#2017/05/15

[louisupdates]

By Ed Power | Sat Nov 30 2024 - 05:15

During the pandemic the songwriter and producer James Vincent McMorrow would rise early, go for a run and write songs for Louis Tomlinson, of One Direction.

“I actually made half of a record for him,” he says. Tomlinson’s team “had a lot of songs but maybe not a lot that he was as into as he wanted to be. I think they were maybe looking for a weirdo. So they reached out to me. I love him. He’s a fascinating human being. I absolutely loved making that album,” adds McMorrow, who is about to start a tour of Ireland.

When it comes to potential collaborators with a boy band megastar, McMorrow’s name is not the first that springs to mind. He’s an indie songwriter whose open-veined, falsetto-driven pop has been compared to that of folkies such as Bon Iver and Sufjan Stevens. But Tomlinson was a fan of the Dubliner’s beautifully wrought music. He wasn’t alone: Drake famously sampled McMorrow on his 2016 track Hype.

One of the tracks they wrote together, The Greatest, would serve as the opener to Tomlinson’s second LP, Faith in the Future. As is often the way with the music industry, the rest are in a vault somewhere. Still, for McMorrow the opportunity to work with a pop star was about more than simply putting his craft in front of a wider audience. The call from Tomlinson’s team had come at a low point for the Irishman, who had become mired in confusion and doubt after signing to a major label for the first time in his career.

Executives at Columbia Records had recognised potential in McMorrow as an artist who bridged the divide between folk and pop. The fruits of that get-together would see daylight in September 2021 as the excellent Grapefruit Season LP, on which McMorrow teamed up with Paul Epworth, who has also produced Adele and Florence Welch.

The album was a beautifully gauzy rumination on the birth of his daughter and the muggy roller coaster of first-time parenthood. It went top 10 in Ireland and breached the top 100 in the UK. Yet the experience of working within the major-label system was strange for McMorrow, who at that point had been performing and recording for more than a decade. He didn’t hate it. But he knew he didn’t ever want to do it again.

“It was a weird time. I stopped touring in 2017. My daughter was born in 2018. I signed with Columbia Records at the same time and made a record that ... There were moments within it I was proud of. But fundamentally, I think if I was being very honest, I would say that I definitely got lost in the weeds of what the music industry wanted for me rather than what I wanted for myself.”

[…]

McMorrow grew up in Malahide, the well-to-do town in north Co Dublin; as a secondary-school student he suffered debilitating shyness. In 2021 he revealed that he had struggled with an eating disorder at school, ending up in hospital (“Anorexia that progressed into bulimia”). He was naturally retiring, not the sort to crave the spotlight. But he was drawn to music. “It was definitely a difficult journey,” he says. He wasn’t alone in that. “The musicians that tend to cut through and make it ... A lot of my friends, musicians that are successful, they’re not desperate for the stage.”

The Tomlinson collaboration was part of his strange relationship with the mainstream music industry. It went back to McMorrow’s third LP, Rising Water, from 2016. A move away from his earlier folk-pop, the project had featured engineering from Ben Ash, aka Two Inch Punch, a producer who had worked with chart artists such as Jessie Ware, Sia and Wiz Khalifa.

That was followed by the Drake sample in 2016 and by McMorrow writing the song Gone, which was at one point set to be recorded by a huge pop star whom he’d rather not identify.

“Gone is the red herring of red herrings in my entire career. I wrote that song for other people. I didn’t write it for myself. The whole reason I signed to Columbia Records and I had all these deals was because of Gone. I was very happy tipping away in my weird little world. And then I wrote that song, and a lot of bigger artists came in to try to take it,” he says.

“I won’t name names. There were recordings of it done. It got very close to being a single for someone else. I would go in these meetings with all these labels, and I would play it for them – just to play. Not with any sense of ‘This is my song.’ And they were, like, ‘You’re out of your mind if you don’t take this song. This is the song that will make you the thing that is the thing.’ And I was, like, ‘You’re wrong.’ For a year I basically was, like, ‘I disagree.’ And if you go in a room with enough people enough times and they tell you that you’re crazy ... I loved the song, but I did not love it for me. I never felt I fit. There was a little part of me that wanted to believe.”

As he had predicted, Gone wasn’t a hit. He received a lot of other strange advice, including that he cash in on the mercifully short-lived craze for NFTs by putting out an LP as a watermarked internet file. All of that was swirling in his brain when Tomlinson got in touch. To be able to step outside his own career was exactly what McMorrow needed.

“With Louis it was like boot camp. I had a very limited time with him. I had to wake up every morning, go for a run, write a song in my head, go to the studio. We made songs all day long. It lit a fire in my head again. I loved the process. I like sitting and talking to someone like Louis, who’s had this unbelievably fascinating lifestyle – so much tragedy in his life,” he says. Tomlinson’s mother and sister died within three years of each other, and his 1D bandmate Liam Payne died in October. “So many things have happened to him. I chatted to him and then write constantly. That was a lovely process.”

Because life is strange and full of contrasts McMorrow ended up working with Tomlinson around the same time that he was producing the Dublin postpunk “folk-metal” band The Scratch, on their LP Mind Yourself. “Totally different animals,” he says. “The Scratch album was an intense period in the studio of that real old-school nature of making music. A lot of fights. A lot of pushing back against ideas. A lot of different opinions. And you have to respect everybody’s opinions and find the route through.”

During his brief time on a major label, McMorrow was reminded of the music industry’s weakness for short-term thinking. In 2019, the business was obsessed with streaming numbers and hot-wiring the Spotify algorithm so that your music posted the highest possible number of plays.

“Everyone was driven by stats. ‘This song has 200 million streams.’ ‘That song has 400 million streams.’ I went into my meetings with Columbia Records ... the day I had my first big marketing meeting was the day my catalogue passed a billion streams, which, for someone like me, who started where I started, was a day where I should be popping champagne corks. Instead they immediately started talking about how they have artists that have one song that has two billion streams. So by their rule of thumb I was half as successful as one song by one artist on their label.”

Five years later he believes things have changed. He points to Lankum, a group who will never set Spotify alight yet who have carved a career by doing their own thing and not chasing the short-term goal of a place on the playlist. They are an example to other musicians, McMorrow says.

“I was in Brooklyn, doing two nights, a week and a half ago. In the venue across the road from where we were, pretty much, Lankum were doing two nights and had [the Dublin folk artist] John Francis Flynn opening for them. Those are two artists that, if you were to look at their stats, you wouldn’t be, like, ‘These are world-beating musicians.’ You start aggregating to this stat-based norm and you miss bands like Lankum, bands like The Mary Wallopers, people like John Francis Flynn.”

McMorrow is looking forward to his forthcoming Irish tour, which he sees as another leg of his journey to be his best possible self.

