#A lot of them are incredibly somber and a lot of it reflects his trauma she regret

[nprescott]

// one thing I'm stuck in for my de verse is that I can see no reason for him to show up there without max somehow telling him about it. He's skilled and he's definitely making a name for himself in art. But he's kinda forever known for what he did. Even if it's obscured by the Jefferson stuff a bit. He wouldn't exactly seek Max out. I guess Kris could have gotten something for him. I don't think Max would ever be even slightly OK with him enough to tell him without aside from maybe idk depending on how you see Max.

I guess it's possible that Nathan is just traveling and ends up in the area. But idk how I could get him into caledon.

[dailytomlinson]

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

Too many incredible memories to mention but not a day goes by that I don't think about how amazing it was. @NiallOfficial @Harry_Styles @LiamPayne @zaynmalik . So proud of you all individually.

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

[louistomlinsoncouk]

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, and his girlfriend, the model Eleanor Calder.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time to see his four-year-old son, Freddie, whom he shares with his ex Briana Jungwirth, a stylist. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

[hlupdate]

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, [...].

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, [...] “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

[cassyapper]

loving you may mean losing you but i dont mind (jotakak playlist)

dont talk to me about the title of this thing im embarrassed enough

anyway but okay so!!!! very excited to share this!!!! this has been in the works since september but my picky ass finally found an adequate amount of songs so here it is!!!!!! my jotakak playlist (:

special thanks to my lovely and wonderful friend jade for helping me finish this this thing <3

track list nd why i picked the songs that i did under the break!

1. the predatory wasp of the palisades is out to get us! by sufjan stevens i chose this song because it’s all about internalized homophobia and being in love with your best friend as a kid which RLLY resonates w jotakak imo. esp cause in the song, stevens’ friend ends up leaving abruptly, leaving stevens to wonder about what couldve blossomed if they had stuck together and worked through the difficulties together, which JOTARO....THAT IS JOTARO-CORE esp cause kak also “leaves” (dies). so this song was a v obvious choice for me and in fact this song is what inspired me to create this playlist in the first place

2. we are beautiful, we are doomed by los campesinos! this song is abt being in love with someone but you both have ur issues so it’s kind of a mess. considering jotaro and kakyoin’s (to point it quite frankly) trauma and the fact that both of them do jack shit to try and cope with it healthily, this song DEFINITELY fits them. esp cause this song mentions physical fighting and the imagery that goes with it (”he got his teeth fixed/im gonna break them”, “i’ve got a fist on fire”, etc) and the entirety of the bridge/last verse rlly gives me these two’s vibes so! ya (:

3. love love love by of monsters and men this song is the singer feeling like shes completely unworthy of being loved by this important person in her life, particularly because she has NO idea how to show affection and love the (for lack of better word) “acceptable” way, or any way at all really. this REALLY has jotaro vibes cause he is one repressed motherfucker and as we see the entirety of his story, jotaro is full of love he loves so much it’s just he has no idea how to properly express it cause he’s scared essentially. but that didn’t stop people from loving him, in this case, that being kakyoin. hhhhHHh

4. ribs by lorde this song is about being scared of growing up but due to the lyrics being written the way they are, i kinda spin the interpretation of it to be the fear jotaro and kakyoin had on the crusade to egypt, as they were the youngest and didnt know if they’d make it back and everything is just incredibly overwhelming there is so much going on all the time those 50 days. i can do a full analysis on why but that would be kinda long LMAO. for now let’s leave it at they have a very Unique fear of growing up but it still fits with the lyrics. particularly the last bit of the song with the “youre the only friend i need” verses,,,makes me think of these two...

5. can i call you tonight? by dayglow i interpret this song to be about trying to figure out what, exactly, your feelings are for this very specific and important person in your life. since jotaro and kakyoin r both repressed and also suckers of internalized homophobia, i think they fit that theme very well. particularly with the whole “i feel like we’re close, but maybe we’re not actually? what are we?” theme going on in the lyrics, this whole song makes me think of jotaro and kakyoin figuring out their intense and sudden (cause again only 50 days but also, those 50 days had So Much going on) feelings for each other. also the “now i’m no longer alone” line in the chorus HHHHHHH that’s them

6. la la la love song by toshinobu kubota ft naomi campbell SO I KNOW THIS SONG IS KINDA JUST FLUFF but we need some light-hearted moments in this thing hjgg;. ALSO toshinobu kubota is canonically jotaro’s favorite musician so i wanted to reference that and this was my fav love song of his that i’ve found so far so (: also the “you are my shining star” line,,,heh

7. truce by twenty one pilots so this song is very soft. it’s about tending to wounds and taking a moment before continuing to push on. it makes me think abt jotaro and kakyoin taking care of each other on the journey (for example the lovers arc/n’doul fight). also the whole “stay alive, stay alive for me/you will die, but now your life is free/take pride in what is sure to die” makes me go fucking nuts that is. that fits these two to a T fuck

8. this side of paradise by coyote theory this song has big “two lonely people are in love with each other for the first time” vibes and OHHHHHHHHHH THAT’S JOTAKAK.... there are a lot of little lines that make me specifically think abt these two, such as “love so strong it makes me feel weak” (jotaro-core...), “if you’re lonely come be lonely with me”, “i’ll be yours if you’ll be mine” (wanting some security while ur in love for the first time is common but especially for these two i think it works spectacularly) but yea this song as a whole is just...ohhh them. theyre in lvoe HK;FNJFL

