#1989 might be her best album

[divkazkdovikde]

the fucking song cardigan is,

because:

tried to change the ending, Peter losing Wendy (the reference?! hello?!)

you drew stars around my scars, but now i’m bleedin’ (i can’t even explain how much i love this line)

leavin’ like father, running like water (honestly, fuck you)

when you are young, they assume you know nothing AND THEN: ‘cause i knew everything when i was young (mastermind, truly)

[midnightsslut]

A Guide to Red - The Quintessential Taylor Swift Album

After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.

Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album

2011 The New Yorker profile

Taylor Swift reveals new album is all about heartbreak - Extra TV

Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show

Lover diary entries from the making of Red (credit to @cabincreaking for the scans)

- All Too Well lyrics first draft (February 2011)

- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)

- Red (September 8, 2011)

- Holy Ground (February 2012)

- Nothing New (March 2, 2012)

- Working with Max Martin (June 10, 2012)

Red era - Listen to the original sixteen songs on the Red album at this point.

Red announcement livestream + Q&A

Red prologue

2012 Rolling Stone interview

2012 The Guardian interview

2012 Billboard interview

2012 Esquire interview

Sirius XM Town Hall - an hourlong interview from the day Red came out

Good Morning America - this is the first mention of the ten-minute version of All Too Well

Red track-by-track descriptions

Random interview where she discusses the connection between writing Speak Now and Red

I Knew You Were Trouble music video

Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)

Diary entry from Grammy night (January 25, 2014)

Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech

Final performance of All Too Well on the Red Tour - just listen to the speech here

Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.

Taylor’s description of Clean (skip to 11:18)

2014 BBC Live Lounge interview

1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out

Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general

All Too Well (The 1989 World Tour live)

2015 GrammyPro interview

All Too Well Super Saturday Night performance

Reputation Tour All Too Well speech

Red into Daylight performance - 2019 City of Lover concert in Paris

Re-recordings era - at this point, listen to the red vault

2020 Rolling Stone podcast

Red (Taylor’s Version) prologue

2021 Saturday Night Live performance

All Too Well: The Short Film + Behind the Scenes

Seth Meyers interview

2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.

2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights

Also listen to Midnights

The Eras Tour

All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!

Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)

Aaaand finally listen to The Tortured Poets Department, especially The Manuscript

This is a lot, but it’s worth it. Enjoy!

[allamericansbitch]

my review of ttpd is under the cut

i liken this album to digging through the cushions of a couch. sometimes you find money, sometimes mindless scraps, and sometimes it's weird shit you have no idea why it's there.

first things first i'll just reiterate what i've seen a lot of people saying: she needs to move on from jack and work with new producers. the production is so recycled, we've heard it before, it's no longer serving her art (and i would argue it's limiting it) and it's tired. the first half is midnights and 1989 vault tracks and i would like a new album to sound like a new album.

but you know who came in and saved the day, my man my man my man aaron with those real instruments and decent mixing/production skills that actually work with taylor's voice!

like i said before, i like a good chunk of this album, so what i'm about to say might come off strong but trust me. i feel like this whole album is very.... unnecessary. it's very repetitive, she's reusing so many metaphors, sayings, etc just song to song and then also repetitive production like i already touched on. her current mindset of creating art as frequently as possible, quantity over quality, is just becoming more and more hard to ignore. of course she can still write and work through her feelings but you don't need to release it. you can work through it and move on. the best songs on here have authority, know what they wanna say and tell a good story. the worst are just sitting there roaming around aimlessly and not saying anything new or anything at all really. there is a really interesting, good album in here... somewhere. move the cushions around a bit more.

here's some random/general bullet points:

the best songs for me are the ones with a clear message and simple production. she's not trying to sound smart with the lyrics and just making the song clunky and try-hard. so long london and loml?? clara bow? yeah yeah

speaking of the lyrics....... my god are they rough. she saw people saying midnights had some corny lines and said charlie puth hold my beer. this album genuinely has some of her worst, which is sad because we know what she's capable of.

none of the music matches the aesthetic but sadly that's become par for the course, but now the title of the album doesn't even fit for me. i feel like, if she wanted to name it after a song title, 'the alchemy' or 'i can do it with a broken heart' are right there. this isnt giving tortured poet.

all of this to say she needs to get new collaborators, stop surrounding herself with yes men, and learn to trim the fat and we'll be in a lot better shape.

[ohdorothea]

This tournament is being run by and for queer fans so please keep that in mind! Homophobes will be blocked on sight <3 More polls here and more info and lyrics for the songs under the cut!

The question is which song is queerer to you! Queerer can mean whatever you want it to mean; you might consider a song queer because you think it was written that way, or because of Swiftian lore. It might be queer to you because of how you relate it to your own life. Maybe you think from a purely literary standpoint the lyrics have queer themes; maybe you're just thinking about vibes!!!

If you’d like to send in interpretations or propaganda for a specific song you can send them to my inbox! All interpretations are welcome and let’s be open and kind in response to all interpretations <3

🫶🫶🫶

You Are In Love lyrics

One look, dark room meant just for you

Time moved too fast, you played it back

Buttons on a coat, light-hearted joke

No proof, not much, but you saw enough

Small talk, he drives, coffee at midnight

The light reflects the chain on your neck

He says, "Look up," and your shoulders brush

No proof, one touch, but you felt enough

You can hear it in the silence, silence

You, you can feel it on the way home, way home

You, you can see it with the lights out, lights out

You are in love, true love

You are in love

Morning, his place, burnt toast, Sunday

You keep his shirt, he keeps his word

And for once, you let go

Of your fears and your ghosts

One step, not much, but it said enough

You kiss on sidewalks, you fight then you talk

One night, he wakes, strange look on his face

Pauses, then says, "You're my best friend"

And you knew what it was, he is in love

You can hear it in the silence, silence

You, you can feel it on the way home, way home

You, you can see it with the lights out, lights out

You are in love, true love

You are in love

And so it goes

You two are dancing in a snow globe, 'round and 'round

And he keeps a picture of you in his office downtown

And you understand now why

They lost their minds and fought the wars

And why I've spent my whole life trying to put it into words

'Cause you can hear it in the silence

You can feel it on the way home

You can see it with the lights out

You are in love, true love

You are in love

You can hear it in the silence, silence

You, you can feel it on the way home, way home

You, you can see it with the lights out, lights out

You are in love, true love

You are in love

You can hear it in the silence, silence

You, you can feel it on the way home, way home

You, you can see it with the lights out, lights out

You are in love, true love

You are in love

🫶🫶🫶

How You Get The Girl lyrics

Oh, oh, oh

Oh, oh, oh

Oh-oh, oh-oh

Oh-oh, oh-oh

Stand there like a ghost, shaking from the rain, rain

She'll open up the door and say, "Are you insane-ane?"

