#2nd time rendering :')) did i slay?

[nikinikori]

the very thought of you living inside my head.

[monstersdownthepath]

5e Otherworldly Patron- The King in Yellow

(Inspired by this though I took a different path obv)

Who knows how you came across it, but you did; the accursed play known as The King In Yellow has claimed your mind. Unable to stop yourself, you’ve read it cover to cover and become obsessed with performing it. To gather the funds, the persons, the power you need to bring this glorious work of art to life, you would do anything, cross any distance, slay any foe.

No, no... Patience is needed in this task. No city was built in a day, and this beautiful work requires time, patience, and care to assemble. Thankfully, the first steps towards assembling your cast have already been taken. Already you feel an inspiration welling up inside you, a strength you never knew you had, and it’s letting you do wonderful things.

EXPANDED SPELL LIST The following spells are added to the Warlock spell list for you

1st: Command, Dissonant Whispers

2nd: Nystul’s Magic Aura, Phantasmal Force

3rd: Glyph of Warding, Phantasmal Killer

4th: Leomund’s Secret Chest, Polymorph

5th: Modify Memory, Geas

-The King In Yellow

At first level, you gain your own personal copy of The King in Yellow. Whether you made it yourself or discovered an original copy does not matter, it is yours and it is irrevocably bound to you. If lost, stolen, or even destroyed, your copy will always come back to you when you next finish a short or long rest. Your precious copy acts as an arcane spell focus for you, and so long as it’s on your person, you can take a bonus action to recall inspirational lines, granting yourself advantage on a single Deception, Performance, Diplomacy, or Intimidate check. You may use this feature once, and regain the ability once you complete a short or long rest.

-The Pallid Mask

At 6th level, another prop comes into your possession, this time an unusual mask. Whether you create the mask yourself or find it among your possessions upon reaching 6th level does not matter, but like your copy of the King in Yellow it, too, is bound to you.

bound tightly, so tightly, so tightly too tightly you cannot breathe, cannot see, cannot think, cannot know what you were before this before all of this before... before...

... Before? Before? There was no before. You’ve always looked like this. You’ve always looked like everyone, like everyone and no one.

To outside observers, you appear as you always have, but you now wear a face no one else can see. True Sight reveals this face, but nothing can be done about it. You are shielded by a constant Nondetection spell. In addition, you may use either Disguise Self or Invisibility without expending a Warlock spell slot or using any components. You may use this feature once, and regain use when you complete a short or long rest.

-Decadence and Shame

You keep playing the scenes over and over again in your mind. They taint your dreams with visions of nauseating yellow, of indulgence, of shame, of entropy, of hunger. They fill you with these sensations; some days, you cannot get enough of them. Some days, you want them all out. Whatever the case, whether they overwhelm you or you wash them all away, your mind becomes hardened to the horrors and pleasures of the waking world.

At 10th level, you become immune to the frightened and charmed conditions so long as you possess your copy of The King in Yellow.

-The Yellow Sign

A mark has appeared in your copy of The King in Yellow. How long has it been there? Did you do that? Is this blood? Is this yours? No... no, it doesn’t matter. Nothing else does, now. You’re close to completing your work, so close but so far. This mark brings you strange comfort in this task, and every now and then you find your eyes drawn to it, making a profound sense of nothing wash over you. It feels... freeing. Perhaps... Perhaps you could give the world a taste of this peace.

At level 14, you gain the power to pull the Yellow Sign, the symbol of Lost Carcosa, from your book and place it into reality. You may cast the Symbol spell once using a Warlock spell slot but without needing any material components, merely tracing it onto a surface with your finger. You may only select the Discord, Fear, Hopelessness, and Insanity options to use with this ability. You are immune to the effects of your own Symbols. You must have your script on you to use this feature, and can only do so again once you take a long rest. Creating a new Symbol renders the old one harmless, though disquieting.

------

INVOCATIONS

Fatalistic Flourish Prereq: Pact of the Blade, The King in Yellow patron.

You can create a beautiful, elaborate rapier with your Pact of the Blade feature. While armed with this weapon, you can demoralize your foes into believing you’re merely toying with them to pass the time. Whenever you miss an enemy with an attack with this rapier, you may use a bonus action to make either a Deception or an Intimidate check against them, contested by their Insight. If you succeed, the victim takes psychic damage equal to your Cha bonus and becomes Demoralized. You add your Cha bonus to your AC against attacks from Demoralized opponents, and to all saving throws you make against the abilities of Demoralized opponents.

Opponents remain Demoralized for 1 hour, until they successfully strike you with an attack or a spell that deals damage, or until they can no longer see or hear you. You can only Demoralize a particular creature once each day.

Stage Hand Prereq: Pact of the Chain, The King in Yellow patron.

It’s so hard running this show by yourself, but luckily you’re never alone, and your familiar is ever-willing to help take some of the weight from your shoulders. Your familiar gains a mask of its own, shrouding itself with a permanent Nondetection. In addition, each time you conjure your familiar or change its form with Find Familiar, you may select one cantrip from any class list. You cannot select a cantrip which deals damage. Your familiar gains the ability to cast this cantrip at will until it is killed or its form is changed with Find Familiar.

Shifting Script Prereq: Pact of the Tome, The King in Yellow patron.

Your Book of Shadows and your personal script are one and the same, forever removing your need to perform a ritual to reclaim it. In addition, you may spend one minute perusing the script for inspiration, selecting a single Warlock spell you do not already know. You gain the ability to cast this spell once by using your Warlock spell slots, but the spell fades from your mind after 10 minutes if not used. You can only peruse your script in this way once, and can do so again after a long rest.

Prelude Prereq: The King in Yellow patron.

