#1890 tech

[penelope-pitstop]

Théâtrophone poster, 1890 by Jules Chéret

[humanoidhistory]

Workers on a telephone pole in Sweden, circa 1890-1900. Photo by Carl Victorin.

[scavengedluxury]

Schoenichen-Hartmann's United Ship, Machine and Boiler Factory pavilion at the Millennium Exhibition, Budapest, 1896. From the Budapest Municipal Photography Company archive.

[faithfulcat111]

🙃For the ask game.

🙃 What’s a weird fact that you know?

Plato was a champion wrestler. Possibly jacked.

Ask Game

[kudzucataclysm]

refixing se’s early timeline

[agenderhyde]

thinking about how they could update one of my favorite museum exhibits to include modern day

[prokopetz]

I suppose the big reason I prefer to draw a line between steampunk (i.e., taking modern ideas about what a high-tech society ought to look like and projecting them backwards onto an imagined 1890s) and Victorian retrofuturism (i.e., taking what people who actually lived in the 1890s imagined the year 2000 would look like and running with it) is because the second one is typically way more batshit than the first. Steampunk gets you giant robot spiders; Victorian retrofuturism gets you a habitable Lunar surface populated by anthropomorphic bat people. These are both very cool, but the latter has a certain something the former lacks.

[oillipheist9000]

Heyy

So, this is mostly just a fun timeline I made with little research backing it, but I thought it might be cool to share?

It goes through what historical events happened throughout Alastor’s life that might have impacted him and sets the stage for what his life might have looked like. It does hinge quite a bit on US history, so I will also touch on parts of that for our friends who aren’t from the US and don’t know : D

Now keep in mind that this is more of just a list of fun facts that i’ve shoved into a readable outline, than anything put together lol.

Alastor is said to be in his 30’s or 40’s when he died in 1933, this puts his year of birth at a rough range of 1890-1900. For the purpose of this timeline, I will be assuming that Alastor was born in the year 1902 because I want to. This would make him 31 at the time of his death.

In 1892, the supreme court ruled on Plessy vs Ferguson, which was what established the idea of ‘Separate but Equal’ <- (i'm assuming people know what that is and stuff, if you don’t know, feel free to ask, I can give more of a history lesson)

From 1900-1909, education past the 5th grade did not EXIST in New Orleans for black children. This is a large part of why I believe a birth year of at least 1900 would be more accurate for Alastor, as he would have been 7-9 (2nd-4th) when middle school (6th-8th) became available to him.

In 1917, McDonogh No. 35 High School became the first public high school for black teens. Alastor would have been 15 in my timeline. This means that he would have likely been out of school for a year under the assumption that he wouldn’t be able to go anymore. (There were a couple private schools, but those were Expensive!!)

1920: KKK reemerged in Louisiana <- (again, assuming people know the history on this, if you would like a quick history lesson, lmk!!)

In 1921, Alastor graduated! Yay!! He is now 19!

Now, a fun fact! Throughout all of this, radio has not existed as a Thing in New Orleans. Alastor would not have grown up listening to the radio. It would have been new tech for him!!

In 1922, the first radio station came to New Orleans!!! It’s called WWL and it runs … drumroll please … ADS!!! In an attempt to raise funds for Loyola University! Exciting, right? : D

By 1927, the Federal Radio Commission was established in an effort to help organize airwaves, which had become messy and disorganized from the abundance of unlicensed, random people broadcasting.

1933: Alastor dies D:

Also 1933, oddly enough, A newspaper somehow managed to get radio stations in New Orleans legally banned from airing news from the last 24 hours?????

An interesting note. This ban went through in the summer. Deer season is in the winter (Dec-Jan), so it was either banned 6 months before or 6 months after Alastor’s death

1934: FRC is replaced by the Federal Communications Commission

This is pretty much all I have. I also am including some of the links to sources that I thought were interesting. Super open to discussions and questions lol. Hope someone enjoyed reading all this lmao

And also @nunalastor cause you seemed interested and I finally got everything together lol

[ego-meliorem-esse]

I present to you my years long obsession - female America.

This is not a Nyotalia version it's just a concept of "what if everything is the same but Alfred was born a girl". Like i see so much potential! In a world where all the odds are stacked against her, she despite it all gets to where she is today. Making good and bad decisions along the way.

A lil hc/backstory for my main girl:

• Given name (by dad Arthur) is Elizabeth Felicity Kirkland but during the revolution changes her last name to Jones. Her first name change happens in the 1820/1830s when she changes it to Alexandra, also dropping her second name. (I was young when I came across the name and it means "defender/protector of man" and I was /obessed/ so i just stick to it since she is a loser and just thinks it's a cool sounding name)

• She goes by Alex/Al and I think that's neat :)

• My girl is tall. Like 181 cm tall. Sender but with visible muscles. She does want a bigger behind but her Anglo-Saxon genetics say nah.