“The last two, three years have been a process of building it back to a version of me that actually made me happy rather than making me cry at night-time – a version that was making music because I liked it. Within this industry there’s so much outside noise. It’s quite overwhelming. I was overwhelmed. It’s been nice to reset the clock.”

In November 2022, McMorrow posted this now deleted Instagram post:

Text: late 2021 I got a phone call asking me if I wanted to come to London to meet @louist91 and possibly write some songs. A few years ago he released a statement talking about changing his path musically, instead of the immediate search for hits, he’d start with music he genuinely loved and see where it got him. Seems like a simple and obvious thing to say, but considering the amount of people just chasing hits with little regard for vision or artistry, a statement like that struck me when I read it. So I was excited to meet him and see what he was about. First day we met we all wrote Common People, second day we wrote Lucky Again. In December of last year we went back in again, finished those ones, wrote and produced 3 others that are also on this album. It was the studio line-up of dreams, @mrfredball @jmoon1066, @riley_mac. Shouts to Louis for letting us do our thing, letting a dork like me come write some weird lyrics and weird melodies, trust us to shape the vision that he had. These last few years were dark at times, but it was moments like that where I remembered why I’m obsessed w music and why it’s all I’ve ever understood. incredibly proud of the work, Holding on to Heartache is genuinely one of my most favourite songs I’ve ever been a part of.

Also I was reading something about the album and it mentioned something about the gospel choir on the bridge of that song… nah man thats’s just 200 stacked of me singing super super high in the studio out back of Fred’s house😂]

[toskarinarchive]

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[thealieninhiding]

The Katie McGrath Archives (WIP)

A repository of my ongoing digital archeology & archival work please contact me if you have anything to contribute and buy me a coffee if you value my content

Updates

(last updated 2024-07-03)

2024-07-03

Scans:

2014-02-07 London Times - Dracula sets

Audio:

(Un)likeminded 2x02 How to Survive The Apocalypse

2024-05-24

Video:

2017 Katie McGrath interview [CW|KMcGsource]

2017 Supergirl Season 3 Sweet dreams (are made of this) Music Video

2017 CW SDCC Promo Supergirl and Arrow

2019-01-01 The CW Promo Open To All

2021-04-25 Supergirl Season 6 Katie McGrath Lena Luthor

2021-09-15 Supergirl Season 6 Katie McGrath Reflecting on Supergirl

2024-05-22

Audio:

Interview - 2009-07-17 Katie McGrath Mr Media interview

Interview - 2009-10-15 Geek Syndicate Merlin BTS special

Video:

BTS - 2008-10-08 Blue Peter Merlin BTS

Events - 2009 TV Choice Awards Digital Spy interview

Events - Getty Videos of 2009 TV Choice Awards, 2010 Merlin Series 3 launch, 2011 W.E. premiere, 2017 King Arthur Premiere

2024-05-17

Archived interviews

2008-12-07 Tribune Magazine - What Katie Did

2011-10-14 What's on TV - Merlin's Katie McGrath- 'Bad girls have more fun!'

2012-12-03 Fanhattan Blog - Colin Morgan, Katie McGrath and Bradley James on Season 5 and The Series Finale

2018-08-01 The TV Junkies - Supergirl SDCC 2018 Interviews- Lena’s Impractical Lab Outfits, the Return of Reporter Kara and a More Grounded Season 4

Audio

HHush samples

Interview - 2009-2011 Sci-fi Talk rewind merlin the series specials episode 1

Interview - 2011? Merlin S4 Sci-fi talk byte katie mcgrath on morgana

Interview - 2013 BBC Radio 1xtra part 1 & part 2

(Un)likeminded 1x02 While You Were Dreaming

Trees a crowd- Irish folklore segment

Magazine scans

2008-09-20 Radio Times

2009-06-08 TV Week (Aus)

2010-09-05 Sunday Express

2010-09-30 Totally Merlin Magazine

2011-12 Total Film

2012-03-14 Sci-Fi Now

2012-10-06 Radio Times

2013-04-06 Irish independent

2013-09-02 Marie-Claire (UK)

2013-12 Instyle

2013-12 Total Film

Video:

Fans - 2012-04-16 Merlin4 [carlospyrrhus]

Fans - 2017-08-30 Supergirl cast together on set [Joyce Law]

Interview - 2009-09-?? Merlin S2 audio interview with Katie McGrath [BJsRealm] part 1

Interview - 2010-09-06 Merlin Series 3 - BBC Radio 1xtra Interview with Angel Coulby & Katie McGrath [BJsrealm]

Interview - 2011-10-14 Merlin S4 Colin Morgan, Eoin Macken Katie McGrath on The Late Late Show

Interview - 2012-07-15 Colin Morgan and Katie McGrath at SDCC 2012 - innerSPACE [merlinnetwork2]

Interview - 2012-07-18 Katie McGrath Talks Merlin At Comic Con 2012 [ThinkHeroTV]

Interview - 2012-10-25 BBC Radio 1 Breakfast - Colin & Katie part 1 & part 2 [BJsRealm]

Interview - 2012-12-03 Merlin S5 Katie McGrath interview international press day [BJsRealm]

Interview - 2012-12-03 Colin, Bradley, Katie phone interview [BJsRealm]

Interview - 2013-11-09 Katie McGrath on BBC One Saturday Kitchen [BJsRealm]

Interview - 2019-07-22 ENTREVISTA SUPERGIRL Elenco fala sobre a nova temporada [Warner Channel Brasil]

Interview - 2019-07-23 Melissa Benoist Teases Directing An Episode Of 'Supergirl' [ET Canada]

Interview - 2020-02-21 ‘Supergirl’ Celebrates 100th Episode [ET Canada]

Panels - 2011-07-28 Merlin Comic Con 2011 Panel [ThinkHeroTV]

[mostlysignssomeportents]

At long last, a meaningful step to protect Americans' privacy

This Saturday (19 Aug), I'm appearing at the San Diego Union-Tribune Festival of Books. I'm on a 2:30PM panel called "Return From Retirement," followed by a signing:

https://www.sandiegouniontribune.com/festivalofbooks

Privacy raises some thorny, subtle and complex issues. It also raises some stupid-simple ones. The American surveillance industry's shell-game is founded on the deliberate confusion of the two, so that the most modest and sensible actions are posed as reductive, simplistic and unworkable.

Two pillars of the American surveillance industry are credit reporting bureaux and data brokers. Both are unbelievably sleazy, reckless and dangerous, and neither faces any real accountability, let alone regulation.

