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staryingx · 11 months

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Piecing together: The current timeline in Reverse 1999

CN SPOILERS up to Chapter 5 and Interlude. Long post.

The new Chapter 5 and Interlude for Reverse 1999 has shed some light on the Storm and its timeline. With all the new info, I've tried to piece it together as accurately as possible. Here's the timeline I have put together:

Let me break down my findings.

First of all, let's look at the IDM Computer with 37's Mother's prediction.

37 mentions "From 1999 to 2007, the emanation has taken place seven times". Here's how I interpret what the years mean in the Phenomenal column. It's like calling the effect of the Storm: for the first row, the 1996 Storm reverses the era 1999 to 1996. So the "1996 Storm".

The IDM only shows 6 Storms, so the 7th is the Storm that reversed to 1929. I wonder why she didn't include the 8th Storm (1929->1913), but that could be because it was the anomaly 2-day emanation that ruined the model prediction.

Here's a table I have made attempting to fill in the blanks of the IDM computer.

Let's analyze it Storm by Storm.

The 1st Storm (1999 -> 1996)

When: 23:59. December 31, 1999

Reverses to: 1996

Many sources for this, from the IDM showing 1996 to Greta, the writer of the letters in the interlude, mentioning it in her letters.

The 2nd Storm (1996 -> 1985) [Original: 2000]

When: 1996-1997.

Logs don't explicitly say when, but from the IDM we know it takes place ~1 year after the first Storm.

Reverses to: 1985.

We know this from Greta.

"Things remained unclear until time was reversed again. This time, we all witnessed that rain in the 80s. That was 1985."

She was safe in the Headquarters, witnessing the Storm reverse.

The 3rd Storm (1987 -> 1976) [Original: 2003]

When: On a 27th evening, 1987.

Greta: "The Storm in 1987 was predicted. "…but the prediction was not accomplished by LAPLACE. The captive from Manus Vindictae names the precise date of that Storm."

In Chapter 3, we learn the Foundation captured a Manus Vindictae member who gave them the date of the next Storm. Greta also mentions a captive from Manus predicted it.

Thus, this is the Storm that took place in the breakaway incident, where Vertin was 12-years old and witnessed the Storm for the first time.

Reverses to: 1976

Greta: "Finally, I made up my mind to write to [37's mother]... ... ... She died. On the same day, the first and only timekeeper who just took office, the 12-year-old child returned alone from the Storm. She told us the time in the outside world at that point." "...The last two digits in the number of the year after that Storm were exactly her name and her number: 77".

This was a bit hard to understand. I concluded the year it reversed to was 1976, as Greta said "the year after the Storm" was 77.

Original Year: 2003

Two years has passed from the 2nd Storm (1985) as this Storm took place in 1987. This fits with the year 2003 in the IDM computer. Also, when Sophia talks to Sonetto at the geometry graveyard:

Sophia: "Four years ago, my father was restored to a geometric body on his way back to the island. So was 37's mother who was also on that ship".

We know (or can at least assume) 77 is 37's mother who perished in this Storm. The current time is 2007, so four years ago is 2003.

The 4th Storm (~1976 -> 1930s) [Original: 2004]

When: 1976~1977/78

Reverses to: Some year in the 1930s

Original year: 2004

37: "In the initial four years, the emanation [Storm] has a pattern. First it brought us back to the 90s, then the 80s, and then the 70s. After that it suddenly leapt to the 30s."

When is the initial 4 years? 1999-2003, and this fits with our current pattern thus far from 90s -> 80s -> 70s. So the 4th Storm takes us to the 30s.

Sophia: "We miscalculated the impact area of the emanation. We thought the ships would be safe in the [...] current."

This confirms the Storm has a limited area it affects, where places hit by the Storm reverses to that particular year. The timeline of R1999 isn't going backwards linearly. This opens a lot of possibilities and eras we could visit.

The 5th Storm (~1930s-> 1912s) [Original: 2006]

When: Sometime in the 1930s

Reverses to: 1912

Original: 2006

37: ".... After that it suddenly leapt to the 30s. In the subsequent 3 years, [the emanation] took place twice."

When are the three years? The Storm that took us to the 30s was 2004. So the subsequent 3 years 37 refers to are: 2005, 2006, 2007.

The IDM jumps from 2004 to 2006. You can (very vaguely) make out "1912" from the year 2006. At least I think it's 1912. So the 5th Storm takes us from the 30s to 1912.

The 6th Storm (~1912s-> 1966s) [Original: 2007]

Here's where it gets interesting, and where I start to theorize things because there isn't much info yet about this Storm.

When: Theorized: 1912~1914

Reverses to: 1966

Original year: 2007

In 2007, there is a 6th Storm. This is likely the Storm before the beginning of R1999, which takes us to 1966 where Vertin meets Regulus.

Here's why I think this Storm fits with the IDM model and happens in 1912~1914, more possibly 1914.

In Chapter 1, Vertin lists down people she has met to Regulus.

Regulus: "Huh? It's Lewis. I know him!" Vertin: "Yes. I took this photo several days ago. He was selling the Hoover Upright Vacuum Cleaners in the West End, and thought photos would help his business, so he gladly took this." Regulus: "Why did you take a photo of him? How's he..."

Vertin's response is to take a deep breath.

This interaction was very interesting. Why is Regulus so surprised Vertin took a picture of Lewis? "How's he..." How's he what? Alive?

Now I'm not very familiar with historical figures named Lewis, so I could be very (and hilariously) wrong, but after researching who could be related to a business involving Hoover Upright Vacuum Cleaners, I speculate Lewis is John Spedan Lewis. His father, John Lewis, founded John Lewis, a British brand of high-end department stores.

In 1914, John Lewis hands Spedan Lewis control of a store named Peter Jones. Where is Peter Jones located? Sloane Square, London, which is in King's Road.

Vertin: "Yes. I took this photo several days ago."

This fits with the London location and timeline we know so far. So a few days before Vertin met Regulus, she was in an area of 1914s where she met Spedan Lewis trying to get his store [Peter Jones] going.

Judging from her reaction, he got reversed by the Storm that took them to 1966. Spedan Lewis died in 1963, which is why Regulus is confused why Vertin has a picture of him taken several days ago, and why a wealthy Founder of high-end luxury stores needs a photo taken to help his business.

I thought this was a nice clue that Vertin was in ~1912s era before the 1966s, though this is all just speculation. Feel free to add your own theories who Lewis could be.

The 7th Storm (~1966s-> 1929s) [Original: 2007]

When: June 3rd, 1966.

Reverses to: February 14th, 1929.

Takes place in Chapter 0, where Vertin and Sonetto meets Regulus.

The 8th Storm (~1929s-> 1913s) [Original: 2007]

When: February 15th, 1929.

Reverses to: 1913

Takes place in Chapter 2, where Vertin meets Schneider, Druvis, and Sotheby. Manus Vindictae escalates the Great Depression to cause an earlier Storm. This era only lasts for two days.

These two Storms are straightforward since we witnessed them in game. I won't go into details about them. We're still in the year 2007 according to 37.

The Current Year in Ch 5: 1914 [2007]

Chapter 4 takes place from August 26th to October 10th 1913. The new Chapter 5 begins in 1914.

Eight storms have taken place thus far. Here's a summary with the timeline for reference:

1st Storm (1999 -> 1996)

2nd Storm (1996 -> 1985) [Original: 2000]

3rd Storm (1987 -> 1976) [Original: 2003]

4th Storm (~1976 -> 1930s) [Original: 2004]

5th Storm (~1930s -> 1912s) [Original: 2006]

6th Storm (~1912s -> 1966s) [Original: 2007]

7th Storm (~1966s -> 1929s) [Original: 2007]

8th Storm (~1929s -> 1913s) [Original: 2007]

The Current Year in Chapter 5: 1914 [2007]

Random thoughts:

I hope this post helped paint a clearer picture of the Storms and the possible timeline! Cause, whew, the reason I made this whole timeline was to make sense of it myself. So much lore was dropped in the new chapter.

