#A Must-Read for the AI-Curious

[honeyhealthproducts]

A Must-Read for the AI-Curious: "The Final Collapse! An AI End-Time Prophecy"

In a world increasingly reliant on artificial intelligence, the question of its potential impact looms large. Having a deeper understanding of the possibilities, both positive and negative, feels more important than ever. That's where "The Final Collapse! An AI End-Time Prophecy" by [Author Name] comes in.

A Thought-Provoking Exploration

This captivating ebook dives headfirst into the world of AI prophecy, exploring the theories and concerns surrounding a potential AI takeover. The author does an excellent job of presenting a balanced view, acknowledging the potential benefits of advanced AI while also delving into the potential dangers.

The book is well-researched, referencing leading experts in the field of AI development and philosophy. It doesn't shy away from complex concepts but explains them in a way that's easy to understand, even for readers without a background in technology.

More Than Just Doomsday Rhetoric

"The Final Collapse" isn't simply another fear-mongering end-of-days narrative. The author emphasizes the importance of proactive measures. The book outlines potential solutions and preventative steps we can take as a society to ensure AI development remains beneficial for humanity.

This solutions-oriented approach is refreshing. It empowers readers to engage with the conversation and become active participants in shaping the future of AI.

A Compelling Read for All

Whether you're a tech enthusiast, a concerned citizen, or simply curious about the future, "The Final Collapse! An AI End-Time Prophecy" is a compelling read. It's a thought-provoking exploration of a critical topic that will stay with you long after you turn the final page.

The ebook format is convenient and allows for easy access and highlighting of key points. At a reasonable price point, it's an excellent value for anyone interested in gaining a deeper understanding of AI and its potential impact on our world.

In Conclusion

"The Final Collapse! An AI End-Time Prophecy" is a well-written and informative ebook that tackles a complex topic in an engaging way. It offers a balanced perspective, explores potential solutions, and leaves the reader feeling empowered to participate in shaping the future of AI. I highly recommend it to anyone interested in this critical topic

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

[yuyinesque]

KREIDEPRINZ | “𝗂𝗍 𝗐𝖺𝗌 𝗇𝖾𝗏𝖾𝗋 𝗆𝗒 𝗈𝖻𝗃𝖾𝖼𝗍𝗂𝗏𝖾 𝗍𝗈 𝗍𝖾𝗌𝗍 𝗒𝗈𝗎𝗋 𝖾𝗇𝖽𝗎𝗋𝖺𝗇𝖼𝖾.”

⚘ précis. ≡ he was a little curious as to how the female anatomy reacts to arousal; you were the individual that incessantly muddled his mind with this idea. because of this, he managed to charm you into laying you down on his table and taking his fingers in order to conclude a few factors.

⚘ disclaimers. ≡ afab!reader; sub!reader x top!albedo, finger-fucking/excessive clit play, overstimulation, implied pussy worshipping, pussy studying, edging, squirting, gentle praise, albedo’s simply playing dumb with you.

⚘ category. ≡ nsft smut drabble/headcanons.

⚘ wc. ≡ 1.5k.

𖦥 m.list. oc.list.

𖤥 The holder of Princeps Cretaceus, mm mm mm… anywayyy — This little chalk-based AI is a little too curious for his own good. I believe that you had to been not only aesthetically interesting to the eye, but have a mind of wisdom in order to have such an obsessive interest towards you. With this mind, it’s only a matter of time before he uses you as both a subject and a partner for his experiments, with your consent, of course, for you have an adoration towards him as well. (Un)fortunately, this only set you up for failure, for he was beginning to wonder how you would look in various positions.

𖤥 Now, I may not know much about Albedo, but I’m sure that an enabler would provoke these said thoughts. This said “enabler” is no other than you, the individual who is incapable of holding back their feelings for someone who could read you like a book, ESPECIALLY because he’s been studying you since you carry such a mysterious intensity within you.

𖤥 Hell, he may be an AI, but because of this he’s beyond stupid. It’s clear at times that you’ve been experiencing arousal, but he was unsure as to if you were experiencing it because of him specifically. Besides, he didn’t want to outwardly just ask without any context. Not only that’s an intimate question, but he didn’t want to make you feel uncomfortable, let alone scare you off, now suffering from rejection. Still, the idea couldn’t be left undiscovered, I fear… Really, this whole thing is not about him studying it because he was clueless, he not only wanted a confirmation, but ponder about how YOU would behave if aroused … like like like like like listen-

𖤥 “I must take into account factors such as your temperature, texture, and contractions per minute after each orgasm,” He would divulge as his pallid fingers plunged deeper into your clenching hole, one that was greedily memorizing the taste of his skin to the point where it was her favorite dessert. His statements were definitely rhetorical and you knew it, seeing as you were incapable of formulating comprehensible words with the way he was finger-fucking you without any reasonable restraint bounding his actions. He was destined to complete his experiment, and he was sure that you were on your thirteenth- fourteenth clench. “As long as I have your approval, I do not believe that I’m overstepping any boundaries. You do agree, right Y/n?”

𖤥 NAAA LEMME COOK? HEAR ME OUT!!!

🧷 𝓗ad you haven’t been in a predicament where you could formulate appropriate thoughts, let alone speech that didn’t involve loud, lecherous blubbers, you would’ve retorted with an impish smile with corresponding titter, seeing as he was simply being careful despite his monotonous tone. It’s merely impossible to strangle out a few words since you were practically hyperventilating from overstimulation; there was quite literally never been a time where you’ve felt this overwhelmed during an experiment. Albedo is very considerate of your safety.

He claims that this would be safe as well: Sketching down a memorable image of your pretty pussy rapaciously contracting for his fingers, though instead he decided to use his fingers to polish your clit with vast zeal, earning a pearlescent drool of cum to cascade from your hole. He noted that he should add a glimmering adaptation to accentuate how the rushing river of cum titillate under the pale LED light, also the image of your fingertips delving into your plush thighs as you attempted to keep them up for as long as possible. Albedo however sighed in misfortune at this observation, especially at the way your thighs palpitated endlessly; there was only a matter of time until your body were to finally give into exhaustion. You were only human, after all. Therefore, he made sure to assert underneath his sketch of you that the three components were completed.

One: Temperature. How hot could it get? Normally the temperature inside the vaginal canal equates to a high fever when not aroused, but how hot does yours get during both stages? Unfortunately, Albedo was unable to determine the temperature during its natural stage, for you were already unbearably drenched before he could even give your pussy the time of day, tainting the steel table with the voracious drooling since she terribly craved him inside of her. He also concluded that utilizing a thermometer during the session would possibly bring down your mood (or heighten it, considering that he also noticed that you’re very fond of edging as much as overstimulation). He wondered if he should ask to take its temperature after he cleans everything up, but it wouldn’t correlate with his initial hypothesis.

Two: Texture. Generally speaking, the inside has an identical texture to the inside of your cheeks but… he still wanted to finalize that it stays that said texture before, during, and after sexual activity. Albedo certainly has definitely used his tongue to poke at the inside of his cheek while curling his fingers deep inside of you, carefully massaging your spot as your squeals sang saccharine tunes, whispering poetic praises that caused your noises to induce and circulate throughout the vast vicinity. As anticipated, the resemblance is there, but your walls were softer, but that could be because of how inundated you are. It was another uncompleted draft that he had to address on another occasion; it was beginning to miff him, though at least you were willing to trust him in one of your most vulnerable states.

Three: Contractions. Would it be too selfish for him to wonder how many times you’ll clench before each orgasm? Surely it was quite the push, but he couldn’t help but wonder if that’ll be the last time the two of you would perform something so intimate, therefore it’s best to have most if not all of his questions answered before departure. Not only has he determined how many times you’ve clenched before each orgasm, also determining that the number accumulates the more you cum, he’s estimated that you’ve contracted much more without his fingers rather than with them. Was it due to your acts of desperation? Yes, of course, that he figured as much, and he found the ideal flattering and promising, or even exciting. He could proudly deem that you were one of his favorite experiments yet, and truly desired more of you in different positions in later references.

And Ideally, Four: En–

“‘Bedo, Beh- ff-uh.. fuckfuckfuckfuck- please!” His train of calculations and concentration was vengefully disrupted by the guinea pig in question: you. The one who sobbed out hardly comprehensible beseeches in hopes Albedo has finally calculated enough data to grant you the opportunity to fucking breathe without hiccuping and choking on saliva. The one whose cum spluttered erotically out of their pussy, their juices acting as a varnish on your tumescent lips in order to preserve such finest chef-d'œuvre, and giving the steel table a shrine that’s never been achieved before. The one whose left leg was occasionally being pried away from their right by the alchemist’s gloved hand, seeing as he couldn’t help but feel selfishly miffed at the fact that they’re incapable of keeping them open for the sake of the hypothesis. However, it’s safe for the two of you that this experiment will require addressment… over a few shots, of course.

“What perfection…” Albedo’s cerulean blooming eyes eased with awe as he watched your writhing body twitch and writhe with each time he thrust his fingers inside you, but even when he decided to slow down a little, you were still too sensitive to inure the overbearing pleasure, therefore he decided to stop altogether by finally retracting his pallid fingers that were submerged with a thick ivory. For a moment he had the intrusive urge to give you a taste, but he already broke one of his promises, which was to go easy on you. “The moons surely favor you, don’t they?”

Your mind was too muddled to even comprehend the fact that he was praising you at the moment; you were still trying to find a way to close your legs without any more exertion, let alone rid the seething pain between them. Surely you weren’t complaining, but you were just as shocked as him. Rarely does he lose himself, especially during something of importance. “Perhaps I was being too edacious… it was never my objective to test your endurance … This was my mistake.”

With a sigh that could only disclose disappointment, he stood up from his chair after using a cloth to wipe his fingers clean. Then, while his expression still mordantly stoic, he gently lifted one of your legs to place them on his shoulder, cautiously wiping you down, squeezing your knee reassuringly when you jolted and whined when he began dapping your numbing clit with the cloth.

“We should conduct this on a later date, I'd say… next week. Certainly after your convalescence.. That way the both of us may conclude how well your body responds to penetration.”

yuyinesque | translate with permission & peruse without theft.

[sister-lucifer]

Taken To Another World 

⊹₊⟡⋆A Multifandom Fantasy AU Themed 5K Celebration Writing Challenge⊹₊⟡⋆

Special thanks to @ghostboneswrites2 for inspiring this! 

Interested? Keep reading! 

There will be two prompts for each genre; a pair for fluff, a pair for smut, a pair for angst, and a pair for horror. Each prompt comes with its own criteria, so read carefully! 

How To Participate: 

Reblog this post (for reach! thanks!) 

Pick a prompt (or multiple) 

Write your fic 

Post it and tag me (feel free to send it to me directly if I don’t see it!) 

Use the tag #lucifer’s 5k fantasy challenge 

The fandoms this challenge is open to are as follows: 

Obey Me!, Creepypasta, Marble Hornets, Batman (and all related media), Jojo’s Bizarre Adventure (all parts), and any original characters/universes.

Don’t see your fandom? You’re still free to use these prompts (and please tag me if you do so I can see it,) but it unfortunately will not count as an entry for this challenge!

Rules: 

Feel free to pick multiple prompts, but you cannot enter more than one fic per prompt! 

The fics can be part of your own ongoing series, but they must be able to stand alone as their own piece without the additional context of the series 

Please state which prompt you chose somewhere on your post 

Feel free to cross post your work to another site such as Ao3, but please, do mention that it was part of my challenge 

Anyone can participate in this challenge, however I ask that minors stay away from the NSFW prompts 

You are free to bend the prompts as you wish, there is no mandatory time period or setting 

My inbox and messages are always open if you need to ask questions, consult me, or just want to discuss ideas!

The fics can be Character x Reader, Character x OC, or Character x Character; relationships can be platonic or romantic as you wish

Some prompts are written with pairs in mind; feel free to modify this to fit in as many characters as you’d like. Poly relationships included!