9. i saw you in a dream by the japanese house EVERY. SINGLE. LINE. OF THIS SONG IS POST-EGYPT JOTARO. EVERY SINGLE LINE. and the ghost the singer talks about seeing? they hadnt changed at all? they were such a pretty vision, a perfect hallucination? BRUH... just listen i could do a whole analysis on this song it all just fits jotaro mourning kakyoin throughout the years so so so so well it makes me feel nuts holy shit i just. literally every line. every line fits i am not joking. i cried when i first heard this song LMAO

10. video games by the young professionals SO LMAO obviously kakyoin’s epic gamer moves are being referenced but beyond that i interpret this song to just be the fun parts of being in love esp when ur young (backed up with the “kissing in the blue dark” and the “watching all our friends fall” lines). also the chorus just makes me want to cry cause just, happy jotakak moments PLEASE. “the world was built for two only worth living if somebody is loving you, and baby now you do” THEYRE NOT ALONE ANYMORE THEY FOUDN EACH OTHER IM GONAN WAILLLLLLL oh my god. im nuts theynkjNJKNJF also “i heard that you like the bad girls” please. these two shitty teenagers

11. ikanaide by sohta ft. yuki kaai this song is abt not wanting someone u love to leave u cause youll miss them obviously but also ur scared of how the time will change you and if it’ll make you unrecognizable eventually. big post-egypt jotaro vibes 😔 especially cause one part of the chorus translates to “i shouldnt cry, i shouldnt cry, but the truth is i want to say dont go” and im jus like OHHHHH NO IT’S JOTARO FINDING OUT KAKYOIN DIED jkfnNKJFNJDhkld

12. therefore you and me by eve ALRIGHT. god this song is one hell of a doozy. i interpret this song to mean being sincerely in love but youre in the wrong place/wrong time. considering the uh Whole Situation in part 3 there were definitely better times to fall in love for these two. jotaro and kakyoin try to be happy w the moments they do have (i think the second verse in particular adds to this sentiment what with the selfish ghosts part) but they want a better environment understandably so theyre also just kinda ignoring things until they can properly care for a relationship. but well...who knows if theyll live to make it to that better environment ):

13. mayonaka no door/stay with me by miki matsubara this song is a v sweet sentiment abt like “it’s not just heat of the moment!! i do care about u a lot!!” and asking the person u have feelings for to stick around. big kakyoin and jotaro vibes as it would be easy to call what they have a fling considering how relatively short of a timeframe they had but i genuinely think their relationship was deeper than just that and this song nicely reflects such. “jotaro and i will share a room cause we’re both students” fuckin head ass

14. a thousand years by sting oh sting.... so since sting is kakyoin’s favorite musician canonically i had to add one of his songs here as well but beyond just that i do think this song fits them!! it kinda gives me big “if not in this life, then the next” vibes which is a big uhhh thing for jotakak. they may be doomed to tragedy but the moments they have together make the tragedy worth enduring ironically i feel like this song is mostly from jotaro’s pov considering i dont think he ever completely got over kakyoin and this song def has that kinda sentiment but hey it fits them...

15. mr loverman by ricky montgomery SO FUNNY STORY i actually REALLY. REALLY didnt wanna add this song at first cause i felt it wouldve been...idk too cliche? i guess? and i was ALL kinds of picky when choosing songs for this playlist HOWEVER. eventually i relistened to it and read the lyrics while thinking specifically abt jotakak and it actually rlly does fit quite well KJDFN; another jotaro mourning song ): it’s not just the chorus tho the whole song fits jotaro immediately post-egypt but also i feel like some time around part 4 this sentiment would come back to him cause Yknow. Gays In Morioh and the mess of his family life back in america. it just aches for him cause while he’s happy josuke is happy he wishes he couldve had that for him and kakyoin too but yea jus ... them

16. you by petit biscuit an instrumental?? in a ship playlist?? yes that’s right much like mr loverman i was hesitant to put this song in cause it’s harder to justify since i dont rlly know much abt music (and not to b controversial but interpreting lyrics and interpreting music r two different things) however i really think the vibes of this song fit jotakak. it’s got a somber melody but the keys of the piano are high which im taking to mean “light in the dark” which. jotaro and kakyoin (along w the rest of the crusaders) were each other’s lights in the dark. also the ending samples a conference/lecture talking about space flight and like. star platinum. space symbolism. jotaro. yeah

17. saturn by sleeping at last MMMMMMMMMMMMMMMMMMMMMMMMMMM. this song is all about losing someone very close and important to you, but reflecting on the good they brought into your life rather than the pain of losing them. this song also has HEAVY space imagery which stardust crusaders is absolutely chalk fucking full of so also it’s a very philosophical song and considering that jotaro and kakyoin are both Nerds and both got a nice view of the stars/space in the desert with each other, im sure they had conversations similar to the one highlighted in the song. i think it’s a good note to end the playlist on cause kakyoin is dead and jotaro is the survivor but it’s not a mourning song so much as jotaro taking the love he had for kakyoin and pushing forward with it allll th way into part 6

but yeah that’s the tracklist! i might add or take away a song or two but this is mostly it (: hope yall enjoy!

[hazel-writes]

Summary: While recovering from the events that took place on Dantooine, you learn more about Finn and Takoda's complicated pasts.

Word Count: 3,300

Warnings: mentions of canon-typical violence and childhood trauma

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

It will take a while

To make you smile

Somewhere in these eyes

I'm on your side

• Space Song - Beach House •

It had been three days since your mission to Dantooine, and you still hadn’t wrapped your head around what had happened there.

