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meta-merchant · 24 days ago

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The Future of Decentralized Marketing: How Blockchain is Transforming Brand Engagement

As blockchain technology continues to reshape industries, decentralized marketing has emerged as a disruptive force in the world of advertising and public relations. Decentralized marketing leverages blockchain technology, smart contracts, and decentralized applications (DApps) to create more transparent, efficient, and consumer-centric marketing strategies. With growing concerns around data privacy and the monopolistic control of traditional platforms like Google and Facebook, decentralized marketing offers brands a new way to engage with their audiences In this article, we’ll explore the future of decentralized marketing, how it’s changing the industry, and the opportunities it presents for brands to build trust and foster stronger connections with their communities.

What is Decentralized Marketing?

Decentralized marketing removes intermediaries from the marketing process, allowing brands to interact directly with consumers. Traditional marketing often relies on centralized platforms—such as social media networks, advertising agencies, and search engines—that control consumer data and dictate how brands can reach their audiences. With blockchain and decentralized platforms, brands can create peer-to-peer marketing campaigns that are more transparent, secure, and rewarding for users.

Key Features of Decentralized Marketing:

Data Ownership: Users control their personal data and choose how to share it with brands.

Smart Contracts: Automated contracts ensure that terms (like ad payments or customer rewards) are executed without intermediaries.

Transparency: Transactions and interactions are recorded on an immutable blockchain, promoting trust and reducing fraud.

Tokenized Incentives: Users can earn tokens or other rewards for engaging with marketing content, such as watching ads or sharing content.

The Rise of Decentralized Marketing: 2024 Insights

In 2024, decentralized marketing has seen tremendous growth as brands and consumers alike seek more privacy, transparency, and value-driven interactions. According to a report by Blockchain.com, the global market for blockchain-based marketing solutions is expected to exceed $20 billion by the end of 2024, driven by the widespread adoption of decentralized ad networks, NFT-based campaigns, and tokenized rewards systems.

1. Decentralized Ad Networks

Decentralized advertising networks are leading the way in disrupting the traditional ad model. Instead of relying on centralized platforms like Google Ads or Facebook Ads, decentralized ad networks allow advertisers to buy and sell ad space on a peer-to-peer basis using blockchain. These networks eliminate the high fees charged by intermediaries and ensure that advertisers are only paying for genuine engagement.

Real-World Example:

Brave Ads, a decentralized ad platform built into the Brave browser, has seen over 60 million monthly active users in 2024. Brave Ads allows users to opt-in to viewing ads in exchange for Basic Attention Token (BAT) rewards. By removing middlemen and compensating users directly, Brave has fostered a loyal, engaged user base.

2. NFT Marketing Campaigns

The use of Non-Fungible Tokens (NFTs) in marketing continues to rise, with brands leveraging NFTs to create scarcity, exclusivity, and deeper engagement. NFTs allow marketers to offer unique digital assets—such as limited-edition collectibles, event access passes, or branded content—that can be owned, traded, or sold by users. The rise of "phygital" marketing, where physical products are bundled with NFTs, has further driven consumer interest.

Real-World Example:

Adidas launched a highly successful NFT-based marketing campaign in early 2024, offering exclusive digital sneakers that could be redeemed for physical versions. The campaign generated over $10 million in sales within the first week, attracting both collectors and fans of the brand.

3. Tokenized Loyalty Programs

Traditional loyalty programs are often inefficient and siloed, with users accumulating points that have limited utility or expire quickly. With decentralized marketing, brands can create tokenized loyalty programs that reward customers with cryptographic tokens for their engagement. These tokens can be traded, redeemed for real-world value, or used across multiple platforms, creating a more flexible and appealing system for consumers.

Real-World Example:

In 2024, Starbucks expanded its Odyssey loyalty program by incorporating NFT stamps that customers earn through purchases and activities. These NFT-based rewards provide access to special events, exclusive content, and VIP experiences, driving significant customer engagement and retention.

4. Smart Contract-Driven Campaigns

Smart contracts are self-executing agreements written in code, which are automatically triggered when conditions are met. In decentralized marketing, smart contracts can ensure that advertising budgets are spent efficiently and that rewards are distributed fairly. This eliminates issues like click fraud and under-delivery of ads, which are common in centralized digital marketing.

Real-World Example:

AdEx Network, a decentralized ad network, uses smart contracts to verify ad views and impressions in real time. In 2024, AdEx reported a 15% increase in advertiser satisfaction by reducing ad fraud and increasing transparency in ad performance data.

5. Data Privacy and Consumer Empowerment

With increasing concerns around data privacy, decentralized marketing offers a solution by empowering users to control their personal information. Blockchain-based systems ensure that users own their data and can choose whether to share it with marketers in exchange for rewards. This creates a more ethical marketing environment and fosters trust between brands and consumers.

Real-World Example:

Ocean Protocol, a decentralized data marketplace, enables users to monetize their personal data by selling it directly to advertisers or researchers. This allows consumers to regain control over their privacy while still benefiting from targeted marketing campaigns.

The Benefits of Decentralized Marketing for Brands

Decentralized marketing presents a host of benefits for brands, particularly in terms of transparency, cost efficiency, and user trust.

1. Increased Transparency

One of the biggest advantages of decentralized marketing is the level of transparency it provides. Blockchain technology records every transaction and interaction on an immutable ledger, ensuring that advertisers know exactly how their budgets are being spent and how users are engaging with their campaigns. This reduces the risk of fraud and provides brands with verifiable metrics.

Fact:

In 2024, ad fraud is estimated to cost businesses over $50 billion, according to a report by Juniper Research. Decentralized marketing solutions can reduce this significantly by using blockchain’s transparent, tamper-proof systems.

2. Lower Costs

By cutting out intermediaries like ad networks and agencies, decentralized marketing allows brands to save on fees and deliver more value directly to consumers. This peer-to-peer model reduces the cost of acquiring new customers and allows for more efficient spending of marketing budgets.

Fact:

A survey by Statista in 2024 showed that brands using decentralized ad networks saved an average of 20-30% on ad costs compared to traditional methods.

3. Better User Engagement

Decentralized marketing puts more control in the hands of users, making them active participants in campaigns rather than passive recipients. By rewarding users for their engagement, whether through tokenized rewards, NFTs, or loyalty programs, brands can foster stronger, more meaningful relationships with their customers.

4. Enhanced Data Privacy and Trust

With GDPR and other privacy regulations tightening, decentralized marketing gives brands a competitive edge by allowing users to control how their data is used. Brands that prioritize privacy and empower their users to share data on their own terms are likely to gain more trust and build longer-lasting customer relationships.

What’s Next for Decentralized Marketing?

The future of decentralized marketing looks bright as more brands recognize the value of blockchain technology in building trust, reducing costs, and driving engagement. As decentralized platforms and technologies continue to mature, brands that adopt these new strategies will likely stand out in a crowded marketplace.

For businesses looking to stay ahead of the curve, now is the time to explore how decentralized marketing can transform their strategies. From blockchain-powered ad networks to tokenized loyalty programs and NFT-driven campaigns, the possibilities are endless.

As the industry evolves, staying informed about the latest trends and best practices in blockchain PR and marketing will be crucial. Make sure to keep up with cutting-edge insights to ensure your brand remains competitive in the decentralized future. https://medium.com/@metamerchant/the-future-of-decentralized-marketing-how-blockchain-is-transforming-brand-engagement-c3c6ceb59067

#Digitalpr #Cryptopr #blockchaintechnology #cryptocommunity

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homeimprovementway · 10 months ago

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Is Spruce Good Firewood: The Ultimate Guide

Yes, spruce is good firewood because it burns hot and clean, making it suitable for heating and cooking. Its low moisture content also makes it easy to ignite and produces minimal smoke. Additionally, spruce firewood creates a pleasant aroma when burned, adding to the overall ambiance of a fire. Due to its abundance in many regions, spruce is a popular choice for firewood, offering an efficient and environmentally friendly option for those seeking to heat their homes or enjoy outdoor fires. When properly seasoned, spruce firewood can provide a reliable and consistent source of heat, making it a desirable choice for many homeowners and outdoor enthusiasts.

Familiarity Spruce Firewood

Spruce firewood is a popular choice for many homeowners and outdoor enthusiasts due to its quick burning and pleasant aroma. Understanding the characteristics, availability, and environmental impact of using spruce firewood is essential in making informed decisions on its usage. In this article, we will delve into the various aspects of spruce firewood to determine whether it is a good choice for your firewood needs. Characteristics Of Spruce Wood Spruce wood is known for its light, soft, and straight-grained nature, making it relatively easy to split and ignite. It produces a steady flame and provides moderate heat, making it suitable for indoor and outdoor use, especially in fireplaces and campfires. However, it burns relatively quickly, necessitating more frequent refueling compared to denser hardwoods. Availability Of Spruce Firewood Spruce wood is widely available in regions where spruce trees are abundant. It is often harvested as a byproduct of forest management and is commonly sold by local firewood suppliers. Due to its popularity, it is typically easy to source and can be found in various forms, such as split logs, bundles, or cordwood. Environmental Impact Of Using Spruce Firewood Using spruce firewood can have both positive and negative environmental implications. On one hand, harvesting and using spruce wood for fuel can contribute to sustainable forest management practices when done responsibly. However, excessive demand for spruce firewood can lead to deforestation and ecosystem disruption, especially in areas where spruce trees are already under pressure due to logging activities.