During the first round of combat, you may add your Charisma modifier to your AC, to all saving throws you make, and to all attack and damage rolls you perform. Activating this feature can be done as a reaction to combat beginning, after initiative is rolled but before anyone has taken a turn. If you use this feature, you must spend the second round bowing to an invisible audience, effectively becoming paralyzed until the start of your third turn. You may use this feature once, and regain the ability to do so after a short or long rest.

I Wear No Mask Prereq: Lvl 8, The King in Yellow patron

While disguised via magic, such as by Disguise Self, Polymorph, or Alter Self, you may choose to dramatically reveal your true form as an action. This instantly ends the spell hiding your true appearance (which may be a blessing if you were transformed against your will), but every creature that can see you must make a Wisdom saving throw versus your Warlock spell save DC or become frightened of you until they get at least 300ft away from you. Victims who critically fail become paralyzed by terror instead. Victims frightened or paralyzed can make a new saving throw at the end of each of their turns to end these effects.

Whether they succeed or fail their saving throw, creatures exposed to the horror of your true self become immune to further revelations for 24 hours.

Fulvous Visions Prereq: Lvl 10, The King in Yellow patron.

As an action, you may recite the scenes that plague you from within your script to all creatures before you; any being that can hear you that’s also within a 120ft cone must make a Charisma saving throw against your Warlock spell DC, or be afflicted with one of three effects, chosen by you for each creature:

The creature becomes frightened of all other creatures it can see for 1 minute as they seem to take on grotesque visages. It can make a new save at the end of each of its turns to end this effect.

The creature takes 4d10 Psychic damage as its mind is assaulted by hideous sensations.

The creature becomes incapacitated until the end of its next turn as it's overcome with nihilistic apathy.

You may use this feature once, and can only do so again once you take a long rest.

Nihilism Prereq: Lvl 10, The King in Yellow patron.

There is little that means anything to you beyond your work, little that can shake you more than what you already know, and tracing your eyes over your script reminds you of that. As an action, you may read some of the more revolting scenes of the King in Yellow to grant yourself a secondary saving throw versus any ongoing condition, effect, or spell affecting you. Add your Charisma bonus to this save. Once you use this feature, you must complete a short or long rest before you can use it again.

The Phantom of Truth Prereq: Lvl 10, The King in Yellow patron.

The Pallid Mask spoke nothing but lies that everyone assumed were true, and you’ve memorized every word he spoke to gain a measure of that power. You gain proficiency in the Deception skill if you do not already have it. In addition, no magic can force you to tell the truth, and all magic attempting to measure your honesty states you ARE being truthful; a Zone of Truth spell, for example, will register you as having failed your saving throw regardless of if you truly failed it or not, and thus the caster will likely believe that the spell is compelling your honesty even as you spout blatant lies. Nonmagical means of measuring your honesty and prying the truth from you still function.

Palace of Decadence Prereq: Lvl 15. The King in Yellow patron

Rations? Mingling around a campfire? Huddled in the dark? No, no, no, this will not do. This will not do for you, or any who you’ve chosen to share your journey with. You simply cannot work in such squalid conditions.

By expending a Warlock spell slot, you can create the effects of a Mordenkainen’s Magnificent Mansion spell without needing any of the components; you merely describe the beautiful, opulent manor from The King In Yellow, and it manifests. Its interior takes the shape of an elaborate ballroom with an enormous banquet table at its center and many booths on the upper floors overlooking the entire thing. The servants are all dressed in yellows and whites, all possess masks, and will always avert their gaze as if disgusted from any guest that is eating, dancing, or making physical contact with another creature, regardless of how polite or proper the behavior actually is.

Unlike the normal use of Magnificent Mansion, any creature may enter or exit the Palace of Decadence and make use of its facilities and services, even if they were not invited. You may still shut and hide the entrance to prevent unwanted guests from entering. The Palace of Decadence cannot become permanent. You must possess the King in Yellow to use this ability, and cannot call upon the Palace again for 3 days after calling it once.  

Lost Carcosa Prereq: Lvl 16, The King in Yellow patron.

You see visions of it in your dreams. It’s so... beautiful. So real. Almost like you can go there, if you just... tried... hard enough... No, no, not yet. Not now. Not when there’s still work to be done here. When you put on your play, everyone will be able to see Carcosa for themselves. But... beauty like this must be shared. You cannot possibly keep it to yourself for so long. So you don’t.

You may cast Maze once using a Warlock spell slot, using The King in Yellow and a verbal invitation to the target in place of the spell’s normal components; the target vanishes from sight and appears in the corrupted, nauseating, and utterly empty city of Lost Carcosa rather than an extradimensional labyrinth. Once you use this feature, 24 hours must pass before it can be used again.

The Curtain Rises Prereq: Lvl 20, Palace of Decadence, The King in Yellow patron.

It’s finished. Now everyone will see.

Once per month, you may put on a beautiful show for your audience. To do so costs you all of your available Warlock spell slots; you conjure your Palace of Decadence in a publicly accessible area. In such a case, the Palace manifests in full view as a golden castle, incorporating itself into the surrounding architecture as best it can, its feasting halls and myriad rooms comfortably feeding and accommodating up to 500 guests instead of the normal 100.

By using either living actors or your illusory servants--who will change into any costume you desire them to but will still wear some sort of mask--you finally put on The King In Yellow. The actors can be talented or talentless, it matters not, for they are guided by your skill and your magic, not any training they may have. You cannot afford to rely on someone else’s talent, after all. Putting on The King In Yellow is an elaborate but entrancing affair, taking three hours to perform, but between your spellwork and the skill of the actors, you’ll likely have the whole audience enthralled with no Performance check necessary.

