#2029 is not a real year

[goldiipond]

Hi skye happy last day of being a teenager. Any thoughts

hi ruby it's 9:47 in the morning and im thinking about how much i fucking hate leap year becuase today is olivia bench thursday and i could have had my 20th birthday on olivia bench thursday but fuckin february had to be gods specialest little guy and get an extra day that pushed all the following days down by one and now my birthdays a not olivia bench friday and that's not fucking fair. my second thought is i am hungry

[julymp4]

tweets that bring me great pain and misery....

[fuckblast]

2024 is a really future sounding year. 2023 didn't sound as futurising but 2013 did, imo. 2015 doesn't but 2025? Boy howdy. 2026 doesn't sound like a real year just a number string. 2027 is pretty futuristic, 2028 should be but isn't. Considering the year 2029 makes me feel old, stretched thin like butter over too much bread.

[mrs-stans]

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I��ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

[bilolli]

Just Dance Care AU!

Ok ok so I thought of a story for this Au but it’s nothing really impactful or full of drama and angst like my other au’s, I wanted to leave this au easy and fun to play around, because, let’s say it. Just Dance and drama in the same sentence makes me laugh. 

story and PNG version under the cut!

(I gave up on Y/n design because I couldn't figure out a general look for them. This is you we are talking about! Draw your own JD fit, I'll draw mine soon XD)

Anyway here’s the story so far: 

Year 2029, videogames industry made a huge step forward and classic consoles and devices were substituted by the new and upgraded VR headsets with full body tracking. It’s something like the NerveGear in Sword Art Online without the kill switch. Some games still require you to actually move your body (like fitness games or sports because yeah, they don’t have a purpose otherwise). 

Y/n wanted to buy the newest VR headset but, while searching for the best offer, they found out FazCo entertainment was hosting a giveaway, the prize? One of their prototypes, a VR meant to be released the next year coinciding with the opening of their first mega pizza plex.

(so the plex doesn’t exist right now). You decide to sign up for the giveaway and after a while you receive an email telling you you won the VR headset and that, to claim it, you need to read and sign a series of NDA policies (understandable, it’s a prototype headset that’s not even in commerce). Some clauses are a little bit concerning but nothing you hadn’t read on other electronics booklets, so you decide to sign. After, like, a day, you have the VR in your hands. 

The box let you know with super saturated and colorful writing, that the VR came with a game pre-installed inside. Uh, that’s why they were giving one away, they wanted a free game tester…but you know what, it’s worth it.

You always liked Just Dance games, they make you think about happy memories of your childhood. This pre-installed game called “Five Dances at Freddy’s” is a close copy of your childhood game with original FazCo songs, characters, environments and also some collaborations with other famous artists. It probably will be the cause of a big copyright infringement report.

There are various ways to play it: story mode, Casual dance, Five Dances, and Just Dance Care.

The first one is similar to the casual dance mode but with little cutscenes between a dance and another to tell a tale, Casual dance is how you can play the collab songs, Five Dances is the multiplayer mode and Just Dance Care is a more uhhhh “hard” way to play the game with all the other modes mixed in it. You stare at the description of the last mode smirking and decide to try it first just to see how far you can get before losing (yes you can lose in hard mode in this Just Dance, but you don’t die, you just have to restart from the beginning). Turns out the FazCo wasn’t kidding when they advertised the new headset as a breakthrough in the world of virtual reality headsets, the thing TRANSPORTED you inside the game itself. 

You almost have a heart attack when you can’t find your VR on your head, but before you can try something you are blocked by two tall individuals who you think are the “tutorial” characters. 

Yadda yadda, tutorial, you can pause the game and exit whenever you need just by opening an hidden menu, you find out your tutorial characters are called Sun and Moon and that you are way worse than you remembered at dancing (damn full body tracking, there is no way you are going to do a cartwheel in the middle of a dance, you still don’t know if your body is inside your home and if you’ll physically feel pain if you fall and you don’t want to find out).

You pass an embarrassingly long time trying to win your first dance battle just to discover it was still the tutorial. 

You try to go on with the story but you fail at the first real battle with a bear character named Freddy. 

And guess what? You have to start again from the tutorial! Y/n is gonna spend A LOT of time with Sun and Moon if this goes on.

[minustwofingers]

exoplanet part 7

pairing: ellie williams x fem!reader (she/her pronouns used)

series masterlist (read parts 1-6 here!)

summary: you’ve won the life lottery as one of the few people on earth with parents who gained admittance to the most prestigous safezone in the world after the outbreak. but after a lab accident sends you out to jackson, wyoming, real life hits you fast. it’s a good thing that a hot lesbian finds u. (lol). mean ellie at first, slowburn, enemies to friends to lovers, fem reader asf

warnings: stuck up awful rich people. mentions of: abortion (sowwy ** i can't write kids), homophobia, throwing up, general awful elitism, heavy drinking, implied minor character death, and we talk about stuff like unethical labor practices/basically slave labor. depictions of: violence, guns.

a/n: hey yall....sorry for taking literal months to write this. and sorry in advance for what you're about to read, since this is admittedly a little far removed from tlou. and i'm also sorry if this isn't what you guys are expecting—i know i made you wait a long time for this, so it was tough for me to finally get around to posting because i didn't want to disappoint anyone. also it was just sooo sad writing the last scene because i just didn't want it to end!! anywayyyy enjoy

wc: 14.6k (i know...i know...)

tags: @intrnetdoll @dazedshoon @lovecaraya @pctcr @sariyaflowr @loser-keiji @prettyplant0 @666findgod @sawaagyapong @rystarkov @buzzybuzzsposts @addisonnie @galacticstxrdust @elliesbabygirl​ @pinkazelma @ariianelle @lu002 @blairfox04 @sparkleswonderland @elliesflower @muthafuckingstargirl @elliewilliamsissubermommyoml @eviestevie-14 @quicksilversg1rl @guacala @crtcrp @overtrred28 @sugarqueencosmos @iriswalrus @chiao1209 @lovecaraya @thatgiraffefromtlou @alwayslongingforyou @thelastofshimmer

May 16th, 2029

Welcome to AskAI! Enter your questions below and I'll try my best to answer :) 

How does Cordyceps spread?

Ophiocordyceps unilateralis is mostly commonly spread between humans by the medium of bodily fluids, though this was not always the case. In the early stages of the outbreak, most carriers were infected by the presence of Ophiocordyceps unilateralis spores in flour from a Jakartan mill. It is still unclear how the contamination occurred. 

Is saliva included in bodily fluids that carry Cordyceps?

Yes, Ophiocordyceps unilateralis can be spread through human saliva. Other bodily fluids include blood, feces, mucus, and semen.

So if someone were to kiss someone infected with Cordyceps, would that person be infected too?

Yes, because Ophiocordyceps unilateralis can be spread through human saliva. 

How long would it take before seeing symptoms?

If Ophiocordyceps unilateralis spores were to be introduced to an individual via mouth-to-mouth transmission, the approximate incubation window has been recorded to be no longer than 8 hours.

How long would it take to be detected by a standard testing device?

Our testers would detect the presence of Ophiocordyceps unilateralis within an hour after exposure. Note that this only refers to the conditions outside of Terranova. There has never been a detected case of Ophiocordyceps unilateralis in Terranova’s history. 

Thank you.

You’re welcome! Please leave feedback on the AskAI Feedback Form if you have any ideas as to how I can improve <3

One year later

“And there’s no way we can skip?” 

“You know the rules.”

Dina rolled her eyes and sighed as you two stood at the door of your parents’ penthouse, waiting to knock. “Maybe if you went and I said that I was sick or something.”

“They’d know you were lying.”

“They’d probably be happy if I missed dinner.” 

“I don’t know if happy is something they can be,” you said. You tried to make it light and joking, but it came out with the heaviness of truth. “Plus, they’re not exactly thrilled with me either.”

“Not exactly thrilled” was the understatement of the century. Ever since you’d come home with a pregnant outsider toting a gun and covered in dirt, your parents had convinced themselves that you’d somehow become corrupted over your time living outside. 

But Dina had it way worse. Your parents were so scandalized by her rugged ways and the fact that she’d gotten pregnant out of wedlock that they’d nearly fainted upon realizing you were advocating for her Terranovan citizenship. 

You both had had the good fortune of avoiding any further tense interactions with them for the last few months, but that morning you’d awoken to an email that contained an invitation to their home for dinner. It was noted that Dina had to attend.

So here you two were. Dressed in uncomfortable, stiff clothes and nervously twiddling your thumbs. 

“You’re going to be fine,” you promised Dina. It sounded like a lie. “I’ll do most of the talking, okay?”

“If you say so.” 

You rang the doorbell.

It took just a few moments before the door swung open.

“Hi Chris!” you greeted, plastering a smile on your face. 

Your family housekeeper smiled back with a neutral warmth. She looked slightly thinner than you remembered when you saw her last just a few months ago. “Hello. Miss Dina, please remember to keep your shoes on this time.” 

Dina flushed bright red. The last time she’d come over for dinner, she’d taken her shoes off and had been given a very stern lecture by your mother about how improper stockinged feet were for dinner. “Of course not, ma’am.” 

You sent her an apologetic look and stepped inside.

“Your parents are in the sitting room,” Chris told you as she took your coats. 

You thanked her.

“Why don’t they ever come up to greet us themselves?” Dina whispered to you. 

You shrugged. “No clue. They just never have. They probably don’t want to have to take a break from whatever stimulating conversation they’re having about the country club happenings.”

She snorted. All of a sudden, you were overwhelmed by a sense of gratitude for Dina and her spirit. After your family had essentially decided you were hopeless, family get-togethers had become torture. Dina was your lifeline.

As Chris had said, your parents were found lounging in the sitting room, your mother fanning herself with one hand and holding what looked to be a gin and tonic in the other, your father sitting across from her in a tastefully worn armchair. 

“Girls,” your mother greeted. Her eyes looked flinty and flat. “How good of you to come. I was worried you’d lost your way.”

It was a classic Y/L/N insult for latecomers, but it was barely a minute past 6:30. 

“The elevator wasn’t working,” you offered. “We had to take the stairs.”

“Hm. Well, come and sit. Petra can get you a drink.” 

A tall girl who couldn’t have been much younger than you was standing at the other end of the room next to the bar. She had bright ginger hair that stood out starkly against the neutral beige of her uniform and a small, squatty nose. You’d never seen her before in your life. 

“Is she new?” you asked.

“Who, Petra? Oh, I think so. It must’ve been…oh, I’m not sure. This March, I believe? What do you think, darling?”

“Around then.” The solid ice globe slid against the glass with a clink as your father answered, taking a long pull of his bourbon after. 

“It’s nice to meet you,” said Dina politely.

Your mother let out a labored sigh. “Dear, I’m very glad to see you working on manners, but there’s no need to engage with the help.”

Dina didn’t answer, instead sending you a meaningful look. 

“Well, not usually,” she continued. “Though it is appropriate to interact with them in matters that are considered strictly business. Take, for example, the fact that neither of you have managed to order a drink yet. Petra, come.”

You stared at your hands, folded tightly in your lap. If there was anything you hated more than your parents, it was how they treated the help. And, though you’d never say it out loud, you didn’t understand how two middle aged adults needed more than one full-time housekeeper on hand. Chris made sense. Petra was entirely unnecessary. 

“We really don’t need anything,” you said to Petra when she was in front of you, looking rather pale. “But thank you.” 

The tension in the air refused to dissipate, not even when you were relocated to the dining room and had the crutch of picking away at the three courses served to you. 

Dina, having been thoroughly scolded by your mother the last time she dined with her, was clinical in choosing which utensil to use for each course. 

Your mother babbled on and on about the country club and the book club. Your father occasionally butted in with a few dull, lifeless comments. There was something especially dead in his appearance, like he was running on zero sleep.

“You may be curious as to why I asked you two here today,” your mother said after the main course plates had been cleared. “First of all, I wanted to extend my congratulations to my daughter for graduating in just a few days.” 

“Thank you,” you said stiffly. 

“And more importantly—” 

You resisted the urge to roll your eyes.

“—I wanted to announce that your father will finally be retiring,” she said. “He’s been working so hard for the last few years. Isn’t this wonderful?”

“That’s really great, Father,” you said, feigning a smile to hide your confusion. You hadn’t known that your father had even worked, much less hard enough to warrant a formal retirement. 

“Thanks, dove,” he said.

“When’s your last day?” you pried, wondering if you could manage any more information out of him. 

“This Friday.”

“Hm.” So much for that. You exchanged glances with Dina as Petra reappeared with a tray of small goblets filled with colorful globes of sorbet. 

“You’ll both be expected to be in attendance at his retirement party,” Mother added. She was frowning deeper now. 

“Even me?” said Dina.

“Yes.” She smiled tightly. “And please note that they’re unaware that we helped you through your…little problem. I can’t imagine why that would ever come up in conversation, but I would really prefer it didn’t.”

“Uh huh,” responded Dina, her eyes wide. 

When Dina had arrived, your family had given her two options—have her child and give it up for adoption, or terminate the pregnancy then and there in secret. Refusing to comply would lead to your parents being entirely unwilling to sponsor her citizenship as it was far too unseemly to be an unmarried mother. Though it was clear your parents thought she was devastated by the prospect, she’d confided in you later that she hadn’t realized that that had been an option for her. She’d taken the second option without a second thought, telling you that she didn’t feel ready to be a mother. 

The unfortunate part of it all was that your parents held this over her head on occasion, using it as leverage to make Dina feel like she owed them. Hence why she never felt entirely comfortable with telling them off. 

That your parents had kept the abortion a secret was hardly a surprise. Abortion was one of those issues that no one liked to talk about. Though it wasn’t the hardest procedure to get, it was never publicly discussed. You’d never personally known of anyone who had gotten one before, but the clinic had been so full when you’d attended with Dina nearly a year ago that you were beginning to second guess that fact. 

“Anyway,” said your mother lightly, “Darling, have you heard anything from the Thompsons recently?” 

“Oh, no. I haven’t seen Richard in quite some time.”

“It’s funny you say that. Melanie was supposed to host the Garden Club party last week, and you’ll never believe what happened.”

“What, honey?” Your father stared dully at the tablecloth, entirely unengaged. 

“When I stopped by, the rest of the girls were already there,” your mother said. “Just sitting out in front of her building looking very confused. I walked right up and asked what was going on—you know, now that I’m co-president, I need to keep things in order—”

“Yes, honey.”

“—And Angie tells me that they’ve been ringing her for ten minutes and she hasn't answered. I decided to give her a call, and straight to voicemail. So we all sat out there until it started raining. We never even got an apology text.” 

“Oh,” said your father, looking a little more engaged. “Is that really?”

“Yes,” your mother said. The attention made her sit up straighter. “It absolutely was. It was incredibly inappropriate. I couldn’t believe it. And to think that she stole that hosting spot from me…”

“Do you know if she’s alright?” your father asked,

She shrugged. “I should hope not. That’s the only excuse she could have for what happened.”

