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April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 4 – Chinese Historical Fashion Exhibition continued):
Alrighty, Ming and Qing dynasty fashion, here we go! Sit tight because this is an extra long post that took me a long time to research
First is this marvel, a replica of the phoenix crown/fengguan/凤冠 of Empress Xiaoduanxian of Ming (明孝端显皇后). The real artifact is in this museum, but it's probably not exhibited much for conservation reasons.
Phoenix crowns are the formal headwear for empresses, which according to etiquette rules set at the beginning of Ming dynasty (1368 - 1644), must have 9 dragons and 4 phoenixes (btw the original Chinese term is fenghuang/凤凰, which is a different mythological creature from the phoenix, but "phoenix" is the commonly used translation now), but this crown has 9 dragons and 9 phoenixes, indicating that etiquette rules have loosened and shifted by late Ming.
The phoenixes on this crown are blue because they were actually made with the iridescent feathers of kingfishers in a process called diancui/点翠. All species of kingfishers are now legally protected animals in China, so when buying hanfu accessories, you may come across "imitation diancui"/仿点翠, these are usually either made with enamel or dyed chicken or goose feathers. Another thing to note is the appearance of the jewels on this crown. Ming-era people liked keeping the jewels in a "natural look", so these jewels had no facets.
Recreations of Ming-era hanfu. Left is the semi-formal outfit of aristocrat women in mid to late Ming dynasty. Right is the casual outfit of late Ming scholars and literati. The woman's cone-shaped hairstyle is called a diji/䯼髻, and the set of hairpins that goes on a diji is called toumian/头面. She's wearing a type of top called an ao/袄 and a skirt aka qun/裙, specifically a mamianqun/马面裙, or "horse face skirt". Note that the bottom hem of an ao is not tucked into the skirt. The man is wearing a square-ish hat called a fangjin/方巾 and should also be wearing a wangjin/网巾 underneath (can be understood as a hairnet). He's wearing a daopao/道袍 and a hechang/鹤氅 on the outside.
Also I did make a mistake while dividing up the pictures for these two posts, some of the following artifacts are from earlier dynasties. Ugh if only I had time to take pictures of all the placards.
A pair of mojie/摩竭 shaped gold earrings from Liao dynasty (916 - 1125). Note that the placard says it's "摩羯形" or "Capricorn-shaped", but this apparently is sort of a misnomer? Sort of, because this representation should be of the makara (मकर; translated as 摩竭 in Chinese), a sea creature from Hindu mythology, but at the same time it is the equivalent of Capricorn in Hindu astrology. However since the name "Capricorn" stuck, it's now commonly referred to as "摩羯". 摩竭 and 摩羯 have the exact same pronunciation though.
A pair of phoenix (fenghuang) shaped gold hairpins from Liao dynasty:
After a lot of pulling my hair out researching, I finally found what time period this gold belt buckle came from. It's from Eastern Han dynasty (25 - 220 AD). The gold filigree and beads form the pattern known as panchiwen/蟠螭纹, where pan/蟠 and chi/螭 are both types of loong dragon in Chinese mythology.
The gold decoration on a xiapei/霞帔 (the V-shaped wide band in the diagram on the right) from Liao dynasty. Xiapei originated in Song dynasty (960 - 1279) as part of the formal attire of consorts, but later developed into a part of the formal attire for women in general. Xiapei also looked different at different time periods in history, but from Song-era to Ming-era, its structure didn't change by much.
Finally back to Ming dynasty. This is a gold cap inlaid with gems and pearls. From the size of this cap and the included hairpins, we can deduce that this cap is meant to encase the bun on the top of the head (the hairpins that go through the cap would hold it in place).
Like the gold cap above, the next few are all from the same tomb of a Ming dynasty noble, and they are all themed similarly--they all depict scenes in a heavenly palace. Of these, the first three that has miniature architecture in gold are parts of the toumian worn on a diji hairstyle. This first one is a pair of yanbin/掩鬓 (lit. "covering temples"), so called because they are worn on the sides, close to the temples.
This next one has some confusion regarding the naming. According to an article by the Chinese Academy of Social Sciences Institute of Archaeology, the top artifact is a fenxin/分心 and the bottom artifact is a tiaoxin/挑心, but according to 撷芳主人 (if you are a hanfu enthusiast you have probably heard of this person or seen their works, they are the one who drew the cute illustrations of Ming-era fashion), the top one may be a manguan/满冠, and the bottom one should be called fenxin/分心. Note that 撷芳主人's conclusion is mostly based on Ming-era records and novels. Regardless of the naming, the top one here should be worn on the base of the diji, and the bottom one should be worn at the front center of the diji.