Say it's been a long six months

And you were too afraid to tell her what you want, want

And that's how it works

That's how you get the girl

And then, you say

I want you for worse or for better

I would wait forever and ever

Broke your heart, I'll put it back together

I would wait forever and ever

And that's how it works

That's how you get the girl, girl

Oh-oh

And that's how it works

That's how you get the girl, girl

Remind her how it used to be, be, yeah, yeah

With pictures in frames of kisses on cheeks, cheeks

Tell her how you must have lost your mind, ooh

When you left her all alone, and never told her why, why

And that's how it works

That's how you lost the girl

And now, you say

I want you for worse or for better

I would wait forever and ever (Ever and ever)

Broke your heart, I'll put it back together

I would wait forever and ever (Ever and ever)

And that's how it works

That's how you get the girl, girl

Oh-oh

And that's how it works

That's how you get the girl, girl, yeah, yeah

And you know, oh, oh, oh-oh, oh-oh, oh, oh-oh-oh

That I don't want you to go

Remind me how it used to be

Pictures in frames of kisses on cheeks

And say you want me

Yeah, yeah, 'cause (And then you say)

I want you for worse or for better (Worse or for better)

I would wait forever and ever (Ever and ever)

Broke your heart, I'll put it back together

I want you forever and ever

And that's how it works

That's how you get the girl, girl ('Cause that's how it works)

And that's how it works

That's how you get the girl, girl (Get the girl, that's how it works)

And that's how it works (Oh-oh)

That's how you get the girl, girl (Oh-oh, oh-oh, oh-oh, oh, oh-oh-oh)

And that's how it works

That's how you get the girl, girl (Oh, oh-oh, oh-oh, oh, oh-oh-oh)

And that's how it works

That's how you got the girl

[cadaverre]

-ˋˏ✄┈┈┈┈ the swords are drawn, they really are

JUNO ☆ they/them (i dont mind she/her) ☆ minor (xv) ☆ bisexual ☆ cancer sun, libra moon, sag rising ☆ intp-t ☆ aus ☆ either a celestial god or a pebble ☆ anxious mess ☆ i change my theme way too much ☆ sparkling water > regular water ☆ in love with piercings and wants all of them ☆ professional procrastinator ☆ a humanities/arts/music girl in a science/maths world ☆ dont know much abt society but i know i hate capitalism ☆ wouldnt survive a day without spotify ☆ free palestine!! ☆

LOVES ⭑.ᐟ - literature, the arts, queer culture, astronomy + astrology, witchcraft, feminism (no terfs allowed!!!!), cold drinks, miniskirts, doc martens, dark red, nail polish, mascara, lipgloss, brie (always dreaming of cheese), pinterest, spotify, my headphones, the ocean, my grandparents house, spring+winter, fiddling around on the guitar, fantasising about being a famous musician, finding new music, snow, going to concerts, psychology, web weaving, learning languages (currently learning spanish and i want to learn latin!)

BOOKS ⭑.ᐟ - osemanverse, the hunger games, books by rhiannon wilde, tim te maro's subterranean heartsick blues, all the best liars, books by octavia butler (specifically parable of the sower and parable of the talents), the last true poets of the sea, acotar, the weight of the stars, the seven husbands of evelyn hugo, the picture of dorian grey, house of hollow, howls moving castle, harry potter (mainly marauders, FUCK JKR), i kissed shara wheeler, red white and royal blue, song of achilles, wings of fire, the secret history, crime and punishment

MOVIES + SHOWS ⭑.ᐟ - juno, dont look up, little women (2019), scream (i like most of them but 1996 is my fav by far), ladybird, barbie (2023), some of the mcu (thor and guardians of the galaxy <33), spiderverse (itsv is my love), gilmore girls, stranger things, loki, heartstopper, arcane, scott pilgrim takes off + scott pilgrim vs the world, mean girls (i love both hehe), dr who, percy jackson (the show, i um havent read the books), gossip girls, do revenge, my little pony, the bear, hannibal, we are lady parts, bottoms

MUSIC ⭑.ᐟ - boygenius + solos, taylor swift, glaive, brakence, paramore, ricky jamaraz, melanie martinez, lana del rey, ashnikko, girl in red, billie eilish, doja cat, big thief, adrianne lenker, ethel cain, mitski, remi wolf, cigarettes after sex, ericdoa, tv girl, clairo, the neighbourhood, bon iver, deftones, maneskin, courtney barnett, poppy, the smiths, american football, susannah joffe, renee rapp, mcr, the front bottoms, pierce the veil, gracie abrams, feeble little horse, esha tewari, radiohead, chappell roan, charli xcx

ALBUMS ⭑.ᐟ - the record, 1989 tv, around the fur, riot, three cheers for sweet revenge, all we know is falling, hypochondriac, girl with fish, doa, things with wings, punk2, songs, masterpiece, guts, lust for life, dykttatuob, punisher, stranger in the alps, i care so much that i dont care at all, collide with the sky, manic, badlands, folklore, trafoamp, k-12, crybaby, portals, this is why, ttpd + the anthology, hit me hard and soft, the bends, brat, the secret of us, home video

TALK TO ME ⭑.ᐟ - asks and dms are open for chatting/venting/whatever, i might take a while to respond ☆ i rarely follow people without an intro post/descriptive bio (with name, age group and pronouns especially) ☆ discord is astraeasparrow ☆ i dont currently have any trigger warnings tagged but just send me an ask/dm if you want me to tag something specific!! ☆dni: people who are: rude, racist, homophobic, transphobic, zionist, terfs, sexist, ableist, antisemitic

TAGS ⭑.ᐟ

#juno.txt -> ramblings, original posts

#asks -> asks ive answered

#ask bait -> send me asks!

#tag games -> tag games ive participated in

#beautiful mutuals -> interactions with my beautiful mutuals !

#spotify -> my music obsession

#junocore -> posts that are so incredibly mecore

#🩻 -> posts abt/for my fav

(im working on a better taglist with my moots tags)

SOCIALS ⭑.ᐟ pinterest ☆spotify ☆ carrd ☆ pronoun page ☆ letterboxd ☆ stats.fm

SIDEBLOGS ⭑.ᐟ @likeasugarcubeinateacup (notes app poetry) -- @sirenliight (short poetry + aesthetics) -- a close friends blog (you can ask for the url, i might say no) (im not that active on them though)

NOTES/UPDATES ⭑.ᐟ

☆ prev urls — astraeasparrow -> gu1lty-as-sin -> glcive

☆ last updated: july 10th 2024

☆ dividers by @plutism

thats all!! stay hydrated and have a wonderful day/night everyone <3

[dear-ao3]

could you explain the mclaren reputation era please I missed it

ok well i don't really understand it entirely so bear with me here as i fumble through this.

essentially yesterday mclaren archived (deleted?) every single one of their instagram posts (and there were Thousands) except for this kind of twist trap esque video of lando, oscar and their car with the tagline "whatever it takes" like the imagine dragons song, or perhaps a 15 year old boy posting selfies of himself in the gym.

this of course is exactly what taylor swift did however many years ago right before she dropped her reputation album, archived every single one of her instagram posts except for these three videos of a snake slithering around and i don't remember what the words were associated with it but it was foreshadowing her reputation album. this was the album that she released directly after she got a whole lot of shit for her 1989 tour, took basically 2 years off and came back with some s tier bangers about how basically she didnt really care what the media thought of her, but she was reinventing herself (remember the "im sorry, the old taylor can't come to the phone right now, why? oh! cause she's dead!" meme" but essentially, it was her comeback after awhile away.

mclaren, as we know, has not won a championship since 2008 with sir lewis hamilton. their driver line up, lando norris and oscar piastri, is the youngest pairing of drivers on the grid (lando is 24, oscar is 22) and while the 2023 season for them started off absolutely terribly (their car fucking sucked) they were able to do some major upgrades throughout the season and turned it around by the silverstone race (just under halfway through the year). from silverstone on (13 races total) mclaren finished in the top 3 nine times (with both oscar and lando on the podium at the qatar and japan races) and were consistently in the points. oscar also won the sprint race in qatar. and lando had i think 17 overtakes at the mexico race, starting 19 and ending 5th. which is kind of incredible. in a season of absolute red bull domination (lets remember that a red bull driver won ever race except for the singapore race, which carlos won with the help of lando) they were consistently challenging them and there was one time in texas (i think?) where lando almost was able to overtake max.

so yes, red bull is definitely the favored team at the moment and is coming off of quite possibly the best season they've ever had. however. mclaren have some distinct advantages going into the 2024 season:

they do not have to worry about silly season. as we know, 14 drivers have contracts ending at the end of 2024 which means the absolute mad rush to resign and offer contracts across basically every team. redbull is basically guaranteed to not resign checo and might even swap him for daniel ricciardo halfway through the season whereas lands contract with mclaren ends in 2025 and oscars ends in 2026. mclaren can spend all of their time worrying about the car and the drivers rather than who they are signing.