A question that remains unanswered:

How do people predict the Storm? How can they tell the time in the outside world?

Moissan: "Since Timekeeper hasn't reported the time of this era to the Foundation, you two, as the Foundation investigators, shouldn't know what year this is."

We know 37's group predict them through patterns and math, but what about the Manus Vindictae and Vertin? Vertin just seems to... innately know through her pocket watch and Storm countdown timer on her bracer, perhaps related to her great sense of arcanum. I'm really curious about that.

Biggest Takeaways:

The Storm isn't going backwards linearly and it has a limited impact area. So that means some places not hit by the Storm remains untouched, while others get reversed to whatever era the Storm brings. The first Storm probably had the widest impact.

This means an era in the 1912, for example, could be "reversed" to 1966 if it was hit by the 1966 Storm. That's what I'm getting from all of this. Anyone in the Storm impact area just... poofs, and arcanists/humans in that time era spontaneously appear with the buildings and such. I really love this idea-story wise we could jump around eras.

Then we have places that are completely immune like the Headquarters, Suitcase, and 37's island. They are the only ones who can consistently keep track of time as they're unaffected like spectators viewing the outside world. For the Foundation, Vertin is their way of tracking time in eras: what era did a Storm reverse a place to.

Again, some of these are just speculations and my theories. If you noticed any information I missed out or a mistake, feel free to let me know whether through tags, reply, or even my asks if you're shy. Or if you would just like to talk theories or about Reverse 1999 I'm more than happy to :>

#reverse 1999 #r1999 #timeline analysis #reverse1999 #cn spoilers

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unorcadox · 3 months

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the #commentary tag is so cool/interesting! Love getting that type of information that only the original editor could, and just hearing ur thoughts on edits even if they aren’t profound is still really cool. Just thought I’d say that, kinda hope that continues being a thing, also cause I might steal that later down the line hehe

(Ps the random splatoon clip in there was sick asfffff! I use to be a solid (s+6 tower control was my peak) roller/brush player in splatoon2 but I fell off hard on splatoon3. I like just finished that story mode and I’m working through the dlc rn!!! so we love to see it!!)

aww thank you!! it absolutely will be, and anyone can do it too idm. also thank youuuu splat is my special interest. i was top 2000 in rainmaker in season 6 lmao i love the game very deeply. it's like the #1 thing in my entire life

#not edits #asks

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crowleywowley · 11 months

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AHHHH BEAR ARTHUR ANON IM SO GLAD YOU LIKED MY HC!! 😸😸 I have a few more because i’m actually really autistic about arthur it’s dangerous (not actually) anyways here are some of my modern arthur hcs :33

⭑Arthur loves the girly pop songs from the early 2000s to early 2010s. He usually plays them while he’s doing chores and hums along with them…gay person

⭑He volunteers in a program that help horses that were abused and get them back on their feet! He’s loved horses ever since he was little and adores taking care of them

⭑He dips his fries into frosties at wendy’s. john first showed him it and before trying it he was DISGUSTED but when he tasted it he’s like “huh…not bad” so now he does it everytime he goes to wendy’s

⭑Arthur’s definitely a traditional art over digital art guy. He prefers the feel of a pencil on paper more then a pen on a tablet

⭑He’s the typa guy to bring a fanny pack to places like resorts or amusement parks. The younger ones are appalled by this but Arthur always says it’s “good gear” for just in case. He’s got a small first aid kit, his phone, and a couple snacks in there

⭑Speaking of Arthur’s phone…his wallpaper would def be his s/o if he had one at the time. His lockscreen is a picture of them on a vacation and the home paper is a picture of them with an animal (pet, one of the horses, or something at a zoo!)

⭑If he doesn’t have an s/o at that time, he’d have it as a pet or a really pretty place he took a picture of

AHHH OKAY THATS SONE FOR NOW!! I could go on and on lol…but I def have some other general/rdr modern hcs that idm sharing too ofc :3

AAAHHHHHHH MORE BEAR ARTHUR HCS?!?! We’ve been blessed today

-he absolutely sings Unwritten by Natasha Bedingfield while he cleans

-he and John once got into an argument bc Arthur claimed he came up with the dipping the fries thing, John was like UM EXCUSE ME NO I TOLD YOU ABOUT IT and Arthur denies it (he probably knows John’s right, but it’s so fun to rile him up)

-Arthur tried digital art but kept bumping the different settings with his hand and it was violently frustrating so he doesn’t really mess with it anymore (this one is personal)

-Arthur is for SUREEE wearing a fanny pack and tall white socks but not in an intentionally stylish way

-He likes taking photos of everything, Mary Beth got him into it bc she always does instagram photo dumps and he thought it was neat :)

-I know he’s a dog man yadda yadda yadda but imagine him with a little kitty purring in his lap. Big man little kitty is the best combo come on now

I would LOVE to hear any other sillies you’re willing to share!!!! And if anyone else feels so inclined please do not hesitate y’all know I’m always down to get a lil silly

#rdr2 modern au #hehehehehehe #arthur morgan headcanons #arthur morgan #thank u anon

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lazykamix3 · 3 months

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HII UMMM I NEED A WHOLE A*S GANG TO HELP ME WITH MY SPOTIFY PLAYLIST (or just u bbg^^ <3 idm) ^^ <3333333 thx

DUDE MOST OF THE SONGS I KNOW ARE JUST TV GIRL AND SONGS THAT SOUND LIKE THEY WOULD BE IN A 2000'S SCHOOL GIRL ANIME 😭😭😭

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yanderetolove · 1 year

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Name/nickname: Mel

Age: 23

Birthday: /2/26/2000

Gender: F

Sexuality: demisexual/panromantic

Pronouns: she/they mainly, any work though

Yander or non-yandere: Yandere

What you like: art, music, knives, anime/manga, gaming, writing, reading, napping, maybe you~ ♡

What you dislike: dry conversation, typical kinds of people, apple sauce, etc

Age range in a partner: 18+, but preferably at least 19-20

Are you poly? I could consider, but so far never done it

Your idea of a "perfect" partner: Someone I share similarities with, what can do hobbies together. I like charismatic and flirtatious types, but not needed

Your deal breakers: usual dni criteria, no chemistry

Coutry/continent: USA

Contact information:

Discord: .x.o.x.o.

Instagram: LoathetteLatte

Tumblr: avoir-aime-et-perdu

Extra(s): I'm a yandere as well as a hiyakasudere ♡♡

Also can just DM me to be friends too, Idm

Your submission's up :)

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ethrelite · 3 years

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youtube

Our newest video mix, Program_Nexus: Version 2021.3 is up now! For fans of Electronica, Techno, Industrial, IDM, Drum n Bass, House, Vaporwave, Jazz, Synthwave, Soundtrack, and beyond.

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postpunkindustrial · 3 years

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Gridlock – Further cd

RIP Mike Wells of Gridlock.

Gridlock were an incredibly influential late 90′s early 2000′s band. They specialized in glitchy IDM infused Ambient/Industrial.

Get Further from My Google Drive HERE

#gridlock #industrial #idm #experimental #glitch #ambient

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zeniichuu · 2 years

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Hello !! these are just the simple rules to follow while interacting and requesting on my blog !

// please keep in mind that there may be changes in the future //

General Interaction -

-feel free to talk to me about anything !! whether fic ideas or things abt a fav character, idm.

-please don't send hate.

-im totally cool w specific anons (ex: 💗anon)

Media // Characters I write for -

-Twdg s1-4 // pretty much all characters. Willy, Tenn, Aj, Duck, and s1+2 Clem are strictly platonic

-Sally Face // main group + Travis and Robert

-Life is Strange 1 + bts // Max, Chloe, Kate, Warren<3, Nathan, Victoria, Skip, and Frank(?)

