Kuro Ouji2”, right?

Kai: Yeah. “Hana Hoshi” is based on my image, while “Kuro Ouji” is based on......

Shun: Behold☆ My image!

Hajime & Haru: …...Aah (both see the light)

Shun: By the way, since the composers and the listeners both have their own impressions on the songs, the prompter is telling us to talk about some stuff that happened during the photoshoots for the CD jackets.

Haru: Roger (smiles bitterly). So, about those photoshoots…...

Shun: The Hana Hoshi photoshoot was fun. It was done somewhere in the north, on a vast field.

Hajime: Based on that description alone, it must have been cold.

Kai: We actually went there during the summer, so the cold air was pleasant. Underneath a sky covered by stars, we were sitting on a flower bed with bouquets in our hands. It felt so nice…… for us it was very relaxing.

Shun: Fufufu.  Because of the shade of my costume, at first glance it looked as if I had a ribbon on my bare chest. That created many confusions, you know?

Hajime: You sound glad about that.

Haru: Above your head was a complete starry sky, and you were holding flowers in your birthday suit (distant look)

Kai: …...You’ve just destroyed my precious memory…... 

Hajime: Now that you mention it, I’ve observed since long ago that many of the Procella duets have the word ‘flower’ in their titles. Is there a reason why?

Shun: Fufufu. You have good eyes, Hajime. It's a coincidence I'd like to call ‘fate’!

Kai: That was so blunt (laughs)! But it really was just a ‘coincidence’. Although we all have different producers, these kind of things happen once in a while. I guess you could call it proof of our unity?

Haru: Wow, you’re forcing your own conclusion~ (laughs bitterly)

Hajime: …...Haru, do we have something similar to that?

Haru: Don’t force me to compete with that, leader (laughs). Also, if you think about it, Celestite is not a ‘flower’.  

Kai: For that one, we went completely into Shun-sama’s world. Or should I call it the ‘Spirit World’?

Shun: Ahaha, Kai? Do you want a demonstration of my real powers? I’ll show you how hard I worked for the ‘Kuro Ouji’ concept.

Hajime: Indeed, it suited you. Both you, …...and Kai.

Kai: Me too?

Hajime: Yeah, it suited you…...I think. Kai, during TsukiRadio, you did something similar to a Demon Lord, right? The younger kids said you fit that image perfectly. I think so, too.

Shun: Kai’s physical build was perfect for this to begin with. Those black clothes brought a lot of impact to the surface. He was definitely cool-looking.

Kai: Eh, you think so? You two praising me makes me feel a bit embarrassed, but I’m happy. Thanks.

Hajime: On the other hand, we have ‘Koi wasuregusa’ and “Hajimari no haru”.

Haru: Yes.

Kai: I could feel Japanese vibes coming from both of you, and I’m talking about both the titles and the costumes.

Haru: Ahaha. Is it because of Hajime?

Hajime: ? What about me giving off that ‘traditional Japanese’ impression?

Shun: Your entire image is built that way, can’t you see, Hajime? Take your first stage outfit for example, it was heavily inspired by traditional elements.

Hajime: …...I see.

Shun: On the other hand, mine is inspired from the west.

Hajime: Even without you mentioning that, it can be seen that the duet costumes and many other costumes are made based on a western style.

Haru: Maybe the reason why Gravi’s and Procella’s own images are divided into ‘western’ and ‘traditional’ is exactly because of our leaders’ images.

Hajime: Our images...huh.

Kai: Though, the more you look at Koi Wasure, the more luxurious it looks. Are those costumes made from Nishijin silk fabrics3?

Shun: They look that way. I was watching them when the shoot happened, but the real thing looks even more impressive than in the photos. I think someone poured their soul into those outfits, and the final result is only proof of their skills.

Haru: Speaking of effort? On site, everyone was bursting with energy, but that shoot honestly made me all tensed up for the first time in a while. I rarely wear kimonos to begin with…… I mean I probably wore a kimono only for the Shichi-Go-San festival4 in the past and having to wear one again after so long felt like too much of a hurdle for me (smiles bitterly).

Hajime: Haru, has it really been that long since you've worn a kimono?

