#440 Hz

[instrumentsdumonde]

🎵 Laissez-vous la possibilité de jouer avec plusieurs autres Musiciens en vous procurant ce superbe Handpan accordé en 440 Hertz, la fréquence normalisée.

[flebur]

[random2908]

Today, the woman who sat next to me in choir this past season (new this year) was introducing me to an old friend of hers. Her friend was saying it was great she was in choir because she was a good singer, and she said she always listens to me. I was like, well, I'm not the best person to listen to because it's only my second year, and there are songs I don't know that well yet.

(It's a religious choir so it's the same songs every year, but it's also like probably 40+ songs that we have to learn in 2 1/2 months; people who come year after year have the whole thing memorized, but it's a lot to pick up in just one season. She and I both had the advantage of, generally being in the religious community, we knew at least half the songs already--in my case, some from childhood; in her case, she's in her 80s so she's had time to pick things up. But that's still 20+ songs to learn in a very short amount of time.)

She explained to her friend that she got through choir by listening to me. I was like, that's just because I'm loud! I tried to listen to her, too, but she doesn't sing as loud as me, so it's hard. I listen to the (hired) choir director/pianist, because she usually sings along with the sopranos and she's very loud, and obviously knows all the music.

She was like, no, you don't understand. She was like, when you know the piece, when you know what note you want to hit, you have perfect intonation every time.

So that was nice to hear! I thanked her, of course. I told her it was impossible to tell from inside my head, but at the same time I really care about it, so I'm glad to hear I'm doing it. She said she could tell I cared about it, because it's not an accidental ability, even if I couldn't hear if I was getting it right. I told her I wondered if it was because I was trained as an instrumentalist, not a singer, as a kid. When you're playing an instrument in an ensemble, intonation really matters.

Like, I didn't say this, but. It seemed like the majority of kids who were still in band by high school had perfect relative pitch. (Perfect absolute pitch--what people usually mean when they say "perfect pitch"--is incredibly rare; as far as I know I've only ever met three people who had it.) So I always just assumed I had perfect relative pitch, like most of the other kids did, because no one had ever presented evidence to the contrary. I'm pretty sure I have partial absolute pitch, too, just from accumulated age--I don't think I did as a kid--but of course not perfect absolute pitch.

But perfect intonation is a step beyond that. It's perfect relative pitch, plus your voice actually doing exactly what your head thinks it should do. And that's the part I was never sure of. Especially since, once in college, a friend asked me to sub in at her church choir for a day, and then afterwards told me I was sharp. So I just always assume I'm off a bit, and I can't hear it because I'm hearing through my bones and it's a little different than someone else hearing me through the air. But maybe I have better vocal control now than I did at 21. (...I don't feel like I have better vocal control than at 21. But maybe I do.)

But yeah, I do care. So it's good to know I've got it.

[magnficientoarfish]

image description: a YouTube video titled “Speedcore 100000 bpm” The thumbnail is just text that reads “50000 BPM”

my guy that is called a Tone

[thalialunacy]

[a wee character sketch interlude for the @calaisreno May Prompt Party]

(1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) 26: manipulate (27) (28) (29) (30) (31)

-440-

Orchestras always tune to ‘A’ on the oboe, because every string instrument has an ‘A’ string. Oboes can play sharp or flat, just like any other instrument, but modernly every oboist uses a little electronic meter to ensure that their ‘A’ is exactly right.

As a child, his violin instructor had made him start every lesson by vocalising A4 out of thin air. Or, at least, attempting to do so; Sherlock has always had excellent intonation, but perfect pitch -- the ability to name the frequency of sounds one hears and vice versa -- is not on his resume.

So the exercise always felt fruitless, and aggravatingly so, because of course he never actually got the correct pitch. Close, and closer with time, but never close enough.

Years later, watching a tiny human named Rosamund drag herself to her feet just to fall back down time and time again, it finally occurs to him: That was the point.

-415-

Baroque: relating to or denoting a style of European architecture, music, and art of the 17th and 18th centuries that is characterised by ornate detail.

He finds himself in a tiny overcrowded music hall watching a small early music ensemble (3 violins, 1 viola, 1 cello, 1 contrabass, 1 recorder, 2 bassoons, 1 trumpet, 1 harpsichord, and 1 very murderous theorbo player) and it takes him far too long to realise why he's uncomfortable. Why there is a little twitch below his left eye.

They are actually using a historically accurate tuning.

Sherlock blinks, feeling around his jaw to see if it could be something else, but no, a part of his overly-trained brain rebels against all the sounds being pitched slightly lower than modern sensibilities. It's like a phantom toothache.