-Super Dark Times // all characters

-Stranger Things s1-4 // all characters ??

-Miraculous Ladybug // Adrien/Chat, Marinette/Ladybug, Nathaniel, and Luka

-Haikyuu s1 & 2 // all characters

-Percy Jackson & Heroes of Olympus // all characters

-Pretty much any 80's/90's/2000's movie

Things I'll Write -

-mainly headcannons, but also matchups !! possibly oneshots/imagines but im not vv good w those

-emergency requests possibly??

-platonic and romantic

-might write for character x character

-poly relationships

-reader specific things (height, personality, etc)

-slight nsfw, but no smut

Feel free to send in as many asks as you would like, but there’s no promise that I will get to them in the order you send them <3

#the walking dead game x reader #twdg x reader #sally face x reader #life is strange x reader #super dark times x reader #miraculous ladybug x reader #haikyuu x reader #80s movie x reader #90s movie x reader #super dark times #haikyuu #percy jackson x reader #pjo x reader #hoo x reader #heroes of olympus x reader #nixxs rules

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randomvarious · 6 months

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Today's compilation:

Two You See? 2000 IDM / Leftfield / Alternative Hip Hop

Alright, back on some electronic shit. Here we have a 12-inch sampler from a little, short-lived label out of the UK called deFocus, which was run by Clair Poulton, a woman who first cut her teeth at Aphex Twin's own Rephlex label before launching a label of her own called Clear; and then after Clear closed up shop, she started up this one.

So Two You See is a five-song showcase of the talent that deFocus was breeding at the time at the turn of the millennium. It's short, but it's largely centered around a very good strain of IDM—one that stresses melody through chiptune-y synth work and incorporates hints of electro too. But its first track, John Tejada's operatic "Genetical Love," is actually a pretty uniquely low-key alternative hip hop one that features rapping from abstract MC Divine Styler, and ultimately it shows that Clair Poulton's vision for this label definitely stretched beyond IDM; and perhaps that's why deFocus was called what it was in the first place 🤔.

But the IDM is where this record really happens to shine regardless, with three separate gems taking up its b-side. Adelaide, Australia's Tim Koch kills it on "Blat," a song that pairs some intertwined videogame melodies—one of which is emotively rubber-thick and reminiscent of subterranean trenches from Super Mario World—with a rhythmic bed that consists of a whole lot of handclaps; then London's Plus One comes through with "Sticker," a happy-go-lucky stroll through a rainbow-colored meadow that was written by him and produced by legendary IDM duo Plaid (who are themselves alums of Clear); and last, but certainly not least, is maybe deFocus' most coveted crown jewel of all, CiM. CiM's time spent on this release is entirely too short, but here he delivers "Ceramic," a sublime song with all sorts of rhythmically mechanical glitchiness laid over some supremely mellow pads 😌. This is a tune that causes you to feel the new, forward-looking frontier that was opening up for this kind of 'intelligent' electronic music back then, during a time when peoples' pie-in-the-sky prognostications for an internet-led future were so naïvely rosy in retrospect 😅. The previous two tunes on this comp that precede "Ceramic" are certainly quite good themselves, but this one in particular is really just on a whole different plane. CiM wasn't the only artist crafting this kind of stuff at the time, but for a label that, for the most part, appeared to be kicking around with an enjoyable retro kind of vibe, this guy seemed to be providing something of a counterbalance with this excellent song of his.

More of this type of stuff on deck. Sit tight 😎.

Highlights:

Tim Koch - "Blat" Plus One - "Sticker" CiM - "Ceramic"

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dankalbumart · 1 year

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Geometry by Jega Matador 2000 IDM / Glitch / Experimental / Techno / Electro

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dendre · 3 years

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ListaszezON

Na, most, hogy kijöttek az első 2021-es év végi albumlisták, itt a tökéletes időpont megosztani a 2020-as félkész (jó, 7/8-ad kész) albumlistámat.

Ex-recorderes barátokkal tettünk egy szolid kísérletet arra, valamikor januárban, hogy megint összedobunk egy közöset, de az rajtam ment el, elnézést, viszont a 2000-es és a 2001-es visszatekintőt megcsináljuk, ígérem!

Ezt valamikor akkoriban, 2021 elején hagytam így, azóta se volt érkezés befejezni, a terv az volt, hogy egy rendes évvégi, rangsoros top 50 mellé odateszek még 200-at, mondvacsinált szétválasztással (mainstream, undergound), abc-ben, ennek a pontosítása akadt el, még várakozik egy rakás 2020-ban hallott, félig hallott lemez, hogy ide bedobáljam őket (a top 50-ben ezek közül talán már semmit nem gondoltam betenni). Persze azóta már hallottam nagyon jó 2020-as lemezt idén is, most nem ugrik be hirtelen mit, de egy ilyen lista amúgy is az adott évet, annak hangulatát, hallását kéne lefedje. A magyarokról írtam egy nagy cikket a Jelenbe, tavaly januárban.

Na mindegy, ennél tuti nem jutok előbbre vele már idén, vagy mostanában, a közeljövőben, szóval, muhahha, azt hiszem itt az ideje elengedni. Az első, Honey Harper egy nagyon jó kozmikus country-lemez, egészen biztosan az tetszett tavaly a legjobban.

Íme 2020 legjobb lemezei. Ja, várj, már a 2021-est kéne? Hát, azt nem látom jönni egyelőre.

2020 évvége

1-10 Honey Harper: Starmaker (alt-country) Charli XCX: How I’m Feeling Now (hyperpop) Annie: Dark Hearts (szintipop) Natalia Lafourcade: Un canto por México vol. 1 (ranchera, mexican folk) Lido Pimienta: Miss Columbia (latin elektronika)

Khruangbin: Mordechai (psych-rock-exotica) DJ Python: Mas amable (house-reggaeton) Maria Schneider Orchestra: Data Lords (big band jazz) Hen Ogledd: Free Humans (progfolk-artpop) Cindy Lee: What’s Tonight To Eternity (avantpop)

11-20 Róisín Murphy: Róisín Machine (discopop) Phoebe Bridgers: Punisher (indie-barokk-folk) Porridge Radio: Every Bad (indierock) Arca: KiCk i (deconstructed club) Rina Sawayama: Sawayama (nu-pop)

Beatrice Dillon: Workaround (elektroakusztikus idm) Jessie Ware: What’s Your Pleasure? (discosoulpop) Dan Deacon: Mystic Familiar (neopsych indietronica) Kali Uchis: Sin Miedo (del Amor y Otros Demonios) ∞ (latin neosoul&b) DJ Sabrina The Teenage DJ: Charmed (90s club nostalgia)

21-30 Eartheater: Phoenix: Flames Are Dew Upon My Skin (avant-folktronica Yves Tumor: Heaven To A Tortured Mind (artrock) Against All Logic: 2017-19 (tech house, industri techno) Gil Scott-Heron–Makaya McCraven: We’re New Again - A Reimagining (jazz) AceMoMa: A New Dawn (d’n’b, techno)

Mac Miller: Circles (neosoul) Trance Wax: Trance Wax (trance, progbreaks) 070 Shake: Modus Vivendi (pop rap, alt r&b) Laura Marling: Song For Our Daughter (dalszerző-előadó) Duval Timothy: Help (jazz-hop-idm)

31-40 Elison 404: Pebbledash (uk hiphop, grime) Sparkle Division: To Feel Embraced (lounge-jazz) Moses Sumney: Græ (artpopsoul) Caroline Rose: Superstar (indie electro pop) Katie Gately: Loom (artpop, progelectonic)

Bill Fay: Countless Branches (kamarafolk) Tame Impala: The Slow Rush (szintipop) K-Lone: Cape Cira (tropical house) Kelly Lee Owens: Inner Song (tech housepop) Rafael Anton Irisarri: Peripeteia (ambient, drone)