oscar piastri. oscar just finished his rookie season (and previously won the f2 and f3 championships and won rookie of the year this year). in terms of rookie years he had an outstanding one. people compared him to lewis hamilton's rookie year. as a refresher, lewis hamiltons rookie year was in 2007 (also at mclaren) and he won his first championship in 2008. oscar is the first rookie since lewis hamilton to get multiple podiums and win something in his rookie year. expectations are running high here.

lando norris's expiring contract. as we know lando has one more confirmed year with mclaren. cel of mclaren zak brown has announced that they want to extend landos contract with mclaren, but, hes starting to get really really good, which means that a top team like red bull or mercedes might also try to get him as a driver. this is the year for mclaren to prove to lando that they can give him what he wants (which is to win a race. in his 5 years of formula 1 he hasn't won anything. and once he starts winning then hes going to want to win a championship. but. there is max verstappen to contend with). so their absolute balls to the wall tactic could work pretty well for them here. pre season testing doesnt start for over another month and they are already clearly locked in to the 2024 season.

lando and oscar actually get along. sure, formula 1 is an individual sport, but there is the drivers championship (for the individual driver) and the constructors championship (for the team with the most points). so they do have to work together. drivers not working together in the past has led to some ... undesirable results for teams (the great brocedes civil war of nico rosberg and lewis hamilton that ultimately resulted in nico retiring after he won his first championship, whatever the hell was going with max and daniel for part of the 2018 season, the french civil war at alpine between pierre gasley and esteban ocon) they are also both very consistent drivers. neither are incredibly crash prone and seem quite willing to work together on the track to optimize results.

yes they do also have disadvantages. lando has never won a race, they only have one pole position between them (lando in russia in 2021) and they're not a red bull. clearly they're the underdog in the situation. but they did finish fourth in the constructors championship in 2023 ("best of the rest") (and after basically getting next to no points for the first several races on account of the fact that their car was shit) behind ferrari, mercedes, and red bull. they're coming for the top 3 and honestly it could be their season to lose.

if ferrari doesnt change their strategy approach then they could be out of a shot at top 3. also ferrari have to deal with the nightmare of resigning both of their drivers (or finding new ones). merc and red bull will both be giving it their all (lewis hamilton really really wants to win his 8th world championship before he retires and max is well. max.) but if mclaren has a competitive car from the start of the season and doesnt have to play catch up for the first several races, then they could easily finish in the top 3.

also they released their livery today? which really confuses me (is that different than the car unveiling? what is going on someone mansplain it to me please)

[tibby]

i think it's partly bc of rerecording her albums and having fans love the vault tracks that she now feels she cant leave anything on the cutting room floor just in case

i definitely think that's part of it, but - and i say this as someone who likes a majority of the vault tracks - i think it was a good thing that they were initially left on the cutting room floor. including them originally would have detracted from what the albums were trying to say.

speak now and 1989 are the best examples of this. the point of speak now was two things: taylor wanting to prove she could do it on her own, and each song referencing a specific person or scenario. with the exception of when emma falls in love (the weakest of the lot imo) and castles crumbling (which has a feature), the SNTV vault tracks are more...vague in who/what they're about. and sure, if they'd been released on the original album with the secret messages we might have more context, but that isn't something we can say for certain. speak now is the only album that's about multiple people and we can pinpoint who or what each song is referencing (except maybe sparks fly which was included for the fans, and haunted but that could be because i've never cared enough to investigate if it's about john or joe).

as for 1989, i think the vault tracks are definitely stronger than some of the songs that made the cut (as much as i love WTNY and HYGTG, they're not her best work), but i don't think they would have fit into the story she was trying to tell. whether taylor successfully made an album that is about independence and not love is up for debate, but she claims that was her intention. IION and say don't go aren't great fits for that story, especially since it was one she was trying to tell within the secret messages.

i think red's biggest problem is that it was already too long of an album (which is also part of speak now's problem). i think the red vault tracks fit the theme of all the varying degrees of love, but red TV clocks out at over two hours. it's possible that forever winter in particular was too raw a song to release at the time (has she played it live yet? i haven't kept up with eras tour that much).

and while i love the fearless vault tracks, i do wonder if including them would have earned it less acclaim. they're good songs, but fearless is by far her most polished album imo. even the deluxe tracks, which i also adore, kinda take away from how well rounded the standard album is. it's very possible it's only capped at 13 tracks because cds back then could only hold so much, but i also think that it was a better decision for the marketing of the album itself.

but now, with ttpd and the eight million versions of midnights, it's harder to find the good shit because it's surrounded by so much filler. and yeah, part of it is that some of the songs on those albums are just...not good (bejeweled my deepest enemy), but i think a culling would have greatly benefitted them. ESPECIALLY with ttpd. taylor's always been songwriter who releases stuff that could be diary entries, but at least before it was like...you at least edited this. now it just seems like we're getting every single journal entry as is. and it's tiring. 31 songs is too much. hell, 16 songs for lover was too much.

ultimately i think it comes down to the fact that she no longer gets any push back from the people she works with, and fans are both willing to accept quantity over quality and (for many swifties, but not all) there's just a refusal to criticise her work at all. and i think taylor's desire to constantly release new content (which i think is a combination of a constant need for relevancy combined with the fact she's always writing) combined with being surrounded by yes men and adoring fans is impacting her work negatively. which has been the case since lover if not earlier, but i think midnights/ttpd are her most glaring examples of it.

anyway lmao sorry this got long. sorry for never being on here and then finally showing up to have opinions about taylor swift. do you guys still think i'm hot.

[tgmsunmontue]

Online & Anonymous 9/16

Hangster. Explicit. Years before they meet in person Bradley and Jake strike up a friends-with-benefits relationship online. And then something more like an actual relationship.

Odd year = Bradley's POV and Even year = Jake's POV

>>Bradley chatting (bold and italics)

>>Jake chatting (italics)

2005/2006 2007 2008 2009 2010 2011 2012 2013

2014 – Jake

                Jake looks at the dates Nick has said he’s on leave and looks at his own calendar and scowls. It’s getting beyond a joke now and he feels like kicking something. Instead he goes for a long run, feet pounding the pavement in frustration. There’s nothing, not even a few days. Of course plans can change rapidly, which is what fucked them over in the past, so maybe it will act in their favor this time. He can only hope.

…            …            …

>>You know, with Taylor Swift’s new album I could put 1989 back in my username and everyone would assume I was just a fan.

>>You know who Taylor Swift is?

>>I’m a country fan. I like her older stuff.

>>Also I don’t live under a rock.

>>Old man.

>>Like you can talk.

>>You had your original birth year as 1986, you trying to make yourself younger now huh?

                Jake lets out a laugh, because this right here is how he knows he’s still talking to the same guy he started chatting to nearly ten years ago.

>>Nick, I’m thirty soon. That’s the age gay men die.

>>I’ll have a wake.

>>Bullshit. Don’t buy into that.

>>Life isn’t over when you magically turn 30.

>>Life just gets better. That’s how I feel anyway. Got my best years ahead of me.

>>Also I’m over thirty and I’m not chatting with you from my grave.

>>You might be. How would I know?

>>I might be dead by the time we actually get to meet the rate our luck is going.

…            …            …

                He knows the year is going to be a complete write-off when he enters the rec-room and Bradley Bradshaw is sitting there chatting with Omaha and Slipper. He can’t help but notice the two bars and tries to not let it bug him, knows it’s barely any distinction but it still rankles. As does the rejection, which is months ago now, it hadn’t been a stinging rejection by any stretch of the imagination, but it had definitely been a shutting down of anything, and those two-bars will be another reason or excuse Bradshaw will throw out there if Jake tries his luck again.