Remember Equifax, the company that doxed every adult in America and was given a mere wrist-slap, and now continues to assemble nonconsensual dossiers on every one of us, without any material oversight improvements?

https://memex.craphound.com/2019/07/20/equifax-settles-with-ftc-cfpb-states-and-consumer-class-actions-for-700m/

Equifax's competitors are no better. Experian doxed the nation again, in 2021:

https://pluralistic.net/2021/04/30/dox-the-world/#experian

It's hard to overstate how fucking scummy the credit reporting world is. Equifax invented the business in 1899, when, as the Retail Credit Company, it used private spies to track queers, political dissidents and "race mixers" so that banks and merchants could discriminate against them:

https://jacobin.com/2017/09/equifax-retail-credit-company-discrimination-loans

As awful as credit reporting is, the data broker industry makes it look like a paragon of virtue. If you want to target an ad to "Rural and Barely Making It" consumers, the brokers have you covered:

https://pluralistic.net/2021/04/13/public-interest-pharma/#axciom

More than 650,000 of these categories exist, allowing advertisers to target substance abusers, depressed teens, and people on the brink of bankruptcy:

https://themarkup.org/privacy/2023/06/08/from-heavy-purchasers-of-pregnancy-tests-to-the-depression-prone-we-found-650000-ways-advertisers-label-you

These companies follow you everywhere, including to abortion clinics, and sell the data to just about anyone:

https://pluralistic.net/2022/05/07/safegraph-spies-and-lies/#theres-no-i-in-uterus

There are zillions of these data brokers, operating in an unregulated wild west industry. Many of them have been rolled up into tech giants (Oracle owns more than 80 brokers), while others merely do business with ad-tech giants like Google and Meta, who are some of their best customers.

As bad as these two sectors are, they're even worse in combination – the harms data brokers (sloppy, invasive) inflict on us when they supply credit bureaux (consequential, secretive, intransigent) are far worse than the sum of the harms of each.

And now for some good news. The Consumer Finance Protection Bureau, under the leadership of Rohit Chopra, has declared war on this alliance:

https://www.techdirt.com/2023/08/16/cfpb-looks-to-restrict-the-sleazy-link-between-credit-reporting-agencies-and-data-brokers/

They've proposed new rules limiting the trade between brokers and bureaux, under the Fair Credit Reporting Act, putting strict restrictions on the transfer of information between the two:

https://www.cnn.com/2023/08/15/tech/privacy-rules-data-brokers/index.html

As Karl Bode writes for Techdirt, this is long overdue and meaningful. Remember all the handwringing and chest-thumping about Tiktok stealing Americans' data to the Chinese military? China doesn't need Tiktok to get that data – it can buy it from data-brokers. For peanuts.

The CFPB action is part of a muscular style of governance that is characteristic of the best Biden appointees, who are some of the most principled and competent in living memory. These regulators have scoured the legislation that gives them the power to act on behalf of the American people and discovered an arsenal of action they can take:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

Alas, not all the Biden appointees have the will or the skill to pull this trick off. The corporate Dems' darlings are mired in #LearnedHelplessness, convinced that they can't – or shouldn't – use their prodigious powers to step in to curb corporate power:

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

And it's true that privacy regulation faces stiff headwinds. Surveillance is a public-private partnership from hell. Cops and spies love to raid the surveillance industries' dossiers, treating them as an off-the-books, warrantless source of unconstitutional personal data on their targets:

https://pluralistic.net/2021/02/16/ring-ring-lapd-calling/#ring

These powerful state actors reliably intervene to hamstring attempts at privacy law, defending the massive profits raked in by data brokers and credit bureaux. These profits, meanwhile, can be mobilized as lobbying dollars that work lawmakers and regulators from the private sector side. Caught in the squeeze between powerful government actors (the true "Deep State") and a cartel of filthy rich private spies, lawmakers and regulators are frozen in place.

Or, at least, they were. The CFPB's discovery that it had the power all along to curb commercial surveillance follows on from the FTC's similar realization last summer:

https://pluralistic.net/2022/08/12/regulatory-uncapture/#conscious-uncoupling

I don't want to pretend that all privacy questions can be resolved with simple, bright-line rules. It's not clear who "owns" many classes of private data – does your mother own the fact that she gave birth to you, or do you? What if you disagree about such a disclosure – say, if you want to identify your mother as an abusive parent and she objects?

But there are so many stupid-simple privacy questions. Credit bureaux and data-brokers don't inhabit any kind of grey area. They simply should not exist. Getting rid of them is a project of years, but it starts with hacking away at their sources of profits, stripping them of defenses so we can finally annihilate them.

I'm kickstarting the audiobook for "The Internet Con: How To Seize the Means of Computation," a Big Tech disassembly manual to disenshittify the web and make a new, good internet to succeed the old, good internet. It's a DRM-free book, which means Audible won't carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:

http://seizethemeansofcomputation.org

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en

[bakibakideemon]

I’m back to into Haikyuu!! And before I say anything - I absolutely adore Kageyama. It’s been a minute that have thought about his character/ discussed him. But recently came across some really great character studies of him.

Here is a list of Fics I read recently which I fell do his character justice (and just because I like them). (These are amazing fics by some great authors)

1) The best thing you (n)ever had by eleasofia

Summary: When Oikawa is asked out by Kageyama for the first time, he turns him down, saying he wouldn't date someone who is so clearly inferior to him. Three years later, after Seijou's loss to Karasuno, Kageyama asks again, and despite not really (read as: absolutely not) wanting to, Oikawa somehow ends up agreeing nevertheless. It might really be time to forget about old grudges and move on. Turns out, it's even harder than he thought it would be.

Published: 2017-12-05 Words: 6,425 Chapters: 1/1

2) Normal by AuthorInDistress

Published: 2018-10-15 Words: 5,031 Chapters: 1/1

Summary: A special guest is here in Kageyama's town and he couldn't care less.

3) I don’t know where we’re going, but I’d like to be by your side by voices_in_my_head

Published: 2020-08-03 Words: 8,548 Chapters: 1/1

Summary: "Atsumu doesn’t approach Kageyama Tobio the first day of the youth training camp, but he does keep an eye on him. He’s not the only one; everyone is curious about the main setter of the team that finally uncrowned Shiratorizawa."

Or: once Atsumu got to meet the real Kageyama, he never stood a chance. Honestly, he's not that bothered about it.

4) With all my love (And almost all of my mind) by rumxrs

Kei heaves a sigh, raking a hand through his short blonde curls. Tobio repeats the action unknowingly, and shivers shortly afterwards. A nervous shiver, like death was sending spearmint puffs of air down his neck.

Their story; told in snapshots, phone conversations, and dreams.