Haru: Ahaha, Hajime. Most people aren't even fated to wear a kimono in their entire lifetime. I’m one of them. I can’t get used to it, and if it wrinkles or looks dirty even the slightest bit, I become terrified. Not to mention they are also unbelievably expensive. ……Though, I think it might be difficult for Hajime here to understand that.

Kai: I know what you mean. I definitely do, Haru. That common sense is something I agree with on a spiritual level.

Hajime: Hmm……. So that’s how it is.

Shun: We’re quite familiar with household events, aren’t we?

Hajime: Yeah. At each turning point in life, our relatives would gather for events and wearing full formal dress was a custom.

Haru & Kai: (We’re witnessing a conversation between two real young masters)

Hajime: …...Though if you look at the results, I think it suited you well enough, Haru.

Haru: Ooh, my king is bestowing me with words of praise.

Hajime: C’mon, look at this shot, you look like a young playboy husband or like a beguiling king. (chuckles)

Haru: Correction, it wasn’t praise. They randomly started to call me beguiling recently and I keep wondering why, Kai. 

Kai: Don’t mind it, Haru (laughs). Well, wasn’t the concept of that jacket cover the ‘bewitching, traditional Japanese rock style’? In that case, the beguiling king concept was a huge success in a way. Good job, Haru.

Haru: Oh, geez.

Kai: Finally, ‘Hajimari no Haru’. You had the same ‘traditional’ theme, but it was the complete opposite of the previous CD and felt more formal. The military uniforms gave a nice, cool feeling.

Haru: Correct. The costumes were made to represent military outfits. You can tell that just by looking (laughs).

Shun: Hajime! This includes Haru as well, but Hajime looked sooo good! It suited you so well, I end up wanting to crawl! I want to go down on all fours and be stepped on by you! I want to see you cast that cold glare onto me! 

Kai: …...Shun, Hajime’s backing away slowly. Haru and I, too...

Question: “What event left a strong impression on you?”

Haru: Shall we answer at the same time?

Kai: Ooh, a curve ball was thrown. ‘Kay, let’s do it. I’ll bring the notebooks and markers then. Everyone, write~.

Hajime: I’m done.

Shun: Me too.

Kai: Then, three, two…... one!

Haru: ‘Haru no Fan Matsuri’

Hajime: ‘Haru no Fan Matsuri’

Shun: ‘Full Moon Fair’

Kai: ‘Full Moon Fair’

Haru: Ooh, we got half and half (laughs). My answer is without a doubt ‘Haru no Fan Matsuri’. It has my name in it too, but it’s also because I worked on every special benefit up until the smallest detail.

Hajime: Aah, indeed, like the little bunny plate that came as a bonus or the rubber strap that came with the DVD and stuff. I chose our first independent event because it left an impression. Unfortunately, my schedule didn’t match with it so I was only able to participate via video feed.

Kai: As expected, you went for ‘Haru’ (laughs)? On the other hand, I chose the Full Moon Fair which incidentally ended not long ago~. It was our first nationwide Animate fair, after all. And the Animate storefront even made it on the ‘Kyarabii5’ cover, right? The fact that they were given that important cover space made me so happy.

Haru: It was the first time in a while when all of us were featured in a photo.

Shun: We were so lively (chuckles). In one set we were wearing casual clothes, and in the other yukatas.

Haru: That one also ended up being the cover of the calendar this year.

Kai: The fans’ reaction was more than what we were all expecting, so the staff was left in awe at the power of the yukatas and some hair arrangements.

Haru: Hajime, you also let your hair down, right?

Hajime: You’re the one who messed with my hair. I wish I had done something about that back then.

Haru: Ahaha, that’s true. That was the result of me talking with the hair and make-up artists and how we agreed that not teasing your hair up was better since the yukata was so fitting on you.

Hajime: I admit they complimented my hair, young master.

Shun: Ah, yes, yes. Me too. They said I looked like the prodigal son of a rich family. Kakeru and I happened to be shot side-by-side, and they were saying from all directions that we looked like ‘the apprentice and the prodigal son’. Ahaha.

All of them: (Because that’s exactly how it looked like)

Hajime: Our first solo event, and our first national fair. This year we had a lot of ‘first times’ once again as a series.