“Hm.” Your father moved the melting sorbet around without clinking his spoon to the crystal. “It seems that quite a few of us have been dropping off the face of the Earth.”

“It must be because of the long winter,” you said diplomatically. “Too much darkness makes us all a little loony.”

Your mother raised a brow and hummed in assent. “I suppose so.”

“Is that why groceries are so expensive now?” you asked. It had become a new development. About 6 months after you and Dina had returned, the prices on the shelves had rocketed upwards.

“Something like that,” your father said vaguely. 

“What does that mean?”

“Y/N,” your mother warned.

“It’s alright, dear,” your father said, waving his hand. “It’s really nothing interesting. Supplying this city has always had its challenges. This year just happens to be especially hard.”

“What kind of challenges?” pried Dina.

“Shipments are always difficult to orchestrate,” he said. “As is quality control. It’s nothing that we haven’t seen before. Prices will go back to usual within a few months. The pendulum always has to swing back.”

It was a saying he always used—the pendulum analogy.

Dessert wrapped up quickly. Your mother gave you the official date for your father’s retirement party and ironed out your graduation details, and before you knew it you and Dina were off into the night. 

“Thank fucking god that’s over,” said Dina as you two trotted down the street to the metro. 

“Tell me about it.” You zipped up your jacket to ward off the slight chill in the evening air. “I’m really sorry you had to deal with all of that. I appreciate you coming with me. I know they’re awful to you.”

“Well, they’ll be worse if I don’t go,” she responded, her eyes cloudy for a second. She was right. One misstep and they could have her citizenship and their financial sponsorship rescinded. 

“True,” you conceded. 

The metro was bustling with people as you and Dina hopped on to the yellow line that would take you to the university residences. It was modeled right after the Parisian metros, with its Art Nouveau signs and themed stops.  There was only standing room, so you two clutched onto the stainless steel poles in the middle. 

The doors made a groaning sound and a speaker crackled as the announcer came on.

“Doors closing. Please stand clear of the exits. This is an express train with service to University Park. Other stops include 25th Street and North Village. There will be no evening service to Rotingham.” 

You and Dina seemed to come to an unspoken agreement to remain silent and process the hell that had been dinner with your parents as the train lurched forward into motion. You closed your eyes and would’ve rested your head against the handrail had it not been so gross. 

The only fortunate thing about your parents was the fact that they were incredibly easy to get to, despite living on the other side of the city from the university. What would’ve normally taken 40 minutes with transfers was cut down to 15 with the use of an express train that ran right from the station outside of your apartment. 

You had resolved to just sit in silence when the train came to a screeching halt. 

Your eyes shot open, meeting Dina’s confused gaze. 

The lights above flickered, then sputtered out to leave you in darkness. 

There was a hushed silence amongst everyone in your train car. 

“What’s going on?” Dina whispered to you. 

“This happens sometimes,” you said quietly back, but it was sort of a lie. It wasn’t entirely uncommon for the lights to go out, but you’d never had it happen in tandem with a train stopping on the tracks before reaching a station. And especially not an express train…

The lights flickered on again, and there was a shared sense of relief as a few of the train’s occupants let out a shaky laugh. 

“Thought we were going to have to walk!” said a ruddy looking old man sitting across from you. The car responded with polite chuckles. 

“Apologies for the delay,” came a voice over the loudspeaker—a human voice, not an automated one. “There was a disturbance on the tracks that had to be dealt with. We apologize for any inconvenience this may have caused. Service will continue as usual.”

The train lurched back into movement, the dark walls of the tunnel moving past in a blur.

“That was weird,” Dina remarked once you two had gotten to your stop and were walking up to ground level.

“Yeah,” you said, frowning. “I didn’t want to tell you then because I didn’t want to freak you out, but normally express trains never stop, especially not at this time of night with less trains in service.”

“What qualifies as a disturbance on the tracks?”

“I have no clue,” you confessed. The sun was hovering just barely over the horizon, its last rays of light reflecting aggressively off of the skyscrapers in the distance from which you came. “Someone probably dropped something big like a suitcase onto the tracks and blocked the way. It happens.” 

You were purposefully avoiding the elephant in the room—that it had probably been a person on the tracks. It wasn’t especially common—not nearly as common as you heard it was in places like New York before the outbreak—but it happened on occasion. Terranova wasn’t the best place for everyone.

“The Thompsons are Simon’s family, right?” Dina asked you. She had to raise her voice to be heard over the cheerful chatter of fellow university students socializing and drinking on the green next to the sidewalk.

“Yeah,” you said. You and Dina had occasionally hung out with Simon since returning. You noticed that Simon had really taken a liking to Dina, but neglected to mention it since his parents were actively attempting to arrange a marriage between him and some girl in the Art History program at your school. “Have you talked to him at all? I haven’t heard from him for a week or so.”

“Me neither.” Dina tightened the dark braid that fell over her shoulder as she walked, looking rather troubled. “I didn’t realize his parents were missing.”

“They’re probably fine,” you said. “I seriously wouldn’t worry about it. There’s nothing here that could hurt them.”

“You’re right,” she said. “I just forget that there’s no infected here sometimes. Like, tonight, I thought I was gonna have to start swinging on someone in the train when the power cut.” 

“God, same.” You shivered. “It’s weird to know that we don’t have to worry about that anymore. But I think it’ll get easier with time.”

“Yeah,” said Dina, but she didn’t sound convinced. “Well, I’m going to text Simon and see if he’s alright. Or maybe call him. I’m sure he’ll know what happened.” 

“Let me know what he says.” You’d ascended the steps up to your shared apartment and were slotting the key into the keyhole. “By the way, did I ever formally invite you to my graduation?”

“Not that I recall.” Dina followed you in and kicked her shoes off.

“Well, consider this your formal invitation,” you said, turning to grin at her. “It’s this Saturday. Be there or be square.”

“Will there be free food?”

“And anything you want to drink,” you told her, though you weren’t entirely sure of that fact. You’d only ever been to one graduation in your life, and that had been years before it was socially acceptable for you to drink anything beyond the odd glass of watered down wine—but you recalled a memory of particularly free-flowing champagne flutes being passed around. 

“Consider me sold.” 

~

You had to be going crazy. There was no way. 

You entered the numbers back into the graphing software again. Then again. Then one more time, just to be sure you were seeing what you were seeing. 

“Everything going alright over there?” asked old Professor Gunther, looking up from his grading and his steaming cup of tea. 

“Um—” You blinked, hard, then looked back down at your calculations. “Professor, can you look at these for me? I think I must’ve made a mistake.”

“Of course, my dear.” He graciously accepted the notepad full of barely legible numbers that you came up to hand to him and adjusted the glasses on his face so he could squint more efficiently. “And what is this exactly?”

“I’ve been parsing through the data on that star—that K star you’d been watching for a while—and, um, I’ve noticed something.” Your voice shook nearly as much as your hand as you pointed to the scribbled numbers. “Can you, uh, graph these? And put them into a different program than StarBlast? And look at the spectra? It’s giving me what I think is—actually, I don’t know. You do it and I’ll show you what I got.” 

“I’m confused about what you could have possibly done wrong,” he said, though he was already opening his own laptop and starting up a different program that you hadn’t used before because of how much you hated the GUI. “Did you try to parse it by hand to check?”

“Yes,” you said. “Horrible idea. Took me forever.” 

“And you got the same result?”

“Yeah.”

“Hm.” He took off his glasses to wipe them off, then began typing in the data you’d emailed to him earlier for bookkeeping purposes. “Let me see what I have.” 

The agonizing few minutes it took for him to enter him already had your mind spiraling with possibilities as the implications sunk in. If you were right—if this was right—everything was going to change in your field. 

The spectra graph roared to life.

“Jesus Christ,” you heard your professor say. “Is this—”

“I think so,” you said. “I think so.”

What you two were looking at held more than one piece of crucial information. The first was nothing but basic calculations of a Doppler Shift that detected that there was a planet. Your calculations estimated its size at roughly the same as the Earth, with a similar orbital period and distance from its star that placed it in the habitable zone.

That wasn’t anything earth-shattering. There were plenty of Earth-sized planets in the habitable zone, implying that if the conditions were right, there was an environment conducive to organic life. 

What was, however, were the spectra emissions that you were staring at, slack-jawed and skin prickling. 

“Methane,” you whispered. “And oxygen. And phosphine.” 

And not just a little—enough that it suggested biological processes that could only occur with the presence of life.

“I think you should finish writing this report,” Professor Gunther finally said. 

You froze. “What?” 

He turned to you, his glasses sliding down his bulbous nose and a kind smile on his face. “I’ve made enough discoveries in my life. This one is yours to claim.” 

You were overcome with so much gratitude that you launched yourself at him, throwing your arms around his neck and hugging him tightly.

Gunther good-naturedly patted your back with the enthusiasm of a grandfather being pestered by his grandchildren. “This is your moment. Take it.” 

“Thank you,” you said, pulling back with tears welling up in your eyes. “Thank you, thank you, thank you.” 

He smiled again. “It’s truly my pleasure. I feel lucky to have had a student like you.” 

“If you don’t stop, I’m going to start crying.”

“We can’t have that,” he said, standing up and handing you back your sheet of calculations. “You have work to do.”

You settled back into your work across from him, nearly buzzing with excitement as you finished typing up your findings. It would be a long process for the study to actually be published—long, painful, and undoubtedly draining—but it would be so worth it. You’d be the one who discovered a planet that (most likely) harbored life. For the first time in history. 

Though you wouldn’t be publishing a paper any time soon, you still had to log the planet into the “global” (not exactly global given that there was no other place on Earth with the same technology as Terranova) database. And with that meant giving it a name.

In that moment, it was like time froze as the cursor blinked in the box. There was nothing but the blood rushing in your head, the dull hum of the fluorescent lights above, and the slight stickiness of the leather desk chair beneath you. 

You gulped. It was standard in the department to name planets after the astronomer that discovered them. You’d never had a planet named after you before. You’d only ever crunched numbers that Gunther had given to you to analyze spectra emissions. This was the first time you’d ever actually discovered something that hadn’t already been logged before it had landed on your desk.

And yet…

You closed your eyes. Suddenly you were back in the meadow at Jackson, tracing the wisps of the Milky Way with your finger as you and Ellie talked about the constellations. You saw the childish excitement on her normally stern features when she held the moon rock for the first time. You saw the wonder in her eyes when you told her a new space fact that she’d never heard before. That she’d never had the opportunity to learn before. 

Your fingers moved before you could stop them, quickly tapping out the name “Ellie” into the box and hitting the enter button. 

For the rest of the day, you regretted it. You tried not to think of her anymore. It was something that you’d promised yourself you wouldn’t do after you spent the entirety of last summer miserable and doing nothing but turning over the memories in your mind until Dina made you do something with her. 

It was difficult. You wanted to put it in the past, because you couldn’t think about her without thinking about how she probably wasn’t even alive anymore. Which didn’t make any sense. Nothing ever made any sense about Ellie. Even before you predicted she’d been bitten, she’d already been behaving erratically—not packing her things, not saying a real goodbye to Joel, catching more food than their small group of three could possibly need near the end. It was like she knew that she wouldn’t be able to go.

Which didn’t make any sense, because why go all that way knowing that it was for nothing?

Which made you think about how bizarre she was before leaving. How sad she seemed when she told you that she was going, like even then she knew that it wouldn’t happen. 

And you hadn’t gotten sick from her, even though you should have. She’d kissed you long after she would’ve been bitten. And you knew from your frantic research upon arriving that you should have tested positive when Simon checked. 

So why hadn’t you? And why had she?

It was things like this that could keep you up for days if you weren’t careful. It was awful, but sometimes you liked to believe that she had really been sick and had died shortly after. You had a vision of her killing herself before fully turning, and even though it hurt to imagine it, it was the most humane end of them all. If she was dead, then maybe there was an afterlife, and maybe a piece of her was watching over you. Maybe she was still with you. Maybe she finally was able to rest. 

You hoped that little piece of her had seen her name the first planet with life after her.

A tiny smile crept across your face, but inside you felt devastated. You were going to mourn her again all day, like you always did when something reminded you of her. And you were probably going to dream of her, of her stupid grin and the way her hair felt when it tickled your face. 

Pull it together you thought glumly. You had to be normal for your father’s retirement party that night, and you had just under 4 hours to do so. 

~

“Ugh,” you said, staring at your phone as you stood with Dina near the door, both of you dolled up and ready to go to the party.

“That’s how I feel too,” said Dina. “I’m going to kill myself if anyone brings up anything about how hard my childhood must’ve been and how I’m doing such a good job adjusting one more time.”

“Ha,” you said. “Mom just texted me to tell me that we need to stop by theirs first.”

“Why? Aren’t they already at the venue?”

“Yeah,” you responded, wrinkling your nose. “But apparently she forgot her gift for him—some vintage Rolex she got restored for him.”

“A vintage what?”

“Stupidly overpriced wristwatch,” you explained. 

It took less time than usual to get to their building. Despite it being at peak busy hour, the platforms seemed eerily empty.

“Is there some holiday going on?” Dina asked, sitting across from you so that you both had your own row of seats. 

“Oh, I’m such an idiot,” you said, clapping your forehead with your hand. “Of course there is. That’s why my father held his retirement party today. It’s the first day of this festival that goes all week.”

“What’s it for?”

“I honestly don’t know the background,” you admitted. “Most people just use it as an excuse to get incredibly drunk. I think it has something to do with the founding. It’s, like, the only time that public intoxication is okay.” 

“Damn,” said Dina thoughtfully. 

“The trains will probably fill up on our way back,” you said, sighing. “Hopefully it won’t be too bad. Worst comes to worst we can walk.”

“It gets that bad?” 

“There’s hardly standing room,” you said, recalling the last festival you’d been around for—the summer before you’d been catapulted to Jackson. “And it just reeks of drunk people. And you have to be really careful, because I hear the custodial staff has to work overtime to clean up all the vomit.” 

“Gross,” said Dina. “And here I was thinking that it was just all being proper and mannerly.”

“Everyone has their limits,” you said lightly.

The penthouse felt just as oppressive as when you came for dinners, like you were walking into the lair of a dragon who was coming back at any moment. Chris was gone—likely participating in the festival herself—but you were surprised to see the figure of Petra bent in a corner as you entered, dusting the top shelf of their bookcase.

You and Dina politely greeted her before ascending the steps to your father’s office.

“Why did your Mom put it in here?” Dina asked as you began shuffling through papers to find the box that your mother had described over text.

“My father doesn’t work in here all too often,” you said, opening a few drawers and seeing no trace of the green and gold box. “He just uses it to file away things.” 

“What does he do?” 

“I actually have no clue,” you confessed. “He doesn’t talk about it, and I don’t ask.” 