                Not that he will. He does note that Bradshaw hadn’t said he wasn’t gay, which is usually the first thing out of a straight man’s mouth when he’s asked out for a drink. Unless he’s completely oblivious, and if he’s being uncharitable then maybe he can think that Bradshaw is oblivious. But while he might not have taken Jake up on the offer of a drink, he’d been very quick to take Bambi out to dinner and then take her back to his place, where she’d spent the night. He’d thought he’d caught Bradshaw looking, but he wonders if it was just wishful thinking. Part of him wishes he was ignorant about all of it, but their base housing had all been too close for him not to notice.

                And now here he is.

                Stuck on a carrier with him for the next few months.

                And the fucker has gone and grown a fucking moustache.

…            …            …

                Fortunately Bradshaw seems to be content to keep his distance from Jake, almost like he’s wary of him; he also isn’t friendly, not like he is with nearly everyone else. Jake isn’t an idiot, he can extrapolate from that that Bradshaw doesn’t like him. He already suspected that was the case, and it rankles a little, but he tries to remind himself that not everyone has to like him. Something both Nick and Javy tell him. They’re in different squads, so fortunately the mutual avoiding each other is fairly straightforward.

                What does amuse him though is that Bradshaw has picked up a new callsign, Rooster, and the fact that he knows the origin makes him smirk every time he sees it on his helmet or flight suit. That probably doesn’t help endear him to the other man either, but Jake will keep his fairly benign callsign until someone gives him another one, or he does something either stupid or brave to earn one. He keeps up his Snapchat photo streak with Nick, although he does note the change of background of the morning coffee cup. Looks like every other fucking coffee cup on every naval carrier in the fleet.

                He looks up how many people are currently serving in the Navy and pulls a face at the number. 319,120. He’s one, and Nick is another. He supposes he should feel lucky that he at least knows Nick is Navy, because there are 1.35 million in the US military combined, which is an even more mind-boggling number when he tries to think about possibly of somehow just randomly bumping into Nick.

                Stranger things have happened though.

…            …            …

                “You don’t like me.”

                “I don’t know you,” Bradshaw replies, face bland and Jake responds with an equally bland smile.

                “And who’s fault is that?”

                He walks out of the rec room.

…            …            …

                He rings Javy to complain the next time they have shore leave, and for his credit Javy just lets him rant for a solid five or ten minutes before he tries to interject with anything.

                “Okay man. He really seems to get under your skin. I don’t know what to tell you, because I haven’t had any issues with him. He’s been… cool. He’s pretty chill and laid back, at least with all my interactions with him. Is there anything that you could have done that maybe annoyed him? More than just work shit that is…”

                “Oh. Uh.”

                “Jake… what’d you do?”

                “I asked him out?”

                “Seriously? With the whole attitude you gave him while we were at Top Gun you thought he’d say yes?”

                “I figured it couldn’t hurt to try.”

                “Well, I’m pretty sure he’s got something serious going with someone, at least, that’s what I’ve heard.”

                “Bunch of fucking gossips…”

                “Yeah well.”

                He suspects Javy has got his intel from Natasha Trace, and if that’s the case then it’s probably solid and correct. He doesn’t know what to think when he pairs that with the idea of Bradshaw having something serious but also having Bambi sleepover at the end of their Top Gun detachment. Unless the something serious is Bambi, which is also possible. Huh. He doesn’t say anything else though, because he doesn’t want to care anymore about Bradley fucking Bradshaw than he already does, annoying asshole. He does feel like he’s been a bit of a dick himself though, his comment he made about the fault being his that they don’t know each other. Jake isn’t usually that defensive, knows it’s got to be because Bradshaw turned him down, but he has to respect the guy if he does have something going with someone, because Jake wouldn’t have known, likely wouldn’t have ever found out, and he knows plenty of guys do.

                Too late to do anything about it now though.

…            …            …

>>You still out there having shitty sex?

>>Hey now.

>>I don’t go looking for bad sex.

>>It just happens to me.

>>You clearly have a gift.

>>Wow.

>>Thanks man.

>>Truly I am blessed.

>>You want a picture to cheer yourself up?

                Jake can’t type his reply fast enough, the pictures and videos that Nick sends him few and far between but so good, and he’s starting to develop a thing for long fingers. Especially when they’re wrapped around a cock, and he’s mentioned to Nick that the idea of Nick’s hand wrapping around both of them gets him hot. The picture that comes through is gorgeous, Nick reclining and the picture down the length of his body, one leg stretched straight, the other bent, his cock hard in his hand as he jerks himself. The lighting is warm, like it was taken at either sunset or sunrise, all pink and peach hues. They’ve both improved in taking pictures, and he takes a screenshot so he can stare at it properly later rather than getting flustered about the time bar getting smaller.

>>Saw you take that screenshot.

>>What are you going to do about it?

>>Nothing. Just letting you know that I know you’re going to jerk off to it more than once.

>>Yep.

>>Going to work myself over thinking about getting my mouth on you, sinking down on your cock.

>>I can’t exactly take toys with me when I’m deployed, but I can finger myself and imagine that it’s you.

>>God Jas. Send me a picture?

>>Sure thing.

…            …            …

                Bradley and his squadron leave the carrier after four months and Jake wishes he was leaving as well. Nick has leave soon, it would line up beautifully, but he’s got another three months of this deployment, and then he has four weeks of leave, but Nick is meant to be deployed again by then. The tide has not magically turned in their favor and lined up their leaves and he keeps his most bitter disappointment to himself.

…            …            …

>>Well, you aren’t the only one having shitty sex. Man some guys are dicks.

>>What happened ? Or should I not ask?”

>>Just a hook up. Blew the guy and he didn’t even reciprocate. Tried to give me a handjob but he wasn’t even trying or into it.

>>That doesn’t seem fair?

>>Well, it’s not always fair, but I’d kind of gone in hoping for reciprocation as a bare minimum. Ah well. Can only go up from here.

2015

[bananaofswifts]

BY RACHEL SONIS

It came to her in a dream (an embarrassing one, at that), Taylor Swift recalled about the origin of her song, “All You Had To Do Was Stay.” On the cusp of her ascent into stratospheric superstardom with the release of her fifth studio album 1989 in 2014, Swift explained to TIME that in the dream, her ex had come to her front door to get her back, and all she could say back was a high-pitched “Stay.”

“It was almost operatic,” Swift said. “I woke up from the dream, saying the weird part into my phone, figuring I had to include it in something because it was just too strange not to. In pop, it’s fun to play around with little weird noises like that.”

It’s how some of our greatest pop songs have come about: making music out of the weird or the strange. That's why it is all the more surprising that “All You Had To Do Was Stay” has never gotten its due. With the release of Swift’s rerecording of 1989 bringing Taylor’s version of the song, nine years after the original, the time has come to reassess the long underappreciated track.

There’s a science, of course, behind “All You Had To Do Was Stay” and its placement on 1989. The song falls into what Swifties call the “Track Five” factor. If you look at Swift’s albums, the story goes, the fifth track of each one is the saddest and most cathartic of the project—and typically best captures its mood and message. On Fearless, it was “White Horse.” On Speak Now, it was “Dear John” and on Red, “All Too Well.” The list goes on, and for the release of her seventh studio album Lover (with “The Archer” as track five), Swift acknowledged the clear pattern.

Contrary to popular opinion, this is also true of “All You Had To Do Was Stay.” It’s one of the saddest songs in Swift’s discography, but it’s created in a way that feels foreign to those who have been following her music since she cried tears on her guitar. In fact, it’s worth asking if it’s a strategic move for the self-proclaimed “mastermind” of subtext.

Saying so long to the country darling we once knew, 1989 marked Swift’s entry squarely into the pop arena. We heard inklings of this in Red two years prior, but this time, the shift in sound was unmistakable: Swift was charting a path toward a kind of pop stardom where her music was going to become ubiquitous and permeable—heard in your bedroom, your mom’s car, or even on the dance floor.

