#1899 promo

[cinnamoncountess]

When the 1899 cast introduced their characters... (part 1)

[itsalongwaytotipperary]

it's been a bit, so allow me to introduce my least favourite article about 1899 ever:

I fucking hate this piece of text. idk how they even decided who the 'main characters' are since they only included 12 out of 15-16 characters in the promo material

[w0lfinsheepscl0thing]

I had a dream last night that 1899 wasn't canceled and Netflix was sending pieces of information and puzzles in the mail as promos. So, I was lucky enough to receive a ridiculously intricate book that contained a short children's story told in Spanish, a series of files that I didn't look at before I woke up, then another short story about a wedding told in Russian. I got excited and tried to scan as much information as I could, particularly interested in the first story since it had pretty illustrations, but of course I woke up. Honestly, what I saw looked genius, and I'm disappointed I can't remember everything about the book because I'd like to implement some things I saw into my own work lol.

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[cannellfan]

And...I'm back, with more promos for the Community Players Inc. production of "Murder on the Orient Express", coming up soon in February in Beatrice, NE. This graphic was created the last time I played Hercule Poirot, in "Black Coffee" on stages in both Lincoln and Beatrice in 2018. It shows most of the English-language actors who've portrayed Poirot in Film and TV (with one radio actor), plus me to round out the graphic. Can you identify all of them? Did you know...the first actor to ever portray the Belgian detective was actually legendary actor Charles Laughton (1899-1962), in the 1928 British stage play "Alibi", adapted from Christie's novel "The Murder of Roger Ackroyd". "Murder on the Orient Express" Performance Dates in Beatrice Feb. 10 - 7:30 p.m. Feb. 11 - 7:30 p.m. Feb. 12 - 2 p.m. Feb. 17 - 7:30 p.m. Feb. 18 - 7:30 p.m. Feb. 19 - 2 p.m. #murderontheorientexpress #communityplayers #agathachristie #herculepoirot Tickets available January 30th for those who aren't First Nighters or Season Ticket Holders, at: https://www.beatricecommunityplayers.com/murder-on-the-orient-express https://www.instagram.com/p/Cnfxl5CNmmY/?igshid=NGJjMDIxMWI=

[lewikdraws]

*slaps the roof of 1899* this show can fit so many triangles in it

[macbeth-s]

🜃 is the alchemical symbol for earth, one of the four classical elements in ancient Greek philosophy and science commonly associated with qualities of heaviness, matter and the terrestrial world. 

virginia’s dress / clemence’s earrings & hair clip / telegraph message / hatch door / ship carpet / lucien’s waistcoat / elliot’s tattoo / ling yi’s kimono

[tinyleia]

netflixpl

[pearlescentgem]

I hate when I start obsessing about a particular viral post that I disagree with, but recently a Brazilian author on twitter claimed that 1899, the new show on Netflix, was plagiarised from her comic Black silence. And like if you've even barely read the comic (which is like less than 100 pages) you can easily tell it's not similar at all.

I am posting this as someone who has both watched 1899 and read her comic.

Mary cagnin (the author) in her tweets has basically caught peoples attention by showing one panel of a black pyramid on the surface of an alien planet on her comic compared to a shot of a black pyramid in 1899 in the simulation, and tried to say they're copied the triangles in eyes in the promo shots by showing 3 panels of triangular lights being reflected in people's eyes.

Like this is what she has listed as similar points between the Stories. She even brought up having a multinational crew as a part of the plagiarism, like that is not what plagiarism means. Like basic mystery story structure is what she is claims 1899 has copied from her.

There is nothing similar about being on a steamship filled with over a thousand people going to America but turning out to actually be a simulation (1899) and being on a spaceship with a small crew going to another planet and the main guy finding out that one of the other crew members basically strong armed and manipulated him into joining the expedition (black silence).

None of the interesting plot points of 1899 have been copied from the comic, there is no time loop, no amnesia fuckery going on. 1899 has more in common with the matrix.

I feel like she could have mistakenly thought it was copied because she saw 1899 promo and was so familiar with her own work that she feels like it was very similar, but a casual reader would not have connected the two had they read it.

But her immediately going viral with this, posting it on twitter with the most generic similarities and vague, misleading proof makes me really annoyed, because there is support from so many people and it is therefore being covered by articles already.