Published: 2016-03-29 Words: 2,175 Chapters: 1/1

5) Make It True, Takeru by luvtooru

Summary: After overhearing his uncle Oikawa mention he had a crush on someone with 'black hair and blue eyes,' Takeru assumes he’s talking about Kageyama, the grumpy setter from Karasuno. Unaware that Oikawa actually meant Shimizu-san, Takeru dives headfirst into a chaotic mission to play matchmaker—for the wrong person

Published: 2024-11-10 Words: 7,969 Chapters: 1/1

6) can this be a real thing (can it?) by akaashism (acciomerlin)

Summary: Tobio has an unexpectedly steamy dream about Oikawa one night. He tries his best to grapple with the resulting cocktail of feelings it invokes, but maybe an accidental revelation has its own set of rewards in store.

Published: 2023-06-20 Words: 10,712 Chapters: 2/2

7) What do you see when you look at me? By Aync1lgw

Summary: Three people - A woman who has been pining after Oikawa for years and finally wants to confess her feelings, a taxi driver who just happened to pick Oikawa and Kageyama up from the bar and then Oikawa's old roommate from medical school with whom Oikawa was sharing a rental apartment for the week. What is it that these people see when they look at Oikawa Tooru and Kageyama Tobio together?

Published: 2021-11-24 Words: 5,739 Chapters: 1/1

8) infernal devices by lettucehope

Summary: In a quest for revenge, Tobio learns that store-bought flames work just fine when you're summoning the powers of Hell.

Published: 2022-07-02 Words: 26,886 Chapters: 8/8

9) Cute bastard by mitoe

Summary: Oikawa calls Kageyama cute bastard every time he sees him and Kageyama hates it

Published: 2022-05-03 Words: 4,254 Chapters: 1/1

11)

10)

[potetosaradas]

I've been marinating on some Rick Prime thoughts/theories. I might be completely wrong and way off base, but this was a delusional idea that ive had and can't seem to let go of sksjfdkdl this post got really long rIP to anyone who decides to read this

I'll be referring to this timeline I made. I'm basing the years off of known/confirmed ages in the show from when the show started airing in 2017, to track and pin down some possible key dates/time frames in the Sanchez/Smith family past.

I've always wondered about Prime and his timeline. Like, did he have a Diane before/during/after he met Rick? When did he meet her? How and why would he meet her? I feel the circumstances would greatly change the flavour and impact of their relationship, knowing this information!

But! Based off this timeline, i have reason to suspect that Prime met his Diane after he killed Rick's family, given that his Beth is younger than C137’s Beth.

Now... why would he do that? Why would he purposefully go and meet Diane, marry her and make a family, when he JUST killed Rick for the same thing?

WHAT IF. Prime was using Diane as cover to hide from Rick?????? SUPPOSEDLY, Morty brainwaves do that whole complimentary, masking brainwaves thing-- but WHAT IF, Diane's ALSO had the same ability?????? had to come from somewhere right??????

ANYWAY it seems like it takes 3-4 years after killing Rick's family to he starts his own. I imagine in this time period, Rick and Prime were playing a game of cat and mouse across the universe. What if Prime decided to go back to his own dimension to lay low?

He finds out that Diane brainwaves keep Ricks hidden, so he goes back to find his own Diane. He woos her, love bombs her and within 1-2 years he's dated her, married her and started a family with her.

See, I dont think Prime ever really loved or cared about his Diane. I don't think he actually even wanted to get married at all. So why tf would did he do that???????? Well, I could definitely see him using marriage for self serving purposes. After all, didn't c137 do the same thing? He went back and used Prime's family for his own gain.They have no issue using people 🤷

So anyway, Prime hides himself from Rick for 15 years with Diane and Beth. He plots away at his Dastardly Evil Plans, keeping tabs on Rick, hiding from him as he slowly pieces the Omega Device together until it's ready. We know that Prime was an absent father and I can't imagine him having a better relationship with his Diane compared to C137/Diane C137, so I'm willing to bet he had an extremely strained marriage with her. BUT AGAIN, that would make sense, if he was only using her to his benefit only caring about the construction of the device/hiding himself from Rick C137.

additionally, i dont think he immediately went to go back to find Rick C137 as soon as it was completed. Contrary to popular belief, i dont think Prime was using the omega device to specifically torture C137. I definitely think it played a big part in it, but there were definitely other reasons as to why he made this device.

I'm not clear on what Prime's exact motivations are, but it's always seemed to me that he wanted to make an army of Ricks or at least, he seemed to be searching for superior Ricks/that could match his level.

I'll be using some scenes from the crybaby backstory for some points:

After Prime killed Rick's family, it looks like (from 00:33 to 01:05) Rick has been adventuring around the universe, checking out new universes and also looking for Prime, feeling frustrated when he comes up empty.

If you look closely, it doesn't look like Rick is looking for Prime on Earth dimensions. Again, making me think that Prime went back to his own dimension to hide from Rick-- its almost kind of like the last place Rick would ever go look for him too??

In the very next scene, Rick has visibly aged. If Rick was 27-30 in previous frames, the aged jump makes Rick look like he’s 35-45 (maybe even older). He's glumly eating noodles and clearly doesn't look happy at all. He looks super jaded. During this time, we can see him in his rebel phase, fighting with BP and the infamous Bloodridge battle.

BP rejects him, and as we know, Rick doesn't take kindly to rejection. What happened when Morty rejected him in s6? He went back to the one thing that has always made sense to him, the one thing that's always kept him going. So perhaps, he goes back to his hunt for Prime after having lost his purpose and way with BP.

According to the timeline that I have, Prime is about 51 years old when he might've completed the Omega device. This lines up pretty neatly with Rick in his rebel phase era (tail end of 40 years old) So, what does they do next?

According to the video, we can see Rick starts finding a pretty good lead on Prime. If Rick and Prime were the only ones to actually invent portal tech, the old Rick using a portal gun at 01:15 is a Rick that Prime shared portal tech with. That's a pretty great start to tracking Prime. He tracks Prime down to a maze like base with OTHER RICKS BUT there are guard Ricks (that perhaps are Ricks that Prime has recruited to his side???) and also other Ricks he is competing with to get to the center. We see Rick is visibly frustrated when the other Rick smashes the Cube in the case. What if that was a lead to Prime directly?

In season 7, we see that Prime likes to play with other Ricks in the form of SAW traps. He seems to like weeding and sorting through Ricks.

WHAT IF, this maze like base was also another competition? And Prime was gathering Ricks using the potential of the omega device as bait?

Anyway, I have reason to suspect that the omega device was first triggered and destroyed by 1999 as Morty seems to have very little attachment to Diane making me believe he never met her or remembered her presence AND also at 01:57 in the video, Rick visibly ages again (becoming the Old Rick we all know so well, I would definitely place him at 60-70 at this point). He's back at his old home, the last place he ever saw Diane alive. He's drinking and he's still so very very sad, massacring Ricks left right and center. To meeeee, this sort of I really dont give a fuck anymore attitude seems a LOT like the attitude of a man who's REALLY lost everything. If he thought he lost Diane once, he's now forced to consider the reality that you could lose the person you love over infinity entirely. It would be even worse if it was Rick that accidentally triggered the omega device to go off killing all Dianes lol even if he managed to destroy the device in the end. Anyway, strong possibility that he did it considering how many Ricks start going after him????