In many ways, this album was meant to be a light-hearted pop forward soundtrack to Swift’s life. “Shake It Off” and “Blank Space” were devil-may-care responses to the media circus and Swift’s romantic throes while “Welcome to New York” was a gleeful proclamation of young adulthood and finding one’s footing in a world that is electric and full of possibility. Even the most pointed of songs, “Bad Blood,” still feels coy and playful. But as any Swiftie knows, you can never have fun without the pain. And that’s where “All You Had To Do Was Stay” plays its critical role.

Perhaps that’s part of the brilliance of 1989, but also of Swift’s mastery. Behind the pulsing synths, drum pads, and processed backing vocals, lyrically, the story she’s trying to tell is just as vulnerable, relatable, and cutting. “People like you always want back the love they pushed aside. But people like me are gone forever when you say goodbye”—a line that lands with a sinister calm before an explosive “stay!” carries us into the chorus. There, with brutal honesty, Swift battles how complicated breakups can be: how you might hate someone and still want them back. How people inflict their deepest wounds on each other despite their best intentions. And how you can dance through the sadness and feel release—from that person and sometimes, even, from yourself.

Catharsis comes in many forms and from places where you’d least expect. Sometimes it’s tender and quiet. But it can also be loud and raise hell. With “All You Had To Do Was Stay,” Swift made clear that catharsis in the form of the latter was OK—that loudness and spectacle is OK. The song’s drama, sharp storytelling, and dreamlike quality are unmistakably Swiftian. At the same time, it shows the beauty of how pop music works: How weird and crazy sounds and your most embarrassing stories and dreams can be operatic and accessible. If only you give yourself enough room to lean into it and dance.

[silawastaken]

I love seeing people compare music to their favourite characters and go like 'oh yeah this verse might be this character... and then this one is the other one... and then this little bit here is them both honestly. Or something like that' because I HAVE gone through every taylor swift song on evermore and folklore and compared it to skk. Sorry to be autistic on the writing account, but this is a fanfic writing account and I'm writing my second novel length fic about them so what did you expect.

folklore/evermore are very canon skk, and verge into fanon and some songs are the reason for very specific head canons, or some of the ways I write the way they perceive each other. 1989... DON'T GET ME STARTED OMFG HAVE YOU EVER LISTENED TO BLANK SPACE? I THINK IT'S IMPOSSIBLE TO NOT HAVE AND OMG IT'S SO SKK CODED LIKE WTF. I HAVE VERY FIRM OPINIONS ABOUT WHICH LYRICS ARE THEIRS. Also the vault tracks literally exist what more do you want from me. 'i think about jumping off of very tall somethings just to see you come running and say the one thing I've been wanting' okay dazai pack it up you did that already, beast exists. 'i call my mom sister she said that it was for the best remind myself the more i gave you'd want me less' yeah yeah chuuya we know he left you get over it, it wasn't personal(think that line could go for either of them but the other line 'the way you faded till i left' feels more Dazai personally). Plus suburban legends. For personal reasons I struggle to listen to song without SPIRALING FUCK YOU THAT ONE PERSON SEHDHSSJNS but very skk as well 'we were born to be national treasures' is very soulmates of them. And out of the woods screams them in fanfic when they try to get better. Red, straight away all too well. They both remember it all too well. All too well skk cover with switching vocals anyone? The last time. The one with gary lightbody. Underrated song, is my favourite on that album, and SO THEM. 'this is the last time you tell me ive got it wrong, this is the last time i wont hurt you anymore' because they're fated to be together and are constantly drawn to each other and yet keep HURTING EACH OTHER RAGH. also 'we are never getting back together' is pretty funny and nice when applied to them. also state of grace. any taylor song with a mild drop of religious imagery is them cause yeah. but 'i never saw you coming, and I'll never be the same'... okay pack it up, we don't have time for your yearning. 'you were never a saint' (dazai abt chuuya) 'and i loved in shades of wrong' (bc hes toxic and doesnt know how to healthily like people) 'we learned to live with the pain, mosaic broken hearts' (bc they continue anyway and stick it out, living with the pain of being bad for each other because of how deeply they care). I almost do. Dazai after leaving. moving on to more religion, holy ground. 'for the first time i had something to lose' 'and i guess we fell apart in the usual way, and the storys got dust on every page' AAAAAA IT'S THEM. Can't really speak on debut- but I've listened to our song and picture to burn and if picture to burn isn't a vengeful chuuya idk what is. BOY OH BOY SPEAK NOW.

excuse me. one moment.

Mine- literally a skk au

Sparks fly- 'the way you move is like a rainstorm and im a house full of cards, you're the kind of reckless that should send me running' that entire verse screams dazai's fascination with corrupted chuuya, and the whole song is well yeah

back to december- dazai when they reunite just trust me on it just trust me on it. the repetition was intentional, that's how serious i am. 'i go back to december all the time' 'I got back to december to make it all right'

speak now- might just be me but it really makes me think of teen skk in fanfic harbouring urges to ruin the others relationship for 'some reason. I don't know, seeing him with her just... irks me'.

the story of us- first verse is chuuya, second verse is dazai, and the third is them both because they're LOSERS and they LOVE EACH OTHER and FUCK I'm CRYING NOW. 'id tell you i miss you but i don't know how' EMOTIONALLY CONSTIPATED BASTARD.

enchanted- self explanatory. for more context, i really think it's from dazai's pov in this case, could probably be both, but dazai fell first and harder so it's really like god he's been in love ever since he got kicked into that wall he wants him around forever. He held Chuuya's hand in the fight with rimbaud and then had all those close moments in the manga and went home to lie on his bed kicking his feet and giggling don't lie. (god im still crying this isn't helping)

better than revenge- they're both pretty vengeful idk it makes me think of iwsynttr for some reason

haunted- chuuya pov. 'i thought i had you figured out, something's gone terribly wrong' 'stood there and watched you walk away from everything we had' they're so sad, but the general idea of chuuya thinking he has figured out dazai and knowing how he thinks and then dazai just leaves suddenly and he's like 'Wow! I thought i knew you. How do i forget this'. 'wont finish what you started' bringing chuuya into the mafia then leaving it.

last kiss- 'you told me you love me so why did you go away' chuuya pov again oh god it hurts why am i doing this to myself? 'never imagined we'd end like this, your name, forever the name on my lips' yep yep ow.

LONG LIVE.- LISTEN. TO. THE. SONG. AND TELL ME IT'S NOT DAZAI AND CHUUYA. I COULD DO A WHOLE ANALYSIS ON JUST THIS SONG. 'promise me this, that you'll stand by me forever, but if god forbid fate should step in, and force us into a goodbye...please tell them my name, tell them how the crowds went wild, tell them how i hope they shine, long live the walls we crashed through, i had the time of my life with you' FUCK IT'S DAZAI AN HE'S IN LOVE WITH CHUUYA AND DOESNT KNOW ODAS GONNA DIE YET, JUST THINKS HE DOESNT GET TO KEEP ANYTHING HE WANTS. FUUUUUCK. THEY'RE IN LOVE AND DAZAI WANTS IT REMEMBERED PLEASE I'M SO SAD.

anyway, i can't pretend I'm normal about skk anymore i haven't even covered fearless, reputation, lover or midnights please somebody encourage me to actually write full things dedicated to each album and the most fitting songs from said albums please i'll do it and plus i need to actually gather proof for my autism diagnosis appointment so this would be a good way to to that probably. anyway yeah this'll never make it out my drafts lol

[taylortruther]

I don't know who to ask this to without it turning into a fandom war and you always have the best, nuanced, touched-grass takes, so can we please briefly talk about the Olivia credits thing 😭