Properties Of Spruce Firewood

Density And Heat Output Spruce firewood is known for its moderate density, which makes it easy to split and handle. Its heat output is generally good, providing a decent amount of warmth when burned. One cord of spruce firewood typically produces around 15.6 million BTUs of heat. Seasoning And Drying Spruce needs to be properly seasoned and dried before use as firewood. The ideal moisture content for seasoned spruce firewood is around 20%. This process may take 6-12 months, depending on the climate and drying conditions. Smoke And Soot Emission When burned, spruce firewood tends to produce moderate to high levels of smoke and soot. Proper ventilation and regular chimney cleaning are important when using spruce as firewood to reduce the buildup of creosote.

Burning Spruce Firewood

Many homeowners consider using spruce as firewood due to its abundance in certain regions. However, before using it, it's essential to understand its characteristics and how it affects your firewood experience. Let's explore the considerations of burning spruce firewood. Efficiency And Burn Time Spruce is known for being quick to ignite, making it an efficient choice for starting a fire. Since it burns at a moderate temperature, it may not provide sustained heat as long as denser woods like oak or hickory. However, it can be an excellent option for shorter fires or milder weather conditions, especially for recreational use. Aroma And Scent Burning spruce firewood emits a pleasant, aromatic scent that can enhance the ambiance of a room or outdoor gathering. Its aroma adds to the overall experience of using a wood-burning fireplace or stove, creating a cozy and inviting atmosphere. Health And Safety Considerations While the scent of burning spruce is appealing, it's essential to consider health and safety implications. This softwood may produce more creosote buildup in chimneys compared to hardwoods, requiring more frequent inspections and cleanings to reduce the risk of chimney fires. Additionally, users should be mindful of potential allergens that may be released when burning spruce and ensure proper ventilation when using it as firewood.

Comparing Spruce To Other Firewoods

When it comes to choosing firewood, it's essential to consider the various options available to find the best option for your needs. One popular choice is spruce firewood, which is known for burning well and producing ample heat. In this section, we'll compare spruce firewood with other commonly used firewoods – pine, oak, and maple – to help you understand how spruce stacks up in terms of its burning characteristics and suitability for different purposes. Spruce Vs. Pine Both spruce and pine are softwoods, and while spruce tends to have a slightly higher heat output and burns cleaner than pine, pine can produce more creosote buildup and emit more sap, which can lead to increased chimney maintenance and potential fire hazards. Spruce Vs. Oak When comparing spruce and oak, it's important to note that oak is a hardwood, which typically means a slower burn and longer-lasting coals. Oak also tends to produce more heat and produces less creosote compared to spruce. However, oak can be more challenging to split and may require a longer seasoning time. Spruce Vs. Maple Maple, like oak, is a hardwood and offers similar advantages in terms of longer burn time and higher heat output compared to spruce. However, spruce may ignite more quickly and can be a better choice for kindling and starting fires, while maple may be better suited for sustained heat production over a longer period.

Best Practices For Using Spruce Firewood

If you're considering using spruce firewood, it's important to understand the best practices for its usage to ensure a safe and efficient experience. Proper stacking and storage, maintenance of chimney and fireplace, as well as tips for proper combustion and safety measures are essential aspects to consider when using spruce firewood. By following these best practices, you can optimize the performance and safety of spruce firewood for your heating needs. Stacking And Storage Proper stacking and storage of spruce firewood are crucial for maintaining its quality and ensuring efficient burning. Here are some key tips for stacking and storage: - Store firewood in a dry, well-ventilated area to prevent moisture buildup. - Stack the firewood off the ground using a firewood rack to promote airflow and prevent contact with the damp surface. - Keep the firewood covered with a tarp or protective covering to shield it from rain and snow while allowing air circulation. Maintenance Of Chimney And Fireplace Regular maintenance of the chimney and fireplace is essential for safe and effective use of spruce firewood. Ensure that the chimney and fireplace are well-maintained by following these tips: - Regularly inspect the chimney for creosote buildup and clean it to prevent potential fire hazards. - Keep the fireplace clean and free from debris to maintain proper airflow and prevent blockages. - Have the chimney and fireplace inspected annually by a professional to ensure safe operation. Tips For Proper Combustion And Safety Measures Optimizing the combustion of spruce firewood and implementing safety measures is essential for a hassle-free experience. Consider the following tips for proper combustion and safety measures: - Use well-seasoned spruce firewood to ensure efficient burning and minimize creosote buildup. - Install carbon monoxide detectors in the vicinity of the fireplace to monitor indoor air quality and ensure safety. - Follow proper fire safety protocols, such as using a fire screen and maintaining a safe distance from the fire.

Frequently Asked Questions For Is Spruce Good Firewood

Is Spruce A Good Firewood For Burning? Yes, spruce is a good firewood option. It burns relatively fast and creates a pleasant aroma when burned. However, it produces less heat compared to hardwoods and can lead to more creosote buildup in the chimney. It's best used in combination with other hardwoods for efficient burning. What Are The Advantages Of Using Spruce As Firewood? Using spruce as firewood has its advantages. It's readily available in many regions and burns well when properly seasoned. Its pleasant aroma adds to the ambiance, making it a popular choice for indoor burning. However, it's important to be cautious of its faster burn rate and potential for creosote buildup. Can Spruce Firewood Be Used For Cooking Or Smoking? While spruce firewood is suitable for outdoor cooking and smoking, it's essential to use it in moderation. Its pleasant aroma can add unique flavors to the food, but it burns at higher temperatures and may impart a stronger taste. It's recommended to mix spruce with other hardwoods for a balanced flavor profile.

Conclusion

Spruce is a good firewood option due to its high heat output and minimal creosote buildup. It burns cleanly and efficiently, making it suitable for heating purposes. However, it's important to properly season spruce to optimize its burning qualities. Consider using spruce as a sustainable and practical firewood choice. Read the full article

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creativeai2 · 10 months ago

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CreativeAI 2.0 Review – world's first app fully powered by Microsoft's latest Multi-Model AI Technology

CreativeAI 2.0 Review – Introduction:

Are you seeking a revolutionary solution to streamline your content creation process? Look no further than CreativeAI 2.0, the world's first app fully powered by Microsoft's latest Multi-Model AI Technology "Bing Edge & Copilot 1.0". With its cutting-edge features, user-friendly interface, and powerful AI capabilities, CreativeAI 2.0 is set to redefine how content is generated and utilized in the digital sphere. In this detailed review, we will explore the various aspects of CreativeAI 2.0, uncover its key features, and provide valuable recommendations to help you harness the full potential of this innovative AI technology.

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CreativeAI 2.0 Review –

What is CreativeAI 2.0:

CreativeAI 2.0 is a groundbreaking AI-powered content creation platform designed to empower users to effortlessly generate a wide range of high-quality multi-model AI content. From Ultra HD videos to engaging storytelling videos, captivating animations, enticing graphics, and compelling music, CreativeAI 2.0 offers a comprehensive suite of tools to cater to diverse content creation needs. By harnessing the power of Microsoft's latest AI technology, users can simply provide voice commands or text instructions to produce visually stunning and impactful content in a matter of minutes.

CreativeAI 2.0 Review: Overview

Product name: CreativeAI 2.0

Author/Vendor: akshat44

CreativeAI 2.0 money back guarantee: yes, 30-days money back guarantee

CreativeAI 2.0 Front End Price: $15.00

CreativeAI 2.0 Recommendations: Yes

CreativeAI 2.0 Official page: Click here

CreativeAI 2.0 Bonuses : Yes

CreativeAI 2.0 DEMO Video: Click here

CreativeAI 2.0 Pricing and OTOs:

1. CREATIVE AI Regular - $15.00

2. CreativeAI VIP - $9.95

3. CREATIVE AI Unlimited - Grand Plus - $67.00

4. 500-In-1 ChatGPT & DALLE AI Apps Bundle - $9.95

5. CREATIVE AI Unlimited - Regular - $47.00

6. CREATIVE AI DFY Profitizer - $197.00

7. 3000+ ChatGPT DFY prompts - $9.95

8. CREATIVE AI AutoPilot - $37.00

9. Extra DFY 10K PLR APPS + $1k/Month Earning - $9.95

10. CREATIVE AI Templates Gallery - $47.00

11. 5x Income Multiplier - $9.95

12. CREATIVE AI AiFortune - $197.00

13. 100,000 Extra Clicks for Real Buyer Traffic - $12.95

14. CREATIVE AI AiFortune - Grand Plus - $297.00

15. CREATIVE AI Traffic Hub - $67.00

16. Extra 1 Million DFY eBooks & Articles + PLR License - $9.95

17. CREATIVE AI Agency - $67.00

18. AI Power Pack Biz-in-a-Box - $9.95

19. CREATIVE AI Supreme - $37.00

20. 10x AI Automation Turbocharged - $9.95

21. CREATIVE AI Reseller - $97.00

22. 100+ CLOUD BASED APPS + $1K/hrs Income AI System - $9.95

23. CREATIVE AI Giant Bundle - $197.00

24. CreativeAI Giant Bundle Whitelabel License - $10.95

CreativeAI 2.0 Review –

Key Features of CreativeAI 2.0:

1. Ultra HD Video Creation: Effortlessly craft stunning Ultra HD videos in any niche with AI precision and creativity.

2. Engaging Storytelling Videos: Unlock the ability to create eye-dropping storytelling videos to captivate your audience.