41-50 Pa Slaieu: Send Them To Coventry (afroswing, uk hiphop) Helena Deland: Someone New (dreampop) E.M.M.A.: Indigo Dream (progresszív elekronika) Julianna Barwick: Healing Is A Miracle (kórusambient) Hey Colossus: Dances/Curses (psychrock)

Gallery S: Gallery S (house, breakbeat) Sega Bodega: Salvador (experi artpop) Aoife Nessa Frances: Land Of No Junction (indiefolk) Lorenzo Senni: Scacco Matto (ambient trance) Omar Apollo: Apolonio (neosoul) Kylie Minogue: DISCO (disco)

---------------------------------------------------------------------------------

+100 mainstream

420: 420 (deep house) AceMo: Mind Jungle (jungle) Beabadoobee: Fake It Flowers (bedroom indiepop) Charles Webster: Decision Time (deep house/triphop) Chloe x Halle: Ungodly Hour (cont r&bpop) Cornershop: England Is a Garden (indiepoprock) Drakeo the Ruler & JoogSzn: Thank You for Using GTL (jailrap) Drakeo the Ruler: We Know The Truth (gangsta rap) Dua Lipa: Future Nostalgia (pop) Fiona Apple: Fetch The Bolt Cutters (dalszerző-előadó) Fleet Foxes: Shore (indiefolk) Fontaines D.C.: A Hero’s Death (artpunk) Grimes: Miss Anthropocene (artpop) Haim: Women In Music Pt. III (poprock) HMLTD: West Of Eden (artglamsynthpoppunk) Idles: Ultra Mono (artpunk) Jessie Reyez: Before Love Came To Kill Us (r&b-soul) Jessy Lanza: All The Time (alt r&b uk bass) Ka: Descendants Of Cain (abstract hiphop) Kehlani: It Was Good Until It Wasn’t (cont r&b) KeiyaA: Forever, Ya Girl (neosouldreamhop) Machinedrum: A View of U (future/uk bass) MoMa Ready: Deep Technik (deep house) Moses Boyd: Dark Matter (nu-jazz) Nídia: Não Fales Nela Que A Mentes (batida, tarraxinha) nthng: Hypnotherapy (dubtechno) Nubya Garcia: Source (spiritualjazz) Perfume Genius: Set My Heart On Fire Immediately (dalszerző-előad��) Poliça: When We Stay Alive (indiepop) Run The Jewels: RTJ4 (hiphop) Sault: Untitled (Black Is) (neosoul) Sault: Untitled (Rise) (neosoul) Shabaka And The Ancestors: We Were Sent Here By History (afrojazz) The Avalanches: We Will Always Love You (neopsych-elektronika) Working Men’s Club: Working Men’s Club (dancepunk)

+100 underground

A.A. Williams: Forever Blue (kamarafolk, posztrock) Ana Roxanne: Because Of A Flower (ambient pop) Azu Tiwaline: Draw Me A Silence (illbient) Backxwash: God Has Nothing to Do With This Leave Him out of It (horrorcore) Bananagun: True Story Of Bananagun (psychpop) Christian Lee Hutson: Beginners (indiefolk) Dorian Electra: My Agenda (hyperpop) Gia Margaret: Mia Gargaret (ambient) Green-House: Six Songs For Invisible Gardens (fieldrec-ambient) Growing Concerns Poetry Collective: Big Dark Bright Future (spoken w, abstract rap) Ian William Craig: Red Sun Through Smoke (acapellaambient) Irreversible Entanglements: Who Sent You? (jazz poetry) Jasmine Infiniti: Bxtch Slap (industritechno) Jerskin Fendrix: Winterreise (weirdpop) Juniore: Un Deux Trois (french pop) Jyoti: Mama, You Can Bet! (psychsoul nujazz) Kairon; IRSE!: Polysomn (shoegaze) KMRU: Peel (ambient, drone) Lina_ Raül Refree: Lina_ Raül Refree (fado) Luedji Luna: Bom mesmo é estar debaixo d'água (MPB) Lyra Pramuk: Fountain (acapellaambient) Nazar: Guerrilla (kuduro, deconstructed club) Ovrkast.: Try Again (abstract hiphop) Sarah Davachi: Cantus, Descant (kamaradrone) Space Afrika: hybtwibt? (soundcollage) Spillage Village: Spillagion (rap) The Sonic Dawn: Enter the Mirage (psychrock) UKAEA: Energy Is Forever (dub techno) Ulla: Tumbling Towards a Wall (ambient-glitch)

És az eredeti doksiban itt van még nagyjából stílusok szerint egy rakás lemez unsorted, meg egy jegyzet, idebiggyesztem azt is a teljes transzparencia nevében, fogalmam sincs már mire akartam kifuttatni. :DD

Az imitálás kora

mindent elég magas szinten tudunk imitálni. Ismerjük a szabályokat, azok mentén könnyen létre tudunk hozni, imitációkat, megvannak hozzá az eszközeink, sőt azok egyre jobbak. Egyre többen imitálunk, közte egyre több a jó imitáció, természetesen folyamat ez. A létrehozás alapjai azonban változatlanok, a forma már kevéssé tágítható, így az újszerűség élménye ritkább.

#2020 #2020 eoty #best albums 2020 #honey harper

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1albumaday · 4 years

Text

2020

The Chats - The Clap

Easy-peasy punk rock album

Loving - If I am only my thoughts

Charming sun-dappled folk-pop, clean, gentle melodies

Steve Spacek - Houses

iPhone/iPad recorded, latino and jazz accented dance/house beats

Ghali - DNA

Total Flop and failed expectations. Mishmash of bland and frivolous lyrics and arrangements.

King Krule - Man Alive!

Alienating, violent, romantic, anguishing, doomed, noir / jazz, post-punk, soul, dubstep, electronic, garage rock, hip-hop

Justin Bieber - Changes

Disappointing comeback - boring r&b with zero sex appeal and cheesy lyrics and all-the-same songs

Guided by voices - Surrender your poppy field

Unusual time signatures, song lengths, and baroque-prog structures - mature rock and sometimes pixie / 80s dreamy

Corrections - Simply Activities

80s new wave and post punk nostalgia - cheesy vocals at times - first half more solid than second

Swim Mountain- If

A lovely mix of indie and funktronica, synth pop, r&b

Caribou - Suddenly

Sly and sofishticated sound design flits between uk garage disco and more - some tracks way less strong than others

Grimes - Miss Anthropocene

Mix “Ethereal nu metal”, ambient, dance, electronic, drum’n’bass, country - is violent and dark but sexy, delicate and dreamy

Porridge Radio - Every Bad

A dissonant lush indie rock sometimes dreamy sometimes dark and ironic with mantra-litany dusky lyrics from peaceful to desperate

Four Tet - Sixteen oceans

Wind instruments, synths and drum patterns gradually fade to calming ambient sounds, intense and meditative but also danceable and powerful

Kamaiyah - Got it made

Short, stripped-down, bubbling keyboards and drum-machine handclaps. NO current rap trends. windows-down bass-rattle record of one person’s confidence in her own sound and charisma

Poolside - Low season

Funk percussions, retro synths, pop and disco influences + indie vocals

Morioh Sonder - Is this psychedelia?

Surf pop and psych rock, dreamy post punk influences, danceable and whimsical

KEYAH/BLU - Sorry, I forgot you were coming

Perfect blend of rap, rnb, experimental pop, dark rhythms textured electronics, intimate tales

TOPS - I feel alive

Pop, radiant and 80s romantic with a contemporary experimental palette

The Chats - High risk behaviour

Classic old-school pure punk / cheerily undemanding fun

NIN - Ghosts V: Together

Buzzy ambient, melodic hooks, emotional palette of sounds

NIN - Ghosts VI: Locusts

Together’s opposite, anxiety-inducing, despairing horns, breathing and devouring sounds.