IDK.

I HOPE SOME OF THIS MAKES SENSE?? Im not very good at explaining myself 💀

[themaveriqueagenda]

it's trans+ history week, so i finally have an opportunity to make a detailed post about maverique history.

so here it is:

a detailed timeline of maverique history.

31/05/2014 — @queerascat coined maverique as "a non-binary gender characterized by an unconventional and unothodox internal sense of self and the interrelationship between that sense of self and society"

15/06/2014 — queerascat reworded the definition as: "a non-binary gender characterized by autonomy and inner conviction regarding a sense of gender which is unorthodox, unconventional and entirely independent of conventional concepts of gender". they created the maverique flag on the same day.

18/06/2014 — tearun suggested maver as an equivalent to man/woman and rique as an equivalent for boy/girl, the latter was never heard of again due to it sounding like "reek"

19/06/2014 — someone suggested mav as an equivalent to boy/girl, @whatdoesenbymean suggested Mv (pronounced "mav") as a title

21/06/2014 — after some confusion, queerascat reworded the definition one last time as "a gender characterized by autonomy and inner conviction regarding a sense of self that is entirely independent of male/masculinity, female/femininity or anything which derives from the two while still being neither without gender nor of a neutral gender"

22/06/2014 — the @maveriques blog was created

24/06/2014 — maveriques posted a CMYK analogy to explain maverique

28/06/2014 — maveriques posted a list of proposed maverique terms

29/06/2014 — someone suggested Mv (pronounced "miv") as a title

06/07/2014 — queerascat uploaded a video about their label change and the term maverique in their youtube channel

12/03/2015 — maveriques clearly defined maverique as not an umbrella term

11/10/2015 — queerascat posted a gender tag video from a maverique perspective on their youtube channel

13/10/2015 — someone suggested maveriquine as an equivalent for masculine/feminine

~2015/16 — there was discourse on aliagender and aporagender being racist, and that maverique was a good term to use instead because it was coined by a Black person, queerascat pushed back against this

31/07/2016 — maverine was suggested as an equivalent to masculine/feminine

18/11/2016 — @moonstruck-melts suggested the earth and sun symbols for maverique, and @feekins suggested pluto as a symbol

03/02/2017 — @the-christian-closet suggested the comet symbol for maverique, mistaking it for an alternative sun symbol

05/02/2017 — maveriques posted a poll asking how people feel about the sun as a maverique symbol

12/02/2017 — maveriques posted the results, with most maveriques liking it but having reservations

24/02/2017 — courage-archive-deactivated2018 / sneer posted the symbol with the two extending arms

17/07/2017 — veriquinity was suggested as an equivalent to masculine/feminine

~2021: the maverique subreddit was created

06/01/2022 — renée yoxon went on the fifty shades of gender podcast to talk about being maverique, trans, nonbinary and genderqueer

06/2022 — reddit user ChaoticStrange suggested a maverique visibility day on 31/05 and others agreed

16/01/2023 — renée yoxon briefly spoke about being maverique on the gender reveal podcast

18/06/2023 — @themaveriqueagenda on tumblr was born

20/08/2023 — themaveriqueagenda on instagram was born

[stickybasementobject]

Johnny Depp Horror Icon

01. A Nightmare on Elm Street (1984)

02. Edward Scissorhands (1990)

03. Ed Wood (1994)

04. Sleepy Hollow (1999)

05. The Astronaut's Wife (1999)

06. The Ninth Gate (1999)

07. Corpse Bride (2005)

08. Freddy's Dead: The Final Nightmare (1991)

09. Sweeney Todd: The Demon Barber of Fleet Street (2007)

10. From Hell (2001)

11. Secret Window (2004)

12. Dark Shadows (2012)

13. Murder on the Orient Express (2017)

14. Transcendence (2014)

15. Marilyn Manson: Kill4Me (2017)

16. London Fields (2018))

17. Tusk (2014)

18. Yoga Hosers (2016)

[autumnslance]

LynMars's FFXIV Write 2024 Master Post

We're back again! The list and links for all of my completed prompts for this year's FFXIV Write. Stats and ramblings about writing will go under the Read More cut. Eventually these will be revised in some manner and tossed onto Ao3.

Asterisks again mean there's wolship nonsense happening.

01. Steer - Vignettes of less sociable times over Aeryn's life. 02. Horizon - WoL at the end of Ultima Thule, EW 6.0. 03. Tempest - WoL returns to Amaurot to contemplate, EW 6.4. 04. Reticent - C'oretta & Dark Autumn have a chat. Sort of. 05. Stamp - Aeryn finds a memento while cleaning, post-EW 6.0 06. Halcyon - Tanzel, Emelia, & understanding grief. Backstory. 07. Morsel - Zenos heading to Camp Broken Glass, EW 6.0. 08. Free Day! 09. Lend an Ear - Emperor Varis is very much alone. StB patches. 10. Stable - Hydaelyn as the avatar of Light. Endwalker. 11. Surrogate - Weird West AU. Unexpected new roles for the Strikers. 12. Quarry* - Dominants AU. Thavnair comes to Tural's aid. DT 7.0. 13. Butte - Dark Autumn versus seedkin in Xak Tural. DT 7.0. 14. Telling - WoL reflects on Emet-Selch's expected reaction. EW 6.0. 15. Free Day! 16. Third-Rate - Aeryn's annoyed by the Unbound. DT Role Quests. 17. Sally - Dark pays a final visit to a traitor, post-StB 4.1. 18. Hackneyed* - Aeryn, Thancred, & terrible literature. 19. Taken - A young wood warder tries to save his sibling. Backstory. 20. Duel - Wuk Lamat's challenge does not go as expected. DT 7.0. 21. Shade - WoL ruminates on some of their ghosts. Thru DT 7.0. 22. Free Day! 23. On Cloud Nine - A chocobo & her Warrior of Light. End ShB 5.0. 24. Bar - 2 different adventurers starting out. Legacy & ARR. 25. Perpetuity - Aeryn, Deryk, & questions of faith. EW 24man raid. 26. Zip - C'oretta helping out Hamon at the Coliseum. Technically DT. 27. Memory - In a future, music makes Iyna remember. EW Patches. 28. Deleterious - Aeryn & Shale discuss regulators & history. DT 7.0. 29. (Free) Deleterious 2* - Thancred & self-recrimination. ShB 5.0. 30. Two Heads are Better than One - Gulool Ja Ja muses. DT 7.0.