• As a child she spent more time in England due to her being a girl so I think even if Arthur was absent he didn't allow her to spend much time alone in the colonies. She resents that ofc

• Just like with Alfred, Alex is very fkn close to Matt even if she forgets to call him or check up on him for months at a time. Al: "Hey man I know I just called a while ago but how've you been? Matt: "you called me 5 months ago..."

• Works at NASA as a part time aeronaitical engeneer. Loves physics, hates chemistry (self projection im sorry)

• During the revolution she dressed up as a boy but the people she worked with knew she wasn't one. People went along with it anyway.

• Other than during the American revolution, she dressed in feminine presenting clothes up until the 1930s. After that it was trousers all the way!

• Alex was never a nurse during wartime but definitely did accountaint work in ww1 and later joined the Women’s Auxiliary Air Force (WAAF) where she stayed until 1943 when she joined her men fighting on the ground ( Conversion to Army status, Women's Army Corps - WAC). That's when she saw actual combat.

• Isn't fond of birds. Canaries are fine. Eagles are unsettling.

• Obsesses over a certan thing/hobby at a time up to a point where she perfects her skill. When she was about 14 (human years) it was the whole freedom and equality of man and all the politics regarding it. In the 1890s her obession was cars and motor vehicles. The 1910s brought a new obsession on womens rights. 1960s was space exploration where she devoted almost all her time researching and working for NASA, disregarding her goverment/state duties as a country. In the 1980s it was the internet. In 1990s she got really interested in the Balkan wars (self insert >:)) for whatever reason. Today her attention is mostly on social media and her attention span ia short af. Still really likes all things tech.

• Hasn't got many properties/real estate. Al does own a penthouse in Seaport, Boston and a late 17th and early 18th century colonial home in Newbury, Boston (that she needs to renovate asap). The only other real state she owns is in California, though modern and recently buit, it's not big nor does she spend much time there.

• Her personality is basicaly Alfred if he grew up as a woman and had to face opression based on sex and inequality that came with it. So still bubbly, extroverted, a social butterfly but also self-serving, idealistic, manipulative sprinkled in with sarcasm, cautiousness and craftiness. Same feckin sense of humour tho.

• In 1783, at the Treaty of Paris in Versailles both her and her father had to sign the document that started her independence (She herself had a human representitive 'cus of her age/sex bla bla but it was mostly formalities). At that signing Arthur gave her a flintlock pistol that he himself used in the 1640s. Not many words were exchanged, he just put it in her hand to keep. She still has it in her attic. Somewhere. She'd find it if she just takes the time to look for it I'm sure.

• In 1889 she straight up did her first war crime/murder of a fellow nation (if you don't count shooting her pops face off at Saratoga in 1777). After an altrication with Antonio that resulted in him insulting and slapping the girl for her audacity and mouthiness, she punched him straight in the jaw. A fight insued where she got ahold of his belt and straight up strangled him. Took her a while to process that and accept it. On the bright side Antonios scilence was heard around the world and while perplexed and insulted, older and influential (mostly male at that point) nations started to feel a glint of respect forming for the young startup.

• Al was given a family pocket watch by her father in the 90s (No more empire for Arthur so he sad :(((((( ) that was suppoaed to go to a firstborn son of a lord as an inheritance symbol. Everyone thought Jack would get it since Matt is techincally not Arthur's son. But even he would be expected to recieve it before Al. Then in an unexpected turn of events, while visiting her grumpy and nostalgeous empire-missing dad, Arthur pulled out the watch while eating stale kebabs in front of the telly and gave it to her casualy without as much as a word (The empire started with her, it shall end with her). She keeps it in her work desk drawer in a wooden box.

• Al and Zee have an interesting relationship. While being different in almost every aspect, there ia a mutual respect for eachother from eachother. While not really being able to see eye to eye, they are sisters in a certain roundabout and very fucked up way. Girls who learned that they are very much judged by their sex despite being daughters of a high ranking British lord. While aware that she will never be Alex/Elizabeth in her fathers eyes, Zee still gets treated as a treasure by her father. Much to Zee's annoyance.

• It's still Matt who's in Alex's shadow. Despite the dificulties she rises above and is the perfect child of an empire. Smart, intelligent, inquisitive, a fast learner and incredibly aware of the political and historical situation at all times. Even despite being a girl and less than a son in the eyes of a 17th/18th century society, she suceeds.

• Arthur wanted a son to come from his colonial endeavours, as all empires/nobility at the time did. And as all other empires at the time had. But ofc karma is a bitch and he's the only empire with an only child being a daughter. Though at first thougrly dissaponted, when he lays his eyes on his daughter for the first time, the only emotion he can feel is /joy/.

• Instead of sowing/knitting Al's education was very much focused on natural sciences, since that is where Arthur quickly realized she exels at. He swapped her Violin and General History of Music lessions with Astrophysics and The History of Astronomy. All in an attempt to stop her from making his ears bleed from the constant prattling about The Four Square Theorem or The Brachistocrone Curve. It only got worse, but his daughter was happy and content.