“Do you want to see if we can find out?” Dina asked with a conspiratorial raise of her eyebrow as she motioned towards the filing cabinets. “Just a quick look. They’ll never know that we were here.”

You took a moment to consider. If Chris had answered the door to let you two in, you would’ve told her that you couldn’t, because she would definitely snitch if she knew. But she was nowhere to be seen, and Petra looked like she was busy enough downstairs. 

“Sure. Why not.” 

The first few cabinets held nothing interesting—just spending reports and copies of contracts that were written in legalese. 

“It looks like he works with whoever supplies this place,” remarked Dina as you two skimmed the papers and saw records of contacts all over the continent, from the old continental US and South America, each detailing something boring about shipping dates and inventory. 

But then came the third cabinet, with papers dated back before you were born with what looked like sketches of barren looking buildings and hand-scrawled notes. 

“What are these?” you breathed, laying them out on the ground. 

“I think…” Dina squinted. “I think that these might be manufacturing plants?” 

“Oh?” You dug further around in the cabinet to see if you could find any further illuminating evidence. 

“Yeah,” said Dina, staring as she began to flip through the pages already on the floor. “Holy shit, dude. This is…sort of messed up. Look at how small these living quarters are.”

You peered over her shoulder to see the architectural sketches of what looked to be more of what you imagined a prison to be. There were long bunks stacked on top of each other in what looked to be a never ending line, the mattresses barely even large enough to be considered twins. 

Someone cleared their throat behind you, and you nearly leapt.

“I hope I’m not interrupting,” said Petra. Her voice was low and raspy. You noted that it was the first time she’d ever spoken.

“Oh, uh—” You began to frantically gather the papers, hoping she hadn’t seen. Would she tell your parents? “Sorry if we disturbed your work. My parents, uh, they asked us to get something from—”

“It’s fine,” she interrupted, holding up a hand. “I won’t say anything.”

“Thank you.” You stared up at her steely green eyes, wondering what had compelled her to approach you and Dina. “Um, is there anything we can do to help you?”

“Don’t drink the bourbon,” she said, so quickly that it seemed to fluster her. 

“What? Why?”

“Just don’t do it,” she said again. “Better yet, don’t drink anything except for the water.”  

“I’m sorry,” you said, feeling genuinely apologetic. “I’m not sure if I understand.”

Something crossed over Dina’s face, and suddenly something in her seemed to shift. Her features paled. She knew something you didn’t.

“I came from one of those places,” Petra said, motioning to the diagrams that you were staring at. “They’re not—they’re not somewhere you want to be. We all try our best to come here. That’s what they tell us, you know. Do well enough and you’ll get sent to where everyone gets to live a life of grandeur and luxury. But they barely send anyone, and when they do, they get shitty positions like this.” 

Your breath caught in your throat as your understanding slowly grew. Of course. How had you been so stupid to think that wealthy people were ever going to have any of their kind work any real job? 

“You two were the ones who came from outside, right?” Petra continued. When you two nodded, she crouched next to you. “And you were wondering what was going on with the prices?”

You nodded again, awestruck.

“Your Dad’s little spiel on it being about bad weather is bullshit,” she said, her words hard. “People are getting tired of this. They’re realizing they’re never getting out. You know what it’s like out there—it’s scary. It’s tiring. So many people get sick, so many die. So when people finally caught onto the fact that the work they’re doing is nothing but dressed up slavery and that their chances of getting out are basically zero, they start doing things to mess with the system.”

“Like contaminating the products?” Even as she said it, it seemed like Dina already knew the answer. 

Petra just gave you two a long look. 

“So that’s what he meant by quality control,” you said, the realization hitting you. 

“Among other things.” 

“How long do you think we have?” asked Dina.

“Not very long at all.” 

“You guys can’t be serious,” you said, nervous laughter catching in your chest. “Do you seriously mean that Terranova isn’t going to be around for much longer? Is that what you’re saying?”

Petra shrugged and stood up. “Believe whatever you want. But from where I stand, it looks like there’s only two possible ways out of this situation. That is, unless you guys all become farmers.”

“I don’t think I’m following,” you said.

“Two options,” Petra said, sighing heavily. “Either we starve or we don’t. And the latter means taking a really big fucking chance on what we bring in.”

“But the system has worked for so long,” you said, more to yourself than anyone else. 

“Too long,” she amended. “It was never sustainable. Maybe if you people had been okay with just eating native plants and wildlife. Maybe if you people were okay with changing your way of life. But no, you just had to have your fucking oranges from Florida and your coffee from South America.” 

“Don’t lump me into this,” said Dina. “I just got here.” 

Petra laughed, but it was a hard and sharp sound. “Well, chances are you won’t be here for long.”

“Hang on,” you said. “We’re still doing quality control inspections. The most likely scenario is that we’re going to have to cut down on imports—not that we’re about to go up in flames any minute.”

“I hope you’re right about that,” she said in that voice that told you that she thought that you definitely weren’t and didn’t see the point in arguing further. “Anyways, I’ve got to finish working so I can get home before dark. Be careful, okay?” 

“You too,” you said. “And thanks for…not saying anything.”

It was a bit presumptuous considering that Petra hadn’t really given you any good reason beyond her word that she wouldn’t mention you lurking in your father’s cabinets, so you and Dina were thorough in carefully placing each file back into the correct place, just in case. 

“Do you really think what she said is true?” you asked once you and Dina had located the watch and were on the metro once again.

Dina shrugged. “I mean, it makes sense.”

“Does it?”

“Look,” said Dina. “I know that this might be hard for you to hear, but I’m pretty sure this place lives off of what’s basically slave labor. If there’s any humanity left in the world, I would like to think that Terranova would eventually fall.” 

You swallowed hard, then blinked. For a moment you thought you were going to throw up. “I never knew. I didn’t realize.”

“Of course you didn’t.” Dina’s voice was surprisingly patient. “You were a kid. But you��re not anymore, so it’s time to grow up and face the music.”

“I don’t know what to do.”

“I don’t either.” 

The two of you fell into a silence as the train sped past empty platforms bathed in shadows and you thought and thought and thought. 

There was just too much happening today. First Gunther’s lab, then Ellie, now your entire worldview toppling. 

As the train windows continued to blur the background of the tunnels and empty stations, your mind spun with reflections of your childhood—of you enjoying simple luxuries that you didn’t realize came at the expense of others. That you didn’t even think to ask about. You’d mindlessly trudged along, eating your exotic fruits and drinking your expensive tea and wearing clothes built from indulgent fabrics just because you could. Even when Dina had asked where the oranges came from all the way back in Jackson, you hadn’t let yourself wonder. You hadn’t let yourself consider the possibility that it was anything less than the sanitized fairyland that you’d been brought up in—perhaps because you knew all along. 

And that made it even worse.

Dina seemed to understand, sending you a few glances without prodding. 

“Do you think we need to leave?” you asked, your voice just barely a whisper.

“Us leaving isn’t going to do anything,” Dina said, like she’d been expecting it. “And how would we even do that? It’s not like we can just charter a helicopter again to drop us off back in Jackson.” 

Something twisted inside of you. “Oh, God. You’re right. We couldn’t even leave if we tried.”

And you might have to try, a sinister voice inside you whispered. What if Petra was right about the contaminated products? What if they missed something when checking imports?

You’d never been taught how quickly the fungus spread in the original outbreak, and you knew little about the normal amount of time it would take any sort of disease to infect the entire population. But you did know how densely populated everything was. How reliant everything was on a few strictly maintained channels, like public transportation. 

It wouldn’t be hard for it to all come crashing down, really. It would just take the right place at the right time and—

“Don’t freak out, Y/N.” Dina laid a hand on your shoulder. “We’ll figure something out if it comes to that.” 

You smiled at her, grateful that you didn’t even have to put your words into thoughts. “But if we can’t leave, what do we do? It’s not like we can just sit by and do nothing.”

Dina pulled her bottom lip under her teeth, worrying it before answering. “I don’t really think that we have a choice. Right now, at least. I don’t know if there’s anything that just the two of us can do.”

“I’ll find more,” you said. “I’ll talk to my professors—my friends at university—Simon—”

“Do you think that we’re the only two that know about this?” asked Dina. “Because I really don’t. Maybe your friends don’t. But anyone in the military and anyone who was around when this was founded has got to know. They just don’t care enough.”

Something slowly iced over inside of you as the implications sunk in. 

Gunther had probably known. No, scratch that—he definitely did. He was an academic who had been in his 30s when the world fell apart. Any adult would have asked the same questions that Dina had upon arrival. 

“We’ll figure something out, I’m sure,” said Dina firmly. “Okay? Don’t worry.” 

“Speaking of Simon,” you said, narrowing your eyes, “Did you ever get in touch with him? Is his family okay?” 

“Oh, yeah.” said Dina. “He texted me back a bit ago. Said something about how he was just busy and that his family had been camping up in the mountains.” 

You two faded into silence. 

The retirement party came and went without much trouble. On the outside, at least. You were a mental wreck, barely able to keep it together as near strangers came up to you and expressed how much bigger you were since they’d seen you a decade and a half ago. 

You noted with muted suspicion that Simon’s parents were nowhere to be seen amongst the crowd, not even by the lavishly decorated bar. 

~

That night, you did dream of Ellie. It wasn’t the usual. Ellie wasn’t turning in front of you or bleeding or crying out in pain with a bite mark on her arm. She wasn’t yelling at you for failing her and letting her get bitten without even noticing. No; instead, she lay beside you in your meadow spot and talked to you.

And somehow that was so much worse.

“I named a planet after you,” you said, feeling hot tears pool at the seams of your eyes that you squeezed together to avoid sobbing. You knew you were dreaming. You always knew you were dreaming—seeing Ellie always seemed to prompt a degree of lucidity that was otherwise missing in your sleep. 

“That’s really fucking sappy of you.”

“I miss you.” It came out like a compulsion, like you couldn’t stop it. “Are you here? Are you with me?”

“Y/N,” Ellie said, turning to look at you. The darkness made it difficult to see her whole face, but you could see the look of pity on her features in the gray-blue of the moonlight. “Of course I’m not here. Don’t be stupid. I’m dead.”

“Sometimes I wonder if you’re not. Like, if something happened.”

“Something did happen. I died.” 

“Fuck you.”

She smiled sadly, and for a moment you thought her eyes looked more reflective than usual. “It’s not very helpful to think that way. And what can I tell you? I’m not even real.”

“I’d like you to try,” you whispered.

“Fine.” She sat up, pulling her legs into a lazy tangle as she looked at you. “What did you seriously expect, dude? You were never going to stay. I wasn’t going to go. If I hadn’t been bitten, I’m sure I would’ve orchestrated some way to get out of it. My family is back in Jackson. I liked you just fine, but you’re not my family. That shit’s deeper. Different.” 

You opened your mouth, then closed it, then opened it again. The sharp pain in your chest faded into a cold sense of familiarity. Then, because she wasn’t real and there was no reason to feel embarrassed about bearing your emotions: 

“You feel more like family than anyone here.” 

“Then that sounds like a you problem,” said Ellie, flatly. “I’m not gonna let you guilt trip me like this. Boo fucking hoo, you grew up richer than everyone else on Earth and had to deal with strict parents. Do you realize what actual, real problems are? What about the people who make your lifestyle possible, huh? What about them?”

“I didn’t know.”

“Then you’re fucking stupid.” 

The tears were streaming freely down your face now. “I would do anything to be back with you. I wanted to stay. I miss you so much. I don’t know what to do with myself without you.”

“And I’m sorry you have to deal with that.” 

“Will you just say that you miss me too? You don’t have to mean it. I just want—I just want to hear it.” 

“I can’t miss you. I’m not around anymore.” 

Ellie watched as you curled in on yourself and sobbed so hard you thought you were going to be sick. 

“You’re so weak,” she said after a few minutes. There was no venom in her tone. It was as if she was merely relaying something as inconsequential as the weather to you. “All you do is expect other people to care for you.” 

Not real. Not real. Not real you repeated to yourself in your mind with growing franticness. 

She wasn’t real. None of this was real. Ellie was never that affectionate with you, but this was another level. This was something personal. 

“You said that being weak isn’t bad.”

“And you said that you were going to make sure I was going to get to Terranova.”

 “And it’s not my fault that you decided to go gallivanting alone in the woods.”

“You could’ve tried harder.”

“I did as much as I could.”

“Sure you did.” 

You bolted awake. The hair at the nape of your neck was wet with the slick of sweat. For a moment, you let yourself catch your breath, reorient yourself in your surroundings. 

Your room. You were in your dorm room, with your space posters and your books. Ellie hadn’t been here. She hadn’t said that. You were okay.

A blaring noise jarred you as you realized that your alarm had made you wake up. Your alarm, because it was graduation day and you needed to be ready for a full day of festivities. 

“Fuck,” you muttered, scrubbing your face with you hands. The last thing you wanted to do after this was have to see your parents and pretend like you like them for appearances. 

She's gone. She's gone. She's gone you repeated in your head like a mantra. It was over. You shouldn’t have named that stupid planet after her, because she was gone and she always would be.

It would only be a matter of time until your parents would start asking you about your dating life, you realized as you brushed your teeth over the shiny white basin of your sink, the minty bubbles making your lips tingle. They’d been willing to entertain your reasoning of wanting to focus on your studies while you were at university, but you knew they’d been looking for prospective engagements behind your back.

It took you longer than usual to get ready, your mind wandering as you lingered in different corners of your apartment. You kept the lights off, opting to let the cool, gray daylight from the gloomy clouds wash the surfaces of your room. 

“Hey,” said Dina, appearing from her own room and leaning against the doorframe. 

“Good morning,” you greeted blandly, your attention on the necklace that just wouldn’t clasp around your neck.

“Looking spiffy,” she said. “By the way, did Simon say anything to you?” 

“No.” You paused and turned to her, a frown on her face. As far as you were concerned, you really had no reason to be in contact with Simon beyond the general pleasantries. 

“He just called me,” said Dina. “He seemed—I dunno. Like, weirdly frantic. He was saying that we need to stop by his.” 

“His” was inconveniently on the opposite side of the city, even further past your parents’ place. 

“Why? Pretty far for a short jaunt.” 

“He was really insistent,” pressed Dina. Her long black curls were unruly, her skin sallow in a way you hadn’t seen in a while. She hadn’t been sleeping as well recently, it seemed, just like you since you’d spoken to Petra. “Maybe we should just stop by.” 

“Did he say anything about why?”

“I tried to ask,” said Dina, frowning. “But the call dropped.”

“I hate how horrible service is in your room,” you said. 

“Me too. Anyway, are we gonna see him?” 

You shrugged. “I guess. We have some time. I’ll text him too just to see what’s going on.” 

Dina was ready in just a few minutes, pulling a light blue sweatshirt over her shirt and stepping into her shoes. 

“You look soooo cute,” she said, pinching your cheeks. “My little grad.”

You rolled your eyes, but the size of your smile ruined it. 