Previous years: 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023

Ended up a touch Aeryn-heavy this year, though Generic WoL, various NPCs, the other OCs, forays in the FC's AUs, and some supporting family cast members make appearances. There's even a callback to a previous FFXIV Write entry. Lots of Endwalker and Dawntrail due to recency bias, but it manages to span the spectrum from backstories through various expansions.

I only did 1 Free Day, due to having 2 solid ideas I ended up writing for that prompt. It was right at the end of my annual birthday vacation week, so I was pretty rested (may also be why they're among the longer entries!). Unusually, the rest of that week's works are not any longer than the others.

I'm also still working on some original writing, though, so that did cut into fanfiction time.

Below 500 words: #2 Horizon (347), #3 Tempest (415), #7 Morsel (499), #10 Stable (400), #13 Butte (477), #14 Telling (355), #17 Sally (464), #20 Duel (499), #24 Bar (462).

500 - 1,000 words: #1 Steer (944), #4 Reticent (581), #5 Stamp (588), #11 Surrogate (964), #12 Quarry (844), #16 Third-Rate (564), #18 Hackneyed (577), #19 Taken (915), #21 Shade (764), #23 On Cloud Nine (728), #25 Perpetuity (958), #26 Zip (592), #27 Memory (810), #30 Two Heads are Better than One (500).

Over 1,000 words: #6 Halcyon (2,479), #9 Lend an Ear (1,326), #28 Deleterious (1,099), #29 Deleterious 2 (1,231).

Shortest: #2 Horizon Longest: #6 Halcyon

Total: 20,382 words. Not my shortest but far from my longest. Comparing with the previous years, I can see a clear improvement in my grasp of both NPC and OC voices, and more confidence in general.

Even so, "Butte", "Sally", "Bar", and "Zip" were the hardest for me this year, and I may need to warm up to them. I love "Halcyon" for a lot of reasons, and am also fond of the lighter offerings in "Duel" and "On Cloud Nine." I like a lot of the others, particularly when trying to get into NPC heads (even if they're really weird places to be ffs, Zenos).

Not too many shippy entries this year, one of them for one of the AUs, one mostly talking about it rather than seeing it, but I like "Hackneyed" a lot as it's been awhile since I've written about Aeryn & Thancred's literary tastes (and opposite ways of treating their books).

These will eventually be revised and added to Ao3, and then we await next year!

[staydandy]

Candle in the Tomb 6: Kunlun Tomb (2022) - 昆仑神宫 - Whump List

List by StayDandy Synopsis : Hong Kong antique dealer commissions Hu Ba Yi and Wang Kai Xuan to look for the glacier corpse within the demonic kingdom from the legends of King Gesar. Having just escaped the "worm" valley, they embark on a new journey to unravel a curse. (MDL) AKA : Mojin: Kunlun Shrine | Candle in the Tomb: Raiders of the Wu Gorge

Whumpees : Hu Ba Yi played by Pan Yue Ming (top) • Wang Kai Xuan "Pangzi" played by Jiang Chao (bottom)

Country : 🇨🇳 China Genres : Action, Adventure, Thriller, Bromance, Supernatural

Notes : This is a Full Whump List • Adapted from the 4th volume in the novel series "Candle in the Tomb" (鬼吹灯) by Zhang Mu Ye (天下霸唱)

Related Lists : Candle in the Tomb 1 (2016) - Full List • Candle in the Tomb 2: The Weasel Grave (2017) - Full List • Candle in the Tomb 3: The Wrath of Time (2019) - Full List • Candle in the Tomb 4: The Lost Caverns (2020) - Full List • Candle in the Tomb 5: The Worm Valley (2021) - Full List

Episodes on List : 8 Total Episodes : 16

*Spoilers below*

01 : [nightmare] Hu Ba Yi crawls out of a pile of dirt/ash, unsteady.. wakes with a start, scratch on his arm, bleeding gold (symptom of a progressing virus), watches Wang Kai Xuan "Pangzi" dry up & die in front of him.. [present] wakes with a start

04 : Ba Yi & Pangzi knocked around fighting a monster … Ba Yi is choked, fights inside of a car

05 : Ba Yi & Pangzi breathing hard from hiking in a high altitude

08 : Ba Yi has a nightmare

09 : Being pulled up an ice ravine by a rope, hits against the side walls

12 : Ba Yi & Pangzi are tossed around by a monster

15 : Ba Yi & Pangzi are tossed around by a monster.. Ba Yi & Pangzi thrown by an explosion

16 : … continued from previous ep. ... Ba Yi & Pangzi thrown by an explosion

[eternal-echoes]

“Despite the surge of young people who experience traits of gender dysphoria, the most reliable studies show that more than 80 percent of such children will naturally desist and identify with their biological sex.(30) In the words of Dr. James Cantor, "every follow up study of GD (Gender Dysphoric) children, without exception, found the same thing: By puberty, the majority of GD children ceased to want to transition."”(31)

-Jason Evert, Male, Female, or Other: A Catholic Guide to Understanding Gender

—

Work cited:

30) Cf. K. Zucker, "Gender Identity Disorder in Children and Adolescents," Annual Review of Clinical Psychology 1 (2005), 467-92; K. Drummond et al., "A Follow-up Study of Girls with Gender Identity Disorder," Developmental Psychology 44 (2008), 34-45; M. Wallien and P. Cohen-Kettenis, "Psychosexual Outcome of Gender-dysphoric Children," Journal of the American Academy of Child and Adolescent Psychiatry 47(2008), 1413-1423; T. Steensma et al., "Desisting and Persisting Gender Dysphoria after Childhood: A Qualitative Follow-up Study," Clinical Child Psychology and Psychiatry (2011), 499-516; D. Singh, "A Follow-up Study of Boys with Gender Identity Disorder" (PhD dissertation; University of Toronto, 2012); T. Steensma et al., "Factors Associated with Desistence and Persistence of Childhood Gender Dysphoria: A Quantitative Follow-up Study," Journal of the American Academy of Child and Adolescent Psychiatry 52 (2013), 582-590; T. Steensma, "From Gender Variance to Gender Dysphoria: Psychosexual Development of Gender Atypical Children and Adolescents" (PhD dissertation; VU University-Amsterdam, 2013); J. Ristori and T. Steensma, "Gender Dysphoria in Childhood," International Review of Psychiatry 28:1 (2016), 13-20; B. Abel, "Hormone Treatment of Children and Adolescents with Gender Dysphoria: An Ethical Analysis," Hastings Center Report 44:4 (2014), S23-27; P. Eddy, Reflections on the Debate Concerning the Desistance Rate among Young People Experiencing Gender Dysphoria, Center for Faith, Sexuality & Gender, June 2021; P. McHugh, P. Hruz, and L. Mayer, "Brief of Amici Curiae in Support of Petitioner, Gloucester County School Board v. G.G." Supreme Court of the United States, No. 16-273 (January 10, 2017), 12.