It's like before, when Sherlock would glance up from his microscope and observe John feeling poorly. In those days, Sherlock had nothing to offer, really, so he'd just had to let John's unhappiness bury itself under his skin as something else to ignore.

Now, though. Now he can do something about it.

-432-

Some theorists and musicians claim that the 432 Hz tuning has better effects on the human body, but there are no scientific studies that support the hypothesis.

He brings an exhausted John a late night (and therefor unattractively decaf) cup of tea. 'What happened?' he asks quietly, settling in across from him.

John shakes his head vaguely. 'I couldn't… I couldn't convince a mother to respect her child's pronouns.' He coughs. 'I am an old man who is shit at not stumbling over such things, but… She wouldn't even try.'

He meets Sherlock's eyes over the rim of his mug. 'Please remind me of this when Rosie is a teenager and I want to throttle her for reinventing herself every two days.'

Sherlock pauses, then sets his tea down and leans in until he can palm the soft pyjama fabric covering John's knee. It's a small gesture, but it works-- the creases in John's brow lose a little of their severity. 'I have no doubt she'll try our patience and sanity severely. But, John… You are already a far better parent than yours were.'

John stares at him and breathes out heavily. 'Fuck.' His free hand comes down on top of Sherlock's, absently palpating his knuckles one by one. 'But you can't-- There's not exactly scientific evidence, is there, to support that.' 

Sherlock clears his throat. 'Yes, well. I'm confident there will be.' 

John's lips twitch. 'Sherlock Holmes, are you saying you have faith in something?' 

Sherlock tuts, then decides he doesn't care about propriety in this moment. He moves until he's kneeling before John, holding his face in his hands and focusing on the tiny freckle under John's left eyebrow, knowing John will understand.

'Yes,' he says simply. 'Just one thing.' And then he leans in. 

[❤️]

[music to which this was written: Britten's Violin Concerto, Op 15, which I'm certain Sherlock would hate, but he's wrong]

[morningveil]

hate corn syrup and excessive salt in food hate plastic packaging hate toxins polluting the air i need to breathe to live hate having bras containing bpa hate having bras hate having to chose sleep deprivation several times a week to Get Work Done hate hearing 440 hz edm in every store i go to hate light pollution hate having to get water from plastic bottles purchased with money hate womens clothing hate the expectation to be gorgeous and charming but not too friendly or else im being weird hate living in a society where having a phone and internet access is required for basic things hate having to stare at artificial blue light for eight hours a day hate having a cell phone hate living in a culture of isolation just want to live on an island with a like-minded community and a little farm

[doomandgloomfromthetomb]

Golden Feelings - Be Healed

Further ambient loveliness from Dustin Krcatovich, who makes sound under the Golden Feelings moniker. I had the good fortune to catch Dustin doing his thing live this past summer and — as the the title of his latest release suggests — it was a restorative, rejuvenating experience. Golden Feelings music, it turns out, is “tuned to 432 hz, a very subtle shift from the western standard of 440 hz which is nonetheless said to promote mental health and alignment of the chakras.” So yeah! Think Stars of the Lid, think Bitchin Bajas in yoga mode, think blissful, sun-kissed clouds. Stressful times call for healing sonics.

[moonbeamsmeantforme]

Mark Rothko, Untitled (Yellow, Pink, Yellow on Light Pink), 1955, Oil on canvas, collection of Kate Rothko

[in-the-key-of-f-major]

My fencing coach uses music as a metaphor for fencing during my 1-on-1 lessons

Yesterday, he told me to do a crescendo to f, because I kept "playing" mp or even the occasional sforzando

This is actually about feints and then extending my arm to finish the attack

In terms of speed, he told me when I could do ritardando and accelerando

He said I can either tune up or tune down, but if I'm unsure of my opponent, I can keep A at 440 hz (tactics for parries and feints where you point your tip at the opponent's guard and if you do it right, you won't be caught by the parry)

I straight up asked him how much music theory he knows

He knows I used to be a musician in my teen years and two weeks ago, he told me to do my footwork starting with a quaver because I was starting with a crotchet instead and the rhythm was off

During the group class after my 1-on-1 lesson, the musical metaphors came up again and another fencer with some musical background agrees that a feint and then finishing the attack is a crescendo to forte

My coach knows I listen to classical music and so he sprinkles a bit of musical terminology into our lessons, but man yesterday was straight up a crossover of both music and fencing

[inkandguns]

They fucked up doing 440 hz instead of 432 hz

[user7038634357]

Drone piece that I made from birds.

