#1885 paintings

[imkeepinit]

Brolladors del Generalife (1885) by Santiago Rusiñol

[obsession-of-aesthetic]

"David and Saul" by Julius Kronberg (1885)

[artthatgivesmefeelings]

Sir Hubert von Herkomer CVO RA (Bavarian-born British, 1849-1914) Miss Katherine Grant (The Lady in White), 1885

[misscromwellsmonocle]

The Cottage (1885) by Vincent van Gogh

[stealingpotatoes]

Yoda is ancient though. He probably does Opium or something.

me when i'm down opium den with my good hussies and ne'er-do-wells and that green cunt walks in

[thespaceyace]

A visitor 👁️‍🗨️

[gameraboy2]

Played! by John Lavery, 1885

[k-i-l-l-e-r-b-e-e-6-9]

𝔖𝔭𝔦𝔯𝔦𝔱 (յՑՑՏ) 𝔄𝔯𝔱 𝔟𝔶 𝔉𝔯𝔢𝔫𝔠𝔥 𝔭𝔞𝔦𝔫𝔱𝔢𝔯 𝔊𝔢𝔬𝔯𝔤𝔢𝔰 ℜ𝔬𝔲𝔵

[venustapolis]

Eve (Anna Lea Merrit, 1885)

[vizuart]

Marie Spartali Stillman - Love's Messenger (1885)

[marejadilla]

Anthony Frederick Augustus Sandys, “Cassandra”, 1885, pencil, watercolour and coloured chalks on light blue paper.

“Augustus Sandys (1829 — 1904) British Pre-Raphaelite painter, illustrator and delineator associated with the Victorian era. His works focused on mythology and portraiture.”

[imkeepinit]

The Herring Net (1885) by Winslow Homer

[mote-historie]

Anna Palm de Rosa (Swedish, 1859 - 1924), Konstnärinnan framför Staffliet (The artist in Front of the Easel), 1885

Anna Sofia Palm de Rosa was a Swedish artist and landscape painter. In the 1890s she became one of Sweden's most popular painters with her watercolours of steamers and sailing ships and scenes of Stockholm. She also painted a memorable picture of a game of cards in Skagen's Brøndums Hotel while she spent a summer with the Skagen Painters. At the age of 36, Anna Palm left Sweden for good, spending the rest of her life in the south of Italy where she married an infantry officer.

[artthatgivesmefeelings]

Sir Hubert von Herkomer CVO RA (Bavarian-born British, 1849-1914) Miss Katherine Grant (The Lady in White), detail, 1885

[misscromwellsmonocle]

The Rat Who Withdrew From The World (1885) by Philippe Rousseau

[artsandculture]

Ivan the Terrible and His Son Ivan on 16 November 1581 (1883-1885) 🎨 Ilya Repin 🏛️ Tretyakov Gallery 📍 Moscow, Russia

Although Repin strayed away from painting historical episodes, he completed Ivan the Terrible and His Son Ivan in the genre. This painting depicts the historical 16th century story of Ivan the Terrible mortally wounding his son in Ivan in a fit of rage. By far the most psychologically intense of Repin’s paintings, the Emperor’s face is fraught with terror, as his son lay quietly dying in his arms, blood dripping down the side of his face, a single tear on his cheek. Repin began thinking about painting this historical episode after the assassination of Alexander II. In an attempt to recall other bloody episodes of Russian history, he painted this piece as a as an expression of his rejection of violence and bloodshed.