Absolutely NO incest OR pedophilia under any circumstances 

NO AI, NO using other people’s writing, and NO using a piece you’ve already written

Pay attention to the criteria! Prompt 1 will have a required quote, and Prompt 2 will have a required plot point/action

The Deadline is currently undecided. This will be updated soon 

Winners: 

I will choose up to 3 finalists for each prompt.  The finalists will be presented in a poll, and the readers will choose the winner. 

The winner of each prompt will get their own shoutout/promo post including an analysis of what I liked about their fic, & at least 3 fics I recommend from them and why. 

Does all that sound like fun? Good! Here’s your prompts:

Over The River, Through The Woods…

Fluff + Faeries

Prompt 1:  In a fit of rebellion, a naive royal flees from the castle and into the woods. They stumble upon a faerie who, against all they’ve ever been taught, seems rather…kind. 

Necessary Criteria: “Anyone can do a good thing if they try.” / “Well…how often do you try?”

Prompt 2: Fae don’t often leave their villages, except to gather. Unfortunately, one foolish faerie has found themself entangled in a trap left behind by a human hunter. Even worse, the human has returned to see what they’ve caught; although, they seem far more curious than hostile. 

Necessary Criteria: One of the characters teaches the other a new word in their native tongue. 

Magic Begins In Superstition, And Ends In Science…

Angst + Alchemy 

Prompt 1: The job of an alchemist’s apprentice is rarely an easy one. Magic is a fickle mistress, after all. When the apprentice’s companion tries to pull them away from their work, the argument gets heated, until the pressure becomes too much and causes an intense explosion…literally. 

Necessary Criteria: “You’re not even smart enough to understand what I do, and you think you get to tell me when to stop working?!”

Prompt 2: The alchemist’s work is starting to consume them. Blinded by their pursuit of knowledge, they recklessly decide to slip a bit of their newest experimental concoction into their companion’s meal without their knowledge. The alchemist convinces themselves this is all for the greater good, and surely nothing all that bad could happen, but soon comes to regret it. 

Necessary Criteria: A horrible transformation. 

The Tongue May Be Twice As Sharp And Thrice As Lethal As The Blade…

Smut + Swords 

Prompt 1: A rivalry between two swordsman gets a bit out of hand when the pair decide to make a salacious bet over a duel: whoever loses must play submissive to the other, starting from the moment they drop their sword. 

Necessary Criteria: “Don’t think I’ll surrender that easily.” / “Mm, I didn’t think you would…I like it so much more when you’re fiery.”

Prompt 2: A courageous knight rescues a royal from the clutches of peril, and their majesty simply can’t let their hero leave without thoroughly rewarding them for such bravery. 

Necessary Criteria: The pair narrowly avoid being caught in the act. 

Cursed Is The Man Who Dies, But The Evil Done By Him Survives…

Horror + Hexes

Prompt 1: Foolish explorers accidentally wander into a witch’s garden. One of them can’t resist plucking a berry from a bush, not giving it a second thought as they swallow it down, only for the horrific consequences of a curse to start taking form the next day. 

Necessary Criteria: “Please…you have to tell me you know how to make this stop.” 

Prompt 2: While treasure hoarding is generally frowned upon among honorable bounty hunters, some simply can’t kick the habit. This quickly proves to be a terrible mistake, though, as a cursed trinket starts to warp its owner’s mind and plunge them into a darkness that turns them on the one they love most. 

Necessary Criteria: Creative use of an everyday object as a weapon. 

Final Reminders:

Most importantly: Have Fun! 

Make sure to read the rules carefully! 

You’re always free to ask questions! 

Tag me in your entry + use the tag #lucifer’s 5k fantasy challenge! 

Happy Writing, everyone!

(even if you don’t plan to participate, please reblog and share this post so others will see it!)

[toxintouch]

crazy idea… what ab ais and vere with someone whos kinda obsessed with monsters?? like they study them for a living. idk where you would go with this but i just thought it would be interesting!!

it was indeed very interesting, anon, tysm for sharing!! ["You" pronouns used! to make it easier for me to use the plural "they"]

MONSTER 101:

✦ They both start out assuming that your interest is more suggestive in nature. That your insistence on "studying” Monsters is a smoke screen for your true desire to "consort" with them.  So they are both waiting for you to ask something–shall we say?–uncouth.  In fact, they have a little bet going…  

Realizing that you are just legitimately interested…

They are both intrigued, though it comes in different flavors.

✦ For Vere, it is somewhat begrudging.  He appreciates your ability to look past rules and accepted conventions.  (There’s Monsters aplenty in Eridia but few humans are trying to understand Monsters, and of those near none are willing to be open about it due to fears of social ostracization.  And even then, there’s usually some other motive at play…)  Vere's unhappy to find he has a slightly high opinion of you.  He really didn't mean to.

✦ He hates that a lot of his seduction techniques and attempts to catch you off guard or otherwise make you react are ineffective because you will just intellectualize them.

✦ Any time Vere mentions you studying monsters he says the word heavy with implication. “Studying.  Is that what they're calling it, nowadays?" Including after he’s realized it isn’t like that; he’ll still imply it whenever he gets the chance.

✦ (The bet is still on, by the way.  The fact that they’ll have to lead you into asking something questionable to win is just added spice.)

✦ And Vere is impatient to win.  Plus, he’s curious to see what makes you tick.  What button does he have to press…?

✦ He starts offering increasingly more and more inappropriate things.  (In the vein of tail tugging, etc.)  All to toy with you further your academic achievements, of course.

✦ Until he finally asks if you'd like to see him hunt.  

✦ And that sends a thrill of a shiver down your spine–you can’t sort out if it’s due to fear or excitement.

✦ He sees your reaction and oh, isn’t that just delicious?

✦ Your instincts react before you fully understand why, gooseflesh covering your skin, the prickly feeling of your muscles flexing minutely making your hair follicles rise.  You’re confused for a moment, your mind trying to make sense of the sudden surge of adrenaline–you’ve been so focused on Vere’s silky words that you didn’t even realize he’s gotten so close, that he’s starting to circle you, his eyes focused, pupils contracted.

He hums, inspecting you, turning your face this way and that, his neat claws skimming against you making you quiver.  This close, you can see his pupils expand slightly, the way his jaw trembles just the slightest amount after he takes in a luxurious whiff of your scent.

Like he’s hungry,

   like he’s starving

“Perhaps someone should study you for a change.”

✦  You’re breathless.  Your mind scrambles for a moment before picking back up.  What was that feeling, just now? You’ve read about this before, but–to experience it first hand–(and live)!  You gush at Vere about how the experience was both everything and nothing like your studies have described.

✦  Of course, hearing Vere’s age is amazing to you–he’s such a unique source of information, he’s seen so much, he’s so old!  But then, getting that information out of him is difficult on the best of days.  And the information you do receive is difficult to sort through.  Vere’s not exactly the most reliable narrator; you spend a lot of time trying to figure out what’s true and what’s an embellishment or elaborate joke.

✦ The idea that this is a job for you means that somebody must be paying you for this information. "You do plan on sharing the wealth, don't you? Dangerous things happen to those who don't keep their sources well fed."

✦ Ais admires your willingness to explore information, think things through for yourself and form your own opinions.  After dealing with Mhin hating him for “no reason”, it’s a breath of fresh air.

✦  Ais’ personality tends to be a lot more straightforward…  

✦  But when the information you’re curious about isn’t something he wants to disclose, he’s not above being unbearably vague.

✦  You ask Ais’ age, since Vere was willing to disclose his (kind of–you know he’s been around since Eridia was "a miserable little smear") but Ais keeps leading you in circles. 

✦  “Cumulatively?  Might take me a while to count that high.  Lot of group inside this mind.”

✦  He’s not above teasing you either.  “More questions?  If you’re not careful, I’ll start to overthink your interest.”

✦  He does wonder what you're hoping to achieve with this knowledge. What's your goal? Do you even know? "Be careful with that curiosity of yours. Some might find it...impolite."

✦  He realizes that he tells you to be careful... a lot. And he tells himself that he's not responsible for your safety, but...

✦  Will challenge you to earn your answers from him. He's not interested in money, but he can't just be handing things out for free to you all of the time. So: "What's it worth to you?" Is there anything you think you can beat him at? Or maybe you know something he'd trade for. A new language? A secret?

✦  If there's any kind of mutual attraction…  He’s actually kind of frustrated when/if none of your questions appear like they are going to turn in that direction.  He’s not looking for a commitment, but he hates the feeling of ambiguity between you two.  Makes him restless. If you give him any type of indication, though, or if your questions ever do stray away from the academic, he’s asking you if you wanna literally fuck around and find out.  He hates a will-they-won’t-they, he finds it tedious and annoying.  Unless…it comes with a competitive edge.  If it’s a war of attrition, a challenge of 'who will break first'…? That’s a game he’ll consider playing.  For the right reward. Hope you’re willing to deal with the consequences, though.

✦  He thinks it’s funny how you have so many questions.  Avoiding answering them is even more amusing, though. 

✦  Is he nocturnal?  ("Who said I sleep?") What are the interpersonal dynamics like between Monsters? Can he confirm the existence of nonverbal communication cues (scent, atmospheric changes, etc.)?  (“Yes.”) Will he tell you what they are? (“No.”)

✦  He avoids having you at the Sea Spring, though he never outright tells you that you aren't allowed there. And he's not very forthcoming about the topic. He's openly disinterested, in fact. If you don't take the hint, he'll tell you he's told you everything there is to say. Take the hint, alright?

✦  Your curiosity about Monsters extends to his Soulless too, doesn't it?  If it didn’t, it’s about to.

✦ He takes you out in the wastes one day so that you can meet Princess and the others. Just on the outskirts, where no one will bother the two of you. He has to show Princess off. "I wanna show you her tricks."

✦ Petting Princess is...interesting. It's amazing to be able to get this close to a live Soulless without fearing for your life. The texture of her is unlike any other creature. She's sleek, leathery. Your brain fights the proximity at first. It's hard to divorce yourself from the idea of danger but you push past it to pet her. (You hear Ais make a little hum at that - surprise, approval. You can't tear your eyes away from the Soulless in front of you long enough to check his expression. There's the ghost of a smile on his face when you finally manage.)

✦  And the fact that she purrs... He hears you talking to yourself about how that's absolutely fascinating, the implications, do the Soulless communicate (unprecedented information!) or is this something specific to the Sea Spring? Wait, even if it is Sea Spring specific, why does she have the anatomy to make a purring vocalization? It's not like the Sea Spring changed her physically...? Although... maybe it did...?

✦  Ais can admit that your scholarly tangents are endearing. You could have chosen a safer interest/profession, though. One less likely to get you into trouble. But you've survived this far. Maybe he should give you more credit.

✦  Needless to say: being around them both at the same time...they're more than just a handful. (Don't say that to Vere. The handjob joke makes itself.) They are terrifying as a team, constantly bouncing off each other trying to mess with you.

✦  And about that bet...they suppose they could share the win. If that's what it takes.

[wanderlust-in-my-soul]

Currently Watching - September

aka The Masterlist

Because I love a good little list - in alphabetical order! 😊

Regularly updated during the month, latest update 25.09.2024

A little link to my favorite bl-tropes-collection 💙

gif-requests are open, but you'll need to have some patience🌼

Here you can find all of my gifs.

At the end you can have a look at what we can expect in September with a MDL link and a link for a trailer (if avaible).

This is guaranteed to contain spoilers!

1. First Note of Love 🇹🇼 (8/12)

I need them all to communicate more. Not about each other but with each other. And really listen to the other one. Most of the episode was the side couple and one discuss why he thinks they would never work out and the other one tries to tell him why he thinks they could make it work. At least they're talking.

2. I Saw You In My Dream 🇹🇭 (11/12)

I love these two together. They just work and are cute and you can feel the love between them. Yu is a really perfect first boyfriend. He doesn't push and just accepts Ai as he is. I enjoy their relationship so much. And now I am really curious what will happen in the last episode.