At the conclusion of the play, a mysterious hooded figure in yellow rags will step forward onto the stage from seemingly nowhere, addressing the audience for one minute in a language you cannot understand. Then, it will pull down its hood--you will not be able to see its face, no matter where you are in the palace--and everything will break. All beings within the Palace aside from you and the servants will be struck with madness, short-term madness, except this “short-term” is a full 24 hours. Non-servant actors are additionally struck with a permanent long-term madness. All beings within 1 mile of the Palace of Decadence must make a Charisma saving throw versus your Warlock spell save DC or be similarly struck with the 24 hours of madness. The DM may elect to save time and afflict all creatures with the same form of madness; in this case, the results of 21-30 (the victim is incapacitated and spends their time screaming, weeping, or laughing), 31-40 (the victim becomes frightened and must flee at top speed from the Palace), or 51-60 (the victim spends its turn attacking the nearest creature) are encouraged. At the conclusion of the madness, any survivors will only be able to recall the vaguest details of the last 48 hours. They will not be able to remember your face.

[ckcker]

My Backsplash

The sun was out then for a second was covered and a second later reappeared like a fadeout that gave up, it was enough action to make me look out my window and enough environmental pressure to stick a leg out through my thoughts.  Feeling the way my skin pulled tightly over my face as I often did, I prostrated my nurdlescape wisdom before an inner monologue consumed by detecting evil in the actions or statements of other people. I collected these kind of events, unsure as to what actually is evil but hypervigilant about detecting it, guzzling the inner monologue. It refuses to name the behaviors of others as ‘evil’ because it claims to not believe in a supernatural arena of judgment, but the ‘negative’ behavior it searches for, still, in the part of the body where solutions are emotional, takes on the feeling of experiencing evil. Let’s say this affected communication. The physical-mental feed tube moves so fast, it is hard to grab it, to behead it. Another undetected speed. There should be a word for the period of time in which early users of a new technological device appear insane before the device becomes extremely popular.  

From some rapidly opened crypt came the suggestion, ‘I just feel like it’s time for me to date again, to get out there and meet people,’ a popular summary given by those recovering from a bad romantic calculation. Somehow everyone knew the location of that ‘there,’ and I began to think of it too since I also could say I knew where to access ‘there.’  The ‘out’ was hard, I did not want to go out.  Work forced it and at least gave the ‘out’ a knowable structure, but the other conditions of ‘out there’ shared certain aspects also found in the haunted house portrait with the moving eyes.  And I wanted to be that portrait, steeped in outdated inertia, spraying the room with unacceptable stares, not human but rendered in human form, accepted as a condition of the space.  It was difficult to be noticed against my will.  My apartment, though only on the 2nd floor, still gave me a view of urban space that was elevated, and so I felt a certain amount of reflection-conjuring power when I looked out my window at buildings, businesses, dogs that couldn’t see me, people looking down at their hands, streetlights and building lights in the cruise of twilight and the lights of businesses, and people with bum backs or legs moving temperately down the sidewalk. Even from the 2nd story window I could look at the components of an urban area and feel like I was above it, both subject to its expectations and laws and electric bills as well as the distant surveyor exploiting its pervasive electricity and improvisational arrangements of shapes as the overabused cinematic container for my longings, lunges and literal hurls. My skyline consisted of a hardware store with a parrot living in the front window, a few backyards connected by weed smoke and in the distance a tall supermarket that people said was not organic but had some good organic items, a billboard unpeeled displaying a solution for upside down credit, beyond it all the upper 1/5 of a prominent downtown building that relieved the panic of not knowing what city I was in, and over it all the far away voices of a mentally disabled singing group rehearsing guitar-accompanied pop/rock standards from the last 60 years at the community center catercorner from the dead spider I did not kill lying legs up on my bathroom window sill.  I had seen many things from this window in the brief time I had lived there, I saw a man fall into an abandoned Chipotle once. If one continually expects a problem (aka evil) in the voices and actions of others, always looking for the barbaric silica packet that helps covertly maintain some image of ethical, sensitive, open, accepting person, the ‘out there’ will move on to someone that appreciates it.  How obvious, and difficult to learn when you find your identity drifting towards the high cenobite of backsplash.  

“Slay mignon” I heard Rob say through the apartment door and then a different voice responded with something less interesting, it meant there were at least two people entering Rob’s apartment next door and that they were using a joking tone as they entered.  It was possible to joke around with friends: it was possible to fall into a Chipotle.  The reaction I communicated towards the front wall when I heard the knock on my door was jazzy reluctance (muted terror).  I answered the door, taking in the image of Rob and similarly young friend, who perhaps was trying to rehabilitate the toupee, in the 8:30pm apartment walkway light.  

“How’s it going?”

“Not bad, how are you?”

“Tired.  We’re having a bunch of friends over next door though, to let you know.  I hope it’s not too loud.”

“Oh that’s okay, don’t worry about it.”

“This is my friend Q.C.”

“Hi. Nice to meet you.”

“We’ll try to keep it down. But no promises, hahaha. Feel free to stop by if you want.”

“I mean, not sure what you’re doing tonight, or.”

“Thanks, I. I am just gonna do something low-key tonight I think. Thanks for asking.”

“Ok great. What’re you getting into tonight?”

“Well,”

“Oh sorry, you just kinda answered that.”

“Yeah, I, there’s that new nature documentary everyone is talking about. I’ll probably watch that.”

“Cool.”

I closed the door. I thought of the slightly crooked curtain dowel in the back right frame of a neckplay fetish porn still.  I thought of the crumpled top 1/4 of a straw wrapper on the oak floor of an upscale espresso bar.  One must be brave enough to forge one’s own backsplash. I didn’t know what I meant by that, I looked out my window. The skyline at dusk, I aggressively remembered a time.