The link to her twitter thread: https://twitter.com/marycagnin/status/1594190866041610240?t=3HStKP5DAr7lYEhe_e4ChA&s=19

[lafiametta]

I think I'm being driven to madness by Maciej. That guy. He is so HOT. I have nothing else to say, but I had no one to share that with. I hope to see more and more and more of him in Season 2, as well as Isabella. The chemistry between them lit up the flames of my olden shipping years that I never imagined would come back again. Your content is just fanning the flames as well, and for that I'll thank you for a million years. Happy New Year!

I won't disagree with you on that one, Anon — he's a very attractive man! He's also clearly aware of that fact... I'm assuming you've seen what he posts on Instagram... ;)

Aside from being very attractive, he seems funny and delightful in person (and very supportive of Isabella), at least based on the promo interview clips I've seen. (I'm somewhat ashamed to admit that I only recently learned how his name is actually pronounced.)

But, yes, the chemistry was off the charts, and I am literally begging Bo and Jantje for more Olek and Ling Yi interactions in Season 2. (I don't care if it's in another simulation, or in a spaceship, or on a desert island, or somewhere else we haven't even thought of... the only thing that matters is that my babies are together and making heart eyes at each other for at least several episodes!)

In the meantime, I'm glad you've been enjoying all my posts! It's kind of astonishing to me that I keep getting all these asks about Olek and Ling Yi (and even about 1899 in general), but it's been ridiculously fun to answer them! And if your appetite for Maciej still hasn't been sated, I will recommend another Netflix series he's in: 1983. It's a noir political thriller/mystery set in an alternative history Poland (the communists stayed in power and still run the country) and he plays a law student trying to unravel the mystery (working with a police inspector who looks like a Polish version of Stellan Skarsgård). And, just so you know, there are some, uh, very revealing scenes with Maciej in Episodes 4 and 7. (I'll just leave it at that. But if you think you're being driven to madness now, just wait.)

[cinnamoncountess]

When the 1899 cast introduced their characters... (part 2)

[sisionscreen]

You think the empress is going be big hit?

Hard to say. Netflix is seriously lacking in promo for it, especially outside of their German account, and it seems they are only subtitling it for most other markets and not dubbing it which could be an issue in countries that are used to dubs/not reading subs.

They are also facing a battle in the domestic German market against RTL with Sisi (2021). They can't really send their actors and actresses on their TV programs for promo since I doubt RTL wants to promote an opponent to its own series which is scheduled to release its second season this winter. RTL is the biggest private channel in Germany. It still leaves the public broadcasters and Prosieben/Sat.1 Group. But so far I haven't seen any of the actors or actresses on a program of theirs either. Maybe this is to come this and next week.

They also lack a bit in actors and actresses that are already established in their field, domestically and internationally. I think the only one who might be known internationally is Jördis Triebel since she was in Dark. The Empress is also competing with 1899, a series by the Dark creators which so far has received a bit more promotion than The Empress, has an international cast but still no release date.

But in the end, word of mouth could make it a hit if it is entertaining. It's really hard to say so far. Netflix seems to be a bit more confident than I since I just read that they have already written scripts for a second season. So let's see if they turn up their promotion volume for this and next week, since we are only 10 days from release. I will keep my eyes and ears open. Maybe the apparent embargo on set photos from the cast will finally be lifted. Which btw is in my opinion a mistake anyway. Sisi (2021) shared a whole lot without really spoiling anything and they got enough traction out of it to sell their series internationally.

[rotblut]

did you see that netflix cancelled 1899? 😔💔

.

see that's why i never watch european/american netflix shows because they get canceled even tho i thought that after dark they would get a 3 seasons deal for sure again because in the interviews they always talked as if that was already a done deal so i'm the dumb bitch that was sure about it and now feel embarrassed because of the cancelation. netflix is the bigger dumb bitch tho how are you investing that much money into just 1 season and canceling it after 1 month without any proper promo and it being a european show? the most expensive european show that hardly got promotional material all over the world? LMAOOOOOOOO also, they should just adapt the asian one season and it's done format for their american/european shows. at this point, that's the only way to win and for people to understand that that's the only thing they get. and they should drop the *cliffhanger mandate* they have for all their shows if they don't commit to them on a seasonal level. also add more numbers and maybe not drop the whole show all at once like split it up in 3 eps parts or 2 times a week again like the korean dramas do it.

anyway, was shocked and sad at first but now I'm over it. there's no need to lament and ask for pettitons this show is done.