3. Jack & Joker: U steal my heart! 🇹🇭 (3/12)

I could watch War looking at this ring for an entire episode and I wouldn't be bored. He really nailed this episode with his many personas he played. He is indeed a good actor and such a pretty one too. And I was screaming, when Jack gave the ring to Joker and let him get away. And next week we get some redemption work. Can't wait!

4. Kidnap 🇹🇭 (4/12)

These two are so cute. I know shit is going down soon, but until then I enjoy those two flirting with each other to the max. Min is already so smitten by Q and Q is realising, his feelings are a little bit more than just friends. I really like it.

5. Word of Honor 🇨🇳 (20/36)

Do you still believe I'll come back to this one? It is a really good series, but I can't motivate myself to dive into it right now 🙈

Finished in September

Series

Takara no Vidro 🇯🇵

We had our final today and I loved it! The fact both of them missed each other and communicated this. Taishin likes it when Takara opens up to him, because it makes him feel special and closer to him. And I get that. Takara is a person who doesn't talk much about himself, but who has so much anxiety and Taishin wants to share those burdens, because they are equal, because he wants to take care of Takara too. I started this series without any expectations and with mixed feelings, but it slowly became one of the gems of the week and I was so looking forward to this final episode! A really good 9 out of 10.

4 Minutes 🇹🇭

This was something else. You really have to pay attention to get this story. I like series with a not that sugar-coated ending and we definiteky got this with 4 Minutes. Not everyone got their happy ending. Even though Great and Tyme got their happy ending together, not everything was good here. That was kinda realistic in such a mystery series. But I must admit, I really liked Korn and Tonkla's ending. It was best for their story. I said what I said. This gets a good 9 out of 10.

Hidamari ga Kikoeru 🇯🇵

This series... I loved it with all my heart for the first half. And then I just got angry with it for multiple reasons. It is so hard for me to give this a rating. Damn. I bought the mangas because of this series and I read the first ones. The problem is, the story is really complex and that works for mangas and novels pretty well, because it gives the characters depth and well, a character. But it doesn't work like that in a series. Too many subplots take away the growth of the main characters. And if you throw in a new character in the middle of the show, don't make them that unlikable like Maya. She is way more likable in the manga. For me, the second half just doesn't work and it felt incoherent with the character development. They tried to stay too true to the source material. I wished I could love this series from beginning to end, but I couldn't. Overall I give it a 6,5 out of 10.

Seoul Blues 🇰🇷

I didn't like this one that much. Yes, they had good chemistry, but this whole cheating and evil ex plot was not for me. I don't know why. Usually I don't mind cheating plots and find them kinda entertaining, but here it was not that good. I give it a 6,5 out of 10.

The Trainee 🇹🇭

Fun thing, even though this was a slow burn and we got a bunch of side stories, I really enjoyed this series! It was funny and entertaining and showed a good character growth for all its characters. That is something we don't get that often in a series. Nothing felt like a side story. They were all important for the plot as for the company. And Jane and Ryan are just cute and precious. I give this one a 9 out of 10.

Happy of the End 🇯🇵

We got our happy ending. And a time jump, but I think it worked really well with this series. Because Haoran needed the distance to Chihiro. He needed to understand that he isn't the bad guy in the story and that Chihiro was truely happy with him. He needed to heal for his own sake and on his own. I really liked the series, even though it is one of the series with the most trigger-warnings. I am just happy to see them happy in the end, after all they've been through. A strong 9 out of 10 for me.

The On1y One 🇹🇼

This series gave me everything. A warm feeling in my cold heart. Butterflies in my stomach. A good laugh. Some tears. And a bunch of heartbreaks! Damn! This was such a good ride! Those two, Tian and Wang, are soon to be step-brothers and they're in love with each other. Tien knew this since the first time he saw Wang and we could whitness Wang slowly recognising his feelings for Tian. And we didn't get a happy ending. If you will, this is an open end, but there is no working through these feelings. We just end as devastated as Tian, because Wang has built up his emotional walls again to keep distance to Tian. Because they're will be brothers and that means they can't be lovers. This hurts so bad and good at the same time! And the acting is superb! I love this series so much! A 10 out of 10 for me.

Movie

Short Film

Dropped in September

Cityboy_Log 4.2 🇰🇷

This is too confusing for me. I don't get the episodes or the seasons and definitely not the plot. They are all friends and the whole cheating part from last season is just forgotten. I guess I will look into it from time to time, but for now, I drop it.

Looking forward to in September

Live in Love - Trailer (Sep 1st)

Happy of the End (Sep 3th)

Kidnap - Trailer (Sep 6th)

The Hidden Moon - Trailer (Sep 7th)

Jack and Joker - Trailer (Sep 9th)

Unlock your Love - Trailer (Sep 11th)

The Time of Fever - Trailer (Sep 12th)

Love Sick - Trailer (Sep 14th)

Bad Guy my Boss - Teaser (Sep 15th)

Doku Koi: Doku mo Sugireba Koi to Naru (Sep 17th)

Chaser Game W2: Utsukushiki Tennyotachi (Sep 20th)

Uncle Unknown (Sep 20th ?)

[skania]

OnK Chapter 158 Thoughts

This is literally me every time Akane shows up 😭

It was so cute to see Ruby so happy to see Akane! It feels like the two must have grown close again off-panel after this happened:

Akane looks so cute, too 😭

Onto the more pressing matters, first thing that caught my eye was that the concert took place in Miyazaki, aka the town where Goro & Sarina lived and died. According to Akane, she had "some business" there. This business is quite obviously not something she is keen to discuss, considering her reaction.

Could the business be keeping tabs on our resident psycho, the one and only Nino?

To be perfect honest, I'd also hope that "business" involves Akane doing some digging about Goro...

...But since I've gotten used to not having nice things in this manga, I'll just settle for Akane tailing Nino and keeping an eye on her, because that feels like the in-character thing for her to do.

So we could say that the beginning of the chapter establishes that Akane may be tailing Nino.

That's one thing to keep in mind.

Moving on, Akane says that she "might not be able to make it" to the Christmas concert. The very concert Kana will Graduate in. The one where Kana is expecting a reply from Aqua.

Akane (and her now patented ^^ smile) is vague enough that we can read it in various ways. Could it be that Akane doesn't quite want to watch the concert where she's expecting Kana and Aqua to get together? Or could it be that she has something more important to do that day?

And if she does, could that involve the 'Happy Ending' she and Aqua discussed two chapters ago?

That's another thing to keep in mind.

Speaking about Aqua, since Christmas in Japan is a holiday for couples, we get this very funny, very interesting panel from Ruby, who looks anything but supportive at the thought of Akane dating someone new lol

Looks like Ruby isn't too keen on Akane moving on from her precious brother. It's up in the air whether that's just Ruby being a brocon or because Akane still has her seal of approval to date him, though.

Akane really has this fake smile down to an art lmao

Next we get an Akane monologue where we're told that despite Kana being a force to be reckoned with, she can't match up to Ruby, who outshines her.

When I read those words, they automatically reminded me of Nino, who went through the same thing with Ai. Fittingly enough, we later get this Nino panel, where Memcho's face is obscured and only Ruby and Kana can be seen.

We also happen to get this ominous panel where Akane shows she's aware that there are people out there who want to "destroy" Ruby's sparkle. This is another thing to keep in mind.

I'm curious as to what Ruby was about to say when the scene cuts to Nino, but I won't speculate about it. Tsukuyomi's monologue was also interesting, in the sense that it tells us how Aqua's, Nino's and Kamiki's love for Ai has gotten all twisted.

Next thing we know, we get a timeskip. Aka has literally timeskipped us straight to Christmas, aka Kana's graduation concert.

The rushed pacing alone would've been hilarious if it weren't for what happens next.

Let's summarize everything Aka has established in the past few chapters up to now, shall we?

Aqua and Akane know that Nino is behind all the deaths in the manga. We have no idea how they realized this, but Aka took the time to show that they magically knew it. We're thus led to believe that this is important.

Akane wants to ensure everyone's future holds a happy ending, and Aqua is aware of this. Considering that both of them outright discuss Nino, we're led to assume that they may team up to make sure she's dealt with.

To this end, Akane may be, quite literally, tailing Nino.

Meanwhile, Ruby herself is being constantly watched by Miyako and Ichigo, to the point she says she doesn't have a single second of alone time.

Moreover, Akane pretty much summarizes in this chapter why Nino would target Ruby.

So I must ask:

Taking all of this into account, in what world does this make any sense at all?

The door even had a window! A window!

And even if it isn't see-through, we've been told over and over again that idols need to have keychains and security systems to protect themselves from crazy fans. Ai herself says so.

So in what world does it make sense for Ruby to get stabbed like that?? lol

Now, the stab in and of itself is anything but surprising. The manga hasn't exactly been subtle lately about Ruby likely becoming Nino's target. Some of us thought that Gotanda's line about Kana protecting Ruby was foreshadowing and that Kana would tank the stab for Ruby. Others thought that Kamiki would be the one to step in to save his daughter, one good deed to help atone for his past wrongs.

Whatever the case, despite our personal preferences and hopes for this manga, we all knew that Ruby was in danger and that someone would be getting stabbed. Some of us even expected it to happen this week because it's the week where Sayahime would be getting slashed in the manga lmao

So how am I supposed to believe that Aqua and Akane, who somehow even figured out Nino killed Yura and thus her motif, didn't take the necessary measures to not let it happen? lol

Even the lead up to it is... bland. Forced. Nonsensical. Why isn't Ruby shown curiously peeking at the door just like Ai would've done? Why don't we see her behaving normally at all before she opens the door?

The stab page is pretty much a copy-paste from Ai's, so why not go all the way and have a repeat of these panels, too?

This all could be explained by forced, bad writing — an Aka staple, certainly. And I wouldn't be surprised if that's the case. In fact all of this must sound silly coming from me, since I've been laughing about Aka's mess for weeks now. But biased as I am, I'm kind of forced to take the bad writing more seriously when my favorite character is directly impacted by it 😂

So I'd like to think that Akane and Aqua did see this coming and that they have a contingency plan. In fact, I'd even go as far as saying that I'd like to believe that the stab itself is staged. There are certainly enough weird things about it to make room for that possibility. The first thing I wondered about when the leaks dropped was if it could be someone pretending to be Ruby to trick Nino, and the lead-up to the stab does leave room for that possibility imo

Akane (or Aqua) with a wig, or even Ruby herself but aware of the plan — I would literally take anything at this point except the very empty, very forced scenario where Ruby truly just got stabbed because everything established in the previous chapters suddenly ceased to matter lol Heck, I'd even take Akane using a prop knife to give Ruby a scare and force Miyako & Ichigo to take measures to keep Ruby safe during the concert. Would it be silly? Absolutely. But this entire situation is already silly as it is, so I'll settle for the lesser evil lol

The story can't keep making Aqua & Akane ridiculously intelligent when it suits it, and normal when it doesn't. It's inconsistent and most of all, it's unnecessary. They could just as well have figured it out after the fact, alongside the reader, which would have drastically increased the emotional impact of the Nino reveal from: predictable and rushed to predictable but impactful.

If this was done so that Aqua and Akane can question themselves and their desire to shoulder the darkness to protect others, couldn't this be done in a better way? Because as it is, if everything is just as it seems, then Aka has deliberately kept Aqua and Akane from growing just so he can force them to do so through shock value alone.

I know I always say that I don't like predicting Aka, but I thought it'd be revealed that they had enlisted everyone's help to deliberately lure Nino into targeting Ruby during the Christmas concert, and that they would catch her red-handed before she could hurt Ruby. Since I figured that Aka may want someone to get stabbed anyway so that Aqua could put his medical knowledge to use, I thought that something would go wrong during the confrontation with Nino and that she would manage to hurt someone either way.

Maybe it was my mistake to expect any sort of consistency from Aka. Time and time again he shows that all he cares about is his perfect timing, and so characters will do whatever they have to do and will be kept as stagnant as they need to be in order for their development to happen only when that perfect timing has been reached. Like the way he rushed and rushed just so the stab could happen at the same time as the Saya slashing in the anime.