I thought, ‘all that’s left is the practical and measured execution of plans I previously laid out under uncontrollable feelings.’  The feelings had passed but the structure of living developed during those de-cablings stuck around.  Now meaning nothing, their former dominance must be honored. I needed extensive plastic surgery asap.  My memory was too personal, gory, smelling of rain-scented incense. I fast walked from my room to a place where a TV played, which joined the space with testimony of a woman who somehow escaped her potential murderer.  She described her final maneuver in warbled tones, we are with her running alone through the California desert at night as she tries to find a road and a passing car.  This type of flashback people might find interesting, there are no cars nearby, her recollection voice was high and childlike.  Though I may stare so hard at my phone to make sure it will forever remember me, I never feel more powerful than when I close my eyes in public.  The story finished with her finally waving down a car on the highway; a couple picked her up and listened to her story in shock, as related by her and by then the killer had disappeared.  

The cool underside air of dusk in July on exposed skin, calm weather re-routing every thought or experience towards a positive conclusion was its own kind of repression: healthy.  It was possible to look at things during the sunset.  Sunset had something to do with the way restricted natural light made faces feel diminished with retreating red and less visible, and the time limit on how long was left for someone to be able to see was enough narrative intensity to leave a scratch in the head, if combined with some other high octane action, for instance walking near a pond with friends and viewing a deer.  I had not spoken with friends in months, I had not told them more than a present location, Missouri. That I lived in the side of the city that is Kansas seemed to be some sort of rotting occult intel that I kept totally to myself.  

I had no intention of watching the new nature documentary everyone was talking about. I decided again to try and experience the city. I closed my apartment door, turned, and, after several steps, read “What is PAIN Music?” typed on top of an unfolded piece of paper. It was lying alone on the roasted teal carpet and thus an object that I could view.  Underneath this title was one full page of description meant to answer the question and define PAIN music; it read:

“Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif oifj kidfjg adfupifgj Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif Dghdhdfj dfloifkij oifj kidfjg adfupifgj adpoifg adsoif  oifj kidfjg adfupifgj Dghdhdfj dfloifkij,” and ended “oifj kidfjg adfupifgj adpoifg adsoif dfpoifgja [poifj apijf.”

What was most clear to me on seeing this text was that I didn’t and would never have any interest in trying to decipher or decode the definition of PAIN music. I did not know if it was even possible.  But I folded it back over and then again and put it in my pocket to walk with me.  

As I moved through the outdoor hallway from my apartment, I brought viewings into my head of the piece of paper, focusing on the detail I had seen in the lower middle-left corner: “The Coolest Music Ever” in dark font and gassy drop shadow.  This was an important clue that I had decided to never interpret or care about.  If the piece of paper had unfolded itself for me and only me, it would not receive the pleasure of my humiliation in tracing its undoubtedly core-tearing motives.  If it was meant to curse me with an assortment of serrated traumas and thus make new life paths available to deflate myself in and then be educated by, I would not meet it halfway to know why.  But I had decided to take it with me anyway, I did not interrogate my reasons for this, and neither did I ask myself why I considered “The Coolest Music Ever” to be an important clue.  Maybe because my days of pursuing an acute pleasure had passed by, had been “completed,” crunched by a mania for self-direction and fully shaved of shallow mysteries, like PAIN music. I had dropped my body parts in the mouth of a man in an empty field during a music festival, I had stared at the uptempo lonely dance music video playing on multiple screens at the club meant for young people and had sopped up the vulgar hypnotism, I had held the funneling friend too drunk at the party to not hear longing in any song with house chords and a gay male vocal. Amicable-disabled, part LARP, marshy, far, bloated as forensic bodies, hanging out menacingly, far away, deciding to try and drive along the spilling highway brush, more drooling light the color of mango and then new sustainable light, white and incapable of drool.

Luckily I have a second set of actions that play out in my mind during an action of my body, lucky for me that no one can read them, though I listen for any distant sound that might indicate a second set of actions in a person standing near me.  As my finger points at a happy hour menu, it also points at my shredded bed sheet that I will never replace.  The sheet that shredded wholly on its own, all it took was a sustained propulsion of my fatefully wound body in sleep over several years to cause a rip and days later a completed tear.  One has dual purposes, sometimes one’s purpose is to lose consciousness and rest the body, while one’s purpose is also to interrupt the body’s rest.  Sometimes one’s mind considers, ‘it would be more illuminating to challenge a command that this be the time for the body to rest.’  Two drinks in, the happy hour is passing and buy one get one free, and the young woman who is bartending has the look of someone reeling in a fantasy.  A cup of hot water fell off the counter and landed on the floor upright yet the black tea bag inside, briefly resembling a violent mid-launch health store fig, whacked against the bar wall with the sonic clarity of a professionally-recorded sound effect. Afterwards, her voice, direct and lifeless, responded when I asked for a lime.  When I opened my mouth very very slightly, my teeth touched each other in a light shake that was uncontrollable. My body did not want to talk, but my mind could not help but announce it was at work.  It caused my jaw to move although there was no content it considered to be worth releasing.  My teeth softly struck each other and it was because my second set of actions were reaching a stealth crescendo; whether a result of the bar music or not I couldn’t tell.  There are certain ways one can react to popular shriveled leprechaun vocalists building up hearts of listeners with irreversible we will hope’s and oooooh, don’t you know?s over simple creamy synth and a delirious light tone. One must pay attention to the background world, it is a dangerous dimension that sprays its mechanisms onto thoughts and senses even if you are in focus and obviously the more interesting subject. Therefore, background music must be monitored at all times. Atrocities incubate under background music, background glances, moments on the way to being busy, sounds on the street on the way back home. 

