#1868 paintings
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Ruins of a Gothic chapel at full moon, 1868. ― Felix Kreutzer (German, 1835-1876)
#Felix Kreutzer#Gothic chapel#ruins#ruin#decay#1868#19th century#19th century art#art#painting#artwork#gothic aesthetic#goth architecture#gothic architecture
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Johann Friedrich August Tischbein (German, 1750-1812) Amalie von Levetzow (1788-1868), 1803 The 15-year-old Amalie of Levetzow appears delicate, graceful and almost floating. The life-size portrait was created on the occasion of her wedding, whereupon the pigeon with the myrtle branch. Tischbein was a sought-after portraitist. He had trained with his uncle in Kassel as well as in Paris and Rome and gave his figures with great painting fineness and liveliness. Amalie became the mother of Ulrike von Levetzow, who fell in love with Marienbad, 72-year-old Goethe 17 years later.
#Johann Friedrich August Tischbein#Amalie von Levetzow#1788#1868#1803#1800s#1700s#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#western civilization#the west#culture#female portrait#female#portrait#portrait of a lady#lady#german art#german#germany#classical#traditional art#real people
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Dante Gabriel Rossetti, Lady Lilith
#i read an article that claimed the model for this painting was Rossetti's wife‚ Elizabeth Siddal‚#but Rossetti started working on this painting in 1868 and Elizabeth died in 1862#btw Elizabeth Siddal was the model for John Everett Millais' Ophelia#she got very sick after Ophelia was finished because she posed for the painting in a cold bathtub#art#dante gabriel rossetti
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A Saint of the Eastern Church (formerly called A Greek Acolyte) by Simeon Solomon, 1867-1868
#1867-1868#19th century#simeon solomon#art#painting#pre raphaelites#pre raphaelite brotherhood#saint#eastern orthodox#religious art
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Dante Gabriel Rossetti, “Venus Verticordia”, 1868, oil on canvas. English poet, illustrator, painter, and translator. Pre-Raphaelite Brotherhood and Symbolism. Russell-Cotes Art Gallery & Museum.
#dante gabriel rossetti#venus verticordia#1868#oil on canvas#oil painting#painting#art#english artist#symbolism#pre-raphaelite#russell-cotes art gallery & museum#red#long#hair#woman#portrait#venus#goddess#roman goddess#love#lust#desire#arrow#apple#eve#flowers#roses#butterflies#honeysuckles#public domain
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i've seen the term "prix de rome" pop up in descriptions of several artworks i've reblogged here. apparently it was a prestige competition where artists competed in making the best depiction of a specific motif for that year (mostly taken from mythology or ancient history). what i DESPERATELY need is a table overview of each year's subject and participiants (not just winners!!), which the internet is NOT giving me
anyway here are the epic cycle-related motifs i've managed to find traces of so far:
(some years show two subjects, i'm guessing this is either a mistake in my sources, or the painting, sculpture and composing-competitions were working off different motifs)
1717: aphrodite asking hephaestus for armour for aeneas
1769: achilles placing the body of hector before the body of patroclus
1771: the battle between athena and ares
1801: achilles receiving agamemnon's envoys
1803: aeneas' flight from troy
1809: priam at achilles' feet
1810: the wrath of achilles
1812: odysseus and telemachus slaying the suitors
1815: briseis mourning patroclus
1816: oenone refusing to heal paris, OR odysseus and neoptolemus finding philoctetes
1817: helen saved by castor and polydeuces
1820: achilles rewarding nestor the prize for wisdom at the funeral games
1822: orestes and pylades
1823: aegisthus discovering the body of clytemnestra
1825: antigone burying polynices
1831: achilles pursued by xanthus
1843: oedipus exiled from thebes
1845: odysseus and nausicaa
1849: odysseus recognized by eurycleia
1850: the death of achilles
1852: philoctetes on lemnos
1854: hector and astyanax
1859: aeneas in latium
1860: orestes resting at the altar of athena
1861: the death of priam / the fall of troy, OR chryseis reunited with her father
1866: thetis delivering the divine armour to achilles
1868: the death of astyanax
1871: oedipus and the corpses of his wife and sons
1875: clytemnestra (just. clytemnestra?)
1876: priam at the feet of achilles AGAIN
1880: odysseus and telemachus reunited
1881: the wrath of achilles AGAIN
1883: oedipus cursing polynices
1888: odysseus and nausicaa AGAIN
1912: oedipus finding his dead sons
1934: odysseus and calypso
#SUDDENLY THINGS MAKE MORE SENSE#like here they are! the neoclassical lot's favourite and standardized motifs#THIS is why i'll find multiple paintings of a specific scene that seem even MORE aesthetically conforming than usual!#and why there are oddly similar paintings of such a minor scene as nestor receiving his reward at the funeral games#how many competitors where there each year?? WHO KNOWS#but now at least i can look for these specific paintings in a more methodical way#i'm EXTREMELY intrigued by 1868. i've only seen the winner of that year but i need to find more
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Dawn (Adolphe Alexandre, 1868)
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#art#german art#painting#oil on canvas#death#allegory#wilhelm leibl#totenschädel mit leichentuch 1868
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#art#paintings#museum#art pieces#tumblr art#Lawrence Alma-Tadema - Woman and Flowers (1868) [1498x2000]
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source: bishopsbox
Hugues Merle (French, 1823-1881-mary)
Magdalene in the cave (1868)
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Daily Painting
Frédéric Bazille PORTRAIT OF PAUL VERLAINE (1868)
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𝔈𝔵𝔢𝔠𝔲𝔱𝔦𝔬𝔫 𝔬𝔣 𝔈𝔪𝔭𝔢𝔯𝔬𝔯 𝔐𝔞𝔵𝔦𝔪𝔦𝔩𝔦𝔞𝔫 𝔬𝔣 𝔐𝔢𝔵𝔦𝔠𝔬, 𝔟𝔶 É𝔡𝔬𝔲𝔞𝔯𝔡 𝔐𝔞𝔫𝔢𝔱 𝔬𝔦𝔩 𝔬𝔫 𝔠𝔞𝔫𝔳𝔞𝔰, շՏշ × ՅօՏ 𝔠𝔪.
#Édouard Manet#art#The Execution of Emperor Maximilian (1868–69)#artwork#painting#Illustration#execution#executioner#firing squad#Execution by firing squad#oil on canvas
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Louis Matout (French, 1811-1888) Assembly of the Gods Fresco, 1868 Louvre Museum, Paris
#Louis Matout#French art#French#France#Assembly of the gods#fresco#1868#1800s#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#greek mythology#roman mythology#mythology#mythological art#myth#french#france#french art
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Train Depot
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The Traveller by Ford Madox Brown, 1868
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The Dead Alchemist, 1868 by Elihu Vedder (1836-1923), oil on panel 36,6x51 cm. Brooklyn Museum
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