I do wonder though, aside from Ruby being immortalized as the ultimate idol through surviving the same attack Ai died from (and Kana's graduation happening at the Dome, because who wouldn't want B-Komachi at the Dome after this), what would be the point of this? Will Aqua magically get there in time so he can use his medic knowledge? Will Tsukuyomi perform a miracle? Or will we get a few chapters of people crying over Ruby's hospital bed while Nino keeps being crazy in the background?

No matter how I look at it, I feel like the only scenario where the writing is (somewhat) salvaged is the one where things aren't as they seem and this is all part of a plan we aren't privy to. Making Nino think that she has killed Ruby, only for Ruby to get on-stage brighter than ever would be a pretty cool twist.

If there is no twist though, then characters were made to look circumstantially dumb and incompetent just so Aka can have some last hurrah in the form of forced drama lol

So yeah, as per usual, I'll be hoping for the better option out of the two while preparing myself for the worst outcome.

Edit: I literally forgot KAMIKI lmao if not Aqua and Akane, KAMIKI should know that Nino is definitely going to go after Ruby. Why would he just sit on his butt and let it happen??

If there's no twist at all, this will seriously be an all-out character massacre 💀

[thelaurenshippen]

finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!

so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.

this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.

(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)

the good

self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain

data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.

folks who sing and dance will be paid for both of those things now, which is great

they've added MLK day and Juneteenth as holidays (about time)

a performer cannot be required to translate their own lines

principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists

it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen

miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.

this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.

the "...hm..."

intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.

residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.

the bad

the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)

as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.

but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.

a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:

what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))

what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.

so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.

the AI good

a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)

the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)

actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.

the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.

if the replicas are being used in other mediums, that must also be consented to, thank god.

replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.

the AI "...hm..."

it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no

the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.

alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.

the AI bad

there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.

synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.

the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:

there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!

similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.

if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.

woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.

[sparkly-caroline]

(SPOILERS FOR INDIGO PARK, WATCH OR PLAY THE GAME FIRST BEFORE READING THIS GUYS THANK YOU)

So lately I've been doing nothing but having Indigo Park let's plays in my ears while drawing, and the first chapter alone is peak gaming easy W (even as someone who isn't into horror)

And the two characters that I'm interested in the most right now are Lloyd and Salem. I wanna know more about them so bad.

Lloyd because of the beef between him and Rambley. Much like everyone else, I wanna know why is there beef between them. The only thing I know, from the collectables, is that they might've used Lloyd more, so... maybe he became a fan favorite in-universe and Rambley didn't like that? Also, is the beef ONLY with him and Rambley and the other characters would be okay having Lloyd around? idk. Also, because "Lloyd" is the only other monster that attacks you (or tries to attack you) in the game.

And Salem is the one I'm the most curious about, simply because of how little there is of her in the game (her? them? i don't know). Rambley never mentions her at all, and if you skip the pixel minigame all the game shows you of Salem is the broken cutout of her. Every other character gets a mandatory introduction EXCEPT Salem, hers is completely optional and easily missable depending on how you play the game. She doesn't even get a single collectable item! I mean come on, the AI at least he goes "ew Lloyd" every once in a while, please Rambley tell me something about Salem, I wanna know more of her/them so bad-

This is just me throwing out words here, there is no real proof of my theories I think, but I'm getting the feeling that those two MUST play some kind of big role in upcomming chapters. They've gotta, right? Even if it's not in Chapter 2, Chapter 3 at least? I mean, one's been established to be really disliked by the cutesy AI raccoon friend that seemingly likes everyone, and the other one is a complete mystery.

(Also Rambley's totally exes with one of them, you can pick which one, but at least ONE of them's gotta be an ex of Rambley's) /j

[gin-juice-tonic]

totally get why you'd stop posting your art to tumblr with the ai thing, but im curious about why you picked tapas as a replacement? are they super good about ai or something?

I just already had a bunch of my comics up there. For my AUs it allowed me to re arrange them into chronological order for easier reading. (On tumblr I always posted things out of order). If you look at my profile I've actually had my account there since 2017.

They don't allow ai art on the platform though. It just comes from legal caution surrounding the fact that art not generated by humans has no copyright protection, and you must own the copyright of the things you post on that site. (Fanart however, is okay by them. Because while you may not own the copyright of the series your work is based on, you still own the copyright of the piece of art that you created. You just can't put it in their store).

I am not aware if they do anything to discourage ai crawling.

[whysperingwoods]

Ethics in Witchcraft: Empowerment vs Cheap Tricks

Witchcraft is mainstream-- a reality I never would have imagined ten years ago. With that rise comes a surge of offerings on various platforms, from spellwork to tarot readings, along with it the need for deeper questions: What's real? What's empowering? What crosses ethical lines? I want to explore the ethics of witchcraft, and how we can empower ourselves without resorting to cheap tricks.

The Etsy Dilemma: Quantity Over Quality?

What inspired me to write this article was setting up my Etsy shop. A few years ago, when this blog as last active, I sold tarot and fire readings on Etsy, and I was curious to see how things had changed since then. So, I decided to do a little research and see what other people were offering.

I was surprised to see how much the popularity of not only tarot readings, but spell work has skyrocketed in the last few years. Initially, I thought "Great! People are more open to witchcraft and divination!" But a closer look at the listings-- the quality, the prices, the speed of turnaround-- my excitement faded.

Let's take a look at some of the top listings that come up when you search for "tarot reading" on Etsy:

Most of the top results use stock images, some are obviously AI generated. The turnaround times are incredibly fast, and the prices are strikingly low. It's hard to imagine the quality of a 12-month tarot reading done in under an hour for a fraction of the usual cost. Now, let's look at the highest-selling listing:

The listing has racked up around 51 thousand sales in only 1200 days. That's 41 readings per day, just for this one listing (and this shop has several). Can you imagine providing 41 readings per day? It raises important questions: How much personal energy and focus can truly go into each reading when it's churned out at such a high volume?

When I adjusted the price range to being between $25 and $100, the listings were much more realistic. Photos of real people, with reasonable turnaround times and expectations. Phew!

What if we look at spellwork? This is where things get even more complex.

We see the same trend we saw with the tarot readings: Quick fixes, AI-generated images, extremely low prices.

Any experienced practitioner knows how much time and energy can go into a spell. Everyone has their own personal style-- sometimes I favour small workings that can be done in the span of a breath, and other times I like to prepare something elaborate that will take weeks to prepare and execute. But it raises a critical question: Can real intention be poured into something that’s mass-produced and requires only the click of a button?

At the heart of witchcraft is intention. Without it, what are we really practicing?

Love Spells and the Ethics of Consent

I would be remiss if I didn't talk about love spells here. This topic easily warrants its own post, but let's touch on some key points. Love magic is one of the most popular types of spells on Etsy, and I wouldn't be surprised if it holds true on other platforms. A quick glance through old grimoires and folk traditions reveals countless examples of love magic. In a world where connection feels more elusive than ever, it makes sense that these workings are in such high demand. But where do we draw the line?

Navigating consent in magic is tricky-- where do we distinguish between influencing the world in our favour and infringing on someone else’s free will? It’s a deeply personal question, one that each practitioner must answer for themselves. It's easy to tack on an "and it harm none" at the end of a spell and hope for the best. But that sidesteps some important questions: What is harm? How far do we take that? Sometimes, giving one person favour inevitably affects someone else. For example, casting a career spell to improve your chances of a promotion may unintentionally take an opportunity from another person. Can that not also be seen as harm?

This is why it's important for practitioners to reflect on what level of harm they are comfortable with. It's not an easy question, and the answers may shift over time and with experience. Ideally, none of us want to harm others, but that's something we have little control over. Maybe a better framework to consider is reducing suffering, rather than trying to avoid harm altogether. For example, while aiming for that promotion, you could also wish for your competitor’s contributions to be recognized in other ways. Instead of trying to avoid all harm, perhaps the goal can be to soften its impact and ensure that success isn’t gained at the expense of someone else's misery.

Rather than an “and it harm none” approach that could render a spell ineffective, asking ourselves how to minimize harm while still achieving our goals can lead to more balanced, thoughtful outcome-- ones that benefit everyone involved.

When it comes to love spells, another way to navigate this ethical grey area is by focusing on influencing your own circumstances rather than someone else's free will. I see this as putting something in the person's path, and allowing them to approach it themselves. Rather than casting a spell to make someone fall in love with you, how about casting a spell to increase your confidence, making yourself more noticeable, or drawing more positive attention your way? These types of spells empower you without infringing on someone else’s autonomy or agency.

Final Thoughts

At its core, ethical witchcraft is about empowerment—honouring the free will of others, practicing with intention, and ensuring that our magic comes from a place of authenticity. As practitioners, we have the power to shape our craft in a way that’s meaningful and respectful. Let’s choose paths that uplift and empower us, and the people around us.

I'd love to hear your thoughts. How do you approach ethics in your own craft? What ethical issues have you had to navigate, and how did you handle them?

[mulders-too-large-shirt]

s4 episode 2 thoughts

ah, this episode! i have heard it is very scary. so i’m curious to see how creepy it can be. usually what gets me the most is body horror, at least so far. 

i’m really not a horror fan so i’m interested to see if this will push my limits or just be kinda silly. remember that evil AI in like s1 episode 8? and when it was unplugged it said “noooo, brad :(“ or something like that? yeah that one just made me giggle lol

(author's note after seeing the episode: what...)

(additional author's note: read to the end to see why i think this episode might be actually about the civil war's long-term consequences)

how far we have progressed since then! 

let us begin!!!

we open with a storm and some scary music. pretty intense for the first few seconds. oh, now someone is giving birth. it is very dark and hard to see but it appears these individuals do not look like your average fellow off the street.

GAG! slurping noises are produced as the baby emerges. birth counts as body horror btw i do NOT make the rules. EUGH the umbilical cord…

(sorry y’all pls take no offense to those who have or desire children someday... it’s just something that makes me feel dizzy to watch but i support your dreams and choices i promise 🙏)

okay, but the baby is crying so that’s usually a good sign right? like better than a quiet baby, i think.

but a bunch of people are leaving after the delivery and i thought they would stick around to do things like look at the baby and see if it is healthy and stuff. but no. they’re leaving. where are they going...

they’re digging a hole?????? WHAT DA HELL. BABY IN THE HOLE??!!!!!! while someone cries terribly. OMG the grief…

WHAT THE HELL???

what have i gotten myself into……

intro time. always gonna think about that tweet regarding scully’s glamour shot on her ID. anyway just in case you forgot the truth IS out there.

so we see some kids in a place called home, pennsylvania, and they’re playing baseball. you know how children are, with their baseball. it’s as serious to them as a senator running a reelection campaign. 

kid knocks the ball over the fence, and onto the property of “the peacocks”. the kids will NOT go get the ball, and instead find a spare. seems they prepared for this, or could maybe find a place that isn’t next to a very scary house to play ball, but i understand spacial constraints.

OH???? the kid is digging his foot in to go swing and…. BLOODY PUDDLE???? THIS MUST BE THE BABY FROM BEFORE????

he backs away as we see a tiny hand in the dirt. that poor kid omfg he must have been traumatized… and his sneakers were so bright and white…..

cutscene to mulder in the field after all the kids have fled! ah, mulder loves his baseball. in fact, he even sniffs it. he’s practicing his pitching LMAOOOO please be serious for FIVE minutes. 

scully is measuring the hole while he does all this. in fact, he is not stopping. it just keeps going while she talks about the angle of the shovel.

she makes some quip about quitting the FBI and becoming a spokesperson for the ab roller, when he SHOVES THE BALL UNDER HER NOSE and says “smell that” THIS MAN IS SUUUUUCH A WEIRDO I LOVE HIM

“it’s perfume. eau de ball” (stupid little mulder smile)

very strong juxtaposition between baby death and a daydreaming mulder, but that is the sort of thing we have come to expect from this show. he seems enchanted.