I have sooooo many more of these jfc i might do more later but for now this is all I can think of.

TLDR: Female America is great and has so much potential as a character hghhhhhhhh

[p0rchc0ll4ps3]

comparing case notes on the ride home at the end of a long day

did all the perspective myself! it kinda' turned out jank but it's what it's. i'll get better at it eventually

really tried to capture the essence of revachol architecture style with this. the metro lines were built by the communards in '79 of the last century, about 11 years into the dictatorship. various cities in revachol have metro, but none are as extensive as jamrock's metro. however, due to mismanagement and embezzlement and war, a lot of the metro stations remain unfinished, especially in the poorest parts of the city (for example, it was never finished in the coal city district of jamrock, which is big enough to count as it's own city. the metro line was dug out, but the tracks were never layed due to the project never reaching completion and due to the commies not really caring to build out there. in the valley of the dogs, which is in west jamrock and about as poor as coal city, the metro wasn't even built at all due to there being a huge immigrant population out there and a lot of bullshit from the government). anyways a lot of homeless people live out in those abandoned stations. this among a billion other things really adds to how much east revachol and its slightly richer cities really think lowly of west revachol and jamrock despite not being much better off themselves

the metro cars and the metro stations are built in the neo-perikinassian style that the communards favored for all their structures (neo-perikinassian is an elysium equivalent to our neo-classical style). this style intends to give a vibe of old world richness and power and strong authoritative government, while also attempting to create a strong, national revacholian architectural style, celebrating insulinde's original pagan origins by reflecting traditional folk patterning. communism in revachol wanted to be purely revacholian, taking zero influence from the colonies that revachol used to rule over. the dictatorship did away completely with insulinde's original colonial past, trying to embrace a new totally revacholian identity and erasing anything deemed not revacholian. unfortunately, revachol is an immigrant country, with a history of colonialism and slavery, and a LOT of that has become a huge part of revacholian and insulindian culture. revachol is a melting pot, a mixture of influences from all over. the communists tried to erase this and make a new identity, but of course this attempted to erase everything else that makes revachol revachol. so in trying to make a new, purely revacholian identity, they erased true revachol from the books.

anways, they favored the neo-perikinassian art style with folk embellishments, but because revachol is revachol, there are also a whole lot of style moderne (revachol's art deco, a lot of airships, sunrises, and anti-pale shit) and noul stil (revachol's art nouveau which involves a lot of ocean and air organic motifs instead of flowers and the like) influences of course. as you can see here, there's noul stil motifs in the way that the lights are pearls and that they have waves on them. in fact, to go on yet another tangent, revachol's 'new disco' architecture, which started in jamrock during the new with the building of skyscrapers and new buildings in the style and spread to the rest of revachol, is a modern day revival of style moderne and noul stil that combines elements of both (i get a very og wizard of oz emerald city vibe).

anyways that's my lore essay. i really wanted to capture the feeling of being in revachol, specifically jamrock. the metro cars are also slightly based off bucharest's communist metro cars as well as the newer ones, but of course with a lot of wood instead because revachol and elysium are in a sort of era with their technology that mixes something of a industrial revolution 1890s victorian london, 1910s america and big cities right before the advent of skyscrapers and cars but also 1920s tech, and 1970s radio tech and all that shit. idk. some fucked up conglomeration

also guy on the left is someone from my de server's oc. i don't know their tumblr otherwise i'd tag!

oh and i tried to capture some kind of how the people of revachol are in general all types of people from many different ethnicities etc. and and the guy in the back looking at harry is one of jean's friends, enzo, who, after getting rejected from the rcm for being too violent (which is a big deal bc the rcm celebrates violence), joined la puta madre and now works to double-cross both lpm and rcm, doing what benefits him best. when jean and harry got captured by the lpm about 3 years back and almost died, it was enzo who saved them. enzo's one of jean's many connections he has in the city. harry doesn't remember him (but he will eventually. he has to figure out at some point where that big nasty scar on his stomach's from).

btw i spent like a wholeass hour or two one day trying to figure out what type of wood revachol would have because the commies use ONLY LOCAL RESOURCES. so i needed to figure out what type of wood they'd have. and i figured it was some kinda' birch with a very specific ashy grey wood. of course you can't see it here bc of the color-grading but yeah. know that i did research on that. ok?

anyways if you read this whole thing thank you very much for reading and congrats on getting thru it hahahaha. i really need to figure out a name for this au bc this is NOT kurwitz's elysium LOL

[thethirdromana]

Who would you think would fit as the team's "tech wiz" in a more recent setting? Seward, Mina, Van Helsing?

I think it's between Seward and Mina, but in different ways.