Roger and Brian Eno - Mixing Colours

Feels like a balm for these anxious times

Fiona Apple - Fetch the bolt cutters

Handclaps, chants, makeshift percussion, echoes, whispers, screams, breathing, jokes, dog barks, rattling blues. Contains no conventional pop forms. freeing and powerful.

The Weeknd - After Hours

Satisfying collision of new wave, dream pop, R&B, synth-pop nostalgia

BC Camplight - Shortly After Takeoff

Jazzy eighties rock with some icy funk and electronic pop, painfully personal and uneasy but so self-deprecating it speaks like your best friend

Rone - Room with a view

Deft splicing of beats-based electronics and dance music with classical influences. 21st century baroque chords, snatches of conversations, speeches, children’s voices

Other Lives - For their love

Bluesy acid-rock, dreamy meditation sounds, eerie string-crescendos, music for the afterlife

Lil Uzi Vert - Eternal Atake

Drill-influenced rapping, melodic crooning, trends-aware hip-hop beats, untouchable pop sound production

Squarepusher - Be up a hello

Frantic breakbeats littered with echoes of classic jungle, hardcore, and drum’n’bass, ’90s drill’n’bass, glitchy 8-bit chaos

The Orielles - Disco Volador

Cosmic, playful, funky dreamy indie pop, shuffling organs, woozy guitar, shimmy-shimmy hand percussion

Portico Quartet - We welcome tomorrow

Perfect dreamy sequel of ‘Memory streams’

Charlie XCX - how i’m feeling now

Quarantine creation / 2020 romance manifesto of club-pop, trap, k-pop, video game sounds, fuzzy synths and crackling bass

Holy Fuck - Deleter

Trippy, psychedelic tapestry of euphoric escapism, ‘90s dance, glitchy beats, airy vocals, experimental electronics

Luge - Luge

Energetic and playful avant-garde and quirky math rock, zolo?

Good With Parents, Triple Stephens - Comments & Reflection

Playful indietronica synth pop + classical instruments

Wishing - None of this was your fault

Lo-fi indie, ambient, slowcore w/ fragile lyrics

Bibio - Sleep on the wing

Indie folk treated like ambient / a gorgeous soundscape of strings, guitars and flutes, feelings of loss, hope and escape. Perfect picture of tranquil countryside memories

Piotr Kurek - A Sacrifice Shall Be Made / All The Wicked Scenes

Electroacoustic experimental, meditative-ritualistic atmospheric music / conceived for theatrical performances

Military Genius - Deep Web

Meditative ambient, retro-futurist soundscapes / hypnagogic pop, dark, abstract and mysterious / early ‘70s folk interjecting jazz-brass sections

Jockstrap - Wicked City

Melancholy waltz and winsome ballads, fluttering strings, soft piano glissandi mixed with gnarly and distorted hip-hop beats, buzzing guitars and synths / cherubic vocals, pcmusic-style manipulated at times

Georgia - String Token

Experimental ambient electronic, minimal, melodic, futuristic, hypnotic and grim

EVOL - Madball Manners

Lingering experimental rave electronic, hardcore, techno

Upsammy - Zoom

Playful, sampling, abstract IDM, ambient techno, melodic and rhythmic, surreal, futuristic, sparkling synths and billowing pads

Tomasz Kunicki - Muzyka dla Świątyń

Playful and abstract IDM, glittering synths, obscure pads, glitchy and bleepy

Tomasz Kunicki - The sound is gone, where did it go, I have no idea

Very bassy and very dubby IDM, atmospheric ambient and loopy electronics

Kate NV - Room for the moon

80s new wave, progressive electronic, synth pop, cornucopia of melodies and genres. Wriggling synths, chirping flutes, warm baselines, jazzy sax, woodwinds, marimba. Russian girly vocals cartoon theme-song-like.

Khruangbin - Mordechai

Psychedelic / funk rock with some soul, dub, lounge, poolside disco - exotic and atmospheric

Dalai Lama - Inner world

Chanted mantras rhythmically woven into wafting new-age flutes, chimes, strings and free-form guitar picking.

K-Lone - Cape Cira

Tropical ambient house, warm, lush, soft. Zen yet bouncy rhythms. Digital and analogue recordings, at times feels like you’re underwater.

Arca - KiCk i

Experimental industrial club rhythms with reggaeton and folk influences

The Beths - Jump Rope Gazers

Sleek and personal indie rock, romantic ballads, more sentimental and slow than the previous album

J Lloyd - Kosmos

Tasteful soul and funk pop in 25 tiny tracks, charming low-key, rich textures, good vibes

Julek Polsk - Tesco

Dissonant, ominous, dense, post industrial ambient, noise, sound collage, deconstructed club music

Taylor Swift - folklore

Folk/chamber pop, indie folk, bittersweet, mellow, melancholic ballads

Bill Callahan - Gold Record

Contemporary folk, warm and deep vocals, pastoral, peaceful and melancholic

Mura Masa - R.Y.C.

Indietronica, post-punk revival, catchy indie/synth pop, early 2000 EMO, lots of hip collabs

Fontaines D.C. - A Hero's Death

Post-punk, indie rock, art punk, gothic rock, raw deadpan male vocals, darkish and melodic

RAMzi - cocon

Tribal House, ambient dub, balearic beats, downtempo, hypnotic and tropical

Auguste - Indust

Experimental ambient electronic + field recordings, glistening and splintered sounds

Paul Blackford - Betamax

Dreamy and hypnotic trip hop, downtempo, synth wave

A.G.Cook - 7G

49-track archival collection of sketches, cover versions, volatile lab experiments, divided into 7 discs. a glimpse at the whirring cogs beneath hyperpop’s pristine casing.

Clap clap - Liquid Portraits

Experimental musical tapestry and collage / high-energy concoction of unpredictable and wavy rhythms, exotic vocals and heavy, relentless bass and drums / UK Bass, ambient dub, footwork + far-flung field recordings

E.M.M.A. - Indigo Dream

Progressive electronic, ambient house / 80s melodic atmospheres, goosebump-inducing synths, whimsical melodies and classical leanings

Leif - Music for screen tests

Performed live @ Barbican as a 54min session ambient / drone film soundtrack (Andy Warhol's Screen Tests)

Crack Cloud - Pain Olympics

Post/art/dance punk, experimental rock - energetic, anxious, apocalyptic, dark, male vocals

Document - A Camera Wanders All Night

Post-punk, noise rock, past-hardcore, distorted and raw male vocals

Keisuke Matsuda - Clumsily Back Up

Experimental electronic with playful hummed vocals, lo-fi beats, melodic, youthful, dreamlike

Coi Leray - Now or Never

Gen-Z superstar, melodic flows, bouncy trap, energetic killer lyrics

The Ophelias - For Luck

Artful, string-laden indie-pop EP, grungy dream-pop, a quarantine remake and a Joni Mitchell cover

Romare - Home

Deep house, UK Bass, groovy and detailed sonic palette + soul and funk influences - dancefloor highs and after party wind-downs

Mulatu Astatke, Black Jesus Experience - To Know Without Knowing

Ethio-Jazz, Cuban, funk, reggae workout + rapid-fire rap or Afrobeat drums

Good Doom - Spider Temple Valley

Experimental psych-wave, gentle and peaceful lo-fi, dreamy and oozy with flute, sax and field recordings

Ralph Kinsella - Abstraction

Dark ambient experimental / instrumental electronic

IDLES - Ultra Mono

Post-punk, garage punk, hardcore, noise rock, raw male vocals, dense, energetic, angry, political

Mild Orange - Mild Orange

Alternative, Indie rock, dream pop,

Skinshape - Umoja

Experimental psychedelic rock - afro beats - afroswinig - funky - world music

Vulfpeck - The Joy of Music, The Job of Real Estate

Mixed bag of funk, jazz, soul, self-indulgent? classical reworks, progressive electronic, melodic and uplifting, groovy drums and bass lines

OPN - Magic OPN

Manipulated and sequenced archive radio and sounds collages as interludes, uncanny processed voices, poppish trope ballads, art pop, sentimental and surreal, dense, progressive hypnagogic electronic and more

Pa Salieu - Send them to coventry

Combined dancehall, Afrobeats, hip-hop and grime. Scattered drums, stop-start energy, handpicked words and rhymes. skips from trap trills to baile breakdowns.