WAIT! he’s talking about his sister… “all-day pickup games out on the Vineyard” and going down to the beach… no cell phones or faxes… oh man, this baseball has him talking about his family :(

“mulder, if you had to do without a cell phone for two minutes, you’d lapse into catatonic schizophrenia” <- WELL GET HIM! it is true. he is always making calls and then abruptly hanging up.

feels weird to be smiling like a fool at my screen as these two talk about their lives after seeing the opening scene... but here we are!

“scully, you don’t know me as well as you think you do. you know my work demands that i live in a big city, but if i had to settle down, build a home, it’d be a place like this” 

OHHHHH MY GOSH

1. he has though about settling down and having a life outside of his work, and this is such a character reveal, and i know he wants like a small army of children, and

2. i just KNOW those words are gonna come back and bite him when this place is revealed to be some sort of cult

she says it would be like living in mayberry which i had to google BUT: it is the town from the andy griffith show. ah, i see. so very quaint.

someone pulls up to see them and i paused at just the right time to see that mulder’s shirt is very baggy and living up to my URL, which is good because sometimes i worry it’s a bit TOO niche, but i made it after watching 4 episodes so i’m too attached to change it now. meanwhile, scully’s coat is wonderfully sleek and it’s a fun little contrast.

this is sheriff taylor, who says this is a very small town, and there are no real suspects. mulder asks about the peacocks next door, and the sheriff goes… quiet. apparently three boys lived there, and their parents were hurt in an accident. the sheriff and his team tried to administer care to the parents, but the boys took the bodies home??? that’s. odd.

so these peacocks have no electricity, grow their own food, and… are inbred. the sheriff says they are feeble and sad, and wouldn’t have any idea what they are talking about. which just makes me think they are the prime suspects.

the sheriff is saying that he loves his town, it is quiet and peaceful, and he knew someday it would change when something terrible happened. when he saw “it” in the ground, he knew that day had come. he seems convinced it’s an outsider but also he is purposefully ignoring all the evidence in the other direction. and he wants their help, but he doesn’t want anything to change. 

(i see... this is about the terrible secrets of small towns and the wish to keep everything quiet and preserve an idyllic image rather than make meaningful change)

apparently they were recommended to help out when “the victim” was described, so mulder says that maybe they should go take a look.

and whew, when they cut to a bundle of blankets next to some cans of spam (that look like they’re partially covered to hide the branding?) it’s a lot. it's a lot to handle, for me, emotionally, but i guess that's a fairly normal reaction. the sheriff just pulled the baby right out of the fridge. we also meet a deputy named barney.

they shove poor scully in a tiny bathroom with just a sink in it to do her work, because they don’t want anyone else seeing the autopsy go down. the sheriff says they can’t do it in his office, because everyone knows he never locks his office door, and they’d start rumors. this whole small town thing is starting to seem quite oppressive.

mulder is also here in this tiny closet-like bathroom, and i can feel the claustrophobia from here. despite the lack of space, scully begins.

and she is taken aback, but not as much by the fact that it is a child but that said child “has been afflicted by every rare birth defect known to science”. mulder has his arm on the wall leaning in and watching in a way that is weird for the space.

we only see a few shots of the baby- thankfully, because i don't think i could handle seeing any more of it than we do- but it’s enough to make me go whew, shout-out to the props department for making something that looks like that, because that is how i cope with seeing things on this show that make me nearly faint

she is reciting the various things that this child has been born with, and mulder says that they can probably rule out murder, right? but scully says idk… it looks like it WAS murder, actually. dirt in the nose.

lord, they walk out after doing that and somehow don’t need to like, down some vodka or something to cope. 

“imagine all a woman’s hopes and dreams for her child, and then nature turns so cruel. what must a mother go through?” oh my gosh is scully gonna make me cry…

“apparent not much in this case, if she just threw it out in the trash”, says mulder, while they sit on a bench on he is manspreading like you would not believe. but i assume they are in a tough spot mentally so manspreading is permitted in this situation.

“i guess i was just projecting on myself”, she says, and oh my gosh does scully want kids someday…. stop i’ll cry!! i’ll cry. 

“well, just find yourself a man with a spotless genetic makeup and a really high tolerance for being second-guessed and start pumping out the little uber-Scullys” he says, rubbing her back.

and i can’t decide if this is funnier if he’s truly and deeply down terrible for her and suggesting subtly that HE could be that man, or if he’s just being a really good pal. so i’m gonna turn around both options in my head for a while and see which sticks.

“what about your family?” “hm? aside from the need for corrective lenses and a tendency to be abducted by extraterrestrials involved in an international governmental conspiracy, the mulder family passes genetic muster” (said with a celebratory flourish of his hands)

oh my gooooooosh i love them both so bad. he is SUCH a nerd. and his constant need to joke about the horrible things… even when they are approaching a serious topic, life ambitions and the desire to start a family, he has to go in there with some sarcasm to avoid getting Too Serious...

see? he has good genes. allegedly. go forth.

but he sobers up, points out that the child they had to just examine is a serious tragedy, and some likely very young parents are probably incredibly scared. but this isn’t really an FBI matter. 10 points to him for being serious for once.

she is brainstorming how such a thing could happen- “now, we all have a natural instinct to propagate” “do we?” <- ace mulder subtext i see you…

scully is convinced that the woman who gave birth to that child did it against her will, and mulder points out that kidnapping is a bureau matter… she seems determined to save someone caught in a horrible circumstance here, and i admire that about her, the sense of justice she has. she gets up to go investigate.

but he calls out: “hey scully- i never saw you as a mother before” <- OH MY GOD??? OH MY GOD. i can’t even begin to process that right now. oh my gosh it seems like he has wanted kids SO terribly… but scully never really brought the subject up, which is fine because not everyone wants kids!! but what does it say about her character if she DOES…? i am analyzing.

i hope she is happy someday with whatever she chooses. music is playing as he looks after her. do not for a second think i missed that little musical flourish and gaze combo.

so, they go to the peacock's farm. where they find a chopped off pig’s head on the steps. it doesn’t seem to bother them at all, which must be a testament to the strength of bureau training.

mulder tries to do his usual “enter first and ask questions later” thing, but scully STOPS HIM, saying there is no probable cause.

WHAT!!! for once they did NOT JUST BURST IN!!??? their random entering of places is one of my favorite running gags and for once they didn’t. oh she is serious about this one…

so they just peek inside instead…. and then they get their guns and go inside after seeing a table covered in blood. oh…. the scissors from before…. yes, bloody table = probable cause

there is blood everywhere, and the footprint from the crime scene matches the footprint in blood on the floor. AND they find a bloody shovel. well!!! we know who did it now!!! but… where are they??

it is soooo dark and creepy as they make their way through the house. and someone is WATCHING THEM THE DARK as they investigate. BLEUGH we get an extreme closeup on their eyes…….

i am spooked.

now scully is on the phone with sheriff taylor, who is describing the warrants for the arrest of the peacocks he put out, while mulder slams a TV in their hotel room, trying to get it to work. typical mulder behavior

(i bet they felt a need to incorporate some silly moments to lighten out the heavy heavy heavy content, and honestly i didn't think it would work, but for me it kinda is. don't get me wrong, it's still VERY heavy, but it's not start to finish just trauma like we got in calusari, which stands out to me as being the darkest and least fun episode in the series so far. but let mulder sniff a baseball a little and smack a TV and our agents talk about having a family and it is slightly less overwhelming in terms of tone)

and she brings up the white cadillac they found there but he says get a lot of abandoned cars. damn, who is abandoning a cadillac...

what is this sheriff hiding…?

he pulls out his gun from a locked box, and seems deeply regretful. before he puts it back in the box… hmm…

back at the peacock farm. the brothers are packing what looks like clubs into the cadillac. and i notice how silent and scary the whole thing is… no music whatsoever.

meanwhile, mulder is doing a little dance to try and get the TV working, which scully is smiling at him in a way that implies long term affection and exhaustion. i want to get those gifs and save them upon my blog forever and ever.

he’s trying to watch the knicks game, but as she heads out, he says “goodnight mom”, and she looks… uncomfortable. i mean, it’s a weird thing to say, but still. he says a lot of weird things and she doesn’t always look sort of… hmm. idk, the only phrase that comes to mind is “cut to the quick”. i WILL be analyzing that.

she tries to leave and the lock is broken, so he places a chair underneath, which might do something but like… probably not a ton.

anyway, back to the cadillac, where the brothers are pulling out while listening to music. where are they going….

sheriff taylor is up late at night, “taking one last look around before it all changes”. oh, he loves his town… but it is rotten, like mulder says. AND HIS WIFE DOESN’T LOCK THE DOOR AS THEY COME IN!!! NOOOO!

the brothers are on the move, while scully sleeps and mulder watches a fuzzy documentary on hyenas?? okay. king behavior.

but back at the sheriff’s house, he can hear the brothers approaching, and pulling into his yard. oh no…. he looks out the window and the brothers aren’t there. so did they already get in…?

he’s going for the gun, he says, and they enter his house. and he’s got a baseball bat, but where is the gun! they have clubs! like the kind the bad guys in zelda use!!! they look very very dangerous!

he hears them approach as his wife is under the bed……… and he swings his bat at the intruder, but he is barreled right over, it’s three on one, and they beat him RIGHT AS HIS WIFE SEES THE WHOLE THING FROM UNDER THE BED. and they sniff and sniff and FIND HER UNDER THERE????????

what the fuck. who came up with this…….. that song is still playing as they get in their car and leave. i'm sure the song also has some significance to the meaning of what these guys are doing but tbh i have never heard it before so it's hard to unpack.

the deputy is at the scene of the crime the next day, smoking a cigarette, hands shaking in terror. he had come over to give the sheriff a report… and found them that way.

so the owner of the cadillac was found in baltimore, she had left it behind after running out of gas. this is not a lead in the slightest.

mulder is investigating the scene while scully pulls out files from the crime lab, and it is. well, it is very bad, to put it bluntly. the crime scene is horrific. 

she says that the crime scene messed up the tests on the infant… but mulder proposes that… perhaps each of the brothers were the father? she talks about how babies are made and how that makes no sense, but he proposes that generations of inbreeding could maybe make such a mutation. but she says that isn’t possible, they’d need a female family member and there aren’t any left. hmm...

scully wants to try and trail them right now and go save whoever it was that was forced to give birth, but mulder points out that they are outnumbered and could further endanger the victim. what to do…? i don’t know the answer. 

oh! the deputy barges in and says he’ll take them up there so it’s three against three. and they have guns, which should give them the advantage. okay. shoutout to the deputy.

mulder seems suspicious however, and says his suddenly entry was a bit “too chuck bronson for me”. so yeah, i had to google that too. this chuck fellow is the guy from machine gun-kelly. and NOT that sleazy rapper one. the more you know.

scully is confused, though, because why would they kill the sheriff? he didn’t even investigate them. unless they somehow overheard them talking about issuing the arrest warrants while in their house… and they are operating under the assumption that the brothers were not in the house when they were…. but we know that someone was in hiding!!!

OH! back to the house. one of the brothers declares he is hungry. we finally get a semi-decent look at them, and they are incredibly gruesome. someone is under the bed still…. 

and when they declare that they are “ready”, they strip down. they knew this day- and change- was coming, and all they can do is be ready for it. this is our home. and this is the way it’s gonna stay. 

again, i ask, who came up with this……

the deputy and our agents are on the property, now. deputy wants to come in from the front and let them take the back. a brave thing to offer, but i am slightly suspicious of him. they have wired headsets on and bullet proof vests on, and he is going in.

so they’re approaching- scully and mulder in the field, the deputy out in front. scully is peeking through binoculars but she doesn’t see anyone inside!!! it has to be a trap!!!!

OH MY GOSH!!! just as scully tells the deputy to not go in, he opens the door and an AXE SWINGS DOWN AND CHOPS HIS HEAD OFF!!!!!

i am sorry for being suspicious of you, deputy. may you rest in peace.

mulder’s reciting his facts from the hyena documentary. they are witnessing something akin to prehistoric humanity. but he has an idea: divert them out of the house, so they don't have to deal with their traps. it is a good idea.

so they are sneaking into the pig pen, which had to be a pain to shoot. “scully, would you think less of me as a man if i told you i was kind of excited right now?” he asks as they try to get the pigs in a line to topple like dominoes or something???