Does Olivia's music really sound a lot like others or is this a case of discrediting young women in music? Asking literally sincerely; I'm not enough of a music person to know when inspiration turns to copying, I just usually can't hear it. I remember, for example, when 1989 came out, a lot of people felt that Wildest Dreams was very lana inspired, but nobody I think was accusing her of copying. Is the Olivia situation the same and it just got blown out of proportion, or are the ways her music are similar/referential to others larger musically? Or is it that the album as a whole felt referential? I just sincerely don't know LMAO And every time I try to ask I think people think I'm trying to be shady

tbh i don't really know how one decides, but lawsuits about this kind of thing are becoming more common (think robin thicke, which was a huge upset to some musicians--or the shake it off lawsuit.) and musicians is historically inspired by one another, which makes it tricky. when is it ok, when is it not? it's kind of a philosophical question in some instances, whereas in others it's cut and dry if you're being blatant (like vanilla ice and david bowie.)

some factors about this situation in particular:

olivia properly credited/sampled nyd for a different song (1 step forward or whatever)

olivia said cruel summer inspired the shouting part of deja vu

the internet compared misery business to good 4 u, and cruel summer to deja vu, A LOT upon the album release

jack said that his team did not ask for credit and was surprised to receive it

iirc hayley's team knew about the good 4 u situation before the song was released, but credits were added retroactively anyway (not sure why these steps were taken in this order tbh)

people also acused olivia of using a riff from an elvis costello song, and he basically said it might be true but he didn't care

evils costello has NOT received any credits

so there are some options i can think of. one is that the public pressure was mounting, so olivia's team just gave them credit voluntarily.

some people also think taylor asked behind the scenes, unbeknownst to jack, which i guess is possible but seems... unlikely?

i am inclined to think olivia's team did not want to face a lawsuit down the line (because it could hang over their heads forever, i guess, with the way the music business and copyright suits are going now), and offered the credits, and maybe, MAYBE??? there was an opportunity for paramore, taylor/jack/st vincent, decline but it was not taken. which is notable because they got like 50% of the rights (at least for deja vu) which is a lot of money, forever.

personally, good 4 u is blatant and it is not surprising they knew about the song before it came out.

deja vu is not as blatant but it is, imo, clearly inspired and it's undeniable because olivia admitted it. i don't know yet if i personally think "inspiration" deserves royalties and songwriting credits - speaking for the future of music. however, if taylor asked for it, i wouldn't be mad because this specific situation is so clear cut in a way other "inspiration" cases would not be.

none of this helps! sorry!!!

[daisyswift3]

Meet Me at Midnight—The Complete Guidebook

So I just had several epiphanies at once…..I think Taylor might’ve given us a guidebook for her entire plan this yr (and possible coming out?) several months in advance w the release of Midnights (very mastermind of her). Looking at the vinyls and bejeweled mv again this becomes evident. I’ll explain (Also please see this excellent analysis as it provides lots of context and evidence that aligns w this theory).

The moonstone vinyl is obviously related to bejeweled and is a light blue representing the 1989 era. Others have pointed out the numerous 1989 references in the bejeweled mv: rising to the 5th floor, 2013 vsfs aesthetic, lots of light blue, short hair, NYC vibes, her ghosting the prince and living her best single life, etc.

Moonstone symbolizes light and hope and new beginnings. These things have been shown symbolically in the recent pap walks. Light and hope: the sunshine rings. New beginnings: 🦋 on the jeans and no beard. There’s also the connection to the feminine: the girl squad. Cyclical change: her returning to the 1989 era w her squad boyfriend-free; the tides, moon, and sun also undergo cyclical change (blood moon lunar eclipse?).

A clock can also be thought to undergo cyclical change and Taylor chose to use this as the main symbol that represents Midnights. Taylor has said multiple times "It's a clock, it can help you tell time" which now I'm thinking means it can literally help you know when she's gonna make certain moves, like dropping the beard and returning to the 1989 era for example. TN posted this during the Midnights promo. The clock is split into 4 quarters. The moonstone/bejeweled vinyl is the first quarter which I believe we have just exited and I'll explain why shortly. This vinyl contains the numbers 12, 1, 2, 3 which could be related to "exile ends in 3...2..."

Going clockwise we end up in the 2nd quarter—blood moon or glitch. If the 12 hrs represent 12 months, then each vinyl or quarter of the clock would represent approximately 3 months (Jan-March, 1-3 for the moonstone vinyl which adds up bc the toe breakup was said to have happened mid March). I know the pap walks were done in April so this might be more of a rough outline for events. This means a “glitch” would happen roughly April-June…A blood moon represents chaos, disruption, and change, hidden information rising to the surface (gee kinda sounds like what’s happening right now 🧐). The lavender vinyl is also in the 1st quarter and seeing that it’s a song abt bearding it makes sense. But it also seems like this vinyl is supposed to be completely separate from the main 4 vinyls so it could have a different meaning. There are a bunch of great posts analyzing the blood moon/glitch, see here and here.

Sidenote: More on the bejeweled mv numerology and symbolism—she enters the moonstone vsfs-esque room on the 3rd floor. The clock Taylor’s sitting on is pointed at 3. There’s a ton of speak now easter eggs bc 3rd album. There’s 3 step sisters instead of 2 like in the original Cinderella story. The Queen Pat scene shows multiple motifs we’re all familiar w—angels, lions, a queen/royalty, an eye?? There’s probs a ton I’m missing. But yeah all that to say it seems she’s trying to connect bejeweled/1989 era 2.0 to the number 3 or March and to one leo VS supermodel angel woman. So it’s almost as if KK was still a part of this new 1989 era despite being absent from the pap pics.

Next vinyl is mahogany which would presumably take place from July-Sept. The last date scheduled for the eras tour is in Aug which would fall in this quarter. Strength and resilience are needed during this time? There have been a ton of exile, 8/3 references lately.

The last quarter/vinyl is jade green (Oct-Dec). It represents serenity and tranquility, perhaps symbolizing the peaceful acceptance of any ensuing consequences of making a life altering decision? Dec would be the 12th hr on the clock. So could New Years be the “last page” where we finally meet the real Taylor? I mean it is one of the most important midnights of the yr. In that post I mentioned earlier others pointed out how the Cinderella story fits into the general themes of Midnights. I think Taylor keeps using Cinderella imagery bc once the clock strikes “Midnight” on New Years the facade will be gone—“Shred my evening gown” // “Dappled w the flickers of light from the dress I wore at midnight leave it all behind” // “Spring breaks loose the time is near…moments that we stole on begged and borrowed time” // “You know when it’s time to go” // “If you wish to romanticize the woman I became then say you’ll remember me standing in a nice dress.” She’s telling her fans that the Taylor they love is a carefully crafted persona and the real her is not nearly as pretty and will be disillusioning to look at.

Furthermore, Taylor has really emphasized that she rejects the notion of a picture perfect 1950s life. "She would've made such a lovely bride what a shame she's fucked in the head" // "He wanted a bride I was making my own name" // "Picture perfect shiny family holiday peppermint candy" // "All they keep asking me is if I'm gonna be your bride.” Also think of all the wedding imagery she has used lately. "The bride was willing to risk it all." This video of her in a wedding dress singing champagne problems. The countless speak now easter eggs which would be overkill if she was just simply trying to tease a re-record. "Don't say yes run away now." I think she's saying that she's going to shred her wedding dress and the heteronormative fantasy swifties want for her and burn her house, a symbol of her life’s work, past selves, and closet, to the ground. Bringing it back to the serenity/tranquility symbolism, others pointed out in this post that in the eras tour wildest dreams visuals she looks perfectly content, peacefully sleeping while the world burns around her. She’s finally ready to shatter her glass closet and break free from her cage.

Jade is also the “Gem Supreme”: king of my heart; “Jewel of Heaven”: angels roll their eyes, no rules in breakable heaven, halo hiding my obsession, etc you get it; stone of the heart: again king of my heart, lover. This vinyl could be related to snow on the beach—“I searched aurora borealis green….your eyes are flying saucers from another planet.” Perhaps a reminder that she’s setting off but not without her muse?