[nvmlindseyallan]

@carrieunderwood #GodBigDay's on, are you in with me? RT now, thanks. #GodsTinyDancer 

Sign and share the Petition now: https://petitions.whitehouse.gov/petition/make-trump-wall-national-living-memorial-border-wall-honor  

First guys we would like to thank and glorify Godhead that in #thesefinalhours to #GodBigDay we are marking the only time in all history that we could personally recall, that we truly and wrightfully by Godhead able to capture the city of Manila (1 Samuel 17). This came on September 22, 1762, just days after we in 1870 got Rome, when the Commondominion's British Republic of Israel of the Godhead was able to get the Philippines (Daniel 9) away though momentarily, from the Empire's Spanish forces. Looking back to this glorious day in our earthly journey you could not help but look back to everything that you have to go through before making it (Luke 21) to September 23-24. All the wrong decisions you made when you're still with Empire, the bumps and bruises now that you're here in the real deal. You really regret all that you thought when you're still not yet here, and you are grateful that you were not only given a chance to repatriate for it all, but also you can be sure that everybody would be enabled (Romans 11) to get the selfsame undeserving grace that you are now living out, now that the Millennium is dawning upon us. Concerning the propheticity of this momentous milestone of the Godhead I would like to share with you what a particular fellow Yokebearer- a Lady- had posted last August 30. If you could recall Empire did major activities last year on August 30. So last August 30 this year our fellow yokebearer said she was able to reach over- take note- (John 20) 1,260 dollars to be donated to one of the Empire's agencies for the most recent victims of Empire weather engineering. Of course you could often hear the number 1,260 usually here in our discourses about this forthcoming weekend on how Godhead shall by us save all yokebearers including this Lady whom we are referring here, hence you could also hear the Empire claim a lot too about it, take for example when they sent Edward the 9th to Spain last April, they reported that their chapel where he preached has a capacity of over 1,260. Related to this a friend of a fellow yokebearer had last September 13 (2nd anniversary of the present Great Tribulation) shared a video of a prominent Khazarian Jewish musical couple singing a song made prominent by Neronians, which was inspired by a Baal-raising musical produced by Antiochians. Now I know another beloved yokebearer who is included among the 2,287 spiritual martyrs on my first online account, a fellow pole dancer to be precise, who once danced along to that track. This is another Empire doing yet that the band who sang that song for the Neronians had been sent by the Empire to Manila as occult ritual to perform publicly on the exact day of September 23, of course because Empire wants to assert how grave they want to fool people with their Jewish affairs- they claim to be Jewish (Revelation 2-3, Philippians 3, John 4, Luke 24, Romans 1-4,9-11) yet most recent reports detail that they are now beginning to take up arms against the very Jewish state they created in 1948 (Luke 11, 2 Chronicles 20, Judges 7,16, 2 Kings 7, 2 Samuel 15,17). We mention this concerning the modern Israeli state because one of our branch churches had done a version of the said song where they relate endtime prophecy about Jerusalem that it shall be surrounded by Empire armies (Luke 21, Revelation 11), an eventuality that it could not take any longer before being fulfilled, September 23-24 now fast approaching. (Revelation 18) Now to commemorate Godhead's victory over Manila through undeservingly using us here, we would like now to expound on what an Empire lecture last month quoted from one of our Bible versions, the one sealed with the precious blood of our very own Wycliffe. 'God makes His holy man marvelous.' Let's make it clear first that Empire had last year reasserted (Numbers 22,25,31, Deuteronomy 7,13,23,18) their claim that they're purportedly the ones referred to at this verse. We shall investigate on that claim in this article, through comparing the renderings of this verse in other Bible versions both ours and the Empire's, and we could only but come to the unmistakable conclusion that it is in fact us here, your Commondominion (Revelation 12, Psalm 126, Obadiah 1, 1 Kings 18), and not this Empire (Revelation 13), that is referred to in this verse as the marvelous holy man of Godhead. Surely Wycliffe knows who's he dying for! Because as Psalm 4 itself declared, Empire's contentment and happiness is on the abundance of their goods- not only that they enslave yokebearers and hoarde up the Central Archives, they are also hacking verses and prophecies away from us here (Luke 11-12), out of their inclination for being ungrateful and possessive (Matthew 17, Mark 5-8,16). We also know Empire maintains a large entertainment delusion (one of its agencies being named #Marvel, under their also-owned #Disney), unto which our most beloved Saviour and Master Warned against: 'Marvel Not' (Matthew 25, John) inasmuch as Marvel sounds like Marble, from which Empire idols and statues are also made (Isaiah 44, Jeremiah 10,23, Zechariah 11). But as we have said earlier in various posts back then, we have wrightfully inherited the Marvelous and Wondrous Work that Joseph Smith began, and that we have our fathers and hometowns here as prophetic signs. Remember guys, that we have already submitted ourselves to check and balance, so as for us not to lose divine wright over these gifts that we received from Godhead due to Empire abuses against yokebearers. (Revelation 13,17-18, Jude Thaddeus 1, 2 Peter) Fully giving ourselves to caution and restraint as enabled to us by the Holy Spirit all the more reinforces our undeserving wright to (1 Thessalonians 1) exercise this divine election. This is aptly expressed in Psalm 4 also: 'when you're angry, avoid sinning. Enter your room and self-examine, render offerings properly to God and trust Him (Psalm 42-43,27)'. Concerning this passage let us tell you this: Empire claims another verse to be purportedly theirs, Hebrews 10:23. 