For once in your life, you noticed that the university green outside of your apartment was suspiciously empty. 

“Quiet,” Dina noted as you made your way to the metro. “It’s eerie.” 

“People were probably partying all night,” you said. “Celebrating graduation and whatnot. I imagine everyone’s sleeping off a hangover instead of having to get up at the crack of dawn to voyage across the city.”

Dina held up her hands. “Gee. Sorry.” 

The train was a little more populated. Some older Terranovans had newspapers cracked as they licked their fingers to turn the page. The silent hum of the train lulled you into another soliloquy as the tunnel plunged you into darkness.

You had to stop thinking about Ellie. You needed to move on, as awful as it was. You’d named a planet after her. She’d be forever remembered in the stars, and that should be enough. You didn’t need to keep dragging her memory behind you like a corpse, because she was dead and she was never coming back and she was—

On the platform?

Your mouth dropped as the doors of the train slowly rolled open to reveal a short girl with shoulder length auburn hair slowly ambling towards the platform. She was wearing a pale green short sleeve that had some sort of edgy spatter pattern on it—something that was very Ellie-esque. But something wasn’t…

It took you one breath to notice that neither of her bare arms had any tattoos. It took you another to see that what you had initially assumed to be a pattern was actually blood-soaked fabric formed from red rivelets that trickled from a wound on her neck.

“Holy fuck,” you whispered, grabbing Dina’s hand. “Do you see—”

“Everybody run!” Dina screamed, leaping up from the train seat and dragging you with her as she bolted off the train and to the opposite exit. 

The girl wailed and barrelled towards the train car, her eyes locking onto the nervous movement of the passengers. You froze. It was slowly becoming obvious that this wasn’t Ellie, from the slightly different set of her eyes to the unfamiliar button nose. But it was hard to not feel anything but sympathy for the monster before you. She was just a girl, probably younger than you. 

“Fucking go, Y/N,” Dina snapped, yanking you harder and onto the platform just as Not-Ellie leapt onto one of the newspaper readers. “It’s not her.” 

She didn’t need to tell you twice. In seconds you two had sprinted to the mouth of the stairs, feet pummeling against the pavement as the sounds of the carnage unfolding behind you followed. 

You ran. You didn’t stop running, not even when the screams faded and you and Dina were blocks and blocks away, hidden in an alley. Not even when your lungs were so empty and sore that they felt like they were breaths away from breaking, not even when you were sure there was nothing left inside you.

Dina kept your pace, blindly following your lead as you darted in between streets and side alleys until you reached your parents’ apartment. 

“Do you think there’s more?” you managed to whisper through heaving voices once you stood on the steps. 

You and Dina hadn’t ran into anyone after the metro, undead or alive. 

“Not here,” hissed Dina. “Inside first. Then we evaluate after we’re safer.” 

For a moment, the phantom dread from your normal life spilled over and you were afraid of facing your parents. It was almost laughable—there were deranged infected hosts looking to eat your flesh roaming the streets, and you were worried about seeing your parents. 

“I’d almost prefer out here, too,” said Dina, looking as if she’d read your mind. 

The apartment complex was also empty and eerily quiet as you two ascended the steps. Dina had insisted that you took the stairs, pointing out that the elevator was far too risky. 

“It might get stuck,” she’d whispered as she’d pulled you away from pressing the button. “Also—unnecessary noise.” 

You nodded wordlessly, following her up the steps until you reached the top floor.

Still no one to be seen.

The spare key was still hidden under the flower pot, and the penthouse door swung open easily. You and Dina locked it behind you before dragging a small bookcase in front of it, piling on books until no one could physically break through. 

“Sweep the apartment,” Dina said lowly, reaching over to grab the fireplace poker that was in the entryway. “Behind me until you get a weapon.” 

For a few tense moments, you cowered behind Dina as she navigated you both into the dark, empty kitchen. Every breath that left your lips was shaky and uneven. Your fingers trembled around the handle of the butcher’s knife that you’d retrieved from the block. 

Nothing was on the first floor. 

Nothing on the second floor, either. There was no sign of your parents anywhere. By all accounts, it seemed that they’d just up and left for coffee. Which is probably what they’d done, given that your father had just retired and had nothing better to do. 

“Fucking thank god,” you’d cried out once you’d swept the last room, collapsing onto the sitting room sofa. “Jesus Christ, Dina. What the fuck. I can’t believe I just—”

The words petered out as the adrenaline rush that had been keeping you at least someone composed dissipated, leaving you a shaking and inconsolable mess. 

“We’re so lucky that we got out in time,” said Dina, her eyes blurry and unfocused.

You took a break from your crying to look at her. “What?”

“The doors close automatically,” she said flatly. “No motion sensor. If that girl had shown up any later—if we hadn’t noticed her in time—”

“We would’ve been stuck on the train with her,” you said, cold realization trickling into you. “Oh my god. That probably happened to the people on the train who weren’t quick enough.”

“Or didn’t know any better,” Dina added. “Didn’t you say that no one here really understands what the infection is? That it makes people hosts?” 

Your heart dropped. “We’re so fucked. We need to get out.” 

“Have a plane anywhere?”

“Oh, god, Simon,” you wailed. “He was probably—he must’ve known—his parents must have—”

“Let’s not dwell,” said Dina firmly, brushing her hands off on her pants. “Okay. Let’s take inventory of the situation. That girl likely wasn’t patient zero. Wherever she came from was around…8th street?” 

You nodded.

“Right. 8th street, which is where the majority of non-student residential living spaces are. Chances are that if it wasn’t already, it’s all over that area. We came south, which is away from the most densely populated area and probably why we haven’t seen anyone else. We’re up high with what seems to be currently running water, no current activity in the building, and plenty of both perishable and nonperishable food. 

“But this isn’t permanent. The power grid is going to fail soon, and plumbing is likely going to go next. And if we somehow make it long enough, any infected in the building are going to turn into clickers, and they’ll stop at nothing to get in. Our window is limited. If we wait to get out, they’re going to get stronger and grow in numbers. We need to play this right.”

“So what you’re saying is that if there’s any possible chance of escape,” you said, feeling the blood drain from your face, “That we need to take it.”

Dina nodded, her face hard. 

“How long do you think we have until we have to make that choice?” 

She winced. “Probably 2 hours ago. There’s likely enough infected scattered around the city after the metro incident that it’s all over now.”

Your stomach dropped. 

“But that doesn’t mean we shouldn’t try,” said Dina. “It’s only going to get worse the longer we wait. So if that big fancy scientist brain of yours has any genius plans of how to get us out, please hurry it up and say so.” 

“Well,” you said, your mouth dry as you brainstormed aloud, “We are at the southern tip of the city. We’re probably not all that far from the border. The problem would be getting across—and, of course, getting there in the first place. It’s designed to be deceptive so that raiders can’t find it.” 

“We’re not going to cross the border,” said Dina. “We’re never getting across on foot unless it’s been destroyed. Simon told me about how it works. There’s quite literally zero chance unless we start tunneling underground.” 

“So no crossing on foot,” you said weakly. “Noted. Well. Uh. Can you fly a plane?”

“Depends. Do you have one?” 

You buried your face in your hands. 

“Come on, Y/N. Think. There has to be another option.” 

Another option. Another option. Think, think, think…

Scientist brain. Science. 

Like your degree. Like the lab you’d been working in last year. Like the ill-fated experiment that you’d scrapped after the university cut funding for it after your accident.

Like the time that you’d actually succeeded in inventing teleportation, even if it was accidental.

Like the contraption that was likely gathering dust in an unlocked lab room just a few blocks away. 

“Dina,” you said, “I’ve got it. But I need you to get me to Gunther’s lab.” 

The only good thing about today was the fact that Gunther’s lab, which was normally an inconvenient train ride away from your apartment, was in fact within perfectly reasonable walking distance from your parents’. 

There were many bad things, though. Namely the infected now roaming the streets. And the plumes of smoke rising in the distance, suggesting that the Terranovan authorities were attempting to quell the issue the old-fashioned way. 

With two knives and a pistol in your hand (you’d never been more happy to see something actually useful in your father’s antique collection), you were at least feeling more prepared to slowly creep back down the staircase of the building and out onto the streets. 

For the first two blocks, everything remained uneventful. You and Dina stuck close to the shadows, being careful not to speak, make any noise, or bump into anything noisy. 

Then a girl that looked somewhat familiar to you came stumbling around the corner, cloudy orange saliva dripping from her ashen lips. She locked onto you and began to excitedly chitter, her jerky movements becoming more pointed as she started approaching. 

“Knife,” Dina whispered, flicking your arm once she saw you raise your pistol. “Too loud.” 

It was your first kill without the help of a bullet. As the blade slid across the throat of the girl, you realized where you recognized her from—she’d been one of the students you’d tutored back in high school. You’d always liked her. Her name had been Liesel, and she was one of your best pupils. She’d been so bright. You thought she’d end up skipping senior year and just coming with you to college. 

Not anymore. You tried not to think too hard about the look you’d seen in her eyes right as you severed her carotid artery—something human, something cognisant. You couldn’t cope with what that implied. 

Did Ellie look like that? No, surely not. It’d been over a year. She was likely a clicker by now, her freckled face entirely swallowed by the spore shards. But was she still in there, like Liesel had been?

The next ones were easier—random men whose eyes remained flat and flinty even as you sent them to their ends. By the time you and Dina had broken into Gunther’s lab, you were splattered in blood and assorted mystery fluids. 

The sterile building was empty and deathly silent. Each step on the tiled floor echoed, the fluorescent lighting painfully bright. 

“Are there any workers in here usually?” Dina asked, her voice low. 

“Rarely,” you whispered back. “It’s normally totally empty beside me or Gunther.”

“I hope you’re right.” 

A long screeching that sounded like it came from a few doors down made you freeze.

“Let’s move,” Dina said under her breath. “I don’t want to find out who that is.” 

Gunther’s lab was nearly just as you remembered it. The only difference was the missing files on his desk, which suggested that he’d taken his work home with him. 

As you’d hoped, the prototype you’d developed in your third year was under a white sheet, almost entirely untouched. 

“This is what sent you to Jackson?” Dina whispered in wonder, her fingers hovering over the wires but not daring to touch.

In actuality, it was a very small contraption, just transistors and gates and wires that crossed over each other like veins. It had been intended for use on laboratory rats. It’d never been sized to people. But if this was your only shot…

“I can’t remember exactly what Gunther and I did to—”

Scratchhhhhh.

Your blood ran cold. Something was outside the door. 

“I’ll cover it,” said Dina, her voice firm. Don’t worry.”

And you wouldn’t—not when there was one zombie against you and Dina, armed to the teeth.

“Uh, anyway—” You blinked as you stared down at the mess of wires. “Technically what happened was it short-circuit—”

Scratch scratch scratch

You gulped. “Um, like I was saying, it short—”

Scratchscratchscratchscratch

To punctuate the point, the door creaked and shifted. 

Dina pressed her finger to her lips as she slowly crept over to the door, standing on her toes to look through the thin strip of plexiglass that ran across the top of the door. 

For a moment, you thought that she’d frozen. Then she quietly stepped over to the desk, snatched the pen Gunther had lying around, and scribbled something onto it. She handed it to you, her finger still posed over her lips. 

7 of them. All big. I think they followed us from the street.

Just as you finished reading it, the doorknob began to turn, back and forth and back and forth against the lock. 

Dina pulled the note from your fingers to scribble something else out. 

Don't say anything. Noise will send them into a feeding frenzy. Door won't hold long. Do whatever you need to fix it and get us out.

You nodded, your heart crawling in your throat. If you couldn’t figure out how to fix this in time…Gunther’s lab was on the 6th floor. 

There were only 3 bullets in the pistol—you’d checked. And a kitchen knife was fine when you were out on the street facing one infected at a time, but 7 in an enclosed space was different.

You probably weren’t going to get out of here alive. 

Not unless you pulled it together right now. 

You pinched the bridge of your nose as you tried to run through all possible ways to recreate the conditions that had sent you to Jackson. You needed that special iridescent wire, which you could see shoved into the corner. You needed a power source. You needed a working circuit board. 

You had all of it. You could do this. 

SIlently, you retrieved the spool of wire and began reattaching it to the board in the pattern you vaguely recalled from your work. 

The lights flickered above, and it was all you could do to keep yourself from swearing out loud. 

The power needed to hold. It needed to hold for just one more minute, just for a moment while you finished configuring the—

Your hand knocked the spool to the floor.

Bang. Bang. Bang.

The thudding started slower but crescendoed into the sound of groaning wood as the infected outside began to pound at the door. 

Dina waved a slip of paper in front of you with wide eyes that said Hurry the FUCK up!. 

You sent her a desperate look back. Your hands were shaking so hard that it was a miracle you were even able to feed the end of the wire through the pliers to snap off the end. You dug your nails into the protective sleeve at the end to expose the tip of the wire.

The door held just until you plugged the wire into the input. 

As it hummed to life, sputtering and sparking and shimmering in the air, the lights flickered once, then plunged you into darkness as the sound of wood splintering came from the door. 

Someone—it was probably you—screamed as a crowd came barrelling through the door, all hunched shoulders and gaping maws. 

Then you grabbed the hand of Dina and felt yourself tumble into nothingness. 

~

The sky was clear and bluebell blue above you when you came to, your back pressed uncomfortably against the sun-warmed earth. Every part of you ached like you’d just been run over, just like it had that day one year ago that started it all.

You didn’t need to look around to confirm—you were certain of where you were. You just knew it. 

A groaning sound made you shoot up, clutching at the pistol in your hand. 

Dina was sprawled on the ground next to you, rubbing her forehead with her hands. 

“We did it,” you said, astonished. “We actually did it. We got out.” 

“And you launched us out to Jackson.” Dina was sitting up now, looking around with wide eyes. “Jesus Christ. Are those things coming with us?”

“I don’t think so,” you said blandly. Your hands were still shaking, just as they had in the lab moments before. 

The backpack you’d packed with supplies lay strewn on the ground, covered in the dust of the clearing. 

“Are we—”

“I think so,” you said. “Funny how it sent us to the same place it sent me. I guess we’ll never figure out how, though.”

“Yeah.”

A comfortable silence fell over the two of you as you acclimated to the bright Wyoming sun, the warmth of the air against your skin.

Your heart lurched as the implications sunk in. Now that you couldn’t pretend like Jackson had been some sort of distant memory, you were going to mourn Ellie all over again whether you liked it or not. 

“It’s going to be weird without her.” Dina was apparently on the same page. 

You choked back the sob that came up, rubbing your eyes angrily. You would not cry right now, not when you had more important things to attend to. 

“She really did love you, you know,” Dina continued, also apparently oblivious to the fact that you were just barely holding it together. “Even if she never said it. I’ve never seen her like that around anyone. I hope you haven’t been beating yourself up over what happened.”