This one also has some confusion in the naming, the Institute of Archaeology calls it a dingzan/顶簪, while 撷芳主人 calls it a tiaoxin/挑心. Again, regardless of the naming, this one is worn on the very top of the diji, so the hairstick portion goes straight down through the diji. If you look closely, you can even see people and animals in the details.
Left: a pair of gold phoenix (fenghuang) hairpins made in the 22nd year of the Yongle Emperor of Ming. Right: gold filigree bracelets inlaid with gemstones.
Ming-era portrait of a scholar official. Before cameras were introduced in late-Qing dynasty, portrait paintings were the most realistic depictions of what people looked like back then. Such portrait paintings mostly began in Song dynasty and continued through to Qing dynasty.
Illustrations of the different buzi/补子 (also known as "mandarin square") used by different ranks of officials in Ming dynasty. All ranks are organized from highest on the left to lowest on the right, top row is for civil officials, bottom row is for military officials, and bottom right is for nobility. All illustrations here come from the Ming-era illustrated encyclopedia Sancai Tuhui (《三才图会》). For those who are interested, a scan of Sancai Tuhui is available on Internet Archive for free (link goes to first chapter, most chapters are available).
Also from Sancai Tuhui Chapter 62 (all pictures here come from Ch. 62-64), illustrations of the twelve ornaments (called shierzhang/十二章) on a mianfu/冕服, which is the highest level of formal attire for an emperor in Ming dynasty. These twelve ornaments depict things including celestial bodies (note that sun contains the three-footed sun crow, and moon contains the moon rabbit), elements of nature, mythical creatures, and representations of life, and are supposed to represent the values and traits that an emperor should possess:
And wrapping up the section on Ming-era hanfu, here are the headwear of different classes of people in Ming dynasty, from commoners to the literati to important government officials.
Note the net-like hair accessory on the left. This is a wangjin/网巾 during Ming dynasty (illustration from Sancai Tuhui), and is worn by all men regardless of social class. However, wangjin is worn almost like an "undergarment", so it's almost always covered by something else. Which means all those historical cdramas set in Ming dynasty that have their characters wear only a wangjin in public are, in fact, inaccurate.
Some hats of commoners and scholars in Ming dynasty. Note the left one on the second row, that is the same hat worn by the Fox Scholar in the episode Goose Mountain of the animated series Yao Chinese Folktales (《中国奇谭》).
Some of the formal headwear of government officials in Ming dynasty. These are called liangguan/梁冠, lit. "beam crown", where the liang/"beam" refers to the metal arches that go over the top. The more liang there are on the hat, the higher the rank of the official.
And last but not least, Qing dynasty (1616 - 1911) fashion. Left is Qing-era men's outfit for horseback archery and hunting, called xingfu/行服. His hat is composed of two parts, the actual hat called dingdai/顶戴 (here it's specifically the winter version) and the back decoration made of horsehair and feathers that signifies status is called hualing/花翎. Back is the casual outfit of late-Qing Manchu noblewomen, with the characteristic hairstyle called dalachi/大拉翅, a vest called kanjian/坎肩, and a robe beneath called chenyi/衬衣. These are all considered part of qizhuang/旗装, or traditional Manchu clothing. On the right is the late-Qing casual outfit of upper class Han women, with an ao/袄 top and a langanqun/阑干裙 skirt (a type of mamianqun/马面裙), and a headband decorated with pearls called mo'e/抹额. Note that although the exact origin of the modern qipao/旗袍 is disputed, it definitely has elements from at least one of the following: the Manchu chenyi, the Han ao, and the late Qing and early Republic era men's changshan/长衫.
A little historical background on why this particular display is arranged in this way. In early Qing dynasty, the Manchu ruling class enforced the policy of 剃发易服 (lit. "shaving hair and changing clothing") specifically on Han men in order to force conformity to Manchu traditions in terms of hairstyle and clothing, but Han women were not included in this policy. So in early Qing, Han women still wore the same clothing as they did prior in late Ming, but over the time the fashion of Han women absorbed many elements of Manchu fashion. However, this wasn't a one-way influence. By late Qing, many elements of Han fashion were adopted by Manchu fashion as well, so this influence really went both ways. Today, Manchu people is one of the 56 officially recognized ethnicities in China (4th largest ethnicity by population), and the traditional fashion of Manchu people is a part of the diverse culture of modern China.