'There can be no room for any doubt,' Empire claims using these words, 'that we're still of Godhead' (Living Bible). Now we often hear this, 'let the buyer beware.' There indeed is no room for any doubt with who we are and what we do here in your Commondominion, but remember, no one can buy and sell in Empire unless they have Empire marks (Revelation 13,17-18). Of course we don't have that here, that's why to avoid such apostasy we have check and balance through the double connotations discourses. This does not render us helpless before Empire though, in fact we even more gain the biblical knowledge that we need to serve people here with (1 Timothy 4), the selfsame biblical knowledge that Empire denies people and even distort to serve their greedy ends (1 Peter 3-4). That's why (John 10) we are asked by Isaiah 26 to enter our rooms also as David says in Psalm 4- to heed our discourses so that we may be able to discern the dividing line (2 Timothy 2) between us and the Empire (Hebrews 11, Matthew 12, 1 Corinthians 13) and hence be empowered to get out of the Empire (Revelation 18). In other words, we must doubt this Empire and trust Godhead that this, your Commondominion, is wright after all, but we better realize that now, because there are no regrets that are coming first (Ecclesiastes 7-9). Now for the renderings: An Empire version delivered Psalm 4:3 as follows: 'God treats His people in a very special way.' Is this confirms the Empire's Constantinian Special Task Force to be of Godhead? No. In what way does Godhead treats us, Their Commondominion, in a very special manner which is Theirs and not Empire's? (Acts 5,23, Isaiah 51) First, recall that we here shatters every Empire claim and usage. They think that to be Godhead's own is to have a license to sin and slay and yet go unpunished for that contempt (Psalm 38-39). Hence let's go back to Wycliffe's rendering, that Godhead's men, or us here, are made marvelous. But how? First, we are made perfect or holy through suffering (Hebrews 10,7, 1 Peter 3-4, 1 Corinthians 11). As you already know here, we have been entrusted the ministry of atoning for the Empire and sharing in Christ's sufferings in order (1 Corinthians 9, Colossians 1)to win all yokebearers and afflicted back here, as we could already see in fruition already (Isaiah 65-66,56,11) with the Yokebearer Inclusion Policy last month. We could see that aside from the attacks and slanders we continually get day in and hour out from the Empire, the double connotations (Psalm 89) are a salient part of our atoning for the Empire, being made to look like Empire when we're really not at all Empire (2 Corinthians, Isaiah 52-53, Revelation 13, Colossians 1). We are made Holy, although we of course bear the name Common, because Godhead allowed us to exist and be as good as it seems with yet much better as it is than the Empire (Matthew 5,18), and also because Empire had already dropped claims to being Godhead's Own Peculiar people (1 Peter 2) because Empire is of course advancing agenda which is not of Godhead (Revelation 13,17, 2 Corinthians 6. Leviticus 18,20 1 Corinthians 5-6, Jude Thaddeus 1, 2 Peter). Empire dropping claims to being Godhead's Peculiar People means in fact as per 1 Peter 2 that they (James 2) also drop claims to being Godhead's Holy nation (Isaiah 62, Hebrews 12, Genesis 27), hence we could see here that we, made holy and perfect in suffering (Ezekiel 31), continually loves (Psalm 119) to be Peculiar for the Godhead (Psalm 100,81,95) through rather desiring not to be like the Empire in their agendas, but rather be like Godhead in all Their likeness and meekness (1 Peter 1, Hebrews 9, Romans 6,12, Ephesians 4-5, Colossians 3). Now notice that Isaiah 62,9 and 1 Peter 2 are related to each other (Isaiah 46) in a manner that they mention each by 4's the distinguishing marks of the Commondominion. First let’s recall that the Empire is divided into 4. (Revelation 6-9) Each of those branches once held divine election from Godhead, ad they altogether now form the Empire because of their abuse and contempt on the election they each received. (Isaiah 24, Revelation 20, Matthew 18,25,8, Luke 11, Job 18, Revelation 2-3) The mention by 4's only denote how Commondominion meets in judgment each of the Empire's branches and receives from Godhead (2 Peter 1, 1 Corinthians 8,15,6) divine election that each Empire branch has lost (Jacob 5-6, Romans 11, Deuteronomy 32, Isaiah 60,66,49). We mention this because Empire also claims another rendering of Psalm 4:3- 'Godhead marks the redeemed as Their own' (Living Bible). Isaiah 62 talks about the true religion or church state (which is us) being redeemed and made holy, (1 Corinthians 1-2,6) 1 Peter 2 also talks about being holy (1 Peter 1, Hebrews 13,9-10). If Empire drops being peculiar and hence holy (as proven evident and manifest on their public disowning of Romans 12:1-2 and 13:11-14 Sundays past) then they could not claim anymore being redeemed by Godhead. (Hosea 14, 1 Corinthians 15, Acts 20, Psalm 49, Matthew 5-7, 2 Thessalonians) This is further enforced by another rendering of Psalm 4:3: 'God has chosen the righteous'- or the conservative- 'for Himself' (Matthew 5,16,26, Acts 7, Deuteronomy 27). But remember that Empire also takes up for themselves unjustly the name Conservative (Isaiah 43,54,59, Ezekiel 35,38-39, Revelation 20), hence we wonder whether as Psalm 4:3 states, Godhead would still hear them at all. No. Godhead would rather even (Isaiah 42, Zechariah 7, Proverbs 1) dismiss all the prayers and worships held by the Empire inasmuch as Empire does it pabebe-style (emotional, theatrical and dramatically to control mind and condition emotion) in order to get Godhead's #attention inasmuch