You sent her a tight smile. It was odd, talking about Ellie like this with her. You’d never had before. It was one of those topics that you both knew to just avoid. “I just hope Joel is alright. I can’t imagine how difficult that would be—losing two daughters just like tha—”

A twig snapping in the woods sent you into silence, your hand drifting back down to your pistol as you spun around.

For a moment, all you could hear was the breath that hitched in both your and Dina’s throat. Then a girl with short brown hair burst through the tree line, her gun set on you. 

“Ellie?” you gasped. 

She fell still, mouth agape and eyebrows nearly touching her hairline.

“Ellie, what the fuck?” said Dina, recovering much quicker than you. “What are you doing here?”

“What am I—” Ellie dropped her pistol so it pointed to the ground, staring at Dina incredulously. “What are you doing here?” Then she rounded on you. “What did you do? You promised to stay in Terranova.” 

You couldn’t answer. You were just so starstruck that all you could was stare, taking in everything about her. She was certainly Ellie—with her stupid little flashlight on her backpack strap and her fern tattoo and the perpetual grumpiness etched on her face. It was strange to think that you could have mistaken anyone else for her.

“Well?” she pressed, stepping closer, her mouth in a hard line. 

“Terranova fell. It’s gone. I did what I had to do to get us out.” The words came out quietly. Then, without thinking: “You’re alive.” 

“Long story,” said Ellie. “I think the scanner was defective.” 

“That sounds like a pretty short story.”

She stared at you with an expression of such odd devastation that you felt your heart drop.

Dina jumped to her feet and launched herself at Ellie, throwing her arms around her neck and laughing hysterically. “I can’t believe it. I just—I just—you’re alive. I’m so glad you’re alive.” 

Ellie, for her part, stood mostly still, awkwardly patting Dina on the back until she was released. “I’m glad you are, too.”

You tried not to feel jealous, but it was hard not to. Dina could jump into Ellie’s arms and tell her nice things like that without having to think twice because they’d always been friends. You did, because you weren’t sure if Ellie would want that anymore. 

You didn’t try to touch her as she walked you and Dina back. She followed suit, not even trying to speak to you. 

By the time you were walking through the walls of Jackson and waving to the gaping passerbys who were shocked at your return, you felt like you were going to be sick. 

Ellie was alive. She’d never been dead, and you’d left her out here while you and Dina got to eat fancy Brazilian chocolates and Floridian oranges and artisanal bread. You’d been actively trying to forget her instead of trying to find her.

And now she was here, next to you. And she didn’t seem even remotely interested in you. But could you blame her? It had been a year. You’d left her to come back to Jackson all by herself. She didn’t have any reason to wait around for you. She’d probably found someone else. Or gotten back together with Cat.

And who were you to think that she’d even be interested in you if there wasn’t the guaranteed casualness from a definite end date? 

“Well, I’ll be damned.” Joel appeared on the front porch as you and Dina approached with Ellie flanking you, his eyes wide. 

“Joel!” you cried out, your angst briefly forgotten. 

His eyes darted between the three of you, his face awash with shock. “Did ya just get sick of living there or something?”

You looked down and surveyed your outfit. You were clearly wearing something that was intended to be formal—a flowing graduation dress—but you were splattered with blood and viscous mystery substances and covered in a healthy layer of dirt. You’d clearly gone through some shit. 

You were struggling to come up with a response other than “hey” when you were reminded of something you’d shoved into your bag while you’d been preparing to leave your parents’ penthouse. 

Feeling smug that you’d managed to remember, you reached into your pack and fished around until you found what you were looking for.

“We just figured you’d be almost out of this by now,” you said dryly. The value-sized bag of coffee beans dangled from your fingers, its maroon packaging catching in the sun. 

His face split into a wide grin as he shook his head in disbelief. “Well, butter my butt and call me a biscuit. I guess I’ve got to tell Tommy that we don’t have to ration anymore. C’mon, let’s get you settled.”

~

Joel insisted that you move back into your old room instead of the vacant cottage down the street, which was equal parts touching and equal parts terrifying. Ellie lingered by the doorway as you unpacked, disappearing down the hall when you finally lifted your head from your few belongings to say something to her. 

You let out a long, labored exhale, dropping onto your bed and curling your knees up to your chest. You’d since changed and showered the dirt and blood off, shed your tattered graduation dress and left it gathered in the corner like a snake’s molt. The setting sun filtered through the curtains, turning the walls golden. 

You didn’t know what to do. That you could even come back to Jackson had been a thought you hadn’t dared to consider until this morning, when there were no other options. That Ellie was still alive—well, you hadn’t had any time to strategize or plan for that one. You were still reeling from seeing her for the first time in a year, all summer freckles and flyaway hairs escaping from a loose hairband.

She’d looked even better than you’d remembered. There were certain parts of her that you realized you’d forgotten—like the scar on her eyebrow, the way her voice sounded. It made you feel nauseous, knowing that despite your best efforts, you hadn’t been able to keep the real Ellie alive in your head. 

You’d already eaten something with Tommy and Maria, who had been insistent on hearing from you and Dina about the events in Terranova. Joel had left you to your own devices with instructions to see him tomorrow to figure out work after you’d had a decent rest, so there was really no reason to go roaming around hoping to run into Ellie. 

But you really wanted to. You checked the clock again, seeing that it was already past 9. Dusk had already fallen upon Jackson, the setting sun now just a suggestion of a golden line on the horizon.

You had a feeling you knew where she was. 

The meadow was just as lush and green as you remembered as your feet carried you across the grass. It seemed that really nothing had changed—except for the horses in the distance, where you could see a small foal beside a chestnut mare that you were pretty sure was Shimmer. 

“Hi,” you said, settling down next to Ellie’s spot under the tree. 

If she was surprised to see you, she didn’t show it. She just sighed and fiddled with the sleeve of her shirt. 

“Hi.” 

“I’m sorry for bothering you,” you said, keeping your eyes locked on the darkening sky. “I just wanted to come find you to tell you that I understand if you don’t—want me like that anymore. I’ll leave you alone if you want me to.” 

Even when she took her time responding, you didn’t dare look her way. 

“Is that what you want?” You couldn’t quite decipher the tone she’d used. 

“Obviously not,” you said mildly. “I would never want that.” 

“I wouldn’t either.” 

Your breath caught in your throat, your gaze dropping to meet hers. You were just about to speak when—

“The scanner wasn’t defective,” said Ellie. Her voice was soft, her own eyes falling to look at her tattooed arm. 

“Of course it was,” you said, feeling very confused as to why she was suddenly detouring into something so unrelated. “If it wasn’t, you’d be dead already.” 

“I’ve been bitten twice.”

You blinked, sure you’d heard her incorrectly. “Sorry?” 

“I’ve been bitten twice,” said Ellie again, this time with more conviction. “That’s why the scanner came back red. There was nothing wrong with it.” 

“Then how…” Your words trailed off. 

She didn’t let you ponder long. “I’m immune.” 

Immune. 

You closed your mouth—it’d been hanging open unceremoniously for a moment—and tried to fit this very startling fact in with everything else you knew about her. What did being immune mean? And why was she telling you now?

“You knew from the start that you couldn’t come with me to Terranova,” you realized aloud. 

Ellie was gnawing at her bottom look as she looked back at you. You noted that she didn’t offer up any corrections. 

“Why didn’t you just tell me?” You couldn’t hide the hurt in your voice. “Why did you lie to me like that?” 

“I found out that I was immune when I was back in Boston,” Ellie said, the words spilling out of her. “I was in this abandoned mall with my best friend—Riley. She told me she was leaving to be a Firefly, and I begged her to stay and kissed her and for a moment I was so sure that something was going to change between us—something for the better. But then…” She waved her tattooed arm in front of her. “We both got bit. I survived. She, obviously, did not.”

Something deep inside you twisted as you tried to imagine how traumatizing that must’ve been for someone that couldn’t have been older than 14. 

“And so I thought that maybe, you were my chance to right what I’ve done wrong,” continued Ellie. Even though she wasn’t looking at you anymore, you could see the reflective sheen of tears in her eyes. “I’ve gotten to live while so many other people have died. I just can’t handle another. It’s not fair of me to keep someone here when there’s somewhere safer for them. It’s selfish, and I’ve been that enough.”

It was as if you’d found the last puzzle piece for the jigsaw of Ellie Williams. All this time, you’d been struggling in your attempts to understand why she was pushing you away—and why she changed her mind so suddenly. 

Now you got it. Ellie had come into this knowing that she’d likely never see you again. She’d been betting on it, even. It was all some convoluted way for her to set things right in her head, for her to forgive herself for Riley and whoever else she’d lost. 

“You could have told me,” you said, your voice barely above a whisper. “I would have understood.” 

Ellie sent you a sad smile, shaking her head. “I’m not supposed to tell anyone that I’m immune. It’s one of those things that only Joel and Maria and Tommy know about. No one else. They’d fucking kill me if they found out you knew.” 

“I’m really sorry.” The fabric of her t-shirt was soft under your fingers as you rested a hand on her shoulder. 

“I’m really sorry for how much of an asshole I was to you,” said Ellie. You didn’t miss the way her eyes had widened when you’d reached out to touch her. “I didn’t want to be that way. I always wanted more. I just couldn’t handle having that, knowing that you were going to leave anyway. I thought it’d be easier for the both of us if you thought I was awful.”

“Didn’t work very well.”

“Clearly.”

“I forgive you,” you said, moving your hand so you could thread your fingers into the loose strands that she hadn’t pulled into that baby bun she always wore. 

Instead of kissing you like you thought she might, she threw her arms around you and crushed herself against you, burying her face into your neck.

You held her there, feeling the way her frame trembled under the weight of a sob and tracing patterns across her back. 

“I missed you,” you whispered, your chin rested atop her shoulder. “I thought about you every day.”

Ellie clung to you harder as you shifted.

“I’m really sorry,” she said again, muffled against your neck. “I’m sorry for everything.” 

“I’m not.” You finally pulled away so that she had to look you in the eyes. Under the soft bath of moonlight, her green eyes glowed. “Terranova shouldn’t have existed in the first place. I’m glad that I got out. And I’m even more glad that it brought me back to you.” 

Her hand found yours, your fingers tangling.

“I used to spend all my free time wondering what you were doing up North,” said Ellie. You felt her thumb brush across the top of your hand. “I thought that maybe if I imagined you happy, it’d be easier.”

“What did you think I was doing?” 

The corner of her mouth quirked up. “Lots of studying, I assumed. And going to fancy events for rich people, eating all that expensive shit that the rest of the world can’t have.” 

“Not far off,” you admitted. “But you missed how much time I’d spend wondering about you. I dreamt about you all the time. Sometimes I’d see people who looked similar to you and it’d ruin my whole day. I couldn’t believe that you were gone. I think that deep down I knew that you weren’t.” 

She squeezed your hand. When you looked down at where you were touching, you noted how there wasn’t such a stark difference between you and her anymore. The doll fresh-out-of-the-box skin had disappeared in favor of scars and marks collected from your time in the real world. 

“I really thought you’d be safe there,” said Ellie. 

“You don’t need to worry about me like that anymore,” you told her, cupping her face with your free hand. Her eyelids fluttered half-closed as she leaned into the contact. “You’ve done enough. You can care about me without taking responsibility for everything bad that ever happens to me. You deserve to have something good without suffering because of it. I promise I’m not going anywhere.” 

“Not anymore,” she agreed. 

When you kissed her, it felt like coming home. There was something so achingly familiar in the slope of her neck, the slight chapped-ness of her lips, the almost silent click of her jaw as her mouth parted with a gasp as your hands twisted in her hair. 

You weren’t quite sure how you managed a year without it. 

The skin of her neck was just as soft as you remembered against your lips, her response just as reactive. 

“What’s this?” you asked, pulling away to point at what looked like a small tattoo on the side of her neck. You hadn’t noticed it before—her hair had been covering it. 

“Oh.” Ellie looked sheepish. “My free birthday tattoo from Cat. It’s the moon.” 

“I see that,” you murmured, brushing her hair back more intentionally to get a better look at it. “Why that phase?” 

“It’s the phase it would’ve been on the day we met,” said Ellie. She was bright red now. “Don’t fucking laugh. I know that it’s stupid. Shut up. Stop!” 

You desperately tried to stop your giggles, schooling your face into something straight and no-nonsense. 

“I spent so long wondering if you even liked me,” you told her. “And now you’ve gone and gotten a tattoo dedicated to me. I feel so validated.” 

Ellie rolled her eyes. 

“I have you beat, though,” you said, quieter now. 

She looked back at you, her brows furrowed. “Huh?” 

“When it comes to grand, stupid gestures,” you explained, your finger pointing up to the sky in the general area that you’d collected your data from. “There’s a planet named Ellie up there now.” 

Her jaw dropped for just a moment. “You’re kidding.” 

“No.” Now you were feeling slightly self-conscious. 

“You would do something like that,” Ellie muttered, more to herself than anything. “A whole fucking planet.” 

You let her drape an arm around you, pulling you into her until your head fit into the space between her shoulder and her chin. 

“So,” Ellie said, and you could feel the words vibrate in her diaphragm, “What now?” 

“What do you mean, what now?” 

“I mean, what are you gonna do now that you’re stuck here with me for the foreseeable future?” 

“Enjoy being stuck with you,” you said. “Maybe get a matching tattoo. Give you the piece of the meteorite I nabbed from the display case in my lab. But mostly spend my time bothering you.”

When she didn’t answer, you shifted so you could look up at her. She was already looking back, her eyes soft and the corners of her lips pulling into two dimples. 

“Is that alright with you?’ you ventured.

Her arm tightened around you, fingers gently pressing into the flesh of your forearm like she still couldn’t quite believe you were there. 

“You can be so fucking stupid sometimes,” she said. “I get a tattoo for you and you’re still asking if I want you around.” 

“It’s been known for you to make rash decisions,” you offered dryly. “I didn’t want to jump to any assumptions.”

 She rolled her eyes, still smiling down at you, eyes awash with the reflections of the stars above. 

Slowly, you reached up and touched her face again, letting your fingers relearn her features, tracing the paths created by freckles—just like you had in her bed all those months ago. 

But unlike last time, she didn’t stop you. She didn’t do anything except let you. There was something in her demeanor, something that was fragile and vulnerable and everything that you wanted her to be with you.

“Is this going to be enough for you?” she asked suddenly, her voice raw. 

“What do you mean?” Your fingers paused and rested at her cheekbones.

“It’s just—” She blinked hard and cast her gaze up to the sky. “You grew up so differently than me. I’m not going to be able to give you that fancy Terranova life. Are you sure this is going to make you happy?” 

“Yes.” 

She looked at you, an eyebrow raised skeptically. Your hands moved to cup her face, fingers threading back into her hair. 

“Don’t make that face,” you chided.

“I just find it really hard to believe.” 

You took in a breath. Perhaps more elaboration was in order.