Long explanation:

The echo / feedback effect on a synthesizer can be raised to an extreme level where the source of the echo or that sound that is feeding back & repeating is overcome by the feedback itself. as in the feedback is repeating itself more than it is repeating the original sound it's supposed to. this creates a bright layer of screeching that is basically the echo echoing itself & then echoing that sound & so on, infinitely. Kind of like the avant garde music piece "I am sitting in a room" where this guy is talking & repeats that recording of the talking into a room repeatedly until the reverb distorts his voice into an unrecognizable shimmer of vibrations. so this effect can still be influenced by the original source sound that was supposed to be echoed. it causes these waves & ripples in the feedback noise. so given that it's springtime, birds are doing their thing more often. i heard a really pretty noise coming from a crowd of them outside of my window, recorded that sound, & added the extreme feedback effect to it. after filtering out all other frequencies except those nearby 440 hz, this new sound was tuned 48 hz below the 440 hz version & the two were layered to create a major 5th harmony. There's an allegory here somewhere.

[instrumentsdumonde]

Créez des instants magiques avec le doux son de ce Handpan en 440 Hz en cliquant sur le lien ci-dessous :

[melody-makers-0]

Mastering Handpan Techniques: A Beginner’s Guide to Beautiful Sounds

Learning to play the handpan is a journey of discovering new sounds and rhythms. With its beautiful, resonant tones, the handpan offers limitless opportunities to create music. In this guide, we’ll cover some key playing techniques that can elevate your skills and enrich your music. Whether you’re playing on a Handpan 10 Notes model, exploring the uplifting C Major Handpan, or practicing on a Stainless Steel Handpan tuned to Handpan 440 Hz or Handpan 432 Hz, these techniques will help you unlock the full potential of this unique instrument.

Core Handpan Playing Techniques

Basic Strike Start with the basics by mastering a light, controlled strike. Use your fingertips, and keep your hand relaxed to achieve a clear, resonant tone. This technique is essential, whether you’re working on a Handpan 10 Notes or C Major Handpan, as it forms the foundation of every piece you’ll play.

Playing the Rim Striking the rim can produce softer, percussive sounds that add layers to your music. This technique works well on any handpan, including the Stainless Steel Handpan, as it emphasizes the metal’s unique resonance. Experiment with rim strikes using different fingers to create varied effects and deepen your sound.

Alternating Hands for Rhythmic Flow Alternating hands is essential for maintaining rhythm and adding speed to your playing. Play a note with your right hand, then switch quickly to your left. This technique keeps your rhythm steady and allows for fast, lively passages. Try practicing this on a C Major Handpan tuned to Handpan 432 Hz for a soothing, balanced sound.

Exploring Dynamics Dynamics allow you to express emotions in your music. Start by practicing soft taps and then increase your strike intensity to bring out louder notes. This adds depth and complexity to your music. A Stainless Steel Handpan will enhance dynamic play due to its clear tonal response, making each dynamic shift more expressive.

Intermediate Techniques to Add Depth

Mute Technique Muting involves lightly pressing down on a note immediately after striking it to create a dampened, staccato sound. This technique is perfect for rhythmic play or percussive elements. Start by striking a note, then quickly press your finger down to muffle it. Muting is especially effective on Handpan 10 Notes models, as it allows you to explore rhythm on multiple notes.

Damping for Silence and Rhythm Damping, which silences a note completely, adds crispness and contrast to your playing. To dampen, strike a note and then immediately press down to stop the sound. This technique can create precise, rhythmic accents, especially useful when playing a Handpan 440 Hz for its crisp, modern sound.

Combining Techniques for Unique Soundscapes The real magic comes when you start combining techniques. For example, try alternating between muted and unmuted notes, or add rim strikes into your melody. Mixing different dynamics, hand alternation, and damping techniques will give you a rich variety of tones, ideal for personalizing your music.

Choosing Your Handpan Tuning

Handpans are often tuned to either Handpan 440 Hz or Handpan 432 Hz, each bringing a different vibe to your music.

Handpan 440 Hz: Known as the modern standard, 440 Hz tuning offers clarity and precision. This is the choice for players who enjoy a sharper, well-defined sound, especially in ensemble settings.

Handpan 432 Hz: 432 Hz tuning is favored for its perceived healing and calming effects. Known as the “natural” tuning, it offers a slightly softer sound that many find ideal for meditation and solo play.

For those looking to explore high-quality sound and craftsmanship, the MiSoundofNature Handpan offers a beautifully crafted, well-tuned option for players of all levels.

Practice Tips for Consistent Improvement

Set a Routine: Daily practice builds muscle memory and strengthens technique. Set aside at least 15-20 minutes each day to focus on individual techniques and songs.