Van Helsing is the Giles here. He brings information (not all of it accurate!) and knows the right people to ask. The main technology he brings is a dubiously innovative use of communion wafers. I imagine the research he does still taking place in dusty university stacks, even in a modern setting.

Seward is the guy with all the modern gadgets. He's the one queuing outside the Apple store to be the first to get his hands on the new iPhone. He has the technology but he doesn't necessarily think that much about how best to use the technology (see: the lack of organisation in his used phonograph cylinders). He definitely has every type of smart home product set up, and what's recorded there forms part of the clues in hunting down Dracula.

Whereas Mina is the opposite. In a modern setting she's surely a broke university student, or very recent graduate. She doesn't have all the latest toys because she can't afford them. What she does have is the ability to make technology work for her, which in Dracula manifests as memorising railway timetables.

In the modern day she might be the programmer who always writes really concise and elegant code because her laptop is too old and creaky to run anything bloated. She's be the one who's like, "hey, Jack, I wonder if your doorbell recorded anything useful?" And in both the 1890s and the modern day, she's a really fast typist.

[nishnormp]

thinking way too hard about things that probably do not need this much thought

In lieu of tfc merc brainrot, I have decided to do some historical research and character workshopping to shape out the details of everything needed in ficwriting. I have nothing else to post (my art is not going well) so I might as well scream about this

P1: TF2 alternate history bullshit

Abraham Lincoln inventing rocket jumping before the existence of stairs, the entire thing with Australium, so on. Despite TFC having modern kevlar (as opposed to looney toons weapons, but a bit about that later) and a more serious/gritty tone, the setting is still within the TF2 universe; which means having a weird fusion of irl history and vaguely reasonable fantasy absurdities.

To clarify, I am not a bona fide history nut who knows absolutely everything (ffs my own country's history doesn't even play much in western incidents). I've just been doing research thru online articles, videos, and talking to other ppl who know more than me, so my brain can lack a bit for certain things; do correct me if I get anything wrong.

By the 1850s (estimation) Australia became a tech giant due to discovering Australium, making insane progress in basically every field (and also making their population very jacked). Newfound inventions also require raw resources, and this page confirms that australians pick their leader mostly based on pure strength, which begs the question; are they still connected to Britain? Would there still be a benefit for them to be linked to Britian the way they are?

There are many cases where nations plunder other nations just for natural resources; Britian is one particularly infamous force with many colonies, which makes me wonder if Australia ever resorted to snatching them just to afford all the material components that their tech requires. Australia was part of the British Empire up until 1901 irl (not too far from 1890), but the question about resources and sovereignty(even if symbolic) still remain (Britain likely wouldn't like a territory growing at terrifying and eventually unmanageable rates, and at that rate I doubt Australia would settle for middling trade margins)

(Well, apparently Saxton owns England. But that was when he discovered the internet)

There's also the ensemble of first gen mercs. RED and BLU recruit progressively less important mercs as time goes on, starting from important historical/media figures, to modern militant professional-lookin dudes, and finally to the current crop of crackheaded TF2 mercs we know and love. The Original mercs I mostly want to focus on are Abraham Lincoln and John Henry.

I'm not exactly sure if John Henry is even a real person, but he was a symbol for labor movements and the civil rights movement; the fact that he IS a real person in TF2 lore is p vital methinks, especially since him and Lincoln seem to be on the same team. Mercs are paid a lot, even the "bottom of the barrel" tf2 ones: scout has his merch collection to show for it, medic has his exotic animal parts, heavy has his gun ammo (and also casually gave a child 7k dollars), etc; could John Henry have spearheaded civil rights movements not just in America but also other territories (like africa) with the bread and merits he got for the job? Does he have a legacy with rouge merc groups (armed unions?) that fight against imperialism? Maybe even effect/radicalize Lincoln about some things??? Unethical business practices still persist even in Saxton's era (hell, he's an example) but maybe the (hypothetical) challenges to Britain's grasp on its colonies and evolution of munitions would give the people an edge.

I have no idea how a drastically colony-less Britain would affect the timeline of WW1 (esp in less popular side-wars like in South Africa where Britain was very much involved, which may be problematic since my interp of cmedic is FROM there but anyways) (btw they only won that bc they out-attritioned Germany, but by that point maybe the dutch or the americans would take over), but surprisingly enough WW2 ends at around the same time it does irl, despite my initial thought that a roided-out Allied Australia would be more than capable of turning the Axis Powers into a skidmark. The likely explanation for that is that the finer details were just not important for the tf2 comics that took place AFTER (fair enough), but as someone planning to write the 1930s mercs . Pain . My working explanation is that seemingly unaligned private contractors can get ahold of weapons easier than Certain governments, which makes mercs more popular than national soldiers for carrying out certain missions (plausible employer deniability baybeeee).