Rilea kept asking you if you were alright, and you always responded with an enthusiastic yes. Any other response prompted a long, worried conversation about stress following traumatic encounters, followed by a rant on the violence perpetrated by patriarchal societies. She wasn’t wrong, but you just didn’t feel like talking about it.

Akilah kept asking you how you escaped. You could tell she didn’t buy your story — and she knew that you knew that — but wanted to make you admit it anyways. How she knew this still remained a mystery, one you couldn’t solve unless you revealed something about yourself that you were determined to keep a secret.

Soren was quiet, as usual, but instead of shooting you his typical iconic glare, he had been avoiding your eye contact completely.

Koda, on the other hand, was furious. For some reason, he felt guilty for what happened, despite the fact that he was miles away at the time. You told him over and over that it was not and could not be his fault, but you could tell that your words were not enough to appease his guilt.

Based on Koda’s reaction, you felt as if you should be more angry about what happened, but you understood why the men had attacked you. Years of pent up anger, frustration, and loss, mixed with the alcohol they had most likely consumed earlier, had combined to incite the unfortunate turn of events. You had simply been in the wrong place at the wrong time.

No, I should be more mad, you shamed yourself. They attacked me. Hit me. Kicked me. Watched as I gave up.

A knock sounded on your door. You already knew who it was. Ever since Finn found out about what happened on Dantooine, he had started showing up everywhere you were: inside the cafeteria, throughout the hallways, and now, outside of your room.

You sighed, making your way to the door. You opened it, and just as expected, found Finn there, helmet in hand, smirking at you with a sheepish grin.

“Finn…” you drew out his name, as if patronizing a small child. He looked back at you with apologetic, yet pleading, eyes. “I already told you, I’m fine.”

“I know what you told me,” he said, stubbornly.

Darn his freaky emotional intelligence.

You rolled your eyes. “Well, since you are already here, I was wondering if I could ask you something.”

He nodded enthusiastically, eager at the opportunity to help out. “Yeah, of course. Anything.”

You ushered him into your room, closing the door behind him. Taking a deep breath, you continued, knowing he wouldn’t like what was coming next.

“What’s goin’ on between you and Takoda? It’s just… you both are so sweet and it’s weird to see you guys act so distant around each other.”

He smirked. “Well, first of all, we’re sweet around you — I am still a trooper, remember, so I can’t be this charming all the time.”

“Right,” you said, cheeks reddening slightly as you rolled your eyes. “But why the lack of charm around Koda?”

He sighed heavily, avoiding eye contact. “Koda and I… We don’t see eye to eye on a lot of things.”

“Such as…” you inquired further.

“Such as the trooper program.”

That didn’t make any sense to you; Takoda had never spoken about the program before.

“Why would Koda be interested in the trooper program?”

The room was silent.

“Because he was one.”

“Koda was a trooper??!” You couldn’t picture it. As hard as you tried, you just couldn’t. He was too silly, too full of life. But the same was true for Finn, and he was a trooper too…

“Yup,” he replied, somber. “We were in the same fleet too. We always had each other's backs.”

You thought for a second, processing the new information. “So what changed?”

He hesitated, looking down at his feet. You’d never seen him look this sad before, and it made your own heart feel heavy.

“A couple years into his program, Koda got injured.”

“Injured — how?”

“We were on a planet with a heavy rebel presence. Our orders were to… eliminate a village that housed supposed Resistance sympathizers. We went in with grenades,” he paused, choking on his words. You looked up at him, reaching out and grabbing his hand, supportively. He nodded appreciatively and continued. “At one point, a trooper next to me threw one. It landed by a little girl, maybe nine years old. Koda jumped forward — pushed her out of the way. He ended up catching most of the blow. I can’t honestly say that I would’ve had the courage to do the same. I hid my grenades in a nearby bush and ran over to him; he was hurt badly. So the med guys took him, and he was airlifted outta there.”

You squeezed his hand, gently urging him to continue. “What happened next?”

“I visited him in the hospital a few days later. He told me he’d been ‘medically discharged’ and was free to go wherever he wished… I was so happy for him. Not many stormtroopers get that kinda opportunity to start over, live their own life. Many injure themselves on purpose to get discharged, but usually they’re too obvious about it and end up executed on the grounds of ‘treason’.”

You shook your head in shock. “Stars…”

“Yeah,” he nodded. “So I asked Koda what he wanted to do, where he wanted to go… I mean, the possibilities were endless for him! But he surprised me. He told me he wanted to stay with the Order, try to make it 'better'. I couldn’t believe it — especially given his background.”

“What do you mean, his background?” you questioned.

“Koda hasn’t told you?” he said, eyes widening.

“Told me what?”

“Kriff…” he mumbled. “I think that’s something you should discuss with him .”

“Yeah, okay...” You paused, thinking. You were still confused about one thing.

“So Koda refused to leave the Order, and you and him just… stopped talking?”

He sighed, his hand leaving your grasp to run through his hair. He seemed frustrated, not at you, but at the newly-unearthed memories of his past.

“It’s not as simple as that. Koda had a choice. He had a choice to join the trooper program, and a choice to leave it. I never had a choice. I was forced into it. It was either this, or death.” He paused, sighing, before lowering his voice. “Had I known what it would be like here, as a trooper, I would’ve chosen death.”

Hearing that tore your heart in two. “Finn, please, don’t say that.”

He threw up his hands. “It’s true! Being forced to tear apart planets, villages, houses, families, people… It’s horrible. Sickening.” He paused. “I- I had almost given up hope completely, when all of a sudden you came into the picture.”

You gave him a sad, appreciative smile.