3. 3D Animation Videos: Seamlessly generate high-quality 3D animation videos to elevate your visual storytelling.

4. Ai Avatar Spokesperson Videos: Create lifelike AI avatar spokesperson videos for your marketing campaigns with ease.

5. Captivating Cartoon Videos: Unleash the magic of AI to produce engaging and vibrant cartoon videos for maximum impact.

6. Viral Celebrity Talking AI Videos: Craft compelling AI-driven celebrity talking videos to skyrocket your online presence.

7. Instagram, YouTube & TikTok Videos: Seamlessly create engaging videos suitable for popular social media platforms.

8. Eye-Catching 3D Video Ads: Generate attention-grabbing 3D video ads to amplify your marketing campaigns.

9. Unlimited Ai Voice-Overs & Video Songs: Seamlessly produce AI-generated voice-overs and video songs in multiple languages.

10. Unlimited HD Ai Images, Arts & Graphics: Instantly generate and sell unlimited high-definition Ai images, arts, and graphics.

11. Ai Image Animation: Transform ordinary images into captivating animated visuals with a single click.

12. Ai Multimodel Contents: Create a diverse range of AI content including videos, graphics, animated videos, and much more.

13. Ai Multi-Tasking Bots: Harness the power of AI to create and deploy a variety of AI bots for diverse marketing needs.

14. Commercial License Included: Empower business growth with a commercial license to create and sell AI content without restrictions.

15. Newbie Friendly Dashboard: User-friendly interface and easy-to-use features make AI content creation accessible to all skill levels.

CreativeAI 2.0 Review –

How CreativeAI 2.0 Works:

CreativeAI 2.0 harnesses the power of Microsoft's latest Multi-Model AI Technology "Bing Edge & Copilot 1.0" to transform text, voice, images, and even Microsoft Office files into high-demand multi-model AI content. Using Bing-like voice commands, users can generate full ultra HD AI videos, eye-dropping AI storytelling videos, 3D animation videos, AI human-talking videos, captivating AI characters & cartoon videos, and much more in just a few clicks. The app offers a simple, user-friendly dashboard and provides instant results, freeing users from the hassle of dealing with third-party AI tools and services. With the built-in audience and marketplace, users can effortlessly sell their AI creations while maximizing profits. The incorporation of voice commands and diverse AI content creation options makes CreativeAI 2.0 a game-changer in the content creation landscape.

CreativeAI 2.0 Review –

Who Benefits Most from CreativeAI 2.0:

CreativeAI 2.0 is ideal for content creators, marketers, entrepreneurs, and business owners looking to streamline their content creation processes and maximize their reach. Additionally, it is suited for:

- Digital marketers seeking to produce high-quality AI videos, animations, and other multimedia content for their marketing campaigns.

- Graphic designers and artists aiming to create stunning AI images, arts, and graphics with ease.

- Video creators and storytellers interested in crafting engaging and captivating AI storytelling videos and character videos.

- Social media marketers looking to generate viral AI Instagram, YouTube, and TikTok videos to boost engagement and drive traffic.

- Business owners who want to automate their content creation and marketing processes using AI-powered multi-tasking bots.

CreativeAI 2.0 Review –

CreativeAI 2.0 Benefits:

CreativeAI 2.0 offers a groundbreaking solution for individuals across various industries, including content creators, marketers, entrepreneurs, and business owners. With its cutting-edge technology powered by Microsoft's latest Multi-Model AI, this platform empowers users to effortlessly and rapidly create a wide range of high-quality AI-generated content. Whether you need to craft stunning ultra HD videos, eye-dropping storytelling videos, captivating character videos, engaging social media content, or even AI-generated voice-overs and music, CreativeAI 2.0 provides the means to achieve these goals with utmost ease. Furthermore, the built-in audience and marketplace facilitate the seamless selling of AI creations, enabling users to maximize their profitability. By leveraging CreativeAI 2.0, individuals can revolutionize their content creation endeavors and significantly enhance their reach and profits.

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CreativeAI 2.0 Review –

CreativeAI 2.0 is a cutting-edge application that leverages Microsoft’s latest Multi-Model Ai Technology, "Bing Edge & Copilot 1.0," to empower users to create an extensive array of high-demand multi-model AI content. With this versatile tool, users can achieve a wide range of tasks, revolutionizing the way they approach content creation and distribution. Here are tasks that can be achieved using CreativeAI 2.0:

1. Create Full Ultra HD AI Videos in any niche.

2. Craft eye-dropping AI storytelling videos that captivate and engage audiences.

3. Generate high-quality 3D animation videos with stunning visual effects.

4. Create AI human-talking videos for marketing campaigns.

5. Craft captivating AI characters and cartoon videos to attract attention.

6. Develop viral celebrity-talking AI videos to drive views and traffic.

7. Generate engaging Instagram, YouTube, and TikTok videos to enhance your social media presence.

8. Create eye-catching 3D video ads for effective marketing campaigns.

9. Develop unlimited AI voice-overs for various videos and marketing needs.

10. Compose AI music and video songs in multiple languages.

11. Craft and sell unlimited HD AI images, arts, and graphics.

12. Turn any normal image into an animated work of art with AI-powered image animation.

13. Generate AI multi-model contents that encompass images, videos, graphics, and more.

14. Utilize AI multi-tasking bots to automate and enhance various business processes.

15. Create and sell high-quality AI content and videos to a vast built-in audience.

16. Design AI avatar spokesperson videos for marketing purposes.

17. Craft cinematic AI videos to tell compelling visual stories.

18. Create AI video presentations and storyboards for impactful marketing campaigns.

19. Convert audio into text with AI audio-to-text transcription.

20. Develop AI image animations to bring static images to life.

CreativeAI 2.0 Review –

Pros and Cons of CreativeAI 2.0

Pros:

1. Versatile Content Creation: CreativeAI 2.0 harnesses the power of Microsoft's latest Multi-Model AI Technology, allowing users to effortlessly transform text, voice, images, and Microsoft Office files into diverse multi-model AI content such as full ultra HD videos, 3D animation videos, storytelling videos, and more.

2. Built-in Audience and Marketplace: The availability of a built-in audience and marketplace simplifies the process of selling AI-generated content, enabling users to capitalize on the immediate demand for their creations.

3. Commercial License: The inclusion of a commercial license empowers users to create and sell unlimited assets to clients, enhancing flexibility and profitability.

4. Ease of Use: The user-friendly dashboard and voice command functionality make content creation more accessible, enabling users to generate high-quality AI content with minimal effort.

5. Multi-Model AI Capabilities: The application offers a comprehensive suite of features, including AI voice-overs, AI human-talking videos, AI character videos, AI image animation, and more, catering to diverse content creation requirements.

Cons:

1. Subscription Cost: While the initial offering may feature a lowered price, the standard subscription cost might be a concern for some users.

2. Learning Curve: While the application is designed to be user-friendly, mastering the full potential of its capabilities may require some learning and experimentation.

3. Dependence on AI Technology: Relying solely on AI for content creation may limit the personal touch and creative input that human creators bring to their work.

4. Content Quality Concerns: While AI-generated content is advanced, achieving a truly unique and original output may require additional input and editing.

5. Market Saturation: As more users adopt AI-powered content creation tools, the market could become saturated, potentially impacting the demand for AI-generated content.

CreativeAI 2.0 Review –

Frequently Asked Questions about CreativeAI 2.0

1. Can I sell the AI-generated content created using CreativeAI 2.0?

- Yes, CreativeAI 2.0 includes a commercial license, allowing users to create and sell their AI-generated content without restrictions.

2. Is CreativeAI 2.0 suitable for beginners with no prior experience in content creation?

- Absolutely. CreativeAI 2.0 features a user-friendly dashboard and voice command functionality, making content creation accessible to users with varying levels of experience.

3. What types of AI content can be created using CreativeAI 2.0?

- CreativeAI 2.0 allows users to generate a wide range of multi-model AI content, including ultra HD videos, storytelling videos, 3D animation videos, AI voice-overs, AI music, and more.

4. Is there a marketplace integrated for selling AI content created with CreativeAI 2.0?

- Yes, CreativeAI 2.0 offers a built-in audience and marketplace, facilitating the sale of AI-generated content to a vast pool of potential buyers.

5. How does CreativeAI 2.0 compare to other AI content creation tools in terms of flexibility and commercial usability?

- CreativeAI 2.0 stands out due to its comprehensive multi-model AI capabilities, commercial license, and built-in marketplace, making it a versatile and lucrative choice for content creators.

CreativeAI 2.0 Review –

Recommendations:

CreativeAI 2.0 stands out as a game-changer in the realm of AI content creation. With its advanced features, intuitive interface, and robust AI capabilities, it presents a transformative opportunity for businesses, marketers, and content creators to elevate their digital presence. Whether you are a seasoned professional or a newcomer to AI-driven content creation, CreativeAI 2.0 offers an unparalleled platform to unleash your creativity, streamline your content generation process, and unlock new avenues for success. Embrace the power of AI and revolutionize your content strategy with CreativeAI 2.0.