“I’ll put it like this,” you said. “I spent most of my life thinking I needed to be something extraordinary to be happy. I put so much time into trying to be special and nothing I did ever felt like it was enough. But then I met you, and one day I realized while I was here that I didn’t need that anymore. Just being around you makes me more content than I’ve ever been. I don’t want to be like what I was before. I would consider it my greatest success if I got to lead an ordinary life with you.”

You took her brief silence as an opportunity to press your lips to the corner of her mouth.

“Believe me now?” you asked. 

Ellie nodded, leaning in to drop an affectionate kiss at the top of your nose. 

And as you sat there, nestled into the warmth of her side and craning your head up to the sky, you’d never been more sure of yourself. 

This would be more than enough. 

final a/n: ok so some apologies are in order for this one! first of all, sorry for aborting jj lmao. i just couldn't envision doing light speed travel with a baby strapped to dina. big apologies for not including a final smut scene. i actually had one semi-drafted out because i wanted to write one where ellie bottomed bc i feel like it would really hammer in that she was finally choosing to be vulnerable, but the shift in the scene tone just didn't sit right with me. sometimes i write bonus scenes for big fics like this, so if there's enough interest i might write a short one shot of the scene i scrapped/other scenes that i also scrapped. also, speaking of things i scrapped: i had an alternate ending in mind where joel actually did die and ellie went on her seattle rampage + y/n realizes she's alive and tries to sneak out with dina to find her. i might end up writing that one too, depending on interest! anyway, thank you all for coming along on this journey with me so far! it's not totally over yet...the epilogue is still in the works! i appreciate hearing what you guys think of this and hope you all enjoyed !!!

also idk if this is important to bring up but i will say that i didn't realize the kind of message i'd be sending when i wrote a protagonist who's from a place like terranova—exoplanet isn't meant to be some sort of piece that makes you empathize with ignorant beneficiaries of slave labor...it's just the way it shook out and for that i'm sorry 😭

[bikwin5]

developments in the pikmin fandom in the coming years

2024: pikmin 4 sales steadily go up as well as the number of pikmin fans. nintendo releases a pikmin 4 DLC pack "Olimar's Big Suck" that contains 6 new dandori missions and 4 new dandori battle maps.

2025: fandom continues to grow. big-name pikmin fans start to emerge, with half of them being artists and half seeming to have no career other than making "what pikmin opinions got you like this?" tweets that get them a thousand quotes and ten thousand new followers.

2026: the biggest drama starts to emerge. artists make callouts for each other, which in turn get callouts for the callouts. projects are started and cancelled. the most notorious incident of all is an olimar x louie NTR-themed zine that raises $50,000 that has most of its funding stolen and used on frivolous things. nintendo releases "Pikmin Shorts 2."

2027: the fandom wars of the past year do damage that is never fully recovered. large-scale creators quit the fandom and are replaced by other creators who are effectively identical. the pikmin fandom wiki disbands. "Pikmin Bloom" adds ice pikmin.

2028: concern is brought up that youtubers "like arlo gaslit people into liking pikmin." arlo responds to this controversy by making a video that somehow digs his hole deeper. the normal pikmin wiki disbands. olimar's wife is publicly executed on stream.

2029: fans continue to be concerned about whether they actually liked pikmin in the first place. many leave, those who claim to be "real ones" stay. much of the blame is pinned on pikmin 4 and oatchi, and arguments break out yet again. "Hey! Pikmin" is ported to nintendo's next console, with all of its features miraculously intact. the president is publicly executed on stream.

2030-2033: radio silence.

2034: pikmin 5 released.

[desmos-calculator]

I was thinking about those posts I sometimes see about dates being an equation (you know the ones), and was thinking, is there a year where that happens the least? maybe even one where it doesn't happen?

Well, I don't think I'd be qualified to cover every function that uses two inputs, and I would assume every function is quite a few and probably would cover every day

So, I'll be sticking to the basic 4,+,-,× and ÷, since that's what I see most common with those posts

First step is to get a list of all the dates (I should clarify, from the Gregorian calendar, since that's the most common dating system I see from those posts), which is pretty easy, just make it yourself! you know how the months work... right?

right?

Anyways, we have a list now! two, in fact, so we can put our days and months separately

Now, we just apply the functions and,

meh, could be prettier, now, we gotta consider that negative years don't exist yet, less so something like XX negative 19, so those extra spots below, gotta go

We also need to consider that years such as XX 100 would theoretically someday exist, but we're just gonna assume you're only looking at the last 2 digits, so, BEGONE!

And don't forget about the year XX 02.75, that was the best year... for all of us that used a different calendar system, so I'm going to need to ask you numbers to LEAVE!

And that should be all the house keeping we need to do, let's collapse em down

woooah, coolio, let's color them based on the group come from

preeeetty, someone should crochet that

Now, you may think "Hey, he left out my favourite day, [February 29th], How could he????!!!!!"

Well, 2+29=31, which can't be a leap year, 2-29 is negative, so no, not possible, 2/29 is a fraction, and 2*29=58, which is NOT a leap year

so, to anyone guessing dates that can never work, congrats, you won!

we can also see what years work with each function

with division ending the lowest, since all it does is decrease, we find the last date to be XX14, on 28th February, ironic. sorry y'all didn't notice it til it was too late.

for subtraction? the last date will be... 30th January 2029! Get your cakes (uh, funeral cakes?) ready for the last date possible for subtraction in.... 4 years time?!?! jesus, time flies, huh?

uhmm, for addition, we find the final day to be 30th December XX42! woa

and the multiplication goes til the end, being the year XX99, dated November 9th...... ANYWAYS

the year of most functional dates will be XX12 with the dates:

11th Jan (11+1=12), 12th Jan(12*1=12), 13th Jan(13-1=12),

6th Feb (6*2=12), 10th Feb (10+2=12), 14th Feb (14-2=12),

24th Feb (24/2=12), 4th March (4*3=12), 9th March (9+3=12),

15th March (15-3=12), 3rd April (3*4=12), 8th April (8+4=12),

16th April (16-4=12), 7th May (7+5=12), 17th May (17-5=12),

2nd June (2*6=12), 6th June (6+6=12), 18th June (18-6=12),

5th July (5+7=12), 19th July (19-7=12), 4th August (4+8=12),

20th August (20-8=12), 3rd September (3+9=12),

21st September (21-9=12), 2nd October (2+10=12),

22nd October (22-10=12), 1st November (1+11=12),

23rd November (23-11=12), 1st December (1*12=12),

and finally... 24th December (24-12=12)

awesome

the years with no days are all primes after XX43, since if it had any factors, it'd work for multiplication

except, I lied, XX58, XX62, XX74, XX82, XX86 and XX94 are all not prime, yet have 0 days, since they're divisible by 2 but the other factor is bigger than 30

except, I lied again, XX58 is actually the only one with a potentially real day, being february 29, as we mentioned earlier.

"BUT WAIT, WHAT ABOUT m/d/y? WHAT ABOUT THE AMERICAN SYSTEM?!?!"

hghhghghg

graaaaah, the division section barely exists

woah, separation, around the x=y line too, with the same shape no less

except, BOOM, i lied to you, AGAIN.

you see, this shape is actually skinner than the original one

you actually only lose potential dates by switching to the other system, and here's how many you lose

The years that lose the most are XX13, XX14, XX15 with 13 missing days, and we'll reach a consensus for amount of days working with math in XX32! the perfect number to end on

but also, this system gives us our earliest year ending with a multiplicative date, being 1st December XX12 (XX12 was a great year for functions, huh)

So, when's the next functional date? well, we missed 13th November, so mark your calendars for 12th December!!

So, what did we learn?

Well, I mean, I guess you can brag about knowing when the next date that's a math equation.

and also the tragedy that is 29th February XX58...

Suggest other calendar systems, and I'll look into them!

[bulkyphrase]

Cap-IM Rec Week - Time Travel Tuesday

Day 2 of @cap-ironman's rec week event! Today's list features stories where traveling through time turns out to be the cause of or solution to our heroes' problems.

Never Surrender, Never Give Up by Loran_Arameri, Serinah (@loraneldin, @serinah80) (MCU, Explicit, 85,896 words)

Summary: It’s 2029 and aliens have taken the Earth. Steve is dead, and everyone who’s left of the Avengers is fighting for the last few thousand humans. They don’t have much time, or rather the energy: the last of the arc reactors will fail in less than a month, and Tony can’t make another one. Their base will fall.The Earth’s best defender is out of options. *** Years they fought against the Chitauri, and they have lost. Steve is sure that Tony would agree: only traveling back in time could save them now. But Steve wasn't sure if he should, and now he's out of time so he takes one last, desperate gamble. When will he end up?

Circulaire by @gonetoarcadia (MCU, Mature, 38,412 words)

Summary: The world ends on a Wednesday. An anonymous invading force interested in nothing but destruction wipes out most of the world’s major urban centres within an hour. In the aftermath, with the few heroes left alive bitterly divided between moving forward or looking for a way back, Tony Stark and Steve Rogers set out to find out what happened, and make sure that it never does.

The rest are below the cut!

special dispensation by @jenthesweetie (MCU, Teen And Up Audiences, 673 words)

Summary: On the one hand, they’d all agreed that the quantum time machine was a dangerous technological advancement, only to be used under the most dire of circumstances. But on the other hand, it was Steve’s birthday.

Double Time by @sineala (616/Iron Man Noir, Explicit, 123,375 words)

Summary: Cassino, Italy, December 1943. Special Agent Tony Stark, former Marvels adventurer, is sent to investigate a Cosmic Cube found by the Invaders -- and it's the perfect opportunity for him to rekindle his secret romance with Steve Rogers. But when Hydra attempts to steal the Cube, an inadvertent wish for help leads to the appearance of a Tony from the future of another world: Director Stark of SHIELD. This Tony is a man with a lot on his mind. He refuses to tell them anything about the future, but he seems to know much more than he should about Captain America. And something's happened that's clearly killing him inside, but he's not talking. When Director Stark's failed attempt to return home leads to the unexpected appearance of another visitor from his universe, all the lies come undone. Now there are two wars to fight, and the second one could ruin all of them.

Relativistic Heat Conduction by @blossomsinthemist (616, Explicit, 69,298 words)

Summary: Age of Ultron-based, but not entirely canon compliant. Written for the 2013 Cap-Iron Man Reverse Big Bang. Ultron has attacked, obliterating most of the world's superheroes and resistance in a matter of hours. The remaining heroes band together and share what strength they have to get through it, to survive, and defeat Ultron once and for all. Steve Rogers grieves in the wake of the disaster and the heroes' defeat, and no one knows if he will be able to provide the leadership they need--but Tony Stark isn't about to let him slip away that easily. Also available as a podfic read by Pywren (@phyrrhicvictory)

More Than Gravity by @jenthesweetie (MCU, Teen And Up Audiences, 20,918 words)

Summary: “Aw, time travel, no.” On Christmas Eve, Tony came unstuck in time.

The God of Solid Life Advice by kehinki (MCU, Teen And Up Audiences, 1,583 words)

Summary: It's 2012. Steve is just informed by Loki that Bucky's alive. Loki also tells him some other things.

Man Out of Time by @samptra (MCU, Explicit, 39,017 words)

Summary: Closing dark eyes he tried to center his wildly gyrating thoughts. “This isn’t happening this isn’t real…” he wacked his head a few more times, “I did not go through a weird tear in the air again. There was no crazy terreract driven machine…and I defiantly did not go back in time.” This was all some sort of dream he was having a nightmare one that he’d awake from in his bed, in Avengers Tower, in the year 2013.

To Make Much of Time by @sineala (616, Teen And Up Audiences, 16,114 words)

Summary: When Iron Man rejects Steve's romantic advances, Steve is disappointed, but of course he understands -- Iron Man's secret identity is important. But when a portal opens and Tony Stark crashes into their midst from twelve years in the future, Steve starts to suspect that there are more secrets here than he can even begin to comprehend, and neither Iron Man nor Tony are providing any answers. Also available as a podfic read by @paraka

The Twice-Told Tale by @arysteia (MCU, Explicit, 15,789 words)

Summary: For someone he'd hero-worshipped for so long, Steve Rogers in the flesh is a pretty big disappointment. For one thing, he keeps looking at Tony as though he reminds him of someone else, and even if he never says anything, Tony's pretty sure it's his father. A lifetime of not measuring up to Howard's expectations is more than enough, thank you very much, and he's certainly not going to make an effort to live up to any of Steve's. Steve's pretty clearly failed to live up to his expectations, in any case, and that's not hypocritical at all.

[mariacallous]

The Farm Bill is a critical piece of legislation that reauthorizes the country’s agricultural and nutrition programs about every five years—and the 2024 version is now on legislators’ desks, with some major changes. 

Originally designed to support farmers, the Farm Bill has evolved over time to prioritize nutrition assistance, with the Supplemental Nutrition Assistance Program (SNAP) now comprising 76% of the budget—projected to increase to 84% in the current version. This shift underscores the growing emphasis on addressing food insecurity among low-income Americans, as SNAP currently serves over 42 million individuals, or about 12% of the population.

The 2024 Farm Bill will fund SNAP, agriculture subsidies, and crop insurance through 2029, at a projected cost of $1.5 trillion. However, as the first Farm Bill to exceed $1 trillion, it faces heightened scrutiny as both parties clash over the allocation of funding between SNAP, subsidies, and other key programs.  

The current version of the bill, introduced by the Republican-led House Agriculture Committee, has sparked controversy by proposing a $30 billion cut to SNAP funding over the next decade. This reduction would be achieved by limiting adjustments to the Thrifty Food Plan (TFP)—a low-cost, standardized estimate of the minimum cost of a nutritious diet, used to determine SNAP benefit levels—to inflation rates only.  

The TFP is reevaluated every five years to reflect current food costs. In 2021, the Biden administration reevaluated the TFP to respond to high food costs due to COVID-19 and supply chain issues in the global food industry, resulting in the largest-ever increase in SNAP benefits, totaling $256 billion. Now, Republicans are seeking to restrict future adjustments to reflect only inflation costs, marking the largest SNAP reduction in nearly three decades. But Democrats and researchers argue that such a restriction could have significant impacts on the 42 million SNAP recipients, including 17 million children, 6 million older adults, and 4 million people with disabilities.

Americans face rising food insecurity and barriers in accessing nutritious diets  

The proposed cuts, along with provisions to outsource program operations, could undermine SNAP’s ability to effectively combat food insecurity. This is especially concerning given that food insecurity rates rose to 13.5% of U.S. households in 2023, affecting 18 million families—a statistically significantly increase from 2022, according to the U.S. Department of Agriculture (USDA). Food insecurity rates are notably higher for single-parent, female-headed households; Black and Latino or Hispanic households; and households in principal cities and rural areas. In addition, voters are growing increasingly worried about inflation and high food costs, with 70% citing food prices as a major concern. This view is especially pronounced among younger voters, who have been hit hard by a 20% surge in food costs since 2020, as reported by the Bureau of Labor Statistics.  