P2: Conflicting class meta - CHeavy edition

Onto something less heavy, another part of ficwriting is figuring out how characters are...characterized. The TFC mercs dont have much canonical info (I've already turned two of them into straight up ocs because I am NOT going to write p3dos from start to finish of a longfic) so I settle for looking at other things, like gameplay and ingame roles.

The first I focused on was cheavy, the leader of the group. Grouchy, but a surprisingly tolerant team player.

This IS reused from a previous post (im lazy) but the first bullet basically says "otherwise, offensive heavies are frequently looked down on and the power of the other team's defense will have you dead in no time". Gameplay-wise, CHeavy is considered the simplest class and the easiest one to master; most tfc gamers think its a common noob pick. His total health is pretty good, he occupies a big space so he can block narrow paths, and the way he attacks is simple; but he's slow even when b-hopping (grenades cant boost him either) so he can be outrun/picked apart by other classes, which really shows in tfc's most popular game format: capture the flag.

I've seen about a handful video of tfc gameplay that WASN'T ctf (or the slightly diff gamemode with a defense system), and even if the 4th bullet point is right, those two classes are usually doing more important things during ctf. My main point is that despite being the leader, he isn't the type of class to lead the charge.

The most reasonable thing I can think of is that he's just . Really good at strategy and can keep track of his team while reliably holding down a position. That, and his superior bulk makes him shine more outside of the gravel pits. Whatever it is, it does make more sense to me now that I revisit the comic panels where he is VERY spiteful that his teammates got killed (rather than calling them weak, they fr matter to him bc otherwise, he isn't getting shit done)

(Ik the reason hes the boss is bc big scary dude and karmic ass-handing via other heavy who actually respects his doctor but shh the fic demands reasons)

P3: Conflicting class meta - Cmedic edition

The contradiction I can immediately clock is the fact that cmedic never gets mentioned despite his omnipresence in his original game. Most hc's I've seen interpret him as the exact opposite of the current medic, which is a dedicated doctor who also happens to be a sweetheart (with very rare exceptions), but may I propose the theory that all mannco medic mercs are bastards? I'm 99% sure that the original medic was sigmund freud. TF2 medic is just a menace. Post WW1 most moral and noble medics would bust their asses at hospitals rather than sign up to a contract tying them down to just healing 8 other people and killing other people over and over, but that's just my hc (we're all making shit up, might as well have fun with it).

The most common citing for cmed's hidden menace energy is his virus weaponry, but I think his ingame role also shows it pretty well. Practically taking the scout's niche and making it less punishing by having straight upgrades of his two weapons, giving healing utility AND also being able to sniff out spies like a cscout (he can't diffuse bombs or trail caltrops, but he's already powerful as is). Imagine being cscout, having to compete for flag capture points with this guy who practically has everything you have but better (instead of leaving behind super visible spikes he has a college degree). This isn't even like the modern sniper vs spy debate where it can still be debated that spy has a unique niche with his mindgames, cmedic just straight up took copied his homework, 98% percent matching on the plagiarism bot.

Cscout and cmedic beef is very likely, but if cscout is a literal god at what he does then there won't be much issue, since the best cscout is ultimately better at flagrunning than cmedic. Its likely that cscout is simply human tho, so that's some drama that can happen.

Funnily enough the tfc class that gets the most weight and hate on its shoulders is sniper. This is because servers have a limit on how many snipers can join, and if a shitty sniper took up the slots, the rest of the team would be pretty pissed. Meanwhile, a competent sniper is the bane of every player's existence; a missed shot can still slow someone down until a medic cures them.

P4: cmedic backstory building hell - barely organized nonsense

Last one I swear. My drawings of cmedic explicitly portray him as a person of color- more specifically a cape malay, from the cape territory in South Africa; he even curses in malay in one of the posts. Ig I wanted the cast to be more diverse, but it did make his backstory somewhat harder to write.

Mann co is situated in New Mexico, far from SA. How and why did he get all the way there? With the fanon worldbuilding I set, what is stopping him from simply joining a nearer merc group? Probably heard of it through the grapevine, and travelled for fat stacks; wouldn't be uncommon for doctors (or mercs) to be highly motivated due to money. I wondered of what would set him apart from all the other hypothetical medic applicants that probably graduated from upstanding colleges like harvard, then I recall all those common hcs.

1)Most applicants assumed that the job would consist of primarily healing, without considering how bloodthirsty their company would be, and/or 2)the BLU team has been getting genuine medics and chewing them up like gum (and spitting them out utterly mangled, I suppose). There's also the possibility that some margin of these medics actually had some weapon training, but at that point a lot of time has been spent (also some conflicting motives there, I can't imagine the perks that a deadly merc job has over a hospital job unless the guy got a kick out of it).

My next idea was to make him a ww1 vet on the side of the British (australian? american?) colonies of SA, having joined midway after finishing his education. However this would clock his age during the current 1970s timeline to be around 81, pretty old; most of the tfc mercs would be 70s max around that time. Cmedic is visually the youngest of the mercs too, you can compare his smooth eyes to the more sunken cspy's eyes and there is a notable difference. This is really just an issue of me being on the fence about fully oc-fying him (a friend of him suggested making him a vampire, I am almost tempted to make it so).