“Anyways, he had a choice to leave this life, and he said no. I’ve never had a choice, but if I did, I would be out of this place in a second. That’s why we don’t talk anymore.”

“I see.” You paused. “Finn, I-”

Words couldn’t describe how incredibly sad you felt that such a strong, empathetic man like Finn had been forced to endure so much pain.

You reached out and pulled him into the biggest hug you could manage. Your eyes prickled with tears. “I’m so sorry Finn, I’m so, so sorry,” you whispered over and over into his ear.

After a few minutes like that, you finally pulled away to see Finn smiling warmly at you. How could he still do that — smile — after everything he’d gone through?

“Hey, I just thought of one good thing that came out of me staying in this stupid trooper program.”

“What?” you asked, genuinely interested.

There was that sheepish smile again. “Well, if I left, I never would’ve met you.”

You didn’t deserve a friend like Finn.

“And I would’ve never met you…”

You grabbed his hands in yours and held them to your forehead. You closed your eyes and breathed deeply. It was your turn to worry.

“I wish there was more I could do for you,” you whispered.

He shook his head. “You’ve already done so much.”

“Not enough,” you replied.

He sighed, bringing both your hands back down to your lap.

“Listen, there’s something about you — I don’t know what — that gives me hope, and I don’t use that word lightly. I felt it from the first, or should I say the second, time I met you.” He laughed, his eyes brightening. “If anyone can change the way things are in the galaxy right now, it’s you.”

You looked at him, wondering where this blind trust was coming from. He had only known you for a short amount of time… You finally understood why the Commander was so surprised by your own blind trust in his orders.

“I should get back,” he said, standing up. “But please, try to remember what I said.”

After giving you one last hug, he put on his helmet and made his way out of your quarters, leaving you to your thoughts.

——————————————

You spent the next few hours reflecting on your conversation with Finn. You found yourself desperately wanting to find out more about Koda’s enigmatic background.

After pacing back and forth across your room a couple hundred times, your curiosity finally got the best of you.

I have to go talk to Koda. I need to find out what he has been keeping from me.

You found him sitting in the artist workspace, alone.

He didn’t seem to see you at first, so you cleared your throat, announcing your presence.

His head jerked up, startled. His brown hair was a bit more disheveled than usual, and his hair fell over his face slightly.

You smiled. “Sorry, I didn’t mean to scare you.”

“No, no, I was just spaced out for a sec,” he smirked. “I’m back now.”

A moment passed before his features became more serious. “How are you feeling?”

This was the first time you’d really talked about what happened on Dantooine with Koda. Most of what he knew was from Rilea’s retellings.

You shrugged. “Fine, considering. It could’ve been worse.”

He looked down, wringing his hands uncomfortably. “Why wasn’t it… worse? How did you end up getting away?”

You couldn’t tell him what really happened — it’s not like he would believe you if you did. You settled for a half-truth instead.

“I managed to kick one of the guys who jumped me and while he was distracted, I made a run for it. That’s when you guys found me in the field.”

He shook his head, still looking at his hands. “Kriff… I’m sorry. We should’ve never split up.”

“No, no, don’t apologize, it’s not your fault. I just seem to be a magnet for trouble,” you chuckled, trying to bring up the mood.

He nodded, unconvincingly. “So what brings you here? Shouldn’t you be in a hospital bed or something?” he inquired, raising an eyebrow.

“Ah, they won’t miss me,” you smirked, earning an eye roll from Koda. “I actually came here because I wanted to ask you about something.”

He squinted in your direction. “Uh oh, you have serious voice on.”

You laughed before continuing, “I just wanted to ask you about Finn.”

“Ahh…” he said, as if he knew this conversation was coming.

“I already talked with him today, so now it’s your turn to endure the wrath of my nosiness.”

“Okay, fine,” he said, letting out an audible sigh before rolling his shoulders and assuming a more comfortable position. “What do you want to know?”

You continued hesitantly, not wanting to offend Koda or worsen the tension between him and Finn. “Well, we talked about why you two don’t get along and how you chose to stay with the Order after you were discharged from your trooper duties. Finn mentioned — and please, don’t get upset that he told me — he was surprised by your decision… especially considering your background. What exactly did he mean by this?”

Takoda paused, looking at you as if considering something. Finally, leaning towards you slightly, he continued. “What I’m about to tell you cannot leave this room, alright? People onboard wouldn’t think too kindly of me if they knew.”

You nodded. “Of course, Koda, I would never do something like that — never.”

His hazel eyes met yours as he spoke in a low, serious voice. “I wasn’t born First Order. I was born Resistance.”

He looked up at you, attempting to gauge your reaction. When you didn’t look angry or disgusted, he continued.

“I was pretty independent from a young age. My parents were never home. They were always working on something Resistance-related. They were pretty much consumed by their work. One year they even forgot my birthday,” he huffed, looking to his feet. “When they hadn’t come home by dinnertime, I left the house. I walked for hours before I came to a small village. A group of off-duty stormtroopers walked by, chatting about their latest mission, and I approached them.”

He took a deep breath before continuing.

“At that moment, all I wanted was to be a part of something. A team. A community of people that truly had my back. I couldn’t join the Resistance, not after what it had turned my parents into. So I asked the stormtroopers, begged them, to let me join them. FN-2187, or Finn, as you call him, was there. He was against it. The others that were with him, however, were all for it. So just like that, I went with them.”

You were surprised. “So the Order just let a random kid into their program?”