With all this in mind I think it’d be good to revisit the Midnights prologue.

Of course this could be completely wrong and if she tours internationally and into next yr then it wouldn’t really make sense to come out yet. It could also be the case that the clock is meant to be read a different way or represent a 2 yr period rather than 1 yr. And maybe sometimes it’s meant to be read backwards instead since there have been some references lately to things being reversed? Idk what do you all think? Please feel free to add onto this !!

[lyrakanefanatic]

i’m trying to get into taylor swift’s music, do you have any recs?

p.s. have i ever mentioned that i love your blog theme?

OH MY GOSH I WAS SUPPOSED TO RESPOND TO THIS DAYS AGO AND COMPLETELY FORGOT IM SO SO SORRY BUT OFC!!!

and omg thank u sm!! my theme was supposed to be for summer but i think im gonna change it once winter rolls around 😭😭

okay, i have so many recs, but it depends on the vibes u want, and also these r just my TOP FAV songs:

obviously first and foremost i have to introduce the og: cardigan. cardigan is the most beautifully written song ive ever listened to, one that uses the same 4 piano chords repeatedly throughout the song. (with other instruments ofc BUT STILL!!) the lyrics are so beautiful and honestly, and if you’re reading while it’s raining, or you’re just in the mood for some heart touching music, cardigan is the song for you.

if u want to feel depressed and melancholy, want a sad piano tune with heart wrenching lyrics, then i give you: loml. this song is arguably the best on ttpd, (the tortured poets department) and the most beautifully written. it’s basically talking about a dead relationship, while using “dead” and overall deceased metaphors to do so.

now, if you’re looking for more pop, like, POP POP, the entire 1989 album does that. it’s VERY pop though, so if that’s ur thing, u might wanna check it out! some my favs on that album are “i know places”, “wonderland”, (i know places and wonderland remind me A LOT of javery so that’s a plus) and “you are in love”.

also folklore and evermore are my personal favs from all her albums so i’d give some of the songs on there a listen!!

okay im going to be more general now and give u recs of my fav songs from diff genres:

country: “our song”

“picture to burn” (i don’t really like country so i only like these two LOL) those are both on taylor swifts debut album, called “taylor swift!”

pop: “i can see you” -speak now, taylors version (from the vault)

“now that we don’t talk” 1989, taylors version (from the vault)

“delicate” -reputation

“i don’t wanna live forever” - this is a single she made featuring zayn from one direction (i think it’s a single anyway)

“hits different” -midnights

“guilty as sin” -the tortured poets department

indie pop: obv, “cardigan” - folklore

“cowboy like me” - evermore

“willow” - evermore

“ivy” - evermore

“mirrorball” - folklore

OKAY IF U LIKE INDIE POP BASICALLY JUST CHECK OUT FOLKLORE AND EVERMORE BC THOSE TWO ALBUMS TTTHHRRRIIVVEEE ON INDIE POP.

songs with heartbreaking lyrics and lowkey make u wanna cry:

“would’ve, could’ve, should’ve” - midnights

“all too well 10 minute version from the vault” - red

“tolerate it” - evermore

“nothing new ft phoebe bridgers” - red (its from the vault too)

“seven” - folklore

“this is me trying” - folklore

(again) “loml” - the tortured poets department

AND LAST BUT NOT LEAST, NICHE SONGS THAT TAYLOR SWIFT MADE THAT DESERVE MORE HYPE!!!

“renegade” by: taylor swift, big red machine

“the alcott” by: taylor swift, the national

OKAY I KNOW THIS IS WAY TOO MANY SONGS, BUT I COULDNT HELP IT!! 😭😭

hope this helped and that i didn’t scare you away from taylor swift’s music! 😊💗

[partyhardyinamaserati]

Taylor Swift (Jamie Tartt x Reader)

Warnings: Have not been writing for long and this is super self-indulgent.

Summary: Jamie takes interest in something (more like someone) that you enjoy. Reader’s gender is not specified.

You might have accidentally made Jamie Tartt into a Swiftie. It started when you were simply listening to Bad Blood (feat. Kendrick Lamar). A song that he didn’t even know existed. So, when he walked into your shared bedroom during Kendrick’s part, he was excited. You were listening to an artist that he really liked. He was then shocked to hear Taylor’s voice.

“Love?” He asks you as you’re bobbing your head while folding laundry.

“What’s up?” You respond.

“Is this a Taylor Swift song with Kendrick Lamar?” You just look at him and nod very slowly. He follows up with:

“What other songs by her do you think I’d like?” And that was that. You started him off with Reputation. He liked End Game, I Did Something Bad, Gorgeous, and Dress. In the back of your mind knowing that he would be an Evermore fan. Besides listening to Reputation, you introduced him to the rest of them in the order that they came out. Debut isn’t exactly his favorite but he liked Picture to Burn… kinda. When you got to Fearless (Taylor’s Version), he won’t ever admit that he cried to You’re Not Sorry. He does jam to Tell Me Why. On Speak Now, his favorites were Better Than Revenge and Long Live. With Speak Now also came you explaining what John Mayer did and how Taylor Lautner will go down as one of Swift’s best exes. Red (Taylor’s Version) came and suddenly the hate for Jake Gyllenhaal made sense and he became very scared for John Mayer and said something along the lines of,

“Sorrows, sorrows, prayers.” Ultimately his favorites on the album became The Lucky One and I Bet You Think About Me. When you finally listened to 1989 he was excited to be out of the woods country music wise-he will never admit that he kind of likes it. He immediately loves Clean, Wonderland, and New Romantics. You were surprised Bad Blood wasn’t on his list and he told you,

“It’s good but it’s not better than the others, babe.” After that you asked,

“Do you want to listen to Reputation again, for the sake of listening in order?”

“Nah,” he answered, “No time, we need to listen to all of the albums before repeating.” Then came Lover. You explained to him that this was the first album that she owned and everything about all of the things that happened and went down. Once you finally go to listen, he broke down listening to The Archer.

“It’s like she wrote the song just for me,” he explained to you. It was at that moment you knew he was going to break even more at Folklore and Evermore. In the meantime he also really enjoyed I Forgot That You Existed. Before you start with Folklore and Evermore you explain how she wrote them during quarantine and that they are more storytelling albums and not very poppy.

“Folklore tells the story of James, August, and Betty.” You told him. He nodded and it was off to the races. By the end of it, his love for Taylor Swift grew even more. When listening to Peace he has to look away from you but you grab his face,

“You give me peace.” You had been worried about this song. The public had many opinions on your relationship with him being famous and you having seemingly appeared out of nowhere. He was always worried that you would leave him to be rid of the limelight that you didn’t want. What he didn’t seem to comprehend was that he was your peace, and you didn’t need anything else when he was with you. He just looks at you while the rest of the song plays. You finish the last two songs on the album and leave it at that. You don’t bring up listening to Evermore the next night like he thought you would. He figured you were tired and let it slide, but once a week had passed he took matters into his own hands and listened on his own. When you finally asked,

“Ready to listen to Evermore?” He responded with,

“Already did, I now understand your love for Cowboy Like Me.” This sends you into shock, once you collect yourself, you are angry and proud of him at the same time.

“You listened without me?! I wanted to be here for every album!” And a few seconds later you add, “I’m really happy that you like her music.”

“I’m happy you’re not that mad because I also went ahead and listened to Midnights without ya.” He boasts.

“Jamie Tartt, I can not believe you listened to the last two albums without me!” You laugh.

“What can I say? You put me on.”

[foxes-that-run]

Perfect

Zayn said he wouldn’t buy the record when he heard Perfect (so salty!). Harry's emotions varied performing it in its short 27 performance run from Oct-Dec when 1D ended. These 2 stand out:

November 20 2015, rather than sing the Bridge Harry said to the crowd "if you think it's so funny you can sing it".