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#creativeai 2.0 review #ai image #artificial intelligence #graphics #ai video #ai illustration #ai art

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josnashak69 · 10 months ago

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The effect of high price and good quality

The anchoring effect sends the first signal, and the subsequent contrasting effect sends the second signal. Peloton CEO John Foley discovered the third signal through trial and error when pricing new exercise bikes: "In the early days, we priced the Peloton bike at $1,200. As a result, we learned HE Tuber from customers that if you ask for $1,200, then The bike must be of poor quality. So we raised the price to $2,000, and sales suddenly increased because people said, 'Oh, look at the price, this must be a quality bike.'"

We often hear that good quality is cheap, but price is also a signal of quality, so make sure you make the right impression.

For example, if you reduce the price significantly ($750,000) in order to sell your house quickly, it will give buyers a confusing signal: is there any defect in the house? Making a buyer think the product (your house) is more expensive can change her perception of her budget and may even make her get more enjoyment out of her new purchase.

To extend: today is your birthday, and you want to bring a bottle of wine home to celebrate. Normally, the wine you drink costs around $20 a bottle, but thinking of a special occasion, you decide to buy wine with a price tag of $50. You don't have a specific wine in mind; you just assume that the $50 wine tastes better than the $20 wine. Just like the phenomenon of higher sales after the price of luxury goods increases...

Principle of reciprocity

Your first asking price anchors the buyer, and subsequent offers take advantage of the contrast effect and signal high quality. Here, we discuss the final psychological factor: reciprocity, the natural tendency of humans to return favors to others.

Reciprocity is a powerful force. Keep this in mind when negotiating with buyers. If you start the negotiation with a high enough first offer, you leave yourself plenty of room to be "nice" to the buyer - by pretending to make a big concession (going from an offer of $900,000 to $87 million (the actual reserve price was US$850,000), the buyer gradually made concessions, and finally the transaction was completed at no less than the reserve price.

To expand a bit: Successful salespeople have long used the principle of reciprocity to generate higher sales. Robert Cialdini of Arizona State University points out in his classic book "Influence" that the principle of reciprocity can induce goodwill even if the original kindness is not genuine but is artificially created specifically to induce reciprocation. One example he gave was Hare Krishna's charity, which distributed free flowers to passers-by and within seconds asked for donations (with a high success rate).

Write at the end

Change is difficult, but knowing the right incentives can skillfully leverage the fulcrum.

Through several African legends, we realize that the power of inspiration is far greater than imagined;

By identifying the costs of mixed signals, we can set correct and effective signals from a psychological perspective to ensure incentive success;

In order to maintain the long-term effect of incentives, strategies such as external incentives, commitment, social networking, and temptation bundling are used in turn, each with its own merits;

Finally, taking negotiation as an example, motivation can help us identify problems, improve actions, and achieve the goal of a better life.

The above is the entire content of the "Underlying Logic Analysis of the Incentive System". The reference comes from Uri Gneezy's new book, Growth Work Practice & Research. If you have different opinions, please leave a message in the comment area below for discussion.

*Reference: Uri Gneezy's "Mixed Signals: How Incentives Really Work"

columnist

Add fish and meat, official account: Notes on adding fish and meat, everyone is a product manager columnist. Internet growth operation, trans from mini program-App-platform.

This article was originally published on Everyone is a Product Manager and may not be reproduced without permission.

The title picture comes from Unsplash, based on the CC0 agreement

The opinions in this article represent only the author's own. The Renren Product Manager platform only provides information storage space services.

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selfmadebd · 1 year ago

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YoutubeJacker Ai Review | Earn $346.34 per day on autopilot

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kdpinterior · 2 years ago

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Vexels is a cheap membership service that gives you access to all items with a subscription, in contrast to Creative Fabrica, where you may buy patterns separately. You'll be able to customize book covers and access gorgeously designed KDP inside. There are more than 150 low-content templates for a wide variety of publications, such as composition exercise books, health planners, meditation diaries, and many more. Entering "KDP Interiors" into a search engine is the quickest method to locate these items. Vexels' KDP Designs area is where you'll locate any of the more than 1200 available book cover designs. The AI files included with each Vexels design make it simple to make changes in Adobe Illustrator. Tangent Templates KDP interior templates For the most part, Tangent Templates is used to make KDP settings. For a one-time payment, you get access to the interior designer tool, as well as a number of additional Kindle Direct Publishing resources (including over 100 editable low-content book templates). There are editable prompt pages and calendars available in the KDP interior templates, which are available as Illustrator and InDesign files. You can obtain a template in as many pages as desired by selecting the bleed option beside the trim size during the download process. Tangent Templates has an in-built interior designer in addition to pre-made templates for creating bespoke spaces. There you may make your own internal pages with a wide variety of premade graphics, fonts, and other design components to choose from. KDP Interior KDP interior templates This site focuses on KDP Interiors, a free service for publishing low-content books, as the name suggests. There are a few interiors for basic books like notebooks or logbooks, but there are also many for more complicated books like planners, activity books, or coloring books. The interiors are as attractive, often including 120 pages across three distinct sizes. Some are in PDF format and ready to upload, while others are in Canva format and may be edited in their entirety. This website also provides a selection of pre-made, customizable book covers. You can find nearly forty different cover designs in 6x9 bundles for 120 pages in the KDP Cover area. The average cost of an interior is about $3, with bundles costing around $10. And if you're tight on cash, you can always check out the free furniture and decor here instead. Etsy KDP interior templates Etsy is not only for purchasing and selling real handicrafts, as many assume; many digital items, including KDP interiors, can be found there as well. Etsy seems to have more costly templates than the other sites we've looked at, such as Creative Fabrica and KDP Interior. However, with more than 5,000 KDP interiors now accessible, you will definitely find what you need here. You may browse and download low-content book interior templates from a wide variety of independent merchants on Etsy. Depending on the designer, certain interiors may only be available as a PDF file, while others may also include editable Canva templates. Etsy allows its users to set their own policies for selling items; thus, it is possible to come across home decor items that you are not allowed to sell or use in any way. For this reason, before buying anything, make sure to read the product description thoroughly. The Closing Statements: In this post, we discussed the best places to get free and paid KDP interior templates that are suitable for use with KDP's low-content publishing option. If you haven't already found the correct supplier, KDPinterior is highly recommended; perhaps you've found it after reading this post! Reasons for this include a large selection of high-quality interiors at competitive pricing, flexible payment options (including pay-as-you-go access to the artworks), and a very inexpensive membership option (which grants unlimited access).

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formulatrash · 4 years ago

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Ok I’m not answering 43768564908 asks about the Stroll thing, i’m just going to talk more generally about interviewing drivers and the role of post-session media pen, especially in this year where media has had less access to the track and drivers.

Boring media chat under the cut, to explain why it’s so frustrating when drivers give you absolutely nothing in an interview.

So in Formula One, what used to happen with every driver and some team representatives (team principals, engineers, whoever) every race weekend would be:

Thursday: roundtable with media for between 10 and 20 minutes Friday: probably another session, although tends more towards a Q&A by team Saturday: post-qualifying roundtable between 10 and 20 minutes Sunday: post-race roundtable or Q&A session

This is in addition to the FIA press conferences and separate to TV duties, which in F1 is what’s normally called media pen.

In Formula E we get a two press conferences (one drivers, one team principals) of 15 minutes each on Friday, then 30 minute of media pen, then one post-race press conference for the top 3 and a further 15 minutes of media pen. Media pen is a total bundle between TV crews, written journalists and whoever.

Under COVID, F1 media got press conferences with each team on Friday (the ones you see YouTube videos off which the written media are fairly rightly peeved they no longer have first dibs to let alone exclusive access) and then were shared files post-qualifying and the race of interviews done with each driver by FOM staff journalists like Lawrence (Barretto) and Will (Buxton).

I do think there was a lot in the previous media schedules but F1 also attracts a lot of media and that’s how it’s able to command vast amounts of sponsorship. If you can say your drivers and personnel, wearing a company’s logo, will appear in articles read by, idk, 500 million people every year online and in 15 countries’ national press then you have a much stronger case that you provide good advertising value for the money the sport needs to operate.

It is obligatory that the drivers do it. Is it always nice? No, god, I hate asking them things when they’re down. I am haunted by an interview I did with Sam Bird in Mexico this year where I had to demand from his press officer that he got up and spoke to me (it was media pen, it’s when this is permitted) because it was my unpleasant job to ask what happened to him in the race and his unpleasant job to give me some sort of answer. It feels like bullying, even when you are as gentle as possible but also it let me write a more sympathetic piece, explaining what had happened.

Journalists can be mean and drivers can be short with us. JEV gives terrible answers when he’s in a mood, especially to men (he is more wary of male journalists, especially if they look like they’re from F1) and he completely flipped off the final media sessions in Berlin, paying several thousand Euro of fines instead, because he was in such a mood.

But it is their job to talk in these sessions. They can be moody and unhappy and actually I think we’re all very sympathetic to that but they do actually have to do them. You don’t get to race the multimillion dollar cars without doing the press that surrounds them.