In addition to concerns surrounding food insecurity and rising costs, the TFP debate risks being a superficial fix that overlooks deeper, more critical challenges low-income families face in accessing nutritious diets. A USDA study found that 88% of SNAP participants encounter challenges in maintaining a healthy diet, with 61% citing the high cost of healthy foods as a key barrier. Other reasons include a lack of time to prepare meals at home and transportation difficulties in accessing healthy foods.  

Access barriers—combined with broader economic factors such as regional variations in real food prices and other costs of living, shifts in food composition data, changing consumption patterns, and updated dietary guidance—significantly impact low-income households’ ability to maintain affordable, nutritious diets. Addressing such factors is crucial for creating a more sustainable and impactful SNAP program, yet they remain sidelined in favor of quick, inflation-focused approaches that do little to address systemic barriers to healthy food access for vulnerable families.

The proposed $30 billion cut to SNAP funding over the next decade by restricting the USDA’s authority to adjust the TFP beyond inflation rates will have serious and multidimensional challenges for these low-income, food-insecure households. In addition, the bill’s proposal to outsource core SNAP operations to private entities could create complications in the application process and eligibility criteria, while also increasing federal costs by $1 million.  

Notably, the current version of the bill proposes to expand SNAP’s purpose to include the prevention of diet-related chronic diseases. Critics, such as the HEAL (Health, Environment, Agriculture, Labor) Food Alliance, argue that this risks diverting attention away from SNAP’s core mission of reducing food insecurity, and instead shifts the focus to diet-related concerns facing low-income populations. Yet these diet-related concerns are often a result of multifaceted challenges such as stress (or “bandwidth poverty”), food insecurity, and other factors such households face. The current version of the bill also proposes to cut climate-focused conservation efforts introduced by the Inflation Reduction Act. 

Proposed changes to agricultural subsidies have sparked equity concerns 

The proposed Farm Bill aims to reallocate funds by raising price floors for key agricultural commodities such as corn, wheat, and soybeans, while cutting SNAP funding. A large portion of the increased spending is directed toward farm programs and crop insurance—raising concerns about equity and the disproportionate benefits to large, wealthy farms. 

A report from the American Enterprise Institute highlights this disparity, revealing that the top 10% of farms receive 56.4% of all crop insurance subsidies, with the top 5% receiving 36.4%. Since these subsidies are not means-tested—and the level of subsidies is directly proportional to an agri-business’s production levels—the wealthiest and largest businesses capture the most significant share of these benefits. Research from the Environmental Working Group confirms evidence on the concentration of these subsidies toward the wealthiest agri-business owners. They found that between 1995 and 2021, the top 1% of recipients received 27% of the total $478 billion in farm subsidies—underscoring the disproportionate benefits to large-scale, wealthy farmers. Moreover, these subsidies favor a narrow range of commodity crops such as corn, soybeans, wheat, and cotton, which accumulates benefits to white, wealthy farmers while farmers of color receive little support. This inequitable allocation of resources raises important questions about the Farm Bill’s broader social and economic implications.  

The Government Accountability Office and Congressional Budget Office have proposed reforms to the current inequitable structure of these subsidies. Such reforms have the potential to reduce the fiscal deficit while protecting rights of farmers, ensuring food assistance to low-income populations, and maintaining price levels of key commodities. Reforms include implementing income limits on premium subsidies for wealthy farmers, adjusting compensation for insurance companies to reflect market rates, and reducing taxpayer reimbursements for administrative costs.

SNAP benefits aren’t keeping up with the true costs of a healthy diet 

A critical aspect of SNAP that is often overlooked in fiscal policy debates is the economic adequacy of the program’s benefits. There is a growing body of research suggesting that SNAP benefits in their current form are insufficient to cover the “real” cost of a healthy diet. 

In other words, the TFP might not truly reflect the real value of food costs low-income households face. The TFP was originally intended to represent the minimum food expenditure basket that would allow low-income households to avoid food insecurity. It is not necessarily based on the most recent scientific methodologies that factor in food prices, accessibility, and dietary needs.  

Recent evaluations have shown that the TFP often underestimates the cost of a nutritious diet, particularly in areas with higher living costs. An Urban Institute study found that despite food price inflation moderating in 2023, SNAP benefits remained inadequate for covering food costs: By the end of 2023, the average modestly priced meal cost $3.37, which was 19% more than the average maximum SNAP benefit of $2.84. Families with zero net income faced a shortfall of $49.29 per month by the end of the year, with urban areas experiencing a 28% gap between meal costs and SNAP benefits, compared to 17% in rural areas. In the five counties with the largest gaps, the shortfall exceeded 70% throughout the year. 

Recent economic research indicates that current SNAP benefits often fall short of covering the actual cost of a low-budget, healthy diet, with significant variations in benefit adequacy across U.S. regions. Researchers have found that these geographic variations in SNAP purchasing power significantly affect welfare outcomes such as child health and food insecurity. Despite deductions for housing and child care, many regions face much higher real costs of food, and SNAP dollars do not go far in such high-cost areas. To ensure equitable support, social scientists have put forth proposals to index SNAP benefits to local area food prices.   

Therefore, the proposed cuts to SNAP funding risk exacerbating systemic and multidimensional challenges low-income populations already face. Concerns about food insecurity and diet-related chronic diseases are symptomatic of deeper systemic challenges related to health insurance access, stress and bandwidth poverty, access to healthy foods, the higher cost of healthy foods, and structural oligopolies in the American food industry. Research suggests that SNAP inadequacy is linked to worse health outcomes, such as increased risk of obesity, diabetes, and hypertension. Yet instead of focusing on deeper systemic issues, the current Farm Bill proposes a quick fix, Band-Aid solution by proposing to cut SNAP funding further.

Policy recommendations for a stronger Farm Bill 

Despite proposing massive cuts to SNAP, increasing inequitable farm subsidies, and cutting climate funding for conservation efforts, the 2024 Farm Bill does lay out some positive measures. These include raising the income cutoff for SNAP eligibility (the Earned Income Deduction) from 20% to 22% of income, which will ensure more households just at the margin of earned income now have access to SNAP benefits. It proposes to give benefits access to individuals with drug-related convictions, who were previously excluded. Further, it proposes to extend the age limit for high school students on SNAP from 18 to 22 years, allowing students to work without disincentivizing income for eligibility. However, despite these positives, the proposed cuts and other changes could undermine the Farm Bill’s effectiveness in addressing food insecurity and equity concerns in agricultural subsidies.  

The proposed cuts based on restricting SNAP increases to only reflect inflation diverge significantly from academic research underscoring that the TFP should be updated regularly to factor in food prices, consumption patterns, and nutritional guidelines. While this measure could save $29 billion between 2025 and 2033, it will further dampen SNAP’s purchasing power as food costs continue to rise and vary across regions. 

The polarization of the Farm Bill reflects a broader ideological divide over the role of welfare in American society. Republicans have historically advocated for limited assistance and stricter work requirements for SNAP recipients. In contrast, Democrats have historically perceived welfare programs such as SNAP as essential tools for reducing poverty and inequality, and advocated for expanded benefits and more coverage.  

Politicians need to look beyond this ideological gap and focus instead on creating a more equitable and effective Farm Bill that addresses society’s economic and welfare needs. A zero-sum approach that pits agricultural interests against the needs of food-insecure, low-income consumers is not proving to be effective.  

What follows are key policy recommendations for crafting an inclusive and equitable Farm Bill that addresses the economic and welfare needs of vulnerable populations, including low-income households and underrepresented farmers. 

Evidence-based SNAP adjustments: Use scientific methodologies to measure the TFP’s adequacy and issue frequent and regular updates to SNAP benefits. Factors that impact the TFP beyond inflation include other costs of living, regional variations in SNAP adequacy, food consumption patterns, and healthy diet guidelines. 

Index benefits to reflect local economic conditions: Implement regional cost-of-living adjustments to SNAP benefits, which can address disparities in food costs and improve equity across geographic regions.  

Expand access to healthy foods: Invest in initiatives that improve access to healthier food options, such as affordable farmers markets, community gardens, and incentives for retailers in underserved areas to improve food access and support local economies.  

Rebalance agricultural subsidies: Impose income limits on farm subsidies and expand efforts to improve subsidy access for small-scale and BIPOC farmers.   

Integrate climate goals: Allocate funding for climate-resilient agricultural practices and provide financial assistance and incentives to small-scale and BIPOC farmers to invest in such technologies.  

Foster bipartisan collaboration: Encourage cooperation across party lines to create a Farm Bill that balances agricultural support with food assistance—recognizing their interdependence rather than treating them as competing interests. 

Engage stakeholders: Involve farmers, nutrition advocates, and SNAP recipients in the legislative process to ensure policies reflect the needs and realities of those directly impacted. 

The 2024 Farm Bill represents a critical opportunity for Congress to craft a more equitable and inclusive policy that addresses the dual needs of supporting agricultural production as well as nutrition assistance. However, as it currently stands, proposals such as the $30 billion cut to SNAP funding, the shift in focus toward preventing diet-related diseases, and the continued expansion of agricultural subsidies that disproportionately benefit white, wealthy farmers and a limited number of commodity crops risk undermining SNAP’s response to food insecurity and worsening inequality in the agriculture sector. 

Policymakers must look beyond zero-sum dynamics that pit agricultural subsidies against nutrition assistance, when the fundamental issues farmers and low-income households face are symptomatic of deeper systemic inequalities in the economic and welfare structures of fiscal policy. Therefore, rather than continuing to concentrate support in the hands of wealthy, large-scale agricultural producers, the Farm Bill should prioritize uplifting smaller, diverse farmers and ensuring low-income households have the resources they need to access nutritious food. Encouraging small-scale and low-income BIPOC farmers to invest in green technology is also essential, as this would foster more sustainable agricultural practices while supporting communities’ economic growth. At the same time, Congress must ensure that commodity prices remain stable and affordable, preventing further economic burdens on consumers. 

An equitable and welfare-focused Farm Bill would embrace a broader vision—one that balances the needs of both rural farming communities and urban, food-insecure families. By aligning agricultural subsidies with sustainable practices and expanding SNAP’s effectiveness, Congress can craft a policy that not only strengthens food security, but also builds a more just, resilient, and environmentally responsible food system for all Americans. 

[writingonleaves]

just two hours to get there, babe (i can make it back about an hour or so) - reckless driving au

universe: reckless driving au

warnings: not much! some minor spoilers of things that haven't Happened in the au yet, a devils cup win sometime before 2029 lmfao

title: "jersey giant" by tyler childers

word count: 1.8k

author's note: got emo about stamkos' goodbye to tampa bay on the players tribune (its always the players tribune) and whipped this up!

important context!! amelie wins an award from World Sports Photography (a real award) along with some prize money, and she decides to donate all the money to Sports Media For Everybody, a (made-up) organization that supports queer media professionals. Below is her op-ed for SMFE, which ends up circling around hockey media circles / hockey twitter. i like to see it as the first real Public thing she's ever posted / written. this is published about a month before jack and amelie get married in 2029, btw. enjoy and lmk what you think!!!

A Photo Worth More

by Amelie Fishel

Background: Amelie Fishel is a photographer mostly known for her work in sports. She has photographed in the NHL, NFL, PWHL, MLB, WNBA, the Olympic Games, the World Cup and more. Her photos have appeared in AP, ESPN, Sports Illustrated and The Athletic. Her photo of New Jersey Devils alternate captain Jack Hughes (also her fiance) during the Stanley Cup Final won a World Sports Photography award last week. A member of SMFE for over five years, Amelie has spoken in numerous classrooms and at panels and workshops to share her knowledge. Alongside Jack, she is an ambassador for You Can Play. 

When I took a bow at my last dance recital with Michigan Dance Company, I thought I was done with sports. 

Don’t get me wrong. Dance had — and still has — brought me so much. It taught me a lot of things about myself, and brought me friends I still talk to today. But after blinking at the stage lights onwe last time to loud cheers from our family, friends and fellow dancers, I knew I made the right decision to stop my decade plus intense training. I would end up dancing recreationally throughout college, but nothing close to what I did at MDC. 

During my first week at the University of Michigan, I was timidly walking around the overwhelming Festifall, which happens every year at the school. It’s basically a club fair to showcase everything you can do at Michigan. Whether by happenstance or something else, I locked eyes with Jenny DeAngelo, who is currently the social media coordinator for the Los Angeles Chargers. I still remember — she had the cutest bob, a camera around her neck and the friendliest smile.

“Are you interested in working for the Michigan Athletic Department?”

Looking back, vaguest question ever. They could’ve been asking for equipment staff or helpers for ticket sales. But I walked over to Jenny, and that was it. 

For my whole four years at Michigan, I photographed almost every sport. Football, swimming, soccer, gymnastics, field hockey, you name it. I gave up a lot of weekends and school nights when I could’ve been out partying (let’s be honest, knowing me, I wouldn’t have been anyways) to stand at the sidelines of a field or court. I always knew I wanted to do photography, but the sports part of it all caught me off guard. 

Photographing hockey was almost a different skill set. I never played and didn’t really know anyone who did. But hockey at Michigan is sacred. I felt it the first game I shadowed, with Yost Arena filled up to the brim. I remember panicking because the sport was so fast. How could I ever keep up?

But I’ve never backed down from a challenge. 

I started being placed on the hockey beat more and more to the point where the guys started knowing me by name. I found myself at Yost pretty often during the season. And with my love for photographing hockey came my love for the actual game of hockey. Michigan hockey, in a way, was where another very important branch of my root love for photography started. I will always be grateful to Kristy, Maggie, Lauren and all the players and staff I worked with there for the encouragement and setting the expectations astronomically high for how a photographer is part of the team’s DNA.

I’m so grateful that my first gig after graduation was with the NHL. Being trusted to photograph the Philadelphia Flyers, the New Jersey Devils, the New York Islanders and the New York Rangers as an inexperienced but eager 22 year old was such a pleasure. I learned a lot and I still look upon the early years of my career with so many good memories. 

Since then, I’ve been lucky to continue doing what I enjoy on stages I could’ve never imagined I would even have a seat at the table at. From the world stage with the Olympic Games and World Cups, to Stanley Cup Finals and Super Bowls, to junior and high school sports Every sport at every level has taught me something new, and I feel so grateful that holding a camera still feels fresh. 

I’m extremely honored to receive this award for a photo that personally means so much to me.

When I took that photo of Jack during Game 7 of the Stanley Cup Final, I honestly don’t remember what I was thinking. I was a ball of nerves that entire game — that entire post-season, to be honest with you — and I was purely doing everything out of instinct. I was urged multiple times by many people to not do my job. Go be in the crowd and enjoy it as a fan, everyone told me. But I couldn’t. I would’ve rather been working with the safety net of the camera around my neck because that would calm down my nerves. So they let me do it, more for my sake than anything, I think. What I do remember is when the final horn sounded, because everything leading up to that point flashed through my mind like a movie. Like a supercut, as Lorde would say. 