Below is a real example of a chenyi, chenyi were popular among Qing dynasty imperial consorts as informal dress:
The hairstyle of Manchu women (called qitou/旗头) at different times during Qing dynasty. The one at the far right was what early qitou looked like, while the one on the far left appeared in late-Qing. The two hairstyles on the left frequently appear in period dramas set in Qing dynasty.
A belt called jifudai/吉服带 with pouches and decorations. Jifudai is so named because it's supposed to be worn with the semi-formal jifu/吉服 outfit. This particular jifudai is yellow, a color reserved for the emperor.
Real examples of Qing-era Han women's outfit, with an ao on the left, and a langanqun on the right. Langanqun is a type of mamianqun, but the construction is different from Ming-era mamianqun, in that langanqun is made from numerous rectangular and trapezoidal pieces of fabric sewn together into two larger pieces, whereas Ming-era mamianqun are simply two large pleated pieces of fabric. The way these skirts are decorated are also somewhat different. Visually speaking, Qing-era langanqun have woven and/or embroidered patterns that are arranged vertically, creating a "paneled" look, whereas Ming-era mamianqun have woven and/or embroidered patterns that repeat and extend horizontally as to wrap around the entire skirt.
Aaaaand that's it for this exhibition! Phew. I highly recommend everyone go visit the free virtual exhibition (link here), partly because when I visited the National Museum of China, I was in a huge hurry (I only had one day to see everything), and so the task of taking pictures of the exhibition was split between me and a family member, but I'm not sure they understood how many pictures I wanted....so what's in my posts here are only a very small portion of the actual exhibition. The actual exhibition doesn't just have artifacts and replicas of artifacts, but also have paintings and real articles of clothing from Qing dynasty, which were all amazing to look at.
#2024 china#beijing#china#national museum of china#historical fashion#historical clothing#chinese historical fashion#hanfu#chinese hanfu#manchu fashion#fashion history#chinese history#chinese culture#history#culture
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Precious metals in jewelry fabricating and their best use
Pure gold and platinum are delicate metals which are very thick. pure gold is around two and half times heavier than iron and pure platinum is just under multiple times. While truly brilliant in color pure metals are not suitable for fine jewelry because of their delicateness. Delicate metals are not difficult to harm, difficult to clean, and unsuitable for itemized work. For this reason they are blended (alloyed) with different metals, to give them the desired properties. This is likewise click here where this "carats" and confusing numbers become an integral factor. It is straightforward, as a matter of fact:
All pure metals in nature are white or gray in color with the exception of two, gold - radiant yellow and copper-reddish pink. Presently we return to precious metals.
All kinds of colors of precious metals are achieved by blending these colored metals in with white ones.
Carat is a confusing name for purity or fineness of precious metals. It is confusing because a similar word is used as a weight estimation for precious stones. That carat is equivalent to 0.2gr. what's more, have nothing to do with metal fineness. To differentiate the one carat from the other, in certain principles, weight carat is set apart with ct and purity karat with kt or k. We can acknowledge this standard to stay away from confusion in additional articles, consequently when we address metal purity we will use "karat". Karat is used essentially to characterize purity of gold composites. Different nations have different norms for gold purity and the most used around the world compounds are: 9kt or 375, 10kt or 416, 14kt or 585, 18kt or 750, 21kt or 875 and 22 or 916.
The alternative number which alone can be used as trademark shows the number of fine gold parts in the composite out of 1000. The simple method for making an interpretation of this into a reasonable data is to see it as the percentage of fine gold used x10. For instance 750 methods 75% pure gold substance or 18kt.Platinum is used in practically pure structure and 95% hallmarked 950 is a standard compound. All compounds with pure platinum content of 95.0% or higher can be likewise set apart with the full word "platinum" or ""plat." Other used composites are 900 (90%), 800 (80%) and 585(58.5) additionally called karat platinum. The astounding characteristics of this metal are better portrayed in another article where I'm contrasting it and the white gold alternative.Palladium 950 compounds are all around as white as the platinum, mixing great with white jewels and killing the need of rhodium plating.
Palladium is a light metal with weight near the one of sterling silver and a lot lighter than platinum and high carat gold composites, thus pursuing it the metal of decision for things like enormous studs. At the hour of composing, the cost of 950 palladium composites is about 33% of the cost of the 18k white gold offering extraordinary opportunities for enormous strong pieces at significantly reduced cost. One weakness however is that quality projecting of palladium requires materials and gear, presently not feasible for little studios.