In the case that particular hurdle is overcome, there are more details I have to iron out. I figured that his motives either come from wanting to financially help out his family after the war's sheer devastation, or just . a general resentment for the way things unfolded, and he swapped to merc work in the states to get properly paid for his work and (attempt to) fill the void in his soul. Maybe a mix of the two. An outlier in his community for being a godless man and having very material and tangible masters (science and money), he abandons the lofty ideals of nationalism and sides himself with the highest bidder in the private market. Also developed an insane immune system (trenches and exposure are no joke).

(Certain classes have shared characteristics across gens, like the demos' deranged smiles and engies' wholesome vibes. With sigmund freud, tf2 medic as the archetypal mad doctor, and tfc medic as the archetypal capitalist doctor, there are now three gens of doctors with dubious machinations.)

He'd probably be a great medic, respecting merc code and all (funfact tf2 medic mentions tfc demo by name, implying that he knows his real name and putting a dent in my theory that being on a first-name basis is a big deal actually , my countertheory to that is that grey mann gave him the team's files and tf2 medic wants to spite them). Cmedic also reverse-engineered the medkit and made a new version for non-gravel war missions, since the usual has several hard drugs (heals to full instantly and gives adrenaline boost, sounds sus especially if you read jarate's side effects) since he ended up somewhat caring about his pack of rabid animals

[reality-detective]

Doom Tech | Earthquake Weapon | HAARP Project

Could antenna arrays situated around the world cause deadly earthquakes thousands of kilometres away? Did enigmatic inventor Nikola Tesla build a quake machine in the 1890s? What is the true purpose of HAARP?

You Decide 🤔

[scavengedluxury]

Post and Telegraph Office Switchgear on display at the Millennium Exhibition, Budapest, 1896. From the Budapest Municipal Photography Company archive.

[inviisiiblelee]

Vintage

Fandom: Hazbin Hotel Word Count: 2,224 Rating: Teen and Up Audience Relationship: Alastor/Vox Additional Tags:

Mentioned Valentino (Hazbin Hotel), Mentioned Velvet (Hazbin Hotel), Vox is Bad at Feelings (Hazbin Hotel), One-Sided Attraction, Unrequited Love, Lost Love, Alastor is Bad at Feelings (Hazbin Hotel), Soft Vox (Hazbin Hotel), Soft Alastor (Hazbin Hotel), Fluff, porting from AO3, link included above if prefered.

Notes: An entry for Tumblr RadioStatic Week Day 2: Vintage. I'm late by a week, but I will be writing for each prompt anyway. This definitely falls much more under the unrequited vibes. Vox is obsessive.

----------------------------

Glowing red eyes focused on the blueprints on the table. Vox’s hands were deft, gentle with the small pieces he was fitting together in front of him. The blueprints were as detailed as he could think to make them, but he rarely worked with wood products anymore. It had been years, maybe even decades since he had touched the material, especially a rosewood as beautiful as this. He usually worked with metals, able to use his power to work holes of good sizes and engrave himself. But he also hadn’t worked anything by hand in years just as well. The factories produced everything now, and while he often made prototypes of certain products, he still didn’t usually work the material himself anymore. He would put it together and handle the tech parts and the programming. 

But this was a simple wooden build, with only a few moving parts for a reason. Of course, those parts were metal, shiny and well polished brass. Recreating and making things a little more efficient was something he was good at, even if he didn’t do it often. He could cut out a few in between parts in favor of newer, modern pieces, while still maintaining the original effects. He had hired someone especially to make sure the music piece would play properly, and he was able to make those pieces himself with clear instruction. His fingertips could get hot and were easily sharpened, and he was more than familiar with ensuring holes in metal were an appropriate size. Plus, he had several sheets of brass ready in case he did need a few trial runs.

His work bench was covered in wood shavings and dust, the smell of burning fibers. But a few screws, several hours, an infuriating amount of time spent bent over into the light, engraving into the wood with red-hot fingertips and listening to the same little tune over and over again until it was perfectly placed. Vox stepped back to look at the completed box, closed and fully varnished and dried, something he’d done to the pieces days before assembly. The outside looked about the way it should have at the time of the original designs, in the late 1890's or so, clean corners and raised layers. A shiny little keyhole for a simple lock and key to turn and open it. The top lifted up, Vox had taken time to engrave the image of a deer on the inside in the unvarnished wood, grazing on some grass between trees. The inner parts of the box were otherwise everything they needed to be, the disk of brass meant to spin and pluck along a musical comb underneath. It looked perfect, and it put a smile on Vox’s screen, before it fell slightly. He tipped the box over, and there was the false bottom.