“Pretty much. At the time they were desperate. Less and less people wanted to be a part of the trooper program. They took anyone they could get. So, I signed up, trained, and fought as a stormtrooper. Finn took me under his wing. Kept me outta trouble.” He paused, his eyes downcast. “He was like the only true family I ever had. Then I got injured, Finn got mad when I decided to stay, and they transferred me here, to this job.” He looked up at the ceiling, releasing a dry chuckle. “Funny thing is, I found out years later that my parents had missed my birthday, their own son’s birthday, to attend some random Resistance diplomat’s birthday party instead. Talk about the ‘Parent of the Year’ award…”

You were starting to appreciate your family on Lothal more and more. They weren't perfect, but they had never forgotten your birthday.

“Listen, I know I can’t change how they treated you, but please believe me when I tell you that they are missing out. Big time.” You smiled at him. “You have the biggest heart. They don’t deserve you. And I know you don’t want to hear it, but Finn truly did, and does, want the best for you. He cares about you so much, but is too stubborn to admit it, just like another certain someone I know.” Koda rolled his eyes and crossed his arms over his chest. “I’m not saying you should forgive him right away… I just think that second chances are important, and are something that Finn has hardly ever been offered in his life.”

Koda sighed dramatically before speaking again. “Fine, maybe someday, in the very, very, very distant future, I will consider talking to Finn.”

You smiled, satisfied. “Good.”

“But only so you will stop bugging me about, like I know you will.”

You smirked. “Hey, I’ll take what I can get.”

He shook his head, looking at you incredulously. “You know, you’re pretty good at the whole active listening while subtly brainwashing thing. It’s annoying.”

You smirked. “I have lots of experience.”

“Yeah, I’m sure you do… So, is my interrogation over?”

“I suppose it is… for today at least.” You looked at the papers laying on the table next to Koda. “What were you up to?”

“Oh,” he started, looking a bit flustered. “I was just trying to sketch something up.”

A twinge of anxiety hit you. “What? I didn’t know we had a new assignment already!”

“No, no, it’s not for a new assignment,” he said, rubbing the back of his neck nervously. “It’s for Rilea.”

“Rilea…” You smirked, knowingly. “I knew something was going on there.”

The look of panic on Koda’s face was almost comical. “What? No! Nothing is going on! The going is off. A hundred percent off.”

“Wow, consider me convinced,” you replied sarcastically.

He shook his head emphatically. “I swear, we’re just friends… not even that! We’re basically enemies.”

You smiled devilishly. “Alright, I’ll be sure to let her know the next time I see her.”

The panicked look on his face turned to one of pure terror. “No! Please! Ugh. Just- just don’t say anything alright?”

“Whatever you say, Koda,” you said, once again smiling in victory. “Anyways, I’ll let you get back to your project.”

You walked back towards the door, stopping briefly before you exited.

“And Koda?” You turned to face him. “Thank you.”

He looked back at you, confused. “For what?”

“For not giving up.”

And with that you made your way out of the workspace and back to your quarters.

———————————————————

Upon arriving in your room, you headed straight to the bed, face-planting into the pillows. You sighed loudly before turning onto your back, casually scanning your eyes over the space. Something on the floor next to the door caught your eye: a white slip of folded paper.

You stood up, making your way over to the mystery letter. The word artist was written on the front. Opening it up, you found it simply read:

Meet me in room E23 tomorrow night at 8. This is not a request.

Commander Ren

You chuckled. Of course he had to add the ‘this is not a request’ bit.

Alarm bells soon began sounding in your head. You wondered what this meeting was about: Were you in trouble? Was this about your Force abilities? Were you being led into a trap?

But there that strange feeling was again: trust.

For some strange reason, you trusted that the Commander wouldn’t hurt you. After all, he’d proven as much over the last few days, after saving you from Hux and the men on Dantooine.

You thought back onto your conversation with Finn, remembering how he told you about the way he was forced into the trooper program. It shocked you that some troopers had attempted to injure themselves to get discharged from their duties. You recalled how Finn, himself, said he would have rather died than have accepted his position with the First Order…

If that’s the way these seemingly robotic and unempathetic troopers truly felt, then what was to say that the Commander was any different?

You had seen him in battle — you had found footage on your data pad. He was fueled by emotion; each strike of his fiery crossguard blade exploded with passion.

Though this raw emotion scared most, it enticed you — it gave you hope.

An excess of emotion was always better than a lack of it.

Maybe the Commander was forced into his role, just like Finn was. Maybe he had no choice but to join the Order. Maybe that’s why he wore his mask: to distance himself from his true feelings, from his inner conflict.

Of course, you knew more than anyone…

Things aren’t always as they seem.

——————————————————

Previous || Masterlist || Next

[lt3archive]

The former One Direction star and solo artist reveals his plans to manage woman rock bands, and tackles those pesky One Direction rumours

24 November 2020 • 4:05pm

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, and his girlfriend, the model Eleanor Calder.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty. Tomlinson will also be donating money to his own touring crew, many of which have been out of work since March. “I've been incredibly worried about them and felt incredibly powerless, so wanted to give something back.”

The gig also means a great deal to Tomlinson on a personal level. His first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

Too many incredible memories to mention but not a day goes by that I don't think about how amazing it was. @NiallOfficial @Harry_Styles @LiamPayne @zaynmalik . So proud of you all individually.

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time to see his four-year-old son, Freddie, whom he shares with his ex Briana Jungwirth, a stylist. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

Tickets for Louis Tomlinson Live In London are on sale tomorrow from 4pm

[internetremix]

In IR lore, what are the personalities of your personas? Basic likes and dislikes?