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The Cultural Significance of Choosing the Best Gold Jewellery Shop in Cuttack
Gold holds a profound place in Indian culture, symbolizing wealth, tradition, and spirituality. In Cuttack, a city renowned for its rich heritage, gold jewellery is not merely an adornment but an integral part of every celebration. Selecting the best gold jewellery shop in Cuttack is a decision steeped in cultural importance, and Lalchnd Jewellers has emerged as the go-to destination for those seeking unmatched craftsmanship and trust.
A Legacy Built on Trust and Quality
Lalchnd Jewellers has been a household name in Cuttack for decades. Established in the heart of the city, it represents a blend of tradition and modernity. The shop has earned its reputation by consistently delivering hallmarked gold jewellery with a purity guarantee of 916, ensuring customers receive the best value for their investment.
Statistics show that nearly 75% of jewellery buyers in Odisha prioritize hallmark certification. This makes Lalchnd Jewellers an obvious choice for anyone looking for authentic and pure gold ornaments.
Bridging Generations with Custom Designs
In Cuttack, gold jewellery is often passed down through generations, carrying memories and traditions. Lalchnd Jewellers understands this sentiment and offers a wide range of designs to cater to different preferences. The shop specializes in traditional bridal jewellery like intricate choker sets and temple designs, alongside contemporary styles suitable for modern occasions.
According to a survey conducted in Odisha, 85% of families purchase gold jewellery for weddings, making it a crucial aspect of any celebration. Lalchnd Jewellers takes pride in being part of these cherished moments, offering bespoke services to create pieces that resonate with personal stories.
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Research shows that 40% of jewellery buyers now look for a hybrid shopping experience combining digital and physical platforms. Lalchnd Jewellers delivers on this expectation while retaining the personal touch that makes every visit memorable.
Why Lalchnd Jewellers is the Best Gold Jewellery Shop in Cuttack
Lalchnd Jewellers stands apart as the best gold jewellery shop in Cuttack by combining tradition, trust, and technology. Their dedication to purity, custom designs, and affordability ensures they remain an integral part of Cuttack’s cultural fabric.
Every gold purchase is more than just a transaction - it is a celebration of heritage and trust. For those seeking authenticity and excellence, Lalchnd Jewellers offers an unmatched experience, making it the ultimate choice for gold jewellery in the city.
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How to Identify the Purity of Your Gold Before Selling
Before selling old gold, it’s essential to verify its purity to ensure you get the best value. Common methods include checking the hallmark stamp (like 22K or 916), using a magnet to detect non-gold metals, or performing a simple acid test. Professional jewelers also offer XRF machine tests for precise results. Knowing the gold's purity helps you make an informed decision and avoid undervaluation.
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Gold Has Long Been A Symbol Of Wealth And A Secure Investment Choice For Individuals And Businesses Alike. Its Value, Often Seen As A Safe Haven During Economic Uncertainties, Fluctuates Based On A Variety Of Factors. Understanding The Current Gold Rate Is Essential For Investors, Jewelers, And Anyone Interested In The Precious Metal.
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Gold Jewellery Store in Ashok Nagar | Silver Jewellery | Ramya Raghavi Jewellers
One-stop shop for stunning 916 hallmark gold jewellery in Ashok Nagar. Our gold, silver, and diamond jewellery collections are handpicked to make your every special occasion more memorable with pride and happiness. From classic designs to modern masterpieces, our jewellery is a testament to our commitment to quality and beauty. Located conveniently near Beeramguda, Ameenpur, RC Puram, Lingampally, Patancheruv, and BHEL, Ramya Raghavi Jewellers offering 916 Hallmark jewellery with exclusive designs.
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Visit Geetham Jewellers, where elegance meets tradition in Tirunelveli's finest gold jewellery store. Discover our exquisite 24-carat gold creations, meticulously crafted for every occasion. Elevate your style with our diverse collection of chains, rings, bangles, and necklaces, all meeting BIS 916 100% hallmark standards.
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Discover the best gold jewellery earrings collections at Ramya Raghavi Jewellers. Our 916 gold earrings feature exquisite designs, perfect for any occasion. Explore the latest gold earrings in Ashok Nagar, offering both traditional and contemporary styles. Our collection includes the best gold earrings sets with price options to suit every budget. Visit us for the latest gold earrings collection and find the perfect pair to complement your look.