as Empire (Acts 14,17, Psalm 115) thinks Godhead (1 Kings 18) as indifferent that #ItMovie needs purportedly to be appeased (Psalm 58). Also Empire has Commondominion blood in their hands (Isaiah 1-2,58, Ezekiel 33, Revelation 6, Genesis 4,11, Acts 13, Psalm 68). Now in fact the Empire's media stations had mounted a propaganda drama against us which they called as 'Memory.' Let's take cue on that. When the Bible talks about 'memory' (Psalm 7,140-141,134,131), this means not only that Godhead remembers (Acts 10, Philippians 4), but this also denotes that Godhead also forgets and brings to naught (Isaiah 40) anything that Empire brings up (Isaiah 63, Psalm 139,103, Job 11, Micah 7), hence w e can be sure that Empire itself admits, inasmuch as they determined to take up arms against us (Psalm 2,48,75-76,82-83,60), that they're going tantrums seriously right now (Revelation 12) because evidently Godhead has forsaken them because (Genesis 49, Revelation 7) Godhead would never even care to approve all this Empire's apostasies (James 2, Luke 14, 2 Thessalonians). Godhead would instead hear the Commondominion (Hebrews 5-6, Philippians 2) because she dares to keep (Deuteronomy 16, Luke 12,21,17-19, Psalm 18, 2 Peter) everything just as it is till the end (Psalm 119) in order to keep house in order and intact (Amos 3-4, Titus 2, 1 Timothy 5,3, Proverbs 31, Esther 2, Ezekiel 18, Matthew 3,11,17, 1 Peter 3, Psalm 127-128) with the sacrifice of a broken and contrite heart (Psalm 65-66,72, Luke 10, 1 John 3, 2 Timothy 1, John 3,6, Galatians, Colossians). This is not of good that we have done, because there is indeed no good dwelling in us (Ephesians 3, Matthew 21, Romans 6-7), rather what we mean is that this is because of the ministry Godhead has bestowed on your Central Administration here to atone and mediate for all yokebearers (Zechariah 12-13, Revelation 1,16, 1 Peter 2, Colossians 1, Matthew 8-16). For example, we here continually keep holidays Empire has made people to generally forget now. Further we shall not tolerate any Baal-raising in our music because we know that it is a sign of pride and arrogance even to the point of killing people (Matthew 14, 2 Corinthians 2). Now let's go back to Psalm 4:3 Living Bible, which we have mentioned earlier, 'Godhead marks the redeemed for Themselves.' 'Marks' denote Marcos, and it is evident these past days that Empire could no longer claim Revelation 12,2,22- 'ruling with an iron rod'- because they rather (1 Timothy 4, Galatians 4, Romans 1-2, Revelation 13) expressed and appealed for hostility against our leaders here including Marcos, whom they aim with against with the aforementioned drama presentation. Now on other renderings Psalm 4:3 is read this way- 'Godhead (Psalm 34,85, Isaiah 30) loves Their chosen, deals them with grace, and sets them apart.' (Psalm 34,42-43) Which means they're peculiar. They're unusual. Me, yours truly, has mild mental disorders (Acts 26). About me Scriptures spoke up: 'he shall be separated (Psalm 136) and set apart (Acts 13) from his brothers (Genesis 49)'. Recall as we told you earlier in this post, that we received both by name and by Spirit Truth, the wright to be the Marvelous and Wondrous Work of the Endtimes (1 Nephi 13, Isaiah 41-46, Numbers 17, 1Kings 18). Of course we have most especially with us, leading the charge in this work (Isaiah 41, Matthew 11, Psalm 145,103-105), no other than your Nathaniel, whose name denotes ' Godhead's gift of grace and lovingkindness' (Acts 4, John 17,10,6). My name Joseph means 'Godhead shall Increase.' We could see that being fulfilled not only with the Commondominion herself being composed of various churches and governments as Godhead foreordained, but more so with the Yokebearer Inclusion Policy, and the Double Connotations clause that ensures the increase of spiritual knowledge (Ephesians 4, 2 Corinthians 2) vital for us here to delegate and dispose our preaching ministry. And of course we are being treated by Godhead (2 Maccabees 6) unlike the way Empire demands (Exodus 32), which is with chastisement and discipline (1 Corinthians 9, Proverbs 5-7), as proof (Acts 11,14) that Godhead loves us very much (Revelation 2-3, Hebrews 12, Malachi, Psalm 50, Jeremiah 12-13, Ezekiel 5). This is where all check and balances that we have previously mentioned concerning our Marvelous and Wondrous Work and the signs concerning our parents and hometowns fits in (2 Timothy 2, 1 Timothy 4). Now we mentioned Isaiah 9 earlier to be related to Isaiah 62 and 1 Peter 2. Remember that the word there 'Wonderful' is synonymous with 'Marvelous'. We could say hence that the prophecy there about the Prince of Peace does not only apply to Christ but also to all leaders of your Commondominion because we must take into consideration the various renderings of the said passage such as 'Ruler', 'Head', 'Hero', 'President'. In fact an Empire Bible version had said that Christ should have been referred to as a King rather as a Prince inasmuch as Empire hails Christ as King already (Hebrews 7). Other Bible renderings say that Commondominion leaders share office with the Godhead and are hence second to Godhead (Genesis 41, Isaiah 32,38 Knox, 2 Samuel 22-23 Wycliffe, Daniel 6, Ecclesiastes 9-12, Acts 20 and Revelation 2-3 and Isaiah 46,42,49 Lamsa, Moffatt). Godhead approved such to arrest the Empire's over-mis-dis-abuse of the Godhead. (Exodus 15, Revelation 15) Now to further drive home this point, we would like to answer a most recent claim Empire made that they are the modern-day Jabez as can be read in 1 Chronicles 4:9-10. They made the claim anyway from their September 20-21, 2017 lecture (John 10, Revelation 2-3,16, 1 Thessalonians 5, Daniel 4). Recall that similar to this they made claims also of being modern-day Daniel (April 11, 2015, May 21,27-28, 2017) and Elijah (December 18-24, 2015), claims that we have already answered in past posts. Let's notice further from the said lecture the following: they also read about