You ask a question like “I”m sure today must have been really frustrating, I can see you’re not happy but could you just talk through what happened at the start, I think we missed it on the TV broadcast so it’d be useful to just get it straight” and then maybe distract them from their own race a bit like “some areas of the track looked quite heavily damaged, in the latter stages of the race - could you describe what that was like, as a driver” before you have to get into the inevitable “obviously this is difficult to take and I know you’re really disappointed but could you just quickly explain what happened with that failure in the final laps - was it electronics or in the drivetrain?”

Like, we’re honestly not there to bully them. Some journalists might but not most of us.

I really understand mistrusting and disliking the press - hell, I mistrust and dislike most of ‘em, myself included - but expecting a driver to give a reasonable quote isn’t mean, especially because journalists (mostly) go absolutely above and beyond to try and wheedle something out of them. We’ll be gentle and give them potential excuses or distractions to latch onto, most of the time, even if that’s not how the final headline ends up.

So yeah, one of the reasons Lance doesn’t get very much good press is because he doesn’t do any press. I’m sure we’d all like to see longer and more interesting quotes from him and I think he used to get more support for that at Williams but for whatever reason, he has stopped. It’s understandable but it’s also frustrating because it’s like: I am trying, here.

The interview Lawrence Barretto did with him where he was working really hard to get an answer and it lasted exactly 23 seconds is a particularly strong example. Sure, he’s pissed - but that was what the international media got to write up articles with, after the race. Not a lot I can do with that, although it was a very quick bit of transcription...

George also gives quite short answers usually but in full quotes - you don’t have to be a Pierre-style conversational essayist where you say “hello how was you r-” and get a 23-minute monologue on the beauty of speed, what lessons you can learn through the chicane and what Pierre had for dinner last night tied up to a beautiful and philosophical conclusion but just like. Something to write up.

Doesn’t change how Lance is as a driver but from a member of the press’ perspective it is insanely frustrating to just never have anything to write about him because he gives us nothing.

Basically: I can’t write “Stroll just vibing after disappointing race” as a headline. U gotta give me at least a sentence, here, then we work hard to mould the rest into context.

#f1 asks

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wtfockinternational · 5 years ago

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An article about wtFOCK translated from Dutch:

How wtFOCK conquers taboos through trial and error

wtFOCK: for one person a key player, for the other a rather strange combination of consonants. Young people can’t seem to stay away from the successful web series. The new season has started, so we can look back at the previous one. For three months many fans were glued to their screens for a sixteen-year-old’s coming-out. Did this pave a way for more and honest representation of LGBTQ+-problems, or did they occasionally stray from that path?

“‘Secret’ series wtFOCK became the most popular search term on Google in 2019”, various media reported in December. This news seemed to come as a surprise, because many people seemed to have never heard of the term, let alone the web series. And still the series could crown itself the proverbial king of last year’s Google. How did that happen?

The online series that arrived here from Norway mostly seems a hit with teenagers and young adults. In nine weeks’ time the third season got about 11.8 million online views, SBS Belgium said. In total around 400,000 young people between 15 and 34 would be watching the series.

The presumed reason for the success? Young people can follow the characters daily via their smartphones through short, real-time updates and real Instagram-accounts. So ideal in a world where watching linear television, especially for the younger generation, becomes more out of the question. Besides that the series is kept out of the media consciously, to preserve its authenticity and let young people discover it on their own. So far, so good, it seems.

Homosexual main character

Concretely wtFOCK follows the lives of young people in secondary school, where all kinds of teenage troubles don’t get avoided. Since the previous season more social problems are being discussed, too. The series tackled a topic that still hasn’t completely removed itself from the taboo atmosphere: homosexuality, a coming-out, and everything that comes with it. From absolute peaks to the sometimes painful lows we are witnesses to the bumpy road towards self-acceptance that sixteen-year-old Robbe experiences.

But is that a new thing, an LGBT-character in Flemish fiction? Florian Vanlee researches the LGBTQ+-representation in Flemish television series at Ghent University. He clarifies: “About 20 percent of productions is said to have a prominent LGBT-character. Regarding supporting characters, it’s about 33 percent. That’s a relatively large part.”

It does seem the first time that in a commercial youth television the full attention of the main character goes towards homosexuality. “It’s remarkable how instantaneously the focus explicitly goes towards homosexuality. wtFOCK is therefore a very valuable program”, Vanlee says. The question therefore arises how the new form of representation was received by the LGBTQ+-community.

About recognition and self-acceptance

Amver Maselis, a 20-year-old bisexual student from Hove, has been a fan of the original SKAM. When the series ended in Norway, she started to follow the other remakes. Therefore her interest also brought her to wtFOCK. Passionately she talks about a series which she clearly values a lot. “I’ve been following the project for several years, and despite the subtle differences between shows, the main topics are always portrayed nicely.”

Out of all the remakes she thinks wtFOCK is the best one. Then again, the Flemish version connects the most with her own environment. “Now that the series has arrived in Antwerp, in my own culture, it suddenly feels very close to home.”

It helps that she really recognizes herself in Robbe, the main character that comes out of the closet to his friends and family in his teenage years. “It touches me, because I notice that I’ve sometimes said or felt the same things. Back then it was a huge secret I kept to myself. Now I know that it’ll all be fine,” says Amber. ‘ For other young people the series could be encouraging, like SKAM was for me three years ago, when I had just come out of the closet and I has to learn to accept myself.”

22-year-old Fabio Olivieri from Antwerp seems to share that opinion. As a teenager he barely saw a gay character to which he could relate. It comforts him to know that that’s different for the youth today. Besides that he commends the portrayal of the fact that members of the LGBT-community often have to learn to accept themselves, too. “sometimes it’s hard to learn how to deal with it, to know how you feel and if you want to feel that way. That’s portrayed beautifully.”

“Do you have questions?”

So the storyline can be a comfort to youth who can relate to it. wtFOCK also consciously wants to focus on that aspect. Not only by pushing the subject forward, but also by working together with the online platform WAT WAT. This initiative of the Flemish Government is a bundling of forces of more than 70 organizations to inform the youth. Together, those organizations want to make sure that “all young people are confident and can develop their identity in a positive manner.” On the website, youth can find answers about exam stress, problems at home, but also about sex, sexuality, … you name it.

After every clip of wtFOCK the possibility to visit watwat.be is shown, “in case you have questions”. That initiative pleases Ferre Lamber, a 25-year-old man from Antwerp who remembers how he also went to the internet for questions about his homosexuality when he was younger. “Sometimes it’s just hard to tell someone directly that you’re doubting your sexual orientation. So I can definitely imagine that young people will look online for answers.”

This way, wtFOCK wants to do more than just entertain. “Even though it’s fiction, which automatically entails the aspect of entertainment, that is not the essence of our show”, screenwriter Bram Renders says, incidentally also the writer of youth series W817. “We mostly want to show the youth that they’re not alone. That element is strongly present, and it’s nice that we can convey that message like this.”

The harsh reality

Thus, the series carries an important reality, which can be harsh sometimes. Fabio isn’t sure if he can always appreciate that. “I thought that the homophobia in wtFOCK was pretty cruel sometimes. Somehow that’s a good thing, because real life is like that, too. I’ve already experienced that myself. But in series the focus is generally on all the problems gay characters come into contact with. It would have been nice to see that this wasn’t the case. It has two sides.”

One specific scene that, for the same reason, caused a bomb of critical reactions on Twitter to explode, was when gay bashing was shown shortly, but very explicitly. The choice to portray it, is understandable based on the fact that it’s still a real and current problem today. At the end of December, two LGBT-boys in Ghent became victims of gay bashing. In Het Nieuwsblad they called for other victims to not stay silent, but to report such senseless violence to the police. However, in wtFOCK it’s shown how the main character and his boyfriend decide not to go to the police.

Ferre can understand that decision. “As a victim you want to avoid even more trouble and je need the strength to do something about it. I understand that not everyone would have that. One single right way to deal with gay bashing doesn’t exist.”

Ferre is concerned by, is the way in which the show depicted the incident as a while. The scene depicts how Robbe and his boyfriend get verbally abused and attacked. It end abruptly with the two left injured. Only the next day do we as viewer get to know if everything is okay. “Two years ago, when I hadn’t been with my boyfriend for that long, we were followed, too. After, we cuddled, drank tea, and watched a series, … at moment like that you just want to be together lovingly. You want to know if everything will be okay. But in wtFOCK nothing happened on the night itself and the matter was resolved quickly afterwards.”

Criticism

So more clarity would have been appropriate. The possibilities that you have as a victim after such an incident weren’t emphasized enough according to Ferre. Especially not for a show that has the support of a platform like WAT WAT.

This is clearly not the first time that Bram Renders hears this criticism. He has already given up on reading reactions on Twitter, he jokes. Hesitantly he does admit that they could’ve handled the scene better.

‘How it was protrayed, is more intense than how I imagined it during my rose-colored writing process.’ He says. ‘ That’s no criticism towards the director, because you can never know something like that beforehand. But in hindsight it would have been appropriate to show a follow-up-clip, in which they come home for example. As writeryou always have moments of which you think that it would have been better if you handled them differently; this is one of them.’