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916 Hallmark Machine
Gold, with its immortal appeal and all inclusive esteem, has been a cherished resource over societies and ages. Be that as it may, guaranteeing the virtue and realness of gold has continuously been a critical concern for buyers and dealers. This can be where hallmarking comes into play, and the coming of progressed trademark machines has revolutionized this prepare. Especially, the 916 hallmark machine price stands out in its significance for certifying 22-karat gold, which is monstrously well known in numerous worldwide markets.
The Significance of Hallmarking
Hallmarking serves as a quality confirmation degree, certifying that the gold's claimed immaculateness is exact. A trademark regularly incorporates:
Immaculateness Stamp: For occurrence, "916" shows 91.6% immaculateness.
Test Office Stamp: The image of the research facility that tried the gold.
Manufacturer's Check: Recognizes the jeweler or producer.
Year of Stamping: Shows the year the trademark was connected.
How Trademark Machines Work
Trademark machines are outlined to apply these marks effectively and precisely. They consolidate a few progressed advances to guarantee that each piece of gold is legitimately certified without harming the thing.
Progressed Highlights of Trademark Machines
Laser Etching Innovation: Cutting edge trademark machines utilize exact laser innovation to etch the trademark. This strategy is exceedingly exact and can make point by point marks without compromising the integrity of the gold.
Computerized Checking Frameworks: These machines can handle expansive volumes of things, making them perfect for high-production situations. Robotization diminishes human blunder and speeds up the hallmarking prepare.
Coordinates Computer program: Numerous trademark machines come with program that permits administrators to control and screen the etching handle. This program can store layouts and alter settings to suit distinctive sorts of gold things.
Strong Development: Outlined for persistent utilize, these machines are built from tough materials that guarantee long-term unwavering quality and negligible support.
Estimating of 916 Trademark Machines
The cost of a 916 trademark machine can shift altogether depending on its highlights and capabilities. As of 2024, costs regularly extend from $20,000 to $50,000 USD, with high-end models possibly surpassing this extend.
Variables Influencing the Cost:
Innovative Advancement: Machines with more progressed laser frameworks and more noteworthy accuracy will by and large be more costly.
Degree of Computerization: Completely computerized machines, which require negligible human mediation, tend to fetched more than semi-automated models.
Brand Reputation: Well-established brands known for quality and unwavering quality may have higher costs, reflecting their predominant construct and client bolster administrations.
Operational Capacity: Machines able of dealing with higher volumes of gold things will regularly be estimated higher due to their upgraded toughness and productivity.
Benefits of Contributing in a Trademark Machine
For jewelers, goldsmiths, and bullion dealers, contributing in a trademark machine offers a few points of interest:
Ensured Virtue: A trademark gives clients with affirmation almost the virtue of the gold, cultivating believe and rehash trade.
Compliance with Controls: In numerous districts, hallmarking is obligatory. Owning a trademark machine guarantees that businesses comply with these lawful necessities.
Proficiency and Fetched Reserve funds: Computerized trademark machines decrease the require for manual labor, speeding up the method and cutting down operational costs within the long run.
Upgraded Showcase Validity: Businesses that trademark their gold are seen as more proficient and dependable, improving their notoriety within the showcase.
Future of Hallmarking Innovation
As technology continues to advance, the longer term of hallmarking looks promising. Advancements such as blockchain integration for traceability, AI-driven quality control, and indeed more exact laser advances are on the skyline. These advancements will not as it were improve the exactness and effectiveness of hallmarking but moreover give more noteworthy straightforwardness and traceability within the gold supply chain.
Conclusion
The advancement of hallmark machines has essentially changed the gold industry, guaranteeing that customers get bona fide and immaculate gold. The 916 trademark machine, in specific, may be a pivotal apparatus for certifying 22-karat gold, a standard in numerous markets. Whereas the starting venture in these machines is considerable, the long-term benefits in terms of compliance, effectiveness, and market credibility make them an crucial resource for any genuine gold commerce. As we see to long term, proceeded innovative headways guarantee to assist refine the hallmarking handle, setting indeed higher benchmarks for quality and genuineness in the gold industry.
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Golden Grace: Sleek and Chic Designs for Your Perfect Necklace
Looking for the best simple gold necklace design online? You are in the right place. Our exclusive gold long necklace design will surely take your breath away. All you need to do is check out our wide collection and choose as per your wish. We have introduced 22CT 916 gold ornaments & are pioneers of the same.