Listen and Learn: Listening to experienced handpan players gives you inspiration and shows you new ways to apply techniques. Try playing along or mimicking the style of different artists to expand your musical understanding.

Record Your Sessions: Recording allows you to review your sound and notice areas for improvement. You’ll also be able to hear your progress over time, which can be incredibly motivating.

Bringing it All Together: Crafting Your Own Sound

Handpan playing is a deeply personal journey. By mastering these core techniques and exploring advanced methods, you’ll start to develop a unique sound that reflects your own musical style. Try combining elements from each technique to find what resonates most with you. Playing a Handpan 10 Notes or C Major Handpan tuned to Handpan 440 Hz or Handpan 432 Hz will reveal new tonal possibilities as you experiment. Let your creativity flow, enjoy each practice session, and keep exploring the beautiful sounds of the handpan.

[fridagentileschi]

CONVERTI LA MUSICA A Hz 432

Un ministro della propaganda nazista Joseph Goebbels creò un decreto universale nel 1939 con il quale si esortava tutti i musicisti a intonare il LA a 440 Hz invece di 432 Hz.

Dal 1939 fino ad oggi si suona a questa frequenza.

Perché abbiamo cambiato l'intonazione del LA da 432Hz di frequenza a 440 Hz?

Questo fa sì che la gente possa pensare e sentire in un certo modo e la tiene impantanata in un disordine interno.

Nel 1953 il decreto Göbbels è stato approvato dalla International Organization for Standardization (ISO).

Il cambiamento di frequenza è stata effettuata a 440Hz nonostante Dussaut professore al Conservatorio di Parigi abbia raccolto le firme di 23.000 musicisti francesi, per un referendum, che erano a favore della conservazione a 432 Hz, per preservare l'armonia musicale con la vibrazione musicale dell'universo.

La frequenza del pianeta Terra è di 8 Hz, anche se ultimamente sta cambiando.

Le onde alfa, la frequenza del cervello in uno stato rilassato sono onde a 8Hz.

Accordare a 440 Hz, significa che la base non è 8 ma 8'25, il che significa che le onde o vibrazioni che vengono generate non sono in armonia con il pianeta.

L'Essere Umano opera in un range di frequenza che va 16-32 Hertz, equivalente nella scala musicale, da Do a Do, vale a dire un ottavo.

La frequenza a 440 Hz non è in armonia nemmeno con la frequenza dell’essere umano, perché la base è 16.5.

La prima modifica fisica che si nota quando abbiamo ascoltato un po’ di musica, è la stanchezza, la fatica, voglia di fare niente, e questo perché la frequenza della musica non si adatta con la frequenza vibrazionale dell'essere umano.

La ricerca indica che la musica dovrebbe essere basata su frequenze naturali di armonia cosmica dell'universo per essere utile al genere umano, così avrebbe un principio "organico".

L'Istituto Schiller chiede un cambiamento del tono da 440 Hz a 432 Hz di nuovo, perché il 432 Hz è naturalmente e profondamente attinente al Creato.

L'impostazione attuale della musica in base a 440 Hz non armonizza a nessun livello corrispondente al movimento cosmico, ritmo o vibrazione naturale.

La differenza tra 440 Hz e 432 Hz è di soli 8 vibrazioni al secondo, ma è una notevole differenza nell'esperienza della coscienza umana.

La mancanza di intonazione, di frequenze e di accordo musicale dell'universo, è un fattore che crea uno squilibrio nell'armonia della nostra società, di noi stessi.

Mentre la musica apre le porte a dimensioni che ci permettono di sentire la gioia, la pace, le emozioni positive.

E quando la musica manca di armonia ... aggrava le emozioni negative, favorisce la ribellione, la negatività...

Quindi di blocchi nella vostra energia, che favorisce le malattie fisiche.

La musica ci permette di entrare in sintonia con la conoscenza dell'universo che ci circonda in modo più intuitivo, per un risveglio a nuovi livelli di consapevolezza e di conoscenza.

Se si ascolta la musica con una frequenza di 432, automaticamente si entra in armonia con il tutto.

[ace-whovian-neuroscientist]

i neeeeeeeeeeed to sing but i can't right now

it fixes my brain so much but i don't have anywhere i can be loud without bothering people and my chorus doesn't start back for another 2 weeks

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

that's me singing a perfect 440 hz

[alto-tenure]

imagine if in Eternal Diva the reason they couldn't get Ambrosia to rise was because the Azran tuned A to like,,, 400 Hz instead of 440 or something