Besides that it was a conscious decision to make wtFOCK more heavy than the original SKAM. That decision came after prior conversations with people from the LGBTQ+-community. ‘According to the most people I talked to, was the internal struggle of the main character in the original version too small en was the world around him to rose-colored. So we made that world more raw.’ said Renders.

Ignorance

Then again, benefit of such heavy scenes is the awareness it brings about in viewers outside the LGBTQ+-community. “If you don’t know anyone who’s gay, then you also don’t know how we feel and how we experience certain things,” Fabio emphasizes. “I think that because of wtFOCK people can become more aware. Especially with the amount of young people that watch the series, it can provide more understanding and tolerance.”

Ferre also thinks that larger audiences are show what LGBT-people have to deal with. “Nowadays we don’t know enough about each other’s lives. I noticed that when colleagues or friends asked surprised if certain scenes are really like that, and if I’m really scared to hold hands with my boyfriend in the streets. The different seasons of wtFOCK provide good insights into different problems and how people handle them”, he decides.

Of course, purely scientifically it’s hard to determine such an impact on the audience. But intuitively speaking, that impact is already very logical, researcher Florian Vanlee (UGent) clarifies. “On one side, it can be important for people who do not meet the social standard to see their own experiences portrayed. On the other side, it can make those experiences for those who have less knowledge about it more obvious.”

New insights get subtly imparted throughout the series, but sometimes also in a more explicit manner, like in the part about the Gay Pride. At one point Robbe sneering tells his homosexual roommate that he isn’t the kind of person to dance around at Prides with “plumes in his hole”. That roommate is a more extravagant character that is mostly portrayed as support, with wise advice. He offers Robbe (but mostly the viewer) rebuttal with a short, but emotional history lesson. “Do you know that those people had to fight to be who they are?”, it sounds.

The show is undoubtedly referring to the protests of Stonewall which later grew into the Gay Prides all over the world. Something that is often forgotten, gets emphasized here: that people in the LGBTQ+-community had to travel a long and difficult path to have equal rights today and to be able to completely be themselves.

Amber thinks it’s very important for that history to be highlighted. “That people would rather die than not be able to be who they are, is the basic principle of the Gay Pride. There’s more behind it than semi-naked, dancing people, as some still see it.”

Better representation

Referring to the Gay Pride, Ferre admits to be somewhat disappointed about the type of main character in this season of wtFOCK. According to him it also could’ve been a more pronounced type for once. According to him, LGBTQ+-representation is focused on the so-called ‘mainstream’ LGBT-people too often.

At the start of September the topic got a lot of attention, when radio-dj Wanne Synnave (MNM) made the following statement in the talkshow Vandaag: “The biggest problem is that all the role models you see conform to the cliché image. I’ve never been able to identify myself in that area. I think that there’s a need for more mainstream LGBT-role models, the normal man and woman in the street. So not those flamboyant role models, which are pretty cliché.”

That statement caused a lot of outrage in the LGBTQ+-community. Many people didn’t agree, and had the opinion that there were already plenty of LGBT-people portrayed according to ‘hetero standards’. Florian Vanlee (UGent) confirms that in Flanders very little stereotypical characters are portrayed. “You could almost go so far as to say that the majority of the LGBT-characters are a sort of reverse-stereotype. For example, you will very rarely find very flamboyant gay characters.”

So television program makers represent (admittedly with good intentions) in a very general manner. “But exactly because of that, a large part of the LGBT-community are kept out of the picture”, Vanlee says. So there is need for more varying representation.

Balance

In the specific case of wtFOCK we can argue that the show follows the original format from Norway, and takes satisfaction in the extravagant gay character Milan, the roommate. “It’s hard to find a good balance”, screenwriter Bram Renders says. “In this case I thought that that balance with the ‘out in the open, take it or leave it’-roommate was enough.

In addition, according to Florian Vanlee, it’s not fair to judge individual series on those choices. “That’s not the right way to deal with what we want to see in media and popular culture”, Vanlee thinks. “Nowadays, in Flanders, it’s normal to represent LGBT-characters, for example Kaat in the soap Thuis. That was already an important step. What could be better, isn’t the responsibility of the television-industry, but also the discourse it generates,” he decides.

Finally, representation in Flemish media doesn’t just concern LGBTQ+-characters. It’s also important to look at the portrayal of people with a migration background or with different religions, for example. But wtFOCK doesn’t shy away from that either. In the fourth season, the show takes a new taboo by the horns by making Yasmina, a Muslim character, the main. It remains to be seen how the young, but critical audience will find the new theme.

#wtfock #wtfam #skam

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homeimprovementway · 11 months ago

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Is Spruce Good Firewood: The Ultimate Guide

Understanding Spruce Firewood

Properties Of Spruce Firewood

Burning Spruce Firewood

Comparing Spruce To Other Firewoods

Best Practices For Using Spruce Firewood

Frequently Asked Questions For Is Spruce Good Firewood

Conclusion

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mostlysignssomeportents · 4 years ago

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QE, inflation, slave labor and a People's Bailout

The Obama administration inherited a vast economic crisis. They responded with Quantitative Easing, pumping trillions into the finance sector to rescue the banks that had knowingly gambled on bad mortgages, losing so much they were about to go under.

https://www.cnbc.com/2017/11/24/the-fed-launched-qe-nine-years-ago--these-four-charts-show-its-impact.html

At the time, deficit hawks predicted inflation, which is a commonsense prediction: inflation is what happens when the amount of money chasing goods and services goes up faster than the supply of those goods and services, creating bidding wars.

They were right...and wrong. What we got was asset bubbles, especially in housing markets, driving up the price of putting a roof over your head rewarding speculators and landlords, especially Wall Street landlords.

And Obama's handling of the financial crisis put a lot of us under the thumbs of landlords! Obama bailed out the banks, but not the mortgage holders, kicking off waves of foreclosures.

Thanks to lax oversight, banks that had cheated to originate or service mortgages were able to cheat on foreclosures, too - stealing houses from borrowers who were up-to-date on payments or who were entitled to forebearance.

https://web.archive.org/web/20101017014628/http://news.yahoo.com/s/yblog_upshot/20101014/bs_yblog_upshot/is-david-j-stern-the-poster-boy-for-the-foreclosure-mess

I mean, literally stealing houses by the hundreds or even the thousands. The very same people who created the great financial crisis got bailed out, rather than punished, and used their new lease on life to commit even worse crimes with total impunity.

The houses that were foreclosed (and sometimes stolen) were flipped to Wall Street, who LOVE financial products based on peoples' homes. After all, people will move heaven and earth to keep shelter over their kids' heads.

https://www.motherjones.com/politics/2014/02/blackstone-rental-homes-bundled-derivatives/

Corporate landlords built a sturdy, three-legged stool to guarantee the flow of rents to their investors.

I. Jack up rents to consume the majority of tenants' income:

https://www.nakedcapitalism.com/2017/09/wall-street-owns-main-street-literally.html

II. Cease maintenance, knowing that your tenants have no recourse if their homes are crumbling and unsafe:

https://www.reuters.com/investigates/special-report/usa-housing-invitation/

III. Perfect the eviction, heretofore an American rarity:

https://www.bloomberg.com/news/articles/2017-01-03/wall-street-america-s-new-landlord-kicks-tenants-to-the-curb

America's housing crisis - substandard homes rented at unsustainable costs to people who had their own homes stolen from them by the same investors they're currently paying rent to - is a major legacy of QE, and it's definitely inflationary.

But it's a highly selective form of inflation. Many people won't experience it at all: if you owned your house before the crisis and weathered it, the asset bubble has made your home more valuable, while falling interest rates let you refi at rock-bottom rates. You're great.

You're paying less than ever for a home that's worth more than ever, but that's a spillover effect of the main show, which is the process by which millions of Americans were robbed of their homes and then moved into high-priced slums to the benefit of the 1%.

Both Obama and Trump have boasted of the economy's performance since QE, pointing to soaring share prices - share prices that are totally decoupled from company performance. Companies lose money and still gain value.

Indeed, predatory companies (like Grubhub, Postmates, Door Dash and Uber Eats) that destroy profitable companies (restaurants) while still losing money are booming in value.

https://pluralistic.net/2020/05/18/code-is-speech/#schadenpizza

Investors understand that consumers have no money, due to rising housing costs plus crashing wages, largely thanks to the "gig economy," a polite term for "worker misclassification."

Companies that get bailouts would be stupid to spend the money on jobs or new productive capacity to make stuff no one can afford to buy. Instead, they buy their own shares and declare dividends, driving up share prices.

https://pluralistic.net/2020/10/20/the-cadillac-of-murdermobiles/#austerity

We have seen an incredible market bull-run since the Great Financial Crisis, a run that has largely continued since the pandemic. It's the other asset bubble: a bubble in investment assets.

Corporate leaders claim responsibility for these rises, but the reality is that it's the predictable result of bailing out banks and companies rather than workers and homeowners.

Société Générale's analysts say that about half of the stock market's gains since 2008 can be attributed to QE.

https://www.marketwatch.com/story/without-qe-the-s-p-500-would-be-trading-closer-to-1-800-than-3-300-says-societe-generale-11604688442

Top-down bailouts have multiplier effects. The banks are made whole, then they get to steal our houses, then they get to steal our rents, then they get to goose their share prices.