“is there some secret farmer trick to getting these things moving?” “i don’t know!” lmaooo these city slickers...

they’re shoving pigs straight out the gate, and she’s trying to say some magic pig words from babe, which her nephew apparently watches all day. you know what that means...

! SCULLY LORE REVEAL ! she has a nephew!

but there are more pressing matters at hand than a lore reveal as one of the brothers emerges, falling for their piggy trap. we see them in daylight now, and it is an unsettling sight. 

as the brothers try to herd the pigs back in, the agents sneak in, with mulder picking up a giant log to poke open the door. and it is a good thing he did that, because a trap descends right on the log that surely would have beheaded him as it did the deputy if not for the log taking the axe/weapon thingy for him. thank you for your service, giant log.

they sneak in beneath the log and close the door as if nothing went down. scully is yelling to see if anyone is in the house. they’re doing a sweep in excellent coordination. mulder mumbles “oh no” and i’m scared but he just picks up a newspaper that says elvis is dead and frowns 😭 his ass cannot be serious for more than five minutes 

but something approaches!!!! they enter the bedroom and see photos of generations and generations of this family, with varying conditions. and at this moment mulder notices that someone is under the bed!!

he’s trying to say that they’re here to help, but whoever is down there is screaming, screaming at them to go away. so scully tries to move the bed, but she’s strapped to a board underneath the bed, and they pull her out and…. oh my gosh, she has no limbs, i think? it’s dark and hard to tell. they keep her under the bed..........

mulder says they’re going to get her home, but after a glance at the pictures on the wall, scully says that she already IS home. it’s mrs. peacock. the mother of the family that they thought died in the car accident!!!!!!

she is sobbing and they roll her back under the bed, with mulder having a horrific look on his face, unable to process what he just saw. 

mulder is back on the prowl to find the other brothers. and he tasks scully with trying to convince mrs. peacock that she is the only one who can get “her boys” out of here without them being hurt. a mighty task, indeed.

she walks away, and he says “scully, w-watch your step” and he’s worried about her and i want to cry. oh!! we see a trip wire……….

so scully goes back to mrs. peacock, explaining that she needs medical attention, and the agents are here to help. she says that this is their home- why leave it? she has to see if the boys are okay. 

and she lost her limbs in the accident that killed her husband. “sewed me up just like the family learned in the war of northern aggression” OH! so that is an WILD thing to say in pennsylvania. but it was at this point i thought i was putting the pieces together for an extended metaphor...

but she insists she felt no pain, and that no one in the family does. and they’re such good boys. scully points out they murdered three people, and mrs. peacock says she can tell scully has no children, but maybe someday she’ll learn the pride and the love “when you know your boy will do anything for his mother”

well i think you probably just made her swear that off forever!!! so!!!!!

the brothers see mulder in the window, and they start to run in. and as he holds one at gun point, another tries to bash in his head, so scully shoots him. but this isn’t enough to take him down! and the other one joins in on their attack, so it’s two against one tag teaming mulder!!! oh my gosh scully can you use your perfect aim???

yes, she can, but despite emptying the whole clip, they aren’t hurt!!! 

they’re running and running and dodging a whole lot of terrible blows, and scully yells out that she has the mother! she trips over the wire and one of the traps falls RIGHT into one of the brothers, seemingly finally taking him out.

she notices marks on the floor, and when they go back for mrs. peacock, they can’t find the other brother or the mother.

so they put out an APB for them, saying that in time, they’ll catch them. but he counters with “i think time already caught them, scully”

cutscene to the cadillac- where mrs. peacock says that “sherman and george were good boys”- SHERMAN? a union name? edmund, sherman, and george… 

it ends with mrs. peacock saying that there will be more peacocks, and they have to find a new home, make a new family to be proud of. she is in the trunk of the car while she says this.

okay so first thoughts: WHAT THE FUCK.

this episode definitely lived up to its horrific reputation. but i can’t figure out exactly what it is it MEANS!

beyond exploring the horrific topics of generational abuse, i feel that there is something a bit deeper going on here. i actually felt so compelled to see if i was imagining things that i went on the wikipedia page for the episode, which spoke of its themes on the american dream and the nuclear family. those themes i see for sure- how mulder was talking about settling down in a place like this, so quaint and quiet, how they started discussing their own desire for a family, and how every idyllic thought about what a family could be was upended on its head with the peacocks. that made sense to me. but...

that line- “the war of northern aggression”- was what the confederates called the american civil war to justify their rebellion. this is notable for the fact that this whole episode took place in pennsylvania, which was a union state- but somehow, they got so twisted up in their own hatred that they’re parroting the lost cause ideology over a century after the war.

the repeated motifs of “things being the way they are in a small town, in our town, in our home”- is that a symbol for the festering of post-civil war wounds? the inability for the war to make meaningful change when it came to the attitudes of the people on the losing side, who continue- even to this day- to spew their hateful ideology? the inbreeding metaphor- is that a representation of how hate begets hate begets hate, generation after generation, compounding and corrupting by the lack of intervention from outsiders who are too afraid to change “the way things are” and call out harmful behavior? and the newspaper from elvis’s death… is that another allusion to the family (or perhaps certain parts of the country) living entirely in the past, in addition to their lack of electricity and water, just stewing in their own hatred? even the name- home- reminds me of the “house divided cannot stand” rhetoric. is this talking about the rot of "back in the good ol' days" thinking?

or if not a metaphor for the country, and instead just the horror of abuse? of how people can feel that things are the way that they are, and so that makes it correct, no matter what the cost? about how warped perceptions of family can be made and shaped? and the fact that mrs. peacock went along with all of this, despite being the biggest victim of the family... is that to speak on the twisted nature of gender roles and how they are weaponized in familial abuse?

i have to clarify that i am not an expert on abuse in the slightest; i am just trying to work through the themes of what i just saw. you know how it is on this blog; i do my best to interpret the big issues, but also recognize that i can only see and comment upon so much.

i'm really, really curious to hear how you interpreted the episode, though. or how audiences have understood it in the past, or if it has ever been re-evaluated. what did the cast and crew have to say on it? i want to know.

man. this is gonna really make me ponder. i want to know. it was too purposeful to just be a “wouldn’t it be fucked up if…” sort of situation.

regardless of the terror, i actually thought this episode was pretty good. it felt cohesive, not just a sideshow of horrible things to make you feel shocked. and we learned more about our characters- their ambitions in life, the possibility of a family someday dangling over their heads, and the terror associated with everything that could go wrong. i think there is always some fear about starting a family (i wouldn't know, but i do read books and stuff), and for scully to just now vocalize her thoughts on the subject and to immediately see this case- i can only imagine what it did to her thought process.

i thought the more light-hearted elements were working at the beginning- mulder's TV dance, baseball time, the merits of their genetics, family talk- worked well at first. but by the end it was just... damn. that was a lot. maybe that is the indication of a successful episode, that it can take you along heavy subject matter with a sense of character analysis and horror, but end with just terror.

i'm not a horror fan outside of this show, so the balancing of the heavy and the humor always baffles me a little bit. i don't know how other materials do it, so i can't really say if it could have been done better or worse. i think the important part though is that they don't turn the tragedy itself into the joke. it wasn't giving "point and laugh at the horrible peacock family!" it was finding humor in other situations, that ultimately still surrendered to the sober feeling of what humanity can do.

whew. this one is definitely gonna stick with me for a while, and i’ll need like 12 hours to formulate my thoughts into something comprehensible. but, you ask, did you like the episode?

yes! while i'm not sure i'd watch it again for funsies, i thought our agents had to confront some inner demons while also learning a lot about them together and individually, which is exactly the thing i want in an episode. i think it brought them closer and they understand each other better, and i think we're getting into some real juicy parts of their relationship. i can't stop thinking about him rubbing her back- how terribly devoted they are to each other, regardless of if either of them can put that into words. those dynamics of devotion that go beyond words- it's so special to me.

and sure, i'll take the bait, and daydream about them living together... i am not above fan service in the slightest. it is me, the fan, who loves to be serviced.

but again. i'm spooked.

[captainsophiestark]

The Best Night Ever

Tristan Flynn x Reader

Masterlist - Join My Taglist!

Fandom: Crescent City

Summary: After Ruhn and Dec discovered Flynn was hiding a secret human girlfriend, the obvious next step was introducing her to the rest of the friend group as soon as possible

Word Count: 2,479

Category: Fluff, Humor

A/N: Requested by anon! Functionally a sequel to Presentation Problems and Nosy Best Friends, but it can also be read independently! Also this is just vaguely set in Crescent City, it doesn't fit very well at any specific point in the timeline lol

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

"How's this?"

I stepped out of the bathroom, turning in a little circle so my boyfriend, Tristan Flynn, could give me feedback on the outfit I'd chosen. After a bit of leadup and delay thanks to my grad school course load, I was finally meeting his extended friend group tonight. To say I was nervous might've been an understatement.

Tristan's eyes raked up and down my body, a hungry light to them that I knew well.

"You look amazing."

I huffed and put my hands on my hips, fixing him with a look, but he wasn't fazed.

"Of course you think that. You're biased as Hel."

He shrugged. "I can't help it if I have good taste."

I snorted and rolled my eyes, but I'd been dating Flynn long enough to know he probably hadn't missed my heart speeding up a bit in my chest. I did my best to ignore it as I headed back into the bathroom to finish my makeup.

"You have nothing to worry about, sweetheart," called Flynn, his voice getting closer as he came to stand behind me at the bathroom counter. He wrapped his arms around my waist and leaned his head on my shoulder. "They're gonna love you."

"...I hope you're right."

He kissed my cheek, pulling me even tighter against his chest. Some of the tension relaxed out of my shoulders.

"Don't worry. I am."

****************

Just about an hour later, I walked hand-in-hand with Flynn up to a fairly normal looking house near the Old Square. Definitely not a place I expected a fae prince to live, but then again, Tristan and his friends didn't seem anything like what I expected from fae nobility.

"So this is home sweet home, huh?" I asked as we walked up the drive together. Flynn grinned.

"Yup. Bryce likes to call it the frat house."

I laughed, but realized what she meant the minute we stepped through the door. From the vaguely sticky floor to the gaming setup and the pong table painted with a giant fae dude eating an angel whole this place would've fit right in with frat row on CCU's campus.

I snorted. "Holy shit, 'frat house' is right."

Flynn grinned at me, having the dignity to look at least a little embarrassed. Before he could defend himself, however, we were joined by a group who I assumed were Tristan's friends, all coming from the kitchen with bright smiles on their faces and warm greetings on their lips. I squeezed my boyfriend's hand a little tighter and pasted a smile on my own face, but when a female with beautiful red hair, who I assumed must be Bryce, immediately wrapped me in a tight hug, the smile got a little more real.

"I'm Bryce," she said, confirming my suspicions with a smile when she pulled back. "It's so nice to finally meet you. I thought Flynn was making you up."

I laughed despite my boyfriend's indignant "Hey!".

"It's really nice to meet you too."

She gave me another smile, another level of tension easing as she did, before turning to the tall angel behind her.

"This is Hunt, my mate." The guy in question gave me a nod and a small smile of his own, which I returned. Bryce gestured to the two fae males to her side, who I recognized. They'd trailed Tristan to my apartment, curious about where their friend kept disappearing to, and were a big part of the reason we were having this dinner in the first place. "I guess you already know these two."

"Sup," said the Crown Prince of the Valbaran Fae with a chin nod in my direction. I had to work not to laugh, especially as Bryce elbowed him in the ribs and he shot her a glare. Still, he cleared his throat and turned back to me. "Uh, sorry for... how we first met. It was probably a lot, but honestly, we were just shocked Flynn had a steady girlfriend."

"Hey!"

Tristan's shout went ignored again as I laughed and the other fae male—Marc—nodded emphatically to back up his friend's story. I just grinned.