Kristen: Goggles is An Child and behaves as such. She's very cheerful, very curious, a bit mischievous and also 100% obsessed with making fanwork of her internet family... like a goddamn weirdo. She'll usually be hanging out with everyone, spot some sort of inspiration, squeak with joy and then rush off to write or draw. She's also the defacto leader of the Smol Squad, which is composed of herself, Shyner, Jojo and Chi-chi, and she's usually the one squeaking out ridiculous plans in muppet for dumb shit like stealing cookies and trying to trap people in fanfiction scenarios. She likes to help and can often be found doing such things as assisting Xander in his many schemes or just popping up to provide shit like charts or hold things for other people- basically whenever it would be funny to have some goddamn muppet backing something up.

She loves plush toys, particularly Crockernanner, and also loves sugar, star decorations, and cuddles. She likes being picked up and loves attention, and she's pretty consistently attached to at least one person, often her big brother Split if she's not with the Smol Squad. She is in eternal war with Phill since he bullies her constantly, and will occasionally try to set up elaborate traps for revenge only to fail miserably. Also she's a huge weeb. She does not like to sleep and will often go days without it before being dragged off by some bigger person to take a goddamn nap you ridiculous child.  She is also very afraid of thunderstorms, she doesn't like loud noises or the dark.

She also has... various flaws and problems. But those are spoilers and I have no idea when/if we’ll be doing story stuff with IRsonas so I don’t want to give too much away with that.

Sorry this is very long, I think about my child a lot.

Jojo: JoJo is also a very happy child... like, stupid happy all the time. Like, they don't really have a concept of being angry. they're either manic happy or a bit sad. They love to find any way to make anybody smile or laugh, whether it be a somber happy, or a crying fit of laughter. They thrive off of happiness. They're a bit mischievous as well, and will try to play pranks and swipe things to chew on. They'll just appear in random places you'd never expect. like, in the pantry, the vent, or in your drawer. They chew things all the time to keep their dragon teeth sharp! They do tend to come off as obnoxious and kind of useless sometimes? But that's ok.

They love happiness, rocks, swimming, sandwiches, Vanilla coke, coffee, pianos, stars, ghost stuff(horror genre), and laughter. JoJo is pretty similar to Goggles now that I think about it x_xJoJo is best friends with Phill, and will always be on him in some way. Like his leg, back, holding onto his scarf by their teeth, etc. They're also very close with Goggles and Shyner, and Scott (even though Shyner tries to chase JoJo off with knives, JoJo will take it as a game of tag or something)JoJo doesn't like being yelled at or being told to go away. They get spooked easily by loud noises. They always get paranoid when they think someone is mad at them and will go to ungodly lengths to make them not mad or slightly annoyed with them, which sometimes makes people more annoyed with them than they were before.

JoJo is just an exaggerated version of me XD

Atwas: Atwas is fairly easy going. They make light of things often, and often hide serious sentiments behind jokes. They’re the type to roll with goofy and silly situations, and are very “yes and” type that enjoys escalating things in the name of light-hearted fun. They enjoy playing pranks, especially ones that take advantage of their hologrammatic nature (being able to enter and ‘possess’ electronics is something that they take advantage of often). Being technically in the cloud and a part of the internet at all times, they will often chime in with fun (often unrelated or humorous) metrics about situations and people as they occur—and often forgets that having a HUD isn’t something everyone has access to.

Being ‘technically’ invulnerable, atwas isn’t phased by the more dangerous things that go on in the IR tower, but usually prefers being a spectator or commentator as opposed to being an active participant in general shenaniganry. They don’t have any particular animosity towards anyone, and will occasionally help manage technical parts and functions of the tower.

They enjoy things like tech, cold weather, tea, fun statistics, darkness; and aesthetics like Film Noir and Retrowave.

They dislike things like excessively hot weather, being interrupted, getting too personal, having to put in a lot of “effort”, and being out of the loop.

Shyner: Shyner can easily be summed up to a tsundere in denial, and is the definition of an agent of chaos. If something goes wrong, she’s the one pouring a trail of kerosene to let the fire spread. She's loud, impulsive, and really doesn't give two shits. While quirky and charismatic, she’s also sarcastic and witty, reveling in the amusement of making fun of others. She’s often stubborn and impatient, thinking highly of her own beliefs and angered by those who dare to challenge her ideals. She also lacks a filter, and enjoys garnishing her words with colorful profanities. Filled with gripes of past trauma, she’s engaged in a constant internal war of turmoil and grief. She’s incredibly cautious and closed off around those she doesn’t trust, and can be very selfish.  Despite this, she’s loyal to the few people she cares about, going out of her way to put them first if a dire situation were to arise. She’s also very sneaky and mischievous, often finding amusement in spying on others. Her MBTI is INTP-T.

Her hobbies include stargazing, ghost hunting, spying, and Satanic worship. She enjoys melancholy vibes, horror movies, animals, thunderstorms, and has an unhealthy obsession with sweets. Yes, this child will stab you without hesitancy if you take her cookies. She dislikes seafood, big crowds, kiddie leashes, and is afraid of experiencing intense emotion she doesn’t understand.I love my satanic smol bean very much. If I may be so bold as to dive into the nitty-gritty psychology, Shyner possesses many flaws, a lot of which I personally struggled with growing up. She is a reflection of my past self, some gripes with my current self, and the perception of how I could have turned out if I hadn’t met my family at IR. Hiding behind the exterior of being a merciless bully, she still has an intense internal desire to be a good person, but gets frustrated and often derails herself in the process of fighting her desire to act on impulse. She keeps most relationships with people at arm's length, fearing that if someone were to think highly of her, it would only be a matter of time before they’re disappointed. If we were to go full-fledged story mode, she would most definitely have an intense character redemption arc, making the revelation that being shitty to those who care about her isn’t the way to run from her problems and hide away from her own sense of self-insecurity/hatred.

