#2018.12.31

[prfm-multiverse]

Perfume won't be at Kouhaku this year because of their own Countdown Live?

They still could appear with a live feed from the Pia Arena MM. They did already 2018 with Future Pop. The artist lineup won't be announced until mid November though.

2018.12.31 Perfume - Talk + Future Pop + Electro World (69th NHK Kouhaku Uta Gassen)

[volanstars]

良いお年を（2018.12.31）

[kinlodok]

Aki követ régóta, az tudja, hogy mit éltem meg 2018 telén (2018.10.16.-2018.12.31.)... Kezdődik újra...

[kamigata]

長崎市中心部を歩く Nagasaki 2019.01.01

（前）大村線 シーサイドライナー キハ200 565+1565 長崎行 川棚駅→彼杵車窓＆キハ66+67 12 ハウステンボス色 2019.01.01 JR長崎駅 地上時代 2019.01.01 長崎・出島 Dejima ,Nagasaki 長崎港大波止 Nagasaki Port 長崎新地中華街と福建通り（長崎市） China Town, Nagasaki 長崎のディープな場所 銅座町→船大工町→本石灰町→思案橋電停前 国道がアーケード商店街 浜町アーケード。鍛冶市通りも 眼鏡橋と中島川 魚市橋、東新橋、袋町橋（長崎市） Megane Bridge, Nagasaki 夕暮れの唐人屋敷（長崎市) Former Chinese Quarter in Nagasaki 長崎電気軌道 Nagasaki Tram 2019.01.01 まとめて 【DJIOsmoPocket���佐世保駅周辺を歩く日本一の長さのアーケード街 長崎県佐世保市 四ヶ町＆三ヶ町商店街を歩く【Vlog 2018.12.30】 【DJIOsmoPocket】佐世保駅周辺を歩く【Vlog 2018.12.30】 佐賀県・唐津市内を歩く 2018.12.29 唐津市歴史民俗資料館、唐津城、虹の松原、唐津神社 平戸を歩く 2018.12.31 平戸城、木造家屋、崎方公園、幸橋（オランダ橋）、平戸桟橋バスターミナル 佐世保駅 2019.01.01 特急 みどり 783系、817系、松浦鉄道 まとめて 佐世保駅バスターミナル 西肥自動車＆させぼバス 1990年代製バスが健在！ まとめて 2018.12.31 市街図・長崎市 市街地中心部 (2019年1月1日 訪問)（Stroly） ＜プレイリスト＞ 九州のウォーキング 九州の観光地 Kyushu Tourism Spot 長崎市内の風景 Nagasaki 商店街 Shop Street 路面電車 Tram 2017-2019年 橋＆渡し船 Bridge 2018-2019 年末年始 佐賀＆長崎 旅行 Japan Nagasaki 長崎市 長崎港 長崎電気軌道 長崎県 市街地 商店街 路面電車 Tram Dejima 観光地 Tourism Travel 眼鏡橋 Bridge River Bus 路線バス 長崎バス 長崎県営バス バスターミナル 中華街 長崎駅 Port Japan Nagasaki 長崎市 長崎港 長崎電気軌道 長崎県 市街地 商店街 路面電車 Tram Dejima 観光地 Tourism Travel 眼鏡橋 Bridge River Bus 路線バス 長崎バス 長崎県営バス バスターミナル 中華街 長崎駅 Port

[makistar2018]

Abigail Anderson Lucier on Instagram: “Mood all 2019.”

[kotte-store]

TELEPORT TO MAINSTORE

Landmark: Kitakyusyu Event Date: 28th Aug 2021 10:00 AM SLT - 29th Aug 2021 11:59PM SLT Event Information: https://www.access-sl.com/

Starlight earrings information:

Originally released in 2018 for BUSAN event.

Updated with new textures and materials.

Each pack has HUD to change gems.

Fatpack exclusive includes 7 extra colours and allow changing of accent metal.

Sparkles are now animated (Click here for preview).

Unrigged mesh, touch or stretch to resize, right click edit to position.

Earrings only.

Single Pack: L$175 L$60 for this weekend only Fatpack: L$350 L$175 50% off for this weekend only

Thank you so much for the support ♥

Lots of love from, kotte by Angelica Song

Flickr Group: https://www.flickr.com/groups/2907492@N24/

________________________________________________________________

☞ Update log:

[ 2024.05.18 ] Retired and placed item into marketplace at a reduced price.