Mama Ode - Tales & Patterns of the Maroons

Classic hip-hop album with jazz, funk, blues and reggae influences. Creole Sega Rap Roots music, afro-drum patterns and grooves

Tony Allen, Hugh Masekela - Rejoice

Live sessions of unique fusion of afrobeat and swing-jazz with lyrics in English, Yoruba and Zulu

Miley Cyrus - Plastic Hearts

Pop rock, 80s synth-rock, grit and freewheeling sense of fun, rough-hewn panache of vocal performance, bittersweet eclectic and sentimental / collabs with rock idols

2019

LCD Soundsystem - Electric lady sessions

Live recording with some new wavy covers

Harry Styles - Fine line

Not catchy / mediocre pop

Boothe - 8 or 9 Walled Room

10 minutes of playful electronic and soft vocals

Good with parents - Good with parents

Clever indietronica synth pop, fun + ironic + millennial + sax

Taylor Skye - Kode fine & sons

Synth, beats and pop vocals

Famous - England

Wonky pop punk mixed to electronic sounds and raw spoken vocals

Orville Peck - Pony

Simple pop rock Johnny Cash style ballads and 80s

Sassy 009 - Kill Sassy 009

Distorted electro pop with strong vocals + post-punk notes

J-Walk - Mediterranean Winds

Jazzy electronica with glassy synth pads cheesy and chilled out

Mattiel - Satis Factory

Punky garage rock strong female vocals

Ross Backenkeller - Come Around

Country dreamy and melancholy guitar and vocals

Legss - Writing Comedy

Art rock and a dark underbelly of post-punk + topnotch spoken track and electronic sounds

BEA1991 - The Lost Demo EP

Trip-hop with Bjork-style vocals

BEA1991 - Brand New Adult

Chamber folk and yacht rock meld with R&B and trip-hop

Matt Maltese - Krystal

Lo-fi flowy bedroom pop breakup album

Faye Webster - Atlanta Millionaires Club

Folk-pop, mellow and melancholy soul with an r&b tinge

Infinite Bisous- Period

Soothing and warm bedroom night album

Achille Lauro - 1969

Trap changed into rock with romanticised lyrics

Jerkcurb - Air Con Eden

Indie-psych and retro Americana, atmospheric, sensitive, wobbly

Octo Octa - Resonant Body

Breakbeats and house bangers

ALASKALASKA - The Dots

Jazz fusion, disco rhythms and high-gloss art rock

Orphan - Yijoda

Glitchy and sharp electronics + ambient-atmospheric sounds

Honeymoan - Body

Avant-garde pop tapestry of beats and synths with playful vocal

U-Bahn - U-Bahn

Traditional new wave DEVO-moulded, Hypnagogic pop, art-punk, some vaporwave synth sounds

Hail Conjurer - Erotic Hell

Obscure and raw Finnish black metal

Ride for revenge - Chapter of alchemy

Quality black metal with long and short tracks pretty smooth

Boys Age - Neverchanging, Neverending

Lo-fi, slow-tempo, soul, r&b, mellow tracks with sad very low vocals

MorMor - Some place else

Indie-pop with sweet synths and delicate vocals

Felicita - hej!

Overproduced pop dance hits broken down into harsh and jarring staccato melodies, hissing ambient and screams

Nick Cave & The Bad Seeds - Ghosteen

Endlessly giving and complex meditation on mortality and our collective grief, scored by synths, pianos, and electronics

Portico Quartet - Memory Streams

Ethereal keyboards, hypnotic grooves, layered post-rock textures mixed with electronic, ambient and magnetic jazz build-ups

Charles Rumback + Ryley Walker - Little common twist

Mellow and pastoral folksy guitar melodies and soft drums + ambient tones, drone electronic

Shadowax - Nikolai Reptile

Effervescent techno and mutant bass jams

The Rhythm Method - How do you know I was lonely?

Ostensibly witty and warm pop songs from hip hop to indie and electronic about romance and millennial youth

Martin Dupont - Accident of Stars

80s kinda goth new wave full of electronics, guitars synths and clarinets

Raime - Planted

Latin American and Chicago footwork influences merged with alien sounds, half-heard voices, dark and rhythmic bass and percussions

Sunn 0))) - Pyroclasts

Sunn 0))) - Life Metal

Slow-motion drone feels like a religious ritual / pipe organ and cello, guitars webbing together the space between notes

Special Request - Vortex

Breakbeat barnstormers and house epics, with room for bleep, electro and gabber

Caterina Barbieri - Ecstatic Computation

Oscillating sequencers, rhythmic pulsations, cascades of synthesiser melodies echoing dance music/new age

Battles - Juice B Crypts

Playful electronic wizardry, dense array of beats, bleeps and squelches, loopy keyboards and guitars, ecstatic vocals

Haruomi Hosono - HOCHONO HOUSE

Home-recorded aesthetic, funk shaped into minimalist space-age lounge music

Florist - Emily Alone

Thoughtful, calming and melancholic, full of hushed, enveloping guitar sounds and gentle vocals

Spencer Radcliffe - Hot Spring

Alt-country, indie falk americana, very relaxed,pastoral and wry poetics

Ciamkam - Play-doh Dog

Noise ambient / screeching, dissonant, surreal, ominous

Equiknoxx - Eternal Children

UK soundsystem style, reggae groundings, earthy dancehall with a vast range of puzzling vocalists

Eh hahah - Fissure

Experimental deconstructed electronic, sound collage, glitches and post-club music

Upsammy - Wild Chamber

Lucid shades of IDM, bleep techno, perky synths and frazzling hi-hats, polyrhythmic drum patterns

Otik - Blasphemy

Fresh, vibrant, dark experimental club music, techno + dance + electronic

Shanti Celeste - Tangerine

Tech / ambient / deep house, breakbeat, rhythmic and mechanical yet dreamy

Bez - Banki Mydlane

Dream pop, shoegaze, noise pop, space rock, reverberated female vocals + spoken word

Yu Su - Roll with the punches

Ambient dub, downtempo, tribal ambient, sampling, mellow, atmospheric with female vocals

Drive45 - Dried up

Bitpop, Artpop, indietronica, quirky and playful, androgynous vocals

Lala &ce - Le son d’apres

French hip hop, trap, cloud rap, alternative b&b, dancehall / sparse dark and ominous, warm female vocals

Leif - Loom Dream

Tribal ambient / ambient techno + field recordings / pastoral, ethereal, atmospheric

deathcrash - Sundown (a collection of home recordings)

Slowcore, drone ambient, post-punk, fragile male vocals

FEET - What’s inside is more than just ham

Post-punk, indie-rock, dance-punk, sarcastic, playful, technical, male vocals

Coi Leray - EC2

Trap, hyphy, pop rap

Ariwo- Quasi

Dub techno, afro-cuban jazz, ambient techno, chants, programmed beats, pulsating relentless rhythms and percussions, loud sax

Floating Points - Crush

Strikingly melodic and elegant, cinematic, frantic and distorted rhythms, shuddered synths, vibrant breakbeats, sampling, UK garage nodding

Jacques Greene - Dawn Chorus

Bittersweet, sad but triumphant, mix of experimental electronic and lightweight techno + field recordings, hazy sampled textures, distorted drones + disco house + percussions + spoken word

