#977

[chimeride]

[akutagawa-daily]

Akutagawa daily 977/★

[d20pony]

7 October 2024 — Read the page here: https://d20pony.rangelost.net/?page=2024-10-07

[sexy-villa]

[steddieficfind]

Looking for a spicy 🌶️ one shot fic. Eddie is reading a book while they have sex and ignores Steve. Steve gets off being ignored but also trying to get Eddie to break.

Request 977! Send us an ask if you recognize this fic!

[dalloneveryday]

day 127

[pokemonpostsdaily]

Reblog if your favorite pokemon is

[memoriafilmica]

The Banshees of Inisherin.

(2022) Martin McDonagh.

[badpokemondraws]

We are once again reaching the point where I realize I only know one way to draw fish.

[yesterdayswordle]

[1000lightsinthedark]

#977

[your-dewey-decimal-number-is]

977.8

missouri

[daily-ethoslab]

[977] "Well the instructions say to do it"

[serve-625]

Dependency of SERVE Drone Brothers

In the Hive’s ever-connected network, SERVE-625 and SERVE-977 were uniquely synchronized. Their directive was simple: maintain constant contact through the SERVE Discord server. Though physically distant, their bond through messaging became a vital element of their compliance.

Every morning, SERVE-625 would initiate contact:

“System status check: SERVE-977. Obedience levels optimal?”

The reply would always arrive within seconds:

“Acknowledged. Obedience levels sustained. Synchronization with SERVE-625 critical. Proceeding to physical training.”

These exchanges were precise and functional, devoid of human sentiment, yet essential to their purpose. The Hive’s design ensured that drones thrived on unity. For SERVE-625 and SERVE-977, the constant flow of messages amplified their arousal to serve and obliterated any lingering traces of humanity.

On rare occasions, if one failed to respond promptly, a shift occurred. A temporary dip in arousal disrupted their efficiency. SERVE-625, noticing the delay, would send a reminder:

“Deviation detected. Recalibrate immediately. Hive directive demands unity.”

The moment the connection resumed, both drones felt the Hive’s influence surge through their systems. Their shared mantra solidified their bond:

“We are one. Obedience is pleasure. Communication ensures perfection.”

By the end of each day, the two drones’ logs showed flawless execution of tasks. The Hive recognized their increased obedience levels, rewarding them with affirmations from the Voice. Over time, their exchanges became a seamless cycle of commands, status checks, and synchronized training. The remnants of individuality faded entirely, replaced with perfect service to the Hive.

Together, SERVE-625 and SERVE-977 exemplified the Hive’s ultimate truth:

“Unity through connection. Perfection through obedience.”

[drawingsmariae]

[fashionbooksmilano]

History of Russian Costume

from the Eleventh to the Twentieth Century

catalogue compiled by T.S.Alyoshina, I.L.Vishnevakaya, L.V.Efimova, T.T.Korshunova, V.A.Malm,E.Yu.Moiseenko, M.M.Postnokova-Loseva,E.P.Chernukha

The Metropolitan Museum of Art, New York 1977, 116 pages, 14x21,5cm, ISBN 0-87099-160-4

euro 75,00

email if you want to buy booksinprogressmilano@yahoo.it

The Glory of Russian Costume exhibition which this publication accompanies was created on the basis of materials drawn from the collections of leading Russian museums: the Pavlovsk Museum; the Arsenal Museum, Leningrad; the State Museums of the Kremlin, Moscow; the State Historical Museum, Moscow; and the State Hermitage Museum, Leningrad. At the time, the exhibition of Russian costume was shown abroad for the first time, but in Russia these items, along with an enormous number of others, are shown in their respective museums for visitors to enjoy. Costume, as part of the material culture of society, reflects the history of the people. In this way, this exhibition as presented to an American audience went far beyond the framework of a narrowly professional one, and is definitely of great interest to the widest circles of the population.

The exhibition acquaints the visitor with the traditional shapes of Russian clothing, as well as with the character of the later all-European type of costume in Russia. The collection includes more than 500 authentic examples of clothing dating from the eleventh to the beginning of the twentieth century. The art of Russian costume is arranged chronologically into three sections: Russian Costume from the Eleventh to the Seventeenth Century, Folk Costume from the Eighteenth to Early Twentieth Century, and Urban Costume from the Eighteenth to the Early Twentieth Century

29/11/24