#70-200mm 2.8

[nfasth]

[waldgeister]

Is it always black in space? - Switzerland Alps - June 2k17 https://www.deviantart.com/1darkstar1

[dphotoworld]

SIGMA 70-200mm F2.8 DG DN OS | Sports поступит в продажу 7 декабря

Опубликована официальная информация о долгождан... Читать дальше »

[kaelula-sungwis]

The Old Water Carrier by Daniel Cheong Via Flickr: Shot in the streets of Patan Durbar Square, Kathmandu, Nepal. My website: www.danielcheongphotography.com Please visit my Facebook Page Join me on 500px | Instagram | Google+ | Facebook | Twitter

[boabdulla21]

Ramadan waxing gibbous

Photo taken on 20th March 2024, the 11th night of Ramadan 🌙

Sony a7R V

FE 70-200mm f/2.8 GM OSS II + 2X Teleconverter

[nikkeisimmer]

Deteriorating Disc Disease

...is starting to affect my hands and their ability to hold heavy objects. Which is one of the reasons why I had to give up my D300s and my 70-200mm f/2.8 VRII and forget ever holding a 600mm f/4 lens ever again. So some memories from my life as a photographer.

Double-crested Cormorant landing on Green Timbers Lake.

Coal Harbour, Vancouver, BC,

Stanley Park and English Bay

Surrey Public Library, Surrey, BC

Fog on the Fraser, Fraser River, Lower Mainland British Columbia

Two double-crested cormorants swimming

Stanley Park Willow at Sunset

I'll miss it, but well, sometimes with age, things go away that you wish could continue.

[rottingrard]

12/14/2010 KPNT 105.7 - The Pageant, St. Louis, MO. Taken by Todd Owyoung.

PHOTOGRAPHER'S NOTES:

I'm convinced that My Chemical Romance is just one of those bands that loves crazy, spazzy lighting. Sort of like Dillinger Escape Plan or Underoath, just less extreme.

But don't think I'm complaining – the band has such a tight live performance that it's still a thrill to photograph them. You just have to bring your A-game.

Cameras Used:

Nikon D3

Nikon D700

Lenses Used:

Nikon 24-70mm f/2.8

Nikon 70-200mm f/2.8

Overall, the band's high-energy energy performance was both a blessing and a curse – tons of movement, dim-ish lighting, and general chaos in the pit all combined for a tough job. On the flipside, this same fantastic intensity made for lots of photo opportunities – if one was fast enough to catch them.

The Nikon 24-70mm f/2.8 was easily the champion of this show, and handled most of the heavy duties on the Nikon D3. The Nikon 70-200mm f/2.8 was useful for a few longer shots, but legendary as the midrange for usefulness at this MCR show.

Mikey Way is probably the easiest subject of the band – he moves around enough to make things interesting, but not enough that tracking was ever an issue (like it was for his bro Gerard). Also, Mikey rocks the power stance pretty much all the time, so be wins bonus points there, too. Gerard is a close second because of the bright hair, though.

Lighting was much better than MCR's previous tour, which was humbling to say the least, but still consisted of lots of quick backlighting that flared up and lit up the haze beautifully. Since most of the lighting comes from the house rig, the details of the front and back lighting will be up to your venue. At the Pageant, the front lights are so high up that they weren't great for catching Gerard at the front of the stage, but your gig may be different.

[piotrtymcio]

Aleksandra

Canon EOS R6, TAMRON SP 70-200mm F/2.8 Di VC USD A009

[EN] Aleksandra. This is one of the nicer sessions that ages well. The photos bring back good memories. And that warm, sunny afternoon.

[PL] Aleksandra. To jedna z fajniejszych sesji która dobrze się starzeje. Zdjęcia przywołują fajne wspomnienia. No i to ciepłe, słoneczne popołudnie.

[bromodideuterio]

Canon EOS-1, EF 70-200mm f/2.8, Kodak Portra 400

[nfasth]

Selfie

[thesmaku]

Someone really doesn’t like the next round of snowfall and just wants to hide from it all. . I found this guy just lounging around on a fence on my drive and was thankful he stuck around for a while to pose for me. . Are you excited for today’s snowfall? . Nikon Z 9 with Z 70-200mm f/2.8 at 200mm, f/4.0, 1/500sec., ISO160 . #nikonambassador #raccoonlife #raccoon #ontario #nikoncreators #urbanwildlife #urbanwildlifechallenge #sharecangeo #yourshotphotographer #wildlifephotography #wildlifephotographer (at Ontario, Canada) https://www.instagram.com/p/CpnKk3xueFa/?igshid=NGJjMDIxMWI=

[mutant-distraction]

'Two's a crowd' Image by Richard Scripps.

Finalist in 'The Best of 2022' Category - Pangolin Photo Challenge 2022.

Sony α7R III

Sony Lens Model:FE 70-200mm F2.8 GM OSS II lens

Focal length: 70mm

ISO: 4000

F stop: f/2.8

Exposure time: 1/1000 sec

[nevzatboyraz44]

i_tuerk

In 1250, Aybeg El Turkmeni founded a Turkish state centered in Cairo.

Although it was known as the Egyptian Mamluks, it was the first state in history to use the name 'Turkey' under the name 'Devlet'üt Türkiyye'.

One of his grandchildren, Sultan Kalavun, had this magnificent complex built in 1312.

This cluster of structures, oozing elegance from every part, is among the symbolic works that come to mind when Egypt is mentioned today.

When you enter the complex, it transports you back to the 1300s and gives you great peace.

May God have mercy on his creator, his servants and all the believers who worship him.

📷 Sony a7r3

Lenses:

Sony FE 70-200mm f/2.8 GM

Sony FE 16-35mm f/2.8 GM

View this post on Instagram

A post shared by İsmail Türk (@i_tuerk)

[livefromphilly]

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

[boabdulla21]

Photo taken using Sony a7R V and lens used 70-200mm, f/2.8