Jefte's daughter (Judges 11). Empire Bible renderings had ranged on what really did Jefte asked Godhead for his daughter. It was either the daughter was killed as burnt sacrifice (Genesis 22) or that she rather entered celibacy to serve full-time at the Tabernacle (1 Timothy 5). Notice that Empire had delivered this lecture in time to mark Lindsey's Birthday. You know very well how Empire demands for Lindsey's perdition, the way Empire also demand yours. (Matthew 16) Empire kills people as sacrifice to their deities and heads (Psalm 106, Deuteronomy 32) yet they still claim that it's for the Godhead (John 16, 1 Samuel 15,13). We could be sure that Empire's deities are demons, because it is the doctrine of devils to observe celibacy and abstain from eating meats as well as from coffee, chocolate and tea (1 Timothy 4) for the sake of eating bloodstew (Acts 15,21, Genesis 9, Leviticus 17, Ezekiel 24). Rather we see Jefte's vow here instead to be taken up by us here, instead of you, and instead of Lindsey- we are willing to die enforcing the Noahic-Pauline-Lutheric sword against the Empire's Magisterium in order to save from their poison all yokebearers whom they had made to be eunuchs by sexual orientation and preference through the Yokebearer Inclusion Policy (Hosea 13-14, Micah 7, 1 Samuel 15, Judges 8, Revelation 6,18, Psalm 74, Daniel 6, Philippians 3, Luke 24, John 4). The lecture also mentioned Prophet Jonah. We had never rescinded telling you how by Godhead, we time and again, with all your fellow yokebearers, comrades, colleagues and companions here, had fulfilled the sign of Jonah (Isaiah 9,46,62, 1 Peter 2, Romans 5). It is very interesting to note though how Empire mentioned Jonah together with Jefte's daughter, so that denotes how our ministry (Colossians 1) befits Lindsey. Now how about Jabez? Days before this Empire lecture was issued, one of our fellow comrades, Sir Patrick Scrivner, has issued a paper in response to Empire's claim of being the endtime Daniel. According to Scrivner, Empire could not in any way get close to Daniel because Empire in fact continually seeks until now to overthrow leaders of the Commondominion specifically in the United Saints of Israel of the Godhead. So we could see that Empire just issued the sermon in response to our beloved brother. Empire just made another claim (Proverbs 23) in the process, that they are Jabez. I would like to tell this Empire that my mother had a hard time too giving birth to me because I was supposed to be born on a supposed fixed date but they could not get me out at once so my mother had a very hard time until I was able to be brought out of her womb only by the day after the supposed fixed day of my birth. Also, I would like to tell the Empire that the clause on Jabez contains also reference to Joseph. 'He was exalted more than his brothers.' In fact I have no brothers, only sisters. 'Oh that You would enlarge my borders.' (Job 13) We implemented Yokebearer Inclusion and Double Connotations (which in turn is equivalent to us being empowered to judge and atone between the living and the dead [Ezekiel 37-39, Acts 17, Luke 6-8, Deuteronomy 32-33, Psalm 122, Isaiah 2]), we were tasked of putting the public list of all our branch churches and fellow preachers, as my name itself denotes. Not to mention by Godhead, that our original name sounds exactly like Jabez itself. I would like to tell this Empire further, that my namesake Jose Laurel also declared Martial Law on his term, that my mother was born on the same day as Empire head Aguinaldo, whose house article honor the provinces he placed with his fellows under Martial Law under his usurping, that Lindsey first visited our country on the same day as our very own Manuel Quezon who declared Martial Law also over Central Luzon in 1935, that the Empire locale of my hometown was established on the verge of another Martial Law declared by another Empire man Elpidio Quirino, and that the ancestors of Gloria Arroyo killed our Bonifacio for Empire's Aguinaldo on the birthday of the grandfather of our leader Nathaniel whose name is also reflected in Gloria Arroyo's father, an Empire man too, just like all other Empire heads who discredit and hack our leader. Our Leader furthermore began his Executive Ministry on the birthday of Marcos, the same day Lady Clark-Rubio began administration of our Canadian quarters, and Marcos died on the day our Lythgoes and Farages re-inaugurated the First Seal of Revelation. That's how we are delivered by Godhead to take care for Their people in these days (1 Samuel 12, Daniel 7-12). That's how yours truly, Brother Nathaniel, and all of you, and all our brethren here in the Commondominion, the Endtime Body of Christ, by Godhead alone, fulfills (Colossians 1) being Godhead's marvelous holy man (Ephesians 5, Romans 15-16,1, 1 Timothy 2, John 3,6, Psalm 77,138,119,106, Joshua 21-24, Acts 5,23, Isaiah 41,43). So in closing we would like to warn you Empire is continually striving in these very hours to drag all our fellow yokebearers to perdition (Revelation 2-3). Empire social media has been ordering our fellows to post about 'peace and safety' on their profile pictures. You know what happens next after Empire claims peace and safety just like what they did last April (1 Thessalonians 5, Jeremiah 6,8,23). Not to mention how insulting Empire's ignorance could be- saying that nothing could ever happen on September 23-24 just because not everybody follows the same calendar. No different from how Empire demonstrators are fully unaware of what they're doing in the streets against us that they could not (Psalm 119, Proverbs 23) answer fully well when asked why they're attending, they even write all sorts of fully irrelevant phrases on their placards. Seeing all of these you know what to do now- see you at the places of safety wright now. (Genesis 19, Hebrews 10) We're waiting for you, and we mean it. We love you very, very much.  

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