31) James M. Cantor, "Transgender and Gender Diverse Children and Adolescents: Fact-Checking of AAP Policy," Journal of Sex & Marital Therapy (2019), 307-313.

—

A more recent study was published in Daily Mail (April 05, 2024):

Most gender-confused children grow out of it, landmark 15-year study concludes - as critics say it shows being trans is usually just a phase for kids

—

For more recommended resources on gender dysphoria, click here.

[dl-drama-cd]

DL Magazines Masterlist

B's-LOG

2012: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2013: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2014: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2015: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2016: № 1, 2, 3, 4, 5, 6, 8, 12

2017: № 1, 2, 3, 4, 5, 6

2018: № 3, 4, 5, 8, 9, 10, 11, 12

2019: №1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2020: № 2, 3, 4, 5, 6, 7, 8, 9, 11

2021: № 1, 3, 7, 8, 9, 11, 12

2022: № 2, 3, 4, 5, 10

2023: №4, 8, 10, 11, 12

2024: 1, 4, 5, 6, 7, 9, 10, 11, 12

2025: 1

Dengeki Girl's Style

2012: № 8, 9, 10, 11, 12

2013: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11

2014: № 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12

2015: № 1, 2, 3, 4, 5, 6, 9, 11

2016: № 2, 3, 5, 6, 8, 9, 10, 11, 12

2017: № 1, 2, 3, 4, 5

Otomate Magazine

Vol.01, 03, 04, 05, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 24, 25, 26, 27, 31, 32

Rejet Cluster Magazine

Vol.1, 2

Otomedia

12.2013

02.2014

06.2014

07.2014

12.2015

06.2015

10.2013

08.2015

10.2015

Pash!

august 2013

december 2013

december 2015

november 2013

january 2014

febraury 2014

june 2015

Animage

09 2013

10 2013

11 2013

01 2014

03 2014

04 2014

07 2014

Prince Animage

fall 2013

Otaku USA

06/2016

Animedia

2013: 8,10

Media Information

34/2015

2D☆STAR

Vol.13

Cool-B

#60, #88

Cool-B Sweet Princess

vol.17, vol.26, vol.28

[jqmalikhsgib]

bloom

munson family timeline

*this is mostly for me because i suck ass when it comes to dates*

yn birthday 05/15/1999

eddie birthday 09/04/1998

-september 2016-

eddie: 18

yn: almost 18

yn finds out she’s pregnant and doesn’t know how to break it to her boyfriend. instead she confides in her dad

june 23rd 2017 baby aster wayne munson is born

the only baby boy <3

-november 2017-

eddie: almost 20

yn: 18

yn and eddie are adjusting as teen parents. with eddie working his ass off to graduate high school this time. yn finds out she’s having another baby

august 5th 2018 jasmine hope munson is born <3

-april 2020-

eddie: almost 22

yn: almost 21

covid outbreak happened which leaves everyone having to stay indoors. yn and eddie don’t have much else to do but watch their kids and well—she ends up pregnant again

january 24th 2021 lunaria morgan munson is born <3

-march 2021-

eddie: almost 24

yn: 22

eddie’s career slowly take off with corroded coffin! on occasion when he’s off doing shows, he brings yn along with the kids. the two of them are young, dumb, and having fun. leaving yn pregnant with baby #4 

december 25th 2021 lily belle munson’s born the same year as older sister lunaria <3

-may 2022-

eddie: almost 24

yn: 23

yn becomes a fashion icon! everyone loves her style. she soon signed to a modeling agency. too bad she and eddie get pregnant…AGAIN

february 14th 2023 poppy matilda munson and azalea love munson was born. eddie and yn final babies <3

[black-arcana]

SPIRITBOX Announces Spring 2025 North American Tour With LOATHE, DYING WISH And GEL

Two-time Grammy-nominated progressive metal band SPIRITBOX has announced the "Tsunami Sea" North American tour. Kicking off April 3 in Dallas, Texas, produced by Live Nation, the 24-date tour will hit cities across the U.S. and Canada with LOATHE, DYING WISH and GEL as support.

Tickets will first be available through a Citi presale starting today, December 3. The official artist presale begins on December 4 and will include a special Spiritboxoffice pop-up event in Los Angeles at the Hollywood Palladium from 5:30 p.m. to 7:30 p.m. where fans can purchase tickets and meet the band. Additional presales will follow on December 5, ahead of the general onsale and Citi Cardmember Preferred Tickets, beginning Friday, December 6 at 10 a.m. local time on Spiritbox.com.

The tour wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible they have chosen to use Ticketmaster's Face Value Exchange. If fans purchase tickets for a show in the U.S. or Canada and can't attend, they'll have the option to resell them to other fans at the original price paid. To help protect the Exchange, the tour has requested all tickets be mobile only and restricted from transfer. This applies to all shows except those in Colorado, Illinois, and New York where Face Value Exchange cannot be mandated. Please note, a valid bank account or debit card within the country of your event is required to sell on the Face Value Exchange.

Citi is the official card of the "Tsunami Sea" North American tour. Citi cardmembers will have access to presale tickets beginning Tuesday, December 3 at 12 p.m. ET until Thursday, December 5 at 10 p.m. local time through the Citi Entertainment program.

The announcement follows SPIRITBOX's second consecutive Grammy nomination for "Best Metal Performance" ("Cellar Door") which no woman has ever won this sole category. The tour announcement also follows the reveal of their anticipated sophomore album, "Tsunami Sea", slated for release on March 7 via Pale Chord / Rise Records. The album's first two singles, the heavy hitter "Soft Spine" and melodic "Perfect Soul", showcase the band's dynamic range and their ability to seamlessly fuse diverse sonic influences, offering a glimpse into the depth and ambition of the forthcoming record.

In addition to SPIRITBOX's headline U.S. and European tours in 2025, the band will jump on select dates of LINKIN PARK's world tour, joining the rock icons for performances in Italy, the Netherlands and the U.K.