[ 2021.08.28 ] Updated for 60L Weekend Sale at mainstore.

[ 2018.12.31 ] Removed from mainstore temporaily.

[ 2018.12.15 ] Release at BUSAN.

[naganokurashi-posts]

2018年も終わり。来年はどんな年になるかな。楽しみで仕方ない。年越しそばを食べて早めに寝ました。

2018.12.31

[booth-of-reding]

Budapest, Hungary,  2018.12.31. - Post X-mas depression

[daye1999]

▹ 2018.12.31 NewYear's eve

[prfm-multiverse]

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2018.12.31 Perfume - Future Pop + Electro World (69th NHK Kouhaku Uta Gassen)

[nnmynana]

2018.12.31

[aikoxing]

洛阳铲翻出来的惊喜 不知道那天微醺的两人还记得这一幕么 哈哈哈😁 Sleep No More · A Night of Stars © Aiko Xing 2018.12.31 #sleepnomore #sleepnomoreshanghai https://www.instagram.com/p/CAaABd7nzFr/?igshid=1ov3g1z0yvi4s

[hotaru1125]

[2018.12.31] [My Handmade Dolls]

Finally I did it! from TMR to TDC, I've lived a life with no regrets and thanks for all the things this fandom has given me! 😭❤️

突然想到沒有像這樣將給他們做的原作3套衣服放在一起整理過XD

這對Newtmas娃我大概是在16年中因為室友的慫恿(?)開始萌生出想製作的想法，16年底開始動工，然後邊拖邊做到17年5月成型，然後再一路慢慢的將他們3部電影的服裝都搞出來 (製作順序是2→1→3)，直到最近將最後一套警衛情侶裝做出來後就有一種任務達成的成就感和...空虛感←😂

這樣回想他們這幾年一路在我手上誕生(??)的過程就覺得...啊啊啊真的就像自己的孩子一樣啊~~ T///T (捧著哭

※Don't remove my sign and watermark!!

※Don't repost my works without credit me!!

[kamigata]

佐世保駅 2019.01.01 特急 みどり 783系、817系、松浦鉄道 まとめて

＜部分＞ 0:00 スタート 0:40 特急みどり 783系CM22＋CM15 博多行 出発 3:02 松浦鉄道 MR-600形604 普通 佐々行 出発 4:25 佐世保線 817系V030 普通 早岐行 出発 4:42 大村線 シーサイドライナー キハ200 565+1565 長崎行 川棚駅→彼杵車窓＆キハ66+67 12 ハウステンボス色 （前）佐世保駅前の佐世保港 佐世保駅バスターミナル 西肥自動車＆させぼバス 1990年代製バスが健在！ まとめて 2018.12.31 （次）大村線 シーサイドライナー キハ200 565+1565 長崎行 川棚駅→彼杵車窓＆キハ66+67 12 ハウステンボス色 JR長崎駅 地上時代 佐世保駅 JR九州＆松浦鉄道＆バスターミナル まとめて 2018.12.30 ＜プレイリスト＞ 鉄道動画集2019年 Railway Movies 松浦鉄道 MR ローカル線・第３セクター 2016-2019年 ヘッドマーク 2019 Train Mark JR九州特急 JR特急列車2019-2022 JR Ltd Express 長崎本線、佐世保線、大村線 JR九州 815、817系 長崎県の鉄道駅 ターミナル駅 Terminal Station 2019-2022年 2018-2019 年末年始 佐賀＆長崎 旅行 Railway Japan Station ローカル線 松浦鉄道 気動車 MR-600形 第三セクター View 佐世保駅 乗換駅 接続駅 高架駅 シーサイドライナー 佐世保線 JR九州 817系 783系 特急 LimitedExpress みどり号

[makistar2018]

Taylor Swift’s ‘Reputation’ Netflix Special Is an ‘Unforgettable’ New Year’s Eve Gift: Review

By Nicholas Hautman December 31, 2018

In keeping with the theme of her most recent album, Taylor Swift’s new Netflix concert special, Taylor Swift Reputation Stadium Tour, opens with a black-and-white retrospective montage featuring some of the many headlines — the good, the bad and the very ugly — that the country-turned-pop star has made over the years. After one reporter announces, “Taylor Swift is in hot water again” and another whines, “She holds too many grudges,” the word “reputation” begins to repeat as the woman at the center of it all takes the stage.