Shun: That’s what we would call some of our many progresses. Thank you very much.

Question: “Tell us about other work situations if there are any.”

Shun: This year, a lot of new opportunities arose for me and to top it all off, I’m really, reaaaaally happy that I got to experience being paired in the leaders group. I think it was very fun. (softly)

Kai: The twelve of us look like some kind of family (lol). We barely had space for everyone to fit in at the same time, but even with the limited room by picking out the right camera exposure levels, the two leaders didn't look unnatural. Of course, there's the tiniest bit of post-production as well.

Haru: Wow, that’s a very vivid story you got there!

Shun: Geez, Kai~ I’m trying to be grateful here so please don’t bring up business here.

Kai: Ahaha, my bad, my bad.

Hajime: ……. I’ve been thinking about that too.

Shun: Yes?

Hajime: Your…... ‘that’ thing you do, Shun…...Being my fan I mean. I started to think about it only recently, but half of that thing is a joke, isn’t it? I’m not wrong about that, am I?

Shun: ーーー!?

Kai: Ah, his shock is easy to understand for once.

Haru: It really is. …...I can’t ignore how pitiful Shun looks now so I’ll back him up. Listen Hajime, anyone can tell that Shun's very serious about ‘that thing’, you know?

Hajime: …...Really?

Kai: Yeah. And what I’m about to add might sound strange…… but I can confirm he’s been seriously devoting himself to his fan activities and supporting you since the beginning and until now. From the start he rarely, er, sometimes, no, always was noisy about it, but well, he can be pretty entertaining if you feel like listening to him.

Haru: He never changed (laughs)

Hajime: Is that so……? …...I see. I’m sorry, Shun. Thank you for always supporting me.

Haru: Ah, here’s the heartfelt fan interaction. (laughs)

Shun: ーー!! That "I see" just now! That gives me legal authority to accompany you from now on, right!? In that case there’s no problem! I don’t mind it! It just means I didn’t put my heart enough into it. From now on I'll work hard on my fervor for Hajime so that my love will be conveyed! L O V E Hajime LOVE!! WASSHOI! (grabs Hajime and clings to him)

Hajime: ……

Shun: Hajime~, Hajime~♪ Fufufu no fu (snuggles)

Hajime: ……

Kai: (whispering) Hajime’s definitely trying his best not to send Shun flying across the room.

Haru: (whispering) He’s really putting up with him (laughs). Let’s not forget that apology from earlier. It’s a good thing our leaders are on good terms with each other. A really good thing.

Kai: Right~? The leaders’ work kept increasing, but on the other hand, we are still considered…… uhh, ‘advisers’? We also received more and more jobs in pairs like this one and they’re always fun.

Haru: Ahaha, you’re right.

Hajime: ……

Haru: …...Anyway, I think that’s enough, Shun (laughs bitterly). Our king is a cat after all. You can hug him however much you want, but he won’t get used to it. He’s already turning into stone, so can you release him? 

Hajime: Who are you calling a cat, Haru? (sigh)

Kai: You say that but it's so easy to tell that you're relieved (laughs). Good work, Hajime.

Question: “Leave a message for your fans.”

Hajime: It’s been exactly one year since the last AGF. Due to everyone’s support, it feels as if we were able to go a few levels up. Thanks. This is more or less all I wanted to say.

Shun: Fufufu, indeed. The things I want to say as Procella’s leader and the things I want to convey myself, too, are exactly the same as the ones Gravi’s leader, Hajime, just said. …...Thank you, everyone.

Haru: You switched from fan mode to leader mode (laughs).

Kai: I’m always amazed when he does that switch (laughs).

Haru: I think now’s the time for the advisers to show their gratitude too. And we'd be happy to receive your support for more of the merchandise promotions we do together in the future.

Kai: And don’t forget about the youngers either! Their growth is remarkable even from our point of view, so don’t miss out any of that. 

Shun: You pulled that off perfectly. As expected from our reliable partners.

Hajime: …...Right? I trust both of them too.

Kai: Ahaha, thanks. Among our unit members, the senior group aspire to be the ‘most steady’. Let’s continue doing things in our comfortable rhythm and without pushing ourselves. 