An image of when Jack and I first met flashed through my mind all those years ago in Michigan (the state, not the school). An image of the first Devils game I shot flashed through my mind, where he, of course, scored. An image of me crying in a conference room in Madison Square Garden flashed through my mind, when I felt so burnt out and questioned if I wanted to even do this anymore. It wasn't the first time I felt that way, and it certainly wouldn't be the last. An image of Jack coming into my office and waiting for me to finish editing photos flashed through my mind, the quiet hum of The Rock as our soundtrack. 

I remember when family and loved ones were shuffling onto the ice and I saw Luke skating up to me, the cup in the back and the biggest smile on his face. All I could think of was him in the Michigan maize skating up to me all the years prior. It felt like the most full circle moment. 

Basically, it felt like a movie, where everything that led up to that point came crashing down on me and all I could feel was pure joy and pride.

To me, that’s it. Photographing people is about capturing the pureness of emotions. Joy, sadness, frustration, anguish, confusion. I hate to use a cliche, but it’s true. A snapshot of a moment in time can say so much. That’s what keeps me going. That’s what motivates me to keep trying when the last thing I want to do is click that damn shutter. 

Recently, I was asked last minute to shoot a Devils game. It had been over a year since I had done so, so I jumped at the chance. I didn’t realize until I walked into the familiar hallways that it was Hockey Is For Everyone Night. Chris Sccopetto, one of the equipment guys (more commonly known as Frosty) tossed me something when I walked in. I looked down and teared up. It was a roll of rainbow ribbon. 

When I covered the NHL on a consistent basis, I would tie a ribbon in my hair, the color matching whatever team I was working for that night. It was a little thing I did just for fun. During the Hockey Is For Everyone nights, I used to always put something rainbow in my hair. I was honored that Frosty remembered. 

At that Devils game, I was shooting pre-game warmups, and a young woman was against the glass. After she got a puck from Dougie Hamilton, I went up to her, showing her the picture and asking if she would want a copy. I don’t always do this, but the picture was too good and I felt like she’d appreciate it. Just as I was about to leave, she told me she liked the ribbon in my hair. We got to chatting, and I found out that she had just come out as bisexual to her family, and she had looked forward to being at the game tonight for a long time. I offered her the roll of rainbow ribbon and went on my way, but that interaction will stick with me for awhile. From one bisexual woman to another, we’ve found a common space in a sport we love.

In light of recent events, nights like Hockey Is For Everyone are more important than ever. I have been lucky that my sexuality hasn’t been an issue in any workplace I’ve been a part of, but I know that I am so lucky it hasn’t been. As a photographer, I feel the energy of the fans at every game I shoot. For all fans, staff and players to feel included and to feel like they belong in a world that they love is crucial. It’s how the sport will be sustained. I know how important that feeling of inclusion is. It’s not just rainbow ribbons and tape — it goes beyond. It must go beyond. 

Hockey Is For Everyone, and similar events to it, is a start. But that’s just what it is. A start. It’s through actions small and large where the work continues. It’s through just telling someone that you hear them and support them. It’s through donations, no matter how big or small, to organizations that do incredible work. It's through offering a shoulder to cry on and being the loudest to voice support in triumphant moments. Allyship exists in so many forms. 

In the corner of the photo that won this award, if you look on the top right, you see a fan waving a rainbow flag, by the way. 

I’m so lucky that the passion for my work led me to do what I love alongside the love of my life also doing what he loves. People say working with your significant other isn’t ideal, but now that I don’t do it as much anymore, I can say that I miss it greatly. Jack, you make me laugh and feel so incredibly happy. I love you. All the friends and colleagues I made through my work have been the greatest blessings and deserve all the thanks. My friends outside of work who remind me that life is more than just a camera, you deserve all the gold stars. Thank you. My family - Mom, Dad, Colette, Kaiden, Charlotte and Xander, thank you for all your cheerleading. 

But lastly and mostly importantly, thank you to everyone who has let me point a camera at them. The way I’ve been included in vulnerable, intimate and beautiful moments just by simply being there and doing my job — it’s a feeling that never gets old. Thank you for letting me into your life. I look forward to continue doing it with integrity and love for as long as I can.

yours,

amelie fishel

~*~*~

tag list (lmk if you wanna be a part of it!!): @ru-kru , @bunbunbl0gs

[austinslounge]

I know this probably sounds incredibly mean, but the whole LA premiere just left a bad taste in my mouth with Kaia being there. I know I shouldn't be that upset about it, but it's just just annoying. She's annoying.

I'm probably overreacting a little bit, but I almost don't really feel like seeing Bikeriders now. 😔 Am i wrong to feel this way?

Hey fellow Butlerette 👋😊

First of all, you are free to feel however you want to feel girl. There is nothing "wrong" with your feelings. Everyone should be free to feel and express their feelings w/out fear or judgement.

I know that seeing Kaia at the LA premiere of "The Bikeriders" probably left a bad taste in some of our mouths. That's natural. I guess I was kind of expecting her to be there, so it would have actually been a surprise to me if she wasn't there. (I kind of feel like I know how she operates by now) But I get it. The whole thing is annoying. I totally get what you mean. ❤️

With that said, I'm just going to be real honest and give some #REALTALK here for a second.

This is just my personal opinion (of course), but I think that some of us as fans need to stop giving this 22 year-old Gerber Baby so much power over us and our decisions.

If we were going to see "The Bikeriders" before, we should still go see that movie now, because IDK about the rest of you all, but that girl does not rule my life or my decisions. 😤 We are fans of AUSTIN. She is a non-factor.

Don't give that girl more power (adding to the long list of things she doesn't deserve) than she even deserves.

Idk about anyone else, but I've already bought my ticket for tomorrow night, and I'm going into that theater with my head held high, because I'm supporting my man Austin. Austin is who I'm a fan of. Kaia who?? Please. 🙄

That girl will probably not even be with him come 2029 lol (or sooner) 😅 Girlfriends of actors come and go. Why refuse to see a movie that Austin worked so hard on just because her attention-seeking self was on the red carpet at the premiere on Monday?

I keep telling you all, most of these relationships in Tinsletown do not even last like that.

But ultimately, it's up to you Anon! You can feel free to do whatever you want. ❤️

[brf-rumortrackinganon]

I know this is being presented as an Invictus related recce visit by the Sussexes. But let's be honest, there is no way that Nigeria would be able to host Invictus. Not now not in 2027.

Invictus involves participation of 23 different countries. The wounded vets of these 23 countries are treated as national assets. At least officially, on paper and in world stage they are. Nigeria being a security threat, level 4 in some places of the country, would be a big no no. Govt of these 23 countries would not allow their nationals, let alone decorated veterans, to go enmass to a country like that. The govt protocol would simply not allow that.

It's not about whether Nigeria can afford financially to host the event. It's not about how well this so-called tour goes. It's not about tourism and promoting it (which again, for the same reasons as above, becomes practically impossible).

A speculation is that this is probably about some behind the scenes deals. Since the military is involved we know this is true to some extent. We know the UK is not involved, but Harry has worked with the US military closely over the past 2 years. (For what purpose, God only knows). So maybe they are involved. And this tour is a good stage setting to take some meetings while everyone is focussed on Meghan's fashion. Lol

I would be interested in seeing who accompanies them. How big or small their entoury is. Who exactly is travelling with them. Or travel for this thing. All the names. Who meets them. How they travel to and from the country. What events they attend and where.

Since you are the national security anon I wouldn't need to spell this out for you, but you know how these would/could. I think this is a dummy visit, the real purpose is something else. And Harry and Meghan are just getting the money for Invictus and good PR in return so they are going along with it. I wouldn't go so far as to say H is a secret agent, he isn't smart enough for that. But he is a good patsy. A willing patsy. All he needs is his ego massaged. So he is a usable patsy.

Nigeria would be hosting the 2029 games. Plenty of time for them to turn it around if they wanted to but I think Nigeria is just playing chess, using the Sussexes to get more from the UK/Commonwealth while balancing offers from Russia and China too.

[fearmypaintbrush]

Almost everyone who tries to make updated ‘We Didn’t Start The Fire’ songs seem to forget a few things about the original:

First off, its in almost perfect chronological order. If I remember correctly only one or two verses are off, and not by much. I think I’ve seen one make an attempt at it, but not even close to what Joel did.

Billy Joel wasn’t simply stating events; he was using top headlines to make the lyrics. It was inspired by a comment made by a younger person in the studio shortly after he turned 40, implying that ‘nothing really happened in the 50’s’. He purposely adds more verses per year as time goes on because more stuff was happening, and because its in part a chronological timeline of his life; things seem to speed by faster when you get older.

So much shit has happened since then trying to cram everything in is a hard ask; but lots of folks try to add things in that really weren’t that significant; remember the original song was based on actual newspaper headlines, which definitely helped, but modern day internet news can junk that up real fast.

The song is made from events starting when Billy Joel was born (1949) to the end of 1989, the year the song was released, for a total of 40 years. Fall Out Boy is the first that I can think of that purposefully picks up at 1989 and continues onwards to the present, which I have to give credit for.

Billy Joel himself doesn’t like the song; musically/melodically its not much, so you either have to over exaggerate it or embellish it (which tends to ruin the original charm) nail down the perfect set of chantable lyrics (I’ve yet to see someone succeed doing this) or somehow pull off both.

When asking Billy Joel if he’d ever make an updated song he’ll reply with something along the lines of “I’ve already written one, it wasn’t even that good, no thanks”

Finally, I think anyone who tries to remake the song will suffer from being compared to the original, and get judged fairly harshly because of that. I personally don’t think the Fall Out Boys one is too bad, I’ve certainly heard worse.

Will the fact that no sequel will ever compare stop me from writing my own and releasing it in 2029, covering the 40 years after the original song? No, no it wont.

[yeahxsurexokay13]

fraternising with the enemy - jude bellingham

part vi - here we go: jude bellingham to real madrid

summary: jude's signing becomes official

fabriziorom

liked by user22 and 3.335.284 others

fabriziorom 🚨 | HERE WE GO: Jude Bellingham

Real Madrid have reached an agreement to sign Jude Bellingham from B. Dortmund, here we go! ⚪️✨

◉ €100m guaranteed fee plus €20m add ons to BVB — Real Madrid always wanted the deal done this week.

◉ Bellingham will sign a six year deal valid until June 2029.

◉ Medical tests booked, club statement to follow.

view all 11.329 comments

user1 Se viene la mejor temporada en los últimos años del Real Madrid [real madrid's best season in the last years is here]

user2 WHAT A SIGNING 🔥

fan1 why can i only think about @/maia.graceee

user3 Quick reminder to everyone, he's a Messi fan

fan2 maia this u girl???

user4 Here we go 🙌🏼🤍

user5 isn't his girlfriend like the biggest barça fan? lol

user6 clasicos about to get real interesting

user7 wecolme to Madrid🤍👑

user8 why does 100m seem like a bargain?

7 June 2023

judebellingham

Liked by trentarnold66 and 8.279.120 others

judebellingham Hola Madridistas!🤍 It is the proudest day of my life to join the greatest club in the history of the game. I will give absolutely everything I have to help this team win. Thank you for the amazing welcome. HALA MADRID!!!🤍🤍🤍

view all 4.960 comments

judefan1 Next balon d'or ⭐️⭐️⭐️⭐️

jobebellingham 😍🤍

user1 These Bellingham boys are built different omg

user2 Hala Madriddd 💪💪💪💪💪

judefan2 Welcome Jude 🤍

judefan3 best of luck bro 💯

user3 El nuevo Zizou 5️⃣😍 [the new Zizou]

15 June 2023

[a-modernmajorgeneral]

The United States government is doubling down on its commitment to safeguarding Ukrainian culture amid the Eastern European country’s ongoing war with Russia.

On September 19, U.S. officials announced a new $1 million grant to the International Center for the Study of the Preservation and Restoration of Cultural Property (ICCROM), which will use the funds to “support the next phase of a multiyear project to help Ukraine improve risk reduction and emergency management of its cultural heritage,” according to a statement. The grant is part of the U.S.’s $10.5 million commitment to Ukraine under the Ukraine Cultural Heritage Response Initiative, which was established in 2023 by the U.S. Department of State.

“Ukraine is fighting the Russian invasion on all fronts,” says Maksym Kovalenko, the Ukrainian consul general in Naples, Italy, in the statement. “The cultural front is no exception. The support of the international community provides us with an ability to respond to the challenges of war and, despite everything, to develop a long-term strategy for the preservation and restoration of our cultural heritage.”

Since Russia invaded Ukraine in February 2022, UNESCO has verified damage to 438 Ukrainian cultural sites, including religious sites, buildings of historical or artistic interest, museums, monuments, libraries, and an archive. The agency previously said it was “gravely concerned” over threats to Ukrainian heritage.

Russian troops have removed “entire truckloads of artworks and historical artifacts” from Ukrainian museums, supposedly for “safekeeping,” reports Vitaly Shevchenko for BBC News. In some museums in Russian-occupied Ukraine, Russian troops have removed exhibitions and replaced them with propaganda glorifying the war.

In a 2023 essay for Smithsonian magazine, Smithsonian Distinguished Scholar and Ambassador-at-Large Richard Kurin wrote, “These attacks are not just random, nor do they represent collateral damage. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward [Russian President Vladimir] Putin’s ends—the destruction is a deliberate attempt to obliterate Ukrainian history and culture.”

Hundreds of professionals associated with Ukrainian and international organizations—among them the Smithsonian Cultural Rescue Initiative—have been fighting the threat to Ukrainian heritage for the past two years. In some cases, cultural heritage workers have been able to smuggle important works of art out of Ukraine and display them elsewhere. Last year, for example, five precious artworks rescued from Kyiv’s Khanenko Museum went on view at the Louvre in Paris.

The $1 million grant—the second-largest awarded under the Ukraine Cultural Heritage Response Initiative to date—arrives on the heels of newly imposed emergency import restrictions aimed at fighting the illegal removal and sale of Ukrainian cultural artifacts. Those restrictions, which limit the types of Ukrainian cultural property that can enter the U.S., will be in place until 2029.

In addition to offering funds for cultural rescue initiatives, the U.S. announced more than $8 billion in military assistance to Ukraine on September 26, the day that Ukrainian President Volodymyr Zelenskyy visited the White House. In total, Congress has appropriated $175 billion in aid to Ukraine, per the Council on Foreign Relations.

“Ukrainians are fighting for the human rights and freedoms we all cherish,” says Lee Satterfield, the U.S.’s acting under secretary for public diplomacy and public affairs, in the statement. “And they are also fighting, in a very real sense, for their identity as a distinct and unique culture, which Vladimir Putin has denied—a denial he has used to falsely justify his brutal, full-scale invasion. [The $1 million] funding will support the heroic efforts of Ukrainians to protect and preserve their cultural heritage.”