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Here you can get Chennai gold rate today for 916 KDM, 1 gram gold rate, 22 & 24 carat gold rate, live Chennai gold rate, gold price today Chennai. Here we have provided the latest price of gold rate for 916 KDM 22carat & 24carat (99.9%) rate for 1 gram, 8 grams, and 10 grams. Our website provides the exact gold rate in Chennai and all over Tamilnadu. Check here today's live gold rate based on the all-Indian market. Gold rates are fixed by the Golden Bullion Association and we update the latest gold rates, silver rates, and diamond rates.
In Chennai, the capital of Tamil Nadu, Gold is a hugely important commodity. Also, one of the metropolitan city India and is considered as the Gateway of South India. When comes to the gold rate, Chennai ranks above all other cities and towns. Chennai boasts the maximum number of gold sales and purchases in India. Compared to other cities, the people of Chennai purchase gold in the form of ornaments. Here, you can find several gold establishments around the city, to meet the demand. Gold rates today in Chennai are updated daily and can be obtained from gold dealers and online. Here, we list the latest and most-priced Gold rate in Chennai today. From ancient times, people from Tamil Nadu known for their gold usage and it plays an important role in their customs and traditions. To cater to the demand, there are several jewelry shops and establishments spread around the city. On our website, Gold prices are updated daily – we always ensure 100% precise information. Gold rates in Chennai can be used to know today’s gold price for those who dealing with gold sales and purchases.
Checklists when Buying Gold Jewellery:
Hallmark and BIS Certification: The Bureau of Indian Standards (BIU) certifies the purity of gold. The Hallmark certification provides the quality of gold and shows the BIS rating, company logo, purity, etc. Do check these aspects as it is important when you sell the gold.
The daily gold price: Gold prices may vary across all jewelers as they put a margin to appear at the daily IBJA or gold association prices. Also, today’s gold price in Tamil Nadu may vary by the moment reflected in the live gold value of the gold market. Always check these prices, alloy costs, stone charges, etc., before buying gold ornaments.
Buy and back terms: When selling gold or exchanging it the buy and back prices are very important. Also, check if the store provides you with a gram-to-gram exchange, the day’s gold price, and make sure you carry your purchase receipt. Note that you cannot retake the tax paid, making charges, etc.
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How can you tell if a chain pendant is real?
When shopping for gold pendants to adorn your gold chain, ensuring their authenticity is paramount. The market is flooded with imitations, and it's essential to distinguish genuine gold pendants from the rest. Here are some key tips to help you make an informed purchase.
1. Look for Hallmarks: Authentic gold pendants are typically stamped with hallmarks indicating their purity. In India, you'll commonly find the BIS 916 hallmark. These markings signify the percentage of pure gold in the pendant.
2. Weight Matters: Real gold has weight. If your pendant feels exceptionally light for its size, it might be a counterfeit. Gold is denser than most other metals, so a genuine gold pendant will have a noticeable weight.
3. Acid Test: A jeweller can perform an acid test, which involves applying acid to a small scratch on the pendant to check its reaction. Real gold will not react to nitric acid, while fake ones will show discolouration.
4. Magnet Test: Gold is not magnetic, so if your pendant is attracted to a magnet, it's likely not genuine.
5. Seek Professional Appraisal: For valuable or antique gold pendants, consider getting a professional appraisal. A certified appraiser can provide a detailed assessment of the pendant's authenticity and value.
6. Trusted Retailers: Purchase from reputable jewellers like CMR Jewellery or stores with a history of selling genuine gold jewellery. Established retailers are less likely to sell fake gold pendants.
Remember that while these tips can help you identify real gold pendants, it's always wise to exercise caution and seek expert advice when in doubt. Genuine gold pendants for women are timeless investments that should bring joy and beauty for years to come.
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Best 916 Gold Jewellery
Welcome to the World of Exquisite Gold Jewellery: Discover Elegance and Timeless Beauty
Gold has traditionally been a key component of India's wealth creation, and it will likely remain so for the foreseeable future as well.
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Todays gold rate Mehsana- check Gold Rate. We provide 22 carat gold rate daily at Mahakali jewellers Mehsana, Gujarat. 916 hallmark gold Price in Mehsana
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Roop Jewellers is a best diamond jewellers in south delhi, where you can buy varieties of pendants made of gold, silver and diamond; find more infomation about best 916 hallmarked gold jewellers in south delhi, best diamond jewellers in asia.
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