Swift, 29, arrives at the AT&T Stadium in Arlington, Texas, in a sparkly black leotard with a hood over her head. She looks tinier than ever as she stands before a pair of larger-than-life video screens on a grandiose stage with four massive catwalks shaped like an X. Without much pomp and circumstance, the growl from the beginning of “…Ready for It?” kicks in after Swift utters the first lyric and strikes a pose, driving the sold-out crowd of 60,000 fans wild.

Taylor Swift performs on stage during her reputation Stadium Tour at Croke Park on June 16, 2018 in Dublin, Ireland. Gareth Cattermole/TAS18/Getty Images

Early on, the 10-time Grammy winner exudes confidence and attitude. She makes sure to ramp up the dramatics by slowing down the opening lines of “I Did Something Bad.” And when she’s joined by a group of all-female backup singers, Swift stares directly into the camera before launching into a choreographed routine, backed by fireworks so massive that the heat practically radiates through the TV screens of viewers at home.

Swift breathes new life into each and every song with innovative arrangements. Not a single track from her career-spanning setlist sounds identical to the album version, which is refreshing in an age where many pop stars lip-synch their way through less-than-inspired concerts. Swift makes the usually upbeat “Dancing With Our Hands Tied” an acoustic campfire sing-along, while the country-twanged “You Belong With Me” transforms into a Springsteen-esque stadium anthem. Even “New Year’s Day” is, somehow, more tender.

“I’ve always written songs with the lyrics, the feeling and the melody in mind, hoping that no matter what production I added to the top of it — whether it took a turn for pop or acoustic or whatever — I always wanted for a song to be able to be stripped back down and still be something that you liked and wanted to sing at the top of your lungs,” she tells the audience.

Taylor Swift performs on stage during her ‘Reputation Stadium Tour’ at Rogers Centre in Toronto, Canada, on August 4, 2018. Jason Kempin/TAS18/Getty Images

Throughout the unforgettable two-hour show, the cameras cut to fans hysterically crying and screaming in support of their idol — and that feeling of admiration is mutual. Swift often gets nostalgic while speaking to the crowd, at one point noting that she has been performing in Dallas since the age of 15. In fact, she boasts that the concert special, which was filmed in October as the final U.S. date of her world tour, marks her 30th show in the area.

“I can see you dancing. I can see you throwing your hands in the air,” she says. “And on top of that, I can hear that it really seems like every single person in this crowd has memorized every single word to the songs and is not just singing them, but is, like, screaming them.”

There are cameos aplenty in the Paul Dugdale-directed special. In a video that plays during “Look What You Made Me Do,” Tiffany Haddish declares that the so-called “old Taylor” is dead. Later on, Swift’s opening acts, Camila Cabello and Charli XCX, join her for a fun, confetti-filled rendition of “Shake It Off.” But the most unexpected guest comes in the form of a 63-foot cobra named Karyn that inflates during performances on both the A- and B-stages. (Hi, Kimye!)

The highlight of the show comes when Swift takes a moment to sing “All Too Well,” describing it as one of the songs that her fans request the most. She explains that she wrote the ballad (which is widely believed to be about her brief 2010 romance with Jake Gyllenhaal) during a period of “catharsis and venting and trying to get over something and trying to understand it and process it.” However, her fans have since turned her view of the song into “a collage of memories of watching you scream the words.”

Other standout performances include a theatrical version of “King of My Heart,” a haunting “Don’t Blame Me” with immaculate production, a stomping medley of “Bad Blood” and “Should’ve Said No,” a crowd-pleasing take on her masterpiece “Blank Space” and an epic encore of “This Is Why We Can’t Have Nice Things.”

Sure, Swift’s vocals are a bit shaky at times. But in her defense, she explains that she has been battling “a tiny, minuscule cold” and even pauses to blow her nose on stage after one of her dancers presents her with a tissue — on bended knee, of course. Swift’s imperfections are a reminder that no matter how big of a force she is in the music industry, she is still human. She isn’t afraid to pause mid-lyric to take a breath or giggle with fans at her own lyrics, proving that maybe, just maybe, the “old Taylor” is still alive after all.

Taylor Swift Reputation Stadium Tour is now streaming on Netflix.

US Weekly

[miyakoto]