This is how the super-rich got even richer, before and after the pandemic. It's also why the tiny minority of Americans with adequate retirement savings saw them swell - it's another spillover effect of the great upward transfer of national wealth.

Why does all of this matter now? Well, between my writing my first paragraph and this one, Biden was declared, giving us what the Biden campaign signalled would be "Obama's third term."

Biden's taking office amidst a financial crisis that's far worse than 2008.

Biden has a long track-record of giving legislative gifts to the finance sector at the expense of the American people. They called him "The Senator from MNBA" for a reason.

https://www.gq.com/story/joe-biden-bankruptcy-bill

If he addresses this crisis the same way that he did in 2008 - the way that Congress and the Senate addressed the crisis in 2020 - by bailing out finance, not the public, we're seriously fucked.

Sure, the stock market will continue to rise and rise, as will house prices.

If you are in the 1%, you will get SO MUCH richer. If you're in the 10%, your retirement savings will swell, your mortgage will get cheaper, and your house's value will go up.

For everyone else: evictions, foreclosures, soaring rents, worse wages.

Last week, California voters passed Prop 22, safeguarding the right of gig economy companies to misclassify their workers as contractors and pay them sub-minimum wages, withhold benefits, evade payroll and unemployment taxes, etc.

Uber/Lyft spent $200m to secure that win.

As Prop22's promoters remind us: Gig work is the new unemployment benefit: it's a private-sector jobs guarantee, work you can get at the tap of your screen. It's a perfect labor market - workers effectively bid to offer the best price to perform servant work for others.

The more workers there are, and the more desperate their situation is, the lower the payments go. A lot of those savings are siphoned off by the (money-losing, stock-soaring) gig companies, but some of it is passed onto customers.

This is by design.

Since the Reagan years, neoliberal regulators and lawmakers have hewed to a radical anti-monopoly theory called "consumer harm." Under "consumer harm," monopolies are only a problem if they drive up prices.

Since gig companies lower prices, they are totally kosher - even if they secure monopolies through predatory pricing.

But there's an even more insidious side to "consumer harm" and the gig economy.

Misclassifying workers as independent contractors converts a brutally exploited workforce into a collection of "small businesses." If they get together and demand higher wages, THEY violate the consumer harm standard. They're a group of companies fixing prices!

We're 12 years into the QE experiment and it has demonstrated the relationship between government money-creation and inflation: inflation isn't the result of government spending, it's the result of government spending that leads to bidding wars.

Giving trillion to the rich created inflation in the things that rich people buy: our houses (out from under us) and stocks.

Now, imagine what a People's Bailout could do.

Imagine replacing the gig economy job guarantee (a workfare program with no workplace protections, job security or minimum wage) with an actual Job Guarantee as described by the economist Pavlina Tcherneva:

https://pluralistic.net/2020/05/05/the-hard-stuff/#jobs-guarantee

Federally funded, locally administered: good jobs at inclusive wages that served community needs proposed by community groups and approved by local governments.

Would that be inflationary? Recall that inflation is what happens when the number of buyers goes up and the supply of things they're buying doesn't keep up. Inflation is the result of bidding wars.

For a jobs guarantee to be inflationary, there would have to be a bidding war for the US workforce. That is the opposite of what we have now.

https://wolfstreet.com/2020/11/06/picture-emerges-of-a-weird-recovery-to-still-historically-awful-levels/

The reason no one wants to buy Americans' labor is that no one has any money to buy the things Americans make with their labor. The only people with money - the wealthy - primarily buy our homes out from under us, and stocks.

QE for the wealthy has made the economy incredibly perverse. Productive companies are being driven to bankruptcy by gig economy companies that lose money. Millions of workers compete to provide services for the lucky few, for dwindling wages.

Workers can't afford to buy stuff so companies have no reason to make stuff and so they become finance grifts, until they collapse, like Hertz did (after it converted itself from a car-rental company to an accountancy trick company):

https://pluralistic.net/2020/05/27/literal-gunhumping/#hertz-uranus

The gig economy jobs guarantee can't last. Eventually the number of workers bidding to serve the wealthy will exceed demand by such a wide margin that wages turn negative - the depreciation and payments on your gig economy car will exceed your income.

But a real, public sector, federal Jobs Guarantee? Yes please.

Paying workers good wages to do productive things that their communities need will create demand for the thing companies have decided not to make anymore.

In other words, it will enable companies to make profits again, and it will drive out the companies whose share prices soared on the expectation of losses (accompanied by dividends and buybacks). It will dampen the stock market, but improve the economy.

This will mean the end of those spillover effects - soaring house-valuations and 401ks for the lucky few - but those came at a VERY high price - vast un- and underemployment, the gutting of the productive economy, crushing debt for the majority.

America bought those house price rises and 401k gains at a steep price: it cost the nation its resilience and political stability.

If the goal of QE was to secure middle-class Americans' retirements, it was spectacularly wasteful.

A tiny fraction of QE's trillions went to middle-class retirements, while the vast majority went to making the 1% far, far richer. Most middle class Americans still don't have secure retirements - their dotage will be spent competing for gig economy jobs.

For the price of QE, the US government could simply have guaranteed the necessities of retirees: shelter, food, care. This spending would crowd out jobs, sure - the worst-paid, most precarious jobs, from fast food to gig economy "jobs."

It would make America into a country of secure and prosperous people, instead of food-delivery drivers and dog-walkers.

12 years of finance bailouts and 0 years of People's Bailouts have only exacerbated this, and the pandemic metastasised it.

When it comes to stimulus, America can't afford a third Obama term. We need to demand better of Biden - we need to demand a People's Bailout.

For almost* all our sakes.

*Offer not valid in America's richest ZIP codes.

#pluralistic

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thatsonemorbidcorvid · 3 years ago

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At the current moment, this article seems to have been taken down - it may be reinstated, or still available on archived versions of the site.

“Women in Dokowadai village, Maharashtra, reveal the scars of their hysterectomies  Simon Townsley/The Telegraph

Revealed: India’s mass sterilisation drive

Thousands of women are sacrificing their reproductive systems in a bid to keep their jobs, bringing back memories of the country’s dark history of population control

Heavily sedated and lying on a dirty mattress inside a makeshift tarpaulin tent, Chanda Ravi, 32, gingerly opened her eyes.

The mother-of-three was one of 101 women to have undergone a rushed sterilisation procedure on August 27 at a camp in the central Indian state Chhattisgarh.

Ms Ravi recovered well, but the speed of the procedures – the 101 operations were done in just eight hours – have brought back memories of India's dark history of population control.

Sterilisations are legal in India, and four million were carried out between 2013 and 2014, the last year figures were available.

However, doctors are paid cash incentives to carry out the operations, and this causes some professionals to bypass safety regulations and rush surgeries to earn more money, risking women's health.

Saira Shekh, who had a hysterectomy at the age of 25, is one of many women underwent the procedure prematurely Simon Townsley/The Telegraph

A doctor is only mandated to safely carry out 35 daily sterilisations under Indian law. Dr Jibnus Ekta, the surgeon who carried out the 101 operations, is now under investigation for exceeding the allowed numbers.

When contacted by The Telegraph, the authorities in Chhattisgarh blamed a backlog of operations due to Covid-19 and said Dr Ekta was the only trained tubectomy surgeon �� a procedure that blocks the fallopian tubes – in the Surguja district of Chhattisgarh, home to one million people.

“This doctor went out of the way to help these poor women and operated [on] them. Instead of being praised, he is now being hounded. Nevertheless, we have initiated the inquiry against him for conducting excess surgeries [than] approved for a day,” the state’s health secretary Alok Shukla told The Telegraph.

Assa Ugray, from Ghodka Rajuri village, Maharashtra, had a hysterectomy aged 29 Simon Townsley/The Telegraph

Nearly 30 sterilisation camps have been held in Surguja this year and 821 operations have been carried out.

In India, tubal litigation operations – known colloquially as tube tying – are done under general and local anesthesia, either via open or keyhole surgery.

In these sterilisation camps, the procedures are done under local anaesthetic, according to the Chief Medical Officer of Surguja district, Dr Poonam Singh Sisodia. They involve using a falope ring to block the fallopian tube, preventing eggs from reaching the uterus where they could be fertilised.

Leading Indian gynaecologist Dr Ifrah Aslam said it was possible to conduct a tubectomy within a little as five minutes, but the quicker the operation the greater the likelihood of complications.

“There are chances of internal bleeding and injury to other organs because safety measures get bypassed in these sterilisation camps,” Dr Aslam said.

In 2014, at least 13 women died after undergoing sterilisations at a health camp in Chhattisgarh. Tubectomy operations were carried out on 83 women in six hours.

There are other, darker still, sterilisation scandals in India's history.

Sugarcane cutters are encouraged to undergo hysterectomies so they will no longer menstruate, allowing them to work every day of the month during the harvest Simon Townsley/The Telegraph

Back in the mid-1950s, it was the first country in the world to introduce a national family planning programme in an attempt to curb widespread poverty by limiting population growth – then, the average Indian woman had six children.