Phill: Phill likes mischief, bad jokes, sexual undertones, Jojo, sexual overtones, bullying Kristen, and the colour pink. That's it xD

Jojo: :D yay

Alex: Alex don't give a shit but is for whatever reason the bossman and is also as powerful as silver age Superman, just don't try actual murder of the crew and he won't yeet you into the sun

Moon: 2019 Moon is an idiot. If we didn't know any better, we would assume he was born from nothing but an old head of lettuce in Satan's refrigerator. Think like Scott from Monster Prom, but different. He knows his right from his left, but the compass is still just "NESW" to him. Impulsive, lovable, and kinda loud, this muscley dumbass will do practically anything you tell him to if he finds it enjoyable. When paired with a few people, he works well as a second to many dynamic duos. Brodingles and Moon/Split and Moon are two really good ones, dangerous shenanigans ensue. Can and will rap like a beast, any challenge to a freestyle will result in a career ending and a death being sentenced. Extroverted people pleaser, definitely shooting high to perform and when adapting to a character, goes a little too hard. This man played Gander in Charlottes Web and didn't stop making goose sounds for months. Did I mention he's also a disney princess? Singing, animals, mortal enemy falling to their death? Everything

Dawn: ToonWolf/Dawn's personality falls within the confines of recklessly adventurous who doesn't think things through entirely. They like to try and rope others into going on various hikes, treasure hunts, mythic/cryptid searches, etc. Unapologetic sailor mouth. They will fight for friends and family. Various animals, trinkets, treasures, and cool but useless garbage are brought back to the tower often (oops theres a liiiiiiitle bit of hoarding). Sometimes those animals consist of dogs, cats, lizards, bears, wolves, The Great Noble One, horses, lions, elk, you get the idea (Can I keep them?Pleeeeeeeaaaaaaaaseeeeee??????????).

Overall they are most comfortable and relaxed in/around water and likes a whole lotta things including sailing, swimming, adventure, stargazing, animals, mythology/legends, friends, family, and drawing.

They dislike waking up early, limitations, being talked down to, boredom, desert/hot/humid/dry weather, coffee, and the movie "Cube"

Tex: Tex is an avid cryptid detective + has a surprisingly good intuition when creating conspiracy theories about them to follow. Mm lots of memes and disguises. Smart, but usually just off on their own thinking about other stuff.Totally has a wall in their room dedicated to figuring all the cryptids out with like, red string and everything.

[whatsgodgottodowithreligion-blog]

Wounded Healers of the World, Unite!

In the dedication to my book, What’s God Got To Do With It, I wrote:

“To the wounded, and the wounded healers. Know that we are one and the same”

That wasn’t some clever turn of phrase or play on words - with that statement I was articulating a basic truth that we are either unaware of, or unconsciously forget as we go about the business of daily living. Now, some of us have been exceptionally wounded: through neglect, violence, and physical/emotional abuse we suffered either at the hands of our caretakers, and/or by the ones we have shared intimate relationships with. Some personal growth gurus are fond of saying that we attract those relationships, however damaging, so that we may learn the lessons we need to learn in this lifetime. 

Sorry folks, but I’m gonna stray into heretical territory when I tell you that personally, I find that to be complete and utter bullshit. True, as adults, many of us attract negative or destructive relationships into our lives (either through the familiarity of our personal backstory, or because we have been ingrained to believe those are the only kind of relationships we are worthy of having). But to say that those of us who have survived horrific abuses at the hands of parents/guardians/relatives/clergy needed those experiences to make us better persons is yet another platitude, however new-agey, used to explain that which is unfathomable in any empathic capacity. This doesn’t mean we can’t overcome such trauma, and even emerge victorious from our “baptism by fire”, but any suggestion of a conscious or metaphysical contract on our part to invite such abuse is a dangerous hypothesis to make.

The concept of the “wounded healer” is an allegory common to both Christian theology and traditional literature. It is a common theme because it is relatable and real: we all know stories of people who have overcome tremendous odds and psychological scars to give back to their communities, to share messages of hope and love, and to minister to those disenfranchised and often ignored. Even those individuals whose background involves less heinous transgressions put upon them have gone on to utilize those “lessons” in proactive ways to improve and uplift the lives of many suffering in present tense from similar circumstances. Often, grace is displayed by those whom we’d never believe to have suffered in any detrimental fashion, and yet have.

When I attended/presented at this year’s Wild Goose Festival, I met an angel of grace in the most (seemingly) unlikely of places. The headline performer on the main stage this year was none other than “Queen of Christian Pop”, Amy Grant. Amy’s trajectory from teenaged Contemporary Christian music artist to 80′s crossover pop star to bluegrass/gospel darling is a fascinating one, and yet many in attendance had an understandable enthusiasm toward her “VH-1 era” crossover hits, and her pop covers of 60′s chestnuts like “Put A Little Love In Your Heart” and “Turn, Turn, Turn.” Through a two-hour set on a ridiculously muggy night, under oppressive bright spotlights and swarms of insects attracted to such light, Amy remained poised, engaging, unflappable, even amusing - joking through both the annoyance and discomfort of contending with the elements.