With the hollowed space opened up, he picked up a small sheet of paper that he folded into fourths before tucking it in and placing the bottom over it. A screw in each corner and it was hidden away. It was … unlikely to ever be found. But that was fine. 

Another quick set of checks before Vox gathered the music box, tucked it away in a bag, and left his little workshop area. He didn’t use the room often, it branched off of his office, something he’d built into the VoxTech building but hadn’t used almost at all since the early 2000’s. Sometimes he would build a thing or two, but that was typically at his desk, not in there. It was fairly late in the night, nothing unusual for him to be up at, but a time he knew the majority of the building would be shut off, Valentino and Velvette probably having already retired to bed. So it was very easy to make his way out of the tall towering office without any incident. He walked with purpose, entered one of his smaller vehicles that would garner almost no attention, and made his way to the inner city. 

Vox parked a few blocks from the destination, intending to walk the rest of the way. He didn’t have a clear idea of why he was really doing this. He didn’t … have a good reason. This was silly, a ridiculously sentimental impulse to have indulged for the last week. He supposed he thought he would give it up halfway through, and even now, he thought maybe he would make it to the front door, and then he would abandon ship. He could still go back. Destroy the thing, or repurpose it. 

But no, he was walking his way right up to that stupid Hazbin Hotel, and stood at the double doors for a little while. It was two in the morning, and it was unlikely anyone was in the lobby. He didn’t want to risk leaving the thing out on the steps, it would be far more likely to be destroyed before ever even being spotted. Or stolen. He pressed one hand on one door and pushed, feeling it give and open with slight pressure. It was quiet and quick, and he peeked inside. The worst that could happen was … well. A confrontation, he supposed.

But he was lucky. The lights were low, only a few around the bar left on to illuminate the area, which appeared to be empty. No patrons, no staff, and that was perfect.

A few steps in, closing the door behind him. The remodel had clearly gone smoothly, and it was definitely for the better, given what glimpses of the interior he had gotten before. It helped that Lucifer had led the efforts seamlessly, it took them all less than a day to construct. Lucky bastards. But as he idled in the lobby, he noticed a television set around the sitting area on the other side. Perfect.

A quick approach over to the tech, and Vox dug the box out of his bag. He placed a single note card on top, bearing the name to whom the gift was for.

Alastor.

Single spaced, typed out, using the basic Arial font. He didn’t want to be connected to this. The back of the card bore a simple set of lines. Enjoy. Hand-made for your listening pleasure. He didn’t think hand-writing the note would be a good idea. Signed or not, he was sure Alastor would remember what his penmanship looked like, given it had hardly changed in over fifty years. So typed it was. A soft sigh left him as he stepped back, looking at the gift left on the television for a long moment before turning and making his way out.

“Alastor! There’s something down here for you!” Charlie called out excitedly from the lobby. Alastor was not really in the vicinity to hear, but he did quickly appear at her call, as he always did, emerging easily from the shadows, smile wide. 

“Oh? What do you have for me?” he asked smoothly, glancing down at the wooden box that she was holding. He read the card bearing his name, and his brows furrowed slightly. If it were a gift from Charlie, why would she bother with a card as such?

“It’s not from me, and no one else is owning up to it either,” she said, also looking a little confused. “It was just sitting in the lobby when Husk came to open up, and he gave it to me when I came down.”

“Well, let’s take a look together, shall we?” Alastor said simply, placing his microphone in the crook of one arm and taking the box in his hands. It didn’t seem to be anything inherently dangerous.

“I did open it,” Vaggie admitted as she approached out of curiosity. “It doesn’t look like anything too weird, or like any sort of weapon.”

“Vaggie! It’s just a gift!”

“Oh, it’s quite alright, Charlie. Vaggie has the right idea, triple-checking things.” Meanwhile, he turned the card around and read the few lines typed out on the back. For his listening pleasure? Hand-made? Odd.

The key taped to the card – or rather, re-taped by Vaggie – was clearly needed to open it, so he pulled it off and opened the box, peering at the inside. The scene of a grazing deer, engraved by some sort of heat into the wood, greeted him first, and he found himself blinking in some surprise. There was no signature, no name anywhere inside, and he wondered if the hand-made comment was simply a lie. But there was a certain amount of humanity in the lines, flaws here and there that convinced him more that it wasn’t the case. It was clearly a music box. There was a crank left on the music disk, and he inserted it into the hole it was clearly meant to fit into. Setting the box down, he went ahead and turned it to allow the box to begin making its music.

The song began to play, and Alastor felt something shift in his heart. It was a song he recognized, a song that he was most familiar with in the 70’s, and his mind was left trying to figure out who would make such a thing, or send such a thing. His smile wobbled, but he forcefully kept it up, as a single name arrived as a possibility that he quickly shook away. There would be no reason he would do any such thing, surely. Charlie and Vaggie both appeared entranced by the music, and Alastor seemed stuck in place, so the song played in full and eventually stopped to leave them in silence. Alastor stepped forward and snapped the box shut, tucking it under his arm.