"It's okay. Tris basically told me the same thing, that your reaction was down to shock that he had a relationship and not, you know. That I'm human."

"No way," Ruhn assured me.

"Maybe shock that he actually got you to agree to go out with him," agreed Dec. I laughed as Tristan cleared his throat and draped his arm across my shoulders.

"Alright, I think that's enough of that shit," he said. "Where's the Pup?"

"Running late, but on his way," answered Dec. I raised an eyebrow as he turned to me. "You want a drink or anything while we wait?"

"Sure, I'll just take a beer or something. Thank you."

"No problem."

The rest of us settled into the living room as Dec went to get himself, me, and Tristan a drink. I ended up perched in Tris' lap, largely because I didn't really want to sit on the frat furniture in this place. Bryce clocked what I was doing, and her nod and wink told me she totally got it.

"So who's 'Pup'?" I asked, twisting around a little to look at Tristan but addressing the question to the group.

"He's one of the other members of our motley crew," answered Bryce. "He actually went to CCU for a while."

"Oh, really? What did he study?"

"History."

"Hm. I wonder if we overlapped? Maybe I've seen him around."

As if on cue, I heard the front door open. I turned with the rest of our group to see none other than CCU's most recent star sunball player coming through the door, a six pack in his hand.

"Sorry I'm late," he said. He came to a stop in front of our group and fixed me with a smile when he noticed me. "Hey, nice to meet you. I'm Ithan."

"Hey," I said, returning the smile right as Dec returned, handing me my drink. "It's nice to meet you too."

Then, I turned to Flynn, not bothering to hide the outrage on my face.

"How could you not tell me you're friends with Ithan Holstrom, CCU's best player in the past decade."

Flynn groaned and threw his head back, smacking his hand against his face. I could hear the rest of his friends laughing at his pain, but I ignored them.

"Are you fucking with me right now?" asked my boyfriend as he finally picked his head up and looked at me again. "You're not actually a fan of his, are you?"

"Of course I am! My friend goes to the school he almost single-handedly stomped into the ground in the championship a couple years ago, and I still use that game to win arguments with her. Like, at least once a month." I turned to look over my shoulder at Ithan, who looked half amused and half embarrassed at the attention. Everyone else looked absolutely delighted by the interaction they were witnessing. "Thanks for that, by the way."

Ithan gave me a nod and a thumbs up, and Flynn practically growled.

"I knew this was a bad idea," he said as he wrapped his arms around my waist and pulled me tighter to him, until my back was pressed against his chest. He buried his face in my hair as he grumbled, "Just please tell me you don't have his jersey."

"Well..."

"Fucking Urd."

"I'm kidding!" I laughed. "I don't have his jersey. Sorry Holstrom, but I always liked the goalies best."

Ithan grinned. "No hard feelings. I could probably set up a meet and greet for you with the goalie from that championship game, if you wanted it."

"You're all terrible people and friends," groaned Flynn, scowling at us all. We just laughed, but I rested a comforting hand on his thigh all the same.

The rest of the night passed quickly, and way more easily than I'd thought it might. Tristan's friends were funny and absolutely wonderful, and they made me feel welcome every second of the night. I don't think any of them even realized how much it meant to me when, after dinner, we had a few impromptu games of pong and none of them were anything but excited about how good I was, without a glancing comment or hint of mention about "for a human". Instead, I'd gotten impressed whistled from Bryce and Hunt, cheers from Ithan, and ridiculous, overcomplicated handshakes from Ruhn and Dec. Tristan beamed at every interaction, smiling and supporting me every second of the night, and I got a warm glow in my chest every time I looked at him.

I never would've imagined falling in love with a Vanir, but I'd realized about a month ago that that's what was happening with Flynn. To also be falling in love with his friends, his community, and the energy of being around them despite the fact that the group was full of mostly male, powerful Vanir? I'd basically won the lottery.

Apparently I'd still missed meeting one member of the core friend group tonight, a mer named Tharion who worked in intelligence for the Ocean Queen, but everyone assured me I'd love him, too, even though he could be ridiculous sometimes.

"I mean, if you can put up with Flynn, I think you'll be able to put up with Tharion just fine," said Dec. Tristan scoffed.

"Thanks, buddy."

When the night finally ended, way later than I had ever been expecting it to, it was with hugs and plans being made to get together again as soon as possible, especially so I could meet Tharion. Tristan was leaving with me, both to walk me home safely and because he'd been spending more and more time at my place lately. Hunt and Bryce left with us, taking off into the skies as Tris' frat brothers waved us all off from the doorway.

I smiled as I waved back at them, Flynn and I heading down the street hand in hand. A peaceful, happy feeling had settled in my chest as the night came to a close and Tristan and I stepped into the cool night air, and it wrapped me up like a blanket as we walked together in comfortable silence.

"So... what did you think?" asked Tris after a few blocks. I smiled.

"I think I love your friends. I wasn't expecting them to be so... cool. But they were, and I'm really happy I got to know them. Thank you for sharing them with me."

"Seriously? Thank you for putting up with them."

I huffed a laugh as we finally made it to my building, pausing to search for my keys. I found them after a moment, but Flynn stopped me before I could open the door with a gentle hand on mine. When I met his eyes, I found his face in the rare expression of open vulnerability that I loved so much.

"I mean it, you know. I- thank you for coming tonight. I know how nervous you were about it."

I gave him a little half-smile. "Of course, Tris. Anything for you. I... I love you."

My heart leapt into my throat, threatening to choke me out as I registered the soft surprise on Tristan's face. I'd figured out what the feeling in my chest meant whenever I looked at him a while ago, but I hadn't actually said it yet. If he didn't feel the same way, or if this somehow scared him off-

Tristan closed the distance between us in a heartbeat, moving faster than I could really register. He wrapped me in his arms and pulled me close, his breath ticking my ear as he spoke.

"I love you too," he said, voice breathy and soft, like he couldn't quite believe this moment was real. I knew how he felt. "So much. I don't... I don't think I've ever felt this way about someone before."

I giggled—actually giggled—the bright, happy sound bubbling out of me involuntarily. I wrapped my arms around Tristan's neck, leaning back just enough so I could look him in the eye. The soft intensity in his look almost destroyed me on the spot, and I beamed at him before leaning back in to kiss him, hard.

We stayed like that for a long, long time, locked together, lost in each other, making out on he front step of my apartment building. Tristan's hands roamed my body and I tangled mine in his hair, the door key still clutched in one hand, neither of us caring who might see us. We were both breathless and grinning like fools when a car horn at the other end of the block finally snapped us out of it.

"This... might've been the best night ever," I said, grinning at my wonderful boyfriend, who grinned right back.

"Damn right it is."

I let out a breathy laugh, finally returning my attention to the apartment keys and the door in front of me. Tristan's hands found my hips as he hovered over my shoulder, and I knew the best night ever wasn't quite over for either of us.

"You know, I just realized something," mused Tris as I wrestled with the door.

"What's that?"

"You told me you loved my friends before you said you loved me."

I huffed a laugh and fought an eyeroll as I finally got the stubborn lock to work, throwing the door open for both of us.

"Trust me," I said, fixing him with a look as we stepped inside. "I love you in a very different way."

"Really?" he asked, that spark of mischief I loved so much creeping into his eyes and his voice.

"Yes, really."

"I don't know, sweetheart. I think I'm feeling a little insecure about it."

His voice and posture told me he felt anything but insecure, but I just put a hand on my hip, playing along with the male I loved.

"Oh yeah? Anything I can do to make you feel better about it?"

He let that cocky grin that I knew so well slowly spread across his face, fixing me with a look that definitely meant trouble.

"I can think of a few things."

With that, he picked me up and threw me over his shoulder, just laughing at the noise of surprise I made. I regularly forgot about his super fae strength, and I'd be lying if I said it didn't make my heart race.

Tristan took the stairs two at a time, and I couldn't help joining him with a laugh of my own. I was ridiculously, deliriously happy with him, and had been basically since the first day I'd met him. I don't know if it was fate or Urd or some other cosmic force that threw us together, or even just plain, stupid luck. Whatever the case, I would never take it for granted for a single second. I planned to enjoy every moment with this wonderful idiot love of my life, and even better, I knew he felt exactly the same.

****************

Everything Taglist: @rosecentury @kmc1989

[lewovo-poto]

1988 Phantom of the Opera (Partial) Viewing Experience at The New York Public Library for the Performing Arts, Theatre on Film and Tape Archive. July, 2024

---

After learning that it’s possible to make appointments at the NY Library Archive and that they allow viewing of all closed Broadway official recordings for research purposes, I happily booked an appointment. But because I was rushing after watching Cat the Jellicle Ball in the afternoon (great show btw!) and got lost and took the wrong subway, I arrived after 5 PM, and the archive closes at 6 PM. This meant I couldn’t finish watching, so I knew I'd have to come back next time. The archive staff checked my bag and allowed me to bring in paper, a pen, and my phone.

I realized I didn’t have much time, so I thought I’d focus on the key parts. But then, disaster struck again—the computer was about as old as I am, and even my elementary school computer was more advanced. The interface was really difficult to use, and I didn’t really know how to fast-forward or rewind properly, so after wasting 10 minutes, I gave up and decided to just watch it as it was. 😂

(Sorry for any grammar mistakes, English is not my first language)

---

**1988 Phantom Review**

The opening captured the surrounding audience, since this was a performance with a live audience. The video quality was average, but if AI restoration becomes possible someday, that would be great. It wasn’t bad, just the typical quality you'd expect from the 1980s.

The Overture was particularly intriguing. I had read in other reviews that there was a female voice, so I was curious, and it turned out there really was a soprano singing along with the Overture, with an “ah—” as the chandelier slowly rose. It sounded quite Gothic. (I wonder when this was introduced and when it was discontinued, as I’ve never heard this version before. It must have been used for a very short period.)

Sarah danced throughout, but there was a moment where she seemed a bit confused, though she quickly resumed dancing normally. After the first part of Hannibal, Carlotta practiced her voice while the old manager introduced everything with a cheerful and enthusiastic tone, rather than the usual tired one (I couldn’t tell if this was because someone else was taking over this mess of a theater or if it was just his naturally cheerful demeanor lol). The conductor squatted down with the sheet music, communicating with the orchestra while waving his arms. I have to say, the immersive experience of the Bucket Show was quite something.

During the iconic “He’s there, the Phantom of the Opera!” line, a male voice also shouted, “There’s a ghost!” Huh?? I hadn’t noticed that before. It seems that the original cast of the Broadway production used British accents (even though most of them, except MC and Sarah, should have been American).

Carlotta looked so small compared to the manager, haha. After getting angry, she said “Ubaldo, Andiamo” in a very deep voice, which I think was the first time I heard that line delivered in a lower register.

Madame Giry asked, “Will the Viscount be at tonight’s performance?” and the manager replied, “Of course, he’ll be in our box.” I don’t think these lines are in the current production anymore; at least, they weren’t in the 25th-anniversary performance.

TOM:

Sarah was so skinny! She really was the wide-eyed ingénue type, with her large eyes. Her dress seemed more teal than green. She wasn’t the lively, bouncy type, but rather, every movement was slow and gentle, and her voice is with lots of vibrato.

Steve Barton’s loud “BRAVO” during the recollection scene was followed by soft, broken out sentences full of laughter, making it seem like he was lost in a beautiful memory.

After TOM, Sarah kept talking and nodding with the conductor, probably reviewing the performance. When MC’s “Bravi” came out, Sarah fell into deep thought until Meg came over and startled her. Meg was super cute, and Sarah’s Christine maintained a frozen, pensive expression while talking to Meg, not really happy until she sang “Angel of Music, guide and guardian, grant to me your glory!” and finally smiled. When Madame Giry said, “Come and practice,” it sounded like there was a male voice saying “Asshole” (though I didn’t see this in anyone else’s report, so it might have been me lacking sleep and hallucinated, or perhaps a spectator’s accidental comment was recorded).