Prior to the night’s stellar concert, I found that Amy and her “entourage of two” were camping in an RV just a few feet from where I was: while most past artists sought accommodations at the nearby (and considerably more civilized) Laughing Heart Lodge, Amy showed her humility in ways that still leave me scratching my head - brushing her teeth/hair in the communal sinks, singing and playing her guitar during Beer and Hymns, and being incredibly approachable to fans introduced to her by WGF Executive Director Jeff Clark. To give you an example of how modest and unassuming Amy was, when I stopped by the RV parked next door to re-connect and say hi to Jeff, I was completely clueless that the striking country gal he was talking with was none other than Grant herself.

On the final day of the Festival, Amy did a morning interview on the main stage, prior to our Sunday service. Moderator Chris Hauser asked the usual questions about her career and personal triumphs - at one point, I was waiting for Chris to exclaim, “AMY GRANT - THIS IS YOUR LIFE! Do you remember this voice from your past?” Thankfully, that didn’t happen. But he did play a voice from her past - it was a recording of a young Amy singing her first CCM hit, “My Father’s Eyes.” Needless to say, the 50-something year old Grant was a little embarrassed to hear her fourteen year old self singing that tune, and she was quite candid in her self critique. She said the tune was not very remarkable, her voice wasn’t that great - that there were dozens of female singers struggling to break into the industry whom she considered to be exceedingly more talented than she. 

She reflected on how she felt during those ‘early years’ in her career - in shock that so many folks saw a talent in her that, in her own mind, was hardly worth fussing over. Even forty years later, she remained astonished that so many folks treated her with kindness and encouragement, did not try to exploit her or physically take advantage of her - how blessed she was to have been surrounded by so many talented professionals who not only took a genuine interest in her, but wanted to see her succeed in a business that is not always known for having nice guys (and gals) finish first. Then, as her voice grew softer and more somber, she confessed to the crowd that for many, many years, she was plagued with feelings of inadequacy and low self-esteem. She never believed she was worthy of the early acclaim, the accolades, the success. She felt she was not up to the task, that the bar was being somehow lowered to allow her to perform and be in the spotlight. 

Now, it’s a given that many in the entertainment field chose creative expression precisely to overcome such feelings of low-esteem and unworthiness (as evidenced by the tragic endings of Amy Winehouse, Janis Joplin, John Belushi and Anthony Bourdain), but it was refreshing, even revelatory to hear that a woman who is a pillar of Contemporary Christian music, a woman who did not fall prey to drugs, bed-hopping or other vices, a woman who essentially led a sheltered life, and was sheltered from those temptations in an industry rife with them, would still have a personal demon - her own feelings of low self-worth and insecurity to deal with. She spoke about her marriage to fellow musician/songwriter Gary Chapman in 1992 (which produced three children), and her feelings of anger and betrayal when the couple divorced in 1999. It was an admission that caught me totally off guard, and I was floored by her honesty and transparency in sharing such an obviously difficult period in her life. But it also reminded me of our collective humanity - hers, as well as mine.

During the Sunday service, Amy sang “Better Than A Hallelujah” (from her 2010 release, Somewhere Down The Road) while a queer pastor officiated over the Eurcharist, then Amy, alongside progressive pastor Jacqui Lewis assisted in giving out communion. For some reason, I felt compelled to stand in the line where Amy was, and after receiving the bread and eating it, I hugged her and said, “I want you to know that what you said earlier really touched me. You are the last person that I would think would struggle with issues of low self-esteem. It really meant a lot to me to hear you say that, as I have been struggling with the wounds of my abuse for most of my adult life. God Bless You.” Amy could hear both the pain and sadness in my voice, and she ‘ministered’ to me with compassion and love. She thanked me for sharing what i said with her, and gave me a blessing before moving onto the next congregant waiting to be served the body of Christ.

In that one brief exchange I felt many things: grief, a depth of sadness I was not prepared to visit, but I also felt she understood, she cared, and I felt a psychic affirmation from her that what I went through was painful, that she appreciated being taken into her confidence, and most of all, that I mattered to her. Her, Amy Grant reminded me that I mattered. Even as I write this, I find it hard to stir up those emotions, but I do so because it is important that I convey to you, on an intimate level, what it means to be both wounded, and a wounded healer. I felt like kindred spirits with Amy during that exchange, like we had both had our share of baggage, and that in the end, we were both resolute survivors. We both understood that God had a larger plan for us, and we were going to do our best to fulfill that, and follow our inner voice. Throughout her professional and personal life (she has been married to country’s Vince Gill since 2000, and they share a daughter together), Amy has been the embodiment of good Christian values. I was not surprised to learn of the outreach she was doing on her ranch in the Tennessee mountains - utilizing her property to hold retreats and such - it made perfect sense given what I know about her now.

The reason I wrote the book in the first place was that I recognized that many people have been bruised by religion - the capricious application of it by equally wounded ‘followers’, how judgment and condemnation have pulled us from our humanity, instead of compassion and forgiveness drawing us toward it. I knew it was wrong, and needed to change. I knew it needed someone to call out such hypocrisy and brutality. I wanted to reach out to all those wounded souls and say, “Hey - God loves you. You’re here for a reason. Stop judging others, and say “Enough!” to the judgment foisted upon you by others. Respond to their ignorance with love.” John Lennon sang, “Love is the answer, and you know that for sure.” Don’t ever forget that you, in all your wounded brokenness have a gift to share with the world. And, if we could see in each other, that which we know lives inside our own souls, maybe, just maybe, we can move toward healing others, and by extension, be healed through them. For we are all one and the same.