Men I Trust - Oncle Jazz

Indie electronic, minimal, chillout downtempo, dreamy female vocals, jazzy

Raveena - Lucid

R&B, soul, experimental, pop, groovy, jazzy and dreamy, with some field and spoken words recordings

2018

Shit and Shine - Very high

Lazy hippie funk with slowed rnb vocals

Saloli - The deep end

New Age-inspired delicate only-synth music

Adrianne Lenker - abysskis

Guitar and sweet and warm vocals

Ever ending kicks - Ideas relayed

Sweet lo-fi similar to the previous two

Negative Gemini - Bad Baby

Solid synth pop with dreamy intimate vocals

Okay Kaya - Both

melancholy bedroom-pop sarcastic and harsh lyrics

Trust Fund - Bringing the Backline

Witty yet melancholy self-aware pop-rock

Jockstrap - Love is the key to the city

A fusion of Bossa Nova, 1930s Disney-esque orchestra, and coarse electronica

Noah Cyrus - Good Cry

Pop and rnb debut album with a bit of gospel and melancholy

Carla dal Forno - Top of the pops

Alternative indie electronic, subtle instrumental backdrops with plaintive vocals

Lala Lala - The lamb

Alternative/Indie rock with grunge tones and personal and warm vocals

Diamond Thug - Apastron

Progressive but dreamy pop, graceful vocals

Denh Izen - Storage Solutions

Dark and charming sounds with warm and distorted vocals, desperate but calm

Imperial Triumphant - Vile Luxury

New York Jazz mixed with top-notch black metal great for a sci-fi dystopian movie - especially Cosmopolis

Oliver Coates - Shelley’s on Zenn-La

Beat-oriented electronic music, sublime cello and synths

Dylan Carlson - Conquistador

drone-metal imaginary Western mostly solo electric guitar

Project Pablo - Come to Canada you will like it

Dozy laid back deep house with jazzy chords and subtly swinging drums

Ryley Walker - The Lillywhite Sessions

Dave Matthews Band tribute with proggy folk, primitive guitar, free improv, Chicago jazz-rock on darker tones

Grouper - Grid of Points

Empty room, piano and voice slip through your fingers like water

Kali malone - Cast of Mind

Glacial synth tones mapped to acoustic woodwind and brass

Likes - New Pedal

Short tracks of fun glitch / hypnagogic pop

Jake Tobin - Fifth Thought

Fun and whimsical take on classical sax sounds and guitars

Jake Tobin - 135

Avant-prog / jazz fusion / romanticism / off-kilter melodies / psychedelic chords with the emotion and aesthetic of bedroom pop

Twig Twig - Darkworld Gleaming

Experimental pop, whimsical instrumentation, lo-fi uplift, beats and loops

George Clanton - Slide

Cult 2020s electronic born from vaporware influences mixed with whispery chillwave and downtempo R&B, feels like a 90s rave in an open field, no irony

Good Doom - Mood Life

Unique, very chill, dreamy sound, incorporates world music, trip hop beats, lo fi bedroom pop, krautrock and noise

Ex:Re - Ex:Re

Husky and mellow ambient pop, dream pop? Lethargic and melancholic

Zaumne - Emo Dub

Minimalistic ominous and repetitive ambient house with ASMR-like spoken words

Ehh hahah - And the weather so breezy, man, why can’t life always be this easy?

Progressive experimental electronic, deconstructed club music, EDM, bubblegum bass, playful yet dark

Kate NV - для FOR

Progressive electronic, ambient, new age, minimalist, surreal, otherworldly and playful. wet, fleshy bleeps; bubbly, liquid noise

Leon Chang - re:treat

Mellow lo-fi hip hop, downtempo, electronic, future bass, sampling

Coi Leray - Everythingcoz

Pop rap, trap, hyphy tunes, powerful + well produced

Domenique Dumont - Miniatures de auto rhythm

Sophist-pop, balearic beat, chillwave, dreampopish, soft female vocals, lush, summery and rhythmic

Big Joanie - Sistahs

Pretty standard textbook indie-rock, post-punk with female vocals

Darto - Fundamental Slime

Haunting and spacious, deep male vocals, intriguing eerie melodies, dream state lullabies + sax and spoken word bit

Old Maybe - Piggity Pink

Chaotic post-punk, unusual time signatures, strong shouted female vocals

Brad Mehldau Trio - Seymour Reads the Constitution!

Elegant and melodic modal jazz - post-bop album, fragmented but coherent, ever changing time signature and tempo

2017

Ross Backenkeller - Bardo

Folk indie guitar melodies with honest and gentle vocals

Maruego - Tra Zenith e Nadir

Italian trap with disillusioned and ironic lyrics + cool collabs

Nervous Condition - Untitled

Forceful drums, wails of sax and commanding vocals - mix of experimental rock, post-punk, no wave, jazz

Powerplant - Dogs Sees Ghosts

Synth punk, garage punk fast and fun

Wool & The Pants - Wool & The Pants

Experimental r&b / soul / hiphop vibez pretty smooth and lo-fi

TOPS - Sugar at the gate

Soft rock tunes, vintage atmosphere, fuzzy, honey-dipped songs

Slothrust - Show me how you want it to be

Covers album with grungy sounds and good arrangements

Rone - Mirapolis

Misty synths and heavy bass lines, dreary and melancholic industrial electronics, packed with doomed vocals of all sorts of guests.

Ada Babar & Kasra Kurt - Nino Tomorrow

Weird pop and experimental DIY with MIDI keyboards and guitar, playful lyrics, video game menu music

Good Doom - New Shapes for you

Evocative, dreamy and atmospheric melodies, warm at times, chilly, spooky, grungy, dark at others, synth buzzes, glitchy drums

Phoebe Bridgers - Stranger in the alps

Atmospheric ballads for sad times, deeply personal stories of heartbreak and loss

Florist - If Blue Could Be Happiness

Indie folk, soft and atmospheric, pure gentle quiet and soft female vocals about understanding light and darkness. Swooping guitar, dots of piano notes, gentle beats that recall Simon and Garfunkel

Wishing - Heat Death

Ambient pop, lo-fi indie beats w/ soft vocals that make you feel things you haven’t felt in a while

Martyn Heyne - Electric Intervals

Ambient in the broadest sense, calm instrumental downtempo guitar-centric with electronic flourishes

Equiknoxx - Colón Man

Vivid and tactile masterful sound design, syncopated loops, wonky and scintillating rhythms

American Pleasure Club - I blew a dandelion and the whole world disappeared

Lo-fi acoustic guitar with raw male vocals

Andrea Laszlo De Simone - Uomo Donna

Progressive pop, baroque/psychedelic pop + field recordings / bittersweet and pastoral

Drive45 - Have you seen me?