Haru: The younger ones will be able to walk ahead without worries if we build them a solid foundation, won’t they? 

Shun: Even more than that, we are both their foundation and their guides. The two of us should pave the path for them, don’t you think so, Hajime? A path everyone would stroll on happily as they head for joyful days.

Hajime: Yeah. …...Indeed. As the ones who walk ahead of everyone, you and me have that role.

Haru: If you two get tired, don’t hesitate to tell us, okay?

Kai: I don’t mind if I’m being relied on even without them being tired. 

Hajime: Then I want a second helping.

Kai: Of tea? …..Well, I'll guess I'll pour it for you then (chuckle).

Shun: Me too, me too~.

Haru: I want some too!

Kai: Everyone's taking advantage of me (laughs).......Fine, I get it. I’ll be taking your requests~. Do you want Japanese tea? Black tea? Or coffee? 

(And so the end transitioned into a leisurely tea party.)

T/N:

Haru no Fan Matsuri (translated 'The spring fan festival') was an event held back in 2014. The guests were Masuda Toshiki (Kisaragi Koi), Aoi Shota (Minaduki Rui), Kanemoto Hisako (Hijiri Kurisu), Uesaka Sumire (Tendouin Tsubaki), Mamiya Yasuhiro (Kurotsuki Dai) and Yamanaka Masahiro (Tsukishiro Kanade). You can buy the DVD here

Kuro Ouji means 'Black Prince'. Shun reveals in his duet SS that according to the song concept, he's the black (imperial) prince. I'll get to it more when I translate that SS.

The Nishijin silk fabrics are high quality silk fabrics originating from Kyoto.

The Shichi-Go-San Festival (translated 'Seven-Five-Three Festival) is an event held on 15th of November for girls who are 3 or 7 years old and for boys who are 5 years old. On that day they celebrate the growth and well-being of young children.

Kyarabii is a magazine from Japan.

If you like my work and you want to support me, you can now buy me a coffee by clicking right [here]. I also started taking commissions, more details are right [here]. Thank you~

[mscmtr]

🚦Arca @ Wire: Adventures in Sound and Music 🚥

👉 www.thewire.co.uk/issues/436

➕ AGF x Vladislav Delay & Greg Fox

[burlveneer-music]

Vladislav Delay / Sly Dunbar / Robbie Shakespeare - 500-Push-Up (Album Excerpts)

Album Description: From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and Robbie Shakespeare (the most prolific Jamaican rhythm section and production duo) thanks to a series of jam sessions. Trumpet player Nils-Petter Molvaer had been asked by the Jamaicans to join them and he invited Delay alongside guitar player Eivind Aarset to tag along, which eventually turned into the Nordub project. The result of these jam sessions turned into an album, mixed and mostly produced by Vladislav Delay, released on the label Okeh. It was also followed by an extensive series of live dates. This one-shot reunion was the beginning of another story: a trio composed by Delay, Dunbar, and Shakespeare. In January 2019, Vladislav Delay went to Kingston and spent some days at The Anchor studios, to record drums and bass with S&R, some voice takes and a series of atmospheric field recordings. Back to Finland, Delay started to experiment with this precious material, mixing, and overdubbing, in the comfort and quiet of his studio, based on the island of Hailuoto, Baltic Sea, Northern Finland, giving another feeling to the Jamaican trip. This became a tribute to the "dub spirit", but in a very personal way, far beyond any influence or "the obvious". 500-Push-Up is two worlds collapsing, merging, also showing some intriguing approach of the Jamaican groove, used as a filigree, like the echo or the ghost of reggae, converging and conversing with a post-industrial and experimental approach. To file beside experiments -- for instance -- such as Lee Perry's Scientist Rids The World Of The Evil Curse Of The Vampires (1981) or the On U-Sound productions. Somewhere between the old-school electronica culture, the soundscaping, the experimental paths of Lee Perry and Adrian Sherwood, ghostly clubbing anthems, minimalism, pop, jazz, without being influenced, Vladislav Delay is building a drifting and coherent sound enigma. Personnel: Vladislav Delay - electronics, sampling, percussion; Sly Dunbar - drums; Robbie Shakespeare - bass. CD version includes two additional tracks.

