#70s kung fu

[theactioneer]

Bruce Lee, Jim Kelly & John Saxon on the set of Enter the Dragon (1973)

[louisbxne]

AALIYAH & JET LI - Try Again (2000) Dir. Wayne Isham

BRUCE LEE - Enter The Dragon (1973) Dir. Robert Clause

[vertigoartgore]

1978's Master of Kung Fu Vol.1 #64 cover by cover artist Paul Gulacy.

[driveintheaterofthemind]

Vintage Poster - The 7 Brothers Meet Dracula

Dynamite Entertainment (1979)

[vintage-tigre]

Bruce Lee, 1972

[angelofalls]

What I be thinking about (this video lives there rent free!)

[theglitterdome]

[eliana-inks]

2024 are Po's and Megamind's year!

First Dreamworks fanart for the year. Can't wait for what they have in store for us this year!

[last-of-the-independents]

ANDY ROBINSON as Johnny Walker in KUNG FU series

(S2, E18 - Crossties, 1974)

[of-fear-and-love]

Bruce Lee in 精武門 / Fist of Fury (1972)

[browsethestacks]

Vintage Poster - Dalla Cine Con Furore (The Chinese Connection) (Italian)

Art by Averardo Ciriello

Titans (1973)

[theactioneer]

Ken Barr Deadly Hands of Kung Fu illustration (1970s)

[vintagegeekculture]

50 Years of Kung Fu Movies

There’s an overlooked anniversary that hasn’t been widely reported much yet: as of March 2023, it’s been 50 years of Kung Fu movies in the United States. 

Bruce Lee was not the first big international Kung Fu movie star. Rather, the first English-dubbed breakout Chinese martial arts movie to become a hit in the greater US (apart from Hawaii) was “5 Fingers of Death” (also called “King Boxer”) in 1973 starring Lo Lieh, six months before Bruce Lee’s “Enter the Dragon” and posthumous fame, making Lo Lieh the first true international Kung Fu star. There were lines halfway around the block at Times Square to see “5 Fingers of Death,” thanks to a radio giveaway in the New York area, and to those who first saw the movie, they remember the very first scene when the 63 year old Kung Fu master started backflipping and kicking out of nowhere and everyone watching this started losing their minds. “Five Fingers of Death” was like “Star Wars” in that it was a movie people saw over and over, minds blown, never having seen a film like this before. 

Because Kung Fu movies were shown in less expensive grindhouse cinemas in urban areas, like seedy, pre-gentrification Times Square in New York, the audience for these films was disproportionately black, and to this day, the black community has a strong connection to 70s Kung Fu movies. Every middle aged black dad today loves this stuff. It isn’t just due to them being shown in inner city theaters, however, or on UHF stations where they were replayed cheaply on Saturdays. Rather, the success of Kung Fu movies in the black community is based on the themes of the movies. Most Kung Fu movies are about poor dishwashing working class underdogs in an unjust system, usually either Japanese Imperial Occupied China, or during the Manchu Dynasty, where China was ruled by despotic foreign conquerors. The heroes bow in humiliation at first, but who secretly take the power back through intensive personal training, blood and sweat and a montage, that lets them stand up to oppressors. As RZA of the Wu-Tang Clan explained: “when we saw these movies about opposing the Manchu Dynasty, it made us think we weren’t the only people in world history that ever went through this.”

When it comes to introducing the genre, “Five Fingers of Death” is a great “first movie,” a pure, emblematic example of what these movies look like. In the very first scene, in Japanese occupied China, an old Kung Fu Master who is our hero’s teacher is pursued by Japanese karate killers, enforcers of the occupation. His student, Lo Lieh, has to learn the iron palm technique in a brutal, bloody, visceral series of training montages to harden his palms to iron, which involve him excruciatingly breaking every finger in them. The themes of vengeance, pursuing justice under occupation, training montages that are as important as the action, and the theme of failing brutally over and over until it “clicks” and you have a miraculous “Eureka!” moment that every teacher recognizes and lives for. It helped it started with the Kung Fu right away....imagine seeing flips and flying kicks for the first time when you’re used to western bar brawls. 

It’s worth noting that, despite being a hugely important moment in pop culture, 5 Fingers of Death was not a hit in Hong Kong, and was not even in the top 10 highest grossing movies of the year. It reminds me of Voltron, which is absolutely unknown and completely obscure in Japan, when elsewhere, it is THE giant robot show. The fact 5 Fingers was a big hit in the US absolutely baffled the Shaw Brothers, who were convinced to part with the rights for their movies for cheap, leading to a flood of Kung Fu movies. Notably, Lo Lieh, though he was the first Kung Fu movie star and a reliable martial arts leading man, did not have much of a career after this in lead roles. His character skills were best served playing villains in Shaw Films, notably as the evil Kung Fu eunuch supervillain, Pai Mei, in “Executioners from Shaolin” and “Clan of the White Lotus.” Tarantino wanted Lo Lieh to reprise his role of Pai Mei in Kill Bill Part 2, only to discover that he died just before filming. 

[misterivy]

[jackie-and-peace]

I put together some Lo Mang and Kuo Chui duo/not-duo clips🐸🦎ft. Chiang Sheng. Obviously there is limited content to use on youtube, so sad

[vintage-tigre]