SPIRITBOX with LOATHE, DYING WISH and GEL 2025 North American tour dates:

April 03 - Dallas, TX - South Side Ballroom April 04 - San Antonio, TX - Boeing Center at Tech Port April 05 - Houston, TX - Bayou Music Center April 07 - Atlanta, GA - Coca-Cola Roxy April 08 - Orlando, FL - Hard Rock Live April 11 - Washington, DC - MGM National Harbor April 12 - Pittsburgh, PA - UPMC Events Center April 14 - Philadelphia, PA - The Fillmore April 15 - Montclair, NJ - The Wellmont Theater April 18 - New York, NY - Hammerstein Ballroom April 19 - Boston, MA - MGM Music Hall at Fenway April 21 - Montreal, QC - M TELUS* April 23 - Toronto, ON - Great Canadian Casino April 25 - Chicago, IL - Byline Bank Aragon Ballroom April 26 - Madison, WI - The Sylvee April 27 - Grand Rapids, MI - GLC Live at 20 Monroe April 29 - St. Louis, MO - The Pageant April 30 - Des Moines, IA - Vibrant Music Hall May 02 - Denver, CO - Fillmore Auditorium May 03 - Salt Lake City, UT - The Complex May 06 - Vancouver, BC - PNE Forum May 07 - Tacoma, WA - Temple Theatre May 09 - San Francisco, CA - The Masonic May 10 - Los Angeles, CA - Hollywood Palladium*

* Without GEL

Formed in 2017 in the picturesque-yet-isolated region of Victoria, British Columbia, Canada, by singer Courtney Laplante and guitarist Mike Stringer, SPIRITBOX became a household name in rock circles in the summer of 2020 with the release of their blistering breakout single "Holy Roller", along with a host of other captivating singles shortly after, resulting in a media firestorm of hype.

With new and existing fans eagerly watching their next move, SPIRITBOX exceeded every expectation imaginable in 2021 with the release of their genre-defining debut studio album "Eternal Blue" via Pale Chord/Rise Records. "Eternal Blue", which debuted at No. 13 on the Billboard 200, kicked open the doors of the heavy metal scene and rewrote the genre's playbook with 12 stunning tracks that incorporated everything from djent and post-metal to infectious synth-laden pop sensibilities and cinematic arrangements, brought fully to life by the inimitable Laplante's ethereal and commanding vocal performances.

The album cycle for "Eternal Blue" saw SPIRITBOX not only grace the covers of esteemed music publications such as Revolver, Alternative Press, Rock Sound and Kerrang!, among many others but would also solidify the band as one of the most in-demand groups in live music today with their one-hundred percent sold out, first-ever headlining tour in support of the album which saw ticket sales over 40,000. The band would also share the stage with seasoned metal veterans such as LIMP BIZKIT and GHOST and win "Best International Breakthrough Band" at the 2021 Heavy Music Awards.

In 2022, SPIRITBOX secured highly-coveted spots at numerous major U.S. rock and metal festivals and were nominated for two Juno awards, respectively. SPIRITBOX would also round out their current lineup with the inclusion of drummer Zev Rose and bassist Josh Gilbert in addition to releasing their sonically experimental EP "Rotoscope" in June of that year as well as a cross-genre collaboration with dubstep artist Illenium for the track "Shivering".

During another whirlwind year for the band, including a U.S. tour with SHINEDOWN and PAPA ROACH, SPIRITBOX wrote and recorded their critically acclaimed EP "The Fear Of Fear", released in November 2023. The EP features the single "Jaded", which was nominated for "Best Metal Performance" at the 66th annual Grammy Awards. In the same month, the band would make another genre-bending splash with a high-profile collaboration with rapper Megan Thee Stallion for a remix of her song "Cobra".

Photo credit: Jonathan Weiner

[dragons-bones]

FFXIV Write 2024 Master Post

Another year, another master post! Throughout September, this post will be updated to reflect completed prompts. Fills posted to Tumblr will remain raw and unedited, but in October, I will edit and upload to Archive of Our Own, and further update this post with links to the AO3 versions.

Fills run the gamut of the timeline; all content through Dawntrail is fair game. Please note individual warnings where necessary on each fill.

--

AETHERSURGE

--

Previous Master Posts: 2017 || 2018 || 2019 || 2020 || 2021 || 2022 || 2023

--

Prompt 01 [Steer]: The Constants of Adventure

Prompt 02 [Horizon]: High Flying

Prompt 03 [Tempst]: Levinstrike

Prompt 04 [Reticent]: Lominsan Girls

Prompt 05 [Stamp]: Missives from Aboard

Prompt 06 [Halcyon]: Promise

Prompt 07 [Morsel]: In Pie We Crust

Prompt 08 [Free Write | Telegraphy]: Aethergraphy

Prompt 09 [Lend an Ear]: Matters of the Heart

Prompt 10 [Stable]: Carbuncle Quality

Prompt 11 [Surrogate]: Maternal Instinct

Prompt 12 [Quarry]: A Rescue!

Prompt 13 [Butte]: A Sky Full of Stars

Prompt 14 [Telling]: Skin-Deep

Prompt 15 [Free Write | Deodate]: Lux Solaris

Prompt 16 [Third-Rate]: Scorched and Chipped

Prompt 17 [Sally]: War Paint

Prompt 18 [Hackneyed]: Bard Off

Prompt 19 [Taken]: Levinstorm

Prompt 20 [Duel]: Reach and Flexibility

Prompt 21 [Shade]: Vistas

Prompt 22 [Free Write | Rencounter]: Kith and Kin

Prompt 23 [On Cloud Nine]: What the Future Holds

Prompt 24 [Bar]: [SELF-DETERMINATION PROTOCOLS]

Prompt 25 [Perpetuity]: Endless

Prompt 26 [Zip]: The Heron Hike and Hustle

Prompt 27 [Memory]: Fragments

Prompt 28 [Deleterious]: Summer Heat

Prompt 29 [Free Write | Thanatopsis]: Only the Good Die Young

Prompt 30 [Two Heads Are Better Than One]: More Uxorio

[rikeijo]

Today’s translation #714

Animestyle 2017/05, Staff's round-table discussion

Part 15.

Tatenaka: When we run out of time that we were given, we just said 'I couldn't finish this.' and went home.

All: (laugh)

Tatenaka: It was the first time for me, to just stop working, even though I didn't manage to finish all the cuts that were given to me. But the amount of work that I was given was impossible to finish to begin with.

All: (laugh)

Oguro: Hisagi-san is in the credits as 'Assistant Figure Skating Unit Director', is that correct?

Tatenaka: Yes, yes, yes. He was incredibly important.

Hiramatsu: 'Assistant Figure Skating Unit Director' is how you credit your 'last resort' person.

Tatenaka: Before heading home, we just told him 'I weren't able to do X seconds'. To that Hisagi-san just said 'It can't be helped, can it?' and he drew the storyboards for those missing seconds, to fill up that hole.

Abiko: And that's why Hisagi-san practically lived at the studio. Nah, but we felt really bad for him.

Ito: Before the advance screening [of the first three episodes], it was really a tough time. There were plenty of parts that weren't finished on time. I can't even count how many cuts Hisagi-san made.

Abiko: Hisagi-san was really the rear guard for us, wasn't he? Like 'I'll stay here and fight, and you go ahead!'