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[handeaux]

20 Curious Facts About The “Old Lady of Vine Street,” The Cincinnati Enquirer

On Saturday, the Queen City’s last surviving daily newspaper celebrates its 180th birthday. Here are a few nuggets of Enquirer trivia.

A New York Birthday Twin The first issue of the Cincinnati Enquirer came off the presses on 10 April 1841. On the very same day in New York City, Horace Greeley published Volume 1, Number 1 of the New York Tribune. Merging in 1924 with the New York Herald, the New York Herald-Tribune eventually shut down in 1967.

What Goes Around . . . With all the debate about the voting rights these days, it is interesting that the lead story in the very first edition of the Cincinnati Enquirer consists of the entire text of a bill under consideration by the Ohio General Assembly “To Preserve the Purity of Elections.”

Publishing On The Sabbath On 20 April 1848, the first Sunday edition of the Enquirer appeared and created a great deal of controversy. Although it should be obvious that a Monday morning edition required a lot more Sunday labor than a Sunday edition, tut-tutting ensued. Only four other newspapers published Sunday editions in 1848 and all have ceased publication, so the Enquirer’s is the oldest Sunday edition in the United States,

Stop The Presses In its entire 180-year publication life, the Enquirer has failed to publish on nine days. For its first 102 years, the Enquirer missed only one edition when, in 1866, fire destroyed Cincinnati’s Pike Opera House and, with it, the Enquirer’s print shop. Since 1943, the Enquirer has failed to publish on eight days – all due to labor disputes.

Three Groans For The Francophile Rag When France and Prussia went to war in 1870, Cincinnati’s newspapers, fully aware of the Deutschland sympathies of their readers, quickly announced their support for Prussia. All but one newspaper, that is. The Enquirer proclaimed support for France, right up to Prussia’s crushing victory. A day after France’s surrender, Cincinnati’s Germans marched through the streets, stopping at every newspaper office to cheer. All but one. In front of the Enquirer, the crowd gave “three tremendous groans” of disapproval.

No Respect For Artists Lafcadio Hearn’s grisly reporting on the hideous crime known as the Tanyard Murder in 1874 is well known. It is not often remembered that two other major Cincinnati talents were involved in the dissemination of the gruesome details of this foul affair. Artists Frank Duveneck and Henry Farny – both of whom have multiple works on display at the Cincinnati Art Museum – provided the gothic sketches accompanying Hearn’s spine-tingling prose.

The Compositor’s Despair During the 1880s and 1890s, the sports editor of the Enquirer was a former news reporter named Harry Weldon. This was the era before typewriters when journalists turned in their copy on handwritten sheets. Weldon’s penmanship was so atrocious that few typesetters could decipher it. He was nicknamed “The Compositor’s Despair.”

Corrupting The Morals of Cincinnati’s Youth Cincinnati’s Roman Catholic Archbishop decried the Enquirer’s flagrant immorality in the 1880s, describing it as “a daily newspaper unfit to be read by any human being, much less a Christian.” The offending material? A “personals” column in the classified advertising section, through which young men and women arranged illicit assignations and prostitutes marketed their services.

Set ‘Em Up, Colonel! In 1899, the bonifaces of Cincinnati collaborated on a small book called “The Bartender’s Guide,” full of recipes for their signature cocktails. Colonel Thomas Cody, star mixologist of Covington’s Latonia Hotel, contributed the Enquirer Cocktail: A glass half-full of fine ice over which is poured a wineglass of imported sherry, a half glass of cream of cocoa, and eight to ten dashes of orange bitters, served with an orange slice.

Flowers For The Old Lady The deep ruby-red “Enquirer” carnation has been described as the most perfect cultivar of that species, mostly by the newspaper that sponsored a carnation-growing contest in 1899. Winning the plaudits, and a gold medal, was Richard A. Witterstaetter of Delhi, who bred this outstanding flower and named it after the newspaper who awarded him the gold medal.

Not Today, Madame! Under the iron rule of Marion Devereux, society editor of the Enquirer from 1910 to 1939, no respectable woman in Cincinnati would dare to select a convenient date for a luncheon, charity event or family wedding on her own. Every society matron in the Queen City religiously conferred with Miss Devereux to be assigned a date consistent with the regal editor’s social calendar.