Bitpop indietronic, glitch pop, sequencer, dance pop

Drive45 - System Format

Bitpop indietronic, playful video game sounds

Leon Chang - bird world

Bitpop electronic, sequencer, videogame music, future bass / uplifting mellow and playful

dynastic - SPACE/SUMMER

Glitch hop, electronic bubblegum, kawaii future bass, mellow and uptempo, cheesy sax, chaotic sounds + dance floor dnb

Darto - Human Giving

Spacey experimental electronic mixed with post-punk, warm tones, 80s synths, soft melodic vocals + spoken bits

Pregnant - Duct Tape

Indie/art/soft rock, electronic, brilliant pop tunes, dreamy yet rhythmic

2016

Ever Ending Kicks - Music World

DIY colourful dreamy hazy songs

Mild Eye Club - Skiptracing

Low-key folk dreamy with 60s 70s vintage links

Loving - Loving

Easy and dreamy pop melodies, wavy, warm and mellow

Lala Lala- Sleepyhead

Alternative/Indie rock with grunge tones and personal and warm vocals

Gruff Rhys - Set fire to the stars

Soundtrack to the homonym 2014 film set in the 50s - soft romance rock, jazz-inspired, elegant and familiar

Oliver Coates - Upstepping

Deep house, techno, footwork blended with sharp and experimental classical strings

Garden Center - Garden Center

Erratic pop music, fun and playful electronic sounds, silly vocals

Raime - Tooth

Ominus and gloomy sound of dub, electronic and post-rock / stripped down to the flesh

Amiina - Fantomas

Violin, cello, drums, percussion, metallophone, harp, ukulele and electronics fused in a contemporary classical post-rock gentle melody-focused experimentation

Jake Tobin - Sorta Upset

Short tracks of experimental rock, avant-prog - eclectic and dissonant, technical and manic

Jake Tobin - Accidentally on Purpose

Post-modern experimental pop, jazz influenced sounds, off-kilter saxophone, silly humour

Vanishing Twin - Choose your own adventure

Swathes of percussion, exotic drum beats and funky guitars merge into a cosmic blend of reverberating bleeps with jazz skits / heady voyage across sound influences

Good Doom - Hug

Good Doom - Naps

Both off-beat lo-fi with a rock twists, spacey, fuzzy, grainy sounds

Zeal & Ardor - Devil is fine

Top notch black metal merges African-American spiritual slave music and some electronic beats and sounds

Shield Patterns - Mirror Breathing

Haunting vocals and sensual cello, clarinet and piano, all wrapped up in ethereal synths

Ashley Henry - Ashley Henry’s 5ive

Complex and uplifting post-bop jazz, imaginative flare, delicate and soothing piano

Florist - The Birds Outside Sang

Lo-fi indie, ambient-dream pop,sparse, minimalist keyboard leads bordering on chilly drones + intimate and personal songwriting

CBMC - OOR

Acustic lo-fi bedroom pop with an airy tone and somber feel but still feels fresh and lighthearted

Told Slant - Going By

Slowcore indie pop/folksy emo, ‘intimate spaces in which small town kids write memories of touch, togetherness, loss, love, depersonalisation’

Kate NV - Binasu

Art pop, progressive electronic, sequencer, joyful grooves but also atmospheric and ethereal sounds, eclectic and dense, melodic female vocals

Zaumne - Przezycia

Minimal ambient techno with a couple of spoken word bits

Mauno - Rough Master

Enticingly and eclectic indie rock, smooth vocals, strings and moody guitars, delicate piano, powerful drums

Susso - Keira

Tribal house, tribal ambient, folktronica, Mande music, rhythmic and powerful chants

Phern - Cool Coma

Psychedelic pop, lo-fi, mellow and playful

Hellier Ulysses - Ulysses Hellier

Experimental rock, math rock, jangle pop mixed with post-punk, technical, lo-fi, uncommon time signatures

Brad Mehldau Trio - Blues and Ballads

Deceptively sweet-sounding jazz album, songs are played with variations and every phrase is a cliffhanger - gracefully executed + bonus of my fav song <3

2015

Adeodat Warfield - Pacific, Missouri

Synth pop with electronic beats, vaporware notes

Ross Backenkeller - Rare Please

Folk indie guitar melodies with honest and gentle vocals

Grimes - Art Angels

Immaculate and authentic, synthetic and unreal but also super pop, folk, and dance / POST-art pop?

Jake Tobin - Third and Fourth Thoughts

Short tracks of weird avant-prog where the vocals follow the melodies all the time

Florist - Holdly

Vocals move slowly and sweetly through gentle meditation sound and soft guitars

Starry Cat - Starry Cat

Indie pop, lo-fi indie, wavy and shaky, bitter-sweet and personal male vocals

CBMC - FOOTWEAR

Acustic lo-fi bedroom pop with a somber feel but still feels fresh and lighthearted nearly asmr-like vocals

Wishing - To Forget

Lo-fi indie slowcore, fuzzy synths + acoustic sounds mixed with short electronic tracks / lyrics are whispered and very intimate

Oren Ambarchi - Live Knots

Two very long live recorded tracks of propulsive drumming full of tensions and releases + droning notes, plucked strings and mournful guitar

Juxta Phona - we will not be silence

Ambient, electronic, minimal melodies over crisp, tactile beats

Khruangbin - The Universe Smiles Upon You

Psychedelic / Funk rock, rhythmic and jazzy, tropical warm and peaceful

Red Sea - In The Salon

Indie experimental rock, psychedelic pop, math rock, melodic yet uncommon time signatures

Eyeliner - Buy Now

Synth-pop/funk - vaporwave / instrumental, melodic, uplifting, lush, futuristic / great bass lines!

2014

Ricky Eat Acid - Three love songs

First half found sounds, experimental electronics, fuzzy piano loops. Second half IDM beats and keys, choir-like vocals / “might be the sound of music having a dream within a dream about music”

Jake Tobin - Torment

Jake Tobin - Life as a Clerical Error

Weird dissonant mix of avant-prog, art punk and jazz fusion but in an amazing way

Richard Dawson - Nothing Important

Brittle, crudely amplified nylon-string acoustic guitar, experimental drones, folk sketches, imitation field cries, and free jazz diversions

2013

Ever Ending Kicks - Weird priorities

Sentimental chill instrumental and colourful with gentle vocals

Gruff Rhys - American Interior

John Evans-themes concept album - witty folk oriented retro-futurist music

Michael Andrews - Spilling a rainbow

Well-crafted pop tunes, nostalgic and lighthearted memories of folk rock with a dash of avant-garde electronic haze

Pill Friends - Blessed Suffering

Lo-fi indie/emo noisy and raw with existential and stark male vocals

2012

Told Slant - Still Water

Lo-fi/bedroom-punk with folksy guitars and delicate vocals as if they could break down in tears at any moment

2010

Hype Williams - Find out what happens when people stop being polite and start gettin reel

Ypnagogic vortex of incredibly canny hard to pinpoint music with distorted spoken vocals

Zach Hill - FACE TAT

Constant restless drumming, squiggly melodic instrumental hooks, mosaics of disconnected noises, fuzzy sounds and vocals

2008

Amplifier Machine - her mouth is an outlaw

Half-improvised ambient - drone - experimental - electronic - post-rock

E. Bandel, Victory & Good Hunting - s/t

Classical, piano, folk, melancholic, haunting

2007

Seabear - The ghost that carried us away

Indie/folk multi-instrumental dynamic floating sound, warm melodies, calm and gentle vocals

HEALTH - HEALTH

A masterful noise/experimental rock with elements of post-punk, drone and electronic - disorienting rhythms, tempo-shifting, noisy outbursts

2005

The Darkness - One way ticket to hell

Hard / glam rock ballads and pop tunes

2004

The Emperor Machine - Aimee Tallulah is hypnotised

Mix of electro euro disco, post-punk, krautrock, sci-fi scores, jazz-funk. Thick dance rhythms and mind-altering synths

2002

ESG - Step Off

Sweet soul with a punk attitude, jazzy sassy vocals

Hella - Hold your horse is

Non-stop, indie-audio assault / Nintendo music / midi and electronic beats / head-spinning leading drums, very fast guitars

1998

Eels - Electro-Shock Blues

elegantly sad grief and death themed album, deeply personal, yet brilliant pop tunes, post-grunge, jazzy arrangement, archive sounds, electronics

Duster - Stratosphere

Bashful slowcore lo-fi experimental space/indie rock

1975

Bobbi Humphrey- Fancy Dancer

Funky jazz with forms of world music, soul, club music and pop

1973

Kevin Ayers - Bananamour

Progressive pop, art rock with mix of soul, r&b, reggae - choirs and country type ballads

1972

Kevin Ayers - Whatevershebringswesing

Experimental new age prog rock, semisweet tunes, lighthearted, skewed sounds

1970

Kevin Ayers - Shooting at the moon

Experimental, progressive, avant-garde, rock with jazz influences, sound recordings, excellent songwriting

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