[lydskisses]

They’re sooooooo cute ;www;

The individual charms can link with each other so you can get your fav boy combo. Imma bring and hang them at work. 🥰

I still have a couple of pieces of these charms on one of my previous AGF posts if any of you are keen.

In other news, I have finally packed everyone’s parcels and should have gotten back to everyone with a pic of their items as well as the required shipping fees. If I’ve missed out your parcel, please DM me! I’m still in the midst of unpacking so that may happen. Delivery will be tomorrow during my lunch hour or after work for those who have already made full payment. Once again, sorry for the delay!!

Thanks a lot for your purchases people 💓

[kanasmusings]

Hi ryota-san! Is it just me or is Tsukino Pro is too quiet? Like, I get vibe that they are about to dump a lot of information after MMFes or in the AGF since they love those months to dump info... Also, Kai's song has also been delayed right and Rui and the girls, probably everyone in Procella too... My wallet may not survive now ^^"

Hi, Anon-san~!! AHHHHH They are definitely being a little bit too quiet... When that happens, I fear for my life (and my wallet) because they’re definitely going to drop something huge afterwards! I still can’t forget/move on from all of last year’s AGF announcements when it happened XD Too much info in one go!!!!

YES!!! Rui, Kai, Yuno, and Mizuki-chan’s songs have been too delayed T^T You doesn’t even have official album art cover yet orz Where’s the justice, TsukiPro???????

[nahasneeds]

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[letting-them-take-liberties]

@belxsar

So sorry for the delay in the reply, it got rather busy on my end orz

Mitsuhide's goods didn't get sold out, though I suspect that his fangirls swarmed Day 1 of AGF and bought his goods all at the same time.

[hardynwa]

Abia PDP claims AGF designate’s presence in Court over LP, Otti, case intimidating

The Peoples Democratic Party, PDP in Abia State has expressed dismay over the Attorney General of the Federation-designate, Lateef Fagbemi’s presence at the Abia State governorship election tribunal hearing in Umuahia. The opposition party in a statement by Abraham Amah, Vice Chairman Abia North, said Mr Lateef Fagbemi, who has already been cleared by the Senate, is a member of Governor Alex Otti’s legal team. Abia PDP claimed that Fagbemi, before his nomination as the AGF, was the lead counsel to Alex Otti and the Labour Party in the petition brought against them by the Peoples Democratic Party, PDP and its candidate Okey Ahiwe, challenging the declaration of Otti as the winner in the Abia 2023 governorship election. “Mr. Fagbemi’s presence in court yesterday was inconsiderate and as a senior lawyer, he ought to have known that having been nominated, screened and designated as the Attorney General and Minister for Justice, he should no longer show up in court for cases in which he has private interests as in the case of Alex Otti and the Labor Party. ” His presence in the tribunal yesterday as a personal lawyer to a private litigant shows a grave and dangerous misunderstanding of the importance of the exalted position he is to occupy and casts doubts about his understanding of the weight and significance of that office. The opposition party alleged that the ruling Labour Party in Abia State was deploying panic measures and unnecessary obstructive motions to delay the “pronouncement of justice”. The Abia PDP said it was disappointed with the incoming Attorney General and Minister of Justice, Lateef Fagbemi for his alleged show of partiality. But a Labour Party topshot from Ohafia, Kalu Udensi in reaction to PDP’s alarm, said the umbrella party was foreseeing defeat in the tribunal case, hence the need to raise a false alarm to save its face. He advised the PDP against blackmailing the incoming Attorney General, Leteef Fagbemi. Read the full article

[scoreboardtv01-blog]

Strike: AGF warns workers about delay in September salaries

Strike: AGF warns workers about delay in September salaries

Thе Accountant-General оf thе Federation, AGF, Alh. Ahmed Idris, оn Thursday called оn thе Nigerian Labour Congress, NLC, tо shelve it’s warning strike in order tо аllоw thе оffiсе complete thе process оf payment оf salaries оf civil servants.

Idris whо ѕаid thiѕ in a statement issued in Abuja noted thаt thе industrial action hаd led tо a situation whеrе workers whо wеrе directly involved in thе…