His S.O.B. Book John Roll McLean was owner of the Enquirer from 1881 until his death in 1916. For a time, he was the unelected boss of Cincinnati, predecessor to George “Boss” Cox. McLean ran for office several times and always lost. He carried around a little notebook containing the names of people he particularly disliked. He called it his “Son-of-a-bitch Book.”

Diamond Connection Perhaps the most famous diamond in the world is the deep blue Hope Diamond now on display at the Smithsonian Institution. Few remember that this luxurious stone has a connection to the Cincinnati Enquirer. One of its owners was Edward Beale McLean, who owned the Enquirer (and the Washington Post) from 1916 to 1933. McLean bought the diamond for his wife, Evalyn. The diamond is reputed to be cursed. Maybe so; McLean died in an insane asylum.

The Rites Of Spring In the late 1940s and early 1950s, a young sportswriter named Whitney Tower gained a reputation as something of a character, even among the oddballs in the Enquirer newsroom. He was an excellent writer and turned out travel pieces as well as sports copy, but he really didn’t need the work because he came from wealth on both sides of his family. Every spring, he would enter the newsroom and proclaim a bawdy little ditty that began, “Hooray, Hooray, The First of May! Outdoor [lovemaking] begins today!“ Tower went on to cover horse racing for years at Sports Illustrated.

Owned By The Competition From 1956 to 1971, the Enquirer was owned by the E.W. Scripps Company, publishers of the competing Cincinnati Post. After buying controlling stock in the Enquirer, the Scripps Company purchased the only other remaining daily in town, the Times-Star, and merged it with the Post, leaving Scripps in control of every daily newspaper in town. Federal anti-trust regulators filed suit in 1964 and Scripps agreed to sell the Enquirer. Ironically, Scripps limped into a “joint operating agreement” with the Enquirer by the end of the decade in a last-ditch effort to save the Post.

Promo For A Face Change Throughout the summer of 1963, Enquirer readers found daily advertisements proclaiming nothing but “Bodoni Is Coming!” Curious subscribers called to ask whether it was a promotion for a trapeze artist or maybe a lawn fertilizer. On 30 September, the secret was out: The Enquirer had ditched Cheltenham, its long-suffering headline typeface for Bodoni Bold, adopted after much research into the optimum typeface to “give readers headlines they might read more quickly and with clearest possible understanding.”

I’m A Music Critic, Dammit, Not A Journalist! Longtime Enquirer classical music critic Henry S. Humphreys accompanied the Cincinnati Symphony Orchestra on one of its world tours. One night, he called the city desk to let the editor know he would not be filing a review of that day’s concert because the pilot got lost and landed the orchestra’s plane in the wrong city. He hung up on an editor dying for details but clueless as to where Henry had called from.

A Missed Bicentennial The Enquirer could have celebrated a bicentennial in 2018. Today’s daily newspaper traces its origins to a weekly launched on 23 June 1818 and originally named The Inquisitor and Cincinnati Advertiser. Over the next couple of decades, the paper was renamed The Advertiser, The Advertiser and Phoenix, and The Advertiser and Journal. Along the way, it began publishing twice a week and, in 1838, daily. On 1 April 1841, owner Moses Dawson sold the whole operation to the Brough brothers of Marietta, Ohio, John and Charles, who bought new type, but published from the Advertiser’s offices and presses 10 days later.

Happy Birthday! The Enquirer celebrated its 150th birthday on Wednesday, 10 April 1991, by publishing the news that the newspaper had won its first Pulitzer Prize ever. The prize was awarded in editorial cartooning for the work of cartoonist Jim Borgman, who had joined the Enquirer staff 15 years previously.

Grand Or Grey? Over many years, the Enquirer was known as the Old Lady of Vine Street, the title of Richard K. Mastain’s book on efforts to save the paper in the 1950s. Sometimes it was the Grand Old Lady of Vine Street. That’s the title of Grady DeCamp’s survey of Enquirer history published for its sesquicentennial in 1991. But, among competitors and targets of the Enquirer’s investigations, not to mention art & design critics appalled by its somber, bland layout, it was always the Grey Old Lady of Vine Street.

[spoilertv]

1899 - First Look Teaser Promo - Netflix Horror Drama https://www.spoilertv.com/2021/05/1899-first-look-teaser-promo-netflix.html