3 days later at the AMAs he rolls his eyes and looks ready to walk out, the camera cuts to a kid who seems to agree. (Bridge is 2:40).

It was only performed 6 more times, in Carpool Karaoke (10:30) Harry stops singing for parts and the song cuts before the bridge, at the Jingle ball he looks away and the last time was new years.

Or this concert he put the mike into the crowd, someone stole the microphone and licked it.

Safe to say he regretted that bridge, it's savage to them both.

Writers

Perfect ties with Fools Gold for the title of the Haylor song with the most writers, at 7. While Fools Gold has all 5 of the band, Bunetta and Ryan. Harry and Louis are the only band members who worked on Perfect with Bunetta, Ryan and 3 others:

Jesse Shatkin, (cowrote Sia's Chandelier)

Jacob Kasher (Maroon 5 collaborator), and

Mozella (cowrote Miley Cyrus Wrecking Ball and Fools Gold.)

To me, Perfect has more media grabbing pop-song than Harry Styles. HS’s best 1D work was with teams of 3 or 4 writers. In fact, Bunetta said Olivia came out in 45 minutes while overworking another "less good" MITAM song.

Timeline

Bunetta also told Rolling Stone about Perfect:

"That one took a long time, just because it was written over a couple different continents. It started as one thing and ended up where it is."

MITAM was made in the summer of 2015. To have been written in a couple of continents and with USA based writers it was probably either side of the BBMAs. It could have been started 'as one thing' in April in South Africa before the BBMAs other songs that reference Style including Two Ghosts started early in the year. The "ended up where it is" with those writers would be after the BBMAs, when they got back to the USA from July. This would be at the end of the album and he was singing it daily within 3 months.

Similarity to Taylors songs

It has the same chord progressions as Style and is also very similar to out of the woods as this video on Twitter shows. He called it a love song in the made in the AM interview (6 mins) and that it wasn’t literal in another. I do love this James Cordon bit and I love his Taylor smile so much.

Lyrics

[Verse 1: Louis] I might never be your knight in shinin' armour I might never be the one you take home to mother And I might never be the one who brings you flowers But I can be the one, be the one tonight

Grapejuice, has the perfect (get it) call back to this verse, along with 'Red' and 'Pay for it' and I love him for it:

"I was on my way to buy some flowers for you (ooh) / Thought that we could hide away in a corner of the heath / There's never been someone who's so perfect for me / But I got over it and I said / "Give me somethin' old and red" / I pay for it more than I did back then"

[Pre-Chorus: Liam] When I first saw you from across the room I could tell that you were curious, oh, yeah Girl, I hope you're sure what you're looking for 'Cause I'm not good at making promises

Promises come up again in Woman "Promises are broken like a stitches is", which is interesting if both Woman and part of Perfect are written after the 2015 BBMAs.

‘Know what you are looking for’ is interesting. In "Say don't go" and the 1989 TV Vaults in general Taylor did not get what she was looking for. At 23, dating a 19 year old Taylor told us she didn’t get wavy she needed. Her most recent ex, JG was 29. (yes - JG was the age Harry is now! Imagine if he did that) So I kind of stand by this line.

The start refers to the night they met. Which neither has ever confirmed, I think it was in 2011 (see timeline) Many look at the coat he tries on in the music video, which matches both his Up All Night Tour outfit (from December 2011) and the 2012 Kids Choice Awards. The awards are fun though. The Up All Night DVD also has it.

[Verse 2: Niall] I might never be the hands you put your heart in Or the arms that hold you any time you want them But that don't mean that we can't live here in the moment 'Cause I can be the one you love from time to time

Urgh I choose to attribute 'love from time to time' to one of the 6 other people writing this. To me this line always sounds like a boy-band heartthrob priority playing out in the writers room. No wonder it took time and HS1 to overcome this.

However, this does speak to a theme of them not being available to each other because of their careers and 1D punishing schedule. If I could fly's "I'm missing half of me when we're apart" and Half the World Aways " So you're not my girlfriend / Don't pretend that makes us nothing / Tell me you don't miss this feeling" speaks more honestly to the interplay of his band image, schedules and priorities which Taylor referred to Suburban Legends.

[Chorus: Harry, All] But if you like causing trouble up in hotel rooms And if you like having secret little rendezvous If you like to do the things you know that we shouldn't do Then, baby, I'm perfect Baby, I'm perfect for you And if you like midnight driving with the windows down And if you like goin' places we can't even pronounce If you like to do whatever you've been dreamin' about Then, baby, you're perfect Baby, you're perfect So let's start right now

Here are Haylor themes we know and love, Driving at midnight (Style, HYGTG, Wish You Would) generally going from a high schooler to superstar overnight (placed they can’t pronounce like Cannes), and hidden love/hiding (I Know Places, Slut!)

[Bridge: Harry] And if you like cameras flashin' every time we go out Oh, yeah And if you're looking for someone to write your breakup songs about Then baby, I'm perfect And baby, we're perfect

The camera’s flashing is good imagery and his voice brings to life how personally challenging it was for them both in a way I Know Places didn't with very few words. Taylor also refers to this imagery in Is it over now?

But the break up songs is a low blow and I assume the part he regretted to the point of not wanting to sing it. In a later interview Harry said:

“The only time you really think, ’is this song too personal?’ is if you think about, ‘is this going to be really annoying for the other person?’ Because I do [care],” he finished.

Which I think the break up song line would have been very annoying.

If you made it through that reward yourself with Grapejuice at Wembley 🍇

[r1ghtwhereyouleftme]

Ok ill admit I don't know as much about swiftgron as I know about kaylor, buuuut from what I've learned plus my own interpretations of the songs- here's what I'm thinking with 1989 (let people have fun and listen to the songs how we want, if you don't like that just scroll away)

I saw someone explain that most of the love songs are kaylor, sadder songs are swiftgron (and this love thats is a swiftgron song). And I think I agree there. I think this album was trying to moving on from Dianna and finding karlie, to put it simply at least

So song wise- there's only a few songs I wanna directly talk about rn. Those being the vaults and a couple others

I want to talk about style first. This one is both ships for me. I think it was written with Dianna in mind. I think thay song was first sung and created because of her. But- I think that it became about karlie. From the original VS Style performance to the Eras Style performance, I think taylor has shifted the song to be more about karlie. So written about Dianna, performed about karlie

Next is the vaults-

Slut! is kaylor. That's how I see that one. "If I'm all dressed up, they might as well be looking at us" feels like how eyes were on karlie and taylor everytime they were together. From the bff vogue video to Victoria's secret shows to kissgate. They were huge in the media back during 1989. Plus rhe feelings I get in this song are like- "for once I don't care about whay they say for once it's all worth it just to be with you" and thay falls in with a lot of kaylor songs we have

Say don't go to me feels more blurry to me im not sure on the full meaning yet. But "walk away and leave me bleeding" plus the knife mention made me think of the "remember those days" tweet. I also feel like this one could be the sadder version of how you get the girl. Like say don't go is what happened, hygtg is what tay wished happened instead or what she wished would happen. So it's like I wish you would and all you had to do was stay. Those songs all feel very very connected to me

Now that we don't talk- still working on this interpretation too. But I've seen people saying it has falling for your best friend vibes, which ofc is Kaylor. But it feels too break up like for kaylor in this era so I'm not sure

Suburban legends- kaylor. "So magnetic it's obnoxious" is very gold rush. "Kiss me in a way that's gonna screw me up forever", "class reunion" could actually be VS angels

Is it over now- possibly kaylor as well- but in the early stages where things couldve been messy and complicated. Maybe it's not actually over but she's scared it could be. Not to mention "models bed" feels pointed. "Red blood white snow" and "blue dress" makes me think of the out of the woods mv. "My clone" makes me think of karlie. So what if it's about both Dianna and karlie somehow? I have no idea this one's very alll over the place to me but in a good way

If you read this far ily you're cool