“That’s such a nice gift, do you know who- oh. Where did he go?” Charlie spoke to Vaggie, realizing Alastor had disappeared amongst the shadows again.

The Radio Demon was back in his room, and the box was back in his hands, opened and being examined. He was searching it for just about any semblance of information on who had sent the pesky little thing. He shook it a little in his hands in frustration when he found nothing at all. But he heard something seem to slide against the wood inside of it. 

He paused. Was it just a mechanism piece? Another shake gave the same noise, but it didn’t sound like anything that should have been in there.

He sat down with it, examining the well-crafted item, noting the screws on the bottom of the box after a closer look. He produced a small screwdriver and worked the metal out of their holes, finding the hollow spot where the folded paper resided. 

“Ah-ha!” 

A triumphant little noise and he withdrew the folded note, placed the music box gently down on his desk, and read it. 

Alastor.

Today marks it being officially eighty years since the day you saved me from Hell, in every literal and figurative sense. Technically, a total of a hundred years since meeting you for the first time. Things are weird and different now, and I wish that wasn't the case, but hopefully you have fond memories about this song, that maybe it can remind you of what we used to be. Who I … used to be. And maybe it'll bring you a little happiness, too.

With love, Vox.

Oh. 

So it was Vox's doing as he first thought. Somehow, it was almost relieving. That no one else seemed to be aware of that part of him, or that it ever existed. There were really few who remembered that once they used to be close, but … truly Alastor had thought that Vox was one of those people. There was a mix of feelings boiling in his chest, he felt like, and he couldn't begin to sort out what was more prominent. Anger? Rage? Something … softer? Sentimentality? Regret? 

His fingers pulled the box back into his lap, flipping it back over. He cranked the handle and let the song play again, his expression softening. He thought he'd buried most of this decades ago. He thought Vox had buried this all decades ago. Alastor was more than aware of the date, though he had no intention of being so actionable on it. It meant Vox came during the night, and Alastor hadn't noticed. For once, he had been able to sleep, and it appeared it had been conveniently during the time he had arrived. Stepped right into his domain to drop off a ridiculous gift that he made plenty of effort to be unattached to. 

He could remember the many times they'd danced to this song. It was an original piece by someone more local, Vox had been enamored by it, and Alastor had agreed that it was very good. Vox bought the record without question and when they lived together, back in the 70’s, they would often play it. 

Alastor shook his head, trying to dispel the memories. It hadn't been like that for so long. Vox moved out a couple decades later, abandoned him for work and profit and frivolity. Lost himself to the corporate world somehow, though it was frankly surprising he'd managed to go so long with any individuality in the first place. 

But he couldn't seem to harshen the smile on his face as the song played. 

Thank you, old friend.

[newtlesbian]

i have such a powerful love for hermanns aesthetics i love old tech and and how it fits with his character. finally the old fashioned archetype but still a tech genius. not enough people go that alan turing style scientist route in Every way like hermann. with their old fashioned characters its always like bleh i wear sweater so i dont know computer bleh but they fucking should because hermann………. oh hermann.

he Coded those fucken big ol robits. hes the realest dude out there i need him. im bored of that urge some people have to treat computers as more modern when the historical aspect is more interesting. plus hermann was born in 1989 anyway so like lol. and the aesthetics of the pacrim world are different than ours. earth but sexier

i love picturing him with antique machinery and old computer monitors and surrounded by rust and dust. its what guillermo del toro calls “gothic tech” and “ww2 inspired” thats the foundation of what pacific rim is visually and everything about it describes hermann exactly. all those interesting beautiful machines. i dont care about pristine unused nonpractical ugly brandnew shit what i want is some real sexy old bricks with some genuine substance and weight to them that have proved theyre worth it. again hes the realest

there are scifi holoputers but still classic pacrim. cool scifi projector but coming from that same old tech. something unexpected below the rough surface. another hermann description. also how he is newts other half. hermann is the part who works in theoretics and numbers and coding and predictions and more intangible abstractions not things that can be physically touched (hand phasing through the projection of light. this all circles back to his own rough exterior & withdrawn closed off nature) unlike newt who is slanging glowing tanks of organs and physically touching machinery assembling with dirty hands and slicing into flesh while splashing blood.

the tech is all Old and just by the fact that it exists while looking so old fashioned actually says its Sturdy and Dependable and Capable and more Meaningful underneath the layers that appear stuck in another time. it looks that way as contrast to show it has Survived and Fought long enough to get the HONOR to appear out of date. it doesnt need to change. again all words to describe hermann. the rust is her battlescars. i love u sexy old tech aka i love u hermann. and to think a five paragraph post can be inspired by me joking that he would crank it to a video of antique crank pencil sharpeners from 1890-1920 <3