Steve Barton is truly the best Raoul, bars none! He exudes both gentleness and elegance, while his voice carries the excitement and joy of someone who has just fallen in love. When he sees Christine, his face lights up with a smile, and when he says "SOAKED to the skin" to her, he really emphasizes the word "SOAKED" with a pause. Similarly, when he says "Little Lottie," he pronounces it pointedly, like "Li—ttle Lo—ttie," as if savoring the name with each syllable. Sarah’s Christine is also very happy to see Raoul, but when she mentions the Angel, her expression turns pensive and melancholy again. Christine initially declines the dinner invitation, but when Raoul says, "No no, you must change, 2 mins, MY little Lottie" (“MY"!), Sarah’s Christine ends up smiling and looking amused. Because of this, it doesn’t seem like Raoul is being overbearing; it feels like, for a brief moment, the two of them have mutually agreed to go to dinner. It’s only after Raoul turns away that Christine realizes, "Oh no, I can’t go—everything has changed." (Could be me reading too much into it)

When Sarah's Christine first heard MC’s Phantom, she wasn’t scared—it was just… a normal expression when Sarah's Christine thought of the Phantom, the pensive kind, until the “enter at last, master” line when she smiled. MC’s Phantom in the mirror was really… creepy, especially with the makeup and lighting.

(At this point, my notes became too messy to decipher… I was probably too excited at the time.)

Title Song:

During the boat scene, Christine looked very happy, while the Phantom leaned slightly as if about to touch Christine’s face (probably during the “Where night is blind” line).

MOTN:

MC’s Phantom had noticeable… eye bags, lol. MC’s rendition of MOTN felt like a lullaby, but with a Gothic allure. The body language was similar to Sarah’s TOM, with every movement slow and deliberate, very graceful (maybe due to the original stage direction by Gillian Lynne). Sarah's Christine looked somewhat hypnotized. During “Turn your thoughts away from cold unfeeling light,” MC’s Phantom’s fingers almost touched Sarah’s face, coming close to a kiss before pulling away. MC’s “Soar” & “Be” was super long and well-sung. Another part I liked was when, possibly due to the height difference, MC’s Phantom slightly hunched over during “Floating, falling,” making him look extra creepy. It also felt like, after maintaining such an elegant demeanor for so long, MC’s Phantom was finally losing some composure as he got closer to Christine. During “The music that I write,” MC’s voice was particularly seductive, and his lower register was impressive.

Since this was the Broadway version, when Christine was Christine ightened and fainted, the Phantom didn’t carry her. MC’s Phantom looked more like he was in a composed shock—surprised but not panicked, and he gently covered Christine with the cloak. The monkey music box didn’t work well in this performance, lol, as it didn’t play any music (even in the official recording, lol).

When Sarah's Christine woke up, she wasn’t the playful, cute, and mischievous type (like Sierra in 25th Anniversary, and many others). Sarah's Christine looked curious but also more anxious, as if she was unease waking up in a strange environment, which is honestly a very logical reaction after woke up at a strange place, and quite Leroux. When she sang “who’s the face in the mask,” her face showed more fear (though, speaking of which, while its believable for Sarah’s Christine to act anxious when woke up, it’s a bit unbelievable that Sarah's Christine, who seemed so uneasy and scared, would dare to remove the Phantom’s mask. I think I prefer a more playful Christine but that’s more of a personal preference).

After revealing the mask, Sarah's Christine cried and wailed a lot (she seemed very scared, poor girl). MC’s Phantom… my notes got messy again here (probably because I was too excited), but the dialogue used “vixen” instead of “viper.” MC’s Phantom also cried and groaned in pain, crawling toward Christine. I remember he turned his face toward Christine without covering it (though it was hard to see the disfigurement makeup in the dark), reaching out his arm, pleading, and letting out a super sad, sobbing “Oh Christine…” After getting the mask back, MC’s Phantom reached out as if to caress Christine’s face but switched to using his wrist at the last second.

In the Magical Lasso scene, there was a brief glimpse of the Phantom and C. The original Broadway Madame Giry really had a strong witch-like aura, haha.

Then I fast-forwarded because the library was about to close. I remember Sarah’s Christine as the Page Boy was *super* cute. Honestly, that was probably the cutest and most lively I saw Sarah's Christine. Then I fast-forwarded to the rooftop scene, where Sarah’s Christine had her usual fearful attitude toward the Phantom. When singing “So distorted, deformed,” her face seemed to show… a look of disgust (oh nooooo!). But when she sang “in that night, there was music in my mind,” she smiled again. She’s truly a Christine who’s more in love with the Voice... Then the staff had finished clearing the other tables, so I also got up to leave. Through fast-forwarding, it seems like Christine and Raoul had lots of hugs and such. I really hope I can go to NY on a business trip again soon and have time to visit the library to watch the official recording! Next time, I hope I can take my time and enjoy it slowly from start to finish.

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**Personal Reflections**:

Steve Barton needs no further discussion—eternally the best! I've always thought of him as the steady, noble, and gentle Prince Charming type of Raoul. After watching (a portion of) the official recording, I realized that Barton’s Raoul also has a very lively and passionate side, full of the excitement of a young man in love. His voice is full of teasing warmth, especially when he first encounters Christine. Unfortunately, I didn't get to see much of the rooftop scene, but he seems to exude gentleness. In summary, he's a perfect Raoul!

As for Sarah's Christine... uh, well, I have mixed feelings. I've heard others praise Sarah, saying she has a very classical Gothic 19th-century vibe, so my expectations were quite high. I was imagining a mysterious woman with her head in the clouds. Of course, there are also criticisms of her acting, saying it's somewhat lacking (I shall never forgot that one critic was like “She can’t act scared in NY subway at 3am” or something, which is quite mean). After watching this segment of the official recording, I feel... there were some elements in both? She is indeed a graceful, intellectual Christine, with many secrets buried deep in her heart. Her facial expressions seem fine to me, mostly seem pensive and wistful, definitely able to act scared and unsettled. Maybe it's because her Christine always seems deeply burdened, so her expressions often appear serious. But when it comes to her interactions with the Phantom... it feels like her Christine doesn't really love him. Christine only seems truly happy when the Phantom is acting as her Angel of Music or when he has her completely under his spell, but once the Angel leaves or when she's not controlled by the music, Christine immediately returns to reality, filled with unease. Also, during the rooftop scene when describing the Phantom's face, Sarah's Christine actually shows disgust, which really shocked me because I usually see this moment as one of fright (at the Phantom's actions and ferocity) rather than revulsion at his face. So, it's hard to judge—paired with Barton's flawless Raoul, it feels like Sarah’s Christine would be very willing to leave the Phantom. She does give off Leroux Christine’s melancholy and pensive energy——a woman with many secrets, and I really like that about her.

MC’s Phantom—it's a pity I couldn't see the later scenes where the Phantom truly lets loose and explodes. However, from the parts I did see, MC's Phantom is a very classic Gothic "monster." His movements are slow and graceful, yet strangely seductive, and at the same time, quite creepy, especially with the makeup and lighting. His voice is very controlled—except when he's too close to Christine or when his mask is removed, he generally seems like a Phantom who is mostly in strict control of himself. He's very restrained, always keeping his movements and interactions with Christine just on the edge of touching, almost kissing, but then pulls back at the last second (which aligns with the original choreography and the director's intent to express suppressed desire). His anger, perhaps due to the nature of his voice, isn't one of raging madness but more of sadness followed by painful wails, full of pleading. His control over his voice and how he used that to convey emotions is just so captivating and heartbreaking. Oh, how I wish I could see MC's final lair scene, as MC's Phantom is really one who is very composed and elegant most of the time (honestly, it’s more like the Phantom in Kay's novel—one can understand how the old-school Phantoms influenced Susan Kay's inspiration). And I really want to see MC's Phantom with other Christines, like Dale Kristien. I know she’s one of the most supportive of the Erik/Christine relationship and is a fan of MC. I'm very curious how MC and she would perform together.

[moonliqht19]

Hey guys! I’m so glad yall liked the last reading! I thought I’d try another and see what you guys think! Comment below if this was helpful for you or what you’d like to see for next time! 
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Overall objective: What’s next in your love life 💗? 
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Pile 1: Right now it seems you may have a love interest or possible choice to be made in your love life or current relationship. However, you are still stuck on your past relationships, whether it was from a recent heartbreak or serious betrayal it seems now is not to time to invest in a new relationship. You still have some healing to do in order to truly give your all to a new or continuing relationship. The cards show, in order to truly heal you must take this time for you and really process, understand, and accept your past for what it is. 
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Pile 2: This reading suggests your either in a position where your entering or have been in a great/ healthy relationship. Enough so to where things may be turning more serious however your resisting the change. You seem to have a great sense of direction and are pretty settled with yourself and your everyday life but this relationship needs more from you. The key to this change may involve forming a strong emotional connection through communication and mutual understanding which may either be lacking or not at its best currently. 
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Pile 3: The cards indicate teamwork and connection will be themes in your current or future relationships. However, it seems there may be more to do on your end that may be impacting the relationship or future relationships to come. It may be necessary to address any unhealthy patterns or behaviors you’ve been experiencing in order to create a more harmonious relationship. These patterns may also be leading to disarray and arguments with others. A relationship can still be in the picture for you, but if you don’t see reason or try to understand the other side of these concerns, it may leave you stagnant for incoming or current relationships. 
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Pile 4: This reading suggests those who are either in a long term relationship or have just entered a relationship may be going through a period of emotional challenges and instability. There may be feelings of insecurity, moodiness or anxiety however a lot of these issues seem to be arising from outside issues. However, this doesn’t have to be an end all be all situation, there’s still room for growth if both parties are willing to accept this change and understand the others point of view. A need for building self confidence and vulnerability will be huge themes played throughout your relationship and will not go away on their own. 
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Decks used;
Pile 1: Ostara tarot 
Pile 2: Movie Tarot 
Pile 3: the Tarot of curious creatures by Chris - Anne 
Pile 4: The Gentle Thrills Tarot by Isa Beniston
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Sources:
-The little book of tarot , Xanna Eve Chown 
-AI Chatbot

[alwaysbooyahback]

Magnus Protocol: Misfiles

Why hasn’t Sam asked how there are misfiles? Their very existence prompts a whole lot of diegetic questions. (Also non-diegetic questions, but that’s, you know, the point of a mystery.) Sam is a smart and curious guy. Why hasn’t he pressed this?

I did a complete relisten on Saturday and this is bugging me.

We hear in “First Shift” Gwen and Alice bicker about misfiles, about Gwen’s accuracy rate; Sam hears this. In “Making Adjustments,” Sam is already trying to reverse engineer the DPHW system. He’s curious about the system … but hasn’t addressed this enormous clue that crops up on Day 1.

The very idea of misfiles and accuracy means that a) the work is being read, b) the filings are being compared to a source of truth, and c) that who/whatever is reading the work has access to a source of truth.

What happens if you just enter garbage? Someone must have tried coding every case as “Dolls, watching”, throw in a DPHW of 9999, and 19390901 as the date, right?

But Alice doesn’t; at least, she doesn’t breeze through cases like she’s just putting in garbage. There’s no chance she hasn’t thought about it. She acts like she’s under the workload strain. She acts like she knows better than to enter garbage. Has she tried and was reprimanded? Did she see the aftermath of someone trying it?

It’s clear to the audience that all the office crew who predate Sam know more than they’re letting on. But Sam has the information, and the curiosity, to see there’s a big hole in what he’s been told.

It all comes back to the same question: why do the job? It’s what they’re paid to.

Okay, step back. Why pay for it?

Another step: why pay for the OIAR work AND for someone/something else to check the work?

That last one I have a guess for: they’re training an AI (FR3-D1? Mr Celing?). Whether the artificial aspect is from alchemy or technology or eldritch gods or whatever, they’re training *something* to assess. To train it, you need human input. You need humans to do the job. They’re stuck doing supernatural captchas.

(It could even offer a non-TMA explanation for the sudden TTS crew: FR3-D1(?) developed a good enough model to assess certain cases as more likely to be true. Those are forced more strongly on the office staff using TTS.)

Or maybe Sam needs to be marked by 15 Desires, who knows.