But, the policy quickly became one of the most hated in India’s history, as police cordoned off poor villages and dragged men to dingy operating tables where their genitals would be cut – whether or not they wanted the operation.

In 1976 alone, the Indian government sterilised 6.2 million men until the campaign was abandoned amidst massive public anger. Despite this legacy, permanent methods of birth control remain popular in India, particularly among poorer, remote communities that do not have regular access to condoms or birth control pills.

But, women now bear almost the entire sterilisation burden, constituting 93 percent of operations, according to 2018 government statistics.

“India is a patriarchal society and the sterilisation program is focused on women, reinforcing those same societal norms,” said Dr Sulakshana Nandi, national joint convener of the People's Health Movement.

“The government has to completely do away with the camp-based approach and ensure routine fixed day services for all those who choose to access contraceptive services.”

Population growth is less of a factor now; the overall fertility rate in India had already fallen to 2.2 children per woman by 2016 – narrowly above the replacement rate of 2.1, the number of births required to maintain a country’s population without migration.

However, women in India also face pressure to undergo equally dangerous hysterectomies – a more complex operation, where the womb is removed – to secure employment.

In the Beed region of the western state of Maharashtra, a staggering 36 per cent of women have undergone the surgery, according to a 2018 study by Maharashtra State Commission for Women.

There are few employment opportunities outside of sugarcane farming for poor women in the Beed. But it is backbreaking work. They are expected to gather 40kg bundles of cane and transport them to factories for processing, working 20-hour days in near 40°C heat, with no days off.

Many farm owners only hire female labourers who have undergone hysterectomies as some women request days off while they are menstruating due to the physical nature of the work, which has caused demand for the procedures, often unregulated, to surge.

While operations are carried out in a hospital rather than a makeshift camp, local activists say doctors again cut corners to maximise profits. The women are typically illiterate and don’t understand the risks involved.

“To save money they will use someone else’s syringe and put it in the next patient,” explained Manisha Tokle, the President of Jagar Pratishthan, an NGO in the Beed region working with sugarcane cutters.

“They will give them cheap painkillers and won’t give them pre and post-op care.”

When The Telegraph visited the house of Asha Ugray, 29, she was lying against the wall of her makeshift dwelling gasping for air. “I have a fever and I can’t move any part of my body because I don’t have the energy to,” heaved Ms Ugray.

“It feels like my whole body vibrates the whole time, I don’t have enough blood in my system and it is hard to breathe.”

Ms Ugray underwent a hysterectomy in the Beed after experiencing debilitating gynaecological pain and her employer wouldn’t grant her time off. Since the operation, she has suffered from internal bleeding, severe abdominal pain which makes it difficult for her to walk, and problems urinating.

In her village of Kasari 15 other women were also experiencing complications after undergoing surgery.

“To meet the demand for contraceptive services, the government must ensure adequate routine and quality services instead of resorting to mass sterilisation camps and unregulated operations,” said Dr Nandi.

“The dangers that mass sterilisations pose to women's lives and health are well known and repeating such violations is criminal.”

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a-velvet-vice · 3 years ago

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sciencespies · 3 years ago

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New tool to help farmers make crop input decisions

https://sciencespies.com/environment/new-tool-to-help-farmers-make-crop-input-decisions/

New tool to help farmers make crop input decisions

Reducing greenhouse gas emissions (GHGs) and nitrogen water pollution from agriculture are top environmental priorities in the United States. Key to achieving climate goals is helping producers navigate carbon markets, while also helping the environment and improving farm income.

A new tool developed by a University of Minnesota research team allows farmers to create a budget balance sheet of any nitrogen reduction plans and see the economic and environmental cost, return and margins, all customized to fields under their management.

“With these numbers in mind, farmers can make more informed decisions on nitrogen mitigation that not only saves them money, but also significantly reduces pollutants to the environment,” said Zhenong Jin, who led the research and is an assistant professor in the Department of Bioproducts and Biosystems Engineering (BBE) in the College of Food, Agricultural and Natural Resource Sciences (CFANS).

Previous tools did not allow for customized predictions for every field in the U.S. corn belt, as the computational and storage costs of running these crop models at large scale would be very expensive.

As outlined in an article published in IOPscience, the research team built a series of machine-learning-based metamodels that can almost perfectly mimic a well-tested crop model at much faster speeds. Using the metamodels, they generated millions of scenario simulations and investigated two fundamental sustainability questions — where are the mitigation hotspots, and how much mitigation can be expected under different management scenarios.

“We synthesized four simulated indicators of agroecosystem sustainability — yield, N2O emissions, nitrogen leaching, and changes in soil organic carbon — into economic net societal benefits as the basis for identifying hotspots and infeasible land for mitigation,” said Taegon Kim, CFANS research associate in the BBE department. The societal benefits include cost savings from GHG mitigation, as well as improved water and air quality.

“By providing key sustainability indicators related to upstream crop production, our metamodels can be a useful tool for food companies to quantify the emissions in their supply chain and distinguish mitigation options for setting sustainability goals,” said Timothy Smith, professor of Sustainable Systems Management and International Business Management in CFANS’s BBE department.

The study, conducted in the U.S. Midwest corn belt, found that:

Reducing nitrogen fertilizer by 10% leads to 9.8% less N2O emissions and 9.6% less nitrogen leaching, at the cost of 4.9% more soil organic carbon depletion, but only a 0.6% yield reduction over the study region.

The estimated net total annual social benefits are worth $395 million (uncertainty ranges from $114 million to nearly $1.3 billion), including a savings of $334 million by avoiding GHG emissions and water pollution, $100 million using less fertilizer, and a negative $40 million due to yield losses.

More than 50% of the net social benefits come from 20% of the study areas, thus can be viewed as hot spots where actions should be prioritized.

“Our analysis revealed hot spots where excessive nitrogen fertilizer can be cut without yield penalty,” said Jin. “We noticed in some places that reducing nitrogen-related pollution comes at a cost of depleting organic carbon in soil, suggesting that other regenerative practices, such as cover cropping, need to be bundled with nitrogen management.”

In the future, the team will expand the framework presented in this study and develop more advanced and accurate carbon qualification models through a combination of process-based models, artificial intelligence and remote sensing.

This research was funded by the University of Minnesota AGREETT program, the National Science Foundation and the U.S. Department of Energy Advanced Research Projects Agency-Energy (ARPA-E).

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Materials provided by University of Minnesota. Note: Content may be edited for style and length.

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usfix24x7 · 3 years ago

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Did You Know This About Roblox Game

Roblox is a web based game stage and game creation framework created by Roblox Corporation. It permits clients to program games and mess around made by different clients. Made by David Baszucki and Erik Cassel in 2004 and delivered in 2006, the stage has client made rounds of numerous classifications coded in the programming language Lua. For the majority of Roblox's set of experiences, it was somewhat little, both as a stage and an organization, because of both fellow benefactor Baszucki's absence of interest in press inclusion and it being "lost among the group" in countless stages delivered around a similar time. Roblox started to fill quickly in the second 50% of the 2010s, and this development has been sped up by the COVID-19 pandemic.[7][8]

Roblox is allowed to-play, with in-game buys accessible through a virtual cash called "Robux". As of August 2020, Roblox had more than 164 million month to month dynamic clients, with it being played by over portion of all kids matured under 16 in the United States.

Roblox Studio

Two blue polygons with a hole in the middle of them.

The Roblox Studio logo

Roblox permits players to make their own games utilizing its exclusive motor, Roblox Studio, which would then be able to be played by other users.[11] Games are coded under an article situated programming framework using a tongue of the programming language Lua to control the climate of the game.[12][13] Users can make available substance through one-time buys, known as "game passes", also as microtransactions which can be bought more than once, known as "designer items" or "items". Income from buys is parted between the designer and the Roblox Corporation 30–70, for Roblox Corp.[14][15] most of games created utilizing Roblox Studio are created by minors, and an aggregate of 20 million games a year are delivered utilizing it.[16][9]

Things and cash

Logo of the virtual cash "Robux"

Roblox permits players to purchase, sell, and make virtual things which can be utilized to improve their virtual person that fills in as their symbol on the platform.[9] Clothes can be purchased by anybody, yet just players with a top notch enrollment can sell them.[17][better source needed] Only Roblox managers can sell embellishments, body parts, stuff, and bundles under the authority Roblox client account;[18] virtual caps and adornments can likewise be distributed by a chosen handful clients with past experience working with Roblox Corporation.[19][20] There are a few people who plan things as an everyday work, with the most elevated acquiring makers making more than $100,000 per year off thing sales.[21] Items with a restricted version status must be exchanged between or sold by clients with premium participation status.[22]

Robux permits players to purchase different things, and are gotten by buy with genuine money, from a repetitive allowance given to individuals with premium participation, and from different players by creating and selling virtual substance in Roblox.[23][24] Prior to 2016, Roblox had another cash, Tix (another way to say "Tickets"), that was suspended in April of that year.[25][better source needed] Robux procured through the offer of client produced content can be traded into certifiable cash through the site's Developer Exchange system.[26] There are a sizable measure of tricks identifying with Robux, generally rotating around mechanized messages advancing trick sites, trick games intended to seem to give out free Robux, and invalid Robux codes.

#minecraft #roblox

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